Category: Batman

Posted on

JLA: Tower of Babel


By Mark Waid, Howard Porter & various (DC Comics)
ISBN 1-84023-304-4

After battling every combination of ancient, contemporary and futuristic foes, the World’s Greatest Superheroes found themselves pitted against an unbeatable threat in this startling exploration of paranoia that originally ran in issues #42-46 of the monthly comic-book, and spread into JLA Secret Files #3 and JLA 80-Page Giant #1

As a taster to the main event the book begins with ‘Half a Mind to Save a World’, an intriguing take on Asimov’s Fantastic Voyage from Dan Curtis Johnson, Mark Pajarillo and Walden Wong, wherein the Atom leads a JLA team on a mission to forcibly evacuate an advanced civilisation of bacteria that have taken up residence in a small boy’s brain, but of course, the bacteria aren’t that keen on moving…

Tower of Babel begins with immortal eco-terrorist Ra’s Al Ghul’s latest plan to winnow Earth’s human population to manageable levels well underway. In ‘Survival of the Fittest’ (Waid, Porter and Drew Geraci) a series of perfectly planned pre-emptive strikes cripple the Martian Manhunter, Flash, Wonder Woman, Aquaman, Plastic Man and Green Lantern whilst Batman is taken out of the game by the simple expedient of stealing his parents’ remains from their graves.

With the Dark Knight distracted and his fellow superheroes disabled the action begins: suddenly humanity has lost the ability to read. Books, newspapers, complicated machinery instructions, labels on medicine bottles – all are now gibberish. The death toll starts to rise…

In ‘Seven Little Indians’ as the League attempt to regroup and fight back Batman realises that the tactics and weapons used to take out his allies, now including Superman, were his own secret contingency measures, designed with sublime paranoia in case he ever had to fight his super-powered friends…

Inserted next is ‘Blame’ by Dan Curtis Johnson, Pablo Raimondi, Claude St. Aubin and David Meikis from JLA Secret Files #3 which reveals how Talia, Daughter of the Demon, stole Batman’s anti-hero files and devices before Tower of Babel resumes with ‘Protected by the Cold’ as Batman leads a counter-attack despite the shock and fury of his betrayed comrades, and as the final phase kicks in and humans lose the power of speech too, the disunited team mounts a last-ditch assault on Al Ghul in ‘Harsh Words’ (illustrated by Steve Scott and Mark Propst). The same team handled the epilogue where the recovered heroes angrily seek to understand how their trusted friend could have countenanced such treachery…

The volume concludes with two thematically linked vignettes from JLA 80-Page Giant #1, ‘The Green Bullet’ by John Ostrander, Ken Lashley and Ron Boyd and ‘Revelations’ by Priest, Eric Battle and Prentis Rollins wherein Batman clears the Man of Steel of a trumped-up murder charge whilst Aquaman and Wonder Woman seek to deal with their obvious dislike and distrust of each other…

This volume (voted by multimedia reviews website IGN as number 20 on their list of the 25 greatest Batman graphic novels) is indeed one of the best Batman tales ever: a perfect, defining example of the man who thinks of everything, and is tough enough to prepare for the worst of all outcomes. As the Dark Knight was (temporarily) cast out of the League a new era began and the fans couldn’t have been happier. That’s a feeling you can share simply by picking up this startlingly impressive tale.
© 1998, 2000 DC Comics. All Rights Reserved.

Posted on

Catwoman: Crime Pays


By Will Pfeiffer, David Lopez & Alvaro Lopez (DC Comics)
ISBN: 978-1-84576-972-7

Even the most resonant characters handled by the very best creators have bad patches, especially when tumbled into the destabilising chaos of company crossover events and so much more so when said creators are labouring under the cosh of knowing that the title they’re working on has already been cancelled.

So it is with this compilation of Catwoman (collecting issues #73-77 of her done-and-dusted monthly comic) as the urban defender of the downtrodden, freshly returned from a debilitating role in the Wonder Woman: Amazons Attack! storyline, having given up her daughter and abandoned her old secret identity, only narrowly escapes being blown up in her own apartment mere moments after discovering that somebody has stolen every stick and stitch she possessed…

Determined to discover who took the last remnants of her life, Selina Kyle has to steal one of her old costumes and gear from a demented collector before she goes after The Thief, only to be shanghaied by the Suicide Squad: a clandestine government penal battalion of super-villains, working black ops in return for eventual pardons… She awakens on another planet: a hellworld used as Devil’s Island of Space, where the government has been secretly dumping Earth’s villains without due process… and with no way back.

A world chock-full of metahuman psychopaths, thugs and megalomaniacs is bad enough, but when the likes of Luthor, the Joker, Vandal Savage and Gorilla Grodd start competing for the right to lead it’s going to get a little fraught. How long can Selina last before somebody remembers that she’s been fighting for the other side? And then she falls into a booby-trapped alien device that seems to send her somewhere even weirder and more dangerous…

For a fuller understanding of this tale you will have to read the collected miniseries Salvation Run, and yet again this book ends on a cliffhanger but regardless of those niggles this is still a good solid read and the end is finally in sight, with only one more book to come.

The great shame is that even though creators Pfeifer, Lopez and Lopez knew they were on clean-up detail, and compelled to add material not necessarily of their choosing, they still pulled out all the stops to make this a superbly engaging and compelling experience, and such artistic integrity shouldn’t go unnoticed or un-remarked.

