Deadpool vs. Carnage


By Cullen Bunn, Salvador Espin, Mike Henderson, Aaron Kim Jacinto & various (Marvel/Panini UK)
ISBN: 978-1-84653-613-7

Stylish killers and mercenaries craving something more than money have long made popular fiction protagonists and light-hearted, exuberant bloodbath comics will always find an appreciative audience…

Deadpool is Wade Wilson (yes, a thinly disguised knockoff of Slade Wilson AKA Deathstroke the Terminator: get over it – DC did), a hired killer and survivor of genetics experiments that have left him a grotesque bundle of scabs, scars and physical abnormalities but practically immortal, invulnerable and capable of regenerating from any wound.

He is also a certifiable loon…

The wisecracking high-tech “Merc with a Mouth” was created by Rob Liefeld & Fabian Nicieza, debuting in New Mutants #97, another product of the Canadian “Weapon X” project which created Wolverine and so many other mutant/cyborg super-doers. He got his first shot at solo stardom with a couple of miniseries in 1993 (Deadpool: the Circle Chase & Sins of the Past) but it wasn’t until 1997 that he finally won his own title, which blended 4th-wall-busting absurdist humour (a la Ambush Bug) into the mix and secured his place in Marvel history.

Since then he has become one of Marvel’s iconic, nigh-inescapable characters, perennially undergoing radical rethinks, identity changes, reboots and more before always, inevitably, reverting to irascible, irreverent, intoxicating type in the end…

Back in the anything goes, desperate hurly-burly of the late 1980s-early1990s, fad-fever and spin-off madness gripped the superhero genre in America as publishers hungrily exploited every trick to bolster flagging sales.

In the melee Spider-Man spawned an intractable archenemy called Venom: deranged, disgraced reporter Eddie Brock who bonded with Peter Parker’s Secret Wars costume (a semi-sentient alien parasite dubbed the Symbiote) to become a savage, shape-changing dark-side version of the Webspinner.

Eventually the arachnid adversaries reached a brooding détente and Venom became the “Lethal Protector”, dispensing his own highly individualistic brand of justice anywhere but New York City.

However, when the symbiote went into breeding mode it spawned a junior version which merged with serial psycho-killer Cletus Kasady. Utterly amoral, murderously twisted and addicted to both pain and excitement, they became the terrifying metamorphic Carnage: a death-crazed monster tearing a bloody swathe through the Big Apple before an army of superheroes caught him and his equally lethal “family” (as seen in the crossover epic Maximum Carnage).

One of the most dangerous beings on Earth, eventually Kasady was executed and his remains dumped safely into high-Earth orbit. Of course “safe” is an extremely relative term and eventually the crimson killer returned…

Following a clash between The Superior Spider-Man (Otto Octavius‘ mind in Peter Parker’s body) and the Wizard, Kasady was resurrected but separated from his increasingly self-aware symbiote…

Written throughout by Cullen Bunn, this sublimely continuity-light and baggage-free bloody kill spree collects Superior Carnage Annual (April 2014) and the subsequent 4-part miniseries Deadpool vs. Carnage (June-August 2014), gorily repositioning the scarlet slaughterer for his next assault on the cowering Marvel Universe.

The all-action abattoir-fest opens with Superior Carnage Annual (illustrated by Kim Jacinto, Mike Henderson and colourist Jay David Ramos) as the recently recaptured Kasady – lobotomised in a clash with the Scarlet Spider – awaits medical assessment in Kramer Penitentiary. Psychologist Dr. Jenner is interviewing the unrepentant but clearly cognitively recovered felon to see if he is mentally competent to be tried for his crimes, but the headshrinker also has a secret agenda…

In New York City, the symbiote is barely contained in an unbreakable tube on Spider Island (fortress base of the Superior Spider-Man), raging in destructive fury against imprisonment and terrifying the mercenaries guarding it.

When an inmate at far-distant Kramer tries to kill Kasady the captive creature goes instantly berserk before apparently expiring.

Meanwhile at Morse Laboratories in New Mexico, researcher Carla Unger is working late, examining a few scrapings taken from the symbiote. Despite the risks, it’s way better than cooking dinner for her abusive husband Will, but when the seemingly-dormant scarlet shreds suddenly possess her, she heads home for a final family meal…

The symbiote is going to find Cletus, and is soon hopping from body to body, gaining strength whilst leaving a trail of corpses across America, but it is all too late. Power-mad Dr. Jenner, hungry to be the symbiote’s permanent host and exasperated that his first attempt to kill Kasady failed, stifles the dying inmate in the prison infirmary, but when the thing from another world final arrives it rejects him before reanimating its preferred host’s corpse…

Reunited and resurgent, the component parts that comprise the revitalised Carnage then begin taking an awful vengeance on everybody at the institution…

Some time later Deadpool vs. Carnage opens with the scarlet slayer still enjoying an extended if motiveless murder spree throughout the Midwest.

In his apartment and own world, Wade Wilson is channel surfing TV stations and suddenly divines a personal message from the universe telling him to stop Carnage…

After a few false starts and more nudging from everyday objects like billboards, video games and comics, the Manic Merc finally stumbles across Kasady in an abandoned housing development in Tulsa, Oklahoma and the two unkillable kooks start fighting.

It seems to be pretty even until Cletus’ homicidal old squeeze Shriek turns up and ambushes Deadpool…

This really isn’t the kind of tale that depends on plot, but if you’re a fan of hyperkinetic Warner Brothers cartoons where two protagonists try increasingly outrageous and escalating methods of mass destruction to destroy each other then you’ll adore the frantic, blackly hilarious duel which only ends after Deadpool picks up a bunch of symbiotes of his own – and a cool shape-changing dog – from a secret military base where the government has been trying to weaponise the alien parasites for the army…

Sharp, fast-paced and excessively, addictively action-packed, this wry and sanguine rollercoaster romp also includes a covers-&-variants gallery by Rafa Garres, Glenn Fabry & Adam Brown and Leinil Francis Yu: offering a complication free riot of gratuitous gory fun and thrills that will delight the appetites for graphic destruction of Fights ‘n’ Tights fans everywhere.
™ & © 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. Italy. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Amazing Spider-Man: The Gauntlet volume 1 – Electro and Sandman


By Mark Waid, Dan Slott, Fred Van Lente, Joe Kelly, Adam Kubert, Barry Kitson, Paul Azaceta, JM Ken Niimura, Javier Pulido & Stefano Gaudiano (Marvel)
ISBN: 978-0-7851-3871-6

Nerdy school kid Peter Parker was bitten by a radioactive spider and, whilst seeking to cash-in on the astonishing abilities he’d developed, suffered an irreconcilable personal tragedy.

His beloved guardian Uncle Ben was murdered, and the traumatised boy determined henceforward to always use his powers to help those in need. For years the brilliant young champion suffered privation and travail in his domestic situation, whilst his heroic alter ego endured public condemnation and mistrust as he valiantly battled all manner of threat and foe…

During a particularly hellish period a multitude of disasters seemed to ride hard on his heels and a veritable army of old enemies simultaneously resurfaced to attack him (an overlapping series of stories comprising and defined as “The Gauntlet”), before Parker’s recent tidal wave of woes was revealed to be the culmination of a sinister, slow-building scheme by the surviving family of one of his most implacable foes – and one who had long been despatched to his final reward.

Spanning January and February 2010, the first skirmishes in that campaign of terror are collected here, having originated in Dark Reign: The List – Amazing Spider-Man, Amazing Spider-Man #612-616 and as pertinent extracts from Web of Spider-Man #2, as old foes returned to trouble a hero already reeling from the fact that his most despised and crazy enemy has just been made the second most powerful man in America…

Officially psychotic Norman Osborn has bedevilled both Spider-Man and Peter for years. His abused son Harry was the misunderstood hero’s greatest friend but the stress and strain, over time, turned the Osborn heir into a drug addict, a costumed carbon copy of his old man and, latterly, a certifiable basket case.

Callously oblivious, Norman – through various machinations – became America’s Security Czar: the “top-cop” in sole charge of the beleaguered nation’s defence and freedom, especially in regard to the USA’s costumed community.

