Uncanny X-Men: Lovelorn


By Matt Fraction, Terry & Rachel Dodson, Mitch Breitweiser, Daniel Acuña & Justin Ponsor (Marvel)
ISBN: 978-0-7851-2999-8

Most people who read comics have a passing familiarity with Marvel’s fluidly fluctuating X-Men franchise and even newcomers or occasional consumers won’t have too much trouble following this particular jumping-on tome, so let’s just plunge in as our hostile world once more kicks sand in the faces of the planet’s most dangerous and reviled minority…

At this particularly juncture, the evolutionary offshoot dubbed Homo Superior is at its lowest ebb. This follows the House of M and Decimation storylines, wherein Wanda Maximoff, former Avenger Scarlet Witch – ravaged by madness and her own chaos-fuelled reality-warping power – reduced the world’s entire mutant population to a couple of hundred individuals with a three simple words…

Most of those genetic outsiders have accepted a generous and earnest offer to relocate to San FranciscoBay, but of course, trouble is always happy to make house calls…

This sleek, slim tome re-presents Uncanny X-Men #504-507 and Uncanny X-Men Annual volume 2, #2, cover-dated January-May 2009: one of a number of collections cataloguing the assorted mutant heroes’ and villains’ responses to the offer in a publishing event dubbed Manifest Destiny.

This compelling compilation commences with the 4-part ‘Lovelorn: Every Little Bit Hurts’, scripted by Matt Fraction and illustrated by Terry & Rachel Dodson with colourist Justin Ponsor, beginning as Russian expatriate Piotr Rasputin languishes in remorse and agonises over the recent fate which took his beloved Kitty Pryde from him.

Colossus‘ moping is beginning to affect every survivor at the newly occupied Greymalkin Facility on the Marin Headlands so leader Scott “Cyclops” Summers and Emma Frost, ex-White Queen of the Hellfire Club resort to tough love, ordering him to get his head together.

The uncrowned rulers of the mutant enclave are going through a tense patch in their own rocky relationship. The telepathic Frost is chafing over the fact that Scott is keeping one small section of his mind permanently closed to her probes and her resentment is growing daily…

As Piotr wanders through San Francisco’s Russian quarter in the Richmond District he stops for a snack in a diner and finds the owners being harassed by mobsters from the old country. Against his better judgement he agrees not to interfere, but then realises the gang leader is a mutant… one he recognises from his childhood…

Founding X-Men Angel and the Beast are in Argentina trying to recruit one of Earth’s oldest mutants for a unique “think tank”. In the 1930s abrasive and obnoxious super-genius James Bradley worked with Phineas Horton to create the android Human Torch before becoming the masked vigilante Doctor Nemesis. Now, preternaturally spry, he spends his days hunting down those Nazi war criminals he didn’t finish off during WWII.

He has no interest in helping the X-Men undo the effects of the Scarlet Witch’s spell – but none of that matters to the high-tech neo-Nazi supermen hunting Nemesis in turn…

Suddenly the world changes again as reports of a massacre leak out of Alaska. Terrorists have razed remote Cooperstown to burning rubble, apparently because a mutant baby was born there…

Already anti-mutant activist Simon Trask is stirring the flames of panic and prejudice as a Press Statement from his Humanity Now Coalition asks if this is true “what happens when one is born in your town?”

With anti-mutant hysteria growing and Trask actively lobbying in Washington, Cyclops, Beast and Emma visit the San Francisco Mayor. However, even with most of the feared and despised genetic outcasts now housed in her city and the entire population potentially at risk from fanatics and mutant-hunters, Sadie Sinclair stands firm on her offer of sanctuary.

She does however eventually suggest that they relocate the community to an uninhabited, more fortifiable island in the Bay…

Colossus is hunting. The thug in the diner was the same tattooed mutant monster who had terrorised and blackmailed his family in Russia long before the X-Men were formed. Now that he has spread his web to America and Piotr has found the reasons he needed to resume the role of hero…

As what passes for normality returns to the X-enclave Scott broods on his daughter Hope, first mutant born after “the Decimation” and currently lost in future with his son Nathan AKA Cable. Emma broods because she still can’t read her man’s mind and, in the Yukon, mutant tech-morph Madison Jeffries broods on his impending demise at the clamps, claws, grippers and wires of the autonomous mechanical life forms he’s just created.

His certain doom is deferred when Beast, Angel and Dr. Nemesis arrive to offer him a position in their “X-Club”…

In San Francisco Piotr has decided on a long game and joined the mutant racketeer’s gang, and Emma’s fretting has turned to nights filled with bad dreams. As Trask’s hate-message spreads, an increasing number of former mutants and their parents begin to arrive begging for sanctuary and Colossus only adds to the influx crisis when he rescues a cargo of trafficked Russians and brings them the relative safety of the X-enclave.

After dealing with the mech-things, the ever-expanding science team has travelled to Japan to recruit atomic mutation expert Dr. Yuriko Takiguchi where the reclusive paranoid has a slight problem.

He’s trapped on a remote island by the giant monsters he created to protect him from being abducted by the Soviets and the travellers only survive the Brobdingnagian assaults after Angel is forced to reveal his own deadly transformative secret to his astounded and horrified colleagues…

Back in San Francisco, Colossus ends his infiltration of Tattoo’s mob in decisive manner when Emma – never a big fan of men who abuse girls – invites herself along for the ride…

Later the reassembled and victorious mutants enjoy a moment of relative calm but are blithely unaware of the distant reawakening of an old and dreaded foe…

This engaging Costumed Drama then concludes with a lengthy examination of the history and motives of Emma Frost in ‘White Queen, Dark Reign’ from Uncanny X-Men Annual #2, illustrated by Mitch Breitweiser on modern-day chapters with Daniel Acuña handling the scenes from her sordid serried past…

When she was young and a villainous consort of Hellfire Club ruler Sebastian Shaw, the precocious telepath was “expected” to get cosy with Atlantean monarch and public enemy Prince Namor of Atlantis. Now the new US Metahuman Security Supremo Norman Osborn (see Dark Avengers volume 1: Assemble) has invited both Emma and Namor to join his covert cabal of criminal masterminds and global outlaws, the conniving Frost sees an opportunity to pay a few old and still-painful debts…

Exciting, enthralling and exceptionally entertaining, this stirring, supremely sensuous Fights ‘n’ Tights tome is treasure trove of treats for fans of sexy superheroes and combat connoisseurs and also includes a selection of cover reproductions and variants by Mr. & Mrs. Dodson, Greg Land & Michael Golden

© 2008, 2009 Marvel Characters In. All rights reserved.

Rogue Touch


By Christine Woodward (Hyperion)
ISBN: 978-1-4013-1102-5

It seems that the signature genre of comics – the superhero – has at last gained some degree of literary legitimacy. Even if you ignore the collected pulp exploits of Doc Savage or The Shadow, or the assorted novelisations and prose forays from funnybook publishers capitalising on the early success of series like Wild Cards with their own key brands, the timbre of modern times has allowed costumed do-gooders and crazed masterminds to finally break into “real” publishing.

Now even proper book companies have many titles that blend crime, horror, science fiction and the peculiarly comicbook cult of the Over-Man into their mainstream fare.

With that in mind here’s something a little different and probably more in tune with the tastes of female readers, Young Adults and those fans possessing only a passing familiarity with X-Men continuity.

LET ME BE SPECIFIC. THIS IS A NOVEL. THERE ARE NO PICTURES INSIDE.

In the Marvel Universe Rogue was first seen as a member of the Brotherhood of Evil Mutants: a disturbed young girl cursed with a power that stole abilities and memories from anybody who touched her skin-to-skin.

It was an ability she could not control or turn off, and any overlong fleshy contact resulted in the victim falling into a coma with their entire history and essence drained into her. Rogue then became a reluctant jailer with stolen powers and personalities locked in her head forever.

Played as a “bad-girl” and mystery woman for years, Rogue grew to become one of the most popular characters in the excessively large X-cast, winning her own miniseries where it was first revealed that as a young girl her powers manifested just as she was kissing her first love Cody Robbins…

With the boy she wanted imprisoned in her head whilst his body permanently shut down, the girl knew she was a freak and monster who must never again experience human contact…

This novel picks up a little later and never mentions any aspect of the Marvel Universe as it begins the story of 20-year old Anna Marie: a reluctant recluse working a dead-end night job at a small bakery in Jackson, Mississippi.

