House of M Ultimate Edition


By Brian Michael Bendis, Olivier Coipel, Tim Townsend & various (Marvel/ Panini UK)
ISBN: 978-0-184653-582-6

Once upon a time the mutant Scarlet Witch married the android Vision and they had – through the agency of magic and Wanda Maximoff‘s undiagnosed ability to reshape reality – twin boys. Over the course of time it was revealed that her sons were not real, and as the years passed the shock of that revelation drove her insane.

After tipping completely over the edge Wanda engineered the destruction of her other family – the vast and varied assemblage of superheroes called the Avengers – and even caused the death of former husband and some of her oldest friends.

The World’s Mightiest Heroes were shut down and rebooted in a highly controversial storyline known as Avengers Disassembled, which resulted in the formation of both The New and Young Avengers. The publishing event also spilled over into the solo titles of team members and affiliated comicbooks such as the Fantastic Four and Spectacular Spider-Man, which all ran parallel story-arcs to accompany the Big Show.

Said Show consisted of the worst day in the team’s history as the Witch manipulated people and events: betraying her oldest, closest companions and causing the destruction of everything they held dear. The chaos-storm was only ended when mystic master Doctor Strange and mutant patriarch Charles Xavier took the dazed and crazed Wandainto their personal care.

This follow-up company crossover conjunction – released originally and primarily as an 8-issue miniseries from August to November 2005 – saw reality rewritten again as Wanda apparently had another major lapse in concentration; rejigging history such that mutants now dominated a society where normal humans (“sapiens”) were an acknowledged evolutionary dead-end living out their lives and destined for extinction within two generations. Moreover her true father Magneto ruled the mutants, head of a glorious dynasty which exerted political control over the entire planet.

It took a dedicated band of heroes and a great deal of luck to put that genie back in a bottle, but in the aftermath almost no mutants were left…

Re-presenting the core fortnightly miniseries House of M this Ultimate Edition also contains covers and variants by Esad Ribic, Joe Quesada, Terry Dodson, John Cassaday, Brandon Peterson, Mike McKone, Greg Land, Salvador Larocca, Chris Bachalo and Joe Madureira, as well as a critical overview of the tale and its attendant spin-off miniseries entitled ‘The Legacy of the House of M’, but annoyingly only a quarter of The Pulse – an inspired 12 page faux issue of that world’s top mutant gossip mag, which offered engaging and pertinent snippets of congruent stories in other titles…

Following a handy scene-setting recap page the drama begins in devastated former mutant homeland Genosha, where Xavier frustratedly admits that his psychic surgeries are not helping Wanda.

The desire to restore her non-existent children is too strong and she constantly tinkers with reality to make her whims real. After much impassioned debate with her despondent father Magneto and brother Quicksilver, Professor X finally admits defeat and considers other options…

Meanwhile in New York Wonder Man, Ms. Marvel and The Falcon visit the New Avengers at Stark Tower preparatory to the latest iteration of the team going public. Thus they are on hand when the X-Men come calling: summoned by Xavier to discuss the final fate and disposition of the Scarlet Witch.

In Genosha her father and brother argue on: one seeing no option but the final sanction and the other determined that Wanda must not die.

Opinion is just as divided amongst Avengers and X-Men. Unable to reach a decision, the assemblage opt to visit Wanda and try to get through to her one last time, but by the time they reach Genosha she is gone.

Fearing the world might end at any second they frantically search until they are all consumed by a blinding light…

The second chapter begins in a very different New York, where decrepit nonagenarian war hero Steve Rogers draws a well deserved pension, millionaire celebrity Peter Parker, his wife Gwen and their son Richie as well as May and Ben Parker all live in lofty luxury and teeming billions of mutants run the world, all safeguarded and policed by colossal robotic Sentinels…

All the heroes who sought out the Witch now live perfect lives that match their deepest, most secret hearts’ desires, but there is a painful undercurrent of tension amongst the rapidly declining, soon to be extinct Homo Sapiens…

Wolverine awakes screaming. His greatest desire has always been to recover his lost memories: destroyed and discarded by more than a century of brainwashing, mind-wiping and intervention by a succession of sinister enemies. As consciousness returns he remembers everything.

Especially how a moment ago the world was completely different…

In this new universe he is leader of an elite team of mutant peacekeepers. The Red Guard are the prime enforcers of the House of M and agents of the Royal Family of Magneto: de facto rulers of Earth.

Appalled, he leaps from the ominous floating aircraft carrier dominating New York and plunges to Earth…

Healing factor in overdrive he then lurches through the streets of the city searching for Xavier and a solution to this insurmountable problem. Hard on his heels are his former subordinates in the Red Guard, all convinced their ruthless commander has gone crazy.

In his frantic flight, the desperate fugitive stumbles into old comrade Luke Cage who is, in this world, a cunning gangster leading a band of human rebels fighting mutant oppression. Shockingly, amongst his motley crew is masked archer Hawkeye – one of the cruellest casualties of the Scarlet Witch’s first killing spree…

Playing with his grandchild in the idyllic paradise of Genosha, Magneto is unaccountably troubled at the perfection of his existence even as, in New York, Sentinels track and attack Cage’s “Human Avengers”. Thanks to teleporter Cloak, Wolverine and a few of the gang escape, taking with them a strange little girl named Layla Miller.

She is a mutant and amongst her arcane and undisclosed power-set is the ability to reawaken a person’s memories of the world Wanda overwrote…

Convinced Magneto had used his crazy daughter to remake the world to his advantage, Wolverine is exultant to have a weapon that can offset all the dictator’s advantages, and with Cage begins tracking down and restoring his former allies. The game plan remains unchanged: find Xavier and use his telepathic powers to force the Witch to restore the real world.

In Genosha, meanwhile, Magneto again finds himself drawn to the simple tomb of his greatest friend and occasional enemy Charles…

The next stage in Wolverine’s campaign is to use his now restored and grimly determined Avenger and X-Men allies to take control of the helicarrier above New York, piloting it to Genosha and engaging the House of  M’s forces whilst Layla works her own special mutant magic and reawakened mystic master Stephen Strange deals with Wanda…

Throughout the horrifying ordeal everybody involved has assumed that Magneto made his daughter reorder reality to suit his dark ambitions, but the Doctor’s confrontation shockingly reveals a different hand and motive behind the grand change and, as the universe begins to unravel once more, the appalled and furious Master of Magnetism unleashes his own power against the traitor who betrayed his friends, family, species and planet…

…And at the heart of the chaos and carnage Wanda Maximoff, whether at the peak of her madness or in a chilling moment of clarity, utters three little words.

“No more Mutants”…

Dawn breaks on New York City and all the battered participants at the centre of the apocalyptic struggle awake in their own – as far as they know – proper beds. For those that remember, the world seems back to its true state, but after gathering together the shell-shocked protagonists compare notes and realise some things don’t jibe.

Wolverine still has all the memories of his long and previously clouded life; Wanda has vanished; there is evidence that Hawkeye might be alive again and, most unbelievable of all, the almost one million members of the mutant sub-species are now only human.

Across the Earth less than 200 super-powered Homo Superior remain. Governments are scrabbling to process the fact and form policies whilst the pedagogues of the religious right claim God has smitten the unclean and exhort decent – human – men and women to finish the good work…

Scientist Henry Pym has an even more chilling warning. Reminding us of Einstein’s dictum “Energy cannot be created or destroyed, it can only be changed from one form to another”, he ominously ponders on where all the powers, radiations and assorted exotic energies formerly wielded by the ex-mutant population have gone…

To Be Continued…

Although Marvel continuity was skilfully interwoven throughout the event, this particular tale stands alone perfectly without any need to refer to the many attendant miniseries: offering an engaging, fast-paced thriller by Brian Michael Bendis, Olivier Coipel & Tim Townsend, brimming with tension and stuffed with bombastic action

House of M is an action-packed, spectacular adventure that will delight lovers of epic Fights ‘n’ Tights fantasy and beguile casual readers looking for an easy entry into the madcap world of Costumed Dramas.

™ & © 2005 and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Superman volume 1: No Limits!


By Jeph Loeb, Mark Schultz, Joe Kelly, Stuart Immonen, Mark Millar, Mike McKone, Dough Mahnke, German Garcia, Joe Phillips, Marlo Alquiza, Tom Nguyen, Joe Rubinstein, Rich Farber & various (DC Comics)
ISBN: 978-1-56389-699-0

The Man of Tomorrow has proven to be all things to most people over more than three quarters of a century of drama and adventure, with Jerry Siegel & Joe Shuster’s iconic Superman now practically unrecognisable to most fans after the latest radical shake-up. Nevertheless, every refit and reboot has resulted in appalled fans and new devotees in pretty much equal proportion, so perhaps the Action Ace’s greatest ability is the power to survive change…

Although largely out of favour these days as all the myriad decades of accrued mythology are inexorably re-assimilated into an overarching, all-inclusive multi-media dominant, film-favoured continuity, the grittily stripped-down, post-Crisis on Infinite Earths Man of Steel (as re-imagined by John Byrne and superbly built upon by a succession of immensely talented comics craftsmen) resulted in some stunning high points.

As soon as the Byrne restart had demolished much of the mythology and iconography which had grown up around the “Strange Visitor from Another World” over fifty glorious years, successive creators began spending a great deal of time and ingenuity putting much of it back, albeit in terms more accessible to a cynical and well-informed audience far more sophisticated than their grandparents ever were.

Even so, by the mid-1990’s Byrne’s baby was beginning to look a little tired and the sales kick generated by the Death of and Return of Superman was fading fast, so the decision was made to give the big guy a bit of a tweak for the fast-approaching new millennium: bringing in new writers and artists and gradually moving the stories into more bombastic, hyper-powered territory.

The fresh tone was augmented by a new sequence and style of trade paperback editions and this initial (not strictly chronological) collection gathers material from Superman #151-153, Superman: Man of Steel # 95-97, Action Comics #760-761 and The Adventures of Superman #574, covering December 1999-March 2000.

