Crime Comics – Page 42 – Now Read This!

September 11, 2014September 10, 2014

Gotham Central book 1: In the Line of Duty

By Ed Brubaker, Greg Rucka & Michael Lark & Stephen Gaudiano (DC Comics)
ISBN: 978-1-4012-1923-9 (HC)Â Â Â Â Â Â Â : 978-1-4012-2037-2 (SC)

One of the great joys of long-lasting, legendary comics characters is their potential for innovation and reinterpretation. There always seems to be another facet or corner to develop. Such a case was Gotham Central, wherein modern television sensibilities cannily combined with the deadly drudgery of the long-suffering boys in blue of the world’s most famous four-colour city.

Owing as much to shows such as Hill Street Blues, Homicide: Life on the Streets and Law & Order as it did to the baroque continuity of Batman, the series mixed gritty, authentic police action with a soft-underbelly peek at what the merely mortal guardians and peacekeepers had to put up with in a world of psychotic clowns, flying aliens and scumbag hairballs who just won’t stay dead.

This compilation – collecting Gotham Central #1-10 (February – October 2003, by writers Ed Brubaker and Greg Rucka and sublimely illustrated by Michael Lark) – revisits those much-missed stories in either standard paperback or lavish hardcover format and starts off with an erudite and informative Introduction on ‘The Mean Streets of Gotham’ by celebrated crime author Lawrence Block.

Brubaker and Rucka co-wrote the eponymous two-part premier tale ‘In the Line of Duty’ wherein a desperate child-kidnap investigation by detectives Marcus Driver and Charlie Fields of ex-Commissioner Gordon‘s hand-picked Major Crimes Unit leads them all unawares to the temporary hideout of murderous superfreak Mr Freeze.

The cold killer horrifically destroys Charlie and sadistically leaves Driver injured but alive as an object lesson.

The GCPD have a strange relationship with the Dark Knight. They all know he’s out there, but the official line is that he’s an urban myth and the Administration refuses to acknowledge his existence. Thus a civilian is employed to turn on the bat-signal on the roof when crises occur and the public are told the eerie light is simply used to keep the cowardly, superstitious underworld cowedâ€¦

In such circumstances all real cops are loath to ask for The Bat’s help so Driver and his grieving, angry colleagues pull out all the stops to find and capture Freeze before the masked vigilante insultingly finishes their job for them.

However, as night falls and the frozen bodycount rises, Marcus deduces what Freeze is planning and has no choice but to ask new Police Commissioner Akins to suspend his embargo and call in the whacko expert before hundreds more dieâ€¦

From an era when comicbook noir was enjoying a superb renaissance, this classic take on the theme of the hunt for a cop-killer is a masterpiece of edgy and fast-paced tension whilst simultaneously perfectly introducing a large cast of splendidly realised new and very individual playersâ€¦

Brubaker scripts the second story solo as ‘Motive’ finds the again fit-for-duty Driver and his temporary partner Romy Chandler using solid police work to solve the outstanding kidnap case, all the while under the gun as arson villain The Firebug dances on the horizon burning down the city one building at a time.

Fourteen year old babysitter Bonnie Lewis vanished while walking home from her yuppie client’s house and a subsequent ransom demand later proved to be a fake. Now, after her body is found, Driver and Chandler carefully re-examine the facts and discover that almost everybody involved has been lyingâ€¦

As they methodically sift evidence, alibis and possible motives, they begin to realise that even this tragically normal crime has its roots in both common greed and the gaudy madness of Gotham’s metahuman menacesâ€¦

The gripping procedural drama then segues back to the city’s aristocracy of maniacs as Greg Rucka scripts ‘Half a Life’ with focus switching to Renee Montoya: a solid cop with too many secrets.

After her former partner Harvey Bullock was fired with extreme prejudice, tongues started wagging, but now an old case threatens to destroy her career and end her lifeâ€¦

When arresting rapist Marty Lipari, he tried to stab her, and she subdued him. Now her morning is ruined when the skel sues her for ten million dollars in damages.

It only gets worse when she and partner Crispus Allen get a bogus case dumped on them by the corrupt, lazy meatheads in Robbery Division, but the capper is dinner with her traditional, devout Catholic parents who still want her to settle down and have kidsâ€¦

Her life begins to truly unravel when a photo of her kissing another woman does the round of colleagues, friends and family. Not all her fellow cops are homophobic bigots: but just enough that’s she kept her life private for years. Now, apparently outed by Lipari’s hired gumshoe Brian Selker, she is targeted by Internal Affairs when first the PI and then Lipari himself are shot to death.

With her lover Darla threatened, her gun identified as the murder weapon and a huge amount of illicit drugs found in her apartment, Renee is soon on her way to jail – another bad egg just like Bullock.

Nobody in MCU thinks she’s guilty but the evidence is overwhelming, and the crisis comes when en route she’s busted out by masked men and taken to the hidden citadel of one of Batman’s most nightmarish nemesesâ€¦

Utterly alone, in the unfriendliest job in the world, in the nastiest town on Earth, Montoya has to deal alone with a crazed maniac who’s destroyed her life just so he can be with her forever.

As a Major Crimes Detective she’s seen how bad The Bat’s enemies can get, but this time she’s the target, not the hunter or witness, and it’s not just her life at stakeâ€¦

This engrossing drama never steps outside of human bounds irrespective of the nature of evil in Gotham, and the original comic presentation (from issues #6-10) won Eisner, Harvey, Eagle and Prism awards for Best Story in 2003.

Sadly not included in this volume are the two earlier tales from Renee’s past (Batman Chronicles #16 – Two Down, by Rucka & Jason Pearson & Cam Smith, and Detective Comics #747 – Happy Birthday Two You, by Rucka, William Rosado & Steve Mitchell) which explained that oblique connection to her obsessive suitor – although you can find then in the original 2005 trade paperback Gotham Central: Half a Life.

The appropriate quota of human drama, tension, stress and machismo all play well under Michael Lark’s deftly understated illustrations, adding a grimy patina of pseudo-reality to good old fashioned cops ‘n’ robbers stories, played out in what can only be described as the urban city of the damned.

The procedural cop thriller on the edge of hell is a stunning study in genre-crossing storytelling, and this edition includes a full cover gallery by Lark as well as a fulsome section of designs and character sketches in ‘Staffing the GCPD’.

Dark, suspenseful and so very addictive, this is a book no batfreak or crime buff can afford to miss.
Â© 2004, 2005, 2008 DC Comics. All Rights Reserved.

August 25, 2014August 30, 2014

The System

By Peter Kuper (PM Press)
ISBN: 978-1-60486-811-1

Artist, storyteller and activist Peter Kuper was born in Summit, New Jersey in 1958, before the family moved to Cleveland when he was six. The youngster met fellow comics fan Seth Tobocman and they progressed through the school system, catching the bug for self-publishing early. They then attended Kent State University together. Graduating, they moved to New York in 1979 and, whilst both studying at the Pratt Institute in Brooklyn, created the political art/comics magazine World War 3 Illustrated.

Both separately and in conjunction, in comics, illustration and through art events, Kuper and Tobocman have championed social causes, highlighted judicial and cultural inequities and spearheaded the use of narrative art as an effective means of political activism.

Many of Kuper’s most impressive works have stemmed from his far-flung travels but at heart he is truly a son of New York, with a huge amount of his work using the city as bit player or star attraction.

