The Gift

The Illustrated History of the Statue of Liberty

The Gift

By Henry Gibson & Alfredo P. Alcala (Blackthorne Publishing, Inc)
ISBN: 0-932629-45-8

I’m a sucker for the unusual and a stickler for quality so how could I resist reviewing this impressively informative and readable graphic novel from 1986?

Produced in conjunction with a documentary TV special, actor/writer Henry Gibson scripted this slim album (48 pages) to commemorate the anniversary of the Statue of Liberty, for which comics superstar Alfredo Alcala turned in one of the best art-jobs of his illustrious career. In a tale markedly devoid of fist-fights and chases, the magical monochrome pages reverberate with grandeur and solidity as they recount the passionate quest of French sculptor and artisan Frederic Auguste Bartholdi to build a monument to match and even surpass the monolithic achievements of the ancient world’s Seven Wonders.

Simple, concise and surprisingly compelling, this is a superb example of the educational power and potential of the comic page. This is yet another book that should never be allowed to go out-of-print.

© 1986 Liberty Features International, Inc. Packaged and produced by S. Richard Krown and Richard Cramer. All Rights Reserved.

Journey to the West, Book 1

Journey to the West, Book 1

Adapted by Tsai Chih Chung , translated by Alan Chong (Foreign Languages Press?)
ISBN: 7-80028-904-4

Here’s another irreverent and sassy adaptation of Chinese Literature from cartoonist and film-maker Tsai Chih Chung, whose newspaper strip boasts more than 40 million readers worldwide.

Journey To The West is considered one of the Four Great Classical Novels of Chinese Literature. It is attributed to Wu Cheng-en and was most successfully abridged and translated as Adventures of the Monkey God, A Folk Novel of China and The Adventures of Monkey by Arthur Waley. (The others, if you’re interested are Romance of the Three Kingdoms, Outlaws of the Marsh – also called The Water Margin, and either Dream of the Red Chamber – better known as The Story of the Stone – or The Plum in the Golden Vase/Golden Lotus depending on whether you’re a literary critic or an historian).

Buddhist monk Xuanzang goes on a long pilgrimage to India to secure religious texts, accompanied by Monkey, Piggsy, Sandy and a Demon Prince who atones for his past sins by becoming the Monk’s horse. The story has remained popular for centuries due to its brilliant combination of comedy, action, adventure, allegory, philosophy and satire. It’s a tale that can be read on many levels.

In this first volume we see the birth of the irrepressible Sun Wukong, called Monkey, from a magic boulder atop Flower-Fruit Mountain, and how after becoming king of all the simians who live there he goes to Heaven to become an Immortal. After learning their ways and aggravating almost all of the Gods and Demons in creation he is chastised by the Buddha and eventually sent as a monk’s bodyguard to retrieve Sacred Scrolls from the fabled Land in the West (believed by most scholars to be India.).

There are more respectful graphic adaptations than this ebullient and jolly interpretation, but even so the gag-a-day format still informs and elucidates as well as amuses. In a style very similar to Sergio Aragones, Tsai Chih Chung repackages the action and wisdom of China’s mythical and imperial past in funny, exuberant and contemporary instalments, his greatest weapons puns and a manic use of creative anachronism.

One word of warning: Although the cartoons are translated into English (with Chinese subtitles) and copiously footnoted to explain points of detail, literary style, and even some of the more obscure puns – and there are so many – the English captions have a few spelling and grammatical mistakes. If you’re particularly picky about punctuation this might drive you mad, but do try and go with the flow because this is a fun look into a world classic cultural landmark.

Who knows, it might even entice you to read the original book or a recognized translation?