It spectacularly opens with ‘We’re Back!’ by Jeph Loeb, Mike McKone & Marlo Alquiza from Superman #151, which sees the Daily Planet restored, rebuilt and returned to glory after a dark period under the ownership of Lex Luthor, allowing Lois Lane-Kent plenty of opportunities for reflection, remembrance and handy recapping before the sinister son of alien marauder Mongul explosively crashes to earth…

Mark Schultz, Doug Mahnke & Tom Nguyen then reveal that ‘Krypton Lives’ (Superman: Man of Steel # 95) as a Superman robot malfunctions in the Antarctic allowing humans to enter the Fortress of Solitude, triggering the escape of a bizarre string of ancient yet impossibly alive Kryptonian artefacts and creatures.

Forced to destroy the last vestiges of his alien heritage, Kal-El returns to Lois thinking that a precious chapter of his life is over, but he couldn’t be more wrong…

‘Deadline U.S.A.’ (Superman #152, Loeb, McKone & Alquiza) resumes the interrupted battle with Mongul Jr., but all conflict ceases when the mammoth monster finally gets the Man of Steel to stop hitting and listen…

The beast has come to warn of a vast, universe-ending threat and, in conjunction with Luthor, is offering to train Superman to beat it…

There are more pedestrian but no less distracting problems in store. During his sparring with Mongul, Jimmy Olsen took a photo of Superman’s hand sporting a wedding ring. Now the picture has leaked, driving the media into a frenzy…

‘Something Borrowed, Something Blue’ (by Stuart Immonen, Mark Millar, Joe Phillips & Rich Faber from Adventures of Superman #574) follows that strand as old foe and potential bunny-boiler Obsession resurfaces in a Superwoman outfit, claiming to be the much-sought Mrs. Superman. However her deranged tantrum leads to nothing but tragedy and disaster…

Action Comics #760 by Joe Kelly, German Garcia & Joe Rubinstein then focuses on ‘…Never-Ending Battle…’ as a small army of minor menaces and misfits lead the Man of Tomorrow to Latina sorceress La Encantadora who makes magic and sells slivers of Kryptonite to thugs trying to lay our hero low.

Even when the elusive enchantress is finally corralled, she delivers one last surprise which will make much mischief for the Last Son of Krypton…

Returning ‘Home’ (Schultz, Mahnke & Nguyen; Superman: Man of Steel # 96) Clark Kent finds his Metropolis apartment has been transformed into a terrifying outpost of his destroyed birthworld, courtesy of renegade miracle machine The Eradicator. In the resultant clash Superman looks doomed to destruction until Lois takes decisive action…

Her valiant nature is truly tested in Action Comics #761 as Kelly, Garcia & Rubinstein show Lois abandoned when Wonder Woman asks the Man of Tomorrow to join her in a battle beside gods against devils.

For the feisty journalist it’s mere days until Clark returns, but she’s blissfully unaware that her husband and the perfect warrior woman have been comrades – and more – ‘For a Thousand Years…’

The last Christmas of the 20th century ends as ‘Say Goodbye’ (Superman #153, Loeb, McKone & Alquiza) at last sees the Action Ace head for space with Mongul to battle Imperiex, Destroyer of Galaxies who has targeted the Milky Way for destruction…

When the pair implausibly triumph, Mongul instantly betrays his erstwhile pupil and only a violent intervention by bounty hunter Lobo prevents a travesty…

What nobody knows is that the Imperiex so recently exploded is nothing more than a fractional drone of the real cosmic obliterator and the real deal is now really ticked off…

This initial chronicle then closes with Schultz, Mahnke & Nguyen’s ‘Bridge the Past and Future’ (Superman: Man of Steel # 97) wherein John Henry Irons – AKA Steel – and his niece Natasha, hi-tech armourers to the City’s police force, join Superman in battling the possessed personification of the Eradicator, still hell-bent on making Earth an outpost of lost Krypton but now afflicted by an all-too human consciousness …

With covers by Phil Jimenez, Dwayne Turner & Danny Miki, Ian Churchill & Norm Rapmund, Bryan Hitch & Paul Neary, this blistering collection features less of a re-imagination and more of a reorientation for the greatest of all superheroes, but the scale, spectacle and human drama of these tales will still delight all fans of pure untrammelled Fights ‘n’ Tights fiction.
© 1999, 2000 DC Comics. All Rights Reserved.

All Star Comics Archives volume 0


By Gardner Fox, Jerry Siegel, Ken Fitch, Bill Finger, John B. Wentworth, Sheldon Moldoff, Sheldon Mayer, Albert & Joseph Sulman, Creig Flessel, Jon L. Blummer, Martin Nodell, E.E. Hibbard, Chad Grothkopf, Stan Aschmeier, Bernard Baily, Howard Purcell, William Smith & various (DC Comics)
ISBN: 978-1-4012-0791-X

I will never stop saying it: the creation of the Justice Society of America in 1941 utterly changed the shape of the budding comicbook industry. However before that team of All-Stars could unite they had to become popular enough to qualify, and this slim yet superb hardcover sampler gathers a selection of individual exploits featuring many of the soon-to-be beloved champions who would populate the original big team and guarantee their immortality long after the Golden Age of American Comics ended.

Following the runaway successes of Superman and Batman, both National Comics and its wholly separate-but-equal publishing partner All-American Comics were looking for the next big thing in funnybooks whilst frantically concentrating on getting anthology packages into the hands of the hungry readership. Thus All Star Comics: conceived as a joint venture to give the characters already in their stables an extra push towards winning an elusive but lucrative solo title.

As scrupulously detailed in Roy Thomas’s history-packed Foreword, characters from Flash Comics, Adventure Comics, More Fun Comics and All-American Comics were bundled into the new quarterly and ‘A Message from the Editors’ asked readers to vote on the most popular, even offering copies of forthcoming issues as prizes/bribes for participating…

The merits of the project would never be proved: rather than a runaway favourite graduating to their own starring vehicle, something different evolved. With the third issue, prolific scripter Gardner Fox apparently had the smart idea of linking the solo stories through a framing sequence as the heroes got together for dinner and a chat about their most recent cases.

With the simple idea that Mystery Men hung around together, history was made and from #4 the heroes would regularly unite to battle a shared foe…

This slim sublime hardcover tome collects the stories from the first two All Star Comics (cover-dated Summer and Fall 1940) and opens with a tale of a fantastic winged warrior…

Although perhaps one of DC’s most resilient and certainly their most visually iconic character, iterations of Hawkman have always struggled to find enough of an audience to sustain a solo title.

From his beginnings as one of the B-features in Flash Comics, Carter Hall has shone through assorted engaging, exciting but always short-lived reconfigurations. Over decades from ancient hero to re-imagined alien space-cop and post-Crisis on Infinite Earths freedom fighter, or the seemingly desperate but highly readable mashing together of all previous iterations into the reincarnating immortal berserker-warrior of today, the Pinioned Paladin has performed exemplary service without ever really making it to the big time.

Created by Gardner Fox & Dennis Neville, he premiered in Flash Comics #1 (January 1940) and stayed there, growing in quality and prestige until the title died, with the most celebrated artists to have drawn the Winged Wonder being Sheldon Moldoff and Joe Kubert, whilst a young Robert Kanigher was justly proud of his later run as writer.

Together with his partner Hawkgirl/Hawkwoman, the gladiatorial mystery-man countered uncanny and fantastic arcane threats, battled modern crime and opposed tyranny with weapons of the past for over a decade before vanishing with the bulk of costumed heroes as the 1950s began.

His last appearance was in All Star Comics #57 (1951) as leader of the Justice Society of America, before the husband-and-wife hellions were revived and re-imagined nine years later as Katar Hol and Shayera Thal of planet Thanagar by Julie Schwartz’s crack creative team Gardner Fox, Joe Kubert & Murphy Anderson…

Their long career, numerous revamps and perpetual retcons ended during the 1994 Zero Hour crisis, but they’ve reincarnated and returned a couple of times since then too…

Here Fox & Sheldon Moldoff offered the eldritch saga of ‘Sorcerer Trygg’ wherein the still-bachelor hero travelled to the mountains of Wales to crush a callous capitalist making zombies to work the mines he had stolen from his nephew and niece…

The Sandman premiered in either Adventure Comics #40 July 1939 (two months after Batman debuted in Detective Comics #27) or two weeks earlier in New York World’s Fair Comics 1939, depending on which distribution records you choose to believe. He was originated by and illustrated by multi-talented all-rounder Bert Christman – with the assistance of young scripting star Gardner Fox.

Head utterly obscured by a gas-mask and slouch hat; caped, business-suited millionaire adventurer Wesley Dodds was cut from the radio drama/pulp fiction mystery-man mould that had made The Shadow, Green Hornet, Black Bat and so many more household names and monster hits of early mass-entertainment and periodical publication.

Wielding a sleeping-gas gun and haunting the night to hunt killers, crooks and spies, he was eventually joined and accompanied by plucky paramour Dian Belmont, before gradually losing the readers’ interest.

His fortunes were revitalised when Joe Simon & Jack Kirby took over the feature, but here in his salad days Fox & Chad Grothkopf spectacularly pitted him against ‘The Twin Thieves’ baffling and bamboozling the hapless cops with their murderous jewel capers…

Gary Concord, the Ultra-Man premiered in All-American Comics #8 November 1939, the son of a 20th century scientist who had awoken from a suspended animation sleep in 2174AD with incredible physical abilities.

His son inherited his attributes and became the guardian of a troubled future and official “High Moderator of the United States of North America”.

Created by Jon L. Blummer – working as “Don Shelby” – the Buck Rogers-inspired serial ran until issue #19 and is represented here with the then-topical treat ‘The European War of 2240’ wherein a conflict orchestrated in a foreign zone allowed a scurrilous third party nation to attempt seizing control of neutral America’s Uranium mines. Naturally the bombastic Ultra-Man quickly scotched the scheme and restored peace and prosperity to the world…

Devised, created and written by Gardner Fox and first drawn by Harry Lampert, Jay Garrick debuted as the very first Monarch of Motion in Flash Comics #1 and quickly – how else? – became a veritable sensation. He was the first AA character to win a solo title, mere months after All-Star Comics #3 hit the newsstands.

The Fastest Man Alive wowed readers in anthologies Flash Comics, Comics Cavalcade and All Star as well as All-Flash Quarterly for just over a decade before changing tastes benched him and most other Mystery Man heroes in the early1950s.