He created The New York Times‘ first continuing strip – Eye of the Beholder – in 1993, adapted such modern literary classics as Franz Kafka’s Give it Up! (1995) and The Metamorphosis (2003) to strip form, whilst always creating his own canon of intriguing graphic novels and visual memoirs.

Amongst the many strings to his bow – and perhaps the most high-profile – has been his brilliant stewardship of Mad Magazine‘s beloved Spy Vs. Spy strip which he inherited from creator Antonio Prohias in 1997.

In 1995 he undertook a bold creative challenge for DC’s Mature Reader imprint by crafting a mute yet fantastically expressive 3-part thriller and swingeing social commentary for Vertigo VeritÃ©. The System was released as a softcover graphic album in 1997 and has now been magnificently repackaged in a lavish hardback edition from PM Press.

Following a moving Preface from the author describing the genesis of the project, Senior News Editor at Publisher’s Weekly Carl Reid offers an effusive appreciation in ‘Bright Lights, Scary City’ before the drama beginsâ€¦

As if telling a beguiling, interlinked portmanteau tale of many lives interweaving and intersecting – and often nastily ending – in the Big City without benefit of word-balloons, captions or sound effects was not challenge enough, Kuper pushed his own storytelling abilities to the limit by constructing his pages and panels from cut stencils, creating the narrative in a form akin to urban street art.

It is astoundingly immediate, evocative and effectiveâ€¦

A stripper is murdered by a maniac. An old, weary detective ruminates on his failures. A boy and girl from different neighbourhoods find love. A derelict and his dog eke out a precarious daily existence and a beat cop does his rounds, collecting payoffs from the crooked dealers and helpless shopkeepers he’s supposed to protect. Religious zealots harass gay men and an Asian cabbie gets grief from the white fares who despise him whilst depending on his services.

The streets rattle with subway trains below and elevated trains above.

Strippers keep dying, children go missing, love keeps going and the airport brings a cruel-faced man with radioactive death in his carry-on luggageâ€¦

There are so many million stories in The City and they are all connected through the unceasing urban pulse and incessant, unending forward motion of The Systemâ€¦

Clever, compulsive and breathtakingly engrossing, this delicious exercise in dramatic interconnectivity and carefully constructed symbolism is a brilliant example of how smart and powerful comics can be.

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August 13, 2014August 16, 2014

Disenchanted volume 1

By Simon Spurrier & German Erramouspe (Avatar Press)
ISBN: 978-1-59291-230-8

Where has all the Magic gone?

If Simon Spurrier and German Erramouspe are to be believed – and they should because they are quite convincing – it hopped and flew out of the rural hills and hedgerows of Albion to resettle in an abandoned tube station below and behind a derelict sex-shop in Londonâ€¦

Disenchanted launched in September 2013 as a web-comic serial, taking a long loving look at Britain’s ancient affiliation with fairies and elves, leprechauns and pixies and, after careful consideration, kneecapping the lot of them before finishing off the twee magic bastards with crowbars, broken bottles and DDTâ€¦

Once upon a time the assorted magic races collectively known as the Little People left their old haunts as the Vast Folk increasingly ignored and forgot them. The Goblins were first, moving to the stinking, smoky Big City and laying claim to mothballed and forgotten Wardour Street Station.

They became owners and landlords beneath the feet of mankind, scavenging, supervising and profiting from the sprawling construction of a vast metropolis, assembled from discarded human trash and detritus.

The building of the colossal favela – eventually housing a million disparate souls all struggling to get along and make a life for themselves far from their roots and culture – made the Gob elite rich.

Rich enough, indeed, to move to palatial, elevated exclusive heights because their hidden kingdom soon became a teeming mass of aggression, hostility, criminality and suppressed prejudice waiting to boil over. It’s still growing bigger every dayâ€¦

Vermintown is the worst of all possible worlds, but now it is home to all kind of creatures who previously despised and shunned each other. The older ones still bemoan and cherish the past; clinging to old customs and beliefs, but their children and grandchildren are different creatures, knowing nothing but urban sprawl, jostling elbows, frayed tempers and cultural pick-and-mixâ€¦

Tibitha Leveret is a fairy, the eldest of her kind in Vermintown and regarded by the masses as a Spiritual Leader. However she is plagued by the unshakable conviction that a foolish act in her youth caused the change in Fey fortunes. Head of a large household, she is secretly addicted to drugs and lethally dangerous sexual practisesâ€¦

Her daughter Sal is a dedicated member of the Vermintown Militia: the officially integrated, racially diverse police force. She is one of the few officers not on the take or on the makeâ€¦ yet.

Her brother Stote is not so morally upstanding, even though he is a Wayfinder and official Community Leader. The single father of two sons has monstrous debts, a crappy job, a growing addiction and a surging, nearly out-of-control hunger for cathartic liberating violenceâ€¦

Fig and Tael are his boys. Neither has any notion or memory of life outside the city and each struggles in his own way to find an identity or meaning in a world that makes no sense and offers no hopeâ€¦

I’m reluctant to say any more than that as this shocking, beguiling and oh-so-clever blend of fantasy fable, horror story and crime thriller unfolds like a top-of-the-line soap opera as the three generations of Leverets all struggle to make their way whilst the city inexorably drags them further and further apart and down.

Encompassing the death of wonder, street gangs, political chicanery, mutative killer drugs, organised crime, disenfranchisement, seething ethnic tensions and cultural disassociation, guilty regret, youthful rebellion, social Darwinism, the forbidden allure of unsanctioned and unwise sex and a spiralling, universal fall from grace, Disenchanted is a dark, savage, blackly humorous and ferociously compulsive allegory of urbanisation, enforced ethnic multiculturalism, compromise and survival that will appeal to every lover of modern fantasy with a pinch of brains and an ounce of imagination.

Impressively foul-mouthed, engagingly raunchy and action-packed, the book is bolstered by a series of articles and guidebook entries describing the evolution and make-up of the sleazy super-slum including ‘Vermintown, an Introduction’, ‘The Call to Safety’, ‘Behold: the Shitty City’, ‘A Beginner’s Guide to Vermintown’, ‘The Gobfathers and the Founding of Vermintown’, ‘The Glamoured & the Vastfolk: a Comparative Treatise on Time and Scale’ plus a telling biography of ‘Tibitha Leveret’.

Imagine if On the Waterfront mugged Watership Down whilst hit-and-run victim the Sugarplum Fairy took refuge in Fort Apache: The Fey. Of course that will make no sense at allâ€¦ unless you get this bookâ€¦

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March 11, 2014

The Complete Accident Man

By Pat Mills, Tony Skinner, Martin Emond, Duke Mighten & John Erasmus (Titan Comics)
ISBN: 978-1-78276-055-9

We have our share of true blue heroes in Britain, but what we really do best are rakish rogues and cast-iron bastards – both in dull old fact and the much safer realm of fiction.

A fair few of the comics kind have stemmed from the febrile mind of Pat Mills, a man whose singular vision has scarred many an impressionable reader’s psycheâ€¦

Now one of his most stylish and far-ranging creations – co-crafted with writing partner Tony Skinner – has been awarded some-long delayed and much-deserved star treatment in the form of a lavish oversized colour hardback compilation from Titan Comics.

In many ways Michael Fallon is a product of his times (the 1990s): a ruthless, flashy, grasping Yuppie who thinks he cares about nothing but his job, instant gratification and the gaudy in-your-face trappings of his success.

