Showcase Presents: Batman Vol 2

Showcase Presents: Batman Vol 2 

By various (DC Comics)
ISBN 1-84576-661-X

No matter how much we might squeal and foam about it, to a huge portion of this planet’s population Batman is always going to be that “Zap!” “Pow!” caped boy scout and buffoon of the 1960s television show. It was just that popular and all-consuming.

Regrettably that has meant that the comic stories from Batman and Detective Comics published during that period have been similarly excoriated and maligned by most Batfans ever since. It is true that some tales were crafted with overtones of the “camp” fad, presumably to accommodate newer readers seduced by the arch silliness and coy irony of the show, but no editor of Julius Schwartz’s calibre would ever deviate far from the characterisation that had sustained the Batman for nearly thirty years, or the recent re-launch that had revitalised him enough for television to take an interest at all. Nor would such brilliant writers as John Broome, Bill Finger, Gardner Fox and Robert Kanigher ever produce work that didn’t resonate on all the Batman’s intricate levels just for a quick laugh and a cheap thrill.

This volume from the wonderfully cheap and cheerful ‘Showcase Presents…’ imprint re-presents all thirty-six Batman stories from September 1965 to December 1966 (which originally appeared in Batman #175-188 and Detective Comics #343-358) in beautiful, crisp black and white. The artists include such greats as Carmine Infantino, Sheldon Moldoff, Chic Stone, Joe Giella, Murphy Anderson and Sid Greene, as well as covers from Gil Kane and Joe Kubert supplementing the stunning and trend-setting, fine-line masterpieces of Infantino.

Most of the stories reflect the gentles times and stated editorial policy of spotlighting Batman’s reputation as “The World’s Greatest Detective”, so the colourful, psychotic costumed super-villains are in a minority, but there’s still the first two appearances of Poison Ivy and Blockbuster, as well as debuts for The Cluemaster and Doctor Tzin-Tzin, and second stringers such as The Bouncer, The Birdmaster, Monarch of Menace, and even the Flash’s nemesis The Weather Wizard.

The Riddler and the Joker (in possibly his most innocuous exploit ‘The Joker’s Original Robberies’) are included, and there are a couple of guest appearances from the super-stretchy Elongated Man (a sleuth in the manner of Nick “Thin Man” Charles, and the long running back-up feature in Detective Comics), in the tense thriller the ‘Secret War of the Phantom General’, and again in ‘Two Batmen Too Many!’ with the Atom thrown in for good measure.

The bulk of the stories here are thefts, capers, plots and schemes by world conquerors, heist men, would-be murderers and mad scientists, and I must say it is a joy to see these once-staples of comic books again. You can have too much psycho-killing, I say, and just how many alien races really, really want our poxy planet – or even our women?

And yes there are one or two dafter tales but overall this is a window to a simpler time but not simpler fare. These Batman adventures are tense, thrilling, engrossing and engaging, and I’d have no qualms giving these to my niece or my granny.

Stay tuned and become a Bat-fan.

© 2007 DC Comics. All Rights Reserved.

Alan Moore: Wild Worlds

Alan Moore: Wild Worlds 

By Alan Moore & various (WildStorm)
ISBN 1-84576-661-X

New collections of the work of Alan Moore are few and far between these days and most of his previous output found its way between stiffened covers eventually (didn’t he do some stuff for Marvel UK’s Star Wars comic? I don’t think that’s been strip-mined yet…), so it’s high time his brushes with Image Comics got the treatment. I honestly wish I could say it’s been worth the wait, though.

The big draw at the time of publishing (1996) must have been as much the teaming of Todd McFarlane’s Spawn and Jim Lee’s WildC.A.T.s as the chance to see one of the world’s greatest comics creators turn his hand to superheroes once again. If so, they must have been pretty disappointed.

‘Devil’s Day’, illustrated by Scott Clark and Sal Regla, is a mediocre time-travel story wherein the heroes must travel forward in time to defeat their evil future selves. It’s all actually rather dull and dreary, and lacking any of the clear humanity that Moore excels in capturing. I wonder how much editorial freedom was allowed in combining two creator-owned properties under a third creator’s control?

Much more enjoyable is ‘The Big Chill’ taken from Wildstorm Spotlight #1 (1997). It features the Superman analogue Majestic in a moody, contemplative light as one of the nine beings at the end of time, when entropy is finally shutting the universe down. Carlos D’Anda and Richard Friend provide lovely pictures for the kind of cosmically metaphysical yet intimate wonderment that Moore does best, peeking inside invulnerable skin and behind glittery masks.

