Batman Archives volume 3


By Bob Kane, Bill Finger, Don Cameron, Joe Samachson, Joseph Greene, Jerry Robinson, George Roussos, Jack Burnley & various (DC Comics)
ISBN: 1-56389-099-2

With the Dynamic Duo fully developed and storming ahead of all competition in these stories (originally published in Detective Comics #71-86 between January 1943 and April 1944), the creative chores finally grew too large for the original team. As the characters’ popularity grew exponentially, new talent was hired to supplement Bob Kane, Bill Finger and their assistants Jerry Robinson & inker, colourist and letterer George Roussos. Batman and Robin had become a small industry, just like Superman.

During this period more scripters joined the team and another soon to be legendary artist began adding to the inimitable legend of the Dark Knight…

After a lengthy and thought-provoking Foreword from veteran creator and celebrated cartoonist Jerry Robinson, this third deluxe hardback celebration of the Gotham Guardians’ incredible early exploits begins with ‘A Crime a Day!’ (by Finger, Kane & Robinson) from premiere crime anthology Detective Comics #71, possibly the most memorable and thrilling Joker escapade of the period, after which issue #72 found our heroes crushing murderous con-men in ‘License for Larceny’ by Joe Samachson, Kane & Robinson.

In Detective Comics #73 (March 1943) Don Cameron, Kane & Robinson went back to spooky basics with brutal efficiency when ‘The Scarecrow Returns’, after which moody chiller #74 introduced a pair of fantastically grotesque criminal psychopaths in the far from comical corpulent forms of the Deever cousins, alias ‘Tweedledum and Tweedledee!’ in a stirring yarn by Cameron & Robinson with inks by Kane, Roussos and Charles Paris.

Detective #75 presented a new aristocrat of crime in the pompous popinjay ‘The Robber Baron!’ (Cameron, Jack Burnley & Roussos) and the Joker resurfaced in #76 to ‘Slay ’em With Flowers’ in a graphic chiller by Horace L. Gold, Robinson & Roussos whilst Bill Finger, Kane & Roussos introduced a fascinating new wrinkle to villainy with the conflicted doctor who ran ‘The Crime Clinic’ in #77. Crime Surgeon Matthew Thorne would return many times over the coming decades…

Issue #78 (August 1943) pushed the patriotic agenda when ‘The Bond Wagon’ (Joseph Greene, Burnley & Roussos) to raise war funds was targeted by Nazi spies and sympathisers whilst ‘Destiny’s Auction’ by & Robinson, offered another sterling human interest drama as a fortune teller’s prognostications lead to fame, fortune and deadly danger for a failed actress, has-been actor and superstitious gangster…

Detective #80 saw the fateful fate of Harvey Kent finally resolved in epic manner with ‘The End of Two-Face!’ by Finger, Kane, Robinson & Roussos after which Cameron, Kane & Roussos introduced another bizarre and baroque costumed crazy with ‘The Cavalier of Crime!’ in #81 and explored the dark side of American Football with the explosive downfall of the ‘Quarterback of Crime!’ in #82.

Portly butler Alfred’s diet regime led the Gotham Guardians to a murderous mesmerising medic and criminal insurance scam in ‘Accidentally on Purpose!’ (Cameron, Kane & Roussos again) before ‘Artists in Villainy’ (#84 by Mort Weisinger & Dick Sprang, with layouts by Ed Kressy) pitted the Partners in Peril against an incredible Underworld University.

Detective #85, by Finger, Kressy & Sprang, was the artist’s first brush with the Clown Prince of Crime and one of the most madcap moments in the canon as Batman and his arch-foe both hunted ‘The Joker’s Double’ and this compelling chronicle concludes in high style with #86 as Cameron & Sprang recount how a sleuthing contest between Bruce Wayne, Dick Grayson and Alfred leads to a spectacular battle against sinister smugglers in ‘Danger Strikes Three!’

With glorious covers from Kane, Robinson, Burnley and Sprang this terrific tome is another irresistible box of classic delights that no fan of the medium can afford to miss.
© 1942-1944 DC Comics. Renewed 1971-73. Compilation © 1994 DC Comics. All Rights Reserved.

Showcase Presents Legion of Super-Heroes volume 2


By Otto Binder, Jerry Siegel, Edmond Hamilton, Jim Shooter, Curt Swan, John Forte & various (DC Comics)
ISBN: 978-1- 4012-1724-2

Once upon a time, in the far future, a band of super-powered kids from a multitude of worlds took inspiration from the greatest legend of all time and formed a club of heroes. One day those Children of Tomorrow came back in time and invited their inspiration to join them…

And thus began the vast and epic saga of the Legion of Super-Heroes, as first envisioned by writer Otto Binder and artist Al Plastino in early 1958, just as the revived comicbook genre of superheroes was gathering an inexorable head of steam. Since that time the fortunes and popularity of the Legion have perpetually waxed and waned, with their future history tweaked and rebooted, retconned and overwritten over and again to comply with editorial diktat and popular whim.

This splendid, charm-soaked, action packed second monochrome collection continues to re-present those early tales from the disparate Superman Family titles in chronological order: the sagas from their own feature spanning Adventure Comics #322-348, plus guest-shots from Superboy #117, 124-125 98 and pertinent portions of Superman Annual #4, covering July 1964 to September 1966.

From Adventure #322 the fun-filled futurism opens with ‘The Super-Tests of the Super-Pets’ by Edmond Hamilton, John Forte & Sheldon Moldoff, wherein the Legion’s mighty animal companions – Krypto, Streaky the Super Cat, Beppo, the monkey from Krypton and Comet the magical Super-horse – were left to guard Earth as the major players continued to pursue the elusive Time Trapper.

When Chameleon Boy’s pet Proty II applied to join the bestial bunch they gave him a series of extremely difficult qualification tasks…

‘The Eight Impossible Missions!‘ (#323 by Jerry Siegel, Forte & George Klein) found the incomprehensibly smart Proty setting the human Legionnaires a set of challenges to determine their next leader, after which the tone switched to deadly danger in ‘The Legion of Super-Outlaws!’ by Hamilton & Forte, as a mad scientist bearing a grudge manipulated a super-team from far distant Lallor into attacking the United Planets heroes…

Issue #325 revealed how ‘Lex Luthor Meets the Legion of Super-Heroes!’ (Siegel & Forte) in a cunning tale of deadly deception whilst a ‘Revolt of the Girl Legionnaires!’ (Siegel, Forte & Klein) found the female members attempting to eradicate their male comrades. Of course they didn’t mean it and a sinister mastermind was behind it all…

Superboy #117 (December 1964) featured a classy thriller wherein Chameleon Boy, Invisible Kid, Ultra Boy, Element Lad and Brainiac 5 seemingly travelled back 1000 years to attack the Boy of Steel in ‘Superboy and the Five Legion Traitors!’ (Siegel, Curt Swan & Klein) whilst over in Adventure #327 ‘The Lone Wolf Legionnaire!’ introduced Brin Londo; a troubled teen framed for appalling crimes who would one day become a valued member of the team in a clever thriller from Hamilton, Forte, Klein & Moldoff.