© 2006 – Tsai Chih Chung – presumably – my computer can’t reproduce the Mandarin symbols, I’m sure they know who they are. If anyone can tell us we’ll happy correct this oversight. All Rights Reserved, I suspect.
Available from Guanghwa Company Ltd. Email: info@guanghwabooks.co.uk

Marvel Masterworks: The Amazing Spider-Man 1965

Marvel Masterworks: The Amazing Spider-Man 1965

By Stan Lee & Steve Ditko (Marvel/Panini UK)
ISBN: 978-1-905239-80-1

This third volume of the chronological Spider-Man sees the World’s Most Misunderstood Hero begin to challenge the dominance of the Fantastic Four as Marvel’s top comic book both in sales and quality. Steve Ditko’s off-beat plots and superlative art had gradually adapted to the slick and potent superhero house-style that Jack Kirby was developing (at least as much as such a unique talent ever could), with less line-feathering and more bombastic villains, and although still very much his baby, Spider-Man had attained a sleek pictorial gloss. Stan Lee’s scripts were perfectly in tune with the times, and although his assessment of the audience was probably the correct one, the disagreements with the artist over the strip’s editorial direction were still confined to the office and not the pages themselves.

Thematically, there’s still a large percentage of old-fashioned crime and gangsterism here. The dependence on costumed super-foes as antagonists was still nicely balanced with thugs, hoods and mob-bosses, but those days were coming to an end too…

The collection (reprinting Amazing Spider-Man #20-31 and Amazing Spider-Man Annual #2) kicks off with ‘The Coming of the Scorpion!’ wherein J. Jonah Jameson lets his obsessive hatred for the arachnid hero get the better of him, hiring scientist Farley Stillwell to give a private detective Scorpion-based superpowers. Unfortunately the process drives the subject mad before he can capture Spidey, leaving the wall-crawler with yet another super-nutcase to deal with.

Issue #21 guest-starred the Human Torch. ‘Where Flies The Beetle’ features a hilarious love triangle as the Torch’s girlfriend uses Peter Parker to make the flaming hero jealous. Unfortunately the Beetle, a villain with a high-tech suit of insect armour (no sniggering) is planning to use her as bait for a trap. As usual Spider-Man is in the wrong place at the right time, resulting in a spectacular fight-fest.

‘The Clown, and his Masters of Menace’ is a return engagement for the Circus of Crime (see Marvel Masterworks: The Amazing Spider-Man 1964 ISBN: 978-1-905239-58-0 for their first appearance) and #23 was a superb thriller blending the ordinary criminals that Ditko loved to feature with the arcane threat of a super-villain attempting to take over the Mob. ‘The Goblin and the Gangsters’ is both moody and explosive, a perfect contrast to ‘Spider-Man Goes Mad!’ This psychological thriller finds a delusional hero seeking psychiatric help, but there’s more to the matter than simple insanity, as an old foe makes an unexpected return…

Issue #25 once again saw the obsessed Daily Bugle publisher taking matters into his own hands: ‘Captured by J. Jonah Jameson!’ introduces Professor Smythe, whose robotic Spider-Slayers would come to bedevil the Web-Spinner for years to come, hired by the newsman to remove Spider-Man for good.

Issues #27 and 28 form a captivating two-part mystery saga featuring a hot duel between The Green Goblin and an enigmatic new criminal. ‘The Man in the Crime-Master’s Mask!’ and ‘Bring Back my Goblin to Me!’ comprise a perfect Spider-Man tale, with soap-opera melodrama and brilliant comedy leavening tense thrills and all-out action. ‘The Menace of the Molten Man!’ (#28) is a tale of science gone bad and is remarkable not only for the action sequences and possibly the most striking Spider-Man cover ever produced but also as the story where Peter Parker graduated from High School.

‘Never Step on a Scorpion!’ sees the return of that lab-made villain, hungry for vengeance against not just the Wall-Crawler but also Jameson for turning him into a monster. Issue #30 is another quirky crime-thriller which lays the seeds for future masterpieces. ‘The Claws of the Cat!’ features the hunt for an extremely capable cat-burglar, (way more exciting than it sounds, trust me!) and sees the introduction of an organised mob of thieves working for the mysterious Master Planner. The sharp-eyed will note that scripter Lee mistakenly calls their boss “The Cat” in one sequence, but really, let it go. That’s the kind of nit-picking that gives us comic fans a bad name and so little chance of meeting girls…