The Voodoo miniseries ‘Dancing in the Dark’ saw the exotic dancer and superhero become a pole-dancer in New Orleans and the tool of the all-powerful Loa to prevent a hideous monster from resurrecting its ancient evils in a modern city. Produced during the height of the “Bad Girls” craze (1997-1998), there are lots of gravity-defying, implausible curves and much sweaty skin on display to off-set all the gore, courtesy of pencillers Al Rio and Michael Lopez, and a host of inkers. The combination of crime-thriller, voodoo magic and skintight melodrama makes for an easy if predictable read.

Super-soldier Deathblow is more or less the star of ‘Deathblow: Byblows’ as a mysterious quest through a fantastic land answers questions about the seekers that perhaps they shouldn’t have asked. Moore and Jim Baikie create a mood reminiscent of Patrick McGoohan’s The Prisoner as well as loads of action to carry the mystery along.

The final tale is from WildC.A.T.s #50, and is beautifully drawn by Travis Charest. Sadly however, I don’t really feel able to comment beyond that because ‘Reincarnation’ is a little eight page tale that recounts events and features commentary from some previous story that I haven’t read, isn’t explained, and features a bunch of characters I’m unfamiliar with. Couched as banter whilst dealing with a monster in their headquarters, it is surely very sharp and no doubt very witty, but I don’t know what is going on and that makes me confused and grumpy.

Surely a page of explanation wouldn’t have been too much trouble if this story had to be included? Or perhaps the editors should have printed the story in a WildC.A.T.s trade edition where it would make more sense, and more rightly belongs?

The name of the author always guarantees sales, but every writer has stories he’s less pleased with. I’m guessing these aren’t any of Mr. Moore’s favourites and they do him a disservice being cobbled together in this manner.

I wonder if they even asked him?

© 2007 WildStorm Production, an imprint of DC Comics. All Rights Reserved.
Spawn and related characters are ®, ™ and © Todd McFarlane, Inc.

The World of Pont

(Nadder Books 1983)
ISBN 0-90654-038-0

Graham Laidler trained as an architect but became a cartoonist due to ill-health (a tubercular kidney). From 1932 until his death in 1940, aged 32, he travelled the world and drew funny pictures, mostly of The English both at home and abroad, under exclusive contract to Punch – a hitherto unique arrangement.

His humorous observations were simultaneously incisive and gentle, baroque and subtle. His work was collected into a number of books during his lifetime and since, and his influence as humorist and draughtsman can still be felt.

The World of Pont

He mastered telling a complete story in a single drawing although he also worked in the strip cartoon format for The Women’s Pictorial. His cartoons exemplified the British to the world at large. The Nazis, with typical sinister efficiency, used his drawings as the basis of their anti-British propaganda when they invaded Holland, further confirming to the world the belief that Germans Have No Sense of Humour.

As “Pont”, and for eight too-brief years, Graham Laidler became an icon of English life, and you would be doing yourself an immense favour in tracking down his work. If you like Ealing comedies, Alistair Sim or Margaret Rutherford, St Trinians and the Molesworth books, or the works of Thelwell or Ronald Searle, you won’t regret the search.

The World of Pont

If you love good drawing and sharp observational wit you’ll thank me. If you just want a damn good laugh, you’ll reward yourself with the assorted works of Pont.

Unbelievably, despite his woefully small output (around 400 cartoons) there doesn’t seem to be a definitive collection of the work of Pont. If there’s a publisher reading this I pray you take the hint. For the rest of us there’s the thrill of the hunt and the promised bounty in seeking out “The British Character”, “The British at Home”, “The British Carry On”, “Most of us are Absurd”, “Pont” and “The World of Pont”.

The World of Pont

© 1983, 2007 the estate of Graham Laidler.

Wallace and Gromit: The Whippet Vanishes

Wallace and Grommit: The Whippet Vanishes 

By Simon Furman, Ian Rimmer and Jimmy Hansen (Titan Books)
ISBN: 1-84023-498-9

There are lots of comics and graphic novels that derive from movie and television sources, and for whatever reason, most of them just do not cut it. This is a noteworthy exception.

This publication, dedicated to the further adventures of Northern boffin Wallace and the incomparable best-of-breed working dog Gromit, sees them take on the role of amateur Pet Detectives in a helter-skelter romp to track down a mysterious pet-napper.

All their trademark insanity and high energy action abounds as they deal with snow drifts and missing garden Gnomes and add another eccentric evil genius to their catalogue of arch-villains.

Great fun for all ages and I’d like to offer my particular congratulations for captivating art and colour from Jimmy Hansen and John Burns. Puppets have never been drawn so well.

© 2004 Aardman Animations. All Rights Reserved.

True Story Swear to God 2: This One Goes to 11

True Story Swear to God 2: This One Goes to 11 

By Tom Beland (ait/planet lar)
ISBN: 1-9320-5132-1

Tom Beland is a man in love. At his time of life and looking like he does, he finds that hard enough to believe. That his One True Love lives three thousand miles away, in Puerto Rico, is pretty much incomprehensible to him. And that she’s stuck there without him during the most humungous hurricane he’s ever heard of is not a situation that is going to happen twice.