Jerry Siegel & Jim Mooney began an engaging run of tales in #328 beginning with ‘The Lad who Wrecked the Legion!’ as the insidious Command Kid joined the superhero squad in order to dismantle it from within.

Narrowly escaping that fate, the heroes had to confront the topsy-turvy threat of their own imperfect doppelgangers in #329’s ‘The Bizarro Legion!’ after which another nefarious juvenile infiltrated the LSH intending to destroy them all in ‘Secret of the Mystery Legionnaire!’. The dastardly plan proceeded without a hitch until the victorious Dynamo-Boy recruited the malevolent Lightning Lord, Cosmic King and Saturn Queen and fell victim to ‘The Triumph of the Legion of Super-Villains!’ in #331.

Rescued and restored, the good kids were back in Adventure #332 to face ‘The Super-Moby Dick of Space!’ (by Hamilton & Forte) wherein the recently resurrected Lightning Lad suffered crippling injuries and an imminent nervous breakdown…

‘The War Between Krypton and Earth!’ in #333, by Hamilton, Forte & Klein, had the time travelling heroes flung back into the World’s antediluvian past and split into internecine factions on opposite sides of a conflict forgotten by history, after which ‘The Unknown Legionnaire!’ (Hamilton, Forte & Moldoff) posed a perilous puzzle with an oppressed race’s future at stake…

The same creative team introduced deadly super-villain ‘Starfinger!’ in #335 who framed a luckless Legionnaire for his incredible crimes before ‘The True Identity of Starfinger!’ (inked by Klein) was revealed and the entire team focused on the real menace.

Superboy #124 (October 1965, by Otto Binder & George Papp) featured Lana Lang as ‘The Insect Queen of Smallville!’ who was rewarded with a shape-changing ring after rescuing a trapped alien. Naturally she used her new abilities to ferret out Clark Kent’s secrets…

Adventure #337 highlighted ‘The Weddings that Wrecked the Legion!’ by Hamilton, Forte & Moldoff as two couples resigned to marry. However, there was serious method in the seeming marital madness…

Long absent Bête Noir the Time Trapper at last returned in #338 when Siegel & Forte revealed ‘The Menace of the Sinister Super-Babies!’ with sultry Glorith of Baaldur using the Chronal Conqueror’s devices to turn everybody but Superboy and Brainiac 5 into mewling infants. When they turned the tables on the villains a new era dawned for the valiant Tomorrow Teens…

Superboy #125 (November 1965) signalled darker days ahead by introducing a legion reservist with a tragic secret in ‘The Sacrifice of Kid Psycho!’ by Binder & Papp, after which Hamilton, Forte & Moldoff told the bittersweet tale of disaffected and tormented Lallorian hero Beast Boy who turned against humanity in Adventure Comics #339’s ‘Hunters of the Super-Beasts!’

The slow death of whimsy and light-hearted escapades culminated in #340 when Brainiac 5’s latest invention went berserk, becoming ‘Computo the Conqueror!’ (Siegel, Swan & Klein): attacking humanity and even killing one of the superheroes before ‘The Weirdo Legionnaire!’ (inked by Moldoff) began the team’s fight-back and eventual glorious triumph.

‘The Legionnaire who Killed!’ (#342 by Hamilton, Swan, Moldoff & Klein) saw Star Boy forced to take a life and confronted with the harshest of consequences, whilst ‘The Evil Hand of the Luck Lords!’ by Hamilton, Swan & Klein saw the bold band of heroes invade the stronghold of a sinister cult which claimed to control chance and destiny.

The same creative team ramped up the tension in Adventure #344 with ‘The Super-Stalag of Space!’ wherein the Legion – as well as many other planetary champions – were incarcerated by malicious alien overlord Nardo; an epic thriller completed in #345 with ‘The Execution of Matter-Eater Lad!’

With Adventure #346 (July 1966) the dramatic revolution culminated in ‘One of us is a Traitor!’ as Jim Shooter, barely a teenager, sold script and layouts (finished and inked by veteran Sheldon Moldoff) for a spectacular Earth invasion yarn as the sinister Khunds attacked and the depleted Legion inducted four new members to bolster their strength. However, although Princess Projectra, Nemesis Kid, Ferro Lad and Karate Kid were all capable fighters it was soon apparent that one was an enemy agent…

With Earth all but conquered ‘The Traitor’s Triumph!’ (Shooter, Swan & Klein) seemed assured, but there was one last surprise to come in this spectacular debut yarn from one of the industry’s most innovative creators…

This splendid second compendium concludes with a tense thriller by Shooter & Papp from Adventure #348 as the secret origin of Sun Boy was revealed when radioactive rogue Dr. Regulus attempted to gain misplaced vengeance in ‘Target-21 Legionnaires!’

But wait! There’s more!

Before the end there’s an expanded illustrated pictorial check-list and informational guide to the entire team by Swan, Klein & Al Plastino, culled from Superman Annual #4, 1961, Adventure Comics #316 and #365 (January 1964 & February 1968, respectively).

The Legion is undoubtedly one of the most beloved and bewildering creations in comicbook history and largely responsible for the growth of the groundswell movement that became American Comics Fandom. Moreover, these sparkling, simplistic and devastatingly addictive stories as much as the legendary Julie Schwartz Justice League fired up the interest and imaginations of a generation of young readers and built the industry we all know today.

These naive, silly, joyous, stirring and utterly compelling yarns are precious and fun beyond any ability to explain – even if we old lags gently mock them to ourselves and one another. If you love comics and haven’t read this stuff, you are the poorer for it and need to enrich your future life as soon as possible.
© 1961, 1964, 1965, 1966, 2008 DC Comics. All Rights Reserved.

Official Batman Annual 1985


By Gerry Conway, Don Kraar, Roy Thomas, Alan Moore, Jamie Delano, José Luis García-López, Alan Davis, Garry Leach & various (London Editions)
ISBN: 7235-6733-6

Generally I save the Christmas annuals for the nostalgia-drenched Festive Season but this is a little gem I recently re-examined and found to be an item which I had no illogical or purely emotional attachment to. It’s simply an extremely good-looking, thoroughly entertaining package which might be unknown to and of some interest to fans and collectors.

By the end of the 1970s the Superman and Batman Christmas books were a slim and slight shadow of their former bumper selves, but during the mid 1980s a new crop of editors and designers found a way to invigorate and add value to the tired tomes.

Now full-colour throughout but reduced to 64 pages this example stems from the days when I was just starting out in the business and a few of my more talented and famous colleagues and acquaintances on groundbreaking independent comic Warrior, star-studded 2000AD and at gradually expanding Marvel UK were offered a little side-work from Manchester-based London Editions Comics…

Behind the Bryan Talbot cover, ‘The Falcons Lair!’ written by Don Kraar and illustrated by Adrian Gonzales & Mike DeCarlo (originally seen in US comicbook Brave and the Bold #185, April 1982) opened proceedings with a boisterous action-romp teaming the Caped Crusader and Emerald Archer Green Arrow against the wiliest of criminal birds The Penguin, after which a brief prose piece by Jamie Delano lavishly illustrated by Alan & Damian Davis tantalisingly whetted the Fights ‘n’ Tights taste-buds with the wry and salutary tale of a foredoomed pickpocket ”Birdsong’ Mickey’s Day Out’…

The editors were equally canny in selecting the US reprints. ‘Last Laugh!’ first appeared in Batman #353 (November 1982): a dynamite stand alone tale pitting the Gotham Guardian against the archest of villains The Joker; a spectacular and audacious thriller by Gerry Conway magnificently illustrated by the incredibly talented and inexplicably underrated José Luis García-López.

