Amazing Spider-Man volume 10: New Avengers


By J. Michael Straczynski, Mike Deodato Jr., Joe Pimentel & Tom Palmer (Marvel)
ISBN: 978-0-7852-1764-4

When the original hard-luck hero became a full-time Avenger (as seen in New Avengers: Breakout), Peter Parker foolishly hoped that his life might finally be on the upswing, but of course every step forward results in two leaps back for the Wondrous Wallcrawler…

Crafted by scripter J. Michael Straczynski and illustrated by Mike Deodato Jr. with Joe Pimentel & Tom Palmer, New Avengers collects Amazing Spider-Man #519-524 (June-November 2005) and examines a period of tense and fractious adaptation in the ultimate loner’s life beginning with ‘Moving Up’ and the tragic aftermath of a fire which has destroyed May Parker‘s house and rendered both the old lady and her family/tenants Peter and Mary Jane homeless.

As the heartbroken women rummage through ashes and rubble for any salvageable mementos, billionaire Tony Stark arrives and invites them all to live in his grandiose and futuristic skyscraper in the centre of Manhattan. It’s the very least he can do for his new Avenging comrade, but the grateful trio have no idea of the trouble they’ve stepped into by accepting…

Meanwhile, all over America the glorified parvenu gangsters who currently control the criminal organisation Hydra are being rounded up by passionate and disgruntled usurpers determined to return the once-deadly secret society to its fanatical terrorist roots…

The rejuvenated evil underground empire begins its terrifying resurgence in ‘Acts of Aggression’ by unleashing their greatest weapon: a squad of super-powered killers insidiously patterned on Iron Man, Captain America, Hawkeye and Thor. Their first cataclysmic rampage is only barely contained by the assembled New Avengers.

However, Peter doesn’t need his Spider Sense to realise that there’s some deeper game in play, and by using his press contacts at the Daily Bugle discovers the chaos was used to cover the arrival of smuggled missile components…

His overconfident buddies are more interested in catching the hit-and-run “Hydra-vengers” and Mary Jane is all wrapped up in her imminent stage debut, so nobody is ready for the next surprise.

Whilst Peter follows a slim lead and accidentally exposes the criminal cabal’s new Supreme Hydra, his wife heads back to Stark Tower and experiences ‘Unintended Consequences’ when she is door-stepped by a sleazy tabloid journalist who says he knows her secret…

Terrified of Spider-Man’s identity being exposed she thinks fast and brazenly bluffs, but next morning awakens to headlines screaming that she’s having an affair with party-mad playboy Tony Stark…

Hydra meanwhile have moved up their schedule, planning to launch a rocket filled with assorted plagues, bacilli and toxins into America’s largest aquifer…

Having finally convinced Iron Man and the others, ‘Moving Targets’ finds Spider-Man infiltrating the subterranean Hydra Bunker and confronting an army of gun-toting maniacs as well as the facsimile Avengers…

Desperately trying to stay alive until Captain America, Spider-Woman, Luke Cage, Wolverine and Stark can find him, the Astounding Arachnid is forced to take ‘Extreme Measures’ when the toxic rocket blasts off…

Everything neatly wraps up in ‘All Fall Down’ as Spidey saves the day but has to recuperate from the lethal – for anyone else – germ exposure. With Peter incapacitated, Stark deals with Mary Jane’s media situation in a manner both slick and terrifying…

It’s not all good though: there’s a recurring and possibly fatal medical complication the weary Wallcrawler refuses to share with either family or his heroic friends…

To Be Continued…

With covers by Deodato Jr., Kaare Andrews, Terry & Rachel Dodson and Tony Harris – augmented by behind-the-scenes designs stage pages – this canny chronicle delivers a rocket-paced, straightforward thriller stuffed with sentiment and outrageous hilarity (amongst other mad moments Aunt May has a disturbing fling with Avengers butler Edwin Jarvis – at least as far as her nephew is concerned: it’s loaded with sly laughs for the rest of us…).

Despite the foreshadowed conclusion this is a cracking Fights ‘n’ Tights romp every action fan will adore. This is super-heroics at its most satisfying.
© 2005 Marvel Characters, Inc. All Rights Reserved.

The Mighty Avengers: The Unspoken


By Dan Slott, Christos N. Gage, Khoi Pham, Sean Chen & various (Marvel)
ISBN: 978-0-7851-3746-7

One of the most momentous events in Marvel Comics history occurred in 1963 when a disparate array of individual heroes banded together to stop the Incredible Hulk. The Avengers combined most of the company’s fledgling superhero line in one bright, shiny and highly commercial package. Over the decades the roster has continually changed until now almost every character in their universe has at some time numbered amongst their colourful ranks…

At one time in recent years Norman Osborn (the original Green Goblin) had, through various machinations, replaced Tony Stark as America’s Security Czar: the “top cop” in sole charge of a beleaguered nation’s defence and freedom, especially in regard to ultra-technological threats and all metahuman influences…

Under Stark’s tenure a Superhuman Registration Act had resulted in a divisive Civil War amongst the costumed community with tragic repercussions, but the nation and the world were no safer and the planet was almost lost to an insidious Secret Invasion by alien Skrulls.

After executing the Skull leader on live TV, Osborn’s popularity skyrocketed, and when Stark was inevitably fired the former villain got his job. Slowly at first, he began to exert overt control over America: instigating an oppressive “Dark Reign” which saw the World’s Mightiest Heroes driven underground.

To cement his position Osborn actually replaced the Avengers with his own hand-picked coterie of criminals and impostors.

Eventually however the madman’s reach exceeded his grasp and Founding Avenger Henry Pym took back the hallowed name and formed his own squad of champions to restore both the team’s reputation and his own.

In the past the periodically mentally unstable Dr. Pym created the roles of Ant-Man, Giant-Man, Goliath and Yellowjacket to fight crime, disaster and injustice, but since the Skrulls killed his former wife (she was actually only mutated and lost in another dimension: it’s comics and nobody dies forever) he’s been calling himself The Wasp in her honour…

Aided by the mystic machinations of Wanda Maximoff, the once-reviled Scarlet Witch, Pym reluctantly gathered a disparate group of veterans and neophytes under his banner. Former Young Avengers Stature and a juvenile Vision joined Hercules, child prodigy Amadeus Cho, U.S. Agent and faithful butler Edwin Jarvis in a reorganised, revitalised gang which was soon augmented by robotic siren Jocasta, forcibly encoded with the lost Janet Van Dyne‘s brain patterns and memories.

This fact has generated a few problems: for a start she was increasingly drawn to Pym, a man Jan was married to for years and a bi-polar genius who has just changed his powers and identity yet again…

The presence of the Scarlet Witch soon draws her twin brother Quicksilver back into the fold, but even after defeating an attempt by Osborn’s H.A.M.M.E.R. agency to shut them down and surviving a fractious quarrel with the Fantastic Four, Pym’s Avengers are far from settled into their new role.

That might be due to the fact that the Witch is actually a subversive impostor: the team’s oldest foe pursuing a Machiavellian and deadly personal agenda…

Plotted by Dan Slott and written by Christos Gage, this all-action volume collects Mighty Avengers #27-31 (September 2009-January 2010) and opens with a history lesson from the hidden race known as Inhumans.

Illustrated by Khoi Pham & Allen Martinez, the flashback shows how current monarch Black Bolt and his cousins Medusa, Gorgon and Karnak impossibly overthrew the reigning king – the most powerful Inhuman ever born – because he overstepped his authority and stole the race’s most puissant weapon The Slave Engine.

The device was created to balance the scales should the teeming hordes of humanity ever attack the pitifully small race of outcasts but the complacent and too-soft King deemed it an abomination and hid it from his fellows.

Although defeated and banished he would not return it, and for his crime his name was stricken from all records and was forever ‘Unspoken’…

Now, uncounted years later, U.S. Agent and Quicksilver are in Tibet amidst rumours that an unknown Inhuman might be allying with unfriendly power China. Having married into Black Bolt’s family the super fast mutant instantly recognises the towering figure for who he really is and panics…

Elsewhere Pym is conducting a tour of the Avengers new HQ. The Infinite Avengers Mansion is an immeasurable trans-dimensional palace with doors that can open into anywhere…

Back in the Himalayas, U.S. Agent’s fears of a Sino/Inhuman pact are laid to rest when China’s entire metahuman military division The People’s Defense Force is deployed to attack the trespassing Unspoken… and soundly thrashed in mere moments…

Over the intervening years the dethroned, pro-human king – exiled with only a few mentally deficient, slavish Alpha Primitives for company – has suffered agonies of loneliness and is now resolved to trigger the Slave Engine and destroy humanity, whilst back at the Infinite Mansion Stature has her suspicions about Wanda confirmed when she sees the Witch intercept and delete Quicksilver’s SOS alarm call.

However before she can warn anybody the plucky teenager is mystically gagged by the gloating sorceress…

As the China crisis worsens, Stature finds a way to circumvent her handicap and invites some old Young Avenger pals to the mansion for a party, hoping the inevitable rambunctious chaos will give her an opportunity to act. The ploy works especially well since Clint Barton (former Hawkeye and current New Avenger Ronin) gatecrashes the bash and instantly attacks the woman who once killed him…

Pym meanwhile is oblivious to all mundane events. Having reconciled with FF leader Reed Richards he is embarking on an exploratory foray into Macrospace, intent on growing beyond the limits of the universe in search of new discoveries…

As Hawkeye and the Young Avengers inconceivably drive off the faux Witch in the Infinite Mansion, the battle is almost lost in the East where the Unspoken has finally unleashed his race’s ultimate weapon: a crystal compound which turns humans into Alpha Primitives…

At home, free to speak at last, Stature tells the assembled heroes of Quicksilver’s alert and they immediately deploy to Tibet…

Sean Chen, Mark Morales & Craig Yeung take over the illustration as Pym escapes the boundaries of Reality and meets the conceptual being Eternity, whilst back on Earth Jarvis calls in even more Avengers for the upcoming battle against the Unspoken.

Tragically, most of them are susceptible to the Inhumans’ mutagenic weapon and the army of heroes seems destined to fail, until Pym dramatically returns.