‘If This Be My Destiny…!’ ends the year as the as the Master Planner’s high-tech robberies lead to a confrontation with Spider-Man. The next volume will feature the concluding episodes – in my opinion Lee and Ditko’s best work ever, anywhere, but that’s then not now, so be content (if you can) with Peter at College, the introduction of Harry Osborn and Gwen Stacy, and Aunt May on the edge of death…

However the volume doesn’t end here due to the odd trick of placing the summer Annual’s contents after the December issue. In 1965 Steve Ditko was blowing away audiences with another oddly tangential superhero. ‘The Wondrous World of Dr. Strange!’ introduced the Web-Slinger to a whole other reality when he teamed up with the Master of the Mystic Arts to battle a power-crazed wizard named Xandu in a phantasmagorical, dimension-hopping gem. After this story it was clear that the Spider-Man concept could work in any milieu.

This cheap and cheerful compendium is a wonderful way to introduce or reacquaint readers with the early Spider-Man. The brilliant adventures and glorious pin-ups are superb value and this series of books should be the first choice of any adult with a present to buy for an impressionable child. Or for themselves…

© 1965, 2008 Marvel Characters, Inc. All Rights Reserved.

Jak Book 6

CARTOONS FROM THE LONDON EVENING STANDARD

Jak

By Jak (Beaverbrook Newspapers)
NO ISBN:

Sometimes our industry is cruel and unjust. This collection of cartoons by Raymond Allen Jackson, who, as Jak, worked for thirty years as political cartoonist at the London Evening Standard is one of many that celebrated his creativity, perspicacity and acumen as he drew pictures and scored points with and among the entire range of British Society.

His gags, always produced to a punishing deadline as they had to be topical, were appreciated by toffs and plebs alike and were created with a degree of craft and diligence second to none. Even now, decades later, they are still shining examples of wit and talent.

But…

Artists like Jak who were commenting on contemporary events are poorly served by posterity. This particular volume (re-presenting panel-gags from October 24th 1972 to October 5th 1973), like all of these books was packaged and released for that years Christmas market, with the topics still fresh in people’s minds. But thirty-five years later – although the drawing is still superb – unless you have a degree in British Social History, the trenchant wit, the dry jabs and the outraged passion that informed these pictorial puncture wounds is denied to us. I was there and even I don’t get some of the jokes!

I don’t have a solution to offer. It’s just a huge shame that the vast body of graphic excellence that news cartoonists produce has such a tenuous shelf-life…

© 1973 Beaverbrook Newspapers Limited.

The Complete Sky Masters of the Space Force

The Complete Sky Masters of the Space Force

By Jack Kirby, Dick & Dave Wood, Wally Wood & Dick Ayers (Pure Imagination Publishing)
ISBN: 1-56685-009-6

Sky Masters of the Space Force is a beautiful strip with a chequered and troubled back-story, which you can discover for yourself when you buy the book. Even comics-god Jack Kirby spent decades trying to forget the grief caused by this foray into the newspaper strip market during the height of the Space Race before finally relenting in his twilight years and giving his blessing to collections and reprints.

I’m glad that he did because the collected work is one of his greatest achievements, even with the incredible format restraints of one tier of tiny panels per day, and a solitary page every Sunday. Fifty years later this hard-science space adventure is still the business!

Against a backdrop of international and ideological rivalry turned white-hot when the Soviets successfully launched Sputnik in 1957, the staid George Matthew Adams syndicate decided to finally enter the 20th century with a newspaper feature about space. After approaching a reluctant DC Comics (then known as National Periodicals Publications) a deal was brokered, and Jack Kirby, inked by Wally Wood – later to be replaced by Dick Ayers – and initially fed scripts by the brothers Dick and Dave Wood (no relation to Wally), began bringing the cosmos into our lives via an all-American astronaut and his trusty team of stalwarts.

The daily strip debuted on September 8th 1958 and ran until February 25th 1961 (a scant few months before Alan Shepherd became the first American in Space on May 5th), and the Sunday colour page told its five long tales (The Atom Horse, Project Darkside, Mister Lunivac, Jumbo Jones and The Yogi Spaceman) in a separate continuity from February 8th 1959 until 14th February 1960.