Capitalising on the Skrull Secret Invasion he rose to power on a tidal wave of public popularity but soon instituted an oppressive Dark Reign, driving the Earth’s Mightiest Heroes underground and forming his own team of deadly Dark Avengers, all in the grossly debased name of “national security”…

Not content with commanding all the covert and military resources of the USA, Osborn personally led the team, wearing a formidable suit of “requisitioned” Iron Man armour and calling himself the Iron Patriot, even whilst covertly conspiring with a coalition of major super-villains to divvy up the world between them.

From Dark Reign: The List – Amazing Spider-Man, ‘The Last Name’ by Dan Slott, Adam Kubert & Mark Morales finds the whiny media liberals of digital news-source Front Line (populated and staffed by all the ethical reporters from the former Daily Bugle) searching for ways to expose Osborn’s true nature and plans.

When Joe Robertson reminds Parker that no narcissist egomaniac ever destroyed anything he was in, the Astounding Arachnid invades the high tech Oscorp Tower and makes off with incriminating recordings of the former Green Goblin torturing prisoners and testing weapons on human subjects.

With his new position imperilled, Osborn dons the Iron Patriot Armour and gives chase, consequently devastating much of Midtown as he exultantly thrashes his greatest foe. However he’s too late to stop Parker from uploading the films to the world wide web and his brutal behaviour in front of the gathered witnesses is his first big mistake. Now the public are talking, wondering and starting to remember what he used to be…

‘Gauntlet Origins: Electro’ (written by Fred Van Lente and illustrated by Barry Kitson from Web of Spider-Man #2) then discloses just how blue collar electrical lineman Max Dillon came to grips with the power he developed after being hit by lightning. Stealing components from Stark Industries, being disdained and rejected by Magneto and the Brotherhood of Evil Mutants all fostered his determination to be a big shot one day and make everybody pay…

Amazing Spider-Man #612-614 cumulatively bring ‘Power to the People’ (Mark Waid & Paul Azaceta) as, against a backdrop of rolling power outages and an economic downturn, Dillon makes his move after hiring the Mad Thinker to stabilise and augment his famously erratic electrical abilities.

Unfortunately that calls for more cash than he’s got and soon Electro is looking to make more – and quickly…

Rather than robbery, however, he cunningly opts for a very public crusade against skeevy and controversial publisher Dexter Bennett who has just been deemed too big to fail. Awarded a huge government bailout to keep his trashy newspaper The DB (nee Daily Bugle) open, the billionaire is clearly living large even as decent, hard working Americans are suffering the biggest recession in history…

The campaign leads to riots in the streets and Electro makes his move, offering Bennett the chance to buy off the electrical agitator with a quick cash injection.

…And that’s when Spider-Man tracks down the Thinker’s lair and spoils the perfect plan…

With his scheme in ruins, all that’s left for Dillon is revenge and destruction and death…

As the dust finally settles after a spectacular clash which demolishes a New York landmark, Dillon is visited in jail by an old ally who offers another chance for payback…

A backup in Amazing Spider-Man #612, ‘The Other Woman’ by Joe Kelly & JM Ken Niimura then cheekily examines the odd relationship of Spider-Man and amoral adventuress Black Cat, contrasting their commitment-free flings to Peter’s ongoing problems with old flames like Mary Jane Watson and intriguing new co-worker Norah Winters before ‘Keemia’s Castle’ (Amazing Spider-Man #615-616 by Van Lente & Javier Pulido) sees the start of another baffling mystery…

Carlie Cooper is a CI for the police and when robbery and murder evidence in her custody goes missing she turns to science whiz Peter Parker to clear her name. The trail leads the unlikely sleuth to the South Bronx and a missing girl named Keemia Alvarado.

Keemia’s mother was something of a prison groupie and her relationship with metamorphic felon Flint Markothe Sandman – apparently resulted in a child. After fact – and suspicion – checking with journalist Betty Brant, Spider-Man puts a few together and heads out to closed-for-the-winter Governors Island where he finds his reformed former foe and the missing girl.

Marko denies all knowledge of the crimes. All he wants is to spend time with his little princess and he uses his new power to create autonomous sandy doppelgangers to emphatically press home his point.

It’s only after defeating the outnumbered arachnid that the stunned Sandman realises that some of his duplicates are more autonomous – and bloodthirstily evil – than others…

Fast, furious, and easily combining frantic action with moving character vignettes and ferociously addictive soap opera melodrama, these tales are offbeat even by Spider-Man’s standards – which is no bad thing – but sometimes suffer from a surfeit of unaddressed backstory… which rather is.

Nonetheless, the stories here are clever, compelling and beautifully illustrated throughout, so art lovers and established fans have plenty to enjoy. Moreover the explosive, if occasionally confusing, Fights ‘n’ Tights rollercoaster is graced with an expansive gallery of covers-&-variants by Adam Kubert, Jelena Kevic Djurdjevic, Marko Djurdjevic, Paolo Rivera, Frank Cho, Adi Granov, Ed McGuiness and Joe Quinones

All in all, this is that oddest and most disappointing of beasts: a great story but an unsatisfactory book…
© 2009, 2010, Marvel Characters, Inc. All rights reserved.

Marvel Masterworks volume 16: Amazing-Spider-Man 31-40 & Annual 2


By Stan Lee, Steve Ditko, John Romita Sr. & various (Marvel)
ISBN: 0-87135-730-5

After a shaky start The Amazing Spider-Man quickly became a popular sensation with kids of all ages, rivalling the creative powerhouse that was Fantastic Four. Before too long the quirky, charming, action-packed comics soap-opera would become the model for an entire generation of younger heroes impatiently elbowing aside the staid, (relatively) old thirty-something mystery-men of previous publications and hallowed tradition.

The rise and rise of the wondrous Web-spinner continued and even increased pace as the Swinging Sixties unfolded and, by the time of the tales in this third sumptuous hardcover (re-presenting Amazing Spider-Man #31-40 and including Annual 2, originally released between December 1965 and September 1966), Peter Parker and friends were on the way to being household names as well as the darlings of college campuses and the media intelligentsia.

Sadly by 1966 Stan Lee and Steve Ditko could no longer work together on their greatest creation. After increasingly fraught months the artist simply resigned, leaving Spider-Man without an illustrator.

In the coincidental meantime John Romita had been lured away from DC’s romance line and given odd assignments before assuming the artistic reins of Daredevil, the Man Without Fear. Before long he was co-piloting the company’s biggest property and expected to run with it.

In this momentous compilation of (mostly) chronological Arachnoid adventures, the World’s Most Misunderstood Hero successfully challenged the dominant Fantastic Four as Marvel’s top comicbook both in sales and quality.

Ditko’s off-beat plots and quirkily bizarre art had reached an accommodation with the slick and potent superhero house-style that Jack Kirby had developed (at least as much as such a unique talent ever could), with a marked reduction of signature line-feathering and moody backgrounds plus a lessening of concentration on totemic villains.

Although still very much a Ditko baby, The Amazing Spider-Man had attained a sleek pictorial gloss whilst Lee’s scripts were comfortably in tune with the times if not his collaborator. Although Lee’s assessment of the audience was probably the correct one, disagreements with the artist over the strip’s editorial direction were still confined to the office and not the pages themselves.

However an indication of the growing tensions could be seen once Ditko began being credited as plotter of the stories…

After a period where old-fashioned crime and gangsterism predominated, science fiction themes and costumes crazies started to return full force here as the world went gaga for superheroes and the creators experimented with longer storylines and protracted subplots…

When Ditko abruptly left, the company feared a drastic loss in quality and sales but it didn’t happen. John Romita (senior) considered himself a mere “safe pair of hands” keeping the momentum going until a better artist could be found but instead blossomed into a major talent in his own right, and the Wallcrawler continued his unstoppable rise at an accelerated pace…

Change was in the air everywhere. Included amongst the milestones for the ever-anxious Peter Parker collected here are graduating High School, starting college, meeting true love Gwen Stacy and tragic friend/enemy Harry Osborn and the introduction of arch nemesis Norman Osborn. Old friends Flash Thompson and Betty Brant subsequently begin to drift out of his life…

The fabulous four-colour fantasy opens – following the standard Stan Lee Introduction – with  ‘If This Be My Destiny…!’ from issue #31 which depicted a spate of high-tech robberies by the Master Planner and a spectacular confrontation with Spider-Man. Also on show was the aforementioned college debut, first sight of Harry and Gwen and Aunt May on the edge of death.