That’s unpleasant enough if the antagonist is a Banker, a Broker or Hedge Fund Manager, but Mike is a dedicated proud artisan. He makes human impediments go away – and always makes it look like mischance, not murderâ€¦

Accident Man debuted in short-lived, creator-owned British independent comic Toxic! (which ran for 31 full-colour issues between March and October 1991). Easily the most popular feature, he also starred in a reprint special – Apocalypse Presents: Accident Man – and in 1993 crossed The Pond for an all-new 3-part monochrome miniseries from American publisher Dark Horse Comics.

This chilling compendium commences with Mills’ Introduction ‘Rhubarb! Rhubarb! Rhubarb!’ describing the convoluted history of the character and teasingly discussing the still-not-made movie, before the cartoon carnage calamitously starts to unfold in the Martin Emond illustrated introductory saga (from Toxic! #1-6) wherein hubristic hitman Fallon explains and simultaneously demonstrates his particular skill-set whilst evoking the golden rules of the job â€œNever Get Angry. Never Get Involved. Never Get Caughtâ€â€¦

A successful – for which read undetectable – intervention usually fills him with PMT (Post Murder Tension) most successfully expunged through lavish spending and extreme gratuitous physical violence, but these days something’s not right.

The shallow Fashionista didn’t really care when his wife Jill left him to shack up with another woman and join those loony save-the-planet eco nuts in Women Against the Rape of the Planet, but for some strange reason he can’t stop thinking about her now that she’s been killed in a burglaryâ€¦

He carries on arranging fatal improbabilities but the joie de vivre has gone, and when he finally works out that Jill’s break-in is the M.O. of fellow assassins Chris and Jim it sets him on a bizarre course that leads to an alliance with Hilary – the â€œOther Womanâ€ – to take profitless vengeance on the corporate scum really responsibleâ€¦

More or less his old self again Fallon returned in ‘Death Touch’ (Toxic! #10-16, illustrated by Duke Mighten), drowning in natty threads and conspicuous consumption whilst pursuing his craft and studying with a martial arts master who had promised to teach him the legendary art of killing with a time-delayed kung fu punchâ€¦

After scooping his fourth consecutive gong for Most Hits in a Year at the annual Golden Coffin Awards, he begins his next commission – a particularly nasty drug dealer with no respect for animals but a sick, devoted and unforgiving family- utterly unaware that his Sensei Sifu Lo has discovered his profession and deemed him unworthyâ€¦

John Erasmus took over the art for ‘The Messiah Sting’ (from Toxic! #17-24) as the woman who seduced Jill away cons the Accident Man into doing worse than murder to David Dake – the Junior Minister for the Environmentâ€¦ and for free!

Hilary is a fanatic in the service of WARP and has a baroque plan to punish the ostensibly â€œGreenâ€ Tory politician who actually protects animal torturers and destroys the countryside he’s supposed to be fighting for, but when Mike gets involved it soon devolves into an explosive confrontation with obnoxious American agents, hookers, rival hitmen, a burgeoning criminal turf war, kung fu killers, drug dealers and the destruction of scenic downtown Amsterdam.

And there’s even a sneaky glimpse at out antihero’s early daysâ€¦

Iconoclastic Howard Chaykin created the risquÃ© and raucous colour covers for the aforementioned Dark Horse miniseries and they seditiously precede the final saga in this magnificent murder file as Mike Fallon takes his particular brand of Olde Worlde charm across the pond – via Concorde, of course – for a job commissioned by a clandestine Government agency: the Special Assassinations Bureau (limned in stark monochrome by Mighten)â€¦

In the Accident Man’s line of business it’s best to be adaptable and always assume everybody is a liar. After an unexpected and exotic liaison with CIA insider Mirror Morgan, Mike hits the Big Apple’s most outrageous sex club and learns his target is a corrupt Senatorâ€¦

Arranging the improbable with his usual Ã©lan, Mike is only seconds away from unknowingly eradicating the chief of the CIA when he spots Mirror with his soon to be tragically deceased mark, and is forced to spectacularly avert his programmed mishap.

CIA boss John Archer is perfectly reasonable and understanding. He knows how easy it is to be duped in the murky world of espionage and international crime. He’s also happy to let Mike goâ€¦ but only after the misfortune magnate works his magic on the untouchable Capo di Tutti Capo of the Mafiaâ€¦

And naturally it’s another bloody freebieâ€¦

The glitzy sex and shocking violence mounts exponentially as Fallon infiltrates the Mob, winning more enemies than friends along the grisly way, and even after that job’s sorted he still has a bone to pick with the far-from-fair Broker from SABâ€¦

Overwhelmingly violent, manically inventive and ridiculously addictive, this is a lost gem of anarchic, swingeing satire from Mills and Co, and well worthy of this splendid definitive collection. Also included here is a copious Accident Man Sketchbook section featuring cover roughs, page layouts and character designs as well as the now obligatory lowdown on the creative Usual Suspects.

Highly sexed, infallibly capable and ruthless style obsessed, the flashily fashionable assassin is James Bond on the wrong side – his own – and delivers action, intrigue and bold, black humour in astounding amountsâ€¦

Don’t leave anything to chance: check him outâ€¦
Accident Man is â„¢ & Â© 2014 Pat Mills and Tony Skinner. Accident Man Book One Â© 2014 Pat Mills, Tony Skinner & Martin Emond. Accident Man Death Touch Â© 2014 Pat Mills, Tony Skinner & Duke Mighten. Accident Man Book Three Â© 2014 Pat Mills, Tony Skinner & John Erasmus. Accident Man (Dark Horse) Pat Mills, Tony Skinner & Duke Mighten.

February 2, 2014February 5, 2014

Ark

By Peter Dabbene & Ryan Bayliss (Arcana Studio)
ISBN: 978-1-77135-122-5

It’s not that often that I can allow myself to be relatively succinct, but every now and then a tome turns up which is pretty much comic book perfect and I’m left with very little to say except read this by any means necessaryâ€¦

The first one I’ve seen this year is a gloriously understated science fiction thriller suitable for older teens that got far too little attention (mine included) when it came out, and which is definitely worth the time for any fan of science fiction or offbeat detective storiesâ€¦

This transatlantic collaboration is written by New Jersey Boy Peter Dabbene and illustrated by British artist Ryan Bayliss, who combine to tell an all too human tale which holds your interest in both the characters and concept long after the final page turnsâ€¦

It begins far beyond the orbit of Pluto where Explorer, Earth’s first extra-solar colonisation ship, silently drives ever deeper through interstellar space.

The crew, whose families are also aboard, are all fatalistically dedicated to their mission – to find and settle a new world – although some still harbour suspicions and distrust of the unique passengersâ€¦ even after thirteen years of watching them grow from little children into young adults.

That small select group are all civilians and all Meta-Humans: genetically engineered hybrids combining human and animal DNA, with incredible abilities still barely revealed or explored.

But now a crisis has arisen and Captain Smith is at odds with his Second-in-Command Victor Diaz about how to proceedâ€¦

As the entire ship’s company discovers next morning, all contact with Earth has stopped and the Captain wants to ask the Hybrids to join the crew in running the vessel as it continues the mission. Commander Diaz however does not like the freaks and believes it dangerous to allow them full and unfettered access to the ship.

Even the teenagers in question are undecided on the matter. Some, like chimp-form Gerry, are keen and eager to do their bit, but a small rebellious faction feels they are being drafted and exploited.