Possibly one of the neatest and most impressive text tales in UK Annuals history ‘The Gun’ reunited Marvelman co-conspirators Alan Moore & Garry Leach (who painted the beguiling pictures which accompany the twisted trail of the weapon which killed Thomas and Martha Wayne) and the seasonal sensationalism concluded with ‘Where Walks a Snowman!’ (Batman #337, July 1981) wherein Gerry Conway& Roy Thomas recounted the horrific history of a chilling killer stalking Gotham in another lost art-masterpiece by García-López & Steve Mitchell.

Being a British Christmas book there’s even a traditional send-off with a brace of

‘Batman’s Puzzles’ pages comprising word games and “spot the difference” panels.

This impressive tome might well be of more interest to comics completists than chronic nostalgists like me, but such items often turn up in jumble sales and charity shops and are frequently well worth the price of admission

© 1984 DC Comics Inc. and London Editions Limited. All characters © 1984 DC Comics Inc.

Superman in Action Archive Edition volume 3


By Jerry Siegel, Joe Shuster & the Superman Studio (DC Comics)
ISBN: 1-56389-710-5

In this third tumultuous deluxe hardback collection of the Man of Tomorrow’s earliest groundbreaking monthly adventures, (reprinted from issues #37-52 of epochal anthology Action Comics and spanning June 1941 – September 1942), the never-ending battle for Truth, Justice and the American Way expanded to cover the struggle against Global Tyranny with the war that had been ripping apart the outer world finally spreading to isolationist America.

When these tales first saw print Superman was a bona fide but still fresh phenomenon who had utterly changed the shape of the fledgling comicbook industry. There was a popular newspaper strip, foreign and overseas syndication and the prestigious Fleischer studio was producing some of the most expensive – and best – animated cartoons ever produced.

Thankfully the quality of the source material was increasing with every four-colour release and the energy and enthusiasm of Shuster and Siegel (who was particularly on fire as scripter) had infected the burgeoning group of studio juniors who had been hired to cope with the relentless demand.

After a fulgent and informed Foreword by Producer, author, historian and fan Michael Uslan, the Never-ending Adventure resumed in Action Comics #37 and ‘Commissioner Kent’ (with art by Paul Cassidy): a return to tales of graft, crime and social injustice wherein the timid alter-ego of the Man of Steel was forced to run for the job of top cop in Metropolis, whilst #38 – illustrated by Leo Nowak & Ed Dobrotka – saw a mastermind exert ‘Radio Control’ on citizens and cops in a spectacular battle against a sinister hypnotist.

Horrific mad science was behind the spectacular thriller ‘The Radioactive Man’ (by Nowak and the shop) whilst Action #40 featured ‘The Billionaire’s Daughter’ (John Sikela) wherein the mighty Man of Tomorrow needed all his wits to set straight a spoiled debutante.

Stories of crime, corruption and social iniquity gradually gave way to more earth-shattering fare and with war in the news and clearly on the horizon, the tone and content of Superman’s adventures changed too: the scale and scope of the stunts became more important than the motive. The raw passion and sly wit still shone through in Siegel’s stories but as the world grew more dangerous the Metropolis Marvel simply grew mightier to cope with it all and Shuster and Co stretched and expanded the iconography in ways that all others would follow.

‘The Saboteur’ (Action Comics #41, October 1941) told a terse tale of a traitor motivated by greed rather than ideology, whilst ‘City in the Stratosphere’ in #42 (both illustrated by Sikela) revealed how a troubles-free secret paradise floating above Metropolis had been subverted by an old enemy, whilst ‘The Crashing Planes’ (illustrated by Nowak, from the December Action Comics) actually had Superman attacking Nazi paratroopers on the cover and found the Man of Steel smashing a plot to destroy a commercial airline.

Even though war was as yet undeclared, DC and many other publishers had struck their colours well before December 7th 1941. When the Japanese attack finally filtered through to the gaudy pages the patriotic indignation and desire for retribution would generate some of the very best art and stories the budding art-form would ever see.

Action #44 (drawn by Nowak) featured a frozen ‘Dawn Man’ who thawed out and went wild in the crime-ridden Metropolis, whilst the next issue saw ‘Superman’s Ark’ girdle the globe to repopulate a decrepit and nigh-derelict Zoo and Action #46 featured ‘The Devil’s Playground’ (Ed Dobrotka) wherein masked murderer The Domino stalked an amusement park wreaking havoc and instilling terror.

A blockbusting, no-holds-barred battle ensued in Action #47 (Sikela) when Lex Luthor gained incredible abilities after acquiring the incredible ‘Powerstone’, whilst #48 found the Man of Tomorrow toppling an insidious gang of killers in ‘The Adventure of the Merchant of Murder!’ before outwitting a despicable and deadly maniac dubbed ‘The Puzzler!’ in #49 (Dobrotka & Sikela).

Action Comics #50 saw Clark Kent and Lois Lane despatched to Florida to scope out Baseball skulduggery in a light-hearted tale illustrated by Nowak before ‘The Case of the Crimeless Crimes’ introduced the canny faux-madness of practical-joking bandit The Prankster (#51, by Dobrotka & Sikela, who also illustrated the last tale in this tome).

The glorious indulgence concludes with the ‘The Emperor of America!’ wherein an invading army were welcomed with open arms by all but the indignant and suspicious Action Ace who single-handedly liberated America in a blistering, rousing call-to-arms classic.

The raw passion and sly wit of Siegel’s stories and the rip-roaring energy of Shuster and his team were now galvanised by the parlous state of the world and Superman simply became better and more flamboyant to deal with it all. These Golden Age tales are timeless, priceless enjoyment. How can anyone possibly resist them?
© 1941, 1942, 2001 DC Comics. All Rights Reserved.

Batman: the Dark Knight Archives volume 3


By Bob Kane, Bill Finger, Jerry Robinson & George Roussos & various (DC Comics)
ISBN: 1-56389-615-X

With this third magnificent compilation of the epochal early Batman, the Dark Knight entered his fourth year of publication and the expanded creative team truly hit their stride, providing spectacular escapist thrills and chills for readers on the home front and even in the far-and-widely deployed armed services as 1942 brought America fully into the war and deadly danger never seemed closer…

This full-colour deluxe hardback tome (collecting the classic contents of Batman #9-12 from February/March to August/September 1942) opens with an expansive introduction from modern Bat-scribe Mike W. Barr, and also saw the introduction of an extensive contents section and detailed biographies for those talented folk who crafted these Golden Age greats.

The Dynamic Duo were popular sensations whose heroic exploits not only thrilled millions of eager readers but also provided artistic inspiration for a generation of comics creators and with America wholeheartedly embracing World War II by this period and the stories – especially the patriotic covers – went all-out to capture the imagination, comfort the down-hearted and bolster the nation’s morale.