Enjoyable and thrilling for established fans, this isn’t the book to start with if you’re a new reader. Those lucky latecomers should aspire to buy the complete series and indulge in the luxury of reading the lot all at one sitting…

© 2008 DC Comics. All Rights Reserved.

Posted on

Showcase Presents Brave and the Bold Batman Team-ups Volume 2


By Bob Haney, Jim Aparo, Neal Adams, Nick Cardy & various (DC Comics)
ISBN13: 978-1-84576-813-3

Now settled on a winning format – pairing media superstar Batman with other luminaries of the DC universe in complete stand-alone stories – The Brave and the Bold proceeded to win critical as well as commercial kudos by teaming regular writer Bob Haney with the best artists available. At this time editors favoured regular if not permanent creative teams, feeling that a sense of visual and even narrative continuity would avoid confusion amongst younger readers. During this second collection (reprinting B&B #88-108 in crisp, efficient black and white) a number of stellar artists contributed before the comicbook finally found its perfect draughtsman…

Following a ground-breaking run by the iconoclastic and influential Neal Adams (see Showcase Presents Brave and the Bold Batman Team-ups Volume 1) was always going to be a tough act but veteran Irv Novick – who would unfairly tread in Adams’ mighty shadow on Batman for years to come – did sterling work here on a gritty tale of boxing and Cold War mind-games when the Caped Crusader met Wildcat in ‘Count Ten… and Die!’ (B&B #88, February-March 1970).

Mike Esposito inked that tale before rejoining longtime collaborator Ross Andru for a brief return engagement that began with an eerie thriller pitting Batman against the mystery sensation Phantom Stranger in #89’s ‘Arise Ye Ghosts of Gotham!’ and then switching pace and genre for a time-bending science fiction thriller ‘You Only Die Twice!’ guest-starring interstellar champion Adam Strange.

Issue #91, ‘A Cold Corpse for the Collector’ is a true gem of a tale. Haney was always at his best with terse, human scale dramas, especially “straight” crime thrillers, and his pairing of the Gotham Guardian with Black Canary (transplanted from Earth-2 to replace the “de-powered” Wonder Woman in the Justice League) found the recently widowed heroine searching for the Earth-1 counterpart of her dead husband only to find imminent death in a masterpiece of ironic melodrama. It also signalled the advent of the superb Nick Cardy as illustrator: a run of beautifully drawn and boldly experimental assignments that are still startling to see even four decades later.

The artistic exploration continued in the next issue when Batman traveled to England, embroiled in a moody, gothic murder mystery with a trio of British stereotypes fancifully christened “The Bat Squad.” Although the scratch team never reappeared, ‘Night Wears a Scarlet Shroud!’ remains a period delight and a must for those who still remember when “Eng-ga-land Swung.”

At the end of the 1960s the Comics Code Authority ended its ban on crime and horror comics to allow publishers to exploit the global interest in the supernatural. This had instantly affected comics and more and more stories had macabre overtones. It even led to the revival of horror and suspense anthologies. One such was the venerable House of Mystery; and unquestionably the oddest team-up in B&B history.

Scripted by Denny O’Neil and illustrated by Neal Adams #93’s ‘Red Water, Crimson Death’ is a chilling ghost story with the added advantage of having the Dark Knight’s somber shtick counterbalanced by the musings of the sardonic laconic Cain, ethereal and hip caretaker of that haunted habitat…

Bob Haney, Nick Cardy and the Teen Titans returned for the powerful counter-culture bomb-plot ‘Rebels in the Streets’ whilst a forgotten mystery hero (I won’t spoil it for you) helped Batman get the goods on ruthless, fat-cat industrialist Ruby Ryder in ‘C.O.D. – Corpse on Delivery’, and – somewhat more palatable for continuity bugs – Sgt Rock’s second engagement was set in contemporary times rather than in WWII as the honourable old soldier became a bureaucrat’s patsy in an excellent espionage thriller ‘The Striped-Pants War!’

Haney clearly had a fondness for grizzled older heroes as Wildcat made another comeback in #97’s South-of-the-Border saga ‘The Smile of Choclotan!’, an epic of exploration inked by Cardy over the husky he-man pencils of the hugely underrated Bob Brown. The Phantom Stranger guested next in a truly sinister tale of suburban devil worship which found Batman thoroughly out of his depth in ‘The Mansion of the Misbegotten!’, illustrated by the man who would soon become the only B&B artist: Jim Aparo.

Brown and Cardy returned to draw the Flash saving the Gotham Gangbuster from ghostly possession in ‘The Man who Murdered the Past’ and Aparo illustrated the anniversary 100th issue as Green Lantern, Green Arrow and Black Canary had to take over for a Batman on the verge of death and trapped as ‘The Warrior in a Wheel-Chair’ as well as the outrageous murder-mystery ‘Cold-Blood, Hot Gun’ wherein Metamorpho, the Element Man assisted the Caped Crusader in foiling the World’s most deadly hitman.

Brave and the Bold #102 featured a true rarity: the Teen Titans again featured in an angry tale of the generation gap ‘Commune of Defiance’ which began as an Aparo job, but in a bizarre turnabout Neal Adams – an artist legendary for blowing deadlines – was called in to finish the story, contributing the last nine pages of the tension-packed political thriller. Bob Brown and Frank McLaughlin illustrated ‘A Traitor Lurks Inside Earth!’ a doomsday saga of military computers gone awry featuring the multipurpose Metal Men whilst Aparo handled the poignant story of love from beyond the grave in the eponymously entitled ‘Second Chance for a Deadman?’ from #104.