His invention as a strictly single-power superhero created a new trend in the burgeoning action-adventure funnybook marketplace, and his particular riff was replicated many times at various companies where myriad Fast Furies sprang up.

Then after over half a decade of mostly interchangeable cops, cowboys and cosmic invaders, the concept of human rockets and superheroes in general was spectacularly revived in 1956 by Julie Schwartz in Showcase #4 when police scientist Barry Allen became the second hero to run with the concept. It’s been non-stop ever since …

Here Garrick speedily solves ‘The Murder of Widow Jones’ (by Fox and signature illustrator Everett E. Hibbard) in the time it took the cops to simply report that a crime has been committed…

The Spectre is one of the oldest characters in DC’s vast stable of characters, created by Jerry Siegel & Bernard Baily in 1940 and debuting with a 2-part origin epic in More Fun Comics #52-53.

For a few years the Ghostly Guardian reigned supreme in the title with flamboyant and eerily eccentric supernatural thrillers, but gradually he slipped from popularity as firstly Dr. Fate and successively Johnny Quick, Aquaman, Green Arrow and finally Superboy turned up to steal the show. By the time of his last appearance the Spectre had been reduced to a foil for his own comedic sidekick Percival Popp, the Super-Cop…

The Ghostly Guardian was Jim Corrigan, a hard-bitten police detective who was about to marry rich heiress Clarice Winston when they were abducted by mobster Gat Benson. Stuffed into a barrel of cement and pitched off a pier, Corrigan died and went to his eternal reward. Almost…

Rather than finding Paradise and peace, Corrigan’s spirit was accosted by a glowing light and disembodied voice which, over his strident protests, ordered him to return to Earth to fight crime and evil until all vestiges of them were gone…

Just like Siegel’s other iconic creation, the Dark Man suffered from a basic design flaw: he was just too darn powerful. Unlike the vigorously vital and earthy early Superman, however, the arcane agent of justice was already dead, so he couldn’t be logically or dramatically be imperilled.

Of course in those far-off early days that wasn’t nearly as important as sheer spectacle: grabbing the reader’s utter attention and keeping it stoked to a fantastic fever pitch. This the Grim Ghost could do with ease and always-increasing intensity.

In ‘The Tenement Fires’ Siegel & Baily pulled out all the stops for a sinister struggle against merciless arsonists and the Ethereal Avenger recruited the recently murdered victims to help dispense final judgement…

Although we think of the Golden Age as a superhero wonderland, the true guiding principle was variety. Almost every comicbook alsooffered a range of genre features from slapstick comedy to prose thrillers to he-man adventure on its four-colour pages, and More Fun Comics had its fair share of straight adventurers like freelance troubleshooter Biff Bronson, who debuted in #43 (May 1939) with sidekick Dan Druff for a near 30-issue run thrashing thugs, crushing crooks and exposing espionage. He last appeared in #67.

Here the special agent exposes scurvy spy ‘The Great Remembo’ in a smart thriller deftly detailed by brothers Albert & Joseph Sulman.

At this time all comicbooks also featured a prose story, and in All Star #1 Publisher Max Gaines’ niece Evelyn contributed a fanciful science fiction romp entitled ‘Exile to Jupiter’ that wasn’t up to much but was graced with illustrations by the wonderful Sheldon Mayer.

The comics sagas resumed with The Hour-Man stepping in to combat ‘The Forest Fires’ in a moody drama by Ken Fitch & Bernard Baily. He had started strongly in Adventure Comics #48 (March 1940) but slowly ran down until he faded away in #83, February 1943.

“Tick-Tock Tyler, the Hour-Man” began by offering his unique services through classified ads to any person in need. Chemist Rex Tyler had invented a drug he called Miraclo which super-energised him for 60 minutes at a time and here he helped beleaguered loggers enduring sabotage and murder…

The first issue closed with long-lived and much loved light-hearted military strip Red, White and Blue by Jerry Siegel & William Smith.

Marine Sergeant Red Dugan, Whitey Smith of the US Army and naval Rating Blooey Blue were good friends who frequently worked for military intelligence service G-2 whilst saving trouble magnet Doris West from her own dangerously inquisitive nature…

The series began with All-American Comics #1 April 1939 and ran there and in sundry other titles such as World’s Finest Comics until 1946, with the trio turning up all over the world solving the USA’s problems.

Here they found themselves despatched to Alaska to find a missing G-2 agent, only to discover Doris already there exposing a slow infiltration by sneaky Asiatics of an ostensibly neutral nation in ‘The Volcano Invasion’…

All Star Comics #2 immediately follows with Hawkman (by Fox & Moldoff) fighting an Aztec cult in America and the jungles of Mexico, desperately seeking to rescue the latest kidnapped ‘Sacrifice for Yum-Chac’…

Green Lantern then debuted in ‘The Robot Men’ by Bill Finger & Martin Nodell. Technically the Emerald Gladiator was first seen All-American Comics #16 (July 1940 and practically simultaneously with this All Star appearance), devised by up-and-coming cartoonist Nodell and fully fleshed out by Finger in the same way he had contributed to the success of Batman.

Green Lantern was a sensation, becoming AA’s second smash hit six months after The Flash and preceding by 18 months the unprecedented success of the Amazing Amazon Wonder Woman.

Engineer Alan Scott survived the sabotage and destruction of a passenger-packed train due only to the intervention of a battered old railway lantern. Bathed in its eerie verdant glow, he was regaled by a mysterious green voice with the legend of how a meteor fell in ancient China and spoke to the people: predicting Death, Life and Power.

Instructing Scott to fashion a ring from its metal and draw a charge of power from the lantern every 24 hours, the ancient artefact urged the engineer to use his formidable willpower to end all evil – a mission Scott eagerly embraced…

The ring made him immune to all minerals and metals, and enabled him to fly and pass through solid matter amongst many other miracles, but was powerless against certain organic materials such as wood or rubber which could penetrate his jade defences and cause him mortal harm…

He won his own solo-starring title within a year of his premiere and feature-starred in many anthologies such as Comics Cavalcade for just over a decade, before he too faded away in the early1950s, having first suffered the humiliating fate of being edged out of his own comicbook by his pet, Streak the Wonder Dog…

In this issue however he was at his mightiest and most impressive, battling a nationwide invasion of men turned into shambling monster slaves by an enemy spy…

Siegel & Baily then exposed The Spectre to ‘The Curse of Kulak’ wherein an antediluvian sorcerer returned to punish mankind for desecrating his tomb by inundating the world with a plague of murderous hatred…

The Sandman’s second stint featured a spooky science thriller by Fox & Creig Flessel as the Man of Mystery tracked down a killer using a deadly radioactive weapon – ‘The Glowing Globe’ – to terrorise and rob.

Siegel & William Smith’s ‘Invisible Ink Gas’ pitted Red, White and Blue against spies with a diabolical scheme for stealing Army documents whilst Johnny Thunderbolt‘s All Star debut added even more light-hearted shenanigans to the mix when the imbecilic genie wielder became guardian of ‘The Darling Apartment’ (by John B. Wentworth & Stan Aschmeier).

Johnny Thunder – as he eventually became – was an honest, well-meaning, courageous soul who was also a grade “A” idiot. However, what he lacked in smarts he made up for with sheer luck, unfailing pluck and unconscious control of an irresistible magic force. The feature was always played for action-packed laughs but there was no getting away from it: Johnny was a simpleton in control of an ultimate weapon…

Decades before, the infant seventh son of a seventh son was abducted by priests from the mystic island of Badhnisia to be raised as the long-foretold controller of a fantastic magical weapon, all by voicing the eldritch command “Cei-U” – which sounds to western ears awfully like “say, you”…

Each month Johnny would look for gainful employment, stumble into a crime or crisis and his voluble temperament would result in an inexplicable unnatural phenomenon that would solve the problem but leave him no better off. It was a winning theme that lasted until 1947 – by which time the Force had resolved into a wisecracking thunderbolt-shaped genie – and Johnny was slowly ousted from his own strip by sultry new crimebuster Black Canary…

For now though, back in America and seeking his fortune, he spent lots of time trying to impress his girlfriend Daisy Darling‘s dad. In this exploit the irate property magnate was experiencing difficulties with a new building he was erecting and Johnny decided to tackle head on the mobsters holding up production…

After another Evelyn Gaines text vignette, ‘The Invisible Star’, Hour-Man battled murderous charlatan ‘Dr. Morte, Spiritualist’ by Fitch & Baily before the inimitable Flash closed out the stunning show in fine form by foiling thugs who had kidnapped an entire publishing company, becoming in the process ‘The One-Man Newspaper’ in a fast, furious and funny thriller from Fox & Hibbard.

Wit the entire Justice Society canon collected in eleven dedicated Archive Editions, this particularly impressive afterthought completes the resurrection of the rare and eccentric material which revolutionised comicbooks.

These early adventures might not be to every modern fan’s taste but they certainly stand as an impressive and joyous introduction to the fantastic worlds and exploits of the World’s First Superheroes.

If you have a love of the way things were and a hankering for simpler times remarkable for less complicated adventures, this is another glorious collection you’ll cherish forever…

© 1940, 2006 DC Comics, Inc. All Rights Reserved.

Dark Avengers: Ares


By Kieron Gillen, Michael Avon Oeming, Travel Foreman, Manuel Garcia, Stefano Gaudiano, Derek Fridolfs, Mark Pennington & various (Marvel)
ISBN: 978-0-7851-4406-9

After years of valiant, if often controversial, service to humanity, when the draconian Federal mandate known as the Superhuman Registration Act led to Civil War between costumed heroes, Tony Stark was hastily appointed the American government’s Security Czar – a “top cop” in sole charge of the beleaguered nation’s defence and freedom. As Director of high-tech enforcement agency S.H.I.E.L.D. he became the very last word in all matters involving metahumans and the USA’s vast costumed community…

Stark’s subsequent mismanagement of various crises led to the arrest and assassination of Captain America and an unimaginable escalation of global tension and destruction, culminating in an almost-successful Secret Invasion by shape-shifting alien Skrulls.

Discredited and ostracised, he was replaced by apparently rehabilitated and recovering schizophrenic Norman Osborn – the original Green Goblin – who assumed full control of the USA’s covert agencies and military resources, disbanded S.H.I.E.L.D. and placed the nation under the aegis of his own new organisation H.A.M.M.E.R.

