Star Trek: The Mirror Universe Saga

Star Trek: The Mirror Universe Saga

By Mike W. Barr, Tom Sutton & Ricardo Villagran (DC Comics)
ISBN: 0-930289-96-X

One of the most potent devices in fiction is the concept of meeting ones opposite – whether in morality or ability – or as is more common in the fantasy genres, one’s evil counterpart. Certainly the original Star Trek episode “Mirror, Mirror” is one of the most fondly remembered and one that fans and professionals alike have speculated upon ever since.

In this splendidly workmanlike sequel to Jerome Bixby’s most memorable script, set just after the film The Search for Spock, the errant, peripatetic crew are making their reluctant way back to Starfleet HQ to face the music for stealing – and destroying – the Enterprise, when they encounter their doppelgangers from that Mirror universe. In the intervening decades since they last met, the scientists of The Empire have discovered the secret of travelling between dimensions and have dispatched their most feared ship to our Reality. Now, as the vanguard of an overwhelming invasion armada, this evil crew are intent on conquering our galaxy in the same ruthless manner in which they dominate their own…

Kirk and Company must thwart this deadly threat whilst staying one step ahead of his own comrades – who still have orders to arrest them on sight – in a tense action-packed battle epic of double-cross, subterfuge and deep strategy.

Seamlessly blending spectacular drama with the subtle character interplay that distinguished the TV series, this swashbuckling space-opera (originally printed in issues #9-16 of DC’s monthly Star Trek comic-book in 1985) is reassuringly compelling and a sure hit with die-hard fans and casual readers alike.

 ©1992 Paramount Pictures Corporation. All rights reserved.

Gash

Gash

By Søren G. Mosdal (Slab-O-Concrete)
ISBN: 1-899866-39-6

Not all comics are nice. Not all stories are cosy and comforting. This slim volume collecting some short strips by Danish cartoonist Søren Mosdal, are powerful, surreal to the point of absurdism, starkly, bleakly, casually violent yet unbelievably compelling vignettes of modern disassociation and spiritual isolation in an urban landscape of staggering indifference.

Mosdal’s intense, exaggerated drawing bristles with ill-suppressed animosity as he tells of getting drunk, getting stoned, getting laid and ultimately getting nowhere. Whether relating what I pray are not autobiographical everyday interludes or depicting the distressing adventures of Hans Drone (“The Greatest Writer of our Time!”), or any of the other misfits gathered here, Mosdal’s fevered works are unsettling but unforgivably intoxicating. If you’re old enough and strong enough, these beautiful, ugly stories are ready for you and absolutely worthy of your attention.

© 2001 Søren G. Mosdal. All Rights Reserved.

The Life of Captain Marvel

The Life of Captain Marvel

By Jim Starlin and various (Marvel)
ISBN: 0-87135-635-X

As much as I’d love to claim that Marvel’s fortunes are solely built on the works of Jack Kirby and Steve Ditko, I’m just not able to. Whereas I do know that without them the modern monolith would not exist, it is also necessary to acknowledge the vital role played by the second generation creators of the early 1970s. Marvel’s welcome of fresh, new, often untried talent paid huge dividends in creativity -and most importantly at a time of industry contraction – new sales.

One of the most successful of these newcomers was Jim Starlin. As well as the groundbreaking Master of Kung Fu, which he worked on with his equally gifted confederates Steve Englehart and Al Milgrom, his earliest success was the epic of cosmic adventure collected here.

Captain Marvel was an alien on Earth, a defector from the militaristic Kree who fought for Earth and was atomically bonded to professional sidekick Rick Jones by a pair of wristbands that enabled them to share the same space in our universe. When one was here the other was trapped in the antimatter dimensiom known as the Negative Zone.

After meandering around the Marvel Universe for a while, continually one step ahead of cancellation (the series had folded many times, but always quickly returned – presumably to secure the all important Trademark name), the Captain was handed to Starlin — and the young artist was left alone to get on with it. With many of his friends he began laying seeds (particularly in Iron Man and Daredevil) for a saga that would in many ways become as well regarded as the Kirby Fourth World Trilogy that it emulated. But the Thanos War, despite many superficial similarities would soon develop into a uniquely modern experience. And what it lacked in grandeur it made up for with sheer energy and enthusiasm.

This regrettably incomplete collection begins with Iron Man #55, and is scripted by Mike Friedrich. ‘Beware The … Blood Brothers!’ introduces Drax the Destroyer, an incredibly powerful alien. Trapped by Thanos under the desert, he is rescued by the Armoured Avenger, but it’s merely a prelude to the main story which appeared in Captain Marvel #25-33, (with an interlude starring Iron Man and The Fantastic Four’s Thing from Marvel Feature #12). Thanos is obsessed with conquest and targets Rick Jones whose subconscious hides the location of an ultimate, irresistible weapon.