His conference with the personification of Universal Life proved fruitful as Eternity promoted him to the position of Earth’s Scientist Supreme. Now armed with confidence, knowledge, imagination and terrifying technology, he begins the Avengers counterattack…

Another remarkably self-contained, clear-cut and astonishingly engaging Fights ‘n’ Tights adventure, this sterling tome also offers a gallery of covers and variants by Khoi Pham, Crimelab’s Allen Martinez & John Rauch and Howard Chaykin: perfectly exemplifying all that’s great in fanciful, all-action superhero storytelling.
© 2009, 2010  Marvel Characters, Inc. All rights reserved

The New Avengers volume 1: Sentry


By Brian Michael Bendis, Steve McNiven, Mark Morales & various (Marvel)
ISBN: 978-0-7851-1672-1

During Marvel’s rebirth in the early 1960’s Stan Lee & Jack Kirby took their lead from a small but growing band of costumed characters debuting or reviving at the Distinguished Competition.

Julie Schwartz’ retooling of DC Comics’ Golden Age mystery-men had paid big dividends for the industry leader in recent years, and Editor Lee’s boss (publisher Martin Goodman) insisted that his company should get in on the act too.

Although National/DC had achieved incredible success with revised and updated versions of the company’s old stable, the natural gambit of trying the same revivification process on characters that had dominated Timely/Atlas in those halcyon days didn’t go quite so well.

The Justice League of America-inspired Fantastic Four featured a new Human Torch but his subsequent solo series began to founder almost as soon as Kirby stopped drawing it. Sub-Mariner was back too, but as a villain, as yet incapable of carrying his own title…

So a procession of new costumed heroes began, with Lee, Kirby and Steve Ditko churning out numerous inventive and inspired “super-characters”.

Not all caught on: The Hulk folded after six issues and even Spider-Man would have failed if writer/editor Lee hadn’t really, really pushed his uncle, the publisher…

Even so, after nearly 18 months during which the fledgling House of Ideas had created a small stable of leading men (but only a sidekick woman), Lee & Kirby finally had enough players to stock an “all-star” group – a format which had made the JLA a commercial winner – and assembled a handful of them into a force for justice and even higher sales…

Cover-dated September 1963, The Avengers #1 launched as part of an expansion programme which also included Sgt. Fury and his Howling Commandos and The X-Men and, despite a few rocky patches, the series soon grew into one of the company’s perennial top sellers.

However times and tastes always change and after four decades, during the latter part of 2004, the “World’s Mightiest Heroes” were shut down and rebooted in a highly publicised event known as Avengers Disassembled.

Of course it was only to replace them with both The New and The Young Avengers. Affiliated comic-books Thor, Iron Man, Spectacular Spider-Man, Captain America, and Fantastic Four ran parallel, quasi-interconnected story-arcs to accompany the Big Show.

The entire tale revealed the worst day in the team’s history as staunch Avenging veteran the Scarlet Witch was discovered to have gone crazy, attacking the team who had been her family and causing the destruction of everything they held dear.

With several members dead, Captain America and Iron Man disbanded the team and turned out the lights.

The most important development from that epic ending was The New Avengers, and this second collection gathers issues #7-10 from that celebrated revamp (covering July to September 2005) with additional fact pages culled from New Avengers: Most Wanted Handbook as scripter Brian Michael Bendis, with artists Steve McNiven & Mark Morales, further redefined the nature of group heroics for a darker, more complex century.

Following an orchestrated breakout of a lethal legion of super-villains from floating ultra penitentiary The Raft, Captain America had convinced metahuman first responders Luke Cage, S.H.I.E.L.D. agent Jessica (Spider-Woman) Drew, Spider-Man and Iron Man to join a new iteration of Avengers. On the Raft they had been assisted by Matt Murdock, (recently “outed” as Daredevil by the media) and a mystery prisoner named Bob Reynolds who nobody seemed to know anything about…

Reynolds or Sentry – the most powerful being on Earth – had in fact volunteered to be incarcerated for the murder of his own wife… who was still alive…

Tentatively united, the team – sans Bob who had vanished – rocketed to the Antarctic Savage Land (a sub-surface wonderland of cavemen, dinosaurs and even stranger things, left in splendid isolation as a UN Protectorate) to recapture Karl Lykos, who fed on mutant energy to become reptilian monster Sauron. Apparently he was the actual target of the orchestrated breakout…

The impromptu mission was an unmitigated disaster with the disparate champions marooned, mauled by dinosaurs and captured by mutant mega-genius Brainchild and his Mutates.

Lykos’ escape had been engineered by the evil experimenter, who considered humans as guinea pigs and wanted to eradicate them all. Happily the neo-Avengers’ mission overlapped with the intentions of Wolverine, who had independently resolved to end the threat of Sauron forever, no matter who got in the way…

Uneasy allies, the heroes then discovered that an apparently rogue faction of S.H.I.E.L.D. had enslaved indigenous peoples of the region, using them to mine the miracle element Vibranium.

There were even scarier discoveries to come. The mass-escape had exposed the fact that many of the criminals held on the Raft had been officially dead for years and Cap’s new recruits had to face the prospect that the Free World’s greatest peacekeeping force might be partly – or even completely – corrupt. After all they were demonstrably stockpiling super-weapons, exotic elements and even metahumans for what could not possibly be any good reason…

Volume two opens with part one of 4-chapter saga ‘The Sentry’ as Tony Stark begins a report to fellow over-achieving, high-minded individuals Reed Richards, Charles Xavier, Prince Namor, Doctor Strange and Black Bolt (later revealed as elitist heroic clandestine cabal The Illuminati) about the reformation of the Avengers and the menace of the 46 still-at-large Raft escapees. Eventually the discussion turns to the potentially world-shattering mystery of Bob Reynolds…

On Long Island, Stark’s new comrades Spider-Woman, Cage, Spider-Man and Wolverine are trying to arrest Asgardian-powered street-thug The Wrecker, whilst under the Nevada Desert Director Maria Hill leads a S.H.I.E.L.D. team trying to re-arrest the despondent, semi-catatonic Sentry who never returned after helping to quell the breakout.

She is unhappy that Iron Man and Captain America have invited themselves along, but far more upset that Reynolds seems to be completely insane; terrified of some nebulous, evil other self he calls “The Void”…

Stark has done his homework. The only references to the Sentry on the entire planet are from some old forgotten comicbooks, so he found and brought along the writer of the pamphlets and another tangentially linked individual.

The scribe doesn’t upset the cowering powerhouse nearly as much as Lindy Reynolds, the wife Bob clearly remembers killing…

Following ‘Alien Agenda’ (an extract from an old Sentry comicbook craftily scripted by Paul Jenkins and classily rendered by Sal Buscema), the mystery in the Nevada cave deepens as, confronted with conflicting truths, Bob Reynolds vanishes in a slash of energy…

An emergency meeting of the Illuminati then dredges up a disquieting fact. Even these most puissant forces for good have never heard of Sentry, but shockingly Reed’s personal computer has. As it reels off a tidal wave of records and files it becomes apparent that the mightiest minds on Earth have all been tampered with…

Soon happy suburbanite Bob wakes up on a sunny morning to discover almost every superhero in America on his front lawn and in stunned disbelief then watches them fall to the malignant power of The Void…

The heroes have not come unprepared. The first prong of their assault is a collection of record tapes Sentry made for Mr. Fantastic, detailing how he was having periodic memory lapses where he kept forgetting who he was and suppositions about the true psychic nature of The Void.

Sadly, thanks to telepath Emma Frost, all these revelations are only occurring within his mind whilst his almighty body is occupied smashing the largest assemblage of metahuman power on Earth, but it’s all merely a preamble to Reynolds psychically curing himself…

When the breakthrough finally comes and the villains behind brainwashing Sentry and mindwiping the world are exposed, the psionic backlash instantly transforms the Avengers’ monumental and far distant New York skyscraper, creating an eerie ebony Watchtower above it in the blink of an eye…

The apparently healed hero then joins the team, but only, as Stark advises his Illuminati brethren, to keep him closely monitored…

Plot-light and blockbustingly all-action, this volume also includes the 50-page New Avengers: Most Wanted Handbook, which provides information and a list of various metahuman prisons in the MU and detailed data and threat-assessment reports by the costumed champions on the Raft fugitives they missed; specifically Armadillo, Barbarus, Blackout, Blood Brothers, Brothers Grimm, Bushwacker, Carnage, Centurious, Chemistro, Constrictor, Controller, Corruptor, Count Nefaria, Crossbones, Crossfire, Crusader, Cutthroat, Deathwatch, Dr. Demonicus, Foolkiller, Graviton, Grey Gargoyle, Griffin, Hydro-Man, Jigsaw, King Kobra, Mandrill, Mentallo, Mr. Fear, Mr. Hyde, Molecule Man, Nitro, Purple Man, Rampage, Razor-Fist, Sauron, Scarecrow, Shockwave, Silver Samurai, Slug, Tiger Shark, Typhoid Mary, U-Foes, Vermin, Wrecking Crew and Zzzaxx…

With covers-&-variants by David Finch, Steve McNiven, Neal Adams, John Romita Sr., Herb Trimpe & Sal Buscema this is a deliciously plain and simple Fights ‘n’ Tights fiesta for the devoted fanbase and another terrific  jumping-on point for readers familiar with the TV animation series and movie franchises of the World’s Greatest Superheroes.
© 2005, 2006, 2011 Marvel Characters, Inc. All rights reserved.

Infinity volume 2


By Jonathan Hickman, Jim Cheung, Jerome Opeña, Dustin Weaver, Leinil Francis Yu, Mike Deodato Jr., Mark Morales, John Livesay, David Meikis, Gerry Alanguilan & various (Marvel/Panini UK)
ISBN: 978-1-84653-587-1

My reviews are always far too long (and long-winded) so go re-read the one for Infinity volume 1 before starting here…

Infinity volume 2, written throughout by Jonathan Hickman, collects the final three issues of the eponymous 6-part miniseries and the attendant interlocking appearances of the World’s Mightiest Super-Heroes from The Avengers (volume 5 #21-23) and New Avengers (#11-12) which first saw print between December 2013 and January 2014.

Big long story short: Whilst most of the Avengers are off-planet, fighting beside former alien enemies against a massive armada of primal ancient entities determined to wipe out every Earth in the multiverse, the death-loving Titan Thanos has invaded their homeworld, destructively seeking his lost son…

The chronicle of cosmic calamity recommences here – after a copious cast-list and succinct recap – with Infinity #4 (illustrated by Jerome Opeña and Dustin Weaver), as ‘The Last Lesson’ sees Captain America and Shi’ar emperor Gladiator begin their desperate ploy to liberate the Kree warriors whose guiding Supreme Intelligence has capitulated to the seemingly unbeatable Builders.