The erstwhile Spider-Man villain had begun his climb back to respectability after taking charge of the Thunderbolts Project; a penal program which offered a second chance to super-criminals who volunteered to undertake Federally-sanctioned missions…

Not content with legitimate political and personal power, Osborn also secretly conspired with a coalition of major menacing masterminds to divvy up the world between them. The Cabal was a Star Chamber of super-villains all working towards mutually beneficial goals, but such egomaniacal personalities could never play well together and cracks soon began to show, both in the criminal conspiracy and Osborn himself…

As another strand of his long-term plan, the Homeland Metahuman Security overlord subsequently sacked Iron Man’s Mighty Avengers and created his own, more manageable team consisting of compliant turncoats, tractable replacements and outright impostors. Constantly courting public opinion, Osborn launched his Avengers whilst systematically building up a personally loyal high-tech paramilitary rapid-response force.

One of Stark’s last Avenger recruits had been the Grecian war god Ares. Although a former villain (since debuting in Thor #129 in 1966 he had repeatedly battled both Hercules and the Avengers), he was seen by Stark as a fitting replacement for Founder member Thor, providing mythic hitting power and knowledge of non-earthly lore.

Ares was content to stay on when Osborn took over. The war god was always happy to serve under a truly strong commander…

A hard hero for harsh modern tastes, Ares is the star of this slim companion volume to the Dark Reign publishing event, gathering an eponymous initial 5-issue miniseries from 2006 by Michael Avon Oeming & Travel Foreman as well as the later 3-issue Dark Avengers: Ares run from 2009.

This myth-tinted martial chronicle opens with Oeming & Foreman’s canny reappraisal of the former foeman as the war lord, quietly living under the radar in New York and cursing all the works of his father and the Hellenic tradition of advancement through patricide, is called once more to duty for the brother-gods he despises.

Toiling as a simple builder, John Ares had dedicated himself to raising his son Alexander in a manner utter removed from the draconian, traditional manner of his own youth.

Thus when Hermes appears, demanding he return to wage war on Olympus’ latest enemies, Ares sends him packing. When his boy is abducted, all that resolve goes out the window and the Man of War is catapulted into a blistering ongoing campaign between his Hellenic brethren and invading devil-gods from the East.

Ares’ rage is initially aimed at Zeus, who has taken his own grandson as a bargaining chip, but by the time the War Lord reaches besieged Olympus, battered brothers Hercules, Apollo and Achilles regretfully admit that the boy has been taken by the unstoppable forces of undead deity Amatsu Mikaboshi – the August Star of Heaven – and held in the chill, dreary mist-lands of the Eastern Dead…

As the son of a god, Alexander has a birthright of power. Destined to become the God of Fear, the boy is plied with subtle gifts and undergoes many cunning treatments as the Japanese Death Lord endeavours to make the boy his greatest weapon in an eternal war of expansion…

In the rubble of Olympus, Ares cares nothing for cosmic politics: he wants his son back and is quite prepared to kill his own sire to achieve his aims. Nonetheless bloody years pass without progress as Alexander slowly succumbs to the blandishments of his captors and becomes the demon’s new lord of combat. Eventually even mighty Zeus goes down and the siege of Olympus staggers on until war god and son are pitted against each other on a field of the fallen.

Even with the belated and largely unwanted assistance of Japan’s Lords of Light the contest goes badly and comes down to a life or death duel between the dejected Ares and his bewitched and patricidal Alexander…

With a classically tragic, fore-fated combat cleverly, spectacularly and comprehensively subverted, restored father and son happily return to Earth for Dark Avengers: Ares (written by Kieron Gillen and illustrated by Manuel Garcia, Stefano Gaudiano & Mark Pennington) as the War Lord of Osborn’s Avengers is personally asked by the Security Czar to train the inexperienced paramilitary legions of H.A.M.M.E.R.

Accepting the challenge of turning ordinary soft soldiers into a puissant warrior elite, Ares loses himself in the task until manipulative goddess Hera manifests to “warn” him that his son – her grandson – is in danger…

On returning to earth Ares had entrusted Alexander to the care of rogue super-agent Nick Fury, but was never confident that the boy was truly secure. Now assembling his untested cadre of “Shades”, he again goes hunting and tracks the child to an abandoned base, only to realise once again why he despises his family.

The war god had sired many sons in his millennia of existence and Hera had never specifically said Alexander was the child in peril…

The family life of the Greek gods was always an open pit of horror, cruelty and tragedy, and monstrous Kyknos has somehow emerged from the forgotten corridors of the past and realm of Hades, sponsored by vile uncle Pluto to exorcise his own daddy issues through blood and pain and macabre slaughter…

As much a gritty vehicle for the poor mortal “red-shirt” Shades as the Hellenic hero, this is another dark and turbulent tale of tension and slaughter that will sit well with lovers of grim, sardonic cosmic adventure.

Although definitely not a book for younger fans, this is a magnificently illustrated and emotionally intriguing offering, providing an engaging peek at the sinister side of antiheroes and the deadly downside of family and duty.

© 2006, 2009 and 2010 Marvel Characters, Inc. All Rights Reserved.

JSA All Star Archives volume 1


By John Wentworth, Ken Fitch, Bill O’Connor, Sheldon Mayer, Charles Reizenstein, Bill Finger, Stan Aschmeier, Bernard Baily, Ben Flinton & Leonard Sansone, Howard Purcell, Hal Sharp and Irwin Hasen (DC Comics)
ISBN: 978-1-4012-1472-2

After the actual invention of the comicbook superhero – indisputably the Action Comics debut of Superman in June 1938 – the most significant event in the industry’s history was the combination of individual sales-points into a group.

Thus what seems blindingly obvious to us with the benefit of four-colour hindsight was proven: consumers couldn’t get enough of garishly-hued mystery men and combining a multitude of characters inevitably increases readership. Plus, of course, a mob of superheroes is just so much cooler than one…or one-and-a-half if there’s a sidekick involved…

It cannot be understated: the creation of the Justice Society of America in 1941 utterly changed the shape of the budding industry. However before that team of all-stars could unite they had to become popular enough to qualify and this superb hardcover sampler gathers the debut adventures of a septet of beloved champions who never quite made it into the first rank but nonetheless scored enough to join the big team and maintain their own solo spots for much of the Golden Age of American Comics.

Whilst the most favoured of the 1940s stalwarts have all won their own DC Archive collections in the past, this particular tome bundles a bunch of lesser lights – or at least those who never found as much favour with modern fans and revivalists – and features the first five appearances of seven of the JSA‘s secondary mystery men: all solid supporting acts in their own anthology homes who were potentially so much more…

Gathered here are short, sharp and stirring tales from Flash Comics #1-5, Adventure Comics #48-52, All-American Comics #19-29 and Sensation Comics #1-5 collectively spanning January 1940 to May 1942 and all preceded by Golden Age aficionado and advocate Roy Thomas’ sparkling, informative and appreciative Foreword.

The vintage vim and vigour begins with a character equally adored and reviled in modern times. Johnny Thunderbolt as he was originally dubbed was an honest, well-meaning, courageous soul who was also a grade “A” idiot. However, what he lacked in smarts he made up for with sheer luck, unfailing pluck and the unconscious (at least at first) control of an irresistible magic force.

The series was played for action-packed laughs but there was no getting away from it: Johnny was quite frankly, a simpleton in control of an ultimate weapon – an electric genie…

John Wentworth & Stan Aschmeier introduced the happy sap in ‘The Kidnapping of Johnny Thunder’ from the first monthly Flash Comics (#1, January 1940) in a fantastic origin which detailed how decades before, the infant seventh son of a seventh son was abducted by priests from the mystic island of Badhnisia to be raised as the long-foretold controller of a fantastic magical weapon, all by voicing the eldritch command “Cei-U” – which sounds to western ears awfully like “say, you”…

Ancient enemies on the neighbouring isle of Agolea started a war before the ceremonies and indoctrination could be completed however and at age seven the lad, through that incomprehensible luck, was returned to his parents to be raised in the relative normality of the Bronx.

Everything was fine until Johnny’s 17th birthday when the ancient rite finally came to fruition and amid bizarre weather conditions the Badhnisians intensified their search for their living weapon…

By the time they tracked him down he was working in a department store and had recently picked up the habit of expleting the phrase “say you” which generally resulted in something very strange happening. One example being a bunch of strange Asiatics attacking him and being blown away by a mysterious pink tornado…

The pattern was set. Each month Johnny would look for gainful employment, stumble into a crime or crisis and his voluble temperament would result in an inexplicable unnatural phenomenon that would solve the problem but leave him no better off. It was a winning theme that lasted until 1947 – by which time the Force had resolved into a wisecracking thunderbolt-shaped genie – and Johnny was slowly ousted from his own strip by sexy new crimebuster Black Canary…

Flash Comics #2 featured ‘Johnny Becomes a Boxer’. After stepping in to save a girl from bullies, Daisy Darling became his girlfriend and he became the Heavyweight Champion, leading to his implausibly winning the fixed contest ‘Johnny versus Gunpowder Glantz’ in #3. Only now Daisy refused to marry a brute who lived by hitting others…

The solution came in ‘Johnny Law’ when kidnappers tried to abduct Daisy’s dad. Following his sound thrashing of the thugs Johnny then joined the FBI at his babe’s urging…

This tantalising taste of times past concludes with ‘G-Man Johnny’ (#5 May 1940) as the kid’s first case involves him in a bank raid which resulted in his own father being taken hostage…

Although he eventually joined the JSA, and despite the affable, good-hearted bumbling which carried him through the war, the peace-time changing fashions found no room for a hapless hero anymore and when he encountered a sultry masked female Robin Hood who stole from crooks, the writing was on the wall. Nevertheless the fortuitously imbecilic Johnny Thunder is fondly regarded by many modern fans and still has lots to say and a decidedly different way of saying it…

Hourman by Ken Fitch & Bernard Baily was a far more serious proposition and actually had his shot at stardom, beginning by supplanting The Sandman as cover feature on Adventure Comics #48 (March 1940). Here his exploits run through issue #52 (July) establishing the unique and gripping methodology which made him such a favourite of later, more sophisticated fans…

In an era where origins were never as important as action, mood and spectacle, ‘Presenting Tick-Tock Tyler, the Hour-Man’ begins with a strange classified ad offering aid and assistance to any person in need. Chemist Rex Tyler had invented “Miraclo” a drug which super-energised him for 60 minutes at a time and his first case saw him help a wife whose man was being dragged back into criminal endeavours by poverty and bad friends…

‘The Disappearance of Dr. Drew’ found him locating a missing scientist kidnapped by thugs whilst ‘The Dark Horse’ saw the Man of the Hour crush a crooked and murderous bookie who had swiped both horse and owner before a key race.