The aforementioned unpowered Wonder Woman returned after a long absence in Haney and Aparo’s superb revolutionary epic ‘Play Now… Die Later!’ wherein Diana Prince and Batman become pawns in a bloody South American feud exported to the streets of Gotham, and Green Arrow was sucked into a murderous get-rich-quick con in #106’s ‘Double Your Money… and Die’, featuring a surprise star villain.

Black Canary then featured in a clever take on the headline-grabbing – and still unsolved – D.B. Cooper hijacking of a airliner in ‘The 3-Million Dollar Sky’ from B&B #107 (June-July 1973. Inflation sucks: “Cooper” only got $200,000 when he jumped out of that Boeing 727 in November 1971, never to be see again…) and this volume ends with a wonderfully chilling tale of obsession as Sgt. Rock tried once more to catch the greatest monster in history on ‘The Night Batman Sold his Soul!’

These are some of the best and most entertainingly varied yarns from a period of magnificent creativity in the American comics industry. Aimed at a general readership, gloriously free of heavy, cloying continuity baggage and brought to stirring action-packed life by some of the greatest artists in the business, this is a Batman for all seasons and reasons with the added bonus of some of the most fabulous and engaging co-stars a fan could imagine. How could anybody resist? Seriously: can you…?

©1970-1973, 2007 DC Comics. All Rights Reserved.

Posted on

Batman Chronicles volume 8


By Bob Kane, Don Cameron, Bill Finger, Jerry Robinson & various (DC Comics)
ISBN: 978-1-84856-447-3

This eighth volume of chronological Batman yarns from the dawn of his career covers Batman #14-15, Detective Comics #71-74 and World’s Finest Comics #8-9, and once again features adventures produced during the scariest days of World War II.

It’s certainly no coincidence that many of these Golden Age treasures are also some of the best and most reprinted tales in the Batman canon, as lead writer Bill Finger was increasingly supplemented by the talents of Don Cameron, Jack Schiff and Joe Samachson and the Dynamic Duo became a hugely successful franchise. The war seemed to stimulate a peak of creativity and production, with everybody on the Home Front keen to do their bit – even if that was simply making kids of all ages forget their troubles for a brief while…

Cameron wrote all four stories in Batman #14 (December 1942-January 1943) which leads off this volume. ‘The Case Batman Failed to Solve’, (illustrated by Jerry Robinson) is a superb example of the sheer decency of the Caped Crusader as he fudges a mystery for the best possible reason, ‘Prescription for Happiness’ (with art by Bob Kane & Robinson), is a classic example of the human interest drama that used to typify Batman tales as a poor doctor discovers his own true worth, and ‘Swastika Over the White House!’ (Jack and Ray Burnley) is typical of the spy-busting action yarns that readers were gratuitously lapping up at the time. The final story ‘Bargains in Banditry!’ – also by the Burnley boys – is another canny crime caper featuring the Penguin.

Detective Comics #71 (January 1943, by Finger, Kane and Robinson) featured ‘A Crime a Day!’, one of the most memorable and thrilling Joker escapades of the period, whilst ‘Brothers in Law’ from the Winter 1942 World’s Finest Comics #8, by Schiff and the Burnleys, pitted Batman and Robin against a Napoleon of Crime and feuding siblings who had radically differing definitions of justice.

Detective Comics #72 by Samachson, Kane & Robinson, found our heroes crushing murderous con-men in ‘License for Larceny’ whilst Batman #15 (February-March 1943) lead with Schiff, Kane & Robinson’s Catwoman romp ‘Your Face is your Fortune!’ whilst Cameron and those Burnley boys introduced plucky homeless boy Bobby Deen ‘The Boy Who Wanted to be Robin!’ The same team created the powerful propaganda tale ‘The Two Futures’, which examined an America under Nazi subjugation and ‘The Loneliest Men in the World’ (Cameron Kane & Robinson) was – and still is – one of the very best Christmas Batman tales ever created; full of pathos, drama, fellow-feeling and action…

Cameron, Kane & Robinson went back to basics in Detective Comics #73 (March 1943) when ‘The Scarecrow Returns’, a moody chiller followed by the introduction of comical criminal psychopaths ‘Tweedledum and Tweedledee!’ in #74, and this volume concludes with the Batman portion of World’s Finest Comics #9 (Spring 1943) as Finger, Robinson & George Roussos recounted the saga of a criminal mastermind who invented the ‘Crime of the Month!’ scheme.

This wonderful series of Golden Age greats is one of my absolute favourite collected formats: paper that feels nostalgically like newsprint, vivid colours applied with a gracious acknowledgement of the power and limitations of the original four-colour printing process and the riotous exuberance of an industry in the first flush of success. These tales from the creators and characters at their absolute peak are even more readable now that I don’t have to worry about damaging an historical treasure simply by turning a page. I’m still praying that other companies with an extensive Golden Age back-catalogue like Marvel and Archie will follow suit.

© 1942, 1943, 2009 DC Comics. All Rights Reserved.

