Harvey Kurtzman’s Strange Adventures


By Harvey Kurtzman, Art Spiegelman, Moebius, R. Crumb, Eric Palma, William Stout, Sergio Aragonés & Tom Luth, Tomas Bunk, Rick Geary, Dave Gibbons, Sarah Downs & various (Epic Comics/A Byron Preiss Book
ISBN: 978-0-87135-675-8 (Album HB)

This book contains Discriminatory Content included for satirical and dramatic effect.

Creative genius Harvey Kurtzman is probably the most important cartoonist of the latter half of the last century – even more so than Jules Feiffer, Jack Kirby, Joe Kubert or Will Eisner. His early triumphs in the fledgling field of comicbooks (Frontline Combat, Two-Fisted Tales and especially the groundbreaking, game-changing Mad comic book) would be enough for most creators to lean back on, but Kurtzman was also a force in newspaper strips (Flash Gordon Complete 1951-1953) and a restless innovator, commentator and social critic who kept on looking at folk and their doings. He just couldn’t stop making art or sharing his conclusions…

Kurtzman invented a whole new format when he converted the highly successful colour comic book Mad into a monochrome magazine, safely distancing the brilliant satirical publication from the fallout caused by the 1950s comics witch-hunt which eventually killed EC’s other titles. He then pursued comedy and social satire further with newsstand magazines Trump (no relation to any orange tossers!), Humbug and Help! – all the while creating challenging and powerfully effective humour strips like Little Annie Fanny (for Playboy), Nutz, Goodman Beaver, Betsy and her Buddies and many more. He died far too soon, far too young today in 1993.

Utterly unavailable in digital editions, this intriguing oddment from 1990 saw the Great Observer return to his comic roots to spoof and lambaste strip characters, classic cinema and contemporary sentiments in a series of vignettes illustrated by some of the biggest names of the day. Following a captivating introduction from ex-student Art Spiegelman, a stunning pin-up from Moebius and an overview from project coordinator Byron Preiss, the fun begins with a typically upbeat cartoon appreciation from R. Crumb: ‘Ode to Harvey Kurtzman’ which was coloured by Eric Palma, after which the Harvey-fest begins in earnest…

‘Shmegeggi of the Cave Men’ visually revives the author’s legendary Goodman Beaver, dislocating him to that mythic antediluvian land of dim brutes, hot babes in fur bikinis and marauding dinosaurs, to take a look at how little sexual politics has progressed in a million years – all exquisitely painted by cartoonist, movie artist and paleontological illustrator William Stout, after which Sergio Aragonés adds his inimitable mania to the stirring piratical shenanigans of the dashing ‘Captain Bleed’ (with striking hues supplied by Groo accomplice Tom Luth).

Western parody ‘Drums Along the Shmohawk’ is an all-Kurtzman affair as the scribe picks up his pens and felt-tips to describe how the sheriff and his stooge paid a little visit to the local tribe…

Cartoonist, fine artist and illustrator Tomas Bunk contributes a classically underground and exuberant job depicting ‘A Vampire Named Mel’ whilst arch-stylist Rick Geary helps update the most famous canine star in history with ‘Sassy, Come Home’. Limey Living Legend Dave Gibbons utilises his too-seldom-seen gift for comedy by aiding and abetting in what we Brits term “a good kicking” to the superhero genre in the outrageous romp ‘The Silver Surfer’ before the cartoon buffoonery concludes with Kurtzman and long-time associate Sarah Downs smacking a good genre while it’s down and dirty in ‘Halloween, or the Legend of Creepy Hollow’.

But wait, there’s more…

This seductive oversized hardback also has an abundant section devoted to creator biographies supplemented with pages and pages of Kurtzman’s uniquely wonderful pencil rough script pages – almost like having the stories printed twice.

Fun, philosophical fantasy and fabulous famous, artist folk: what more do you need to know – other than that SOMEone should re-release tis ASAP?
© 1990 by Byron Preiss Visual Publications Inc. Each strip © 1990 Harvey Kurtzman and the respective artist. All Rights Reserved.

Today in 1922 British comics artist (Bennie & Barley Bottom) and social redeemer Derek Chittock was born, with Belgian comics maven René Hausman (Laïyna), following in 1936 and fantasy illustrator Frank (Doctor Strange, Howard the Duck, Creepy) Brunner arriving in 1949. In 1963 manhua creator Khoo Fuk Lung (Saint) was born, with comics/screenwriter Christopher Yost coming in 1973 and Bryan Lee O’Malley (Scott Pilgrim, Seconds, Snotgirl) in 1979.

The Eyes of the Cat


By Moebius & Jodorowsky (Humanoids)
ISBN: 978-1-59465-032-1 (HB/Digital edition) ISBN: 978-1-59465-042-0 (Yellow Edition)

This book includes Discriminatory Content produced in less enlightened times.