Mad science and a crazy doctor employing ‘The Wax-Double Killers’ then added a spooky component of scary thrills and super-villain cachet for the timely hero to handle, whilst ‘The Counterfeit Hour-Man’ – which concludes the offerings here – saw our hero again battling Dr. Snegg in a scurrilous scheme to frame the hooded hero.

Hourman always looked great and his adventures developed into a tight and compulsive feature, but he never really caught on and faded out at the beginning of 1943 (#83). Perhaps all the current the buzz over the forthcoming TV series can revive his fortunes and finally make him a star in his own right…

Our next second string star is Calvin College student Al Pratt, a diminutive but determined lad who got fed up with being bullied by jocks and became a pint-sized, two-fisted mystery man ready for anything.

The Mighty Atom was created by writer Bill O’Connor and rendered by Ben Flinton & Leonard Sansone, beginning in All-American Comics #19. He was one of the longest lasting of the Golden Age greats, transferring from All-American to Flash Comics in February 1947 and sporadically appearing until the last issue (Flash #104, February 1949). He was last seen in the final JSA tale in All Star Comics#57 in 1951.

The tales here span #19-23 (October 1940-February 1941) and begin by ‘Introducing the Mighty Atom’ as the bullied scholar hooks up with down-and-out trainer Joe Morgan whose radical methods soon have the kid in the very peak of physical condition and well able to take care of himself.

However, when Al’s intended girlfriend Mary is kidnapped the lad eschews fame and potential sporting fortune to bust her loose and decides on a new extra-curricular activity…

He fashioned a costume for his second exploit, going into ‘Action at the College Ball’ to foil a hold-up and then tackled ‘The Monsters from the Mine’ who were enslaved by a scientific mania intent on conquest. The college environment offered many plot opportunities and in ‘Truckers War’ the Atom crushed a gang of hijackers who had bankrupted a fellow student and football star’s father. This snippet of atomic episodes concludes here with ‘Joe’s Appointment’ as the trainer was framed for spying by enemy agents and need a little atomic aid…

Although we think of the Golden Age as a superhero wonderland, the true watchword was variety and flagship anthology All-American Comics offered everything from slapstick comedy to aviation adventure on its four-colour pages.

One of the very best humour strips featured the semi-autobiographical exploits of Scribbly Jibbet, a boy who wanted to draw. Created by genuine comics wonder boy Sheldon Mayer, Scribbly: Midget Cartoonist debuted in the first issue (April 1939) and soon built a sterling rep for himself beside star reprint features like Mutt and Jeff and all-new adventure serial Hop Harrigan, Ace of the Airways.

However the fashions of the time soon demanded a humorous look at mystery men and in #20 (November 1940) Mayer’s long-term comedy feature evolved into a delicious spoof of the trend as Scribbly’s formidable landlady Ma Hunkel decided to do something about crime in her neighbourhood by dressing up as a husky male hero.

‘The Coming of the Red Tornado’ saw her don cape, woollen long-johns and a saucepan for a mask/helmet to crush gangster/kidnapper Tubb Torponi. The mobster had made the mistake of snatching her terrible nipper Sisty and Scribbly’s little brother Dinky (they would later become her masked sidekicks) and Ma was determined to see justice done…

An ongoing serial rather than specific episodes, the dramedy concluded in ‘The Red Tornado to the Rescue’ with the irate, inept cops then deciding to pursue the mysterious new vigilante but the ‘Search for the Red Tornado’ only made them look more stupid.

With the scene set for outrageous parody ‘The Red Tornado Goes Ape’ pitted the parochial masked manhunter against a zoo full of critters before this superb selection ends with ‘Neither Man nor Mouse’ (All-American Comics #24) as the hero apparently retires and crime returns… until Dinky and Sisty become the Cyclone Kids…

A far more serious and sustainable contender debuted in the next issue, joining a growing host of grim masked avengers.

‘Dr. Mid-Nite: How He Began’ by Charles Reizenstein & Aschmeier (All-American Comics #25, April 1941) revealed how surgeon Charles McNider was blinded by criminals but subsequently discovered he could see perfectly in the dark. The maimed physician became an outspoken criminologist but also devised blackout bombs and other night paraphernalia to wage secret war on gangsters from the darkness, aided only by his new pet owl Hooty…

After catching his own assailant he then smashed river pirates protected by corrupt politicians in ‘The Waterfront Mystery’ and then rescued innocent men blackmailed into serving criminals’ sentences in jail in ‘Prisoners by Choice’ (#27 and guest illustrated by Howard Purcell).

With Aschmeier’s return Mid-Nite crushed aerial wreckers using ‘The Mysterious Beacon’ to down bullion planes and then smashed ‘The Menace of King Cobra’, a secret society leader lording it over copper mine workers…

The Master of Darkness also lasted until the end of the era and appeared in that last JSA story and, since his Sixties return has been one of the most resilient characters in DC’s pantheon of Golden Age revivals, but the next nearly-star was an almost forgotten man for decades…

When Sensation Comics launched in January 1942 all eyes were rightly glued to the uniquely eye-catching Wonder Woman who hogged all the covers and unleashed a wealth of unconventional adventures every month. However like all anthologies of the time her exploits were carefully balanced by a selection of other features.

Sensation #1-5 (January to May 1942) also featured a pugnacious fighter who was the quintessence of manly prowess and a quiet, sedate fellow problem solver who was literally a master of all trades.

Crafted by Charles Reizenstein & Hal Sharp ‘Who is Mr. Terrific?’ introduced Terry Sloane, a physical and mental prodigy who so excelled at everything he touched that by the time of the opening tale he was so bored that he was planning his own suicide.

Happily, on the bridge he found Wanda Wilson, a girl with the same idea and by saving her found a purpose: crushing the kinds of criminals who had driven her to such despair…

Actively seeking out villainy of every sort he performed ‘The One-Man Benefit Show’ after thugs sabotaged all the performers, travelled to the republic of Santa Flora to expose ‘The Phony Presidente’ and helped a rookie cop pinch an “untouchable” gang boss in ‘Dapper Joe’s Comeuppance’.

His final appearance here finds him at his very best carefully rooting out political corruption and exposing ‘The Two Faces of Caspar Crunch’…

Closing out this stunning hardback extravaganza is another quintet from Sensation Comics #1-5, this time by Bill Finger & Irwin Hasen: already established stars for their work on Batman and Green Lantern.

‘This is the Story of Wildcat’ is the debut appearance of one the era’s most impressive “lost treasures” and a genuine comicbook classic: a classy tale of boxer Ted Grant who was framed for the murder of his best friend the Champ and, inspired by a kid’s worship for Green Lantern, clears his name by donning a feline mask and costume and ferociously stalking the real killers.

Finger & Hasen captured everything which made for perfect rollercoaster adventure in their explosive sports-informed yarns. The mystery and drama continued unabated in the sequel ‘Who is Wildcat?’ as Ted retired his masked identity to contest for the vacant boxing title, but could not let innocents suffer as crime and corruption increased in the city…

In ‘The Case of the Phantom Killers’ Wildcat tracks down mobsters seemingly striking from beyond the grave, and his adventures altered forever with the introduction of hard-hitting hillbilly hayseed ‘Stretch Skinner, Dee-teca-tif!’ who came to the big city to be a private eye and instead became Ted Grant’s foil, manager and crime-busting partner…

The comic craziness concludes here with a rousing case of mistaken identity and old-fashioned framing as Wildcat has to save his tall new pal from a killer gambler in ‘Chips Carder’s Big Fix’…

These eccentric early adventures might not be to every modern fan’s taste but they certainly stand as an impressive and joyous introduction to the fantastic worlds and exploits of the World’s (not so) Greatest Superheroes. If you have an interest in the way things were and a hankering for simpler times marked by less complicated or angsty adventure this may well be a book you’ll cherish forever…
© 1940, 1941, 1942, 2007 DC Comics, Inc. All Rights Reserved.

Mighty Avengers volume 1: The Ultron Initiative


By Brian Michael Bendis & Frank Cho (Marvel)
ISBN: 978-0-7851-2368-2

The Patriot Act changed America as much as the destruction of the World Trade Towers, and it’s fair to say that popular arts grow from the social climate as much as the target audience.

In post 9-11 America, creators and consumers now think different thoughts in different ways. Thus the company that first challenged the middle-class suburban status quo of the comic industry in the late 1960s made Homeland Security and the exigencies of safety and liberty the themes of a major publishing event in 2006.

After a TV reality show starring superheroes The New Warriors went hideously wrong and resulted in the deaths of hundreds in Stamford, Connecticut, popular opinion turned massively against masked crusaders.

The Federal government rushed through a scheme to licence, train and regulate all metahumans but the plan split the superhero community and a terrified and indignant merely mortal populace quivered as a significant faction of their former defenders, led by the ultimate icon of Liberty, Captain America, refused to surrender their autonomy and anonymity to the bureaucratic vicissitudes of the Superhuman Registration Act.

The Avengers and Fantastic Four, bedrock teams of the Marvel Universe, fragmented in scenes reminiscent of America’s War Between the States, with “brother pitted against brother”. As the conflict escalated it became clear to all involved that the increasingly bitter fighting was for souls as much as lives.

Both sides battled for love of Country and Constitution and both sides knew they were right…

The Ultron Initiative, re-presenting the first half-dozen issues of Mighty Avengers (volume 1, May 2007-February 2008) by Brian Michael Bendis & Frank Cho, is a gloriously wry and raunchy rollercoaster ride blending blockbuster action with cocky optimism and often outrageous humour which only serves to intensify the shocks and horror of a truly terrifying scenario starring Marvel’s ultimate mechanoid monster.