Always wrapped head-to-toe in many layers, the odd night owl one night sees a weird lurking man almost waiting for her. She takes steps to avoid him, the way she avoids everybody who might accidentally touch her and suffer the horrific consequences…

However the non-incident rattles her and gives boss Wendy Lee an excuse to fire her…

All but unemployable and strapped for cash, Anna Marie is forced to apply for food stamps, but waiting in line she sees the same creepy, good-looking guy. However when she challenges him she inadvertently calls attention to the fact that he’s pulling some kind of scam and security guards chase him from the building.

She sees her stalker again on the streets and realises that even in the Mississippi heat the guy is cold and really, really hungry. Without really knowing why, she gives him some of her food stamps…

Over the next few days they keep meeting and become friendlier, but James is a strange and cagy man with an accent she can’t place and the weirdest gaps in his knowledge of everyday life.

Her prospects don’t improve and one night, reduced to desperation, Anna Marie breaks into the bakery, intent on taking food to the value of the severance check she didn’t get. Tragically, Wendy Lee discovers her and in the scuffle makes contact…

Now with a young boy and an old lady stuck in her head, the horrified, guilt-ridden girl realises she has to steal a car and get out of town as soon as possible …and that’s when James drives up, offering her a ride to anywhere she wants…

Thus begins an epic and immensely engaging rollercoaster ride across America as the mismatched loners discover each other and the incredible secrets both are concealing. He prefers to be called “Touch” rather than James and has impossible gifts too. As she slowly allows herself to love the boy, “Rogue” – as he insists on calling her – is forced to accept just how much of a stranger he is… especially once the super-scientific pursuers and monster animals chasing him start to close in on her too.

He also knows far more about her than he at first let on…

Draped in the eternal allure of two kids in love and on the run, and designed to attract readers raised on Roswell High, Sookie Stackhouse, Twilight and generations of road-buddy movies, in Rogue Touch Christine Woodward successfully translates the X-Men’s memory-&-power-leeching Southern Belle into a compelling, alienated but ultimately powerful, self-reliant and triumphant woman in an increasingly fantastic and dangerous world.

Immensely readable and engaging, this is a supremely cunning and clever confection: easily affixable to Marvel’s mutant mythology should you be so inclined, but also a completely self-contained science fiction/young romance thriller that will delight the aficionados of all those so-successful alienated teen prose franchises. There’s even room and scope for a sequel or two…

™ & © 2013 Marvel and Subs. All Rights Reserved.

All-New X-Men volume 3: Out of Their Depth


By Brian Michael Bendis, Stuart Immonen, David Lafuente & Wade Von Grawbadger (Marvel/Panini UK)
ISBN: 978-1-84653-561-1

Following the poor choices and horrendous paths taken by assorted mutant heroes over the last few years, and following the events of Avengers versus X-Men, MarvelNOW! reshaped the continuity, taking various factors of X-iterations in truly bizarre directions.

At the dawn of the Marvel Age, some very special kids were chosen by wheelchair-bound telepath Charles Xavier. Gloomy Scott Summers, ebullient Bobby Drake, trust fund brat Warren Worthington III, insular Jean Grey and simian genius Henry McCoy were gathered up by the enigmatic Professor X – a man dedicated to brokering peace and achieving integration between massed humanity and an emergent off-shoot race of mutants, no matter what the cost.

To achieve his dream he educated and trained the five youngsters – codenamed Cyclops, Iceman, Angel, Marvel Girl and The Beast – for unique roles as heroes, ambassadors and symbols in an effort to counter the growing tide of human prejudice and fear.

Over years the struggle to integrate mutants into society resulted in constant conflict, compromise and tragedy, including Jean’s death, Warren’s mutilation, Hank’s further mutation and eventually Cyclops’ radicalisation.

The formerly idealistic, steadfast and trustworthy team-leader Cyclops was even killed Xavier before eventually joining with old comrade Magik and former foes Magneto and Emma Frost in a hard-line alliance devoted to preserving mutant lives at the cost, if necessary, of human ones.

Abandoning Scott, his surviving team-mates and newer X-Men Wolverine, Storm and Kitty Pryde stayed true to Xavier’s dream, opting to protect and train the next mutant generation at the Jean Grey School for Higher Learning…

When The Beast realised he was dying, he became obsessed with the notion that the still starry-eyed First Class of X-Men could bring Scott back from his doctrinaire madness and ideological race war obsession. To that end McCoy used time-travel tech in a last-ditch attempt to fix everything: risking the entire space/time continuum by bringing those valiant, callow youngsters back to the future to reason with debased, possibly deranged Cyclops.

The gamble paid off in all the wrong ways. Rather than restoring Scott to reason, the confrontation simply hardened the renegade’s heart and strengthened his resolve.

Moreover, even though McCoy’s younger self cured his older iteration, young Hank and the rest of the X-Kids refused to go home until “bad” Cyclops was stopped…

The modern world changes extremely rapidly. New mutants are now appearing in increasing numbers, all with more impressive talents than ever before. Worse still, through careful orchestration and by avoiding visibly unprovoked acts of violence, Cyclops’ Extinction Squad are winning the trust and respect of many oppressed sectors of humanity: the poor, the disenfranchised and rebellious, the young…

Following a very public humiliation of the Government-sponsored Uncanny Avengers, the internecine mutant conflict heats up when Cyclops and his allies visit the Jean Grey School with a chilling proposition. Convinced of inevitable extinction at human hands, Scott proffers a place to any student wishing to join his own academy: one dedicated to training mutants to fight and survive rather than wait for mankind to turn on them…

The psychically conjoined, socially-challenged and ruthless Stepford Sisters (Celeste, Mindee and Phoebe) readily accept but nobody is more shocked than the elder Cyclops when teenaged Angel also agrees to ditch his former classmates and switch sides…

Scripted by Brian Michael Bendis and illustrated by Stuart Immonen with Wade Von Grawbadger, Out of Their Depth – re-presenting All-New X-Men #11-15 from May to August 2013 – picks up mere moments later as Warren’s incredible decision provokes a massive row amongst adults and students alike.

Her newly-awakened psionic abilities in overdrive and unable to filter out the thoughts and emotions boiling round her, Jean lashes out, taking control of Angel’s mind. Her arbitrary actions are countered by the Cuckoo triplets and a bloody battle looks certain to erupt between the factions until teen Scott dramatically brings them all to their senses.

With nothing resolved, the Extinction team simply teleport out with their new recruits as, a continent away, a third faction makes its move…

Shapeshifter Mystique had already attempted to seduce the naïve 16-year old Scott, but when that failed she simply moved ahead with her own scheme. Now she, feral berserker Sabretooth and illusion-projector Lady Mastermind embark on spectacular robberies, amassing a literal mountain of cash, whilst leaving “proof” that Wolverine and the time-lost X-Kids are responsible…

Back at School Jean has an educational heart-to-heart with Professor Kitty about controlling her new abilities and the ethics of using them before Wolverine leads them all after Mystique.

They don’t get far before being intercepted in ‘All-New X-Men VS Uncanny Avengers’…

The combined human/mutant team is lead by Scott’s younger brother Alex – now more than a decade older than his sibling. The search for answers and explanations is difficult: none of Cyclops’ classmates even knew he had a brother at this stage of their lives and the confrontation between the adults is fraught with tension.

Suddenly Jean’s telepathy scans the Scarlet Witch‘s thoughts and the mind-reader goes ballistic.

Wanda‘s greatest shame is the period of madness when she murdered many of her Avenger allies and used her probability magic to eradicate millions of mutants with a wish. The inadvertent revelations burn into Jean’s brain and she responds with a storm of unleashed psionic fury…

As the situation escalates, in London The Bank of England is pillaged by “The X-Men” and Captain America grudgingly allows sometime-Avenger Wolverine a chance to handle matters himself…

The torturous trail leads to a warehouse where Madame Hydra, Silver Samurai and a small army of Hydra stormtroopers are engaged in cautious, dangerous negotiations with Mystique.

The mutant’s incredibly audacious plan – and the need for untold billions in cash – is revealed, only to have the dickering disrupted by Kitty and Wolverine ambitiously ambushing everybody.