Many of the world’s greatest comics exponents are cruelly neglected these days. It’s not because they are out of vogue or forgotten, it’s simply that so much of their greatest material lies out of print. This little gem is one of them…

Born in Tocopilla, Chile in 1929, Alejandro Jodorowsky Prullansky has been a filmmaker, playwright, actor, author, world traveller, philosopher, spiritual guru and comics writer. The controversial creative polymath is known for such films as Fando y Lis, El Topo, The Holy Mountain, Sante Sangre, The Rainbow Thief, The Dance of Reality and others, plus a vast and influential comics output, including Anibal 5 (created whilst living in Mexico), Le Lama blanc, Aliot, The Meta-Barons, Borgia, Madwoman of the Sacred Heart, The Son of El Topo, Showman Killer, Knights of Heliopolis and so many more, created with some of South America and Europe’s greatest artists. His decade-long collaboration with Moebius on Tarot-inspired Sci Fi epic The Incal (1981-1989) utterly redefined and reinvented what comics could aspire to and achieve…

Most widely regarded for his violently surreal avant-garde films, loaded with highly-charged, inspired imagery – blending mysticism and what he terms “religious provocation” – and his spiritually-informed fantasy and science fiction comics tales, Jodorowsky is also fascinated by humanity’s inner realms and has devised his own doctrine of therapeutic healing: Psychomagic, Psychogenealogy and Initiatic massage. He still remains fully engaged and active in all these creative areas to this day and has never stopped creating. Most of his lifelong themes and obsessions are seamlessly wedded together in this glorious re-release of his very first comics collaboration with the creator most inextricably associated with him.

Jean Henri Gaston Giraud was born in the suburbs of Paris on May 8th 1938 and raised by his grandparents after his mother and father divorced in 1941. In 1955, he attended the Institut des Arts Appliqués where he became friends with Jean-Claude Mézières who, at 17, was already selling strips and illustrations to magazines like Coeurs Valliants, Fripounet et Marisette and Le Journal de Spirou. Giraud, apparently, spent most of his college time drawing cowboy comics and left after a year…

In 1956, he visited Mexico, staying with his mother for eight months before returning to France and a full-time career drawing comics. These were mostly westerns such as Frank et Jeremie for Far West and King of the Buffalo, A Giant with the Hurons and others for Coeurs Valliants, all in a style based on French comics legend Joseph Gillain AKA Jijé. Giraud spent his National Service in Algeria in 1959-1960, where he worked on military service magazine 5/5 Forces Françaises and, on returning to civilian life, became Jijé’s assistant in 1961, working on the master’s long-running (1954-1977) Western epic Jerry Spring.

A year later, Giraud and Belgian writer Jean-Michel Charlier launched the serial Fort Navajo in Pilote #210. Remarkably quickly its disreputable, antihero lead character Lieutenant Blueberry became one of the most popular European strips of modern times. From 1963 to 1964, Giraud produced a number of strips for satire periodical Hara-Kiri and – keen to distinguish and separate the material from his serious day job – first coined his penname “Moebius”…

He didn’t use it again until 1975 when he joined Bernard Farkas, Jean-Pierre Dionnet and Philippe Druillet – all inspired science fiction fans as the founding fathers of a revolution in narrative graphic arts as created by “Les Humanoides Associes”. Their groundbreaking adult fantasy magazine Métal Hurlant utterly enraptured the comics-buying public and Giraud again sought a discreet creative persona for the lyrical, experimental, soul-searching material he was increasingly driven to produce: series such as The Airtight Garage, The Incal and the mystical, dreamy flights of sheer fantasy contained in Arzach

To further separate his creative twins, Giraud worked inks with a brush whilst the futurist Moebius rendered with pens…

After a truly stellar career which saw him become a household name, both Giraud and Moebius passed away in March 2012.

As explained in Jodorowsky’s Foreword, this magnificently macabre minimalist monument to imagination came about as brief tale in a free, promotional premium “Mistral Edition” of Métal Hurlant constituted their very first collaboration – outside the creative furnace that was the pre-production phase of doomed & aborted movie Dune, where they first met. Also included in that imaginative movie production dream-team was Dan O’Bannon, Douglas Trumbull, H.R. Giger and Chris Foss, and some secrets of that time are also shared here.

Les Yeux du chat was realised between 1977 and 1979: a dark fable that is sheer beauty and pure nightmare rendered in stark monochrome and florid expansive grey-tones. Text is spartan and understated: more poetic goad than descriptive excess or expositional in-filling.

There’s a city, a boy at a window, an eagle and a cat. When their lives intersect, shock and horror are the inescapable result…

Available in a number of formats since 2011, this is a visual masterpiece no connoisseur of comics can afford to miss.
© 2013 Humanoids, Inc. All rights reserved.