Following the divisive and brutal Civil War, staunch advocate of the SRA Tony Stark constituted a new Government-approved, S.H.I.E.L.D.-backed team of Avengers to take care of business whilst he worked on his Fifty States Initiative idea.

The objective was to eventually field squads of trained and licensed superheroes in every State of the Union, but first he had to restore public confidence…

The initial and so-sophisticated story-arc begins as he recalls recruiting Ms. Marvel, Black Widow, Wonder Man, the Wasp, Sentry and first-timer Ares, God of War just in time to tackle an invasion of monsters led by the Mole Man. Just as the new team send them packing Iron Man suddenly succumbs to a body-and-armour warping assault that apparently absorbs Stark and leaves in his place a gleaming naked metalloid reproduction of Janet Van Dyne…

Ultron was originally created by size-changing erratic genius Henry Pym AKA Ant-Man before – in a Fights ‘n’ Tights riff on the classical Oedipus myth – the manic mechanoid evolved, hating his “father” and desiring his “mother”.

Having transferred that hatred to the Avengers, here the metal maniac has usurped his mum’s form, parading around naked in a shiny metallic semblance of the Wasp, whilst boasting of collaterally wrecking the Mole Man’s kingdom in “her” campaign to destroy the true foe.

The new Ultron easily overmatches even the most mighty Avenger and Jan is compelled to call in her estranged ex-husband to try and deal with the mess he originally created. Everybody is praying that somewhere within the gleaming murderous form Tony Stark still lives…

In Avengers Initiative training facility Camp Hammond, Pym and new girlfriend Tigra are enjoying some downtime when the call comes, and he is hustled off under close arrest by S.H.I.E.L.D. personnel just as, above New York City, Ultron hacks herself into the spy agency’s networks and shuts down all their operations. With Black Widow forced to take manual command of the organisation – everybody in earshot at least – the team begins a fresh if doomed attack only to receive a glimmer of hope in the form of an unhackable, failsafe, low-tech pre-programmed Iron Man suit with an inbuilt contingency plan…

Jan-tron meanwhile has re-tasked orbiting satellites to scourge the Earth of organic life and is in the process of advertising it to terrified TV-watching humanity when Pym arrives.

Notoriously unstable, he knows the other heroes don’t trust him – he barely trusts himself – and as Wonder Man and Sentry race to destroy the chain of orbital death dealers he struggles to find a way to back door his way into his ferociously hyper-evolved invention. In retaliation, Jan-tron goes on the attack, commandeering a brigade of spare Iron Man Armours to engage the team whilst she seemingly butchers Sentry’s wife Lindy…

However with the Avengers proving more difficult to stop than calculated and the satellite ring disabled, the A.I. is forced to resort to the uninspired tactic of taking over Earth’s nuclear stockpiles even as Ares and Pym devise a way to destroy Jan-tron.

The only catch is that they have to activate it from inside her primary body – and even if it works there’s no guarantee that Stark’s physiology will survive the process…

With covers-&-variants by Cho and Francis Leinil Yu and stunning design sketches by the former included, this is a slick, sly and sublimely entertaining all-action rollercoaster romp which deliciously sets the scene for many compelling and far darker sagas to come, but also reads astounding well on its own merits.

Definitely one for inveterate thrill-chasers everywhere.

© 2007 Marvel Characters, Inc. All rights reserved.

New Avengers volume 3: Secrets and Lies


By Brian Michael Bendis, David Finch, Rick Mays, Frank Cho, Danny Miki, Jason Martin & various (Marvel)
ISBN: 978-0-7851-1706-3

In 2004, after decades as one of Marvel’s most successful series, “World’s Mightiest Heroes” were shut down in a highly publicised event known as Avengers Disassembled.

Of course it was only to reboot and replace the long-running and long in the tooth team with both The New and The Young Avengers mere months later.

The fresh iteration emerged six months later, culled from the ranks of Marvel’s A-Listers – possibly the most sales-savvy team of superheroes to carry the fabled Avengers ID card – with a few intriguing, underused characters mixed in to add spice, suspense and sub-plots.

Although wearing the trappings of the new, more in-your-face Marvel Universe, Secrets and Lies is at heart an all-action set-up for forthcoming events Civil War and Secret Invasion with scripter Brian Michael Bendis positioning his many players for the epic game-changing adventures ahead.

The contents herein are gathered from New Avengers issues #11-15 (November 2005 – March 2006) with additional material from Giant-Size Spider-Woman #1 (September 2005) and follow a rather strenuous bout of world-saving…

What Has Gone Before: following an orchestrated breakout of a lethal legion of super-villains from floating ultra-penitentiary The Raft, Captain America convinced metahuman first responders Luke Cage, Spider-Man, Iron Man and sidelined S.H.I.E.L.D. agent Jessica (Spider-Woman) Drew to form a new superhero squad.

During the riot they had been ably assisted by Matt Murdock, (recently “outed” as Daredevil in the media) and a mystery prisoner named Bob Reynolds who nobody seemed to know anything about. Reynolds or Sentry – the most powerful being on Earth – had in fact volunteered to be incarcerated for killing his wife Lindy… but she was still alive…

Tentatively united, the Avengers – sans Bob – rocketed to the Savage Land (a sub-surface wonderland of cavemen, dinosaurs and stranger things, kept in splendid isolation as a UN Protectorate) to recapture mutant Karl Lykos, who fed on energy to become reptilian monster Sauron.

He had been the actual objective taken during the mass escape…

The impromptu mission was an unmitigated disaster with the disparate champions marooned, mauled by monsters and captured by mutant mega-genius Brainchild until their paths crossed with X-Man Wolverine on his mission to stop Sauron.

Uneasy allies, the heroes subsequently discovered that an apparently rogue faction of S.H.I.E.L.D. had enslaved indigenous peoples of the region, using them to mine the miracle element Vibranium and generally pillage the primordial paradise.

There were even scarier discoveries to come. The breakout had exposed the fact that many of the criminals on the S.H.I.E.L.D.-run Raft had been officially dead for years… Cap’s raw recruits had to face the prospect that the Free World’s greatest peacekeeping force might be partly – or even completely – corrupt. After all, they were demonstrably stockpiling super-weapons, stealing exotic elements and “disappearing” metahumans for what could not possibly be any good reason…

The team then solved the mystery of Sentry, revealing that Bob Reynolds was actually an incomprehensibly powerful superhero excised from history and the memories of fellow costumed champions such as Reed Richards by the psychic manipulations of mutant spellbinder Mastermind and an enigmatic schemer dubbed The Void…

Realising that the brain-tweaking has left Reynolds dangerously unstable, the team called in nearly every superhero in America but they were not enough and only psychic surgery by White Queen Emma Frost allowed Bob to throw off the conditioning.

When the breakthrough finally came and the villains behind brainwashing Sentry and mindwiping the world were exposed, Sentry’s psionic backlash instantly transformed the Avengers’ monumental and far-distant New York skyscraper, creating an eerie ebony Watchtower above it in the blink of an eye…

Sentry was invited to join the New Avengers, blissfully unaware that it’s more to do with keeping an eye on him than the immense power he brings to the squad…

With this team determined to be more proactive, the 3-part ‘Ronin’ opens in full swing as a mighty masked ninja rampages through the underworld in Osaka, Japan. In flashback Captain America again fails to convince Matt Murdock to enlist, but the Man Without Fear has an intriguing suggestion for a potential replacement. The job is for a covert investigation of a possible merger between Hydra, The Hand and the Yakuza…

The covert crusader penetrates to the heart of the criminal alliance and finds Silver Samurai (another Raft escapee, but one who was apparently renditioned to S.H.I.E.L.D. custody clandestinely and without Due Process) dickering with Madame Hydra about their possible coalition…

Unfortunately Ronin is followed and ambushed just as he reaches the Avengers – hiding in the plush penthouse of Stark Enterprises in Osaka – forcing the heroes to battle a tidal wave of fanatical ninja assassins…

As the battle rages Spider-Woman confronts Madame Hydra, revealing she is working for the terrorist cabal, but is soon forced to capture the queen of evil to preserve her own cover. When Silver Samurai at last enters the fray the fighting actually ceases as he quite reasonably points out that he is on sovereign foreign soil and was illegally abducted by S.H.I.E.L.D.

With no other choice and far more concerned about the mounting evidence of rogue elements in S.H.I.E.L.D., the Avengers return to the US with the captive Madame Hydra, but something goes amiss in their Quinjet and the lethal terrorist escapes.

Spider-Woman, who might have stopped her, instead saves Captain America from certain death, whilst mystery man Ronin joins the team full-time and reveals her incredible secret to her new comrades…

‘Choices’ (by Bendis, Rick Mays & Jason Martin from Giant-Size Spider-Woman #1) then details Jessica Drew’s fall from grace and explains the fortuitous return of her failing powers prior to the Breakout, whilst exploring the true allegiances of the double-agent who apparently acts as an Intel gatherer for both S.H.I.E.L.D. and Hydra whilst actually reporting on both of them to a third faction…

New Avengers #14 pushes the tense suspense further with ‘Secrets and Lies’ (illustrated by Frank Cho) as Cap takes Jessica aside and demands to know what hold Hydra has over her. She breaks, telling him everything and reveals she’s working against both sides for maverick superspy Nick Fury who needs to know what’s happening within S.H.I.E.L.D. – an organisation he ran for years… before they ousted him…

With confirmation from Fury himself the team tentatively accept her, just in time for their latest crisis…

In ‘Public Relations’ Tony Stark officially launches possibly the least-popular roster in Avengers history – mutant Wolverine, media pariah Spider-Man, ex-convict Luke Cage and the mysterious all-powerful basket-case known as the Sentry.

At least Carol Danvers AKA Ms. Marvel, Binary, Warbird (and probably a bunch more code-names by the time you read this) are on hand to pitch in and offer some much-needed if temporary credibility…

Even so the press are less than enthusiastic. J. Jonah Jameson of the Daily Bugle has carried out a hate campaign against Spider-Man for years, and despite – or perhaps because of – Stark’s blithe platitudes and shameless bribe, has every intention of pillorying the new Avengers every chance he gets…

Couple all that with a positively hostile US Government and a new S.H.I.E.L.D. Director who’s ruthless when defied and possibly evil too, and To Be Continued… sounds positively agonising doesn’t it?