On Earth, ‘Thane’, son of Thanos, obliviously toils as a healer in the hidden Inhumans colony of Orollan, whilst in New York the struggle between Black Bolt and Thanos has caused the Inhumans’ floating city Attilan to crash onto the metropolis below. But even though the Titan is ultimately victorious ‘The Change’ provoked by the explosion of the meta-empowering Terrigen Bomb has shifted the balance of power in favour of nigh-conquered humanity. It has also transformed benevolent Thane into the very antithesis of his former self…

And on conquered Hala, Thor savagely delivers the embattled alliance’s response to the Builders’ demands: recruiting the defeated Kree back into the fold with ‘A Prayer’…

‘Emancipation’ begins in Avengers #21 (with art by Leinil Francis Yu & Gerry Alanguilan) as ‘The Promise of the Universe’ finds the newest Avenger Ex Nihilo in attendance of the still comatose Captain Universe as ‘The Second Wave’ sees a host of subdued worlds throw off the Builders’ yoke.

It is not enough and the apparently infinite resources and materiel of the invaders soon regains them the upper hand. With no other choice, the flagging allies reluctantly turn to Negative Zone overlord Annihilus who unleashes a horde of monster bugs in a voracious Annihilation Wave. It is still not enough…

In ‘The Promise Fulfilled’, when Captain Universe at last revives, the “Mother of Creation” goes directly to the Builder leaders, demanding an explanation and cessation, but her ancient children are determined to end all iterations of Earths and disavow her. As she reluctantly kills them, the last one orders all the incomprehensible trillions in their fleet to carry on and “destroy everything”…

New Avengers #11(‘Builders’ with art by Mike Deodato Jr.) finds Wakanda wavering under intensified assaults from Thanos’ Cull Obsidian, whilst Black Panther T’Challa is whisked off-planet with the rest of the clandestine Illuminati cabal by a Builder Aleph unit to observe at first hand the destruction of ‘All These Worlds’. The trip actually takes them to a different reality…

The proposed lesson in futility fails, but by appealing to the sublime rationality of their “guests” the abductors expose Dr. Strange‘s hidden parasitic controller before revealing that Earth is the axis point causing the entire multiverse to spiral towards utter extinction. Surely rational beings can accept the necessity of surgically excising a threat to all life…

Meanwhile on their Earth, Black Panther Princess Regent Shuri has been forced to retreat, leaving an arsenal of world-destroying bombs in Thanos’ hands…

Infinity #5 exposes the ‘Left Hand of Death’ (Jerome Opeña & Weaver art) as ‘Of Suns and Storms’ follows the resurgent Avengers liberating conquered worlds until word arrives that Earth has fallen to Thanos, after which ‘This Ebony Now’ switches focus to Orollan where Thane has become an uncontrollable death ray generator.

Horrified, the former healer is easily swayed by treacherous Ebony Maw who offers containment and control in return for future favours…

When Thanos is informed that his son has been located he rushes off to personally dispatch the last humiliating stain on his record, commanding his Black Order to ready the bombs to obliterate Earth even as in space the gratefully victorious Alien Alliance offers their remaining ships to the Avengers to liberate their own world ‘In the Shadows of The Giants’…

‘To the Earth…’ (Avengers #22, by Yu & Alanguilan) presages that ‘Homecoming’ as the rescue fleet attacks Thanos’ home on Titan, after which ‘Plans and Intentions’ lead to an attack on the orbital station The Peak before moving homeward with ‘A Greater Purpose’…

Avengers #23 takes up the tale ‘…To the Very End’ (Yu & Alanguilan) as, after ‘A Word from the Heavens’ with Captain America, Iron Man spearheads a mission in Wakanda to shut down the doomsday bombs, whilst the battle for The Peak goes badly until unconventional assistance arrives in ‘Homecoming’, after which Infinity #6 (Opeña & Weaver) draws the conflict to a stunning close as the scattered Terran heroes link up to confront the ‘Tyrant’ and forcibly take back the world.

However Thanos’ final fall is engineered by his most hated enemy before the ‘Epilogue’ details how the bloody, battered and unbowed Avengers with the aid of their grateful alien Allies begin a period of reconstruction and preparation for whatever comes next.

New Avengers #12 (Deodato Jr.) brings the epic to close as ‘Endgame’ concentrates on the futures of the individual Illuminati and the planet they arrogantly shepherd.

As their extra-dimensional captive oracle Black Swan is swift to point out, since the smartest minds on Earth were all but useless in predicting, forestalling or coping with mere Builders, what happens when the being and forces they fear come looking for humanity?

A bombastic, big budget blockbuster meant to shock and awe (even if not always make sense), this is comics as sheer spectacle and works exceedingly well as such, but might intimidate or confuse those with a less than passionate affinity for costumes and carnage.

This closing chronicle also offers a gallery of 28 stunning covers-and-variants by Adam Kubert, Deodato Jr., Laura Martin, Yu, In-Hyuk Lee, Ryan Stegman, Skottie Young, Opeña, Sara Pichelli, Terry & Rachel Dodson, Leonel Castellani, and Daniel Acuña plus more digitally added-content (trailers, character bios, creator video commentaries, behind-the-scenes features etc.) for consumers able to access the embedded AR icons’ with the Marvel Comics app for iPhone®, iPad®, iPad Touch® & Android devices.
™ & © 2013 and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Infinity volume 1


By Jonathan Hickman, Jim Cheung, Jerome Opeña, Dustin Weaver, Leinil Francis Yu, Mike Deodato Jr., Mark Morales, John Livesay, David Meikis, Gerry Alanguilan & various (Marvel/Panini UK)
ISBN: 978-1-84653-566-6

In the aftermath of the blockbuster Avengers versus X-Men publishing event, the company-wide reboot MarvelNOW! reformed the entire overarching continuity: a drastic reshuffle and rethink of characters, concepts and brands with an eye to winning new readers and feeding the company’s burgeoning movie blockbuster machine…

Moreover all the disparate story strands were slowly building and combining to kick off the Next Big Thing with the cosmically revamped Avengers titles forming the spine of an encroaching mega-epic.

The intergalactic Hammer of Doom finally fell as a two-pronged all-out attack which saw an impossibly ancient threat materialise to wipe out life in the cosmos whilst Earth itself was targeted by an old enemy with a long memory and monstrous agenda…

The culmination of the ever-unfolding pan-galactic saga is written by Jonathan Hickman, with the first half collected in Infinity volume I: re-presenting the first three issues of the eponymous miniseries plus interlocking issues of The Avengers (volume 5 #18-20) and New Avengers (#9-10) – spanning October and November 2013.

What Came Before: In recent Avengers episodes an impossibly ancient trio of galactic “Gardeners” – robotic Aleph, seductive Abyss and passionate Ex Nihilo – attempted to remake Earth into something special. To that end they bombarded the world with “Origin bombs”, seeding locations with bizarre, exotic and uncompromising new life-forms.

When the Avengers went after the perpetrators, the invaders claimed to have been tasked by The Builders, first species in creation, and their Mother of the Universe to test and, whenever necessary, eradicate, recreate and replace life on all worlds. Although the World’s Mightiest Heroes defeated the intruders and set about mitigating the effects of the O-bombs on Earth, it seemed increasingly futile as global threats seemingly multiplied without surcease.

Evidence also indicated that the very structure and celestial mechanics of the multiverse were catastrophically unravelling.

And then rumours began of an incredible alien armada heading directly for Earth…

It all starts here with the miniseries’ first issue as ‘Infinity’ (illustrated by Jim Cheung, Mark Morales, John Livesay & David Meikis) focuses on Saturnian moon Titan where death-driven despot Thanos dispatches his monstrous Outrider to demand ‘The Tribute’ from another newly enslaved world in his growing interstellar empire.

Some of the Dark Lord’s most effective agents are already on Earth, stalking the planet’s greatest champions and ‘Constructing Apocalypse’…

Sixty thousand light-years away an even bigger threat is mopping up the puissant Space Knights of Galador. Various varieties of Builders – of the same ancient order that spawned Aleph, Abyss and Ex Nihilo – have razed the planet whilst unearthly new Avenger Captain Universe (whom the Gardeners call “Mother”) can only look on with despair as her wayward children destroy another world tainted by contact with Earth…

‘Orbital’ finds Captain America and Hawkeye cleaning out a nest of Skrulls in Palermo, but these invaders are far from the arrogant, treacherous warriors they’re accustomed to. The shapeshifters are scared, cowering refugees, fleeing and hiding from something incomprehensibly bad…

‘What was Hidden, Now Uncovered’ then focuses on the Inhumans‘ floating city Attilan, currently parked above Manhattan, where Outrider prepares to extract secrets from the brain of slumbering monarch Black Bolt. Even as the supremely powerful Inhuman foils the ghastly intrusion, the Avengers have regrouped following Captain Universe’s return with warnings of an oncoming impossibly vast Builder Armada. It merely confirms what Earth’s deep space monitoring already shows: The fleet is bearing directly on Earth and any race or empire in the way is summarily destroyed as the invaders move ever closer.

The once unbeatable Kree are only the latest to fall…

When a distress call arrives from the rulers of the Galactic Council representing Kree, Skrulls, Badoon, Spartax, Brood and Shi’ar, the Avengers are soon ‘Outbound’, resolved to stop the fleet long before it reaches Earth.

Severely wounded, Outrider returns to Titan to inform Thanos that the thing he seeks most in the universe has been hidden on Earth by Black Bolt, prompting an invasion by the Titan’s own fleet long before the Builders can arrive. Moreover, almost all the planet’s infernal metahuman champions have left for Kree space…

The tale continues as ‘Worlds Rise’ in Avengers #18 (‘Avengers Universe 1’ with art by Leinil Francis Yu & Gerry Alanguilan) as the hard-pressed leaders of the Council convene a frantic war cabinet and consider unleashing the Negative Zone hordes of former foe Annihilus to bolster the welcome – if humiliating – aid of the Earth heroes. The result is seen in ‘Fall into Singularity’ wherein the massed fleets of the embattled species engage the Builder Armada and are utterly routed…

‘The Stones, Shattered’, New Avengers #9, then introduces Thanos’ deadly subordinates ‘The Cull Obsidian’ (art by Mike Deodato Jr.). As Titanian forces sweep Earth seeking a reality-shaping Infinity Gem, pockets of desperate resistance – Reed (Mr. Fantastic) Richards and Iron Man in America, both Black Panthers of futuristic African nation Wakanda and Wolverine‘s X-Men in Westchester – battle on.