With a coterie of old super-villains and a rogue fleet of starships he misdirects Earth’s defenders whilst he turns himself into a god, and only Captain Marvel – with the aid of an Eight billion year old cosmic entity has any chance to defeat him. (Completists should note that the Avengers’ battle against that fleet of aliens isn’t reprinted here, which is a pity as it’s a pretty good action issue, but the Thing joined Iron Man’s second desert battle with the Blood Brothers and that is included).

This is a key event in Marvel history, innovative and still deeply thrilling on an instinctual level. The co-creators of this opus all continued or went on to great things in the industry. As well as the previously cited Englehart, Milgrom and Friedrich, Mike Esposito, Chic Stone, Dave Cockrum, Pablo Marcos, Dan Green, Joe Sinnott, Klaus Janson and Jack Abel all lent their talents to this groundbreaking story. If you are at all interested in superhero comics, you should brave the less than polished artwork and somewhat dated dialogue for a magnificent rollercoaster thrill-ride.

The book concludes rather weakly with Starlin’s last regular Captain Marvel adventure, taken from issue #34 of the comic book. In the first part of a much longer sequence the Protector of the Universe temporarily defeats Nitro, the Exploding Man, only to succumb to the world’s deadliest nerve gas. From this exposure the hero would eventually contract the cancer that killed him, as depicted in Marvel’s first Graphic Novel, The Death of Captain Marvel. (I’ll be reviewing that particular oversized tome in the days ahead, but I should make you aware that a single book combining it and the collection reviewed above was released as The Life and Death of Captain Marvel – ISBN13: 978-0-7851-0837-5 in 2002 and might still be available if you want all your cosmic eggs in one basket).

© 1972, 1973, 1974, 1990 Marvel Entertainment Group/Marvel Characters, Inc. All Rights Reserved.

Shooting Stars

Shooting Stars

By Rod Kierkegaard Jr. (Catalan Communications)
ISBN: 0-87416-028-6

Here’s a spectacularly cool and probably dangerously litigation-prone slice of 1980’s satire that still delivers a breathtaking punch for modern readers and art-fans. This selection of short spoofs and pastiches that presages our modern obsession with celebrity and scandal by lampooning major music icons in grotesque murder-and-monster yarns, many featuring the fab, hip and cool Rock Detective Rockfort.

‘Killer!’ features that king of Pop Michael Rockson in a sex-and-blood teen-slasher tale featuring the marvellously crafted likenesses of that boy who never grew up, but also such notables as Paul McCartney, Diana Ross and a host of others. ‘Doctor Boy… And Mr. Gore’ stars Boy Gorgeous, the gender-bending Marilyn, Vanessa Williams (nee ‘Willing’) and a truly macabre tale of steroid abuse, whilst ‘Prance’ features too many stars to list in a Mary Shelley riff that sees Baron Von Funkestein build the perfect performer from the remains of dead rock stars.

This wicked, graphically sexy and devilishly funny book concludes with ‘Like a Holy Virgin’ as Rockfort is hired by superstar Madollar. It seems she’s lost her virginity and only a great detective can recover it for her… The cameos here range from Sting to Sean Penn and once again the surreal, sardonic and supremely talented Rod Kierkegaard Jr. hits the parody bullseye over and over again.

Beautifully painted, flamboyant and incisive, this trenchant, biting slice of Sex and Drugs and Rock ‘n’ Roll is still a great treat for adult readers, especially as his targets have stayed the course as well. One wonders if today’s stars will enjoy the same celebrity longevity…?

© 1987 Editions Albin Michel S.A. English language edition © 1987 Catalan Communications. All Rights Reserved.

Starfawn

(FICTION ILLUSTRATED VOLUME 2)

 Starfawn

By Byron Preiss & Stephen Fabian (Byron Preiss Visual Publications Inc/Pyramid Books)
No ISBN

Byron Preiss’s publishing outfit was responsible for some pretty impressive steps in the development of the comic strip medium over the years. He used major talent, advocated the book over the periodical and was determined to always expand the fan-base rather than consolidate in a declining marketplace. By taking such risks he didn’t always hit his mark, but the results were always interesting and worthy of the readers time and money.

In this little gem, which boldly proclaims itself to be “in the Star Trek Tradition!”, he wrote an above average, if derivative, science fiction odyssey of First Contact that nonetheless still resonates today. His secret weapon was the hiring of pulp illustrator Stephen Fabian, whose pointillist artwork had been seen in Marvel’s black and white magazine line as well as increasingly in the anthology periodicals of the day.

Using a stippling technique reminiscent of SF classicists Virgil Finlay and Hannes Bok, the self-taught Fabian has since made a glittering career for himself (just Google him and see for yourself) and in this tale of a team of explorers and the startling metamorphosis that overtakes one of them shows that his sequential narrative and design skills are as impressive as his illustrative ability. With comic-book legend Marie Severin as colourist, this quaintly dated tale is still a great read and well worth seeking out if histrionic superheroes and moody misanthropes are beginning to pall your palate.