This led to indisputably Ditko’s finest and most iconic moments on the series – and perhaps of his entire career. ‘Man on a Rampage!’ showed Parker pushed to the very edge of desperation as the Planner’s men made off with the chemicals that might save Aunt May, resulting in an utterly driven, berserk Wallcrawler ripping the town apart trying to find them.

Trapped in an underwater fortress, pinned under tons of machinery, the hero faced his greatest failure as the clock ticked down the seconds of May’s life…

This in turn produced the most memorable visual sequence in Spidey history as the opening of ‘The Final Chapter!’ took five full, glorious pages to depict the ultimate triumph of will over circumstance. Freeing himself from tons of fallen debris Spider-Man gave his absolute all delivering the medicine May needed, to be rewarded with a rare happy ending…

Russian exile Kraven the Hunter returned in ‘The Thrill of the Hunt!’ seeking vengeance by impersonating the Web-spinner whilst #35 offered ‘The Molten Man Regrets…!’: a plot-light but inimitably action-packed combat classic as the gleaming bandit foolishly resumed his career of pinching other peoples jewels…

Amazing Spider-Man #36 featured a deliciously off-beat, almost comedic turn in ‘When Falls the Meteor!’ as deranged scientist Norton G. Fester began stealing museum exhibits whilst calling himself the Looter…

In retrospect these brief, fight-oriented tales, coming after such an intricate, passionate epic as the Master Planner saga, should have been seen as some sort of clue that things were not going well, but the fans had no idea that ‘Once Upon a Time, There was a Robot…!’ which featured a beleaguered Norman Osborn being targeted by his disgraced ex-partner and some eccentrically bizarre murder machines in #37 and the tragic comedy of ‘Just a Guy Named Joe!‘ – wherein a hapless sad-sack stumblebum boxer gains super-strength and a bad-temper – were to be Ditko’s last arachnid adventures.

When Amazing Spider-Man #39 appeared with the first of a two-part adventure that featured the ultimate victory of the Wall-Crawler’s greatest foe no reader knew what had happened – and no one told them…

‘How Green Was My Goblin!’ and ‘Spidey Saves the Day! (“Featuring the End of the Green Goblin!”)’ calamitously changed everything whilst describing how the arch-foes learned each other’s true identities before the Goblin “perished” in a climactic showdown. It would have been memorable even it the tale didn’t feature the debut of a new artist & a whole new manner of story-telling…

Issues #39 and 40 (August – September 1966) were a turning point in many ways, and inked by old DC colleague Mike Esposito (under the pseudonym Mickey Demeo) they still stand as another of the greatest Spider-Man yarns of all time, heralding a run of classic tales from the Lee/Romita team that saw sales rise and rise, even without the seemingly irreplaceable Ditko.

Earlier in 1965 however the artist was blowing away audiences with another oddly tangential superhero. ‘The Wondrous World of Dr. Strange!’ was the lead story in the second Spider-Man Annual (October of that year and filled out with vintage Spidey classics).

The entrancing fable unforgettably introduced the Webslinger to arcane other realities as he teamed up with the Master of the Mystic Arts to battle power-crazed wizard Xandu in a phantasmagorical, dimension-hopping masterpiece involving ensorcelled zombie thugs and the stolen Wand of Watoomb.

After this story it was clear that Spider-Man could work in any milieu and nothing could hold him back…

Also included from that immensely impressive landmark are more Ditko pin-ups in ‘A Gallery of Spider-Man’s Most Famous Foes’ – exposing such nefarious ne’er-do-wells as The Scorpion, Circus of Crime and the Beetle, making this astounding tome one of the most impressive Spider-Man books you could ever read, even if later editions have slightly altered contents. If you want to experience the quintessential magic of the Amazing Arachnid this book has to be your first stop…
© 1965, 1966, 1996 Marvel Entertainment Group, Inc. All rights reserved.

Ultimate Annuals volume 1


By Mark Millar, Brian K. Vaughn, Brian Michael Bendis, Jae Lee, Tom Raney, Mark Brooks, Jaime Mendoza Steve Dillon,& various (Marvel)
ISBN: 978-0-7851-2035-3

After Marvel’s financial problems and creative impasse in the late 1990s, the company took stock, braced itself and came back swinging. A critical new concept was the remodelling and modernising of their core characters for the new youth culture.

The Ultimate imprint abandoned monumental long-grown continuity – which had always been Marvel’s greatest asset – to re-imagine major characters in their own self-sufficient universe, offering varying degrees of radical makeover to appeal to the contemporary 21st century audience and offer them a chance to get in on the ground floor.

Creepy vigilante Spider-Man Parker was not-so-secretly a high-school geek, brilliant but bullied by his physical superiors whilst mutants were a dangerous, oppressed ethnic minority scaring the pants off the ordinary Americans they frequently hid amongst.

The Fantastic Four were two science nerds and their dim pals transformed into monsters, and global peacekeeping force S.H.I.E.L.D. kept them all under control with their own metahuman taskforce humbly designated The Ultimates…

The revived series all sported fresh and fashionable, modernistic, scientifically feasible rationales for all those insane super-abilities and freaks manifesting everywhere…

The experiment began in 2000 with a post-modern take on Ultimate Spider-Man. Ultimate X-Men followed in 2001, and the Mighty Avengers were reworked into The Ultimates in 2002 with Ultimate Fantastic Four joining the party in 2004.

The stories, design and even tone of the heroes were retooled for the perceived-as-different tastes of a new readership: those tired of or unwilling to stick with precepts originated by inspirational founding fathers Jack Kirby, Steve Ditko and Stan Lee, or (hopefully) new consumers unprepared or unwilling to deal with five decades (seven if you include Golden Age Timely tales retroactively co-opted into the mix) of interconnected story baggage.

The new universe quickly prospered and soon filled up with more refashioned, morally ambiguous heroes and villains but eventually even this darkly nihilistic new universe became as continuity-constricted as its ancestor.

Eventually, in 2008, an imprint-wide decluttering exercise “Ultimatum” culminated in a reign of terror which excised dozens of superhumans and millions of lesser mortals in a devastating tsunami which inundated Manhattan, courtesy of mutant menace Magneto.

Long before that, however, Marvel’s original keystone concepts were awarded their own celebratory summer specials and this stellar volume collects Ultimate Fantastic Four Annual#1, Ultimate X-Men Annual#1, Ultimate Spider-Man Annual#1 and The Ultimates Annual#1 (all from October 2005): a selection of relatively stand-alone sagas displaying the daringly different tone of the alternate yet chillingly familiar world.

The compilation kicks off with ‘Enter the Inhumans’ by Marl Millar, Jae Lee and colourist June Chung from Ultimate Fantastic Four Annual#1 wherein dim but pretty party boy Johnny Storm gets involved with a runaway princess bride.

The ethereally beautiful girl is named Crystal and she is fleeing from an arranged marriage to her creepy, crazy cousin Maximus. The match was decreed by her sister Medusa and King Black Bolt, rulers of a hidden race of super-powered parahumans who have concealed their existence from humanity for ten thousand years.