Batman #9 is regarded as one of the greatest single issues of the Golden Age and is still a cracking parcel of joy today. Due to the unique “off-sale” dating system of the USA the issue hit the newsstands in time for Christmas 1941, with all the stories written by Bill Finger and illustrated by Bob Kane, Jerry Robinson & George Roussos. Moreover the issue sports possibly the most reproduced Batman cover ever; crafted by the brilliant Jack Burnley.

Within those pages the action began with ‘The Four Fates!’: a dark and moving human interest drama featuring a quartet of fore-doomed mobsters, after which our heroes ship out in ‘The White Whale!’, a mind-bending maritime crime saga loosely based on the classic Moby Dick, followed by another unforgettable Joker yarn ‘The Case of the Lucky Law-Breakers’ and the birth of a venerable tradition in an untitled story called here for expediency’s sake ‘Christmas’.

Over the decades many of the Dynamic Duo’s best and finest adventures have had a Christmas theme (and why there’s never been a Greatest Batman Christmas Stories volume is a mystery I’ve pondered for years) and this touching – even heart-warming – story of absent fathers, petty skulduggery and little miracles is where it all really began. There’s not a comic fan alive who won’t dab away a tear…

Following a stunning, whimsical and fourth-wall busting cover by Fred Ray & Robinson Batman #10 commences with another four classics. ‘The Isle that Time Forgot’ written by Joseph Greene, finds the Dynamic Duo impossibly trapped in a land of dinosaurs and cavemen, whilst ‘Report Card Blues’ also with Greene scripting, has the heroes inspire a wayward kid to return to his studies by crushing the mobsters he’s ditched school for. Jack Schiff typed the words for the classy jewel-heist caper (oh, for those heady days when Bats wasn’t too grim and important to stop the odd robbery or two!) ‘The Princess of Plunder’ starring everyone’s favourite Feline Femme Fatale Catwoman, and the boys finished up by heading way out West where the Gotham Guardian became ‘The Sheriff of Ghost Town!’ in a bullet-fast blockbuster scripted by Bill Finger.

Batman’s unsung co-creator also wrote three of the four epic adventures in Batman #11, beginning with the cover-featured shocker ‘The Joker’s Advertising Campaign’ wherein the Clown prince took ideas for big crimes from the small ads section of the papers whilst ‘Payment in Full’ related a touching melodrama about the District Attorney and the vicious criminal to whom he owed his life. Pulp sci fi author Edmond Hamilton wrote the mystery ‘Bandits in Toyland’ wherein a gang of high-powered burglars and bandits only stole dolls and train-sets from kids before Finger returned to concoct ‘Four Birds of a Feather!’ with Batman in Miami to scotch the Penguin’s dreams of a crooked gambling empire.

Batman #12 (Aug/Sept 1942) promptly follows with another four instant classics. ‘Brothers in Crime’ by Don Cameron & Jerry Robinson, captivatingly revealed the tragic – positively Shakespearean – fates of a criminal family who had every chance to change their ways whilst the Joker returned in ‘The Wizard of Words’ by Finger, Kane, Robinson & Roussos with the Green Haired Horror applying his homicidal mind to murderously making homilies and folk phrases chillingly literal…

Finger also scripted the final two tales in this issue and the volume, with Jack Burnley illustrating the major portion of the spectacular crime thriller about daredevil stuntmen ‘They Thrill to Conquer’ whilst Kane, Robinson & Roussos wrapped it all up with ‘Around the Clock with Batman’ – a “typical” day in the life of the Dynamic Duo complete with blazing guns, giant statues and skyscraper near-death experiences.

These are stories which forged the character and success of Batman. The works of co-creators Finger and Kane and such multi-talented assistants as Robinson, Roussos, Ray, Burnley and the rest are spectacular and timeless examples of perfect superhero fiction. Put them in a lavish deluxe package like this and include the pop art masterpieces that were the covers of those classics and you have pretty much the perfect comicbook book.
© 1942, 2000 DC Comics. All Rights Reserved.

The Flash: Ignition


By Geoff Johns, Alberto Dose, Howard Porter & Livesay (DC Comics)
ISBN: 978-1-4012-0463-1

There are many super-speedsters in the DCU and most of them congregate in the conjoined metropolis of Keystone and Central City. Wally West, third incarnation of The Flash, lived there with his true love Linda Park, his Aunt Iris and rocket-racers such as Jay Garrick, with juvenile speedster from the Future Impulse and his mentor/keeper Max Mercury, the Zen Master of hyper-velocity, only an eye-blink away…

Created by Gardner Fox and Harry Lampert, Garrick debuted as the very first Scarlet Speedster in Flash Comics #1 (January 1940). “The Fastest Man Alive” wowed readers for over a decade before changing tastes benched him in 1951. The concept of speedsters and superheroes in general was revived in 1956 by Julie Schwartz in Showcase #4 when police scientist Barry Allen became the second hero to run with the concept.

The Silver Age Flash, whose creation ushered in a new and seemingly unstoppable era of costumed crusaders, died heroically during Crisis on Infinite Earths (1985-1986) and was promptly succeeded by his sidekick Kid Flash. Of course Allen later returned from the dead – but doesn’t everyone?

Initially Wally West struggled to fill the boots of his predecessor, both in sheer ability and, more tellingly, in confidence. Feeling a fraud, he nonetheless persevered and eventually overcame, becoming the greatest to carry the name.

This volume reprints issues #201-206 of Wally’s long-gone-and-much-missed monthly comic and opens in the aftermath of a blockbusting battle which tore the Twin Cities and the extended Flash Family apart.

In the wake of those events the Scarlet Speedster disappeared and, thanks to the intervention of nigh-omnipotent spirit The Spectre, everyone who knew Wally West was the Flash forgot the secret.

Unfortunately that also included Linda and Wally too…

Scripter Geoff Johns and artists Alberto Dose, Howard Porter & Livesay kick started a new era in the hero’s life with ‘Driven’ as the double metropolis began to suffer the lack of a super-fast protector. Crime went up and a wave of cold-themed killings seemed to indicate that former thief Captain Cold had graduated to homicidal mania. Meanwhile, slow but steady police garage mechanic Wally West plodded on with his new job, fixing the battered vehicles of Keystone PD and coming to terms with the fact that Linda has just miscarried their unborn child…

When a huge car-crash jump-started his powers an ultra-swift Wally was baffled, but by the end of ‘Shifting Gears’ had deduced that his newfound ability to not be killed by a variety of accidents and attacks meant something or someone had messed with his mind…

In ‘Crash and Burn’, as the freeze murders escalated and with every cop hunting Captain Cold, Wally was forced to confront the fact that he must be the long-missing Flash. He has a long, illuminating chat with a guy in a diner; and if he had been in possession of his memories he would have realised that he’d just shared coffee and philosophy with the suspected murderer everybody wanted…

Back in the scarlet suit but with his memories still vague, Wally tracked the icy felon but evidence was slowly pointing to another killer framing the sub-zero scoundrel – a suspicion confirmed when the befuddled speedster was attacked by a new Mr. Element and only saved by the Bad Captain in ‘Cold Reality’.