™ & © 1976 Byron Preiss Visual Publications Inc. All Rights Reserved.

The Brave and the Bold: The Lords of Luck

The Brave and the Bold: The Lords of Luck

By Mark Waid & George Pérez (DC Comics)
ISBN13: 978-1-84576-648-1

Maybe it’s just my age but I often think that I have a few deep-seated problems with most modern comics. Perhaps I’ve seen the same old plots regurgitated over and over too many times, or maybe the “old stuff” is only better because I’ve bronzed it uncritically with my personal nostalgias, but a large amount of modern output feels shallow, glossy and calculatedly contrived to me.

And then something like this turns up. The Brave and the Bold: The Lords of Luck collects the first six issues of another revival of this hallowed DC title and returns it not only to the fitting team-up format we all enjoyed but does it with such style, enthusiasm and outright joy that I’m almost a gawping, drooling nine-year-old again. Mark Waid, George Pérez and inkers Bob Wiacek and Scott Koblish have produced an intergalactic romp through time and space that rips through the DC Universe as a funny, thrilling and immensely satisfying murder-mystery-come-universal-conquest saga.

When Batman and Green Lantern discover absolutely identical corpses hundreds of miles apart it sets them on the trail of probability-warping aliens and the stolen Book of Destiny – a mystical chronicle of everything that ever was, is, and will be!

Each issue/chapter highlights a different team-up and eventually the hunt by Adam Strange, Blue Beetle, Destiny (of the Endless, no less) the Legion of Super Heroes, Lobo, Supergirl and a mystery favourite of long-ago (you’ll thank me for not blowing the secret, honestly!) plus an incredible assortment of cameo stars coalesces into a fabulous free-for-all that affirms and reinforces all the reasons I love this medium.

Great story, great art and great for all ages to read and re-read over and over again.

© 2006, 2007 DC Comics. All Rights Reserved.

Up Front

Up Front

By Bill Mauldin (W.W. Norton)
ISBN13: 978-0-39305-031-8

During World War II a talented and thoughtful young man named William Henry “Bill” Mauldin (29/10/1921 -22/01/2003) fought “Over There” with the 45th Division of the United States Infantry as well as many other fine units of the army. He learned to hate war and love his brother soldiers – and the American fighting man loved him back. During his service he began creating cartoons for Stars and Stripes, the US Armed Forces newspaper and his cartoons were reproduced in papers in Europe and America.

They mostly featured two slovenly “dogfaces” – a term he popularised – giving a trenchant and laconic view of the war from the very tip of the Sharp End. Willie and Joe, much to the dismay of the brassbound, spit-and-polish military doctrinaires, became the permanent and lasting image of the ordinary soldier, and they showed the conflict in ways the upper echelons of the army would prefer remained secret. Willie and Joe even became the subject of two films (Up Front -1951 and Back at the Front – 1952) whilst Willie made the cover of Time magazine in 1945, the year 23 year old Mauldin won his first Pulitzer Prize.

In 1945 a collection of his drawings, accompanied by a powerfully understated and heartfelt documentary essay, was published by Henry Holt and Co. Up Front was a sensation, telling the American public about the experiences of their Sons, Brothers, Fathers and Husbands in a way no historian would or did. This volume (with a new forward by Stephen Ambrose) is an anniversary re-issue of that publication. A biography, Back Home, followed in 1947. A Liberal and free-thinker, Mauldin’s anti-war, anti-idiots-in-charge-of-War views became increasingly unpopular in Cold War America.

Up Front

Despite being a War Hero his increasingly political cartoon work drifted out of favour and he left the business to become a journalist and illustrator. He was a film actor for awhile (appearing in Red Badge of Courage with Audie Murphy among other movies) and after an unsuccessful try for a seat in Congress in 1956 returned to newspaper cartooning in 1958. He retired in 1991, after a long and glittering career. He only ever drew Willie and Joe four times in that entire period (for an article on the “New Army” in Life magazine, for the funerals of “Soldiers Generals” Omar Bradley and George C. Marshall and to eulogize Milton Caniff). His fondest wish had been to kill the iconic dogfaces off on the final day of World War II, but Star and Stripes vetoed it.

Up Front is one of the most powerful statements about war ever to come out of America. The Willie and Joe cartoons and characters are some of the most enduring and honest symbols of all military history. Every Veterans Day in Peanuts from1969 to 1999, fellow veteran Charles Schulz would have Snoopy turn up at Mauldin’s house to drink Root beers and tell war stories with an old pal. When you read Sgt. Rock you’re looking at Mauldin’s legacy.