Even after the Human Torch almost dies defending her, Crystal is successfully abducted, compelling Reed, Sue, Ben and recuperating Johnny to go after her into the heart of hidden city Attilan, thanks to the teleporting talents of the princess’ faithful giant bulldog Lockjaw…

The subsequent confrontation with the lethally powerful Inhuman Royal Family leads to an inconclusive resolution but a shattering end to the lost city…

Romance plays a part in the next tale too. ‘Ultimate Sacrifice’ by Brian K. Vaughn, Tom Raney, Scott Hanna & Gina Going (Ultimate X-Men Annual#1) finds Nick Fury warning Charles Xavier that the unstoppable Juggernaut has escaped and is hunting the mutant girl he holds responsible for all his recent woes…

Unfortunately for everyone, Rogue has absconded to Las Vegas in the company of sexy bad-boy thief Gambit, where the rampaging monster maniac finally corners the duplicitous duo. Tragically Juggernaut completely underestimates his former squeeze’s lethal powers and the self-sacrificing ingenuity of the besotted Cajun…

The most significant change to Stan, Jack and Steve’s breakthrough concepts was a rather telling one: all the heroes were conceived as being far, far younger than their mainstream antecedents. This even affected the sensational Spider-Man tales wherein – after decades of comicbook stardom – the perennially youthful Peter Parker was at last portrayed as a proper High School kid rather than a stodgy 40-year old geek trapped in a teen’s body…

In ‘More than you Bargained For’ by Brian Michael Bendis, Mark Brooks, Jaime Mendoza, Scott Hanna & Dave Stewart – from Ultimate Spider-Man Annual#1 – the guilt-driven lad’s constant round of villain thrashing is derailed when cute but shy mutant Kitty Pryde makes the first tentative moves in her painfully adorable bid to make the mysterious hero her boyfriend…

That sweet, silly and utterly charming yarn is followed by a far darker and cunningly convoluted tale focusing on S.H.I.E.L.D. supremo Nick Fury and his long-term plan to mass produce an army of metahumans in ‘The Reserves’ by Millar, Steve Dillon & Paul Mounts.

Rather than highlighting stars like Iron Man and Captain America, the story follows the far from smooth development of a legion of Rocketmen, Goliaths, weather based warriors “The Four Seasons” and the short, tragic career of heroic hopeful super-soldier Lieberman. Of course the one-eyed master strategist has no time for regrets as he’s busy trying to avoid becoming the latest successful contract of infallible hitman Mister Nix…

Rocket-paced, razor sharp and blisteringly action-packed, this riotous romp is also liberally dosed with teen-oriented humour for the era of the acceptable nerd and go-getting geek, offering a smart and beguiling entrée into of Marvel’s other Universe that will impress open-minded old fans of the medium just as much as the newcomers they were ostensibly aiming for.
© 2005, 2006 Marvel Characters Inc. All rights reserved.

Superior Spider-Man: Goblin Nation


By Dan Slott, Christos N. Gage, Giuseppe Camuncoli, Humberto Ramos, John Dell & various (Marvel/Panini UK)
ISBN: 978-1-84653-602-1

Amazing Spider-Man #700 began one of the most impressive reboots of the wondrous Webslinger’s mythology and was certainly the most striking and compelling character shake-up of all the MarvelNOW! relaunches.

In that issue, all that was Peter Parker apparently died when Doctor Otto Octavius took over his body. The hero’s mind had been trapped in the super-villain’s expiring body where, despite his every effort, at the last Peter perished with and within that decrepit frame.

Permanently installed in a strong and vital body, the coldly calculating Octopus began living Peter’s life, albeit with some minor necessary alterations, upgrades and improvements: arguably becoming a wholly Superior Spider-Man…

At first the situation did not seem completely hopeless. At the moment of the monster’s greatest triumph Peter inflicted his full unvarnished memories on the psychic invader, forcing Octavius to experience every ghastly moment of tragedy and sacrifice which combined to make Spider-Man the compulsive do-gooder that he was.

From that enforced emotional turmoil came a bitter understanding. Otto had a change of heart and swore to live the rest of his stolen life in tribute to his greatest enemy; earnestly endeavouring to carry on Spider-Man’s self-imposed mission and inescapably guided by Peter’s abiding principle: “with great power comes great responsibility”…

However Octavius’ monomania proved hard to suppress and the overwritten webspinner constantly toiled to prove himself a better man: augmenting Parker’s paltry gadgets and methodology with millions of spying “Spiderbots” to patrol the entire city at once, always adding advanced tech and new weaponry to his uniform and, most importantly, acting pre-emptively rather than merely reacting to crises as the original had…

Otto went back to college because he refused to live life without a doctorate and even briefly tried to rekindle his new body’s old relationship with Mary Jane Watson.

The new, ultra-efficient Spider-Man became New York’s darling and even Mayor J. Jonah Jameson embraced the hero; all but adopting the Arachnid as his deputy – to the utter incredulity of an imperceptible psychic shard of Peter which still screamed in frustration within the deepest recesses of the hero’s overwritten consciousness…

The helpless ghost was an unwilling passenger, unsuspected by Octavius yet increasingly privy to the villain’s own barely-suppressed memories. Moreover, many of Parker’s oldest friends and allies began to suspect something amiss…

Police CSI and ex-girlfriend Carlie Cooper knew Peter’s secret identity and recalled the last time Spidey fought Doc Ock, when the killer broke her arm. He had claimed then that it was an accident: that he was Peter trapped in the villain’s body…

The public seemed happy with the changed Spider-Man. Not only was he more efficient, but far more brutal too: crippling bad guys like Boomerang, Vulture and Scorpion. This hard-line attitude actually increased the wallcrawler’s approval rating and, after a hostage siege, his status peaked when he executed the psychotic perpetrator Massacre…

Eventually Octavius realised there was a noble passenger in his head and eradicated the last vestiges of his insidious enemy’s presence – at the cost of many of Parker’s later memories. However, now utterly liberated, Otto ambitiously extended his campaign of modernised crime-fighting.

After helping Jameson when the Spider-Slayer and other super-felons broke loose on The Raft penitentiary, Spider-Man blackmailed the Mayor into giving him the now-empty island edifice for a base. The Superior Wallcrawler designed a new costume, built giant war-tanks and even hired henchmen to be his “Spiderlings”, helping him clean up the city for decent, law-abiding citizens.

“Parker’s” personal life was all but over. Finally achieving a doctorate, he opened his own tech start-up company and entered into a romance with brilliant college companion Anna Maria Marconi whilst his arachnid alter ego monitored the metropolis through the electronic eyes of the tiny but universal spiderbots from his transformed citadel on the now-renamed Spider Island II…

There’s still plenty that he doesn’t see though: resurgent criminal mastermind Goblin King (former Green Goblin Norman Osborn) had taken over the underworld through his Goblin Army Cult.

To that end he transformed young Phil Urich – latest iteration of The Hobgoblin – into his devilishly Strong Right Arm: a Goblin Knight to lead his armies to inevitable victory…

Carlie had shared her suspicions about Otto possessing Spider-Man with her friend Police Captain Yuri Watanabe (who secretly moonlights as costumed vigilante The Wraith). Together they gathered proof of their suspicions regarding the Ock and the Wallcrawler; but the mission went cold when Cooper suddenly vanished…

Elsewhere disgraced psychopathic genius Ty Stone joined Osborn’s daughter-in-law Liz Allen-Osborn as director at her new conglomerate Alchemax. He was cautiously building his own powerbase, unaware that his new assistant Michael O’Mara was in truth Miguel O’Hara, (Spider-Man 2099) trapped in our era following a chronal crisis…

Otto/Peter was trying to repair his relationship with Aunt May and her wealthy husband (J. Jonah’s dad Jay Jameson), helplessly re-experiencing the lad’s abiding affection for the gracious old lady. However after seeing Spider-Man at work torturing a captured foe, May wanted her family to have nothing to do with the Arachnid, even though Peter’s company was officially the creator of all the Superior Spider-Man’s gadgets and crime-fighting improvements…

As Yuri searched for Carlie, she came to the understandable but erroneous conclusion that Spider-Man was responsible for her abrupt disappearance, whilst Ock’s Spiderlings continually scanned the city for signs of the Goblin cult, neither side able to glean that deep in a subterranean lair Carlie was suffering at the hands of the Goblin King.

The villain was hungry to learn all she knew about Spider-Man (information the mentally unstable Osborn had himself forgotten), but only got what he was after once he’d dosed her with the madness-inducing mutagenic goblin formula which had originally transformed him from business mogul to costumed maniac…

The bid to transform her into one of his faithful acolytes worked perfectly, and artificially crazed new acolyte Monster seemed delighted to join his vile viridian family…

In the Mayor’s office Jonah Jameson, fed up with Spider-Man’s exploitative extortion, commissioned Stone and Alchemax to build a new generation of Spider-Slayer robots. The unscrupulous technologist was happy to turn the project over to his new protégé…

In other news: Green Goblin had declared war on his rival (and cheap knock-off) Roderick Kingsley who had been franchising super-villain gigs and poaching capers as the Hobgoblin, preparatory to making his big move on the city.