They had previously ordered the kids to stay back and keep safe but the quartet are just teenagers and thus biologically unable to follow adult instructions…

The frantic melee seesaws on a knife edge until in the midst of the chaos Jean seemingly transforms into the dreaded Dark Phoenix, and by the time the Avengers arrive the battle is over and the kids triumphant.

This is an action-packed collection of clashes and capers but is also wonderfully heavy on the light-hearted humour and hi-jinks which so distinguished the original mid-1960s run: filled with smart, plausible characterisation, delicious extrapolation plus hilarious one-liners and childish stunts…

The final tale herein, illustrated by David Lafuente, opens a whole new world of possibilities when Jean’s still-erratic telepathy leads her to discover that one of her dutiful classmates has loved her from afar for decades…

Since she arrived all she has dwelt upon is her star-crossed lovers’ destiny with Scott Summers – and how she will die.

Is it any wonder then that she takes the lead with her silently suffering young admirer? Scott too is rebelling against his future… only his response is to play hooky with the other junior X-Man and head for New York City to meet girls and have the kind of fun he never believed his powers would permit…

To Be Continued…

Out of Their Depth also includes a beautiful cover-and-variants gallery by Immonen, Leinil Francis Yu & Nick Bradshaw and the now standard 21st century add-on of AR icon sections (Marvel Augmented Reality App) which give access to story bonuses once you download the free code from marvel.com onto your smart-phone or Android-enabled tablet.
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

X-Men: Alterniverse Visions


By Anne Nocenti, Simon Furman, Mariano Nicieza, Kurt Busiek & various (Marvel)
ISBN: 978-0-7851-0194-9

Although now commonplace in regular fiction media, once upon a time parallel worlds and alternate Earths were almost unilaterally the province of comicbooks, offering tantalising glimpses of intriguingly different yet profoundly familiar characters.

DC pretty much owned the shtick in the early 1960s but kept it separate from their other exploratory narrative strand “Imaginary Stories”, but over at up-and-coming Marvel Comics, Roy Thomas in particular had a notion to marry the twain…

To be clear: Alternate Earths are part of the overarching shared continuity and Imaginary Stories are just that – fanciful riffs and chimeras using established characters and scenarios, but never part of the nuts-&-bolts universe.

Thus, despite such surrogate Earthers as Thundra, Arkon, Mahkizmo, Gaard and the Squadron Supreme cropping up in regular Fantastic Four and Avengers issues, the House of Ideas followed their competitor’s lead until the launch of What If?

This was an anthological series wherein cosmic voyeur The Watcher offered peeks into a myriad of other universes where key “real” continuity stories were replayed with vastly different outcomes – the same basic idea as Imaginary Stories but with a back-handed acknowledgement that somewhere these epics were “real”…

The first volume (48 issues from February 1977 to June 1988) posed such intriguing questions as ‘What If… Loki had Found the Hammer of Thor?’, ‘the Fantastic Four had not gained Their Powers?’ or ‘Spider-Man’s Clone had Lived?’ and when the title relaunched in 1989 for another 115 issues including ‘What If Wolverine was Lord of the Vampires?’ and ‘What if Captain Marvel had not Died?’, the tales were all back-written into an over-arching continuity and began to be catalogued as variant but equally viable Earths/universes and alternate timelines.

There have been seven more volumes since and a series of “Alterniverse” tales…

In case you’re wondering, those gritty Ultimate Marvel sagas all occur on Earth-1610, the Age of Apocalypse happened on Earth-295, everybody got eaten in the Zombieverse of Earth-2149, the Squadron Supreme originally hailed from Earth-712 and mainstream Marvel tales take place on Earth-616, whilst we readers all dwell on the dull, dreary Earth-1218…

Keep calm then, but never forget that Reality is just a plethora of differing dimensions, and if things go awry in one it can have a cumulative and ultimately catastrophic effect on all of them…

Soon after designating this publishing idiom an Alterniverse, a selection of relatively recent What If? (all from volume 2) yarns starring a selection of X-Men were collected into a trade paperback which, despite then being closely dependent on familiarity with Marvel mainstream, might now – in the wake of all those various movies – be a little more accessible to a general readership…

The extra-dimensional dramas kick off with ‘What If… Wolverine Led Alpha Flight?’ (originally published in #59, March 1994, as ‘What If Wolverine Had Remained a Captive of Alpha Flight?’) by Simon Furman, Bryan Hitch & Joe Rubenstein, wherein the Feral Mutant was imprisoned by the Canadian Government after events in X-Men #119-120.

Once the X-Men are killed trying to get him back and depressed former berserker is left to lead a Canadian team against the Hellfire Club and their Dark Phoenix…

Next up is ‘What If… Storm Had Remained a Thief?’, courtesy of #40, August 1992 and first seen as ‘What if Storm of the X-Men Had Remained a Thief?’

This is a lovely and rare happily-ending tale by Anne Nocenti and Kirkwood Studios – AKA Steve Carr, Deryl Skelton & Rubenstein – which describes how instead of becoming a pickpocket in Cairo and weather goddess in equatorial Africa, the orphan Ororo Munroe is taken under the wing of benign grifter Herman Hassel. Years later when she meets the X-Men it is not as a friend…

‘What If… Rogue Possessed the Power of Thor?’ (#66, August 1994, by Furman, John Royle & Bambos Georgiou) takes a sharp left from a critical point in Avengers Annual #10 wherein the power-leeching mutant battled the team and Spider-Woman.

This time/space, however, Rogue doesn’t let go until the Thunder God is dead and drained and soon finds herself cursed with his might but still a pawn in a cosmic war between eternal Asgard and Loki‘s forces of Ragnarok…

From #69 (January 1995, by Mariano Nicieza, J.R. Justiniano & Roy Richardson) ‘What If… Stryfe Killed the X-Men?’ does what it promises and shows the catastrophic outcome after Professor X dies and his hapless students are left to face the homicidal future-clone of Cable as well as the mutant leveller Apocalypse, after which these walks on the wild side end with a visceral, dark thriller from Kurt Busiek, Ron Randall & Art Nichols who ask ‘What If… Wolverine Battled Weapon-X?’

From #62, June 1994, the grim chronicle details how the rogue Canadian science team that inflicted an Adamantium skeleton and experimental behaviour modification on secret agent Logan missed their mark in this universe and had to settle for a second-best human lab rat.

When their Weapon-X escaped to carve a swathe of slaughter through the country and wiped out neophyte superteam Alpha Flight, the grizzled veteran knew what he had to do, and to whom…

Action-packed, cathartic and just plain fun, these different strokes offer old-fashioned fun in vast amounts, and now that a wider world is filmically conversant with a (if not “the ”) Marvel Universe, perhaps it’s time to raid the vaults again and release similar collections starring Spider-Man, Thor, The Hulk, Fantastic Four, Iron Man and/or the Avengers…

© 1995Marvel Entertainment Group. All rights reserved.
A British edition by published by Boxtree is also available.

X-Men: Curse of the Mutants – Mutants vs. Vampires


By Chuck Kim, Simon Spurrier, Duane Swierczynski, Chris Claremont, Bill Sienkiewicz & various (Marvel)
ISBN: 978-0-7851-5229-3

All major comics publishing events have satellite specials these days and the X-Men: Curse of the Mutants – which ran from July 2010 to May 2011 in selected Marvel titles – was no exception. Thus, this supplementary volume, gathering the One-shots Storm & Gambit, Smoke & Blood and Blade, plus the contents of the anthologized miniseries X-Men: Curse of the MutantsMutants vs. Vampires, makes for a handy and beguiling adjunct to the main feature.

The sinister suspense begins with X-Men: Curse of the Mutants Storm & Gambit (by Chuck Kim, Chris Bachalo, Tim Townsend, Jaime Mendoza, Wayne Faucher, Al Vey, Victor Olazaba & Mark Irwin) as the mutant’s professional thieves are dispatched to the Mediterranean to steal Dracula’s headless corpse from an island infested with vampires.

When the stealthy duo are detected and their craft shot down, Storm quickly realises that they have an unseen ally on the island of blood. This proves crucial as they battle through legions of lychs to ultimate success – but the price of his aid might well be her soul…

Simon Spurrier & Gabriel Hernandez Walta then focus on the frustrations of super-genius Doctor Nemesis (and his X-Club associates Kavita Rao and Madison Jeffries) in X-Men: Curse of the MutantsSmoke & Blood.