In Atlantis, however, Namor the Sub-Mariner surrenders to the sinister Proxima Midnight whilst Sorcerer Supreme Dr. Strange is corrupted and conquered by the Ebony Maw – the most personally ambitious of Thanos’ lieutenants…

In Africa, hope swells as the twinned Panthers route the colossal Black Dwarf and his legions, but when T’Challa is summoned to an emergency meeting of The Illuminati (a clandestine cabal of Earth’s intellectual and factional powerhouses working to guide and dictate the future of the world: current membership comprising Black Bolt, Namor, Iron Man, Doctor Strange, Reed Richards, Hank “the Beast” McCoy and T’Challa) the victory sours…

Following a fact page on The Black Order or Cull Obsidian (revealing all you need to know about Corvus Glaive, Proxima Midnight, Black Dwarf, Supergiant and the Ebony Maw), the epic resumes with Infinity #2 ‘Fall’ (illustrated by Opeña & Weaver), as ‘From Titan, the Horde’ invade The Peak: Earth’s orbital defence outpost, run by Abigail Brand, Director of the Sentient World Observation & Response Department (a sidebar story resolved in Guardians of the Galaxy volume 2: Angela).

Meanwhile ‘The Gauntlet’ sees Corvus Glaive occupy Attilan, requesting a secret that Black Bolt refuses to share and demanding a show of tribute: the lives of all Inhumans between 16 and 22 years old…

The silent monarch has other ideas: dangerous notions involving his greatest foe and brother Maximus the Mad…

In deep space ‘A War in the Heavens’ has left the Avengers broken and scattered amongst the survivors of the Galactic alliance forces. Captain America, Spider-Woman, Hulk, Hyperion, Smasher and Thor join Shi’ar emperor Gladiator in destroying advance Builder scouts but still don’t trust Ex Nihilo enough to employ his power against his progenitors.

That changes when the Gardener sees his ancestral life-generating brethren employed as mobile bio-weapons on a Shi’ar agri-world and with outrage realises that his former masters have all gone crazy…

On Earth ‘A Convenient Lie’ at last reveals Thanos’ true motivation when Black Bolt informs the rest of the Illuminati that the Titan is devastating Earth in search of a lost son…

‘Binary Collapse’ opens Avengers #19 (‘Building Towards Collapse’ with art by Yu), wherein another Avengers squad – Carol “Captain Marvel” Danvers, Hawkeye, Sunspot and Cannonball endure capture and inquisition at the hands of a sinister Ex Nihila, whilst ‘Behemoth’ follows Manifold, Shang-Chi and Spider-Woman as they minister to the wounded on a malfunctioning ring-world.

Captain America and Thor in the meantime strive to convince the quarrelling leaders of the Council to let them take charge of the fight-back before ‘All These Things we’ve Made’ reveals that at least one of the alien overlords is callously and covertly suing for peace with the Builders…

It’s a fool’s errand and the invaders use the embassage to target a shattering attack against the Council’s concealed location…

On Earth New Avengers #10 reveals ‘The Thanos Seed’ (Deodato Jr. art) as Black Bolt explains to the Illuminati how the death-obsessed Thanos has been scouring the universe in search of the children he sired in his earlier, wilder days; now determined to eradicate every vestige of life he has ever spawned.

One such – born to an Inhuman mother – has been reared in the isolation of a lost colony of the genetically disparate secret race…

‘Favor and Disfavor’ focuses on the Titan’s typically unforgiving response to Black Dwarf’s failure in Wakanda before the Illuminati begin ‘The Hunt’ for the missing son, all unaware that Stephen Strange is a slave to the will of the Ebony Maw…

‘Submit or Perish’ opens Infinity #3 (‘Kingdoms Fall’ illustrated by Opeña & Weaver) with a chilling list of familiar species who have capitulated to the Builders with Ronan of the Kree deeply regretting that his own leader The Supreme Intelligence has just joined that growing list. As the Council fractures into self-serving disunity, Captain America rallies the panicking rulers with a cruel and cunning plan…

It begins on Kree homeworld Hala a day later, where warlord Ronan surrenders his forces to a Builder. At that moment a suicide attack on the victor’s fleet distracts all attention, allowing commandos to take and destroy the invaders’ squadron of gigantic planet-razing super-dreadnought ‘World Killers’ …

With the tide humiliatingly turned the Builder fleet divides, with the main portion heading onwards to Earth whilst a full third remains to eradicate the resistance, unaware that the ploy within a ploy has served to free all the captive Avengers and unleash the unstoppable force of Ex Nihilo’s greatest Terran triumph – overwhelming human planetary defence system Kevin Connor… the Starbrand…

On Earth, metahuman resistance to the Cull Obsidian’s armies mounts, and when Thanos personally attacks Black Bolt the Inhuman triggers ‘What Maximus Built’, drenching the planet in the genetically transformative Terrigen Mists and creating whole new armies of incredibly empowered super-warriors…

This initial volume concludes with ‘The Words of a Gardener’ (Avengers #20, by Yu) as the liberated Avengers are met by Ex Nihila with ‘The Offer’.

Over-matched and with Hala still in Builder hands, Shi’ar, Skrull and Avenger strategists ponder ‘The Edge of Annihilation’ and consider unleashing their Negative Zone ace in the hole, whilst elsewhere ‘Without Judges we are Lost’ sees Ex Nihilo and Abyss surprised as all the Builders’ Gardener sub-class plead to be allowed to switch sides and battle their deranged masters…

But above Hala, Captain America – after considering all the angles in ‘One Man Kneels’ – offers the Allies’ complete surrender to the Builder in residence…

To Be Continued…

A true blockbuster event filled with ferocious action and bewildering plot back-&-forth, there’s a daunting amount of continuity to ignore here, but for tried-and-true cosmic comics lovers and doom-drenched Costumed Dramas fans the effort is certainly worth it.

This titanic tome also offers a gallery of 37 stunning covers-and-variants by Adam Kubert, Deodato Jr., Laura Martin, Yu, Art Adams, Mark Brooks, Shane Davis, Marko Djurdjevic, In-Hyuk Lee, Phil Jimenez, Ron Lim, Alexander Maleev, Humberto Ramos, Skottie Young, Opeña, Steve McNiven, Simone Bianchi, Leonel Castellani, Daniel Acuña and John Cassaday and a wealth of extra content – trailers, character bios, creator video commentaries, behind the scenes features and more – for those consumers au fait with the AR icons accessed via a free digital code and the Marvel Comics app for iPhone®, iPad®, iPad Touch® & Android devices at Marvel’s Digital Comics Shop.
™ & © 2013 and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Avengers volume 3: Infinity Prelude


By Jonathan Hickman, Nick Spencer, Mike Deodato Jr., Stefano Caselli, Marco Rudy, Marco Checchetto, Frank Martin & Edgar Delgado & various (Marvel/Panini UK)
ISBN: 978-1-84653-565-9

In the aftermath of the blockbuster Avengers versus X-Men publishing event, the total reboot MarvelNOW! reformed the entire overarching continuity: a drastic reshuffle and rethink of characters, concepts and brands with an eye to winning new readers and feeding the company’s burgeoning movie blockbuster machine…

This core title of the vast Avengers franchise (which can include Uncanny Avengers, Avengers Arena, New Avengers, Secret Avengers, Young Avengers, and more) conceptually links the many series and stars together, and here resumes an extended storyline which began when an incredibly ancient trio of “Gardeners” – robotic Aleph, seductive Abyss and passionate Ex Nihilo – turned Mars into the staging post for their latest project: remaking Earth into a worthy perfect world.

To attain their ends they bombarded the third rock from the sun with bio-mutational “Origin Bombs”: seeding specific locations with new, exotic and deadly life-forms. When the Avengers went after the perpetrators, the infinitely antediluvian invaders claimed to have been tasked by the first species in creation and “The Mother” (of the entire universe) to test and, whenever necessary, eradicate, recreate and replace life on other worlds.

For Earth their keystone project was growing a new form of man: a prototype Adam to supersede humanity…

The Avengers defeated them, at the second time of trying, with an expansion team comprising Wolverine, Spider-Man, Falcon, Spider-Woman, Shang-Chi, Captain Marvel, former X-mutants Cannonball and Sunspot, teleporter/reality shaper Eden Fesi (AKA Manifold), pan-dimensional superman Hyperion, cosmic crusader Captain Universe and alien mystery-woman Smasher augmenting seasoned regulars Iron Man, Thor, Hulk, Hawkeye and Black Widow.

Although thwarted, Ex Nihilo and Abyss remained on Mars after the heroes took custody of their modern Prometheus. Tony Stark set out to understand the being left in the Avengers’ care and cracked the enigma of the strange creature – now calling himself Nightmask – who predicted an imminent end to everything and the advent of another extinction-level threat…

Elsewhere, as the aliens’ bio-attacks radically transformed and evolved flora, fauna and geography at six separate strike-sites – demanding constant attention from both superheroes and S.H.I.E.L.D. – obscure elements of the Infinite aligned, with Nightmask and Captain Universe simultaneously becoming aware of a shattering “White Event”…

Reality is composed of discrete universes all held apart by an infinite crimson underspace dubbed the Superflow. Here and now that immemorial barrier was somehow fragmenting, as the timeless alien engineers who maintained it stood by, helpless…

White Events herald the ascension of a universe. Normally the cosmic process throws up Nightmask as herald, and creates a Justice, a Cipher, occasionally a Spitfire and invariably, a being of infinite power: a Starbrand. This last now happens on Earth, but in our universe the entire machinery of the multiverse has been broken…

Iron Man leads a team to a smoking, five-mile wide crater and finds traumatised teen Kevin Connor at the centre of devastation , singled out by celestial source-code and now wielding the power of a living planetary defence system…

As the confrontation devolves into catastrophic combat, Connor easily thrashes the assembled Avengers before Nightmask intervenes, arbitrarily transporting the Starbrand to Mars where Abyss and Ex Nihilo are waiting…

There Kevin learns how, after millennia of world “improvements”, utterly bored Ex Nihilo tweaked his eternal brief and did something a little different with the Origin Bombs dropped on Earth. The alien had no prior idea what results his meddling might achieve, but after billions of years and missions, at least it would be different…

Teleporting back to Earth with only the best of intentions, Connor and Adam assist the Avengers in dealing with O-Bomb biological fallout in Croatia and Saskatchewan, blithely unaware that when the mutagenic hard rain first fell there were in fact seven strikes…

In the wilds of Norway, ruthless techno-terrorists of Advanced Idea Mechanics successfully harvested the horrific result of that unnoticed Origin-strike and soon their unwise meddling will yield catastrophic results…

Collecting Avengers volume 5 #12-17 (cover-dated July-October 2013), the ongoing Big Picture series continues to set the scene for the time and space-bending crossover event Infinity. Written by Hickman and Nick Spenser, with art by Mike Deodato Jr. & Frank Martin, the breathtaking saga begins anew in ‘Evolve’ as the Avengers visit the Antarctic Savage Land strike and discover a band of fast-growing androgynous humanoid children. Happily the results of this O-strike are apparently benign and the weary heroes resolve to teach the bizarre foundlings how to live in their dinosaur paradise.