Posted on

Showcase Presents Brave and the Bold Batman Team-ups Volume 1


By Bob Haney, Neal Adams & various (DC Comics)
ISBN13: 978-1-4012-1209-4

The Brave and the Bold began in 1955 as an anthology adventure comic featuring short complete tales about a variety of period heroes: a format that mirrored the contemporary movie fascination with historical dramas. Written by Bob Kanigher issue #1 led with Golden Gladiator, the Silent Knight and Joe Kubert’s now legendary Viking Prince. From #5 the Gladiator was increasingly alternated with Robin Hood, but the adventure format carried the title until the end of the decade when the burgeoning costumed character revival saw B&B transform into a try-out vehicle like Showcase.

Issue #25 (August-September 1959) featured the debut of Task Force X: the Suicide Squad, followed by Justice League of America (#28), Cave Carson (#31), Hawkman (#34), and since only the JLA hit the first time out, there were return engagements for the Squad, Carson and Hawkman. Something truly different appeared in #45-49 with the science fictional Strange Sports Stories, before Brave and the Bold #50 provided a new concept that once again truly caught the reader’s imagination.

That issue paired two superheroes – Green Arrow and Martian Manhunter – in a one-off team-up, as did succeeding issues: Aquaman and Hawkman in #51, WWII Battle Stars Sgt Rock, Captain Cloud, Mme. Marie and the Haunted Tank in #52 and Atom and Flash in #53. The next team-up, Robin, Aqualad and Kid Flash, evolved rapidly into the Teen Titans. After Metal Men/the Atom and Flash/Martian Manhunter a new hero, Metamorpho, the Element Man debuted in #57-58. Then it was back to superhero pairings with #59, and although no one realised it at the time this particular conjunction, Batman with Green Lantern would be particularly significant.

After a return engagement for the Teen Titans in #60, the next two issues highlighted Earth-2 champions Starman and Black Canary, whilst Wonder Woman met Supergirl in #63. Then, in an indication of things to come, and in acknowledgement of the TV induced mania mere months away Batman duelled hero/villain Eclipso in #64. Within two issues, following Flash/Doom Patrol (#65) and Metamorpho/Metal Men (#66) Brave and the Bold #67 saw the Caped Crusader take de facto control of the title, and the lion’s share of the team-ups. With the exception of #72-73 (Spectre/the Flash and Aquaman/Atom) the comic was henceforth to be a place where Batman invited the rest of company’s heroic pantheon to come and play…

This first collection of Batman’s pairing with other luminaries of the DC universe (reprinting B&B #59, 64, 67-71 and 74-87) features the last vestiges of a continuity-reduced DC where individual story needs were seldom submerged into a cohesive overarching scenario, with writer Bob Haney crafting stories that were meant to be read in isolation, and drawn by a huge variety of artists with only one goal: entertainment.

The Brave and the Bold #59 (April-May 1965, illustrated by Ramona Fradon and Charles Paris) found Batman and Green Lantern reliving the plot of the Count of Monte Cristo as they resisted ‘The Tick-Tock Traps of the Time Commander!’ whilst a long-lost romantic interest brought the Caped Crusader into conflict with criminal combine Cyclops in ‘Batman versus Eclipso’ (#64, February-March 1966, illustrated by the great Win Mortimer).

‘The Death of the Flash’ in #67 (August-September 1966) was a terse high-speed thriller drawn with flair by Carmine Infantino and Charles Paris, and the next issue, with visuals from Mikes Sekowsky and Esposito, offered one of the oddest tales in DC’s long history as Metamorpho had to defeat a Gotham Guardian mutated into a vicious monster in ‘Alias the Bat-Hulk!’

Win Mortimer returned to illustrate Batman, Green Lantern and the Time Commander’s fractious reunion in #69’s ‘War of the Cosmic Avenger’ whilst Hawkman’s first Bat team-up ‘Cancelled: 2 Super-heroes!’ pitted the pair against a secret identity collector in a quirky tale with art by Johnny Craig and Chuck Cuidera, and Green Arrow, drawn by his Golden Age illustrator George Papp, helped Batman survive ‘The Wrath of the Thunderbird!’

After the aforementioned hiatus the Caped Crime-crusher took full possession of Brave and the Bold with #74’s fast-paced and funny ‘Rampant Run the Robots’ as the Metal Men tackled prejudice and evil inventors and in #75 The Spectre joined the Dark Knight to free Gotham City’s Chinatown from ‘The Grasp of Shahn-Zi!’ both tales drawn by the new semi-regular art team of Ross Andru and Mike Esposito.

Drawn by Sekowsky and Jack Abel, Plastic Man helped solve the mystery of The Molder in #76’s ‘Doom, What is Thy Shape?’ Andru and Esposito illustrated the Atom’s exploits in ‘So Thunders the Cannoneer!’ and Bob Brown stepped in to draw ‘In the Coils of the Copperhead’ wherein Wonder Woman found herself vying with the newly-minted Batgirl for Batman’s affections. Of course it was all a cunning plan… wasn’t it?

Neal Adams was a young illustrator who had worked in advertising and ghosted some newspaper strips whilst trying to break into comics. With #75 he had become a cover artist for B&B, and with #79 (August-September 1968) he took over the interior art for a groundbreaking run that rewrote the rulebook for strip illustration. ‘The Track of the Hook’ paired the Dark Knight Detective with the justice-obsessed Deadman: murdered trapeze artist Boston Brand  who was hunting his own killer, and whose earthy, human tragedy elevated the series’ costume theatrics into deeper, more mature realms of drama and action. The stories aged ten years overnight and instantly became every discerning fan’s favourite read.