Whilst Linda, tormented by insidious dreams, left Wally, her confused husband was driven to research the life of the Flash; convinced at last that it was his own, and when Batman hit town, determined to discover who had doctored the memories of the entire Justice League, the motive behind the miracle was finally uncovered in ‘Secrets’ culminating in a spectacular confrontation with the true killer, a poignant reconciliation with Linda and a blistering fresh start for the Fastest Man alive in ‘Up to Speed’…

For more than seven decades the adventures of the Flash have been the very acme of superhero storytelling, with successive generations of inventive creators producing the very best of high-speed action and superlative drama. This is another of those supremely readable classics and a terrific place for new readers to jump aboard the rollercoaster…
© 2004, 2005 DC Comics. All Rights Reserved.

Batman Archives volume 2


By Bob Kane, Bill Finger, Jerry Robinson, George Roussos & various (DC Comics)
ISBN: 0-930289-60-9

The history of the American comicbook industry in most ways stems from the raw, vital and still completely compelling tales of two iconic creations published by DC/National Comics: Superman and Batman. It’s only fair and fitting that both those characters are still going strong and that their earliest adventures can be relived in chronological order in both relatively cheap softcover chronicles and magnificently lavish hardback compilations.

This second sturdy deluxe edition of Batman’s classic crime-busting Detective Comics cases spans the period from May 1941-December 1942 and features all his exploits from issues #51-70. The majority of the stories were written by Bill Finger and the art chores shared out between Bob Kane, Jerry Robinson & George Roussos. Those necessary details dealt with, what you really need to know is that this is a collection of Batman yarns which see the character grow into an icon who would inspire so many: all whilst developing the resilience and fan-dedication to survive the many cultural vicissitudes the coming decades would inflict upon him and his partner, Robin.

As with many of these first print Archive collections, there are no contents pages or creator credits, so for the sake of expediency I’ve again used information and story-titles from later collections to facilitate the review.

After an overview and Foreword from crime novelist and sometime Batman scripter Max Allan Collins, the excitement is unleashed with ‘The Case of the Mystery Carnival’ as the Dynamic Duo liberated a circus from crooks who had taken it over, after which they tackled the insidious terror of Chinese Tongs in ‘The Secret of the Jade Box’ (Detective Comics #52) and solved the tragic problems of suicidal actress ‘Viola Vane’: all mood-soaked set-pieces featuring commonplace human-scaled heroes and villains.

‘Hook Morgan and his Harbor Pirates’ saw the Dynamic Duo spectacularly clean up the evil-infested city docks whilst Detective #55 took them back to fantasy basics with the spectacular mad scientist thriller ‘The Brain Burglar’ after which a quick vacation visit to a ghost-town resulted in a stunning confrontation with a rampaging monster in the eerie action-romp ‘The Stone Idol’.

Detective #57 featured ‘Twenty-Four Hours to Live’, a tale of poisonings and Crimes of Passion, whilst the perfidious Penguin debuted in the next issue to make our heroes the victims of ‘One of the Most Perfect Frame-Ups’ before cropping up again in #59, making a play to control Mississippi; turning his formidable talents to bounty-hunting his fellow criminals in ‘The King of the Jungle!’

That tale was written by Joseph Greene and Jack Schiff, who had a long and auspicious career as an editor at DC, scripted ‘The Case of the Costume-Clad Killers’ from Detective Comics #60, another excursion into larcenous mania with the Joker again stealing the show – and everything else.

‘The Three Racketeers’ is a magnificent story gem and much-reprinted classic (aren’t they all?) from an era packed with both explosive thrillers and tense human dramas. This perfect example of the latter saw a trio of criminal big-shots swap stories of the Gotham Guardians over a quiet game of cards and has a sting-in-the-tail that still hits home more than fifty years later.

It’s followed Finger, Kane & Robinson’s epic clash ‘Laugh, Town Laugh!’ (Detective #62) wherein the diabolical Joker went on a terrifying murder-spree to prove to the nation’s comedians and entertainers who truly was “King of Jesters”.

Those creative giants also produced ‘A Gentleman in Gotham’ for Detective Comics #63, as the Caped Crusader had to confront tuxedoed International Man of Mystery Mr. Baffle, after which the Crime Clown again reared his tousled viridian head in ‘The Joker Walks the Last Mile’ (#64, June 1942).

Each tale here is preceded by the stunning cover of the issue and Detective Comics #65 was a particularly superb patriotic example by Jack Kirby & Joe Simon with Batman and Robin welcoming the Boy Commandos to the title – even though they had actually begun thrashing the Hun a month earlier. The mesmerising Dark Knight tale for the issue featured art by Jack Burnley & George Roussos illustrating Greene’s poignant and powerful North Woods thriller ‘The Cop who Hated Batman!’

The tales produced during the darkest days of World War II were among the very best of the Golden Age and it’s no coincidence that many of these vintage treasures are also some of most reprinted tales in the Batman canon. With chief writer Bill Finger at a peak of creativity and production, everybody on the Home Front was keen to do their bit – even it that was simply making kids of all ages forget their troubles for a brief while…

‘The Crimes of Two-Face’, (Detective #66, August 1942, by Finger, Kane & Robinson) was a classical tragedy in crime-caper guise as Gotham District Attorney Harvey Kent (the name was later changed to Dent) was brutally disfigured whilst in court and went mad – becoming the conflicted villain who remains one of the Caped Crusader’s greatest and most compelling foes to this day.

Detective #67 featured the Penguin who gained his avian Modus Operandi and obsession as ‘Crime’s Early Bird!’ after which Two-Face’s personal horror-story continued in ‘The Man Who Led a Double Life’ as the conflicted fallen idol attempted – and failed – to win back his ideal lost life, following which Joseph Greene scripted the Joker’s final escapade of this volume with perilous pranks and menace aplenty in the calamitous case of ‘The Harlequin’s Hoax!’

The fantastic fantasy and gritty melodrama concludes with the decidedly different threat of ‘The Man Who Could Read Minds!’ an off-beat psycho-thriller from Don Cameron which saw Batman risk his secret identity to stop a merciless, bloodthirsty telepath in a dynamic masterpiece which premiered in Detective Comics #70.

The stories here show the creators and characters at their absolute peak and they’re even more readable now that I don’t have to worry if I’m wrecking an historical treasure simply by turning a page.

These stories cemented the popularity of Batman and Robin and brought a modicum of joy and relief to millions during a time of tremendous hardship and crisis. Even if these days aren’t quite as perilous or desperate, the power of such work to arouse and charm is still potent and just as necessary.
© 1941, 1942, 1991 DC Comics. All Rights Reserved.

Showcase Presents Elongated Man


By Gardner Fox, Carmine Infantino & various (DC Comics)
ISBN: 978-1-4012-1042-2

Once upon a time American comics editors believed readers would become jaded if  characters were over-used or over-exposed and so to combat that potential danger – and for sundry other commercial and economic reasons – they developed back-up features in most of their titles. By the mid-1960s the policy was largely abandoned as resurgent superheroes sprang up everywhere and readers just couldn’t get enough…but there were still one or two memorable holdouts.