Refusing to acknowledge something as stupid and primitive as the supernatural, Nemesis and his team furiously experiment on a captured vampire warrior, also seeking a cure for the infected victims slowly turning into evil blood-suckers in the drastically overstretched laboratories.

His efforts are constantly, inexplicably frustrated until the monster breaks free and the entire research station goes into lethal lockdown – with the doctor and his colleagues on the wrong side of the hermetically sealed walls…

Men: Curse of the MutantsBlade follows as writer Duane Swierczynski and artist Tim Green provide a revelatory prequel. ‘The Light at the End’ finds the demi-human hero uncovering a covert campaign to eradicate all vampire hunters and drawn into a trap where day-walking undead slaughter all his allies. Barely escaping the net of Xarus, the badly rattled sole survivor heads towards San Francisco and an unlikely alliance…

The two issues of X-Men: Curse of the MutantsMutants vs. Vampires comprise a selection of short yarns starring many of the huge mutant cast in solo action, opening with ‘From Husk Til Dawn’ by James Asmus & Tom Raney, wherein the hard-body shapeshifter sets herself up as a walking honey – or is that blood? – trap to take vampires off the streets of San Francisco, one fanger at a time.

Christopher Sequeira & Sana Takeda then go all disco nostalgic as Dazzler meets a band of vampires who have all been grooving and chilling since they died during the glitter-balled, star-spangled Seventies in ‘I’m Gonna Stake You, Sucka’…

Peter David & Mick Bertilorenzi continue in darkly comedic vein with ‘Rue Blood’ as Rogue confronts a somehow familiar bloodsucker and experiences an unsuspected karmic connection with the tragic, beautiful blood-beast, after which Rob Williams & Doug Braithwaite reveal a grim secret and lost comrade from Magneto’s past in ‘Survivors’…

From issue #2 ‘Flesh, Fangs and Burnt Rubber’ by Mike Benson & Mark Texeira pits Gambit against a marauding gang of undead biker chicks from Hell, whilst in ‘Call Me Santo’ by Spurrier & Gabriel Hernandez Walta, Rockslide and Armor face the largest vampire ever turned whilst transporting food and supplies to Utopia.

Next Howard Chaykin goes ‘Skin Deep’ to reveal how Vietnamese mutant Karma uncovers a cunning fanged predator who had discovered how to hunt safely and with her victims’ tacit consent…

The last story, by Mike W. Barr & Agustin Padilla, stars The Angel in ‘Voices’ wherein the winged wonder hunts down a once-human beast who satisfies his drive to kill by only consuming murderers. As Angel constantly struggles against the dark desires programmed into him by the mutant horror Apocalypse, he can only wonder just who is the greatest monster here?

Following pencilled pages, sketches and roughs from Mico Suayan and Bachalo, plus character designs by Hernandez Walta, the story portion concludes with ‘Night Screams!’ by Chris Claremont, Bill Sienkiewicz & Bob Wiacek (from Uncanny X-Men #159, July 1982) relating the mutant heroes’ first encounter with the lord of vampires.

After Dracula ambushes Storm, Nightcrawler, Colossus, Kitty Pryde and Wolverine must race the dawn to confront her assailant and effect a cure before the Windrider becomes undead forever…

With covers and variants by Suayan, Bachalo, Townsend, Christina Strain, Clayton Crain, Dave Wilkins, Nick Bradshaw, Jim Charalampidis and Sienkiewicz, this is a splendidly dark selection of Costumed Dramas which will delight both dedicated fans and casual readers alike. Just finish it before the sun sets…
© 1982, 2010, 2011 Marvel Characters, Inc. All rights reserved.

X-Men: Curse of the Mutants


By Victor Gischler, Paco Medina, Juan Vlasco & various (Marvel)
ISBN: 978-0-7851-4847-0

With a property as vast and valuable as the X-Men, change is a necessarily good thing, even if you sometimes need a scorecard to keep up. This thoroughly entertaining read (collecting X-Men volume 2 #1-6 and text features from X-Men: Curse of the Mutants Saga and X-Men: Curse of the Mutants Spotlight from July 2010 to May 2011) keeps the baggage to a sustainable minimum for non-addicts and concentrates on delivering a tense and action-packed thriller heavy on conflict and light on extended sub-plots.

Sweetening the pot is a veritable feast of superb covers and variants by Medina, Vlasco, Adi Granov, Olivier Coipel, Mark Morales, Laura Martin, John Romita Jr., Dean White, Marte Gracia, Marko Djurdjevic and Mike Mayhew.

As the story opens most of the World’s remaining mutants are residing on an island in San FranciscoBay dubbed “Utopia” with X-Men team-leader Cyclops running the enclave like a kingdom…

The bizarre freaks are generally welcomed by the easygoing human population.

In other news: the planet’s assorted vampire clans have been recently united after centuries of internecine struggle by Xarus, second son of Dracula, who executed his formidable father to succeed to the supreme position of Lord of Vampires. The horrific heir is a meticulous planner and has even secured technology and magics which allow the undead to walk safely in sunlight…

When a nosferatu suicide-bomber explodes himself in a crowded San Francisco plaza his fiendishly re-engineered blood taints and compromises the shocked, stunned bystanders with a virus that inexorably infects and overwhelms everybody exposed to it. The recently united night-hunters have declared all-out war on their food-supply, bolstering their ranks without risking being hunted… and one of the first to succumb is veteran X-warrior Jubilee…

As the contagion spreads, Wolverine leads a scouting mission into the increasingly overrun city and discovers that the campaign is meticulously organised and extremely far advanced. Moreover the new vampire lord has planned carefully and ambitiously: a key tactic is to “turn” every mutant in Utopia, providing the would-be conqueror with a compliant army of super-powered, blood-sucking storm-troopers. Jubilee has already joined them…

Always genned-up on undead affairs, half-vampire, all-Hunter Blade joins the party and brings the embattled mutants up to speed, making them realise that they face impossible odds. With new vampires springing up everywhere Cyclops makes the seemingly suicidal decision to revive Dracula, over Blade’s strenuous objections.

…And then Wolverine finally succumbs to the manufactured virus and switches sides…

When the Children of the Night make their final assault against the assembled mutant heroes all seems lost… but Cyclops has a cunning plan…

The bonus features section begins with material from X-Men: Curse of the Mutants Saga; specifically ‘X-Men a Go-Go!’ wherein John Rhett Thomas, assisted by Michael Kronenberg, interviews event main scripter Victor Gischler, after which ‘We are The X-Men’ pictorially introduces the major players – mutant and otherwise – in a spectacular spread.

Then from X-Men: Curse of the Mutants Spotlight, Chris Arrant and Gischler discuss the aftermath of the event in ‘X-Men: Lifting the Curse’, Paco Medina pictorially reveals all in ‘Drawing Blood’, and ‘Blade: Curse of the Vampires!’ details the history and possible future of Marvel’s most famous night-stalker…

This is an exhilarating, exemplary romp that pushes all the right buttons, engagingly written by Gischler and entrancingly illustrated by Medina & Juan Vlasco. If you want fast, furious, grim ‘n’ gritty Fights ‘n’ Tights magic this is a perfect one-shop stop for your edification and delectation.
© 2010, 2011 Marvel Characters, Inc. All rights reserved.

X-Men: X-Termination


By Greg Pak, David Lapham, Marjorie Liu, Matteo Buffagni, André Araújo, David López & various (Marvel/Panini UK)
ISBN: 978-1-84653-549-9

Since the 1960s comics fans have been totally au fait with the concept and complexities of alternate universes and the bewildering potentialities of an infinity of Earths. Offering irresistible temptations to writers and fans alike, the hallowed plot device offers the opportunity to creatively meddle and play at will and still back-pedal if readers get too stroppy or upset or – worse yet – bored and confused…

Marvel has a highly structured multiverse and every alternate realm comes with its own “Official Reality Number” – the regular mainstream continuity is set to Earth-616 and the Ultimates Universe is designated Earth-1610 for example.

Of course, once introduced, each and every new iteration is somebody’s favourite and consequently characters regularly traverse the cosmic void between continua barely distinguishable or wildly variant.