‘And Hellgrammite is his Name’ found Batman and the Creeper battling an insect-themed super-hitman, and the Flash aided the Caped Crusader defeat an unbeatable thug in ‘But Bork Can Hurt You!’ (both inked by Dick Giordano) whilst Aquaman became ‘The Sleepwalker from the Sea’ in an eerie tale of mind-control and sibling rivalry.

Issue # 83 took a radical turn as the Teen Titans tried to save Bruce Wayne’s latest foster-son from his own inner demons in ‘Punish Not my Evil Son!’ but the next team-up was one that got many fans in a real tizzy in 1969. ‘The Angel, the Rock and the Cowl’ recounted a World War II exploit where Batman and Sgt. Rock of Easy Company hunted Nazi gold together, only closing the case twenty-five years later. Ignoring the kvetching about relative ages and which Earth we’re on, you should focus on the fact that this is a startlingly gripping tale of great intensity, beautifully realised, and one which has been criminally discounted for decades as “non-canonical”.

Brave and the Bold #85 is arguably the best of an incredible run. ‘The Senator’s Been Shot!’ reunited Batman and Green Arrow in a superb multi-layered thriller of politics, corruption and cast-iron integrity, wherein Bruce Wayne became a stand-in for a law-maker and the Emerald Archer got a radical make-over that turned him into the fiery liberal gadfly champion of the relevancy generation.

Boston Brand returned in #86, as Batman found ‘You Can’t Hide from a ‘Deadman!’ in a captivating epic of death, redemption and resurrection that became a cornerstone of Bat-mythology for the next three decades, and this spellbinding black and white collection of classic confrontations concludes with a decidedly different adventure written and drawn by Mike Sekowsky and starring the venerable comics icon he had made fresh and exciting all over again.

Entitled ‘The Widow-Maker’, it tells of the son of one of Batman’s foes who attempts to add to his tally of motoring murders by luring the Caped Crusader into a rigged high performance car race until Diana Prince, once and future Wonder Woman, steps in…

By taking his cues from news headlines, popular films and proven genre-sources, Bob Haney produced gripping adventures that thrilled and enticed with no need for more than a cursory nod to an ever-more onerous continuity. Anybody could pick up one of his concoctions and be sucked into a world of wonder. Consequently those tales are just as fresh and welcoming today, their themes and premises as immediate now as then and the glorious variety of artists involved still proves a constant source of joy and wonder. Here is a Bat-book literally everybody can enjoy.

© 1965-1970, 2007 DC Comics. All Rights Reserved.

Posted on

Batman: Annuals volume 1 – DC Comics Classics Library


By various (DC Comics)
ISBN: 978-1-84856-215-8

¡Perfect Christmas Present Alert! – all ages

Thanks to the recent re-inclusion of the pre-“Batmania” tales into the Caped Crusader’s extensive canon, there’s a lot of 1940s and 1950s Batman material resurfacing these days in a lot of impressive formats. DC’s Classics Comics Library hardbacks are a remarkably accessible, collectible range of products and the best of them so far is this wonderful aggregation of three of the most influential and beloved comic-books of the Silver Age.

Batman Annual #1 was originally released in June 1961, a year after the startlingly successful Superman Annual #1. This big, bold anthology format was hugely popular with readers.  The Man of Steel’s second Annual was rushed out before Christmas 1960 and the third came out a mere year after the first! That same month (June 1961) the first ever Secret Origins collection and the aforementioned Batman Blockbuster all arrived in shops and on newsstands.

It’s probably hard to appreciate now but these huge books – 80 pages instead of 32 – were a magical resource with a colossal impact for kids who loved comics. I don’t mean the ubiquitous scruffs, oiks and scallywags of school days who read them and chucked them away (most kids were comics consumers in the days before computer games) but rather those quiet, secretive few of us who treasured and kept them, constantly re-reading, discussing, pondering. Only posh kids with wicked parents read no comics at all: those prissy, starchy types who were beaten up by the scruffs, oiks and scallywags even more than us bookworms. But I digress…

For budding collectors the Annuals were a gateway to a fabulous lost past. Just Imagine!: adventures your heroes had from before you were even born…

Those compilations of the early 1960s changed comic publishing. Soon Marvel, Charlton and Archie were also releasing giant books of old stories, then new ones, crossovers, continued stories… Annuals proved two things to publishers: that there was a dedicated, long-term appetite for more material – and that punters were willing to pay a little bit more for it…

This vast compendium gathers the first three Batman Annuals in their mythic entirety: 21 terrific complete stories, posters, features, pin-ups, calendars and those iconic compartmentalized covers. There’re also creator biographies and articles from Michael Uslan and Richard Bruning to put the entire experience into perspective and original publication information and credits (the only bad thing about those big books of magic was never knowing “Who” and “Where”…)

The editors wisely packaged the Annuals as themed collections, the first being ‘1001 Secrets of Batman and Robin’ and started the ball rolling with ‘How to be the Batman’ by Bill Finger, Lew Sayre Schwartz and Stan Kaye, wherein an amnesiac Caped Crusader has to be re-trained by Robin, but as always there’s a twist in this tale, whilst ‘The Strange Costumes of Batman’ (Edmond Hamilton, Dick Sprang and Charles Paris) highlighted the specialized uniforms the heroes used in their outrageous careers.