Parker’s Avenger ally Iron Man finally secured concrete proof that the Superior Spider-Man had been playing fast and loose with the truth from the very start…

Worst of all, after being briefly possessed by the Venom Symbiote Otto had awaked the aggravating ghost of the real Peter Parker in the recesses of their co-owned head…

To Be Concluded…

Scripted by Dan Slott with Christos N. Gage, Goblin Nation brings the saga of the brilliant bodysnatcher to a spectacular close, collecting issues #26-31 of the Superior Spider-Man as well as the second Annual (encompassing November 2013- April 2014), delivering a stunning conclusion to the story of Otto Octavius in advance of the Amazing return of the one true Friendly Neighbourhood Spider-Man…

‘Goblin Nation Prelude: Goblin Wars’ illustrated by Humberto Ramos, Javier Rodriguez, Marcos Martin, Victor Olazaba & Alvaro Lopez, opens as Goblin Nation soldiers and Hobgoblin’s crew clash one last time, whilst across town the Superior Spider-Man’s battle with AIM is interrupted by an indignant pack of Avengers demanding some honest answers…

Deep in Octavius’ mindscape, everything that remains of Peter Parker reviews again the 31 key memories left after Ock performed psychic surgery to excise his young foe’s thoughts and influence. They aren’t much, but they are the very quintessence of what made the boy a hero…

In the outer world Goblin King kills Hobgoblin, subsequently recruiting his victim’s men to the cause. Suspicious and fearful, his Goblin Knight Phil Urich wisely conceals from Osborn the fact that the corpse is not Kingsley but only a brainwashed proxy, whilst at Avengers Tower, the interview with the Webslinger goes badly and “Spider-Man” quits the World’s Mightiest Heroes…

‘Goblin Nation’ resumes 31 days later with New York City devastated and all but conquered by Osborn’s ghoulish forces. Spider-Man is reeling at his impossible fall from grace. The invaders have combined ruthless force with subversive computer programming to decimate the city’s defences and defenders…

As Otto questions how it could all have happened he accesses one of Parker’s remaining memories just as the ghost in his mindscape remembers the same event. Curiosity piqued, Peter finds a memory starring Octavius and enters Otto’s representation only to find himself trapped and reliving the villain’s life – every cruel, brutally sad moment of it…

In the physical world, crushed Otto-in-Peter labours to create a technical solution to the Goblin invasion, whilst his concerned girlfriend Anna Maria Marconi looks on helplessly. Suitably equipped he then invades Osborn’s underworld for a showdown but is appalled when the madman announces that he knows he’s talking to Doctor Octopus not Peter Parker…

Goblin King offers Otto a subordinate role in his new empire and, when the monomaniac Arachnid refuses and escapes, Osborn sends a battalion of his creepy minions to raze Spider Island and everything on it…

With Giuseppe Camuncoli & John Dell assuming the art chores the story continues with only Otto getting away: sneaking off like a whipped dog thanks to his robot slave “The Living Brain”, whilst deep in his head, the real hero struggles to retain his own identity whilst experiencing every frustration and defeat that made Octavius who he is.

On TV Mayor Jameson has denounced Spider-Man and announced his own solution to the crisis: a “Slayer Patrol” army of super-robots designed to take back the streets. Watching the broadcast, Mary Jane and boyfriend Pedro Olivera are suddenly attacked by a detachment of Goblins. Fighting them off, MJ realises that all Spider-Man’s friends and family must be targets and moves to warn and save them… if she can…

At Parker Industries, The Wraith attacks “Peter” believing he has kidnapped Carlie only to have the battle interrupted by Monster. Recognising the missing girl has been mutated by Goblin-serum, Parker and his colleague Sajani Jaffrey capture the raving acolyte and attempt to reverse the process…

Mary Jane has narrowly moved May and Jay before the Goblins could find them, but is not able to save Anna Maria from capture and as the next chapter opens the Goblin Underground is in control of New York. With Otto/Peter frantically working on curing Carlie Osborn celebrates his triumph by blowing up all the landmarks and repositories of Octavius’ past successes, prompting the Superior Spider-Man to rashly come after him. The final straw is the Goblin’s boast that he has all his friends. Unable to reach Anna Maria the Wallcrawler tackles Goblin King head-on and one of the Emerald sociopath’s hostages pays the final price…

Deep in the Mindscape Peter has been subsumed by Otto’s memories and is gone just as the memory lane reaches the point where Arachnid and Octopus began their lethal rivalry, whilst in the real world Spider-Man’s rage and torment are momentarily forgotten when Jameson’s Spider-Slayer robots attack him.

Luckily Spider-Man 2099 is there to disable them but even he is taken by surprise when Osborn hacks their programming, turning the mechanoids into another terror weapon to destroy the city and its heroes…

The epic takes a necessary detour as Superior Spider-Man Annual #2 offers a brace of tales scripted by Gage as intersecting sidebars to the unfolding calamity, beginning with ‘Blood Ties’.

Illustrated by Javier Rodriguez & Alvaro Lopez, the downbeat yarn chronicles Daily Bugle reporter Ben Urich‘s desperate attempts to save his nephew Phil from the curse of the Green Goblin and his own weak nature whilst ‘Chasing Ghosts’ (art by Philipe Briones) reveals how Sajani and the Wraith begin administering their highly experimental cure on Carlie and discover the secret of how Osborn has been subverting the City and Spider-Man’s electronic security systems…

Back in Superior Spider-Man #30, Otto’s battle against Osborn has reached a critical stage, just as in the Mindscape helpless passenger Parker reaches the point where Ock took over his body. Galvanised by shock the hero returns to full mental control of himself but not, crucially, the body Otto still commands.

The usurper is in dire straits: frozen by indecision as Osborn threatens to kill another hostage. The occluded sight of the frail female form has paralysed the Superior Spider-Man, but not Parker who forces the faux hero to act…

The victim is not Anna Maria and in a final example of excoriating self-examination Otto realises he cannot save her. Thus he willingly surrenders his consciousness allowing Peter Parker to reclaim forever their body.

It might not be an act of kindness. Even though the Amazing Spider-Man is back Osborn has never been stronger or more likely to triumph or take the world to destruction with him…

This truly titanic terminal tome includes a covers-&-variants gallery by Ryan Stegman, Ramos, Camuncoli, Mark Brooks, Jennifer Parks, David Marquez, J. Scott Campbell, Jorge Molina, Kevin Maguire and Tim Sale and comes fully augmented with AR icon sections – Marvel Augmented Reality App pages which provide access to story bonuses and content on your smart-phone or Android-enabled tablet.

Spectacular, sensational and breathtakingly satisfying, the all-action conclusion offers a stunning climax to the catastrophic carnage with the original Wallcrawler utterly transcendent as he resumes his rightful position in the world, but even with the Superior Saga ended the aftermath has stacked up a huge number of changes, problems and perils for Parker to deal with in the days to come.

To Be Continued…
™ & © 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Marvel Super Heroes Secret Wars: 30th Anniversary Edition


By Jim Shooter, Mike Zeck, Bob Layton, John Beatty & various (Marvel/Panini UK)
ISBN: 978-1-84653-589-5

Has it been thirty years? Cripes!: stir the Horlicks and break out the Zimmer frames…

The “maxi-series” which started the seemingly insatiable modern passion for vast, braided mega-crossover publishing events originally came about because of an impending action figures licensing deal with toy manufacturing monolith Mattel.