In late 1963 Julius Schwartz took editorial control of Batman and Detective Comics and finally found a place for a character who had been lying mostly fallow ever since his debut as a walk-on in the April/May 1960 Flash.

The Elongated Man was Ralph Dibny, a circus-performer who discovered an additive in soft drink Gingold which seemed to give certain people increased muscular flexibility. Intrigued, he refined the chemical until he had developed a serum which gave him the ability to stretch, bend and compress his body to an incredible degree. Then Ralph had to decide how to use his new powers…

This charming, witty and very pretty compilation gathers all the Flash guest appearances from issues #112, 115, 119, 124, 130, 134, and 138 spanning April/May 1960 to August 1963 before re-presenting the Stretchable Sleuth’s entire scintillating run from Detective Comics #327-371 (May 1964-January 1968).

Designed as a modern take on the classic Golden Age champion Plastic Man, Dibny debuted in Flash #112 in ‘The Mystery of the Elongated Man!’ as a mysterious masked yet attention-seeking elastic do-gooder, of whom the Scarlet Speedster was nonetheless highly suspicious, in a cunningly crafted crime caper by John Broome, Carmine Infantino & Joe Giella. Dibny returned in #115 (September 1960 and inked by Murphy Anderson) when aliens attempted to conquer the Earth and the Vizier of Velocity needed ‘The Elongated Man’s Secret Weapon!’ as well as the guest-star himself to save the day.

In Flash #119 (March 1961), Flash rescued the vanished hero from ‘The Elongated Man’s Undersea Trap!’ which introduced the vivacious Sue Dibny (as a newly wed “Mrs Elongated Man”) in a mysterious and stirring tale of sub-sea alien slavers by regular creative team Broome, Infantino & Giella.

The threat was again extraterrestrial with #124′s alien invasion thriller ‘Space-Boomerang Trap!’ (November 1961) which featured an uneasy alliance between the Scarlet Speedster, Elongated Man and the sinister Captain Boomerang who naturally couldn’t be trusted as far as you could throw him…

Ralph collaborated with Flash’s junior partner in #130 (August 1962) only just defeating the wily Weather Wizard when ‘Kid Flash Meets the Elongated Man!’ but then sprang back into action with – and against – the senior partner in Flash #134 (February 1963), seemingly allied with Captain Cold ‘The Man who Mastered Absolute Zero!’ in a flamboyant thriller that almost ended his budding heroic career…

Gardner Fox scripted ‘The Pied Piper’s Double Doom!’ in Flash #138 (August 1963) a mesmerising team-up which saw both Elongated Man and the Scarlet Speedster enslaved by the Sinister Sultan of Sound, before ingenuity and justice finally prevailed.

When the back-up spot opened in Detective Comics (a position held by the Martian Manhunter since 1955 and only vacated because J’onn J’onzz had been promoted to the lead position in House of Mystery) Schwartz had Ralph Dibny slightly reconfigured as a flamboyant, fame-hungry, brilliantly canny travelling private eye solving mysteries for the sheer fun of it. Aided by his equally smart but thoroughly grounded wife, the short tales were patterned on the classic “Thin Man” filmic adventures of Nick and Norah Charles, blending clever, impossible crimes with slick sleuthing, all garnished with the outré heroic permutations and frantic physical antics first perfected in Jack Cole’s Plastic Man.

These complex yet uncomplicated sorties, drenched in fanciful charm and sly dry wit, began in Detective Comics #327 (May 1964) and ‘Ten Miles to Nowhere!’ (by Fox & Infantino, who inked himself for all the early episodes) wherein Ralph, who had publicly unmasked and become a minor celebrity, discovered that someone had been stealing his car and bringing it back as if nothing had happened. Of course it had to be a clever criminal plot of some sort…

A month later he solved the ‘Curious Case of the Barn-door Bandit!’ and debuted his rather revolting trademark of manically twitching his expanded nose whenever he “detected the scent of mystery in the air” before heading for cowboy country to unravel the ‘Puzzle of the Purple Pony!’ and play cupid for a young couple hunting a gold mine in #329.

Ralph and Sue were on an extended honeymoon tour, making him the only costumed hero without a city to protect. When they reached California Ralph became embroiled in a ‘Desert Double-Cross!’ where hostage-taking thieves raided the home of a wealthy recluse after which Detective #331 offered a rare full-length story in ‘Museum of Mixed-Up Men!’ (Fox, Infantino & Giella) as Batman, Robin and the Elongated Man united against a super-scientific felon able to steal memories and reshape victims’ faces.

Returned to a solo support role in #332, the Ductile Detective discovered Sue had been replaced by an alien in ‘The Elongated Man’s Other-World Wife!’ (with Sid Greene becoming the new permanent inker). Of course, nothing was as it seemed…

‘The Robbery That Never Happened!’ began when a jewellery-store customer suspiciously claimed he had been given too much change whilst ‘Battle of the Elongated Weapons!’ in #334 concentrated on a crook who had adapted Ralph’s Gingold serum to affect objects, after which bombastic battle it was back to mystery-solving when the Elongated Man was invited by Fairview City to round up a brazen bunch of uncatchable bandits in ‘Break Up of the Bottleneck Gang!’

While visiting Central City again Ralph was lured to the Mirror Master’s old lair and only barely survived ‘The House of “Flashy” Traps!’ and then risked certain death in the ‘Case of the 20 Grand Pay-off!’ by replacing Sue with a look-alike – for the best possible reasons – but without her knowledge or permission…

Narrowly surviving his wife’s wrath by turning the American tour into a World cruise, Ralph then tackled the ‘Case of the Curious Compass!’ in Amsterdam, foiling a gang of diamond smugglers, before returning to America and ferreting out funny-money pushers in ‘The Counterfeit Crime-Buster!’

Globe-trotting creator John Broome returned to script ‘Mystery of the Millionaire Cowboy!’ in Detective #340 (June 1965) as Ralph and Sue stumbled onto a seemingly haunted theatre and found crooks at the heart of the matter, whilst ‘The Elongated Man’s Change-of-Face!’ (by Fox, Infantino & Greene) saw a desperate newsman publish fake exploits to draw the fame-fuelled hero into investigating a town under siege, and ‘The Bandits and the Baroness!’ (Broome) saw the perpetually vacationing couple check in at a resort where every other guest was a Ralph Dibny, in a classy insurance scam story heavy with intrigue and tension.

A second full-length team-up with Batman featured in Detective Comics #343 (September 1965, by Broome, Infantino & Giella), in ‘The Secret War of the Phantom General!’; a tense action-thriller pitting the hard-pressed heroes against a hidden army of gangsters and Nazi war criminals, determined to take over Gotham City.

Having broken Ralph’s biggest case the happy couple headed for the Continent and encountered ‘Peril in Paris!’ (Broome, Infantino & Greene) when Sue went shopping as an ignorant American and returned a few hours later a fluent French-speaker…

‘Robberies in Reverse!’ (Fox) saw a baffling situation when shopkeepers began paying customers, leading Ralph to a severely skewed scientist’s accidental discovery whilst #346’s ‘Peephole to the Future!’ (Broome) saw the Elongated Man inexplicably develop the power of clairvoyance, which cleared up long before he could use it to tackle ‘The Man Who Hated Money!’ (Fox); a bandit who destroyed every penny he stole.