The self-explanatory ‘Untold Tales of the Bat-Signal’ (writer unknown, Schwartz and Paris) again used past exploits to solve a contemporary case, whilst ‘The Origin of the Bat-Cave’ (Finger, Sheldon Moldoff and Paris) was only revealed by a quick time-trip back to revolutionary war era Gotham and ‘Batman’s Electronic Crime-File’ (anonymous, Sprang and Paris) is a cracking thriller that highlighted the Dynamic Duo’s love of cutting-edge technology.

‘The Thrilling Escapes of Batman and Robin’ (Finger, Moldoff and Kaye) concentrated on their facility at escaping traps and the excitement peaked in a dazzling display of ‘The Amazing Inventions of Batman’ (Hamilton, Sprang and Paris).

‘Batman and Robin’s Most Thrilling Action Roles’ began with a tension-packed mystery: ‘The Underseas Batman’ (Hamilton, Sprang and Paris), then explored the Wayne’s Scottish connections in ‘The Lord of Batmanor’ (Hamilton, with the assistance of his wife Leigh Brackett, Sprang and Paris) and again tapped into the Westerns zeitgeist with ‘Batman – Indian Chief’ (France Herron, Moldoff and Kaye).

‘The Jungle Batman’ (David Vern Reed, Schwartz and Paris) is pure escapist joy and we get a then-rare glimpse of Bruce Wayne’s training in ‘When Batman Was Robin’ (Hamilton, Sprang and Paris) before returning to foiling deathtraps with ‘Batman the Magician’ (Finger, Moldoff and Paris) and this section concludes with a pivotal tale ‘Batman – The Superman of Planet X’ (Herron, Sprang and Paris): one that forms a key thematic plank of Grant Morrison’s epic Batman R.I.P. storyline.

The third Annual (these too came far more frequently than once a year) featured ‘Batman and Robin’s Most Fantastic Foes’ beginning with ‘The Mad Hatter of Gotham City’ (Finger, Moldoff and Paris), special-effects bandit ‘The Human Firefly’ (Herron, Sprang and Paris) and hyper cerebral mutant ‘The Mental Giant of Gotham City’ (Hamilton, Sprang and Paris) before the Clown Prince of Crime stole the show with a team of skullduggery specialists in ‘The Joker’s Aces’ (Reed, Schwartz and Kaye).

Eerie and hard-hitting ‘The Gorilla Boss of Gotham City‘ (Reed, Schwartz and Kaye) was one of DC’s earliest Ape epics, and although the gripping ‘The New Crimes of Two-Face’ (Finger, Schwartz and Paris) starred a stand-in for the double-dealing psychopath the ‘The Mysterious Mirror Man’ (Finger, Moldoff and Paris) was the genuine article and well worth a modern do-over.

For me Christmas is inextricably linked to Batman. From my earliest formative years every Yule was capped by that year’s British hardcover annual, often reprints of the US comics (somewhat imaginatively coloured) but occasionally all-new prose stories liberally illustrated and based slavishly on the Adam West/Burt Ward TV series.

As I grew older and became a more serious reader and collector (the technical term is, I believe, addict) I became an avid appreciator of the regular seasonal tales that appeared in Batman or Detective Comics and the “golden Age Classics” that too infrequently graced them.  Over the decades some of Batman’s very best adventures have occurred in the “Season of Good will” and why DC has never produced a Batman Christmas Album is a mystery even the World’s Greatest Detective could not solve…

This book might not actually contain any X-Mas Exploits but it is the kind of present I would have killed or died for all those hundreds of years ago, so how can you possibly deny your kids the delights of this incredibly enjoyable book? And just like Train Sets, Scalextric and Quad Bikes when I say kids of course I mean “Dads”…

© 1961, 1962, 2009 DC Comics. All Rights Reserved.

Posted on

Batman: The Black Casebook


By various (DC Comics)
ISBN: 978-1-84856-312-4

Despite having his name writ large on the cover the only thing Grant Morrison produced for this weird and wonderful collection is the introduction, so if he’s the reason you buy Batman you’re in for a little disappointment. However if you feel like seeing the incredible stories that inspired him, then you’re in for a bizarre and baroque treat as this collection features a coterie of tales considered far too outlandish and fanciful to be canonical for the last few decades but now reintroduced to the mythology of the Dark Knight as a casebook of the “strangest cases ever told!”.

Tales from the anodyne 1950s (with just a little overlapping touch of the 1960s) always favoured plot over drama – indeed a strong argument could be made that all DC’s post-war costumed crusaders actually shared the same character (and yes I’m including Wonder Woman) – so the narrative drive focuses on comfortably familiar situations and outlandish themes and paraphernalia: but as a kid they simply blew me away. They still do.

Starting things off is a ‘A Partner for Batman’ (Batman #65 June/July 1951) by Bill Finger, Lew Sayre Schwartz and Charles Paris, wherein Batman’s training of a foreign hero is misconstrued as a way of retiring Robin, whilst a trip out west introduces the Dynamic Duo to their Native American analogues in ‘Batman… Indian Chief!’ (issue #86, September 1954, by France Herron, Sheldon Moldoff and Stan Kaye), and ‘The Batmen of All Nations!’ (Detective Comics #215, January 1955 by Edmond Hamilton, Moldoff and Paris) took the sincere flattery a step further by introducing nationally-themed imitations from Italy, England, France, South America and Australia, all attending a convention that’s doomed to disaster…

A key story of this period introduced a strong psychological component to Batman’s origins in ‘The First Batman’ (Detective Comics #235, September 1955) courtesy of Finger, Moldoff and Kaye, and the international knock-offs returned to meet Superman and a new shocking mystery hero in ‘The Club of Heroes’ (Worlds Finest Comics #89, July/August 1957 by Hamilton and the magnificent Dick Sprang and Stan Kaye).