Debate rages throughout Explorer: many humans have grown close to their cargo over the years and, now the Hybrids have matured, fraternisation – if not love – has become an issue. The die-hard crewmembers draw much comfort from the fact that the freaks age faster than humans and were all designed to be sterile mulesâ€¦

Most importantly, many of the crew have begun to question the very nature of the mission itself; constantly finding glaring illogicalities in the whole undertakingâ€¦ Thoughts turn to the possibility that some disaster has befallen the mother planetâ€¦

Smith is more worried about the loss of signal than he lets on, however, and tasks Gerry – who is a very literal-minded mega-genius – to help communications officer WinfieldÂ look into why Earth has gone silent.

Ever eager to please, the simian sets to, uncovering a coded message where no normal person would expect to find it and rushes to share it with Captain Smith. The next morning Gerry is gone: apparently lost in spaceâ€¦

Lizard-girl Darien was a silent observer of what truly happened, and although she refuses to share what she saw, mistrust and paranoia run rampant throughout the enclosed community. Nobody believes Gerry died accidentally, but was it suicide or murder?

As suspicions mount and tensions rise, a microcosmic species war erupts which only a concerted coalition of humans and Metas can quash. Throughout the crisis, however, a greater mystery and threat remains: what was in that final message from Earth and does it reveal the real true purpose of the Ark in space?

Clever, beguiling and splendidly aware that with murder what’s paramount is who dies rather than how many, Ark offers a singularly sophisticated tale of unalterable human passion that will delight readers jaded by cosmic megadeaths and overblown angsty overkill.

Perhaps a little hard to find now as a physical book, Ark is available digitally at http://www.comixology.com/ARK/comics-series/10257 but if, like me, you’re a sucker for paper and the scent of ink and glue, you can get a proper book edition from the U.S. Amazon website (http://www.amazon.com/Ark-Peter-Dabbene/dp/1771351225/ref=sr_1_1?ie=UTF8&qid=1391613791&sr=8-1&keywords=ark+dabbene) Or from the publisher Arcana at http://www.arcana.com/store.php?item=633
Â© 2012 Arcana Studio, Inc. All rights reserved.

December 27, 2013December 26, 2013

Madison Square Tragedy

By Rick Geary (NBM/ComicsLit)
ISBN: 978-1-56163-762-1

Master cartoonist Rick Geary is a one-of-kind cartoon presence: proficient in and dedicated to both comics and true crime literature.

His compelling dissections in the form of graphic novel reconstructions have revitalised many of the world’s most infamous â€œcold casesâ€ and groundbreaking murder mysteries since policing began and these pictorial dossiers never fail to darkly beguile or entertain.

This particular review copy plunked onto my mat on Christmas Eve (always a time of drawn knives and frayed tempers) and really made my Holiday Season complete, so I felt I had to share the dark tidings with you as soon as possibleâ€¦

Combining a superlative talent for laconic prose, incisive observation and detailed visual extrapolation with his fascination for the nastier aspects of human nature, Geary’s past works include biographies of J. Edgar Hoover and Trotsky and the 8-volume Treasury of Victorian Murder series.

In 2008 he then turned his forensic eye on the last hundred years or so for his ongoing Treasury of XXth Century Murder series and this sixth volume focuses on a little-remembered sordid scandal which seared the headlines during the â€œGilded Ageâ€.

Madison Square Tragedy – The Murder of Stanford White relates a tale with no unsolved mystery but still laden with all the appalling ingredients of a tabloid reporter’s dreams, and opens after a bibliography and the author’s handily informative map of Central Manhattan with ‘The City of the New Century’ describing the great and the good of the breathtaking modern metropolis New York in 1901 and setting the scene for a grim tragedy and lust, depravity and madnessâ€¦

‘Stanny’ covers the history, career and character of prominent architect and personage Stanford White: bon vivant, theatre patron, dashing rouÃ© and secret deflowerer of young ladies, whose fascination with one particular damsel led to his untimely – if not entirely undeserved – demise.

The arch cad – a notable bastion of the city’s Cultured elite – had a secret hideaway: luxurious, opulent and infamously fitted with a red velvet swing where he indulged his urgesâ€¦

The lady who brought about his demise was ‘Evelyn’: Florence Evelyn Nesbit – a sensation of turn-of-the-century New York. Only 16 years old, she was already a famous artist’s model (Charles Dana Gibson immortalised her as â€œThe Eternal Questionâ€), much photographed and cover-featured in the period’s periodicals and journals. She soon turned her talents to the stage as both actress and dancer, catching White’s eye – as she also had many millionaires young and old.

White was patient. Befriending Evelyn’s mother, he was soon known as the girl’s de facto guardian. Eventually he brought her to his lair and date-raped her, subsequently carrying on the dalliance until he was bored, after which he moved on to fresher fieldsâ€¦

Hushing up her disgrace, Evelyn began a chaste relationship with cartoonist Jack Barrymore (of the legendary acting dynasty) but her mother and White enrolled her in private boarding school to end the affair.

There she languished until one of her former admirers entered the pictureâ€¦

‘Harry’ describes the third face in the tragedy as wealthy scion (drug addict, closet sadist and psychopath) Harry K. Thaw relentlessly pursues and eventually weds Evelyn. This was only after a protracted courtship which culminated in her revealing what Stanford White had done.

Harry married her anyway, but was a much an abuser as the architect was. Moreover he became increasingly obsessed with destroying the ravisher of innocenceâ€¦

The actual murder occurred on ‘The Fatal Night’ of June 25^th 1906 in a crowded restaurant in front of hundreds of well-to-do patrons, after which the most fascinating component of the crime began: the astonishing permutations and multiple ‘Trials and Tribulations’ which saw Harry retried numerous times as his powerful, dominating mother scrambled to preserve some shred of the family prestige and dignity whilst her son proclaimed his justified guilt and poor Evelyn was skewered in the harsh spotlight of tawdry publicityâ€¦

This is a shocking tale with no winners and Geary’s meticulous and logical presentation as he dissects the crime, illuminates the major and minor players and dutifully pursues all to their recorded ends is utterly compelling.

The author is a unique talent in the comic industry not simply because of his manner of drawing but because of the subject matter and methodology in the telling of his tales. Geary always presents facts, theories and even contemporary minutiae with absorbing pictorial precision, captivating clarity and devastating dry wit, re-examining the case with a force and power Oliver Stone would envy.

Seductive storytelling, erudite argument and audacious drawing give these tales an irresistible dash and verve which makes for unforgettable reading and such superb storytelling is an ideal exemplar of how graphic narrative can be so much more than simple fantasy entertainment. These merrily morbid murder masterpieces should be mandatory reading for every mystery addict and crime collector.
Â© 2013 Rick Geary. All rights reserved.

December 21, 2013December 20, 2013

X-Men Noir: the Mark of Cain

By Fred Van Lente & Dennis Calero (Marvel)
ISBN: 978-0-7851-4437-3

When fictional heroes and villains become really popular – to the point where fans celebrate their births and deaths and dress up like them at the slightest opportunity or provocation – eventually a tendency develops to explore other potential character facets that the regular, cash-cow continuity might normally prohibit.

DC invented a whole company sub-strand of â€œImaginary Storiesâ€ and Marvel asked â€œWhat Ifâ€¦?â€ sharing glimpses of alternate realities. Even television series got into the act with shows like Star Trek, Roswell and Stargate SG-1 offering coolly jarring, different takes on their established stars and scenarios.