Dark, gritty, complex and spectacularly action-packed, with covers-&-variants by Finch & Miki, Cho, Andrea Di Vito & Laura Villari, this is another supremely enticing Fights ‘n’ Tights fiesta for the incorrigible fans, and one more ideal jumping-on point for readers familiar with the animation series and movie franchises of the World’s Greatest Superheroes.
© 2005, 2006, 2011 Marvel Characters, Inc. All rights reserved.

X-Factor volume 6: Secret Invasion


By Peter David, Larry Stroman, Valentine De Landro, Nelson, Vincenzo Cucca & various (Marvel)
ISBN: 978-0-7851-2865-6

Since its debut in 1982, X-Factor has been the irresistibly cool and perfect umbrella title for all manner of Marvel mutant teams. Arguably the most impressive and enduring was created by writer Peter David in 2006; blending stark action, cool mystery, laugh-out-loud comedy, fantastic Fights ‘n’ Tights action and even social issues into a regular riot of smart and clever Costumed Drama.

The core premise saw Jamie Madrox, the Multiple Man – a former member of the Federally controlled iteration of the team – appropriating the name for his metahuman detective agency: X-Factor Investigations. Setting up shop in the wake of “The Decimation”, he and his perpetually fluctuating team began by trying to discover why most of the world’s mutants had become normal humans overnight…

What We All Knew: Marvel crossover event House of M saw reality overwritten when mutant Avenger Scarlet Witch had a mental breakdown, changing history and reality so that “Homo Superior” out-competed base-line humans and drove the “sapiens” to the brink of extinction.

It took every hero on Earth, a huge helping of luck and a strange little girl named Layla Miller to correct the situation, but in the aftermath, less than 200 super-powered mutants remained on Earth…

This alien-infested endeavour gathers X-Factor volume 3, #33-38 (spanning September 2008-March 2009) plus a crossover from She-Hulk volume 2 #31, and finds Madrox and Co. relocated to scenic Detroit (hoping to avoid Government interference from old boss and current Office of National Emergency supremo Valerie Cooper) and about to walk into a world of trouble…

Scripted throughout by David, the adventure opens with the extended saga ‘He Loves You’ and ‘The Darwin Awards’ – illustrated by Larry Stroman & John Sibal – wherein ultra-adaptive mutant Armando Muñoz and his obnoxious new friend Longshot are chilling in the streets and getting into trouble.

In truth, the luck-bending former X-Man is causing the trouble by provoking a fight with a street gang, in order to see how his new pal Armando can handle himself…

Across town XF Investigations – consisting of Jamie, Guido “Strong Guy” Carosella, Theresa “Siryn” Rourke, de-powered mutant Rictor and multi-powered super-woman Monet St. Croix (AKA “M”) are talking to their latest client.

Hector Muñoz isn’t the best dad in the world but after too long apart he wants to be reunited with his estranged son. The firm are his last hope of seeing his little Armando again…

They take the case and soon realise their client’s son is one of Earth’s few remaining empowered mutants. They know him as Darwin…

Even as they start tracking him down, Madrox is confronted by Valerie Cooper. Not only has she tracked them to Detroit but she threatens to tell the rest of his team of truth about the XFI’s relationship to O*N*E unless they drop the case immediately and take on a mission for her…

Out on the streets Darwin has escaped the incensed thugs and reunites with Longshot. Although his gift is to instantly evolve to survive any threat, his power is non-selective and he has no idea his companion is actually a shape-shifting Skrull, part of an advance force targeting Earth’s metahuman protectors…

Since Fantastic Four #2 the Skrulls have been a pernicious cornerstone of the Marvel Universe. After decades of use and misuse the insidious infiltrators were made the stars of a colossal braided mega-crossover event beginning in April 2008 and running through all the company’s titles until Christmas.

The premise of Secret Invasion was simple: the former intergalactic empire had been crippled and scourged by a devastating catastrophe which destroyed much of their power, and subsequently underwent a mass fundamentalist religious conversion. They became utterly resolved and dedicated to make Earth their new homeworld – just as their ancient scriptures foretold.

To this end they gradually replaced a number of key Earth denizens – most notably superheroes and villains. When the plot was first uncovered no defender of the Earth truly knew who was on their side…

Moreover the Skrulls had also unravelled the secrets of Earth magic and humanity’s unique genetics, creating amped-up equivalents to Earth’s mightiest heroes. During this period they hid amongst us, primed and able to destroy the world’s champions in head to head confrontations.

Not all Skrulls were fanatics however. Earth unknowingly harboured a few dissidents opposed to the new regime and one of them – Jazinda – had been befriended by former Avenger Jennifer Walters.

In She-Hulk volume 2 #31 ‘The Darwin Awards’ continued (with art by Vincenzo Cucca & Vincenzo Acunza) as the jade giantess and her alien assistant hit Detroit looking for a Skrull scout called Talisman and stumble into an ill-tempered clash with X-Factor just as the bizarre gumshoes locate Darwin.

The evolutionary dupe has no idea She-Hulk and Jazinda’s prey is actually his new best buddy Longshot…

As the battle inevitable escalates in X-Factor #34, Talisman is forced to reveal himself and explain that he was trying to get the baffled Darwin to convert to the Skrull cause, but he has seriously overestimated Armando’s sense of isolation and underestimated She-Hulk’s determination to kick his alien ass…

With the invader in captivity, #35 slows the pace with ‘Best Intentions’ (Stroman & Sibal) as Armando is reunited with his father and Madrox goes home happy with a cheque.

Soon after, however, Madrox, Rictor and Monet are called to a hospital where Hector Muñoz is fighting for his life. With no other option, Jamie has M use her psionic powers to probe the comatose man’s memories to find out what happened to him and the missing mutant…

Back at the office Guido opens the door to find Longshot and goes ballistic. It takes a hilarious while to convince him that this lucky star is the real deal, unerringly drawn to Detroit by his mercurial probability-altering gifts…

And in a hidden lab facility a very nasty gentleman named Mr. Maru and his Karma Project biologists are performing extremely unpleasant experiments on a subject who agonisingly adapts and evolves to each and every invasive procedure and torturous test…

Longshot is a creature from another reality and his most annoying power – for guys at least – is that all women find him irresistible.

A more welcome talent is his psychometric vision which allows him to view past scenes. With it he backtracks Hector’s movements to the moment when Darwin was abducted and sees with horror how the senior Muñoz sold his son to the Karma Project and got a bullet for his troubles…

Valentine De Landro & Craig Yeung assume the artistic duties for ‘The Big Bang’ as the incensed detectives trail Darwin, whilst in Maru’s facility the terrible trials are rapidly pushing the ever-evolving captive into more dangerous and unmanageable adaptations. When Madrox and Co. arrive, their rescue of Darwin takes a typically violent turn…

Back at the office, Theresa, heavily pregnant with Jamie’s baby, has been on light duties. The last thing she needs is a confrontation with Cooper, who threatens to confiscate her unborn child for government use…

The story continues in #37, with the team wading through Maru’s paramilitary forces and successfully liberating Darwin.

Usually Jamie’s duplicates are obedient even whilst displaying some degree of autonomy. The frequently personify some of his own characteristics, but these days are increasingly going their own way.

When one of them severely oversteps the mark and sadistically executes a Karma soldier, the detective knows there’s more trouble in store…

First though, having fought their way in, the heroes have to fight their way back out, a problem exacerbated by the Karma Project’s latest innovation: hordes of once-human cannon fodder genetically altered to employ Darwin’s adaptation ability…

Back at the ranch, Theresa and Val’s “civil” conversation goes seriously bad, culminating in a crisis when her waters break…

The drama concludes for now with ‘Smart Business’, illustrated by Nelson, Stroman & Sibal, as the battle in the rogue lab is ended in a most unconventional manner whilst Rictor and Theresa’s dash for the hospital is misinterpreted by the amassed Feds from O*N*E and results in a manic gunfight and a shocking casualty…

To Be Continued…

Brash, thrilling, compulsive and always maturely hilarious in a way most adult comics just aren’t, X-Factor is a splendid of Fights ‘n’ Tights fantasy for everyone who loves superhero soap operas, and this volume comes with a covers-&-variants gallery by Boo Cook, Mike Mayhew & Andy Troy and Mike Deodato Jr. & Rain Berado.
© 2009 Marvel Characters, Inc. All Rights Reserved.

The Secret Service: Kingsman


By Mark Millar, Dave Gibbons and Matthew Vaughn with Andy Lanning & Angus McKie (Titan Comics)
ISBN: 978-1-78116-703-8

We Brits know everything about the spy-game and think we’ve probably seen it all, from Bond to Smiley, Harry Palmer to Johnny Worricker and Spooks to Carry On Spying.

So it’s not often we get a look at a fresh take, but that’s what’s on offer here as comicbook legends Mark Millar & Dave Gibbons team up with film director/producer Matthew Vaughn (X-Men: First Class, Kick-Ass, Stardust, Layer Cake, Lock Stock and Two Smoking Barrels) to update the genre in a wickedly sly, cynically funny and irreverential thriller which nevertheless harks back to the glory-days of the “great game” of gentlemanly cloak-and-dagger as it was called when were still an empire, as well as the swinging superspy sagas of the 1960s and 1970s…

The original 6-issue miniseries The Secret Service was released as part of Millarworld’s unfailing hit-factory deal with Marvel Comics’ Icon sub-imprint, and this slick, sharp and wickedly tongue-in-cheek pastiche mixes all the favourite trappings and spectacle of big budget movie blockbusters with an archly satisfying class-war aesthetic that finds full expression following the traditional all-action opening attention-grabber, which finds actor Mark Hamill (almost) saved from abduction by an armed gang by an unlucky British secret agent…

The scene then switches to the urban wasteland of Peckham where Gary Unwin – known to his no-hoper wannabe-gangsta pals as “Eggsy” – is again at odds with the cheap thug who’s shacked up with his mum.

Dean is a former soldier. He’s also a bully and a brute: a typical South London Chav who thinks he’s hard and takes it out too often on Gary and his little brother Ryan as well as their long-suffering mother Sharon.