Marvel Editor-in-Chief Jim Shooter, a great advocate of tales accessible to new, younger readers as well as the dedicated fan-base, apparently concocted the rather simplistic but amazingly engaging saga starring the House of Ideas’ top characters as a result of urgings from a potential major licensor. He then built his tale around a torrent of unsolicited, inspirational mail from readers, all begging for one huge dust-up between all the heroes and villains…

The 12-issue Limited Series launched with a May 1984 cover-date and closed (April 1985) with a double-sized blockbusting battle that left many characters changed forever – or as least as “Forever” as comics get…

The premise of the secret saga was that an all-powerful force calling itself The Beyonder abducted an army of Earth heroes and villains – and the most dreaded destroyer in the universe – in its quest to understand the emotion of desire…

The enigmatic, almighty entity dumped them all on a colossal purpose-built Battleworld created from and populated with fragments of other planets as a vast arena in which to prove which was better – self-gratification or sacrifice…

In his introductory reminiscence ‘The War to End All Wars’, Shooter recounts the concatenation of circumstances which led to the creation of the series, after which an tantalising page clipped from the Daily Bugle outlines the mounting mystery of a seemingly unconnected legion of missing heroes before the furious Fights ‘n’ Tights epic opens…

As crafted by Shooter, Mike Zeck & John Beatty, ‘The War Begins’ found the Avengers, X-Men and Fantastic Four, Magneto, the Hulk and utterly out-of-his-depth Spider-Man all teleported into the deep unknown to see a galaxy destroyed and a world constructed before their astounded eyes. This was achieved purely so that a cosmic force could determine which of two philosophies was correct.

Arrayed against them were Doctor Doom, Molecule Man, Ultron, Dr. Octopus, the Lizard, the Enchantress, Absorbing Man, Kang the Conqueror, the Wrecking Crew and Galactus, all of whom had no problem with a disembodied voice telling them “slay your enemies and all you desire shall be yours”…

Whilst the villains instantly turn on each other, the Devourer of Worlds doesn’t care for the offer and attacks the disembodied force, only to be smashed casually and unceremoniously onto the brand new world below. The heroes too touch ground but dissent starts to split them into suspicious factions. The mere presence of mutant supremacist Magneto on their “team” divides the champions along human and mutant lines…

Elsewhere Doctor Doom tries to explain the underlying threat to his fellow villains in the huge super-scientific citadel they have commandeered, but the rogues refuse to listen.

Exasperated, the Monarch of Latveria decides to swallow his pride and consult with despised rival Mr. Fantastic but is blasted out of the skies by his greedy, treacherous companions before he finds the heroes’ camp. The bushwhackers then rashly go on to attack the gathered Good Guys… and The War begins…

‘Prisoners of War!’ sees the first of many pitched battles, but as the cataclysmic conflict proceeds, elsewhere Doom, having survived the sneak attack, is on site to see Galactus revive and ominously repair to a mountain top to begin his own unique response…

Leaving the cosmic glutton to his own devices, the Iron Tyrant returns to the fortress of evil; dubbing it Doombase as he reprograms the dormant AI Ultron to be his slave.

He is waiting when the thoroughly trounced malefactors limp home, having lost the Lizard, Enchantress, Kang and Thunderball, Bulldozer and Piledriver of the Wrecking Crew to the heroes.

The triumphant yet troubled victors have occupied their own city-sized futuristic castle-complex where, after imprisoning their captives, they soon return to bickering with each other. The suspicions of some human heroes quickly drives Magneto away – taking the Wasp as a hostage – but even as the remaining mutants begin to feel the weight of prejudice, bigger problems manifest.

As the rocky Thing unexpectedly reverts to merely mortal Ben Grimm, on his distant mountain top Galactus is preparing to consume Battleworld…

The suspense builds in ‘Tempest Without, Crisis Within!’

As the master of magnetism discusses a truce with the Wasp, in the hero citadel Spider-Man misconstrues an overheard conversation and accidentally sparks a schism between human and mutants.

Whilst the webslinger and Hulk remain with Reed Richards, The Thing, Human Torch, Captain America, Thor, Iron Man (unknown to all Jim Rhodes not Tony Stark), Hawkeye, Captain Marvel and She-Hulk, the much-aggrieved X-Men Storm, Cyclops, Rogue, Nightcrawler, Colossus, Wolverine and diminutive space-dragon Lockheed follow increasingly doctrinaire Charles Xavier’s demands to separate from the assemblage and join Magneto…

Doom meanwhile has used his fortress’ alien technology to turn two mysteriously-arrived earth girls into super-powered allies. When his remaining forces attack the heroes at dawn, the power of Volcana and Titania tips the balance against the defenders, deprived as they are of the might of the now-missing mutants…

Thor too is gone. Having journeyed with the captive Enchantress to a pocket dimension – hoping to persuade her to switch sides – he returns too late to stop the felons freeing their comrades and crippling the Torch and Captain Marvel…

Bob Layton stepped in to pencil the next two chapters, beginning with ‘Situation: Hopeless!’ wherein the resurgent rogues move to end the war by having Molecule Man drop an entire mountain range on the already-reeling heroes. Trapped under 50 billion tons of rock – only barely held up by the Atlas-like Hulk – the heroes are rallied to hold on by Captain America whilst Reed and Iron Man devise a technological solution to their dilemma.

Outside, Thor’s unexpected return almost overwhelms the exultant evildoers, but he too is eventually destroyed…

As the dust settles, Doom kills the newly liberated Kang (for shooting him down as he flew to confer with Richards), blithely unaware that Thor has survived and escaped to rescue his buried comrades…

In another quadrant, as the X-Men arrive at Magneto’s bastion – giving the Wasp a chance to escape – the recently disinterred heroes find an alien village in the shadow of Galactus’ peak where a comely healer named Zsaji uses her empathic abilities to heal the battered, wounded warriors from Earth…

However even as Ben unpredictably becomes the Thing again, Galactus makes his next move…

Above the skies of Battleworld, the Devourer’s solar system sized starship materialises, signalling ‘The Battle of Four Armies!’ At Doombase meek, socially inept Molecule Man Owen Reece is starting to blossom under the romantic attentions of Marsha Rosenberg AKA Volcana and, after being teased and bullied by the Wrecking Crew, smashes them all and flies off to be alone with her.

Whilst Magneto and Xavier attempt to communicate with the disdainfully oblivious Galactus, the X-Men speed to assist the human heroes against an outlaw assault on Zsaji’s village. In the melee Colossus is gravely injured and only saved by the healer’s intervention.

For him it is true love at first sight…

Oblivious to the conflict Doom, meanwhile, has again accomplished the impossible and invaded Galactus’ ship…

Zeck returned for ‘A Little Death…’ in which the Wasp, frantically making her way back to her friends, encounters and befriends the savage, confused Lizard.

Thousand of miles above her, Doom’s explorations have led him to find and restore sonic scourge Klaw. The malign, sentient sound wave had been trapped in the system-ship for months but although reconstituted in a solid-vibrational body construct, the Master of Sound is completely crazy….

Xavier’s confrontational leadership style is causing contention amongst his students and Colossus is having his heart broken every time he sees Zsaji fawn and simper over the shallow, lustful – human – Torch…

As Captain America and the big brains strategise ways to stop Galactus, Cyclops, Wolverine and Rogue unexpectedly rout a pack of bad guys on a mission for Doom which leaves the nigh-omnipotent Molecule bleeding out. Elsewhere, however, the fates are less kind when the Wasp, still cosying up to the Lizard, is ambushed and murdered by the Wrecking Crew.

The primordial predator is unable to save her, but his vengeance is terrible to behold…

And back at the Healer’s village a new player is about to enter the fray…

‘Berserker!’ introduces a new Spider-Woman and reveals where Titania and Volcana came from. Whilst assembling his war world The Beyonder appropriated segments of many other planets, including an entire suburb of Denver, Colorado from Earth…

Before the enigmatic arachnid can explain further the Wreckers blaze in to dump the Wasp’s corpse and gloat, but the Star Spangled Avenger refuses to let his enraged comrades pursue the killers. He needs everyone to stay ready for the moment when Galactus starts to eat the planet and the billions of kidnapped innocents unhappily inhabiting it…

As the villains retreat with the wounded Molecule Man they are ambushed by the rest of the X-Men and Magneto, resulting in another savage yet inconclusive battle, whilst high above them all Doom continues to plunder Galactus’ home. When the World Eater finally notices him, the Master of Latveria is casually expelled and sent crashing like a bug to the planet below …

Back at Doombase She-Hulk, filled with righteous rage and ignoring Cap’s orders, attacks the amassed murderers alone. After a ferocious fight she eventually succumbs to their greater force and ruthless brutality…

So when Xavier informs the heroes that his mutants will stand guard over Galactus, the Sentinel of Liberty at last lets his enraged comrades loose to take on the killers and live up to the name “Avengers”…

She-Hulk is near death when ‘Invasion!’ (inked by Beatty & Jack Abel) opens, as the champions of justice thrash their enemies with great enthusiasm, especially the enigmatic new Spider-Woman. In the course of the spectacular melee, Spider-Man single-handedly beats the impossibly strong Titania and his costume is destroyed.