The little dark gem of alternate continuity on offer today comes from an intriguing experiment in 2009 wherein Marvel took many of their biggest stars and reconfigured them for a universe drenched in the tone, lore and ephemera of pulp fiction and Film Noir: a dark land where shiny gleaming super-powered heroes were replaced by bleakly paranoid, deeply flawed and self-serving individuals just trying to get by as best they couldâ€¦

X-Men Noir: the Mark of Cain is actually a sequel to the initial foray and benefits from not having to explain or differentiate the so-similar seeming stars from the bastions of the regular continuity. It ran as a 4-issue miniseries from February-May 2010 offering a moody glimpse of a world with no heroes, only shades of villainy. Nevertheless it still provides a satisfying slice of suspenseful entertainment for Fights ‘n’ Tights fans in search of something genuinely edgier than their regular fare. After all, the big draw for the jaded is that these folks might actually die and stay that wayâ€¦

What You Need to Know: situated in the 1930s, these X-Men are not mutants with incredible, science-defying powers but rather a gang of mentally disturbed juvenile delinquents. They had been lab rats for rogue psychiatrist Charles Xavier in his School for Gifted Youngsters, where he strove to exacerbate rather than cure their various anti-social behaviours.

The batty boffin believed that sociopathy was the next stage in human behavioural development and spent his days training and refining the criminal talents and tendencies of his disturbed charges – until he was exposed and thrown in jail on Riker’s Island Prison.

The truth came out after the body of one of his â€œstudentsâ€ was washed up on the shore, covered in odd, three bladed knife slashesâ€¦

There is one costumed mystery man on the scene during these parlous times. Nosy, troublesome reporter Tom Halloway is not-so-secretly also a violent vigilante dubbed The Angel and the hunt for him preoccupied many familiarly different characters such as corrupt Chief of Detectives Eric â€œMagnusâ€ Magnisky, his troubled children Peter and Wanda, casino owner Remy LeBeau, mobster Unus the Untouchable and drug runner Sean Cassidyâ€¦

This sequel volume opens with a public scandal as the government’s secret prison camp at Genosha Bay is exposed. Charges of torture and Applied Eugenics are levelled against the operators but despite rising protests the prison still carries on its inhumane treatments on the legion of sociopaths held there without Due Process or Representation.

In other news: due to lack of evidence, â€œProfessor of Crimeâ€ Xavier is freed from Riker’s, arrogantly swearing to track down the killer of his recently assassinate â€œfriendâ€ Magnusâ€¦

A continent and ocean away, some of his former successes are cutting their way through the jungles of Madripoor and hordes of berserk headhunters as they try to find the lost temple of Cyttorak and retrieve a fabulous gem.

Sharpshooter Scott â€œCyclopsâ€ Summers and unpredictable seagoing brawler Captain Logan are temporarily with the Angel, following a map provided by bootlegger and mercenary Cain Marko. They don’t give much credence to the native legends of vengeance inflicted on transgressors by Cyttorak’s â€œJuggernautâ€ but that soon changes when Marko is found in the no-man’s land around GenoshaBay, crushed to pulp. Of the enormous jewel there is no traceâ€¦

Peppered with evocative flashbacks, the story and trail leads Angel – who learned most of his nasty bag of tricks from Cain – to the USA’s extraterritorial prison and the shocking revelation that Xavier is secretly in chargeâ€¦

Despite being captured and subjected to the Professor X’s methods of persuasion – administered by the warped woman Warden Frost – Halloway soon breaks free and begins pursuing the how and the who of Marko’s murder.

Fighting his way past the Professor of Crime’s newest protÃ©gÃ©s, a big burly Russian and an exotic black woman with a white Mohawk haircut, he is recaptured before he can reach Logan’s boat and sometime allies Cyclops and Eugene â€œPuckâ€ Judd.

Undergoing more of Xavier’s â€œtreatmentsâ€, the Angel is then confronted with the scientist’s secret weapon: his own thoroughly crazy – sociopathic – twin brother Robert Hallowayâ€¦

The period drama and sinister suspense kick into compelling overdrive as the various parties hunting the Gem clash when the action shifts from noir detective to pulp sci-fi and the Professor’s true plan emerges. With the government’s covert connections exposed, and all surviving participants trapped aboard a huge flying battleship, the real value of the Gem of Cyttorak is revealed and, amidst flying fists, double- and triple-crosses abound.

As the agendas of all interested parties crash together thousands of feet above Manhattan, only antisocial violence works and at last a kind of justice is wonâ€¦

Bleak, cynical and trenchantly effective, this excellent thriller by scripter Fred Van Lente and illustrator Dennis Calero provides a huge helping of thrills and chills that would work equally well even if you had never heard of Marvel’s mighty mutants.

This pocketbook sized collection also includes a covers and variants gallery by Calero as well as a dozen original art pages shot prior to the digital colouring stage.
Â© 2009, 2010 Marvel Characters, Inc. All rights reserved.

December 3, 2013December 2, 2013

Impossible Tales: The Steve Ditko Archives volume 4

By Steve Ditko & various, edited by Blake Bell (Fantagraphics Books)
ISBN: 978-1-60699-640-9

Perfect Christmas Present Alert! â€“ For every discerning comics fan and suspense loverâ€¦ 10/10

Once upon a time the short complete tale was the sole staple of the comicbook profession, where the plan was to deliver as much variety as possible to the reader. Sadly that particular discipline is all but lost to us todayâ€¦

Steve Ditko is one of our industry’s greatest talents and probably America’s least lauded. His fervent desire to just get on with his job and to tell stories the best way he can, whilst the noblest of aspirations, will always be a minor consideration or even stumbling block for the commercial interests which for so long controlled all comics production and still exert an overwhelming influence upon the mainstream bulk of Funnybook output.

Before his time at Marvel, young Steve Ditko perfected his craft creating short stories for a variety of companies and it’s an undeniable joy to be able to look at this work from a such an innocent time when he was just breaking into the industry: tirelessly honing his craft with genre tales for whichever publisher would have him, utterly free from the interference of intrusive editors.

This fourth fantastic full-colour deluxe hardback reprints another heaping helping of his ever more impressive works: all published between July 1957 to March 1959 and all courtesy of the surprisingly liberal (at least in its trust of its employees’ creative instincts) sweat-shop publisher Charlton Comics. Some of the issues here were actually put together under the St. John imprint, but when that company abruptly folded much of its already prepared in-house material – even entire issues – were then purchased and published by clearing-house specialist Charlton with almost no editorial changes.

And whilst we’re being technically accurate it’s also important to note that the eventual publication dates of the stories in this collection don’t have a lot to do with when Ditko crafted these mini-masterpieces: Charlton paid so little the cheap, anthologically astute outfit had no problem in buying material it could leave on a shelf for months – if not years – until the right moment arrived to printâ€¦

All the tales and covers reproduced here were created after implementation of the draconian, self-inflicted Comics Code Authority rules (which sanitised the industry following Senate Hearings and a public witch-hunt) and all are wonderfully baroque and bizarre fantasy, suspense or science fiction yarns and helpfully annotated with a purchase number to indicate approximately when they were actually drawn.