‘The Man who Ended Batman’s Career’ introduced the malevolent Professor Milo (Detective Comics #247, September 1957, Finger, Moldoff & Paris) who used psychological warfare and scientific mind-control to attack our heroes. The same creative team brought him back for an encore in Batman #112, in ‘Am I Really Batman?’

France Herron scripted one of Sprang and Paris’ best ever art collaborations in the incredible, spectacular ‘Batman… Superman of Planet X!’ (Batman #113, February 1958) and Finger, Moldoff & Paris introduced the Gotham Guardian’s most controversial “partner” in ‘Batman Meets Bat-Mite’(Detective Comics #267, May 1959), but ‘The Rainbow Creature’ (Batman #134, September 1960) is a rather tame monster-mash from Finger and Moldoff which only serves to make the next tale more impressive.

‘Robin Dies at Dawn’ is an eerie epic which first appeared in Batman #156, June 1963 by Finger, Moldoff & Paris (supplemented by, but not dependent upon, a Robin solo adventure sadly omitted from this collection). In it Batman experiences truly hideous travails on an alien world culminating in the death of his young partner. I’m stopping there as it’s a great story and plays a crucial part in the latter day sagas Batman: R.I.P., and The Black Glove. Buy this book and read it yourself…

But wait: There’s more! From the very end times of the old-style tales comes the inexplicably daft but brilliant ‘The Batman Creature!’ (Batman #162, March 1964) by an unknown writer, Moldoff and Paris, wherein Robin and Batwoman must cope with a Caped Crusader transformed into a rampaging giant monster. Shades of King Kong, Bat-fans!

Even though clearly collected to cash in on the success of the modern Morrison vehicle these stories have an intrinsic worth and power of their own, and these angst-free exploits from a different age still have a magic to captivate and enthrall. Do not dismiss them and don’t miss this book!

© 1951, 1954-1960, 1963, 1964, 2009 DC Comics. All Rights Reserved.

Posted on

Batman: Sword of Azrael


By Dennis O’Neil, Joe Quesada & Kevin Nowlan (DC Comics)
ISBN: 978-1-56389-100-7

Almost a lost classic now, this impressive fast-paced romp (originally released as a four issue miniseries and teaser-prelude to the KnightFall comics publishing event) catapulted artist Joe Quesada (superbly inked by the incredible and far too rarely seen Kevin Nowlan) to the forefront of hot “name artists” after a relatively anonymous introduction to the industry as a colourist/penciller at Valiant Comics and illustrator on DC’s TSR licensed Spelljammer series and Question Quarterly.

Here given a full creative head he combines with Dennis O’Neil, probably the most efficiently prolific of modern Bat-scribes, to introduce a young medical student to the DC universe, but one with a centuries-old secret.

When international arms dealer Carlton LeHah embezzles millions of dollars from a hidden warrior-cult with origins dating back to the Crusades their avenging assassin Azrael tracks him down but is unprepared for the cutting edge weaponry Lehah has awaiting him.

Wounded unto death the Knight of St. Dumas activates his final resource: his own son. Programmed since birth, trained to kill and augmented by the implanted skills of uncounted deadly soldiers of a fanatical organization, the new Azrael goes hunting…

Meanwhile Bruce Wayne has been hunting the murderous forces loose in his city but he too is unprepared for Lehah who has since graduated to the next stage of a martial madness. Believing himself the physical avatar of the Demon Biis, he has been stalking the last cult-members, sowing death and destruction wherever he appears. When he captures Batman, faithful Alfred and the new Azrael are all that remains to prevent a global catastrophe…

Sharp, clever, hypnotically adrenaline-charged and strikingly illustrated, this mini-classic (only 112 pages including Archie Goodwin’s introduction, sketch pages and cover gallery) is about due for a 21st century upgrade, but if not there’s always your favourite comics vendor or internet retailer…
© 1989, 2008 DC Comics. All Rights Reserved.

Posted on

Batman: Detective #27


By Michael Uslan & Peter Snejbjerg with Lee Loughridge (DC Comics)
ISBN: 1-4012-0185-7

For a brief while DC’s experimental Elseworlds imprint, where familiar characters and continuity were radically or subtly re-imagined, was a regular hive of productivity and generated some wonderful – and quite a few ridiculous – stories. Moreover by using what the reader thought he/she knew as a springboard, the result, usually constricted into a single story, had a solid and resolute immediacy that was often diluted by regular, periodical publications where the illusion of change always trumped actual innovation in long-running characters.

A fine example is this intriguing pulp mystery and generational drama that blends the lineage of the Wayne family of Gotham City with covert societies and the secret history of the United States of America.