‘My Wife, the Witch!’ was Greene’s last ink job for a nearly a year; a Fox thriller wherein Sue apparently gained magical powers whilst ‘The 13 O’clock Robbery!’ with Infantino again inking his own work, found Ralph walk into a bizarre mystery and deadly booby-trapped mansion, before Hal Jordan’s best friend sought out the stretchable Sleuth to solve the riddle of ‘Green Lantern’s Blackout!’ – an entrancing, action-packed team-up with a future Justice League colleague, after which ‘The Case of the Costume-made Crook!’ found the Elongated Man ambushed by a felon using his old uniform as a implausible burglary tool.

Broome devised ‘The Counter of Monte Carlo!’ as the peripatetic Dibnys fell into a colossal espionage conspiracy at the casino and became pawns of a fortune teller in ‘The Puzzling Prophecies of the Tea Leaves!’ (Fox) before Broome delighted one more time with ‘The Double-Dealing Jewel Thieves!’ as a museum owner found that his imitation jewel exhibit was indeed filled with fakes…

As Fox assumed full scripting duties Mystic Minx Zatanna guest-starred in #355’s ‘The Tantalising Troubles of the Tripod Thieves!’, wherein stolen magical artefacts led Ralph into conflict with a band of violent thugs whilst ‘Truth Behind the False Faces!’ saw Infantino bow out on a high note as the Elongated Man helped a beat cop to his first big bust and solved the conundrum of a criminal wax museum.

Detective #357 (November 1966) featured ‘Tragedy of the Too-Lucky Thief!‘ (by Fox, Murphy Anderson & Greene) as the Dibnys discovered a gambler who hated to win but could not lose whilst Greene handled all the art on ‘The Faker-Takers of the Baker’s Dozen!’ wherein Sue’s latest artistic project led to the theft of a ancient masterpiece. Anderson soloed with Fox’s ‘Riddle of the Sleepytime Taxi!’, a compelling and glamorous tale of theft and espionage and when Ralph and Sue hit Swinging England in Detective #360 (February 1967, Fox & Anderson) with ‘London Caper of the Rockers and Mods!’, they met the monarch and prevented warring kid-gangs from desecrating our most famous tourist traps before heading home to ‘The Curious Clue of the Circus Crook!’ (Greene), wherein Ralph visited his old Big-Top boss and stopped a rash of robberies which had followed the show around the country.

Infantino found time in his increasingly busy schedule for a few more episodes, (both inked by Greene) beginning with ‘The Horse that Hunted Hoods’, a police steed with uncanny crime solving abilities, and continuing in a ‘Way-out Day in Wishbone City!’ wherein normally solid citizens – and even Sue – went temporarily insane and started a riot, after which unsung master Irv Novick stepped in to delineate the mystery of ‘The Ship That Sank Twice!’

‘The Crooks who Captured Themselves!’ (#365, with art by Greene) found Ralph losing control of his powers whilst Broome & Infantino reunited one last time for ‘Robber Round-up in Kiddy City!’ as, for a change, Sue sniffed out a theme-park mystery for Ralph to solve and Infantino finally bowed out with the superb ‘Enigma of the Elongated Evildoer!’ (written by Fox and inked by Greene) as the Debonair Detectives found a thief in a ski lodge who seemed to possess all Ralph’s elastic abilities…

The Atom guest-starred in #368, helping battle clock-criminal Chronos in ‘The Treacherous Time-Trap!’ by Fox, Gil Kane, Greene and iconoclastic newcomer Neal Adams illustrated the poignant puzzler ‘Legend of the Lover’s Lantern!’, after which Kane & Greene limned the intriguing all-action ‘Case of the Colorless Cash!’. The end of the year signalled the end of an era as Fox, Mike Sekowsky & Greene finished off the Elongated Man’s expansive run with the delightfully dizzy lost-loot yarn ‘The Bellringer and the Baffling Bongs’ (#371, January 1968).

With the next issue Detective Comics became an all Bat-family title and Ralph and Sue Dibny temporarily faded from view until revived as bit players in Flash and finally recruited into the Justice League as semi-regulars. Their charismatic relationship and unique genteel style has however, not been seen again: casualties of changing comics tastes and the replacement of sophistication with angsty shouting and testosterone-fuelled sturm und drang…

Witty, bright, clever and genuinely exciting these smart stories from a lost age are all beautiful to look at and a joy to read for any sharp kid and all joy-starved adults. This book is a shining tribute to the very best of DC’s Silver Age and a volume no fan of fun and adventure should be without.
© 1960, 1961, 1962, 1964, 1965, 1966, 1967, 1968, 2006 DC Comics. All Rights Reserved.

Superman Archives volume 3


By Jerry Siegel & Joe Shuster with Leo Nowak and the Superman Studio (DC Comics)
ISBN: 978-1-56389-002-4

By 1941 the intoxicating blend of eye-popping action and social crusading which hallmarked the early exploits of the Man of Tomorrow had grown to encompass cops-and-robbers crime-busting, science fiction, fantasy and even whimsical comedy.

With a thrice-weekly radio serial, games, toys, a newspaper strip and a growing international media presence, Superman was definitely everybody’s hero, as confirmed in this classic compendium, gathering in their entirety issues #5-8 of his landmark solo title.

This first-edition deluxe hardback opens with an enchanting reminiscence from star artist and early contributor Jack Burnley, but once more no contents page or creator credits, so for the sake of expediency I’ve again used information and story-titles from later collections to facilitate the review. Besides, if you just buy this brilliant, lavish, full-colour hardback treasure-trove, you’ll be too busy reading the glorious stories to worry over such minor details…

Superman #9 (March/April 1941) was another four-star thriller with all the art credited to Cassidy and the Shuster Studio. ‘The Phony Pacifists’ is an enthralling espionage thriller that capitalised on increasing US tensions over “the European War”, followed by a bulletin to members of the Supermen of America club, gag strip Henrietta and a page spotlighting Sports veterans before ‘Joe Gatson, Racketeer’ details the sorry end of a hot-shot blackmailer and kidnapper.

‘Mystery in Swasey Swamp’ pits the Man of Steel against a wave of eerie happenings and ruthless spies, whilst Frank Cooper’s prose vignette recalls the exploits of WWI in ‘A Bombing Flight’ and ‘Super-Strength by Superman’ advocated the benefits of regular exercise before ‘Jackson’s Murder Ring’ pitted the Metropolis Marvel against an ingenious gang of killers-for-hire.

Siegel & Shuster had created an unstoppable juggernaut and were constantly struggling to cope with it. All the Superman stories in issue #10 (May/June 1941) were scripted by Siegel, but illustrated by Studio stalwarts. ‘The Invisible Luthor’ (drawn by Leo Nowak) saw the malevolent mastermind contrive a devastating campaign of terror, and after the humorous fact-page ‘Calling All Cars’ the similarly illustrated adventure ‘The Talent Agency Fraud’ saw Superman and Lois Lane bust a gang of blackmailing thugs preying on star-struck girls.