A curriculum is hard to agree upon: Thor, Hyperion, Iron Man, Spider-Woman, Hawkeye and especially Spider-Man (increasingly exhibiting the harsh, uncompromising character of Otto Octavius: see Superior Spider-Man) have very different ideas of what the kids need.

It’s certainly not basic survival skills: each child is a living power battery, not requiring sleep, food, respiration or fuel of any discernible nature…

They do respond to attention and are eager to interact, however; accepting each lesson with equanimity. They also have a strange affinity with Captain Universe, who has begun identifying herself as “The Mother”…

Lulled into an air of laxity, the heroes are caught off-guard when a wave of monstrous genetic amalgams attack, allowing an old adversary to abduct some of the incredible waifs for his own experimental program.

Only the unexpected intervention of SavageLand demi-deity Garrock, the Petrified Man allows the heroes to find the compulsively meddling High Evolutionary, disassemble his monumental Terminus robot and free the kids in the concluding ‘Strong’…

The prologue to Infinity then begins with ‘The Signal’ (illustrated by Stefano Caselli) as the remaining pockets of new life are identified as parts of a colossal cosmic mechanism. The O-bomb creatures in India and Australia both construct inexplicable beacons and beam out a message declaring “World Terminal”, whilst back in civilisation Bruce Banner sets his prodigious intellect to solving a global crisis but can find no solution.

Every six minutes, all electro-mechanical activity on Earth shuts down: electrical grids black out, nuclear power plants melt down, automatic weapons systems – such as nuclear arsenals – trigger and every plane or satellite above humanity’s heads becomes an inert, downward-plunging projectile. With all the heroes desperately deployed to offset catastrophe and perform damage control, Banner at last ascertains that the all Origin-bomb sites are components of a massive biological beacon for transmitting a message deep into space…

The call sent, the multi-faced giants spawned in India mysteriously teleport to Australia, joining huge bugs ravaging Perth, with a contingent of Avengers frantically striving to contain them as Banner searches for a still-missing part of the puzzle.

That piece is currently emerging on A.I.M. Island. The robotic horror foolishly and hubristically nurtured by the techno-terrorists responds to the activated cosmic beacon, mercilessly devastating the warrior scientists even as the Avengers at last triumph down under in ‘Sent and Received’.

As the champions take stock, Captain Universe brings Manifold to another galaxy to witness the Beginning of the End…

Far above Earth, Nightmask conscientiously schools Kevin in the subtle uses of the Starbrand as billions of light-years away on Galador, an alien scout ravages the invincible homeworld of the Space Knights. Meanwhile the thing from A.I.M. Island has fulfilled its role as protector of the signalling system, crushing the Avengers ‘To the End’…

This action-heavy, portentous collection concludes with ‘…To the Light’ as A.I.M. chief Superia attempts to regain control of her alien terror toy. As she subsequently prepares to murder the assorted unconscious and wounded Avengers fortuitously left lying around, Manifold blinks back in and savagely stops the would-be killers.

It’s almost an afterthought: he’s come back with terrifying intel and a message from The Mother…

To have even the slightest chance of surviving what’s coming, the team will need to convince Abyss and Ex Nilhilo to join the Avengers…

To Be Continued…

Utter Fights ‘n’ Tights overload that will delight fans of doom-drenched Costumed Dramas, this tome also offers a stunning covers-and-variants gallery by Francis Leinil Yu, Sunny Gho & Daniel Acuña and digitally-diverting extra content – trailers, character bios, creator video commentaries, behind the scenes features and more – for tech-savvy consumers courtesy of AR icon sections all accessible through a free digital code and the Marvel Comics app for iPhone®, iPad®, iPad Touch® & Android devices at Marvel’s Digital Comics Shop.

™ and © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

The New Avengers volume 1: Breakout


By Brian Michael Bendis, David Finch & various (Marvel)
ISBN: 978-0-7851-1479-6

During the Marvel rebirth in the early 1960’s Stan Lee & Jack Kirby aped a tactic which had recently paid big dividends for DC Comics, but with initially mixed results.

Although Julie Schwartz had achieved incredible success with revised and modernised versions of the company’s Golden Age greats, the natural gambit of trying the same revivification process on characters that had dominated Timely/Atlas in those halcyon days didn’t go quite so well.

The Justice League of America-inspired Fantastic Four featured a new Human Torch but his subsequent solo series began to founder almost as soon as Kirby stopped drawing it. Sub-Mariner was back too, but as a villain, as yet incapable of carrying his own title…

So the costumed character procession continued: Lee, Kirby and Steve Ditko churning out numerous inventive and inspired “super-characters”. Not all caught on: Hulk lost his title after six issues and even Spider-Man would have failed if writer/editor Lee hadn’t really, really pushed his uncle, the publisher…

Thus, after nearly 18 months during which the fledgling House of Ideas had created a small stable of leading men (but only a sidekick woman), Lee & Kirby settled on combining their meagre stock of individual stars into a group – which had made the JLA a commercial winner – and assembled a handful of them into a force for justice and even higher sales…

Cover-dated September 1963, The Avengers #1 launched as part of an expansion package which also included Sgt. Fury and his Howling Commandos and The X-Men…

Despite a few rocky patches, the series soon grew into one of the company’s perennial top sellers, but times and tastes always change and after four decades, in September to December 2004, the “World’s Mightiest Heroes” were shut down and rebooted in a highly publicised event known as Avengers Disassembled.

Of course it was only to replace them with both The New and The Young Avengers. Affiliated comic-books Thor, Iron Man, Captain America, Fantastic Four and Spectacular Spider-Man also ran parallel but not necessarily interconnected story-arcs to accompany the Big Show.

Said Show consisted of the worst day in the team’s history as the Scarlet Witch was revealed to have gone crazy, betraying the team who had been her family and causing the destruction of everything they held dear and the death of several members. That all happened in issues #500-503, plus the one-shot Avengers Finale.

The most important major change from that epic ending was The New Avengers, and this slim tome collects the first six issues from that celebrated revamp (covering January to June 2005) as Brian Michael Bendis and David Finch – with inking assistance from Danny Miki, Mark Morales, Allen Martinez & Victor Olazaba – redefined the nature of group heroics for a darker, more complex age.

The six-chapter saga ‘Breakout’ begins six months after the day Tony Stark shut down the Avengers and withdrew all funds, backing and support…

Somewhere in the city a shadowy client hires super-villain Electro to facilitate the escape of a certain individual from the metahuman super High Security prison The Raft.

The lock-up is located on an island in New York City Harbour: a high-tech exemplar of space-age confinement, keeping hundreds of super-thugs and deadly monsters safely away from decent folks, all efficiently operated and maintained by superspy peacekeeping agency S.H.I.E.L.D.

One particular day, lawyers Foggy Nelson and his partner Matt (Daredevil) Murdock are visiting a mystery prisoner at the behest of Reed Richards of the Fantastic Four. In accordance with security protocols they are accompanied by S.H.I.E.L.D. super-agent Jessica Drew – formerly costumed crusader Spider-Woman – but have also brought their own metahuman bodyguard in the formidable form of Luke Cage AKA Power Man.

They picked the worst possible day. As a city-wide sudden power blackout disables the technologies suppressing the powers of the inmates, Electro’s attack shatters the walls and, having secured his target, the mega-volt mercenary opens all the cells and tells the exultant escapees to have fun whilst he flees…

At the first sign of trouble Peter Parker switched to Spider-Man and headed for The Raft, snagging a ride on an official helicopter. When it is shot down, he is pulled from the freezing waters by Captain America who had diverted the chopper to get to the endangered island…

Far below the surface level, Agent Drew has shepherded her charges to relative safety, leaving Foggy in the cell of the man they’d come to interview. Bob Reynolds, a superhero known as Sentry, is the most powerful being on Earth and has allowed himself to be incarcerated for the murder of his own wife…

As Nelson tries to break through to the shell-shocked, nigh-comatose superhuman, Drew, Cage and Daredevil are engaging in a brutal holding action against an army of enraged psychos, whilst at the surface level Spidey and Cap are fighting for their lives.

Things go bad when the web-spinner’s arm is broken, whilst down in Sentry’s cell the sadistic metamorph Carnage finds a way to reach the cowering Foggy…

The inevitable bloodbath rouses Sentry from his stupor and the Golden Gladiator explodes out of the Raft, carrying Carnage to his doom in deep space, whilst on the surface level Iron Man’s blockbusting arrival begins to turn the tide against the army of maniacs…

The third chapter opens with Stark and Steve Rogers discussing the recently pacified penitentiary and the obvious need for the Avengers to reform. Captain America’s urgent belief that it was fate calling a new team together nearly sways the arch-rationalist – as does the fact that forty-two of the worst malefactors managed to get away in the chaos – but Iron Man remains uncommitted until Cap can get some – or any – of the staunch loners they fought beside to join the proposed New Avengers team…

Always undaunted, the Star-Spangled Avenger starts talking and soon Spider-Woman, Cage and Spider-Man are aboard. Daredevil again declines to join any group and the enigmatic Sentry just goes back to his cell…

Captain America even convinces S.H.I.E.L.D. to rehire the immediately cashiered Jessica as liaison between the agency and Avengers – although current Director Maria Hill is hostile to both her and the formation of a new team. Little do any of them know that Spider-Woman’s loyalties divide not two ways, but three…

The first order of business is to find Electro and discover who he was specifically after. The trail leads to Boston, another blistering battle but no joy, forcing Drew to try radical tactics on the remaining, re-incarcerated super-freaks in an attempt to divine the identity of the cause of all their problems.

Soon the rag-tag band are rocketing to the Savage Land – a sub-surface wonderland of cavemen, dinosaurs and other strange creatures left in splendid isolation as a UN Protectorate – to recapture Karl Lykos, a man who feeds on mutant energy to become the reptilian monster Sauron…

The excursion is a disaster: they are marooned, attacked by giant lizards and captured by mega-genius Brainchild and his band of Mutates. Lykos’ escape had been engineered by the ruthless experimenter, who still considers humans as guinea pigs and seems intent on eradicating mankind, but the proto-Avengers’ biggest problem is a former ally.