As they imprison the crushed criminals, Captain America finds Doom, slumped in defeat and despair. Whilst the triumphant heroes use matter-shaping machines to repair their clothing and uniforms, the Wall-crawler accidentally uses a different device and receives a new all-black costume similar to Spider-Woman’s…

His, however, can change shape, colour and design, is thought-activated and somehow produces an inexhaustible supply of webbing. In the days to come on Earth he will learn to deeply regret his error…

Back in the village Zsaji has pulled out all the stops and resurrected the seemingly dead Wasp, but any joy the victors might feel is instantly erased as Professor X broadcasts a desperate telepathic alarm: Galactus is at last beginning to consume the planet…

As the X-Men begin their ‘Assault on Galactus!’ the human heroes rush back to assist them, but Reed Richards – the greatest intellect on Earth – suddenly has a flash of insight and vanishes as the Devourer teleports him to a private conference.

At that moment Doom rouses himself from his despondent funk, having conceived a grand plan of his own to conquer both Galactus and The Beyonder, erasing forever the humiliation of his ignominious defeat…

Due in part to his discussion with Reed, the Cosmic Carnivore abandons Battleworld and instead absorbs his own system-ship…

In the confusion Doom makes his move, using a hastily constructed device to absorb all the omnipotent instigator’s power and deal out ‘Death to the Beyonder!’

Despite being all but incinerated in the struggle, the Iron Tyrant uses the stolen energies to rebuild himself and declare the Secret War over with Doom the sole victor…

In ‘…And Dust to Dust!’, having successfully stolen the Beyonder’s power, he exults in the joys of becoming omnipotent. However the troubled new god finds it hard to hang on to lust for conquest, or even personal ambition after achieving all-consuming divinity, and his benign acts and vapid indolence betray a certain lack of drive and ambition…

With heroes and villains nervously awaiting the new supreme one’s next move, events take a subtly disturbing turn as a strange energy wisp begins to possess a succession of heroes as it makes its way ever closer to the Doom Deity…

The other do-gooders remain deep in conference, debating their response to the self-proclaimed saviour of the universe. At the moment they finally decide to oppose him they are all vaporised by a bolt of energy…

Of course it doesn’t end there as the resurgent Beyonder battles through heroic and villainous proxies to reclaim his purloined power and put everything to rights – sort of – in the blockbusting finale ‘…Nothing to Fear!’

Although perhaps a little dated and rather straightforward – although peppered with plenty of convoluted and clever plot twists – this bombastic box of delights still reads exceedingly well (especially for younger readers) and this commemorative edition also includes a couple of added extras.

‘The Toys’ features many of the action figures, packaging and ads for all us kids to salivate over and the whole show concludes with scholarly overview ‘The Birth and Legacy of Marvel Super Heroes Secret Wars’ which rounds off the cosmic nostalgia-fest by discussing the secret origins of mega-crossovers from crucial prototype Marvel Super Hero Contest of Champions to a few of the more memorable descendants such as Civil War, Age of Ultron and Infinity…

Fast-paced, pretty-looking and impressively action-packed, Marvel Super Heroes Secret Wars was – and still is – sheer comicbook magic that no true aficionado of Fights ‘n’ Tights fiction can do without.

™ & © 1984, 1985, and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Mighty Avengers volume 2: Venom Bomb


By Brian Michael Bendis, Mark Bagley, Marko Djurdjevic, Danny Miki, Allen Martinez, Victor Olazaba & various (Marvel)
ISBN: 978-0-7851-2369-9

After a TV reality show starring superheroes The New Warriors went hideously wrong and resulted in the deaths of hundreds of ordinary folk in Stamford, Connecticut, popular opinion turned massively against masked crusaders.

The Federal Government rushed through a scheme to licence, train and regulate all metahumans but the plan split the superhero community and a terrified and indignant merely mortal populace quivered as a significant faction of their former defenders, led by the ultimate icon of liberty, Captain America, refused to surrender their autonomy and anonymity to the bureaucratic vicissitudes of the Superhuman Registration Act.

The Avengers and Fantastic Four, bedrock teams of the Marvel Universe, fragmented in scenes reminiscent of America’s War Between the States, with “brother pitted against brother” and as the conflict inexorably escalated it became clear to all involved that the increasingly bitter fighting was for souls as much as lives.

Both sides battled for love of Country, Constitution and personal Liberty and both sides knew they were right…

Following the divisive and brutal Civil War, Tony Stark (a staunch advocate of the SRA) formed a squad of registered, Government-sanctioned heroes. His S.H.I.E.L.D.-backed Mighty Avengers were designed to take care of business whilst he worked on his “Fifty States Initiative”, the objective of which was to eventually field teams of trained and licensed superheroes in every State of the Union.

Firstly, though, he had to restore public confidence, especially as the unregistered, rogue New Avengers continued to defy his orders to surrender to government authority: saving lives and crushing evil without his permission…

This second scintillating volume, gathering Mighty Avengers #7-11 (March-July 2008) is written throughout by Brian Michael Bendis and primarily illustrated by Mark Bagley, Danny Miki, Allen Martinez & Victor Olazaba, and begins with an opening shot in the then-forthcoming company event Secret Invasion.

‘Venom Bomb Part One’ finds New Avenger Spider-Woman switching sides to bring Stark the corpse of a Skrull who had replaced ninja assassin Elektra. Her own team thought they could handle the prospect – and feared Stark and/or his squad might also be alien infiltrators – but Jessica Drew, a triple agent simultaneously working for S.H.I.E.L.D., Hydra and the rebel Avengers felt that only by going to the Nation’s security chief could the situation be successfully handled…

Stark keeps the corpse secret but invites Drew to join his team in hopes that her presence will cause any Skrulls in his Avengers to betray themselves. However, no sooner has Stark officially inducted the Arachnid Amazon to the squad (field leader Ms. Marvel, Black Widow, Wonder Man, the Wasp, Sentry and Grecian war god Ares), over their very strident protests, than a tiny ball of stellar debris crashes into New York City and unleashes an horrific, highly communicable plague…

The capsule contains a voracious iteration of the alien Symbiote Spider-Man inadvertently brought back from The Beyonder‘s Battleworld and contact instantly transforms any organism into a voracious duplicate Venom.

Soon the city is a seething mass of rampaging, shapeshifting monsters – which is almost a relief for Stark as his constant scrutiny has detected no impostors. More worrying though is a desperate snatched conversation with Sentry’s wife Lindy, who begs the genius to find a way to de-power or kill her husband before his growing mental instability makes him a threat to the entire planet…

As the team deploys to the infection site the Wasp is pondering her last meeting with size-changing ex-husband Henry Pym (formerly Ant-Man, Giant Man, Goliath and Yellowjacket) when the erratic genius upgraded her powers. Unfortunately the ability to become a giant only makes her a bigger target and lethal liability when the rabid Venoms attack and infect her…

Thankfully Iron Man and the more or less than human Wonder Man, Ares, Sentry and Ms. Marvel are immune to the transformative terrors but then they encounter Hawkeye and Wolverine‘s New Avengers already on scene, and see that the outlaw heroes have succumbed to the contagion, becoming “Venomised” versions of their former selves…

Using all his scientific resources, Stark synthesises a cure for the plague whilst his comrades hold the line, but in the aftermath the restored Hawkeye accuses him of being responsible for the murder of Captain America and the parlous state of the world.