This second collection of the charming, true, modern romance sees creator and protagonist Beland accept that he and his beloved Lily cannot be apart any more. Matching the comedy and drama of outrageous weather systems with the irresistibly opposing forces of two mature people who are each settled in their own space can only mean that something has to give. Who’s going to move or who’s going to quit?

This One Goes to 11 combines charm, gentleness and real-life trials as old as humanity and wraps them in a warm deceptively subtle cartoon style to tell a story we’ve all featured in and can’t help but empathise with. Well worth seeking out.

© 2005 Tom Beland. All Rights Reserved.

Star Trek: The Next Generation — Maelstrom

Star Trek: The Next Generation — Maelstrom 

By Michael Jan Friedman & Pablo Marcos (Titan Books)
ISBN 1-94576- 318-1

Titan’s reprinting (issues #13-18 of the DC series from the 1990s) of the venerable TV phenomenon continues with Michael Jan Friedman scripting capable if uninspiring comics tales illustrated by veteran Pablo Marcos, and guest artists and writers Dave Stern, Mike O’Brien, Ken Penders, Mike Manley and Robert Campanella also contributing to the licensed fun.

Friedman’s adventures involve an elaborate plot by telepaths to use the crew to assassinate delegates at a peace conference, a plot by the Ferengi to illegally strip-mine a resort world, starring Riker and LaForge, and a stellar phenomenon that draws the Enterprise into a confrontation with the Romulans just as a plague of madness grips the crew. The fill-in is another “time-traveller back to fix the continuum” tale as Wesley Crusher’s attempts to improve the Transporter system go awry.

Although not the best work these creators have produced, the stories are honest entertainment that should be a welcome treat for fans and they are easily accessible to anyone who has seen the TV show

™ & © 2006 CBS Studios Inc. All Rights Reserved.

Chronicles of Conan vol 8: Brothers of the Blade

Chronicles of Conan vol 8: Brothers of the Blade 

By Roy Thomas, John Buscema, Mike Ploog & various (Dark Horse Books)
ISBN: 1-84576-137-5

The eighth volume of reprinted Marvel Conan stories is a true treat, as it features not just the magnificently recoloured artwork of John Buscema partnered with some of his most gifted inkers – Tom Palmer, Frank Springer, Pablo Marcos and Steve Gan – but also reprints one of the last comic stories of the tragically under-rated Mike Ploog. The book ends with Buscema, though, who returns to begin the epic “Queen of the Black Coast” story line that ran from issues #58 – 100 of the monthly comic book. Parts one and two can be found here along with issues #52 through 57.

Conan is undergoing something of a revival at the moment, both as prose and comic book character, not to mention all those figurines that could find homes on the shelves of the faithful, and there’s always the promise of another movie. Still and all, and whilst admitting my bias, if you can’t actually have more Robert E. Howard, you can’t do much better than these thumping good yarns that kept the legend alive in the long-ago, hip again 1970s.

© 1975, 2005 Conan Properties International, LLC. All Rights Reserved.

Heath Robinson

 Heath Robinson

HEATH ROBINSON: ABSURDITIES (Duckworth)
ISBN: 0-71561-583-1 (1990 edition) ISBN: 0-71560-920-3 (1975 edition)

Heath Robinson

HEATH ROBINSON: RAILWAY RIBALDRY (Duckworth)
ISBN: 0-71560-823-1 (1997 edition) ISBN: 0-71561-489-4 (1980 edition)

Not many people enter the language due to their own works. Fewer still last the course and stay there. Can you recall what “doing an Archer” means?

William Heath Robinson was born on 31st May 1872 into something of an artistic dynasty. His father Thomas was chief staff artist for Penny Illustrated Paper. His older brothers Thomas and Charles were also illustrators of note. After schooling he tried unsuccessfully to become a watercolour landscape artist before returning to the family trade. In 1902 he produced the fairy story “Uncle Lubin” before working for The Tatler, Bystander, Sketch, Strand and London Opinion, during which time he developed the humorous whimsy and penchant for eccentric mechanical devices that made him a household name.

Heath Robinson

During the Great War he uniquely avoided the Jingoistic stance and fervor of his fellow artists, preferring to satirise the absurdity of conflict itself with volumes of cartoons such as “The Saintly Hun”. After a career of phenomenal success and creativity, in cartooning, illustration and particularly advertising, he found himself doing it again in World War Two. He died on 13th September 1944.