Sadly there’s no indication of how many (if any) were actually written by Ditko, but as at the time the astoundingly prolific Joe Gill was churning out hundreds of stories every year for Charlton, he is always everyone’s first guess when trying to attribute script creditâ€¦

Following an historically informative Introduction and passionate advocacy by Blake Bell, the evocative tales of mystery and imagination commence with ‘The Menace of the Maple Leaves’, an eerie haunted woods fable from Strange Suspense Stories #33 (August 1957), closely followed a dark and sinister con-game which goes impossibly awry after a wealthy rouÃ© consults a supposed mystic to regain his youth and vitality and is treated in ‘The Forbidden Room’ (Mysteries of Unexplored Worlds #4 July 1957)â€¦

From November 1957, Do You Believe in Nightmares? #1 offers a bounty of Ditko delights, beginning with the stunning St. John cover heralding a prophetic ‘Nightmare’, the strange secret of a prognosticating ‘Somnambulist’ and the justice which befell a seasoned criminal in ‘The Strange Silence’: all proving how wry fate intervenes in the lives of mortals. ‘You Can Make Me Fly’ then goes a tad off-topic with a tale of brothers divided by morality and intellect and the issue ends with a dinosaur-packed romp courtesy of ‘The Man Who Crashed into Another Era’â€¦

Next up is a tale from one of Charlton’s earliest star characters. Apparently the title came from a radio show which Charlton licensed, and the lead/host/narrator certainly acted more as voyeur than active participant, speaking â€œto cameraâ€ and asking readers for opinion and judgement as he shared a selection of funny, sad, scary and wondrous human interest yarns all tinged with a hint of the weird and supernatural.

When rendered by Ditko, whose storytelling mastery, page design and full, lavish brushwork were just beginning to come into its mature full range, the Tales of the Mysterious Traveler were esoteric and utterly mesmerising…

From issue #6 (December 1957) ‘Little Girl Lost’ chills spines and tugs heartstrings with the story of a doll that loved its human companion, followed by a paranoid chase from Strange Suspense Stories #35 (December 1957) as ‘There it is Again’ sees a scientist dogged by his most dangerous inventionâ€¦

Unusual Tales #10 (January 1958) provides a spooky cover before disclosing the awesome secret of ‘The Repair Man from Nowhere’ and, following the wickedly effective Cold War science fiction parable ‘Panic!’ from Strange Suspense Stories #35, resumes with ‘A Strange Kiss’ that draws a mining engineer into a far better worldâ€¦

Out of This World #6 (November 1957) provides access to ‘The Secret Room’ which forever changed the lives of an aging, destitute couple. Then the cover and original artwork for Out of This World #12 (March 1959) lead to a tale in which a ruthless anthropologist is brought low by ‘A Living Doll’ he’d taken from a native villageâ€¦

Returning to Tales of the Mysterious Traveler #6 results in three more captivating yarns. ‘When Old Doc Died’ is perhaps the best in this book, displaying wry humour in the history of a country sawbones who was only content when helping others, whilst ‘The Old Fool’ everybody mocked proved to be his village’s greatest friend, and ‘Mister Evriman’ explored the metaphysics of mass TV viewing in a thoroughly chilling mannerâ€¦

The dangers of science without scruples informed the salutary saga of a new invention in ‘The Edge of Fear’ (Unusual Tales #10, January 1958), after which the cover of This Magazine is Haunted #14 (December 1957) ushers us into cases recounted by the ghoulish Dr. Haunt; specifically a scary precursor to cloning in ‘The Second Self’ and a diagnosis of isolation and mutation which afflicted ‘The Green Man’â€¦

The cover and original art for the giant-sized Out of This World #7 (February 1958) precedes ‘The Most Terrible Fate’ befalling a victim of atomic warfare whilst ‘Cure-All’ detailed a struggle between a country doctor and a sinister machine which healed any ailment.

We return to This Magazine is Haunted #14 wherein Dr. Haunt relates a ghastly monster’s progress ‘From Out of the Depths’ before ‘The Man Who Disappeared’ tells his uncanny story to disbelieving Federal agents, whilst Out of This World #7 provides an ethereal ringside seat from which to view a time traveller’s ‘Journey to Paradise’.

From Tales of the Mysterious Traveler #7 (March 1958), ‘And the Fear Grew’ relates how an Australian rancher fell foul of an insidiously malign but cute-looking critter, after which ‘The Heel and the Healer’ reveals how a snake-oil peddler found a genuine magic cure-all, whilst ‘Never Again’ (Unusual Tales #10 again) took an eons-long look at mankind’s atomic follies and ‘Through the Walls’ (Out of This World #7) saw a decent man framed and imprisoned, only to be saved by the power of astral projectionâ€¦

Out of This World #12 (March 1959) then declared ‘The World Awaits’ when a scientist uncovered an age-old secret regarding ant mutation and eugenics, Mysteries of Unexplored Worlds #7 (February 1958) exposed ‘The Angry Things’ which haunted a suspiciously inexpensive Italian villa, and the gripping cover to Tales of the Mysterious Traveler #10 (November 1958) segues into the unsuspected sacrifice of a jazz virtuoso who saved the world in ‘Little Boy Blue’â€¦

A tragic orphan found new parents after ‘The Vision Came’ (Tales of the Mysterious Traveler #8, July 1958) and Dr. Haunt proves television to be a cause of great terror in ‘Impossible, Butâ€¦’ from This Magazine is Haunted volume 2, #16 (May 1958) – an issue which also disclosed the world-changing fate of a soviet scientist who became ‘The Man from Time’â€¦

Another selfless inventor chose to be a ‘Failure’ rather than doom humanity to eternal servitude in a stunning yarn from Strange Suspense Stories #36 (March 1958), whilst the luckiest man alive at last experienced the downside of being ‘Not Normal’ (Tales of the Mysterious Traveler #7) before Unusual Tales #11 – from March 1958 – revealed the secret of Presidential statesmanship to a young politician in ‘Charmed, I’m Sure’, and exposed a magical secret race through an author’s vacation ‘Deep in the Mountains’â€¦

This mesmerising collection then concludes with the suitably bizarre tale of Egyptian lucky charm ‘The Dancing Cat’ (from Strange Suspense Stories #37, July 1958) to ensure the spooky afterglow remains long after the final page and leave you hungry for more mystic merriment and arcane enjoymentâ€¦

This sturdily capacious volume has episodes that terrify, amaze, amuse and enthral: utter delights of fantasy fiction with lean, stripped down plots and simple dialogue that let the art set the tone, push the emotions and tell the tale, from times when a story could end sadly as well as happily and only wonderment was on the agenda, hidden or otherwise.

These stories display the sharp wit and contained comedic energy which made so many Spider-Man/J. Jonah Jameson confrontations an unforgettable treat a decade later, and this is another cracking collection not only superb in its own right but as a telling examination into the genius of one of the art-form’s greatest stylists.

November 21, 2013November 20, 2013

Steed and Mrs. Peel volume 1: A Very Civil Armageddon

By Mark Waid, Caleb Monroe, Steve Bryant, Will Sliney, Yasmin Liang & Chris Rosa (Boom! Studios/Titan Books)
ISBN: 987-1-60886-306-8

Generally when I write about the Avengers here we’re thinking about an assembled multitude of Marvel superheroes, but – until the recent movie blockbuster stormed the world – for most non-comics civilians that name usually conjured up images of dashing heroics, old world charm, incredible adventure and bizarrely British festishistic attire.