April 1865, Washington DC: President Lincoln overrides the objections of Allan Pinkerton (who had created the Secret Service to protect him) and goes to see “Our American Cousin” at Ford’s Theatre. His assassination prompts the security genius to create a dedicated clandestine force beyond the reach of everything but their mission and their own consciences…

April 1929, Gotham City: a doctor, his wife and their young son exit a movie theatre where they have thrilled to the exploits of Douglas Fairbanks as Zorro. Suddenly sneak thieves confront them and in the struggle Thomas and Martha Wayne are gunned down, leaving a grieving boy kneeling over their bloody corpses. The family butler Alfred packs the coldly resolute boy off on a decade-long world tour to study with masters of criminology around the globe…

Lincoln’s murder was planned by a cabal of Confederate plotters named the Knights of the Golden Circle. Their leader, an early geneticist named Josiah Carr, outlines a Doomsday vengeance plot that will take decades to complete…

January 1st 1939: Bruce Wayne returns to Gotham ready to begin his life’s mission but is diverted when crusading newspaperman Lee Travis reveals the existence of the Secret Society of Detectives and invites the young man to become their 27th operative since Pinkerton…

Charming and relentlessly compelling, this superb thriller follows two time-lines as the founding Detective hunts the Golden Circle through the years enlisting the covert aid of many historical figures such as Kate Warne (America’s first female detective), journalist and President-to-be Teddy Roosevelt and biologist/monk Gregor Mendel whilst Wayne closes in on the climax of the Doomsday plot with the aid of Babe Ruth and Sigmund Freud, facing customised versions of such classic Bat-foes as Catwoman, Scarecrow, Hugo Strange and the Joker.

There’s even a cameo from the Golden Age Superman as well as a magnificent surprise ending to this two-fisted tribute to the “Thud-and-Blunder” era of the 1930s pulps… This is a conspiracy thriller stuffed to overflowing with in-jokes, referential asides, pop culture clues and universal icons that make The Da Vinci Code look like a bunch of dry words on dusty paper. The only flaw is that writer Uslan and artists Snejbjerg and Loughridge were never able to create a sequel…

And just in case you’re wondering… Detective Comics #27 (May 1939) featured the very first appearance of a certain Dark Knight…
© 2003 DC Comics. All Rights Reserved.

Posted on

Batman: the Strange Deaths of Batman


By various (DC Comics)
ISBN: 978-1-84856-138-0

Compiled on the coat-tails of the Batman RIP publishing event this delightfully eccentric collection celebrating the recurrent demise of the Gotham Guardian digs up a few oddments and some genuine valuable artifacts to amuse, enthrall and amaze.

The wonderment begins with the quirkily eponymous ‘The Strange Death of Batman!’; a highly experimental mystery that first appeared in Detective Comics #347 (January 1966) literally moments before the Dynamic Duo became household names all over the globe due to that incredibly popular TV show. Written by Gardner Fox and illustrated by Carmine Infantino and Joe Giella, it featured possibly Batman’s daftest super-foe – the Bouncer – but still delivers action, drama and an intriguing conundrum to challenge the reader.

It’s followed by ‘Robin’s Revenge’ from World’s Finest Comics #184 (May 1969) wherein writer Cary Bates and artists Curt Swan and Jack Abel recount the imaginary story (see the review for DC’s Greatest Imaginary Stories, ISBN: 978-1-4012-0534-8 for a definition if the term is unknown to you) of Batman’s murder and the dark path that event takes the Boy Wonder down, with a hapless Superman as stand-in guardian helpless to forestall the seemingly inevitable further tragedy…

‘The Corpse that Wouldn’t Die!’ is a superb tale guest-starring the Atom taken from team-up title the Brave and the Bold #115 (October/November 1974). Written by Bob Haney and magnificently drawn by Jim Aparo it details how the Gotham Guardian is killed in the line of duty and how the Tiny Titan reanimates his corpse to conclude the case that finished him…

Next up is an extended saga from Batman #291-294 (September to December 1977) written by author David V Reed and illustrated by John Calnan and Tex Blaisdell. Over four deviously clever issues ‘Where Were You the Night Batman was Killed?’ sees the hordes of costumed foes the Caped Crusader crushed assemble to verify the stories of various felons claiming to have done the deed. This thematic partial inspiration for the recent Neil Gaiman “Last Batman Story” kicks off with ‘The Testimony of the Catwoman’, and follows with the testimonies of the Riddler, Lex Luthor and the Joker before satisfactorily concluding in a grand manner.

‘Buried Alive!’ by Gerry Conway, Rick Buckler and Frank McLaughlin (World’s Finest Comics #269 June/July1981) finds Superman and Robin desperately racing against time hunting for the madman who entombed the Batman, whilst ‘The Prison’ written and inked by John Stanisci, with Sal Buscema pencils, is a moody character piece featuring the post-mortem reflections of Talia, Daughter of the Demon Ra’s Al Ghul which originally appeared in Batman Chronicles #8, Spring 1997.

This odd but engaging tome ends with a frilly, fluffy fantasy from Nightwing #52, (February 2001) as Catwoman imagines a morbidly mirthful ‘Modern Romance’ courtesy of Chuck Dixon, Greg Land and Drew Geraci.

Themed collections can be a rather hit-or-miss proposition, but the quality and variety of these inspired selections makes for a highly enjoyable read and the only regret I can express is that room couldn’t be found to include the various covers that fronted the tales. Include those in a new edition and you’d have a book to die for…

© 1966, 1969, 1974, 1977, 1981, 1997, 2001, 2009 DC Comics. All Rights Reserved.