Wolverine has also tracked the fugitive to the Antarctic paradise and intends to end the threat of Sauron forever… no matter who gets in the way…

He is just too late and the great reptile is reborn. However, during the subsequent battle the heroes uncover an even greater horror. Global good guys S.H.I.E.L.D. have apparently enslaved the indigenous people of the region and are using them to mine alien wonder element Vibranium.

Unfortunately, the secret is guarded by ultra-operative Yelena Belova, the new Black Widow and she is quite prepared to destroy them – and the entire installation – to preserve the secret…

In the appalling aftermath the astounded Avengers make more ghastly discoveries. The Raft breakout also exposed the fact that many of the criminals held there had been reported dead for years and the new team – which now includes Wolverine – have to face the prospect that the Free World’s greatest peacekeeping force may be partly (or wholly) corrupt: stockpiling deadly elements, super-weapons and even metahumans for what cannot possibly be any good reason…

Shaken and betrayed, The New Avengers resolve to find out why, whatever the cost…

Smart, bombastic and laced with tension and brilliant hilarity, this was – and remains – a superb moment of innovation and bold thinking that truly revitalised a moribund concept, With covers-&-variants by Finch, Miki & Frank D’Armata, Steve McNiven, Joe Quesada,. Trevor Hairsine, Olivier Coipel, Jim Cheung, Richard Isanove, Adi Granov and Bryan Hitch, this is a grand jumping-on point for readers who love Fights ‘n’ Tights Fiction and fans familiar with either the TV animation series or movie blockbuster iterations of the World’s Greatest Superheroes.
© 2004 and 2006 Marvel Characters, Inc. All rights reserved.

Dark Avengers: Molecule Man


By Brian Michael Bendis, Mike Deodato, Rain Beredo & Greg Horn (Marvel)
ISBN: 978-0-7851-3854-9
One of the most momentous events in Marvel Comics history occurred in 1963 when a disparate array of freshly minted individual heroes banded together to stop the Incredible Hulk. The Mighty Avengers combined most of the company’s fledgling superhero line in one bright, shiny and highly commercial package, and over the years the roster has waxed and waned until almost every character in their universe – and even some from others – has at some time numbered amongst their serried ranks.

After years of valiant, if often controversial service to humanity, when the draconian Federal initiative known as Superhuman Registration Act led to Civil War between costumed heroes, Tony Stark AKA Iron Man was appointed the American government’s Security Czar – the “top cop” in sole charge of a beleaguered nation’s defence and freedom: Director of high-tech enforcement agency S.H.I.E.L.D. and last word in all matters involving metahumans and the USA’s vast costumed community…

Stark’s mismanagement of various crises led to the arrest and assassination of Captain America and an unimaginable escalation of global tension and destruction, culminating in an almost-successful Secret Invasion by shape-shifting alien Skrulls.

Discredited and ostracised, Stark was replaced by apparently rehabilitated and recovering schizophrenic Norman Osborn (the original Green Goblin), who assumed full control of the USA’s covert agencies and military resources, disbanded S.H.I.E.L.D. and placed the nation under the aegis of his own new organisation H.A.M.M.E.R.

The erstwhile Spider-Man villain had begun his climb back to respectability after taking charge of the Government’s Thunderbolts Project; a penal program which offered a second chance to super-criminals who volunteered to undertake Federally-sanctioned missions…

Not content with commanding legitimate political and personal power, Osborn also secretly conspired with a coalition of major menacing masterminds to divvy up the world between them. The Cabal was a Star Chamber of super-villains all working towards a mutually beneficial goal, but such egomaniacal personalities could never play well together and cracks soon began to show, both in the criminal conspiracy and Osborn himself.

As another strand of his long-term plan, the Homeland Security overlord subsequently sacked the Avengers and formed his own, more manageable team consisting of replacements and outright impostors…

Constantly courting public opinion, Osborn launched his Avengers whilst systematically building up a new, personally loyal high-tech paramilitary rapid-response force. Moreover, seemingly to keep himself honest, he hired ex-S.H.I.E.L.D. hardliner Victoria Hand as his Deputy Director, tasked with watching the recovering madman for any signs of regression into criminal insanity…

His second-in-command was also occupied with the day-to-day running of the organisation whilst he concentrated on keeping Greek War-God Ares, mentally-disturbed superman Sentry and altruistic, dimensionally displaced alien Noh-Var – now dubbed Captain Marvel – unaware of his true intentions.

His other recruits were content with the sweet perks and devious deals on offer. Bullseye, Moonstone, Venom and Wolverine‘s psychotic son Daken Akihiro happily counterfeited Hawkeye, Ms. Marvel, Spider-Man and the irascible mutant Avenging X-Man, especially as Osborn had confiscated and repurposed Tony Stark’s greatest inventions into his own suit of super-armour, retooled and finished to invoke impressions of both Captain America and the Golden ex-Avenger. Iron Patriot was always at the forefront of his hand-picked team, leading from the front as a true American hero should…

Collecting issues #9-12 (December 2009-March 2010) of the controversial Dark Avengers series scripted by Brian Michael Bendis and illustrated by Mike Deodato & colourist Rain Beredo, this volume begins to catalogue the cracks in the façade.

As Osborn starts to become unglued, the God of War takes a personal day and follows his son Alexander.

Nick Fury, driven by duty, fuelled by suspicion and powered by a serum which kept him vital far beyond his years, didn’t go away when S.H.I.E.L.D. was shut down. He just went deep undercover and continued doing what he’d always done – saving the world, one battle at a time. From an unassailable, unsuspected vantage point Fury picked his battles and slowly gathered assets and resources he’d personally vetted or built…

The indomitable freedom fighter had always known that to do the job properly he needed his own trustworthy forces and no political constraints. To this end he had long endeavoured to clandestinely stockpile his own formidable team, which included a crack squad of super-human operatives: Yo Yo Rodriguez AKA Slingshot, Sebastian Druid, Jerry “Stonewall” Sledge, J.T. “Hellfire” James and Daisy Johnson, codenamed Quake, and the terrifyingly volatile Alexander: a 12-year old boy of incredible power.

The child Phobos was destined to become a true god – the personification of Fear – but until then his daily-developing divine gifts were Fury’s to use…

Now Ares tracks his delinquent child to the lair of his commanding officer’s most dangerous enemy. Instead of all-out combat, however, the confrontation with Fury leads to a shaky détente and an improbable deal…

The main part of this volume then deals with the faux team’s most perilous challenge, as a string of uncanny disappearances in back-of-beyond hamlet Dinosaur, Colorado ties in with Osborn’s desire to keep his bored and dangerous team occupied.

However when the more-than-godlike Sentry is apparently vaporised, the grand schemer realises the magnitude of the unidentified menace and mobilises his entire organisation.

But as his team approach ground zero and the still unknown foe, each is whisked into a personalised hell (illustrated in painted sections by Greg Horn) wherein impossibly overwhelming Molecule Man Owen Reece sits in judgement and metes out appalling punishments on the interlopers who have desecrated his private paradise and playground…

With only Victoria Hand left the situation looks dire, but the former S.H.I.E.L.D. bean-counter undertakes a brilliant last-ditch stratagem which delays events long enough for Sentry to somehow reassemble himself and battle the most powerful creature in existence to a standstill…

Not even Sentry himself realised just how strong he truly was, and as that terrifying fact sinks in Osborn continues to mentally unravel – even as his erstwhile Cabal ally Loki attacks…

To Be Concluded…

This portentous, doom-drenched psycho-drama builds breathtaking suspense whilst delivering blistering action in a slowly-intensifying progression as part of the “Dark Reign” company-wide crossover which impacted upon the entire Marvel Universe, yet besides being a component of an overarching epic, still holds together effectively as an entertaining one-off read for casual Fights ‘n’ Tights fans…

Also included to enhance the appeal are a cover gallery by Deodato & Beredo, a wealth of Characters Designs and unused material, a 4-page article on the Cover Process, Norman’s Dream Sketchbook by Greg Land and an information feature on Molecule Man taken from the Marvel Universe Handbook.

Although definitely not a book for younger fans, this is another striking saga from author Bendis, packed with intrigue and action, magnificently illustrated and offering an engaging peek at the sinister side of superheroics and the deadly downside of good intentions.
© 2009 and 2010 Marvel Characters, Inc. All Rights Reserved.

Essential Avengers volume 7


By Steve Englehart, Gerry Conway, Jim Shooter, George Pérez, Don Heck, Dave Cockrum, Rich Buckler, John Buscema, Sal Buscema, George Tuska & various (Marvel)
ISBN: 978-0-7851-4453-3

The Avengers always proved that putting all one’s star eggs in a single basket pays off big-time: even when Marvel’s major players like Thor, Captain America and Iron Man are absent, it simply allows the team’s lesser lights and continuity players to shine more brightly.

Although the founding stars were regularly featured due to the rotating, open door policy, the human-scale narrative drivers were the regulars without titles of their own and whose eventful lives played out only within these stories and no others.

This monumental seventh monochrome tome, collecting the ever-amazing Avengers‘ extraordinary exploits from issues #140-163 of their monthly comicbook (spanning November 1975-September 1975), also includes material from Avengers Annual #6 plus a crossover appearance from Super-Villain Team-Up #9.

This era saw revered and multi-award winning scripter Steve Englehart surrender the writing reins to Gerry Conway during a period of painful recurring deadline problems – before neophyte wunderkind Jim Shooter came aboard to stabilise and reshape the cosmology and history of the Marvel Universe through the adventures of the Earth’s Mightiest Heroes…

Opening this epochal tome is ‘The Phantom Empire!’ (Avengers #141, by Englehart, George Pérez & Vince Colletta), which began another complex, multi-layered epic combining superheroic Sturm und Drang with searing – for 1975, at least – political commentary.

It all began when new member The Beast was ambushed by mercenaries from corporate behemoth Roxxon Oil.