There have been many miniseries such as Avengers: United They Stand or Blink and even regular series set on or between these divergent planes such as Exiles, Age of Apocalypse and others…

It generally takes a clear head and true devotion to follow and wallow in the minutia of the enterprise. Consider that your only warning…

Collecting Age of Apocalypse #13-14, X-Treme X-Men #12-13, X-Termination #1-2 and Astonishing X-Men volume 3, #60-61 this hugely enjoyable but woefully continuity-entangled cosmic rumble attempts to bring a little clarity and clear some very crowded decks with a bombastic brouhaha that first appeared between March and April 2013.

The mini-event appeared in selected mutant titles beginning with Age of Apocalypse #13 which offered an ‘X-Termination Prologue’ by David Lapham, Renato Arlem & Valentine De Landro set on the alternate dubbed Earth-295, where the early death of Charles Xavier led to an appalling Reality in which the self-appointed mutant god of natural selection Apocalypse almost eradicated humanity before a coterie of radically different heroes and villains stopped him.

In the wake of the 1995 “Age of Apocalypse” event, many of this Earth-295’s inhabitants escaped to “our” world and generated a tidal wave of plots and story-arcs. One such was tragic widower Kurt Wagner, a teleporting sword-wielding X-warrior determined to hunt down a band of genocidal Apocalypse minions including Sugar Man, the Blob and evil twisted versions of Iceman and the Beast.

However, whilst he pursued vengeance in our world, on his own Earth the last survivors were losing a battle against the legacies of the defeated Apocalypse: a shattered eco-system, insuperable differences between the equally devastated human and mutant populations and even cosmic meddling by cosmic interlopers…

Led by Jean Grey , her lover Graydon “Horror Show” Creed and a mysterious strategist dubbed Prophet, a disparate band (including cyborg Donald “Goodnight” Pierce, Deadeye and Fiend) have spent more than a decade fighting Apocalypse’s self-appointed successor Weapon Omega and hunting a cosmic artefact dubbed a “Life Seed” hidden millennia past by one of the pan-dimensional star gods called Celestials.

Now their apparently futile battles are nearing an end, whilst on Earth-616 their old comrade Nightcrawler – currently working with Wolverine’s covert black ops team X-Force – having captured his major objective Henry (Dark Beast) McCoy, prepares to abandon his new friends and return to his broken home world…

Simultaneously in X-Treme X-Men #12 – another ‘X-Termination Prologue’ by Greg Pak & André Araújo – Alison Blair, the Dazzler of Earth-616, is leading a team of heroes from a plethora of Realities in a crusade against a league of malign Charles Xaviers. These terrifying telepotents have pooled their formidable psychic resources in a scheme to conquer the entire multiverse and Alison is determined to stop them

Even with an appalling attrition rate her squad – psionic super-computer Sage, Grecian man-god Hercules and strange versions of her old X-Men comrades Wolverine (Howlett), Scott Summers and a very young Nightcrawler Kurt Waggoner – are barely holding their own against the Evil Xaviers.

Now, on a predominantly Egyptian Earth, the rogue telepaths have opened an inter-dimensional rift and begun feeding on the energies released by sacrificing hundreds of humans. In a frantic assault the X-Treme team rescue and apparently redeem an enslaved Xavier (or rather a self-sustaining Professor X head in a jar), but the sinister psychic savants’ meddling has opened a hole to a far greater realm and deadlier threat…

The saga properly begins in X-Termination #1 (by Marjorie Liu, Pak, David López & Allen Martinez) with the origin of the multiverse – a deliberate construction of massive and ancient cosmic intellects designed to imprison their greatest mistake in the void between Realities, trapped for eternity between infinite layers of Creation.

Recently, however, the incessant crossings and transfers between supposed inviolate Realities has weakened those walls ands now the portal manufactured by the Xaviers has breached it completely, allowing something intolerable to break out…

On Earth-616 Wolverine’s X-Force team – Gambit, Iceman, Northstar and Karma – are hunting their treacherous former ally Nightcrawler (of Earth-295, remember?) whose actions have led to the death of team mate Fantomex, and brought him into an insane alliance with the Dark Beast.

The inter-dimensional fugitives are in San Francisco attempting to manipulate the power of a dormant Space God known as the “Dreaming Celestial” when X-Force arrives, but the Beast is able to use the giant’s power to open a gateway to 295 through which the pair escape.

However, as Nightcrawler hands the war-criminal McCoy over to Jean and Prophet, it becomes clear that something is wrong. The portal isn’t closing, only spewing out a torrent of vile detritus from who knows where…

Only when in short order both X-Force and then Dazzler’s X-Treme team emerge from the spitting, arcing rent in reality does Nightcrawler begin to realise the potential catastrophe his rash actions have triggered – a fear confirmed when a trio of monstrous unstoppable humanoids emerge and begin absorbing all this Earth’s energy and life-force. They have already consumed the Egyptian Earth to get here and within seconds the amassed, amazed army of heroes suffers its first fatality…

The saga continues in Astonishing X-Men volume 3, #60 (Liu, Matteo Buffagni & Arlem) as the assembled warriors redouble their efforts but are easily repulsed. The only successes come when Karma’s psionic talent provides the embattled heroes with the secret origin of the deadly devourers and Iceman’s powers provide a defence the creatures cannot absorb…

The elation is short-lived as the beings split up and one uses the still-open portal to voyage to Earth-616 and another irresistible, immovable feast…

Panicked and galvanised, the 616 heroes prepare to follow but Prophet bids them stop and think. He has a notion that the Celestial Life Seed lost somewhere on Earth-295 might be the only weapon capable of stopping the inter-dimensional ravagers. However as the heroes separate into teams to tackle the threat to multiple Earths and seek out the seed, Dark Beast McCoy makes his own plans to profit from the heroes’ sacrifices…

Lapham, Araújo & Arlem extend the epic in Age of Apocalypse #14 as Wolverine, Howlett, Hercules and Northstar join Prophet, Gambit, Deadeye, young Kurt Waggoner and Sage in San Francisco on 616 and find the devourer absorbing the inestimable energy of the Dreaming Celestial.

On 295 a team of X-champions and a battalion of robotic Sentinels fight a futile holding action as McCoy, Nightcrawler, Scott Summers, Dazzler and Jean hunt deep under the Earth for the Seed, painfully aware that the ancient artefact created Apocalypse and threatens to transform whoever uses it into something as bad, if not worse…

However when Jean and Nightcrawler secure the “Apocalypse pod” and abandon their former comrades, they are in turn ambushed by McCoy who steals the vital, yet horrific device for his own purposes…

On Earth 616 another hero dies as the antediluvian invader absorbs the forces within the Dreaming Celestial and grows to monumental proportions. Moreover as the X-fighters regroup in X-Treme X-Men #13 (Pak, Lapham, Liu, Guillermo Mogorron, Raul Valdés, Edgar Tadeo, Carlos Cuevas, Don Ho & Walden Wong) they discover an even more ghastly threat.

The trio are merely a vanguard for an infinite army of energy eaters and all the power being consumed will be used to free the horde to absorb and end each and every iota of creation…

With multiversal Armageddon imminent, Astonishing X-Men volume 3, #61 (Liu, Arlem, Jose Kleber de Moura Jr. Buffagni & Raul Valdés) sees more heroes fall, one self-despising villain redeemed and a valiant sacrifice to the Apocalypse Seed at last result in an effective weapon against the devourers. Also unleashed is the true secret origin of Reality, revealed before it all spectacularly wraps up in X-Termination #2 (Lapham, López, Mogorron, Valdés, Cuevas & Martinez) with the end of one universe and the migration of the last of the heroes to another.

No prizes for guessing which one…

Taught, fraught, beautifully rendered by many talented hands and unarguably spectacular, if a little hard to follow in places, X-Termination also includes a beautiful cover-and-variants gallery by Greg Land, Salvador Larroca, Kalman Andrasofszky, Ed McGuiness, Morry Hollowell, Giuseppe Camuncoli, Cam Smith, Rain Beredo, Mike Deodato and Philip Noto – but no digital add-ons or extras this time.
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Uncanny X-Men: Revolution


By Brian Michael Bendis, Chris Bachalo, Fraser Irving, Jaime Mendoza, Tim Townsend, Al Vey & Victor Olazaba (Marvel/Panini UK)
ISBN: 978-1-84653-548-2

Following all the poor choices and horrendous paths taken by assorted mutant heroes over the last few years, and spinning off from the events of Avengers versus X-Men, MarvelNOW! reshaped the entire continuity, taking the various factors of X-iterations in truly bizarre directions.