There is very little point in analysis in the limited space available here, but surely some degree of recommendation is permissible. In Absurdities (1934), Heath Robinson personally gathered his favourite works into a single, all too slim volume that more than any other describes the frail resilience of the human condition in the Machine Age and particularly how the English deal with it all. They are also some of his funniest strips and panels.

In Railway Ribaldry, a commission from The Great Western Railway Company to celebrate their centenary in1935 (and more power to them; can you imagine a modern company paying someone to make fun of them?), he used his gentle genius to examine Homo Sapiens Albionensis, as steel and rails and steam and timetables gradually bored their way into the hearts and minds of us folk. Much too little of his charming and detailed illustrative wit is in print today, a situation that cries out for Arts Council Funding more than any other injustice in the sadly neglected field of cartooning and Popular Arts.

Heath Robinson

Other publications of his work include Some Frightful War Pictures (1915), Hunlikely! (1916), The Saintly Hun: A Book of German Virtues (1917), Flypapers (1919), Get On With It (1920), The Home Made Car (1921), Quaint and Selected Pictures (1922), Humours of Golf (1923), Let’s Laugh (1939), Heath Robinson At War (1941) and The Penguin Heath Robinson (1946), as well as such collaborations as The Incredible Inventions Of Professor Branestawm by N Hunter (1933), or Mein Rant with R. F. Patterson (1940).

In the 1970s and 1980s Duckworth produced and or reprinted a selection of albums which included Inventions, Devices, The Gentle Art of Advertising, Heath Robinson at War, Humours of Golf, How To Be A Motorist, How To Be A Perfect Husband, How To Live in a Flat, How To Make your Garden Grow, How To Run a Communal Home, How To Build a New World, and How To Make the Best of Things, and many of these can still be found at or ordered through your local Library Service. Both Ribaldry and Absurdities were reissued in the 1990s and were readily available on Amazon last week. (I’ve included the ISBN’s in case you’re tempted…)

Heath Robinson

I apologize for the laundry-list nature of the above review, but I’m not sorry to have produced it and neither will you be when you find any the wonderful, whimsical, whacky work of William Heath Robinson, Wizard of Quondam Mechanics.

© 2007 The estate of William Heath Robinson.

Kane: Greetings from New Eden

Kane: Greetings from New Eden 

By Paul Grist (Dancing Elephant Press)
ISBN: 1-58240-340-6

The first volume of Paul Grist’s quirky cop drama re-introduces the visually compelling and taciturn detective back into the hurly-burly of the New Eden police force, after an absence caused by a scandal. Kane and his partner Dennis Harvey were a perfect team. Right up until the moment Kane tried to arrest Dennis for taking bribes. Their friendship pretty much ended when Kane shot him.

Now Kane’s back and he’s just as effective but a damned sight less popular with his fellow officers.

From these derivative scraps of cop-show folk-lore Grist weaves a spellbinding little masterpiece of unparalleled graphic ingenuity. It sounds like Hill Street Blues. It feels like The New Centurions or The Choirboys. It is in fact a unique voice and major comics stylist simply telling stories in a subtle and irresistible way with sly wit and jovial cynicism, not to mention with an utterly British dash of whimsy that just takes the breath away.

I really don’t want to say anything else about the plot. I want you to get the book and the ones that came after it and discover the magic for yourselves, so you’ll just have to content yourselves with ploughing through some more of my effervescent hyperbole. Or jump to the next review if you want. Or get weaving and get Kane.

Still here? Okay, then.

The stark yet inviting black and white design, refined and honed and pared down to a minimalist approachability has an inescapable feeling of Europe about it. If ever anyone was to create a new Tin Tin adventure, Grist would be the ideal choice to draw it. Not because he draws like Hergé, but because he knows his craft as well as Hergé did.

I love this stuff, and if you buy it, so will you. Collect ’em all, fanboy!

©1993, 2004 Paul Grist. All Rights Reserved.

Chronicles of Conan vol 7: The Dweller in the Pool

Chronicles of Conan vol 7: The Dweller in the Pool 

By Roy Thomas, John Buscema and others (Dark Horse Books)
ISBN: 1-84576-028-X

Volume 7 (issues #43 – 51) begins with shorter tales ‘Tower of Blood’, ‘Of Flame and Fiend’, and the eerily memorable ‘Last Ballad of Laza-Lanti’ before concentrating the remainder of the book (originally six issues) on a protracted and loving adaptation of ‘Kothar and the Conjurer’s Curse’, originally penned by the prolific and justifiably legendary Gardner Fox, (if anybody deserves the title of Elder God of the comic book world it must be Fox!) with the cantankerous Cimmerian once again embroiled in a war between wizards and wading through totty and gore in equal amounts.

This is classic pulp/comic action in all its unashamed exuberance and should be a guilty pleasure for old time fans and newbies of all persuasion.

© 2005 Conan Properties International LLC. All Rights Reserved.