It’s easy to see how that might lead to some consumer confusionâ€¦

The (other) Avengers was/were an incredibly stylish and globally popular crime/spy TV show made in Britain which glamorously blended espionage with arch, seductively knowing comedy and deadly danger with elements of technological fantasy from the 1960s through to the beginning of the 1980s. A phenomenal cult hit, the show and its sequel The New Avengers is best remembered now for Cool Britannia style action, kinky quirkiness, mad gadgetry, surreal suspense and the wholly appropriate descriptive phrase â€œSpy Fiâ€.

The legacy of the series is still apparent in many later hit shows as The Invisible Man (both TV spy iterations), Chuck, the new Mission: Impossible movies and even Marvel’s Agents of S.H.I.E.L.D.

Enormously popular all over the globe – even Warsaw Pact Poland was crazy for Rewolwer i melonik (or A Revolver and a Bowler Hat) – the show gradually evolved from a gritty crime/vengeance thriller entitled Police Surgeon in 1961 into a paragon of witty, thrilling and sophisticated adventure lampoonery with suave, urbane British Agent John Steed and dazzlingly talented amateur sleuth Mrs. Emma Peel battling spies, robots, criminals, secret societies, monsters and even â€œaliensâ€ with tongues very much in cheeks and always under the strictest determination to remain cool, dashingly composed and exceedingly eccentric…

The format was a winner. Peel, as played by (Dame) Diana Rigg, had been a replacement for landmark character Cathy Gale – the first hands-on fighting female in British television history – who left the show in 1964 to become Bond Girl Pussy Galore in the movie Goldfinger. However Rigg’s introduction took the show to even greater heights of success and recently bereaved actress Emma Peel’s huge popularity with viewers cemented the archetype of a powerful, clever, competent woman into the nation’s psyche and forever banished the screaming, eye-candy girly-victim to the dustbin of popular fiction.

Rigg left in 1967 (she married James Bond in On Her Majesty’s Secret Service) and another feisty female was found in the person of Tara King (Linda Thorson) to carry the series to its demise in 1969. Its continued popularity in more than 90 countries eventually resulted in a revival during the late 1970s. The New Avengers saw glamorous Purdey (Joanna Lumley) and brutishly manly Gambit (Gareth Hunt) acting as partners and foils to the agelessly debonair and deadly Steedâ€¦

The show has remained a hugely enticing cult icon. There was a rather ill-conceived major motion picture in 1998, and in 2007 America’s TV Guide ranked the TV iteration the 20^th Top Cult TV Show Ever. During its run and beyond, the internationally adored series spawned toys, games, collector models, a pop single and stage show, radio series, posters and books and all the myriad merchandising strands that inevitably accompany a media sensation.

Naturally, as a popular British Television program these Avengers were no stranger to our comics pages either.

Following an introductory strip starring Steed & Gale in listings magazines Look Westward and The Viewer plus the Manchester Evening News (September 1963 to the end of 1964), legendary children’s staple TV Comic launched its own Avengers strip in #720 (October 2^nd 1965) with Emma Peel firmly ensconced. This serial ran until #771 (September 24^th 1966) and the dashing duo also starred in the TV Comic Holiday Special, whilst a series of young Emma Peel adventures featured in June & Schoolfriend.

The feature then transferred to DC Thomson’s Diana until 1968 whereupon it returned to TV Comic with #877, depicting Steed and Tara King until 1972 and #1077.

In 1966 there was a one-off, large-sized UK comicbook from Mick Anglo Studios whilst in America, Gold Key’s Four-Color series published a try-out book in 1968 using recycled UK material under the rather obvious title John Steed/Emma Peel – since Marvel had already secured an American trademark for comics with the name â€œAvengersâ€â€¦

There were also a number of wonderful, sturdily steadfast hardback annuals for the British Festive Season trade, beginning with 1962’s TV Crimebusters Annual and thereafter pertinent TV Comic Annuals before a run of solo editions graced Christmas stockings from 1967-1969 plus a brace of New Avengers volumes for 1977 and 1978.

Most importantly, Eclipse/ACME Press produced a trans-Atlantic prestige miniseries between 1990 and 1992. Steed & Mrs. Peel was crafted by Grant Morrison & Ian Gibson with supplementary scripting from Anne Caulfield.

That tale was reprinted in 2012 by media-savvy publishers Boom! Studios and acted as a kind of pilot for the current iteration under review here. The adventures of Steed and Mrs. Peel Ongoing began soon after and this initial compilation – collecting issues #0-3 from August to December 2012 – form a worthy reintroduction for the faithful and happily accessible introduction for notional newcomers as the dedicated followers of felons return for another clash with memorable TV antagonists The Hellfire Club.

These baroque bounders appeared in the TV episode ‘A Touch of Brimstone’ and so warped the maturing personalities of young Chris Claremont and John Byrne that they later created their own version for a comicbook they were working on – the Uncanny X-Menâ€¦

The drama here opens in ‘A Very Civil Armageddon: Prologue’ (written by Boom! chief creative guru Mark Waid and illustrated by Steve Bryant) as, back in the style-soaked Swinging Sixties, our heroes are called upon to investigate ‘The Dead Future’ and how an active – albeit murdered – agent can seemingly age decades overnight.

The situation reminds Mrs. Peel of the mind-bending, lethally effective fun-and-games perpetrated by the insidious Hellfire Club and its now-defunct leader the Honourable John Clever Cartneyâ€¦

Further inquiries take them to the latest incarnation of the ancient Gentleman’s Club where the futurist Ian Lansdowne Dunderdale Cartney disavows any knowledge of the matter or his dad’s old antisocial habits. In fact the current scion is far more absorbed with the World of Tomorrow than the embarrassing peccadilloes of the past. However it’s all a trap and whilst Emma is attacked by a killer robot maid Steed is ambushed – only to awaken as an old man 35 years later in the year 2000AD!

Forever undaunted, the temporarily separated Derring-Duo refuse to believe the improbable and impeccably strike back individually to uncover the incredible answer to an impossible situationâ€¦

The main feature, by Waid and Caleb Monroe with art from Will Sliney, then sees ‘London Falling’ as the long-dreaded nuclear Armageddon finally happens, leaving Steed, Peel and a swarm of politicians, Lords and civil servants as the only survivors in a battered atomic bunker beneath a utterly devastated Houses of Parliament.

The shattered, shaken remnants of Empire and Civilisation are astounded to discover that the only other survivors are ghastly atomic mutants and a coterie of exceptionally well-stocked and fully prepared members of the Hellfire Clubâ€¦

‘Life in Hell’ finds the former foes joining forces and combining resources, but Steed and Peel are convinced that something is â€œnot kosherâ€. For one thing former members of once-important political committees and knowledgeable generals keep disappearing, but most importantly Ian Cartney and his deplorable sister Dirigent are now known to be masters of their father’s dark arts of illusion, trickery and brainwashingâ€¦

Steed rumbles to the nature of an audaciously cunning Psy-Ops espionage scheme almost too late as Emma is once again transformed into a ferocious, whip-wielding bondage nightmare in the concluding instalment ‘Long Live the Queen’. Of course, a good spy, like a boy scout, is always prepared and the dapper detective cleverly turns the tables on his foes just in time for a rollicking, explosively old-fashioned comeuppanceâ€¦

Wry, arch and wickedly satisfying, this opening salvo in the reborn franchise is a delight for staunch fans and curious newcomers alike and this volume also includes a vast (28) covers and variants gallery by Joseph Michael Linsner, Phil Noto, Joshua Covey & Blond, Mike Perkins & Vladimir Popov and Drew Johnson to astound the eyes as much as the story assaults the sensesâ€¦

OK. All clued in?