Sky Masters, burly Sgt. Riot, astronaut’s daughter Holly Martin and her feisty brother Danny (who do they remind me of?) were all introduced in The First Man in Space and the human tragedy of that moody tale informs all the following stories, even as grim yet heady realism slowly grew into exuberant action and fantastic spectacle. Sabotage, Mayday Shannon, The Lost Capsule, Alfie, Refugee, Wedding in Space, Weather Watchers and finally The Young Astronaut form a meteoric canon of wonderment that no red-blooded armchair adventurer could possibly resist.

This volume also contains an abundance of essays, commentary and extras such as sketches and unpublished art, which more than compensates for the Sunday pages being printed in black and white.

Quite honestly I can’t be totally objective about Sky Masters. I grew up during this period and the “Conquest of Space” is bred into my sturdy yet creaky old bones. That it is also thrilling, challenging and spectacularly drawn is almost irrelevant to me, but if any inducement is needed for you to seek this work out let it be that this is one of Kirby’s greatest accomplishments. Now go enjoy it…

© 2000 Pure Imagination.

Grifter & Midnighter

Grifter & Midnighter

By Chuck Dixon, Ryan Benjamin & Salem Crawford (Wildstorm/DC Comics)
ISBN13: 978-1-84576-729-7

No-nonsense, high speed fun and thrills is what this uncomplicated, beautifully illustrated grim ‘n’ gritty heroes versus monsters yarn offers, and if that’s your preference then you won’t be disappointed.

Grifter is a gun-toting special operative with psionic powers he considers a curse. Midnighter is an augmented human street-fighter with the iconoclastic super-team The Authority, where, despite his reputation as the deadliest man alive, he feels himself to be the weakest link. When the team has to rescue him from an alien abduction, he isolates himself to sulk, only to become embroiled in an extraterrestrial plot to destroy the Earth. Moreover he has to team up with old rival Grifter, with whom he has long shared a hate/hate relationship.

Lots of guns, lots of fights, a naked alien chick, world-eating monsters and non-stop buddy-movie testosterone-fuelled badinage keep this high-velocity eye-candy popping and sparking. If that’s your addiction, or if you simply want a change of pace from worthier, weightier material this could be the book for you.

© 2007, 2008 WildStorm Productions, an imprint of DC Comics. All rights reserved.

The Daily Mirror Book of Garth 1976

(GARTH ANNUAL 1976)

Book of Garth 1976

By Jim Edgar & Frank Bellamy (Fleetway/IPC)
No ISBN/book number 85037-204-6

When Frank Bellamy was drawing the Daily Mirror strip Garth, it caught the public attention in a way seldom seen. I even recall having passionate conversations with school friends who normally sneered or at best uncomprehendingly accepted my strange addiction to comics over the two unmissable strips of the day (the other being Maurice Dodd and Dennis Collin’s unbelievably wonderful The Perishers – also in the Mirror and which I must get around to covering). Was it less the mind-melting adventure stories with eye-popping graphics and more that the stories contained, without exception, the most beautiful women ever seen in pictures, and that they were usually naked?

Whatever the reason for first looking, the strips soon made dedicated fans out of many who previously weren’t; a fact the publishers seemed to acknowledge with a couple of reprint editions during the traditional Christmas Annuals release period.

Whereas the first of these – The Daily Mirror Book Of Garth 1975 – was an A-4 format, full-sized book in the traditional manner, the second volume switched to a landscape edition with only two tiers of strip per page, possibly to bring it more into line with other cartoon-reprint paperbacks such as The Gambols, Fred Bassett or the aforementioned Perishers. For fans that meant fewer stories in the book.

This volume collects The Mask of Atacama and The People of the Abyss (both of which I’ve covered in Titan Books’ Garth: Book 2 – The Women of Galba, ISBN: 0-907610-49-8) but sandwiched between them is the rare and spectacular space-thriller ‘The Beast of Ultor’, which originally ran from February 19th to June 5th 1974. In it a pot-holing Garth discovers a strange egg deep underground that hatches into a stunning (and yes – naked) alien woman who reunites him with the Goddess Astra in a battle against Cosmic Evil on a faraway world.