Wayne Boring & the shop handled the last two Superman stories, beginning by exposing a scurrilous swami in ‘The Spy Ring of Righab Bey’ and, after text-tale ‘Big Leaguer’ by George Shute and Bolty’s (Henry Boltioff) factual frolics ‘It’s True!’ ,‘The Dukalia Spy Ring’ saw the Action Ace trounce thinly-veiled Nazis at a propaganda sports festival (topical and exotic themes of suspense were still necessarily oblique then, since at this time America was still officially neutral in the “European war.”).

Superman #11 (July/August 1941) was an all-Nowak affair, beginning with ‘Zimba’s Gold Badge Terrorists’, as more thinly disguised Nazis “blitzkrieged” the USA, whilst after more gags and Boltinoff ‘Facts…’ the Man of Tomorrow battled rampaging giant animals in ‘The Corinthville Caper’, before scouring the world seeking a cure for ‘The Yellow Plague’. After Nelson Edwards’ nautical prose tale ‘Timely Rescue’ and yet more Boltinoff info-gags in ‘It’s So…’ Superman dashed home in time to foil ‘The Plot of Count Bergac’ and crushed a coterie of High Society gangsters.

Even though spies and sabotage plots were already a trusty part of the narrative currency of the times and many in America felt war was inevitable (patriotic covers were beginning to appear on many comic books), they were still a distant problem, impersonal and at one remove from daily life as experienced by the kids who were the perceived audience for these four-colour fantasies. That would change radically in the months to come…

For the meantime though, these final four yarns from Superman #12 (September/October 1941) are amongst the last pre-war stories of the Man of Tomorrow. Once again they were all scripted by Siegel with Leo Nowak drawing most of the comic output at this time. He’s responsible for the first two here…

‘Peril on Pogo Island’ found Lois and Clark at the mercy of rampaging tribesmen, although spies from a certain foreign power are at the back of it all, whilst ‘The Suicide Murders’ saw the plucky journalists facing a particularly grisly band of gangsters. After a Books Worth Reading feature and a gag page, John Sikela inked ‘The Grotak Bund’ wherein seditionists attempted to destroy vital US industries and, following Boltinoff’s ‘Kid Stuff’ and Roger Forrest’s prose crime-vignette ‘Safe Job’, fully illustrated the final tale as an old and indefatigable foe reared his shiny slaphead once more in ‘The Beasts of Luthor’, targeting far-flung Baracoda Island with a spectacular array of giant monsters.

Augmented by a host of delightfully mesmerising contemporary ads for cool toys and the company’s burgeoning line of comics super-stars, these Golden Age tales are priceless enjoyment, a fantastic window on comfortingly simpler times and some of the greatest Fights and Tights adventures ever crafted.

How can you possibly resist them?
© 1941, 1991 DC Comics. All Rights Reserved.

Batman: the Dark Knight Archives volume 2


By Bob Kane, Bill Finger, Jerry Robinson & George Roussos (DC Comics)
ISBN: 1-56389-183-2

By the time of the spectacular action, adventure and mystery classics contained in this magnificent full-colour hardback tome (re-presenting the classic contents of Batman #5-8, Spring 1941 to December 1941/January 1942), the Dynamic Duo were bona fide sensations whose heroic exploits not only thrilled millions of eager readers but also provided artistic inspiration for a generation of comics creators – both potential and actually working then and there…

Scripted by Bill Finger, with art from Bob Kane aided and abetted by Jerry Robinson & George Roussos (who also lettered many of the stories and even provided the effulgent introductory interview with historian Joe Desris which opens this volume) these stories are key moments in the heroes’ careers and still stunningly compelling examples of comics storytelling at its very best.

The magic commences with ‘The Riddle of the Missing Card!’ wherein the ever-deadly Joker rises from the dead once more and embarks on a grisly spree of gambling crimes based on playing cards and the poor unfortunate souls who rescued him, whilst ‘Book of Enchantment’ finds the Gotham Gangbusters scientifically teleported into a fantastic dimension of fairytale horrors. ‘The Case of the Honest Crook’ is the kind of humanistic mystery/second-chance story of redemption earned that Finger excelled at: Batman tackles bandit Joe Sands who has just robbed a store of $6 when he could have taken hundreds. His hard luck story soon leads to real bad guys though…

The last story from Batman #5 ‘Crime Does Not Pay’ deals with the perennial problem of good kids going bad and once again salvation is at hand after a mind-boggling amount of action and mayhem…

Issue #6 saw the title achieve bi-monthly status as the ravenous fans clamoured for more, more, more masked mystery-man madness. ‘Murder on Parole’ saw Batman and Robin hunt down a prominent citizen who was freeing criminals to work as his part-time criminal army after which ‘The Clock Maker’ gave them a deadly old time as he maniacally murdered the people who purchased his fine chronometers before the City Crime-crushers headed for the Texas oil-fields and waded hip-deep in murder and robbery to solve ‘The Secret of the Iron Jungle’. This magnificent romp led inexorably to an undercover case as Bruce Wayne investigated Gotham’s ‘Suicide Beat!’ where three policemen had already died whilst on patrol…

Batman #7 (October/November 1941) began with ‘Wanted: Practical Jokers’ and naturally starred the scene-stealing psychotic Clown Prince of Crime, who had unleashed a host of deadly body-doubles to play hob with the terrified citizenry, whilst ‘The Trouble Trap’ found the Dynamic Duo soundly smashing a Spiritualist racket. They then headed for the Deep Forests to clear up ‘The North Woods Mystery’ of a murdered lumber tycoon.

The last tale in this issue is something of a landmark case, as well as being a powerful and emotional melodrama. ‘The People vs. the Batman’ had Bruce Wayne framed for murder and the Caped Crusaders finally sworn in as official police operatives. They would not be vigilantes again until the grim and gritty 1980’s…

Eight weeks later Batman #8 came out, cover dated December 1941-January 1942. Such a meteoric rise and expansion during a time of extreme paper shortages gives heady evidence to the burgeoning popularity of the characters. Behind a superbly evocative “Infinity” cover by Fred Ray and Jerry Robinson lurked four striking tales of astounding bravura adventure.

‘Stone Walls Do Not A Prison Make’ was a brooding prison drama, with Batman breaking into jail to battle a Big Boss who ruled the city from his cell, followed by a rare foray into science fiction as a scientist abused by money-grubbing financial backers turned himself into a deadly radioactive marauder in ‘The Strange Case of Professor Radium’ (this tale was radically revised and recycled by Finger & Kane as a sequence of the Batman daily newspaper strip from September 23rd to November 2nd 1946).

‘The Superstition Murders’ is still a gripping and textbook example of the “ABC Murders” plot, far better read than read about and ‘The Cross Country Crimes’ perfectly ends this trip to the vault of comic treasures with a tale of the Joker rampaging across America in a dazzling blend of larceny and lunacy whilst trying to flee from the vengeful Gotham Guardians.

These are the stories that forged the character and success of Batman. The works of co-creators Finger and Kane and the multi-talented assistants Robinson & Roussos are spectacular and timeless examples of perfect superhero fiction. Put them in a lavish deluxe package like this, include the pop art masterpieces that were the covers of those classics plus handy creator biographies, and you have pretty much the perfect comic book.
© 1940-1941, 1995 DC Comics. All Rights Reserved.