The issues, mordant wit and desperate camaraderie of his work is more important than ever in an age where increasingly cold and distant brass-hats and politicians send ever-more innocent lambs to further foreign fields for slaughter. With this volume and the forthcoming Fantagraphics Willie & Joe: The WWII Years, we should be well on the way to restoring the man and his works to the forefront of graphic consciousness, because tragically, his message is never going to be out of date…

Illustrations © 1944 United Features Syndicate. Text © 1945, 2005 the Estate of Bill Mauldin. All Rights Reserved.

Rip in Time

Rip in Time

By Bruce Jones and Richard Corben (Fantagor Press)
ISBN: 0-9623841-1-9

This spectacular B-Movie pastiche from two veteran comics creators has all the elements of a blockbuster thrill-ride and rattles along like a roller coaster. L.A. cop Rip Scully is out with his millionaire fiancé when he stumbles across a liquor store hold-up. Although he subdues the female robber, her psychopathic partner manages to escape with the fiancé as a hostage.

In hot pursuit with the female bandit in tow, Rip and his quarry burst into a US Military project at just the wrong moment and all four are catapulted through a hole in time. Trapped millions of years in the past relationships might break down but the hatred of men remains immutable. And the dinosaurs only care about filling their bellies…

As if they weren’t in enough trouble, the project commander is under orders to leave no witnesses and has dispatched an insane bounty hunter to ensure that no one comes back from this Lost World…

Lovingly airbrushed artwork in Corben’s outrageous signature style, rendered in moody monochrome perfectly augments Jones’ racy, pacy dialogue in this delightfully visceral thriller to make this another classic long, long overdue for a revisit.

© 1986, 1987, 1990 Richard Corben and Bruce Jones. All Rights Reserved.

Sherlock Holmes Mysteries, Volume 1

Sherlock Holmes Mysteries, Volume 1

By Martin Powell & Seppo Makinen (Moonstone)
ISBN13: 978-0-97216-686-7

Writers and fans alike share an oddly perverse and seemingly overwhelming desire to “mix and match” their favourite literary figures, especially from the Victorian Era; that birthplace of so many facets of popular culture. Sherlock Holmes is so much a household name that his inclusion in any venture is a virtual guarantee of commercial success, but often no guarantee of quality.

Mercifully that’s not the case in this instance. This volume collects two intriguing cases originally released as comic-book miniseries published by Eternity Comics and collected as petite graphic novels at the end of the 1980s. This more conventionally sized tome bundles them together and I must admit they’ve lasted rather well.

Scarlet in Gaslight: An Adventure in Terror is an intriguing if workmanlike battle of wits between the Great Detective and Bram Stoker’s Lord of the Undead. The teaming of Holmes and Abraham Van Helsing is a delight and the uneasy alliance of Count Dracula and the more truly evil Professor Moriarty, as much as its dramatic severance, delivers a memorable thrill for neophytes and purists alike.

A Case of Blind Fear returns the Great Detective to his mystery-solving roots when Scotland Yard enlists his aid to explain a series of bizarre occurrences that have left London gripped in terror. When the incidents lead to impossible murders and all logical solutions have been exhausted, Holmes can only conclude that the culprit must be an Invisible Man! H.G. Well’s scientific romances are a perfect playground for Conan Doyle’s ultimate rationalist and this moody thriller is engaging in concept and effective in delivery.

Nearly twenty years before The League of Extraordinary Gentlemen (ISBN: 1-56389-858-6) these tales gripped and enchanted comic readers, and whilst not quite matching the impressive standard of Moore and O’Neill’s graphic masterpiece, they are infinitely superior to the truly appalling film it inspired.

Great fun, honestly crafted and well worthy of your attention.

™ & © 1988, 1989, 2003 Martin Powell and Seppo Makinen. All Rights Reserved.

Peter Pank

Peter Pank

By Max (Knockabout Comics)
ISBN 0-86166-079-X

Come back with me to the 1980s. It’s the first time that the cultural phenomenon of Punk Rock experienced a wave of Nostalgic Wistfulness – if not a full revival. Back then a rowdy and raucous strip from Europe was collected into a saucy, strident album that reads terribly well in our Post-Post-Modern Twenty-First Century.

Peter Pank is a sexy, sexist, ultra-violent and in-your-face-and-up-your-nose pastiche of J.M. Barrie’s immortal classic with the eponymous Oik who never grew up luring a much more physically mature Wendy and her two brothers to the fabulous realm of Punkland to have adventures with Hippies, nymphomaniac Sirens and the dreaded Captain Quiff and his desperate band of Teddy Boys.

Fast-paced, well drawn, irreverent, obnoxious and very, very rude this guilty graphic secret is a daft but readable treat for any adult that “had to be there, Man”, or even actually was…

© 1987 Max & Ediciones La Cupula. All Rights Reserved.