Visually this is one of the most exciting stories Bellamy drew in his too short career, and is worth any difficulty you might have in tracking it down. But even if Personal Shoppers or Private Detectives are out of your reach perhaps enough chatter might induce a publisher (such as Titan – who have so successfully brought back other classic British comics masterpieces in recent years) to finally bring the British Superman back for good.

© IPC Magazines 1975.

Preacher: Dead or Alive — Covers by Glenn Fabry

Preacher: Dead or Alive — Covers by Glenn Fabry

By Glenn Fabry (Vertigo)
ISBN: 987-1-5638-9678-3

Comic books aren’t just stories. Often the cover is as important and thrilling as the contents – if not moreso. Let’s face it; we’ve all bought something for its appearance only to be disappointed by its interior. So it’s a relief and a delight to thoroughly recommend a comic-cover-art book where the visuals are as extraordinary as the material they were selling.

Garth Ennis and Steve Dillon produced Preacher for five years; a wry, cynical, powerfully satirical, humanist condemnation of religion, politics, “Causes” and the Status Quo. It was also one of the best adult comics ever produced. On the front of each issue – as well as sundry spin-off specials and miniseries – was a cover by that master of human expression and deadpan under-playing: Glenn Fabry. This book collects 87 magnificently painted covers, with attendant commentary and working drawings and sketches for each of them.

This is a lovely thing to look at, a wonderful reminder of the series itself, and an absorbing insight into the work-process of one of our greatest illustrators.

© 1995-2000 Garth Ennis and Steve Dillon. All Rights Reserved.

Batman: Harvest Breed

Batman: Harvest Breed
Batman: Harvest Breed

By George Pratt (DC Comics)
ISBN: 1-56389-775-X

Sometimes even the best of intentions don’t quite produce a great result. Master illustrator George Pratt returned tangentially to the Vietnam War for the back story of this supernatural thriller starring the Dark Knight but the overall results are vastly below his superb par as established with the landmark Enemy Ace: War Idyll (ISBN: 978-0-9302- 8978-2).

Bruce Wayne is tortured by bloody nightmares of devils and sacrifices as a killer tries to re-enact a murder-ritual based on the points of a cross. Such ritual has been attempted many times throughout history, but on this particular occasion the stakes seem much higher – and much more personal. Only a girl named Luci Boudreaux, escapee and survivor of the Hell of Viet Nam seems to have any answers to the dilemma…

Although painted with astounding passion and skill, the story seems to have been sadly neglected and is a bit of a mess, with war veterans, voodoo priests, faith-healers, demons and an uncomfortable misunderstanding of the relationship between Batman and Commissioner Gordon muddying a rather tired old plot. If you love dark and moody style above content give it a shot but otherwise this pretty much a completist-only book.

© 2000 DC Comics. All Rights Reserved.

Dream Watcher

Dreamwatcher

By Aleksandar Zograf (Slab-O-Concrete)
ISBN: 1-899866-13-2

Aleksandar Zograf is a fiercely creative artist, and very dedicated. During the Balkan conflict that scarred the end of the last century he ignored all entreaties to leave his home in Panchevo, Serbia, preferring to remain, suffer and share the privations that tested his countrymen and record his life, impressions and dreams in a series of astoundingly powerful mini-comics and cartoons.

This slim collection gathers not just strips of an autobiographical nature, but also many pieces garnered from the author’s interest in Dreams, The Unconscious and Hypnagogic states.

Rather than dilute the absorbing power of his moody artwork and unique story-telling perspective I’ll simply state that his particular graphic narratives and his gripping, heavy art are some of the most enthralling I’ve ever encountered, and if you’re at all interested in the alternative and cutting edge in comics, you need to tack down Zograf’s work.

© 1992-1998 Aleksandar. Zograf. All Rights Reserved.