No wonder the jobless, shiftless teen spends all his time playing computer games, doing drugs, nicking cars and making mischief with his mates. Tonight is no exception, except for the part where the hapless joyriders crash their purloined ride and end up in police cells…

Meanwhile in the swank part of town, two movers-&-shakers in Intelligence are discussing a wave of mysterious abductions: actors from Star Wars, Doctor Who, Battlestar Galactica and Star Trek have all disappeared, as have scientists, sporting legends and other notables. There is clearly some major scheme afoot…

Jack London (I gather they’ve changed his name in the film version) is a self-made man. He escaped his lowborn origins and remade himself into a suave, sophisticated international man-of-mystery and Great Britain’s top operative: the spy who never fails. Nobody does it better. He’s also Sharon’s brother and is once again forced to apply his influence to save his nephew from the consequences of his actions…

He’s had to step in before but he swears it’s the last time and, after an unpleasant confrontation, determines to get Gary out of the toxic environment he escaped from decades ago…

As a mass wedding in Hawaii is turned into a bloodbath by a mysterious mastermind’s hi-tech secret weapon, in Peckham Uncle Jack is telling Eggsy the unbelievable truth. He gets a chance to prove his outrageous claims when Dean’s loutish cronies pick a fight…

Jack, plagued with guilt for neglecting his shameful family, then offers his nephew a chance to better himself by joining the Secret Service training program that made him one of the deadliest men alive…

The boy jumps at the chance to get away and is soon an outcast amongst the cream of Britain’s posh-boy private school and military college recruits, doggedly learning unarmed combat, ballistics, weapons training, tactics, computer science, seduction techniques, languages, piloting any vehicle and every skill and trick needed to keep the world safe from invasion and subversion…

Despite his background and lack of social skills Gary thrives – and even excels – in many of the less salubrious exercises (such as killing drug-dealers on a live fire exercise) even as Uncle Jack returns to his mystery kidnapping case. He slowly makes progress across the world, tracking a certain mad young billionaire with dreams of saving the planet from the plague of humanity. Doctor James Arnold is also extremely keen on preserving his childhood heroes from the Armageddon he’s about to trigger…

At precisely the wrong moment Gary drags Jack back to London again. When the pauper student overhears his well-meaning but privileged comrades condescending and pitying him, Eggsy steals Jack’s gadget-laden, weaponised sports car and goes for an explosive drunken joyride with his real mates from the estate.

Now the super-agent is forced to take extreme measures to sort him out…

Gary wakes up in Colombia with nothing but his underwear and is told he has 24 hours to return to Britain. The Resource Test is the final stage of an agent’s training and is make or break: neither the agency nor his uncle will have anything to do with him if he fails…

He passes with flying colours, and even destroys a drug cartel in the process, leading Jack to take him on as an apprentice, offering style tips and a chance for a palate-cleansing final confrontation with Dean and his mates in Peckham before setting off together to foil Dr. Arnold’s deadly scheme.

…And that’s when it all goes terribly wrong, leaving Gary to cope with imminent world collapse all on his own…

The film was in production simultaneously with the creation of the original six-issue miniseries with Millar, Vaughn and illustrator Gibbons (aided by inker Andy Lanning and colourist Angus McKie) frequently cross-fertilising and amending the print and movie iterations to produce a stunningly clever, outrageously rip-roaring, high-octane read which will astound all us paper-jockeys and no doubt be satisfactorily mirrored in the upcoming filmic extravaganza.

But why wait? Grab some popcorn, hit your favourite chair and experience all the thrills, spills and chills you can handle right now just by picking up this fabulous action comics classic in the making…
© 2012, 2013, 2014 Millarworld Limited, Marv Films Limited and Dave Gibbons Ltd. All rights reserved.

Mighty Avengers: No Single Hero


By Al Ewing, Greg Land & Jay Leisten (Marvel/Panini UK)
ISBN: 978-1-84653-568-0

In the aftermath of the blockbuster Avengers versus X-Men publishing event, the company-wide reboot MarvelNOW! reformed the entire overarching continuity: a drastic reshuffle and rethink of characters, concepts and brands with an eye to winning new readers and feeding the company’s burgeoning movie blockbuster machine…

Moreover many disparate story strands were slowly congealing to kick off the Next Big Thing with the cosmically expanded Avengers titles forming the spine of an encroaching mega-epic.

The colossal Infinity storyline detailed that grandiose advance into Armageddon as an intergalactic Hammer of Doom fell with an all-out attack by an impossibly ancient race. The Builders claimed to have fostered all life in the universe, but now they were attempting to rectify their mistake on Earth – and woe betide any species or intergalactic civilisation that got in their way.

When the Avengers mobilised most of their assemblage off-planet to tackle the threat before it reached us, old enemy Thanos of Titan took advantage of the dearth of metahuman defenders to invade, leaving the world’s remaining superheroes with an almost impossible task…

Written by Jonathan Hickman and illustrated by Greg Land & Jay Leisten, Mighty Avengers volume 2 #1-5 (released between November 2013 and March 2014) describes how some of those left behind united as a resistance and stayed together as a decidedly different kind of crusading team…

The action begins as Thanos heads for Earth where blithely unaware former Avenger Luke Cage is pitting his Heroes for Hire apprentices – White Tiger and a new, teenaged Power Man – against seasoned super-thief The Plunderer. Their efforts are interrupted and derided by the Superior Spider-Man who orders them to quit and insultingly offers Cage’s kids a real job.

Everybody sees that the Wallcrawler has become insufferable since he technologically upgraded his act and hired a paramilitary gang to act as his deputies. Many of his oldest friends even think he might be going crazy. What no one knows is that the mind inside the arachnid hero’s head is actually arch villain Otto Octavius AKA Doctor Octopus who, despite a passionate initial desire to reform is slowly reverting to his original manner and habits…

The Web-spinner’s derision spurs White Tiger into quitting but only fuels her male teammates into trying harder to prove Spider-Man wrong…

Elsewhere ex-Avenger Monica Rambeau (formerly Captain Marvel and Photon but now calling herself Spectrum) is getting back into the crimebusting game after a bout of retirement. She sorting out her costume and talking over old times with an enigmatic fellow champion when the first wave of the Titan’s invasion force smashes into New York.

Donning a store-bought comedy costume, the stranger joins Monica as a generic “Spider Hero” and converges on the landing site where Cage and the still-enraged Superior Spider-Man are battling Thanos’ soldiers and ferocious warlord Proxima Midnight…

Elsewhere Mystic Master Doctor Strange has been possessed and corrupted by the Ebony Maw – the most personally ambitious of Thanos’ lieutenants – whilst at the bottom of the sea forgotten hero Dr. Adam Brashear receives a cosmic visitor.

The Blue Marvel is thus stirred from a lengthy self-imposed exile and grudgingly agrees to return to the world which shunned and sidelined him…

In New York ‘The Assembly’ give battle but the Amazing Arachnid seems more concerned with suing his “copyright infringer” than defeating the invaders and Spectrum is gravely wounded by Midnight.

As Cage tackles Proxima, the ordinary citizens are emboldened and join the struggle, compelling ever-watching Thanos to order a retreat.

It’s not over though, as the ravaged metropolis is then assaulted by an overwhelming aspect of voracious Elder God Shuma-Gorath, summoned by the enslaved Stephen Strange. The rampant horror gleefully begins transforming native New Yorkers into ghastly demon duplicates…

As Blue Marvel rockets to the rescue, temporarily stymieing the devil god and healing Spectrum, the mystically empowered White Tiger and Power Man arrive and Spider Hero, demonstrating a keen knowledge of arcane rites devises a scheme to drive Shuma-Gorath back to its own dimension for good.

Cage then has a eureka moment and realising ‘No Single Hero’ could have managed, declares that they are all Avengers…

Once parked above Manhattan, the Inhumans‘ floating city Attilan was destroyed during the war and its ruins now languish in the Hudson River. Moreover when Thanos personally attacked Black Bolt, the embattled Inhuman monarch released genetically transformative Terrigen Mists and created a host of new super-powered warriors from the ranks of the humans below…

Issue #4 is set after the invasion is finally repelled and the city engrossed in rapid reconstruction. The space-bound Avengers are still missing off-world but life is returning to normal.

Sleazy entrepreneur Jason Quantrell despatches his industrial spy Quickfire – a recent recipient of Terrigen-induced abilities – to raid the sunken citadel in search of fresh mutagens that he can monetise whilst in Times Square Cage has turned his old Gem Theatre offices into a storefront Avengers HQ.

He has a bold new idea: opening the heroic volunteer brigade to the public who can come to them with meta-related problems or issues of injustice. Even though Reservist The Falcon has come aboard Spider-Man is becoming increasingly intolerant, alternately demanding to be placed in charge and ordering Cage’s crew to cease and desist.

Unable to convince them, the furious wallcrawler storms off…

Meanwhile Spider Hero – who has some ominous magical acquaintances older fans will recognise – has detected an encroaching mystic crisis and resolved to stay. Adopting the vacant costume and identity of martial arts mystery man Ronin, he invites the team to join him in stopping an impending burglary in Attilan…

It’s not Quickfire’s illegal raid that’s the problem but rather that she’s going to inadvertently awaken the slumbering submerged threat of the Death Walkers if somebody doesn’t stop her…

However, whilst the latest Ronin lead the Avengers to the already happening monster catastrophe, Octavius returns to the Gem Theatre and in a manic fit of frustrated rage attacks Cage with all the paramilitary resources he can muster: mercenaries, spider-robots and urban assault vehicles all primed to shut down the Avengers forever.

Happily the harassed Hero for Free had already contacted his lawyer and is delighted to follow Jennifer Walters‘ guidance… which basically boils down to “She-Hulk Smash!”…

Fast furious and fantastically offbeat, this epic epistle also offers a gallery of stunning covers-and-variants by Land, Steve Epting,  Bryan Hitch, Jason Latour, Carlo Barberi, Skottie Young, Humberto Ramos, Leonel Castellani, J. Scott Campbell, Francesco Francavilla, Mark Bagley, Salvador Larroca, Ron Wimberly, Daniel Acuña and Kalman Andrasofszky and a wealth of extra content online for those consumers au fait with the AR icons accessed via a free digital code and the Marvel Comics app for iPhone®, iPad®, iPad Touch® & Android devices at Marvel’s Digital Comics Shop.
™ & © 2013 and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.