At the dawn of the Marvel Age, a very special bunch of kids were singled out by wheelchair-bound telepath Charles Xavier. Gloomy Scott Summers, ebullient Bobby Drake, wealthy golden boy Warren Worthington III, insular Jean Grey and simian genius Henry McCoy were gathered up by the enigmatic Professor X – a driven man dedicated to brokering peace and achieving integration between massed humanity and an emergent off-shoot race of mutants, ominously dubbed Homo Superior.

To achieve his dream he educated and trained the five youngsters – codenamed Cyclops, Iceman, Angel, Marvel Girl and The Beast – for unique roles as heroes, ambassadors and symbols in an effort to counter the growing tide of human prejudice and fear.

Over years the struggle to integrate mutants into society resulted in constant conflict, compromise and tragedy, including Jean’s death, Warren’s mutilation, Hank’s further mutation and eventually Cyclops’ radicalisation.

The formerly idealistic, steadfast and trustworthy team-leader Cyclops was even forced to kill Xavier before eventually joining with old (demon-possessed) ally Magik and former foes Magneto and “White Queen” Emma Frost in a hard-line alliance devoted to preserving mutant lives at the cost, whenever necessary, of human ones.

Abandoning Scott, his surviving team-mates and newer X-Men such as Wolverine, Storm and Kitty Pryde stayed true to Xavier’s dream, opting to protect and train the next X-generation of kids at the Jean Grey School for Higher Learning…

Furthermore when McCoy realised he was dying, he became obsessed with the notion that the still starry-eyed First Class of X-Men could bring the Mutant Enemy terrorist No. 1 back from his current path of doctrinaire madness and ideological race war insanity.

To that end the dying Beast used time-travel technology in a last-ditch attempt to avoid a species war: risking the entire space/time continuum by bringing the valiant youngsters back to the future to reason with the debased and possibly deranged Cyclops.

The gamble paid off in all the wrong ways. Rather than restoring noble, dedicated Scott Summers to reason, the confrontation simply hardened the renegade’s heart and strengthened his resolve.

Moreover, even though McCoy’s younger self impossibly cured his older iteration, young Henry and the rest of the X-Kids refused to go home until “bad” Cyclops was stopped…

All that occurred in All-New X-Men: Here Comes Yesterday but here Revolution offers the other side of the coin in a slim seductive tome collecting Uncanny X-Men volume 3, #1-5 from February-April 2013; a dark and angst-drenched chronicle of desperate freedom fighters’ war to save their endangered species…

Scripted by Brian Michael Bendis and illustrated by Chris Bachalo (with Jaime Mendoza, Tim Townsend, Al Vey & Victor Olazaba), this suspenseful reboot opens with ‘The New Revolution’ as an impenetrable bastion of global security is broached with ease by a mutant outlaw with a personal agenda. The wanted warrior is offering to betray Cyclops and his “Extinction Team”, and S.H.I.E.L.D. Director Maria Hill and her trusted advisors simply cannot afford to dismiss the intel or waste an opportunity…

The world is changing rapidly. New mutants are appearing in increasing numbers and all with more impressive talents than ever before. Worse still, by carefully avoiding unprovoked acts of violence, Cyclops’ crew are gaining the trust and respect of many oppressed sectors of humanity: the young, the poor, the disenfranchised and rebellious…

Summers and his allies are busy too: saving recently triggered student Fabio Medina from his own powers and police over-reaction in San Diego. The youthful and extremely telegenic Extinction Squad’s argument is all but made for them when a flight of hunter/killer Sentinels attack, utterly disregarding the safety of the humans watching in their programmed frenzy to destroy all mutants…

Following their possession by the Phoenix force in Avengers versus X-Men, the powers of Cyclops, Magik, Magneto and Frost are no longer reliable, flaring from overload to ineffectuality without warning and ‘Poink is the New Bamf’ finds the former White Queen agonising over the apparent loss of her telepathic gifts and recent break-up with Cyclops.

Magneto, meanwhile, is occupied with the often odious task of teaching obnoxious, frightened kids how to use their powers and survive in a state of perpetual combat readiness in the underground bunker dubbed the New Charles Xavier School for Mutants.

After a few terrifying sessions, raw recruits Fabio, metamorphic chameleon Benjamin Deeds and healer Christopher Muse – AKA Triage – welcome the prospect of a field trip, accompanying the grown-ups on a reluctant visit to the mother of time-bending Eva “Tempus” Bell in Australia…

However when the kids and their mentors teleport in, thanks to the mutant traitor, America’s greatest heroes are waiting for them…

‘Avengers vs. Uncanny X-Men Go!’ presents something totally unexpected as furious battle does not immediately break out and Captain America instead engages Cyclops in impassioned debate in front of the waiting media’s cameras.

The two sides are philosophically diametrically opposed, however, and with hotheads like Hawkeye and the Hulk itching for a fight inevitably negotiations break down. It’s no contest though as Eva instantly freezes all the Avengers in a static time bubble. After making another subversive, politically charged statement the Uncanny X-Men wink out; victorious without a blow being struck…

In the untitled 4th issue the repercussions begin. With the authorities going ballistic at the ease with which the Extinction team defeated the World’s Mightiest heroes and terrified by the terrorists’ successful wooing of discontented humans globally, the internecine ideological mutant conflict heats up after Cyclops, Emma, Magik and Magneto turn up at the Jean Grey School for Higher Learning with a chilling proposition.

Convinced of coming mutant extinction at human hands, Scott has come with an open invitation to any student who might wish to join his own academy: one dedicated to training Homo Superior to fight and survive rather than wait for humanity to turn on them…

At first disquieted by confronting his younger, stupid self and his naive childhood friends, the elder Cyclops is gratified when the psychically conjoined, socially-challenged Stepford Sisters Celeste, Mindee and Phoebe agree to switch, and stunned when the teenaged Warren Worthington also agrees to ditch his former classmates…

Unfortunately even as Emma’s trio of telepotent protégés take a cruel opportunity to test and torment their “psi-blind” former tutor, back in the bunker the unsupervised new mutants have stumbled into the Danger Room and pushed some buttons they really shouldn’t have…

The adults and transfer students arrive in time to save the kids but then Magik explodes in an agonised paroxysm of demonic flame…

Fraser Irving illustrates the final chapter in this compelling compilation as an arcane spotlight falls on llyana Nikolievna Rasputina. The teleporting mutant is wielder of the puissant Soulsword and mortal host to a supernal, infernal entity known as the Darkchylde and her teleporting discs work by instantaneously shunting subjects through the hellish realm of Limbo, but now her jaunts are fraught with peril and pain.

On investigating she finds the Limbo dimension that is her true home has been annexed by dark god Dread Dormammu and she is forced to show the ghastly invader the extreme error of his ways by letting loose the very worst part of herself…

Addictive, enthralling and utterly compelling, this alternative X-outing mixes blistering action, paranoiac suspense and slowly-mounting tension with the signature themes of alienation and personal freedom to deliver a frighteningly direct continuation of the nihilistic end of the once directionless mutant franchise.

Nevertheless, there’s still room for humour and this book offers a perfect jumping-on point for new and retired fans alike – as long as you also read the companion All-New X-Men volumes…

Revolution also includes a beautiful cover-and-variants gallery by Bachalo, Irving, Joe Quesada, Gabrielle Dell’ Otto, Skott Young, Francesco Francavilla, Stuart Immonen, Phil Noto, Kris Anka & Ed McGuiness, and the now standard 21st century add-on of AR icon sections (Marvel Augmented Reality App) which give access to story bonuses once you download the code – for free – from marvel.com onto your smart-phone or Android-enabled tablet.
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Marvel Platinum: the Definitive Wolverine Reloaded


By Chris Claremont, Larry Hama, Daniel Way, Marc Guggenheim, Rick Remender, Paul Smith, Alan Davis, John Buscema, Jim Lee, Marc Silvestri, Steve Dillon, Howard Chaykin, Phil Noto & various (Marvel/Panini UK)
ISBN: 978-1-84653-537-6

Wolverine debuted as a throwaway foe for the Incredible Hulk in a tantalising teaser-glimpse at the end of issue #180 (October 1974) before indulging in a full-on scrap with the Green Goliath in the next issue, and then vanished until the launch of the All-New, All Different X-Men.