He was saved by ex-Avenger Captain America who had been investigating the company on a related case and, after comparing notes, realised something very big and very bad was going on…

Linking up with Thor, Iron Man, other trainee Moondragon and the newly returned newlyweds Vision and Scarlet Witch, the pair learned of another crisis building as Hawkeye had gone missing, probably captured by time tyrant Kang the Conqueror…

Just as the Assemblage was agreeing to split into teams, former child model Patsy Walker-Baxter (star of a bunch of Marvel’s girl’s market comics such as Patsy Walker and Patsy & Hedy) burst in, threatening to expose Beast’s secret identity…

When he had first further mutated, Hank McCoy had attempted to mask his anthropoid form and Patsy had helped him in return for his promise to make her a superhero. Now she had resurfaced prepared to use blackmail to make him honour his vow. She got dragged along as one squad (Cap, Iron Man, Scarlet Witch and Vision) joined Beast’s as he returned to his old lab at Brand/Roxxon… where they were ambushed by alternate Earth heroes the Squadron Supreme…

Moondragon and Thor meanwhile co-opted sometime ally Immortus and followed Hawkeye back to 1873 but were also bushwhacked, finding themselves battling Kang beside a coterie of cowboy legends including Kid Colt, Night Rider, Ringo Kid, Rawhide Kid and Two-Gun Kid in ‘Go West, Young Gods!’ even as the present-day team learned that their perilous plight involved a threat to two different dimensions’ situations because Roxxon had joined with the corporations which had taken over the Squadron Supreme’s America – thanks to the malignly mesmeric Serpent Crown of Set…

The Wild West showdown culminated in the apparent death of a deity in ‘Right Between the Eons!’ (Avengers #143, inked by Sam Grainger). Elsewhen, the 20th century heroes were beginning their counterattack in the esoteric weaponry factory at Brand, and during all that running wild the heroes found the technologically advanced, ability-enhancing uniform of short-lived adventurer The Cat in a storeroom.

When Patsy put it on the hero-groupie neophyte dubbed herself Hellcat in ‘Claws!’ (Mike Esposito inks)…

Soon after, the Avengers were cornered by the Squadron and as battle recommenced Roxxon president Hugh Jones played his trump card and transported all the combatants to the other Earth…

The dreaded deadline doom hit just at this crucial juncture and issues #145-146 were taken up with a 2-part fill-in by Tony Isabella, Don Heck & John Tartaglione with additional pencils by Keith Pollard for the concluding chapter.

‘The Taking of the Avengers!’ revealed how a criminal combine had taken out a colossal contract on the World’s Mightiest Superheroes but even though ‘The Assassin Never Fails!’ the killer was thwarted and Captain America, Thor, Iron Man, Hawkeye, Beast, Vision and Scarlet Witch – plus Wasp, Yellowjacket and the Falcon all safely returned to their various cases untroubled by the vagaries of continuity or chronology which makes this rather impressive yarn such a annoyance in this specific instance…

The trans-dimensional traumas finally resumed in Avengers #147 which described the ‘Crisis on Other-Earth!’ (Englehart, Pérez & Colletta). With the corporate takeover of the other America revealed to have been facilitated by use of the mind-bending mystical serpent crown, the Scarlet Witch took possession of the sinister helm and her team-mates tried desperately to keep the overwhelming Squadron Supreme from regaining it.

On our Earth Hawkeye brought Two-Gun Kid to the modern world but decided to go walkabout rather than rejoin his fellow Avengers even as Thor and Moondragon began searching for their missing colleagues…

It was back to business in #148 as ‘20,000 Leagues Under Justice!’ (Grainger) featured the final showdown and the Avengers’ victory over a wiser and repentant Squadron Supreme, and as the heroes returned to their home dimension ‘The Gods and the Gang!’ reunited them with Moondragon and the Thunder God to clean up Brand/Roxxon. The Corporate cabal still had one trick left to play however: a colossal and biologically augmented Atlantean dubbed Orka, the Human Killer Whale…

Avengers #150 saw an official changing of the guard as ‘Avengers Assemble’ by Englehart, Pérez, Tartaglione & Duffy Vohland – supplemented part-way through by half of ‘The Old Order Changeth!’ (reprinted from #16 by Stan Lee, Jack Kirby & Dick Ayers) – settled the membership question and made way for new scripter Gerry Conway in #151 whose ‘At Last: The Decision’ (with additional scripting by Jim Shooter & Englehart and art from Pérez & Tartaglione) set the group off on new, less cosmic adventures.

No sooner had the long-delayed announcement been made (this membership drive had begun in Avengers #137 after all) though, than a mysterious crate disgorged the long-dead body of Wonder Man which shockingly shambled to its feet and accused the stunned android Vision of stealing his mind…

Long ago Simon Williams had been turned into a human powerhouse by arch-villain Baron Zemo and used as a Trojan horse to infiltrate the team, but eventually gave his life to redeem himself. After he was buried his brain patterns were used to provide an operating system for The Vision, inadvertently creating a unique human personality for the cold thing of plastic wires and metal…

In #152 ‘Nightmare in New Orleans!’ kicked the simmering saga into high gear as the team began a search for the fallen Wonder Man’s grave robber/re-animator, in a tale by Conway, John Buscema & Joe Sinnott which soon found the team facing voodoo lord Black Talon in New Orleans…

‘Home is the Hero!’ reintroduced 1940 Marvel sensation Bob Frank (AKA super fast superhero The Whizzer). In a tragic tale of desperation the aged speedster sought the heroes’ help before he was seemingly possessed and attacked the team.

Avengers Annual #6 answered all the mysteries and wrapped up the storyline with ‘No Final Victory’ (illustrated by Pérez, Esposito, Tartaglione & Vohland), as a conspiracy involving the Serpent-helmed Living Laser, Whizzer’s government-abducted son mutant son Nuklo and rogue US Army General Pollock almost succeeded in conquering California if not America – until the resurgent Avengers laid down the law…

Also included in the annual – and here – was ‘Night Vision’ by Scott Edelman & Herb Trimpe: a stirring solo story of the Android Avenger battling super swift psychopath Whirlwind.

In Avengers #154 ‘When Strikes Attuma?’ Conway, Pérez & Pablo Marcos began a blockbuster battle bonanza which was in part a crossover with Super-Villain Team-Up (this series followed the uneasy coalition of Dr. Doom and Namor the Sub-Mariner). The initial chapter found the Vision captured by subsea barbarian Attuma even as Earth’s Mightiest Heroes were ambushed and defeated by the warlord’s augmented Atlantean thrall Tyrak the Treacherous.

The scheme was simple enough: use the enslaved surface champions as cannon fodder in an assault against Namor…

At this time US Secretary of State Henry Kissinger had recently signed a non-aggression pact with the Dictator of Latveria with Doom subsequently blackmailing the Sub-Mariner into serving as his unwilling ally. One American vigilante observed no such legal or diplomatic niceties. The Shroud thought he had freed the Atlantean from his vow by “killing” Doom but the villain had survived the assault: rescued and secretly imprisoned by Sub-Mariner’s cousin Namorita and girlfriend Tamara under the misguided apprehension that they could force the Metal-shod Monarch into helping Atlantis and their lost Prince.

SVT-U #9 carried on the epic encounter with the heroes now ‘Pawns of Attuma’ (scripted by Bill Mantlo, drawn by Jim Shooter & Sal Trapani) as the Avengers were unleashed upon the Atlanteans, only to discover Doom now in charge and easily able to thwart their half-hearted assault.

In Avengers #155 the beaten heroes were helpless, leaving only confused, despondent and battle-crazed Namor ‘To Stand Alone!’ (Conway Perez & Marcos), joined by lone stragglers the Beast, Whizzer and Wonder Man to hunt down the triumphant barbarian sea lord.

The epic conclusion came in ‘The Private War of Doctor Doom!’ (Avengers#156, by Shooter, with art from Sal Buscema & Marcos) wherein the liberated and furious heroes joined forces to crush Attuma whilst simultaneously preventing Doom from turning the situation to his own world-conquering advantage…

In #157 ‘A Ghost of Stone!’ (Conway, Heck & Marcos) addressed a long-unresolved mystery of the Black Knight – his body had been petrified whilst his soul was trapped in the 12th century – as a strange force reanimated the statue and set it upon the weary heroes, after which ‘When Avengers Clash!!’ (Shooter, Sal Buscema & Marcos) saw the revived and now fully-recovered Wonder Man clash with an impossibly jealous Vision over the Scarlet Witch.

That Wanda loved the android Avenger was seemingly forgotten as his “borrowed” brain patterns fixated on the logical assumption that eventually his flesh-and-blood wife would gravitate to a normal man with his personality rather than stay married to a mere mobile mechanism…

Domestic tantrums were quickly laid aside when the entire team – plus late arrivals Black Panther and Thor) battled research scientist Frank Hall following an accident which gave him complete control over the forces of gravity…

Apparently unstoppable, Graviton almost destroyed New York in #159 as ‘Siege by Stealth and Storm!’ (Shooter, Sal Buscema & Marcos) resulted in a savage clash and the unbeatable villain defeating himself…

Avengers #160 featured Eric Williams, the deranged Grim Reaper. With portentous hints of a hidden backer and his dead brother seemingly returned, he conducted ‘…The Trial!’ (Shooter, Pérez & Marcos) to see whether Wonder Man or the Vision was the “true” Simon Williams… but didn’t like the answer he got…

The next issue extended the sub-plot as ‘Beware the Ant-Man’ found the team attacked by a frenzied Henry Pym, whose mind had regressed to mere days after the Avengers first formed. The crazed hero had allied with the homicidal robot he no longer remembered creating and was unwittingly helping it build ‘The Bride of Ultron!’ (#162), pitifully oblivious that for the almost completed Jocasta to live his own wife Janet had to die…

At the close the Avengers believed they had finally destroyed the murderous mechanoid, but they were wrong…

This classic collection of costumed clashes closes with Shooter, George Tuska & Marcos’ stand-alone tale ‘The Demi-God Must Die!’ wherein mythological maniac Typhon returns to capture the team. Despite forcing Iron Man to attack Hercules (to save his hostage Avenging comrades), and even after lots of spectacular smashing, the scheme naturally fails and the World’s Mightiest are triumphant again…

This type of heroic adventure might not be to every reader’s taste but these – and the truly epic yarns that followed – set the tone for fantastic Fights ‘n’ Tights dramas for decades to come and can still boggle the mind and take the breath away, even here in the so slick and cool 21st century…

No lovers of Costumed Dramas can afford to ignore this superbly bombastic book and fans who think themselves above superhero stories might also be pleasantly surprised…
© 1975, 1976, 1977, 2010 Marvel Characters, Inc. All Rights Reserved.

Uncanny Avengers volume 3: The Apocalypse Twins


By Rick Remender, Gerard Gorman Duggan, Daniel Acuña & Adam Kubert (Marvel/Panini UK)
ISBN: 978-1-84653-564-2

In the aftermath of the Avengers versus X-Men publishing event, company-wide reboot MarvelNOW! repositioned and recast the entire continuity in the ongoing never-ending battle to keep old readers interested and pick up new ones.

