THE CABBIE

The Cabbie
By Marti Riera (Catalan Communications)
ISBN: 0-87416-042-1

Dick Tracy is one of the most well-known strips in the world and his contributions to the art form are many and indisputable. They occurred over many decades and the medium of graphic narrative grew up with it. Imagine the effect instant exposure – almost over exposure – to such an uncompromising, bombastic, iconic property on the artists of a nation where free-expression and creative autonomy was suppressed for generations.

That’s what happened when the death of General Franco (who held Spain in a fascistic time-warp from his victory in October 1936 until his death in November 1975) instantly opened-up and liberalized all aspects of Spanish life. As Art Spiegelman says in his introduction ‘decades of political and social repression gave way to a glorious eruption of creativity that allowed a full-fledged counterculture to come to life at just about the same time that America’s “Love Generation” gave way to what Tom Wolfe labeled the “Me Generation.”’

How odd yet fitting then that an American symbol of “the Establishment” so enchanted and captivated the young cartoonist Marti Riera that he assimilated every line and nuance to create this dark and angry homage concerning the tribulations of a seedy, desperate taxi-driver trapped in a vanished past and prey to a world at once free and dangerous, ungoverned and chaotic.

Driving the seedy part of town our hero picks up a high-rolling gambler who’s just won big, but his night goes horribly wrong when a knife-wielding thief hijacks the cab and robs his passenger. Luckily the Cabbie can handle himself and he quickly, brutally subdues the thug.

He’s a decent, hard-working man who lives with his ailing mother, humouring her talk of a mysterious inheritance, and allowing her to keep the embalmed cadaver of his father in the spare bedroom, but he’s tragically unaware that his citizen’s arrest will have terrible repercussions for them both.

When the son of the thief he captured is released from prison he immediately begins a grim campaign of retribution against the Cabbie that creates a maelstrom of tragedy, degradation and despair.

This is a harsh and uncompromising tale of escalating crime and uncaring punishments: bleakly cynical and populated with a cast of battered, desolate characters of increasingly degenerate desperation. Even the monsters are victims. But for all that the Cabbie is an incredibly compelling drama with strong allegorical overtones and brutally mesmerizing visuals. Any adult follower of the art form should be conversant with this superb work and hopefully a complete translated edition will emerge one day…
© 1987 Marti Riera. Introduction © 1987 Art Spiegleman. English language edition © 1987 Catalan Communications. All Rights Reserved.

Bosnian Flat Dog

Bosnian Flat Dog

By Max Andersson & Lars Sjunnesson

(Fantagraphics Books)

ISBN-10: 1-56097-740-X
ISBN-13: 978-1-56097-740-7

A startling and powerful excursion into the ‘collective unconsciousness of the Balkans’ results in this surprisingly compelling and funny tale from two of Sweden’s finest comic makers (it originally appeared in Death & Candy #2-4 in a somewhat less effective manner). Ostensibly, this is story of a journey by the creators to Slovenia and an alternative cartoonists convention that spirals into a manic road-movie quest. When they decide to reimburse an old friend for a story they “borrowed” for their comic, an out-of-control ice cream truck begins shooting at them. Amongst the debris they find an engraved grenade shell with the word Sarajevo on it. They take this as a sign that they must do the right thing and embark on a Kafka-esque trip to the troubled Balkans.

Along the way they encounter zombies, mummies, war atrocities and the man who has the corpse of Marshal Tito in a refrigerator in his car. Not to mention that rare breed of hound: The Bosnian Flat Dog…

More treatise than adventure, and savagely underpinned by the appalling realities of the Sarajevo crisis, this thought-provoking psycho-comedy has compelling pictures, dark whimsy and enough fourth wall contravention to supply the reader with much metaphysical and social meat to digest long after they’ve finished reading. As surreal as it seems, though, there is still a distressing amount of truth to be found amid the icons of the fantasy world. This is a damned compelling book if you want a read that will wake you up and not lull you to sleep.

© 2006 Max Andersson & Lars Sjunnesson. All Rights Reserved.

HWY.115

HWY.115

By Matthias Lehmann

(Fantagraphics Books)  ISBN 1-56097-733-7

This stirring and deeply disturbing, psycho-thriller employs the form of a road/buddy movie as hardboiled private detective René Pluriel hits the highways of France in pursuit of the deadly “Heimlich Killer”. He hasn’t gone far when he picks up the flamboyant hitch-hiker Agatha, who reveals that she too is a detective on the trail of the notorious serial murderer.

As they wend their way through the back roads and, at times, history of France, interviewing the killer’s associates and survivors, they build a tense picture not just of the quarry but also of each other, and realise that the conclusion of the quest won’t be happy for everybody.

Lehmann’s dark voyage is gripping and often surreal, and the tension is augmented by the spectacular, moody art, stylishly etched in a powerful scraperboard style. The narrative is blistered with flashbacks, literary diversions and hallucinogenic asides that amplify the dissociative feel of this ostensibly simple tale. This is the author’s first original graphic novel and it is a bravura performance that will be very hard to top; I eagerly await the attempt.

Characters, stories & art © 2006 Actes Sud. All Rights Reserved.
This edition © 2006 Fantagraphics Books.