The semi-feral Canadian mutant with fearsome claws and killer attitude rode – or perhaps caused – the meteoric rise of the reconstructed and rebooted outcast hero team before gaining his own series, super-star status and silver screen immortality.

He hasn’t looked back since, although over the years many untold tales of the aged agent (it was revealed in Origin: the True Story of Wolverine that he had been born in the 19th century) have explored his missing exploits in ever-increasing intensity and torturous detail.

Thus Wolverine’s secret origin(s) and stream of revelatory disclosures regarding his extended, self-obscured life have gradually seeped out. Cursed with recurring and periodic bouts of amnesia, and mind-wiped ad nauseum by sinister or even well-meaning friends and foes, the Chaotic Canucklehead has packed a lot of adventurous living into his centuries of existence – but frequently doesn’t remember much of it.

This permanently unploughed field has conveniently resulted in a crop of dramatically mysterious, undisclosed back-histories, some of which are contained within this intriguing but frequently contradictory action extravaganza produced under the always rewarding Marvel Platinum Definitive Editions umbrella.

This latest treasury of titanic tales gathers some more impressive – if less obvious landmarks – from the Savage Stalker’s extensive canon and cannily focuses on the character’s Asian connections and even a struggle with sinister mastermind (and movie menace) the Mandarin.

Contained herein are alien encounters, high-tech hi-jinks and samurai slaughter-fests from Uncanny X-Men #172-173 and 256-258, Uncanny X-Men Annual #11, Wolverine volume 2 #s 10 and 57, Wolverine Origins #5, Wolverine volume 3 #61 and Uncanny X-Force #34, spanning August 1983 to January 2013, offering a fair representation of what is quite frankly an over-abundance of riches to pick from…

The carnage begins with a sleekly impressive turn from scripter Chris Claremont and illustrators Paul Smith & Bob Wiacek from Uncanny X-Men #172 (August 1983) as ‘Scarlet in Glory’ sees Logan announcing his impending wedding to Mariko, daughter of old enemy Shingen Harada, lord of Yakuza Clan Yashida…

When the rest of the team arrive in Japan for the impending nuptials they are all poisoned, leaving Logan and Rogue – whom he deeply distrusts – to seek out an antidote. Meanwhile staid maternal Storm is transformed from placid nature goddess to grim-and-gritty bad-ass by mercenary maniac and devoted Logan-lover Yukio even as the last X-Man races a ticking toxic clock to a literal deadline…

The result is sheer carnage as the feral mutant goes wild. With desperate-to-please probationary X-Man Rogue in tow Wolverine carves a bloody trail to Yakuza mercenary (and Mariko’s rival for the rule of Clan Yashida) Silver Samurai and psychopathic mastermind Viper in ‘To Have and Have Not’…

Although the bold champions are eventually triumphant, the victory comes at great cost. Logan returns to America alone and unwed after Mariko inexplicably calls off the nuptials…

Depressed, heartbroken and far off the rails, Logan is dragged to another reality in ‘Lost in the Funhouse’ – by Claremont, Alan Davis & Paul Neary from Uncanny X-Men Annual #11 – when duplicitous super-mutant Horde compels the team (Storm, Rogue, Dazzler, Longshot, Psylocke and Havok plus guests Captain Britain and Meggan) to obtain the cosmic Crystal of Ultimate Vision for him. None are aware that the fate of all Mankind is at stake and that Wolverine’s bestial instincts are the key to humanity’s ultimate salvation…

Wolverine volume 2 #10 (from August 1989 by Claremont, John Buscema & Bill Sienkiewicz) then counted down ’24 Hours’ as the mutant’s solitary birthday drink in modern day Madripoor stirs horrific memories of ancient, distant tragedy. On the same day years ago Sabretooth had slaughtered Logan’s woman Silver Fawn and Wolverine’s attempts to gain justice and vengeance proved ineffectual and humiliating…

Moreover those agonised reminiscences keep getting interrupted by gun-toting idiots and even with the aid of Spider-Woman Jessica Drew the incognito hero – who goes by the nom-de-guerre “Patch” in the Asiatic sin city can’t catch the sinister stranger pulling the strings…

Uncanny X-Men #256-258 (December 1989-January 1990) highlight the artistic gifts of Jim Lee & Scott Williams in a dramatic but rather bewildering 3-part thriller that originally featured as part of Marvel’s “Acts of Vengeance” crossover event.

Wolverine hardly features at all in ‘The Key That Breaks the Lock’ which finds telepath Betsy Braddock AKA Psylocke captured by ninja cabal the Hand. The brainwashing and mystic body-swapping engineered by Hand boss Matsuo Tsurayaba turns the English Rose into a sexy Chinese assassin/siren and the perfect gift for the undisputed Overlord of the Orient who employs her as his ‘Lady Mandarin’ in #257 to attack the X-Men…

Just as a physically depleted and delusional Logan – with new sidekick Jubilee in tow – are captured by the Hand, their heroic comrades are targeted by the Mandarin attempting to honour his part of a super-villain pact to switch arch-enemies by destroying the misunderstood mutants…

The tale devolves into a hi-octane, turbulent and overblown battle and the chaotic clash concludes in ‘Broken Chains’ with loads of semi-naked, exotic women, ninjas, big guns, mutants and even ghosts shouting and hitting everything – just what every fan at the end of the 1980s demanded.

Wolverine volume 2 #57 follows with ‘Death in the Family!’ (by Larry Hama, Marc Silvestri, Dan Green, Al Milgrom & Joe Rubinstein from July 1992) as the long-running Clan Yashida storyline was brought to a tragic climax when Wolverine, Silver Samurai and X-Man Gambit came to Mariko’s aid in her struggle to restore the honour of her family, even as Jubilee and Yukio battle for their lives against the Hand and cyborg psycho-killer Cylla. There was no happy ending here…

Since his earliest glory days with the X-Men, the mutant berserker known variously as Wolverine, Logan, Patch and latterly (originally) James Howlett had been a fan-favourite who appealed to the suppressed, put-upon, catharsis-craving comic fan by perpetually promising to cut loose and give bad guys the kind of final punishment we all know they truly deserve. But he also seemed to be a loner within the team.

Always walking the line between and blurring the definitions of indomitable hero and maniac murderer, he soldiered on; a tragic, brutal, misunderstood figure cloaked in mysteries and contradictions until society changed and, as with ethically-challenged colleague the Punisher, final sanction and quick dispatch became acceptable and even preferred options for costumed crusaders.

Inevitably Wolverine grew bigger than his team and increasingly worked alone, or with other groups and heroes.

When Wolverine Origins launched, the title was intended to fill in historical gaps and blanks, using an extended plot which revealed that over course of the 20th century Howlett had been repeatedly manipulated and tortured by a madman, who had moved invisibly in and out of his life, exerting complete mental dominance over the wandering warrior.

When Logan realised this he set all his prodigious instincts and skills to the task of finding the mysterious sadistic phantom known only as Romulus…

He discovered his quarry was the force behind numerous programs such as Weapon X (which first agonisingly bonded miracle metal Adamantium to Wolverine’s skeleton) and was dedicated to manufacturing and augmenting appalling human killing machines such as tortured US super-soldier Nuke, old associates like Wildchild and foes Sabretooth, Cyber and Omega Red…

From issue #5, ‘Born in Blood: Conclusion’ by Daniel Way & Steve Dillon ends the first leg of that monolithic hunt and sees Wolverine infiltrating the White House. It’s a trap and a magic Muramasa sword infects the obsessed mutant with a killing rage. The blood-crazed hero is barely held at bay by Captain America, Cyclops, Emma Frost and New Mutant Hellion and his fury is further stoked by the shocking new memory that decades ago Romulus had killed Logan’s wife Itsu and stolen the son the X-Man never knew existed…

The outré revelations continue in Wolverine volume 3 #61 as ‘Logan Dies: the Conclusion – Soul Survivor’ (January 2006, by Marc Guggenheim & Howard Chaykin) discloses that the true reason Howlett is still alive is that an Angel of Death named Lazear (née Azrael) spiritually battles him at every moment of death – and has since 1914.