Would you like to own this book without paying? If so then this is your chance.

All you have to do is enter this piffling little contest and trust to luckâ€¦

It’s free and absolutely anybody can join in. You can enter as many times as you want but there’s only one prize and my word is final in every instance.

Below are three multiple choice questions. Simply send your best guesses using Leave a Reply and we’ll pull a correct entry out of our digital bowler hat on December 1^st.

Do Not Text, Tweet, Telephone or Telepath us. Just append the name of the lucky person you want to receive the prize with the three letters of your divination in the review’s comment section and we’ll take it from there.

Please do not send us your address. If you win we’ll contact you and ask for where you want the book sent.

Unless you’re residing at the ends of the Earth (in which case the parcel may take a little longer to arrive) the winner should have this treasured possession in time for Christmas, even with British post-privatised post practisesâ€¦

Readyâ€¦ Setâ€¦ Go!

The Avengers were known by what title in Poland?
1. A Revolver and a Bowler Hat.
2. Hard Hat and Leather Boots.
3. Umbrellas and Kicks.
Mrs Peel was Steed’s second karate-kicking female fighting partner. Who preceded her?
1. Sue Storm.
2. Tara Tempest.
3. Cathy Gale.
Patrick MacNee & Honor Blackman produced an infamous Avengers spin-off novelty pop single in 1964. What was it called?
1. These Boots Are Made for Kicking.
2. Have some Madeira, M’Dear.
3. Kinky Boots.

Good luck one and allâ€¦

October 17, 2013October 16, 2013

A1: The World’s Greatest Comics

By various (Atomeka/Titan Comics)
ISBN: 987-1-78276-016-0

A1 began in 1988 as an anthology showcase for comics creativity, free from the usual strictures of mainstream publishers, consequently attracting many of the world’s top writers and artists to produce work at once personal and experimental, comfortingly familiar and, on occasion, deucedly odd.

Editors Garry Leach and Dave Elliott have periodically returned to their baby and this year the title was resurrected under the aegis of Titan Comics to provide more of the same.

Always as much committed to past excellence as future glories (you should see the two page dedication list here) and following the grandest tradition of British comics, the new title already has a great big hardback annual and it offers the same eclectic mix of material old and newâ€¦

After that aforementioned thank you to everyone from Frank Bellamy to Faceache in ‘The Dream Day’s are Back: The One’s Especially For Youâ€¦’ the cartoon carnival commences with a truly â€œGolden Oldieâ€ as Joe Simon & Jack Kirby (inked by Al Williamson) provide the science fiction classic ‘Island in the Sky’ – which first surfaced in Harvey Comic’s Race for the Moon #2 September, 1958 – wherein an expired astronaut returns from death thanks to something he picked up on Jupiterâ€¦

Each tale here is accompanied by fulsome creator biographies and linked by factual snippets about most artists’ drug of choice.

These photographic examples of coffee barista self-expression (with all ‘Latte Art’ throughout courtesy of Coffee Labs Roasters) are followed by illustrator Alex Sheikman & scripter Norman Felchle’s invitation to the baroque, terpsichorean delights of the ‘Odd Ball’.

The fantastic gothic revisionism resumes after another coffee-break as the sublime Sandy Plunkett details in captivating monochrome the picaresque perils of life in a sprawling urban underworld with his ‘Tales of Old Fennario’

‘Odyssey: A Question of Priorities’ by Elliot, Toby Cypress & Sakti Yuwono is a thoroughly up-to-date interpretation of pastiche patriotic avenger Old Glory, who now prowls modern values-challenged America, regretting the choices he’s made and the timbre of his current superhero comradesâ€¦

‘Image Duplicator’ by Rian Hughes & Dave Gibbons is, for me, the most fascinating feature included here, detailing and displaying comics creator’s admirable responses to the appropriation and rapine of comic book images by â€œPopâ€ artist Roy Lichtenstein.

In a move to belatedly honour the honest jobbing creators simultaneously ripped off and denigrated by the â€œrecontextualisationâ€ and transformation to High Art, Hughes and Gibbons approached a number of professionals from all sectors of the commercial arts and asked them to re-appropriate Lichtenstein’s efforts.

The results were displayed in the exhibition Image Duplicator and all subsequent proceeds donated to the charity Hero Initiative which benefits comic creators who have fallen on hard times.

In this feature you can see some of the results of the comicbook fightback with contributions from Hughes, Gibbons, FuFu Frauenwahl, Carl Flint, Howard Chaykin, Salgood Sam, Mark Blamire, Steve Cook, Garry Leach, Dean Motter, Jason Atomic, David Leach, Shaky Kane, Mark Stafford, Graeme Ross, Kate Willaert & Mitch O’Connell.

Master of all funnybook trades Bambos Georgiou then offers his 2011 tribute to DC’s splendidly silly Silver Age in the Curt Swan inspired ‘Weird’s Finest – Zuberman & Batguy in One Adventure Together!’ and Dominic Regan crafts a stunning Technicolor tornado of intriguing illumination as Doctor Arachnid has to deal with cyber Psychedelia and a divinely outraged ‘Little Star’â€¦

‘Emily Almost’ by Bill Sienkiewicz first appeared in the original A1 #4, a bleak paean to rejection seen here in muted moody colour, after which Scott Hampton revisits the biblical tale of ‘Daniel’ and Jim Steranko re-presents his groundbreaking, experimental multi-approach silent story ‘Frogs!’ and follows up with ‘Steranko: Frogs!’ Â – his own treatise on the history and intent behind creating the piece thirty years agoâ€¦

‘Boston Metaphysical Society’ is a prose vignette of mystic Steampunk Victoriana written by Madeleine Holly-Rosing from her ongoing webcomic, ably illustrated by Emily Hu, whilst ‘Mr. Monster’ by Alan Moore & Michael T. Gilbert (with inks from Bill Messner-Loebs) is a reprint of ‘The Riddle of the Recalcitrant Refuse!’

First found in #3 (1985) of the horror hunter’s own series, it recounts how a dead bag-lady turns the city upside out when her mania for sorting junk transcends both death and the hero’s best effortsâ€¦

‘The Weirding Willows: Origins of Evil’ by Elliot, Barnaby Bagenda & Jessica Kholinne is one of the fantasy features from the new A1 – a dark reinterpretation of beloved childhood characters such as Alice, Ratty, Toad and Mole, which fans of Bill Willingham’s Fables should certainly take notice ofâ€¦

‘Devil’s Whisper’ by James Robinson & D’Israeli also comes from A1 #4, and features Matt Wagner’s signature creation Grendel – or does it?

Stechgnotic then waxes lyrical about Barista art in ‘The Artful Latte’ after which ‘Melting Pot – In the Beginning’ by Kevin Eastman, Eric Talbot & Simon Bisley ends the affair by revisiting the ghastly hellworld where the gods spawned an ultimate survivor through the judicious and repeated application of outrageous bloody violence.

Of course it’s a trifle arrogant and rather daft to claim any collection as â€œThe World’s Greatest Comicsâ€ and – to be honest – these aren’t. There’s no such thing and never can beâ€¦

However this absorbing, inspiring oversized collection does contain a lot of extremely good and wonderfully entertaining material by some of the best and most individualistic creators to have graced our art form.

What more can you possibly need?

Anyone wishing to learn more or donate to Hero Initiative can find them at www.heroinitiative.org

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