What You Need to Know: Once upon a time mutant Avenger Wanda Maximoff – daughter of arch-villain Magneto and known to the world as the Scarlet Witch – married android hero The Vision and they had (through the agency of magic and her unsuspected chaos-energy fuelled ability to reshape Reality) twin boys. Over the course of time it was revealed that her beloved sons were not real and they subsequently vanished (for further details see Marvel Platinum: the Definitive Avengers).

As years passed her loss slowly drove Wanda mad, and when she finally slipped completely over the edge the resultant slaughter-spree destroyed many of her Avengers team-mates. The effects of her actions subsequently reshaped the entire Marvel Universe, resulting in climactic reboot Avengers Disassembled.

The team had barely recovered from that catastrophe before she overwrote Reality again, altering recent Earth history such that mutants ruled over a society where humans or “sapiens” were an acknowledged evolutionary dead-end living out their lives and destined for extinction within two generations.

It took every champion on Earth and a huge helping of luck to put that genie back in a bottle (another colossal crossover – House of M), and in the aftermath less than 200 mutants were left on Earth…

The Witch was partially rehabilitated and began her quest for redemption during the aforementioned Avengers versus X-Men with the World’s Mightiest Heroes striving against the remaining mutants for control of Hope Summers: a girl born to be mortal host to the implacable force of cosmic destruction and creation known as The Phoenix.

However the primal phenomenon instead possessed a quintet of X-Men, corrupting them by manifesting their dream of making Earth a paradise for besieged, beleaguered Homo Superior.

In the ensuing conflict humanity was briefly enslaved before, inevitably, the selfish appetites of the Phoenix Force caused those possessed to turn upon each other. Soon its transcendent power transformed rallying figurehead and mutant freedom-fighter Cyclops into another apparently unstoppable, insatiable “Dark Phoenix”.

At that crossroads moment his beloved mentor Charles Xavier, founder of the X-Men and formulator of the aspiration of peaceful mutant/human co-existence returned, only to be killed by his most devoted disciple…

Professor X’s death united X-Men and Avengers but, in the days following the expulsion of the Phoenix Force, progress and reconciliation stalled. The mostly human world festered with resentment even as new mutants began to manifest, and liberated mankind again fell into its old habits: intolerance, violence and bigoted, vigilante outrages…

When undying über-Nazi the Red Skull stole Xavier’s brain and appropriated the deceased mutant’s awesome telepathic abilities, his terrorist outrages were halted by a new team of Avengers: one formed by Captain America and S.H.I.E.L.D. to counter the rising tide of inter-species hostility…

Having been born out of one wave of genocidal race-hatred, the Sentinel of Liberty was painfully aware that America’s mutant minority had been poorly served – if not actively institutionally discriminated against – and sought to make amends by continuing Xavier’s utopian vision. To that end he convened the high-profile, affirmatively-active Avengers Unity Division, comprising human and mutant heroes working together.

The quintessential Avenger chose former government agent Havok (Cyclops’ brother Alex Summers) to lead the team, which consisted of himself, Thor, Scarlet Witch, Rogue, Wolverine, Sunfire,and the squad’s bloody baptism of fire saw them stop the Skull’s freakish army of bio-engineered S-Men and seemingly prove the promise of the premise.

However at a very public press conference inducting two new members – Wonder Man and the Wasp – they were attacked by ancient enemy Grim Reaper. The clash ended when mutant Rogue slaughtered the psychopath in full view of the horrified watching world. In one shocking instant the entire enterprise seemed utterly undermined with all that hard-won pro-mutant progress wasted…

Collecting Uncanny Avengers #6-11 (cover-dated June to October 2013), and the spin-off Uncanny Avenger AU #8 (July), this astounding celebration of the magic of Fights ‘n’ Tights fiction kicks everything into time-busting cosmic overdrive as the harried heroes fall prey to the bewildering machinations of arch-nemesis Kang the Conqueror and his most potent pawns The Apocalypse Twins…

It all begins in Scandinavia in 1013AD where/when a young, cocky and rebellious Thor is attacked by En Sabah Nur, immortal mutant Apocalypse and agent of the all-powerful Space Gods dubbed Celestials. The grotesque creature believes he is safeguarding the future by promoting the triumph of only the very strongest mutants, but all the petulant Thunderer knows is that he has been shamed and thrashed by a freak with an unfair advantage – star-forged armour…

Apocalypse is guided in his seemingly random attacks by former enemy Pharaoh Rama-Tut who advocates pre-emptive attacks on certain beings: those whose descendents would one day unite to resist the mutant advocate of Survival of the Fittest: the ancestors of a group called Avengers…

In Asgard Thor learns that his father Odin is subject a non-aggression pact with the Celestials but is too headstrong and angry to put aside his grievance. When sternly told to drop the matter, the furious godling finds suspiciously handy help from his malevolent half-brother Loki who shows him a spell which can enchant Thor’s battle-axe JarnBjorn into a weapon capable of rending even Celestial armour…

Delighted with his new unstoppable blade, Thor goes looking for a rematch and does not see that a stranger has been masquerading as his brother…

The Storm Lord arrives in primitive London just as Apocalypse attacks the next name on Rama-Tut’s list; a warrior named Folkbern Logan…

The Pagan soldier has been attacked by Apocalypse’s Four Horsemen and Thor is the answer to his prayers, wielding JarnBjorn with devastating effect. Saving Logan, destroying the servants and grievously wounding Apocalypse he returns to Asgard only to be severely admonished by Odin, even as elsewhen Apocalypse realises he has been played for a fool by Rama-Tut. The real winner is Kang who quietly takes his intended prize – a weapon even Space Gods cannot endure…

In our present, Apocalypse has been recently killed and many deadly creatures vie for the dubious honour of assuming his mantle and role as mutant messiah/exterminator of humanity. Thus on solar-orbiting Starcore Station his appalling son Genocide petitions the Celestials to accept him as their new agent…

The Celestials are a crucial component in the mechanics of the cosmos, their only interest being the raw, unstoppable processes of evolution. However when the enigmatic Apocalypse Twins materialise, they exercise their claim as true heirs by using JarnBjorn to achieve the impossible: executing the omnipotent Celestial Gardener and thereby endangering the very fabric of existence…

On Earth Havok has just successfully defended Rogue from murder charges at a S.H.I.E.L.D. hearing and attempts to keep her busy and out of sight by sending her after Magneto when news arrives that Earth’s alien early warning satellite The Peak is under attack.

Wanda meanwhile is trying to talk with WonderMan. Their relationship has been strained ever since she killed and resurrected him and the traumatised energy being is undergoing a few confusing life-changes. For one thing he’s now become a pacifist. He will help the team in every way possible… except by fighting…

Despite all efforts the Avengers are unable to save The Peak from the Twins, who use the fallen Celestial’s vehicle to send the station crashing down on Rio de Janeiro. Although Thor and Sunfire are able to save the city from obliteration the rest of the team are more concerned with a secret they have just uncovered: Wolverine’s hidden role in the death of the Twin’s birth-father – the former X-Man Warren Worthington, AKA Archangel…

Whilst all this is occurring Captain America is fighting for his life in war-torn South Sudan and manoeuvred into uncovering a message from a mysterious ally purporting to know what is actually going on.

The Twins are also aware of layers of deceit. Raised by Kang in time-warped isolation Eimin and Uriel are beginning to suspect their patron’s motives and each other’s dedication. These qualms do not prevent them from detonating an atomic blast just as the rest of the Avengers arrive to supplement Thor and Sunfire…

The Marvel Universe is a busy place and whilst this saga was unfolding another major event was simultaneously unfolding in the pages of Age of Ultron. There, a time-warping event created an alternate Earth where the malign mechanoid took over the world from a point in Earth’s future. The epic spawned a plethora of “extra” issues – such as Uncanny Avengers #8AU – wherein the characters from the alternate timeline spawned by the temporal tribulations offered decidedly different tales of our most famed champions.

In this chronal digression – written by Gerard Gorman Duggan and illustrated by Adam Kubert – we glimpse the formative years of the Apocalypse Twins as Kang temporarily frees his twisted children from his private concentration camp in 4145AD. The Lord of Time had been raising them in such harsh conditions to temper them for future roles, but now seeks to test his charges with a first mission of assassination.

The target is veteran Red, White and Blue Sentinel of Justice Colonel America but the operation does not go according to plan…

Returning with #9 to the regularly scheduled tale Ragnarok Now! displays the deepening rift in the Unity team as the resurgent adult Apocalypse Twins continue their campaign for mutant ascendancy by constituting their own squad of Horsemen to winnow humanity and its heroes. These heralds of Mutant Rapture and human disaster are not the bio-engineered creatures their true father preferred however.

The children of En Sabah Nur instead opt for a quartet of dead horrors to pave their way to triumph…

In Sudan meanwhile, Captain America digests information received from the godlike Immortus – another “master of time” and purportedly Kang’s reformed future self. The decidedly untrustworthy savant has entrusted the Star Spangled Avenger with the actual nature of reality and revealed why the Twins must be stopped as well as the ghastly consequences should they win the ongoing war to control all times, spaces and realities…

When Cap then learns of Wolverine’s murderous past actions the team splits over philosophy and pragmatism. Havok is hard-pressed to keep the heroes united before the onslaught of the Twins’ zombie Horsemen, Sentry, Banshee, Daken and Grim Reaper: all deadly killers with deep emotional ties to the heroes and all of whom died at the hands of Avengers…

As the Unity squad splits up to tackle the Apocalypse agents, the calamitous clashes only mask the Twins’ secret agenda: they have seemingly seduced the reality-shredding Scarlet Witch to their cause, convincing her to use her world-warping curse to bring about their long-desired ascendancy as instigators of the Mutant Rapture…

To Be Continued…

Scripted by Rick Remender and illustrated by Daniel Acuña, this rather confused and somewhat convoluted, but exceedingly spectacular, complex and ambitious epic may be a bit daunting for casual readers but dedicated followers of mutant mayhem will no doubt adore the fantastic premise and blockbusting scope of events.

Also provoking much applause and approbation are a gallery of covers and variants by John Cassaday & Laura Martin, Milo Manara and Jim Cheung, whilst the selection of 21st century extra content in the form of AR icon sections includes trailers, character bios, creator commentaries and oodles more. The Marvel Augmented Reality App pages grant access to story bonuses once you download the little dickens – free from marvel.com – onto your smart-phone or Android-enabled tablet. So you should do that too, right?
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.