Now Lazear, in alliance with enigmatic Hand mystic Phaedra, intends to finish the arcane arrangement, having already excised portions of Howlett’s soul. However the wily Wolverine has a plan to turn his weakness into triumphant strength…

The comics portion of this catalogue of death comes from Uncanny X-Force #34, January 2013. ‘From the Cradle to the Grave: Final Execution’ by Rick Remender & Phil Noto sees the final fate of Wolverine’s ultra-covert mutant wet-work squad as his fully grown and sadistically psychotic son Daken caps a lifetime of monstrous deeds by convening a new brotherhood of Evil, murders Wolverine’s ally Fantomex, turns an innocent child into the new Apocalypse and battles the father he never knew to the death…

With covers and pin-ups by Steven Segovia, Paul Smith, Dougie Braithwaite, Alan Davis & Paul Neary, Bill Sienkiewicz, Jim Lee & Scott Williams, Marc Silvestri & Dan Green, Joe Quesada, Arthur Suydam and Julian Totino Tedesco, this spectacular splatterfest also includes 10 pages of background and biographies of Wolverine’s foes Azrael/Lazear, Daken, Muramasa, Lord Shingen, Phaedra, Silver Fox, Sabretooth and Viper.

Stuffed with non-stop tension and blockbuster action, this another well-tailored on-target tool to turn curious movie-goers into fans of the comic incarnation and another solid sampling to entice the newcomers and charm even the most jaded slice ‘n’ dice fanatic.
© 2013 Marvel. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

All-New X-Men: Here to Stay


By Brian Michael Bendis, David Marquez, Stuart Immonen & Wade Von Grawbadger (Marvel/Panini UK)
ISBN: 978-1-84653-547-5

Surely everybody wonders what might result if they could meet their older selves one day, and as scripter Brian Michael Bendis continues his intriguing regeneration and restating of the Mutant Question, the answers here increasingly indicate it might all be a very bad idea indeed…

Following all the poor choices and horrendous paths taken by assorted Homo Superior heroes over the last few years, and in the aftermath of the blockbuster Avengers versus X-Men publishing event, MarvelNOW! reformed the entire continuity, taking the outcast champions in truly bizarre old/new directions.

At the beginning of the Marvel Age, a very special bunch of kids were singled out by wheelchair-bound telepath Charles Xavier. Gloomy Scott Summers, ebullient Bobby Drake, wealthy golden boy Warren Worthington III, insular Jean Grey and animalistic genius Henry McCoy were gathered up by “Professor X” – a driven man dedicated to brokering peace and achieving integration between massed humanity and an emergent off-shoot race of mutants, ominously dubbed Homo Superior.

To achieve his dream he educated and trained the five youngsters – codenamed Cyclops, Iceman, the Angel, Marvel Girl and the Beast – for unique roles as heroes, ambassadors and symbols in an effort to counter the growing tide of human prejudice and fear.

Over the intervening years the struggle to integrate mutants into society resulted in many tragedies and compromises, including Jean’s death, Warren’s mutilation, Hank’s further mutation and eventually Cyclops’ radicalisation. The steadfast and trustworthy team-leader eventually joined with former foes Magneto and Emma Frost in a hard-line alliance devoted to preserving mutant lives at the cost, whenever necessary, of human ones.

His former team-mates and newer X-Men such as Wolverine, Storm and Kitty Pryde stayed true to Xavier’s ideal, abandoning Scott to protect and train the next X-generation of mutant kids at the Jean Grey School for Higher Learning…

When Hank McCoy realised he was fatally mutating, he became obsessed with the notion that the early idealistic First Class of X-Men – especially Scott– could bring the mutant terrorist Cyclops back from his current path of doctrinaire madness and ideological race war insanity.

To that end he utilised time-travel technology in a last-ditch attempt to avoid inevitable mutant civil war: risking the entire space/time continuum by bringing not only his old friend but also the rest of the valiant young team back to the future to reason with the fallen Cyclops.

The gamble paid off in all the wrong ways: rather than restoring noble, dedicated Scott Summers to the man he used to be, the confrontation simply hardened the maverick’s heart and strengthened his resolve.

Moreover, even though McCoy’s younger self impossibly cured his older iteration, young Henry and the rest of the X-Kids refused to go home until “Evil” Cyclops was stopped…

Collecting All-New X-Men #6-10, cover-dated March-June 2013, this time-warping reboot finds the displaced teens adapting to a scary world (in a 3-part tale illustrated by David Marquez) as previously diffident wallflower Jean Grey suddenly takes charge of her future-shocked classmates.

At first overwhelmed by the instant onset of vast telepathic powers to augment her established telekinesis, Jean is given useful tips and hints on mental control by Kitty Pryde who resigns as headmistress to devote all her energies to training the chronally-displaced quintet.

Young Scott is especially traumatised. He just can’t believe the man he’s become and will not allow his later self to continue betraying his life’s purpose. Stealing Wolverine’s motorbike he flees the school where the First Class have been forcibly sequestered and heads out into the real world with the feral mutant hard on his heels…

Even as Warren at last meets his impossibly alien older self, Scott is learning far more than he ever wanted to about the 21st century, unaware that he has been discovered by one of the X-dynasty’s most cunning and ruthless enemies…

Teen Scott has made it to Manhattan and finagled his way into the bank where his older self has kept a safety- deposit box. The financial time-capsule contains one more big shock: a souvenir from his wedding to Jean and another impossible pill to swallow…

However before he can digest the fact, Wolverine catches him and convinces him to come quietly.

There’s another surprise though when the obnoxious Canadian turns into a quiet alley and transforms into a blue-skinned woman. Although he doesn’t know it, Scott is in the manipulative clutches of Raven Darkholme, a merciless mutant criminal known as Mystique. The innocent hours she spends talking to the still-naïve champion will affect his life forever…

When the real Wolverine finally tracks down the truant, he has no idea what Mystique has wrought as he drags the confused kid back to the WestchesterSchool, and when Scott shows Jean the retrieved wedding memento she too is speechless…

Young Warren cannot understand the changes time and circumstance have wrought upon his older self, and the ebullient flighty creature seems unable or unwilling to confide in him. However, as the two Angels soar through the heavens together they become aware of an attack on distant AvengersTower. Instantly back in battle mode the pair rout a deadly Hydra task force, but when the World’s Mightiest Superheroes meet, them Captain America is understandably aghast at the potentially continuum-rending consequences of five time-displaced teens running loose in their own future…

No sooner have the Avengers been temporarily placated than Cap’s fears are justified when young Warren, appalled at the things he’s seen and learned, attempts to commandeer the time-machine and return to his rightful time and place.

Shockingly, Jean seizes control of his mind and reprograms him so that he wants to stay…

Stuart Immonen returns to illustrate the final two chapters (with the assistance of Wade Von Grawbadger) as Kitty begins to accelerate the kids’ X-training and Scott lets slip that he’s met Mystique. As Kitty goes into damage control mode, in New York the subject of her fears is advancing her latest scheme.

With ravening psycho-killer Sabretooth she is raiding maximum security penitentiary The Raft to liberate mutant super-illusionist Lady Mastermind. Their new, shared ambition is lethally simple: use their powers to steal so much money that nobody will ever be able to touch them…

Meanwhile the ideological mutant conflict heats up when the elder Cyclops, Emma Frost, Magik and Magneto arrive at the Jean Grey School for Higher Learning with a chilling proposition. Convinced of coming mutant extinction at human hands, the renegade terrorist Scott Summers has come with an open invitation: any students who wish may join his own academy – dedicated to training Homo Superior to fight and survive rather than co-exist with humanity…

With horror, X-Men young and old realise that the outrageous appeal has been accepted by some of the ungrateful students in their care…

Even as the faculty and temporal-fugitives ponder that shock, word arrives that the situation has worsened. A gang of mutants have slaughtered dozens of humans in a raid that netted millions of dollars and human/mutant relations have never been shakier…

To Be Continued…

Addictive, enthralling and utterly compelling, this second All-New X-outing mixes blistering action, sharp humour and slowly-mounting tension with the signature themes of alienation and personal freedom to deliver a refreshingly direct drive to the once water-treading mutant franchise and offers a perfect jumping-on point for new and retired fans alike as long as you also read the previous volume (All-New X-Men: Here Comes Yesterday)…

This book also includes a beautiful cover-and-variants gallery by Immonen, Chris Bachalo, Nick Bradshaw & Greg Horn and the now standard 21st century add-on of AR icon sections (Marvel Augmented Reality App) which give access to story bonuses once you download the code – for free – from marvel.com onto your smart-phone or Android-enabled tablet.

™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.