Still reeling with guilt, Iron Man rockets into orbit to discover more weaponised venom bombs, and Ms. Marvel chooses not to arrest the SRA-resistors, allowing the New Avengers make their escape…

In space Iron Man examines the bomb’s point of origin and discovers the satellite was built by Doctor Doom. Enraged and determined to make a political point Stark then deploys his team to invade the sovereign state of Latveria…

With additional art from Marko Djurdjevic ‘Doom’s Castle’ opens with the Iron Tyrant indulging his passions with volatile sorceress Morgana Le Fey in the distant past, but his dangerous dalliance is soon forgotten when he returns to his own citadel to discover that his Venom satellite has prematurely triggered and a battalion of angry Avengers are attempting to kick his portcullis in…

The earth-shattering battle which follows sees the dictator soundly beaten but, on the verge of defeat, his Time Platform is damaged and the temporal malfunction causes the Golden Avenger, Sentry and Doom to plunge helplessly into the past…

Presented as a visual pastiche of 1970’s Marvel Comics stories, ‘Time is on No One’s Side’ picks up the tale as Sentry discovers that his history is not as he remembers whilst watching his younger self battling dark mastermind The Void. Elsewhere in old New York, time-lost Tony Stark and Victor Von Doom resume their deadly duel until the panicking Sentry finds them and forces a truce…

Realising at last the incredible danger inherent in Sentry losing it, Doom leads his fellow chronal castaways to the era’s only known location of a time machine.

Unfortunately that’s Doom’s own device, confiscated by the Fantastic Four and cached in the Baxter Building and the bid to use it is interrupted by a fighting mad Thing named Ben Grimm…

Eventually however the trio triumph and travel back to their own Now, but only Iron Man and Sentry actually arrive, just in time to be caught in a monumental explosion…

This cataclysmic clash concludes as, in the Dark Ages, Doom and Le Fey collude and the witch-queen teaches her amorous pupil how to construct an army of demons.

Thus reinforced Doom returns to the 21st century before Iron Man and Sentry and unleashes his horde of horrors on the rest of the Mighty Avengers. Crushed by the unholy horrors the team are soon trussed up as trophies of the devil doctor but nobody expected Spider-Woman to display an unprecedented power, disrupting Doom’s devices, freeing the team and demolishing his castle.

By the time Iron Man and Sentry pop back into reality it’s all over bar a colossal (and previously seen) detonation and the resounding defeat of the master of Latveria who subsequently becomes the most famous international terrorist ever arrested by S.H.I.E.L.D….

With covers by Bagley and Frank Cho and a selection of astounding inked cover samples by Cho, Danny Miki & John Dell, Venom Bomb offers another slick and stylish slice of breathtaking all-action entertainment which soundly sets the scene for the startling Secret Invasion main event which followed, but also reads astounding well on its own merits.

This is another Fights ‘n’ Tights “must-read” for insatiable thrill-chasers everywhere.
© 2007, 2008 Marvel Characters, Inc. All rights reserved.

Marvel Adventures Spider-Man: Peter Parker vs. the X-Men


By Paul Tobin, Matteo Lolli, Ben Dewey, Christian Nauck & Terry Pallot (Marvel)
ISBN: 978-0-7851-4116-7

Since its earliest days the company we know as Marvel has always courted the youngest comicbook consumers. Whether animated tie-ins such as Terrytoons Comics, Mighty Mouse, Super Rabbit Comics, Duckula, assorted Hanna-Barbera and Disney licenses and a myriad of others, or original creations such as Tessie the Typist, Millie the Model, Homer the Happy Ghost, Li’l Kids and Calvin, or in the 1980s the entire originated or licensed output of peewee imprint Star Comics, the House of Ideas has always understood the necessity of cultivating the next generation of readers.

These days however, general kids’ interest titles are on the wane and, with Marvel’s proprietary characters all over screens large and small, the company usually prefers to create child-friendly versions of its own proprietary pantheon, making that eventual hoped-for transition to more mature comics as painless as possible.

In 2003 the company created a Marvel Age line which updated and retold classic original tales by Stan Lee, Jack Kirby and Steve Ditko and mixed it in with the remnants of the manga-based Tsunami imprint, all intended for a younger readership.

The experiment was tweaked in 2005, becoming Marvel Adventures with the core titles transformed into Marvel Adventures: Fantastic Four and Marvel Adventures: Spider-Man and the reconstituted classics supplanted by original stories. Additional series included Marvel Adventures series Super Heroes, The Avengers and Hulk. These iterations ran until 2010 when they were cancelled and replaced by new – but continuity-continuing – volumes of Marvel Adventures: Super Heroes and Marvel Adventures: Spider-Man.

This digest-sized collection re-presents issues #58-61 – the final four stories from February to May 2010, scripted throughout by Paul Tobin.

What You Need to Know: Sixteen year old Peter Parker has been the mysterious Spider-Man for little more than six months. In that time he has constantly prowled the streets and skyscrapers of New York, driven to fight injustice. However as a kid just learning the ropes he’s pretty much in over his head all the time.

The most persistent major hassle is the all-pervasive Torino crime-family, whose goombahs and street-thugs perpetually attack Spider-Man on sight, spurred on by the $500,000 bounty on the Wallcrawler’s head…

Peter’s civilian life is pretty complicated too, but great help and constant comfort is High School classmate Sophia Sanduval – an extremely talented lass nicknamed Chat – who knows Peter’s secret and can communicate with animals…

Following a handy introductory recap page, the opening tale finds him ‘Wanted’ (art by Matteo Lolli & Terry Pallot) as the protracted vendetta against the Torinos is suddenly punctuated by wanted posters for the Webslinger on every tree, fence and lamppost. During another brutal but pointless clash with the mobsters the Webspinner is assisted by a very capable masked woman in a red dress who introduces herself as the Blonde Phantom. She’s behind the find-Spidey posters but only wants to offer him a job with her Blonde Phantom Detective Agency…

Cautiously hearing her out, the hero shares his strange and complex personal life with the sultry sleuth, telling her about Chat and how Gwen Watson claims to be going out on dates with his alter ego, something Peter adamantly denies. He doesn’t even have time for the girlfriend he’s got…

Gwen’s dad is Police Captain George Stacy. He knows the boy’s secret and allows him to continue his vigilante antics whilst acting as a mentor and sounding board, but the senior cop has some very hard words concerning anyone taking money for doing good deeds. Peter sort of agrees with him, but Aunt May is in desperate need of cash to repair the foundations of her house…

Later, when conflicted Peter meets up with Blonde Phantom he still hasn’t decided, but as another band of Torinos jump them, the resulting battle reminds him that the last time he took money for being Spider-Man, his Uncle Ben died…

The guilt-ridden kid sadly declines the glamorous gumshoe’s offer but is later astounded when Captain Stacy provides a welcome – and acceptably legitimate – financial solution to May’s money woes.

The Blonde Phantom isn’t too disappointed either: she got Chat’s contact details out of Peter before they parted…

The eponymous ‘Peter Parker vs. the X-Men’ (pencilled by Ben Dewey) finds the wallcrawler and Chat having an earnest heart-to-heart about their relationship – and Gwen’s persistent and insistent claims to still going out on dates with Peter – when squirrels warn them that they are being spied on by a stranger with “three big fingers”.

A thorough investigation results in nothing but a strange whiff of sulphur…

After they go their separate ways, the hero is again ambushed by Torinos, but one of them – later revealed as the grandson of the Family’s Big Boss Berto – helps him escape, and George Stacy warns him that the increasingly impatient mobsters have finally hired some specialist help; engaging the services of super-assassin Bullseye – the Man who Never Misses…

The bewildered and nervous hero heads home only to find Wolverine spying on him. When the Arachnid attacks the triple clawed mutant he is assaulted by a whole squad of X-Men and only after a frantic clash does he discover that they have come to offer help to a fellow mutant…

When he finally convinces them that he isn’t a Homo Superior kid, the embarrassed outcast heroes realise that their mutant detector Cerebro must have been registering the girl he was with – the one who talks to pigeons and squirrels…

With pencils by Christian Nauck, ‘I’ve Got a Badge!’ then focuses on the return of teen thief and mutant mindbender Silencer as Chat – now in training with the Blonde Phantom Detective Agency – explains to a baffled Peter that she can’t remember being his girlfriend, even though all her animal associates assure her its true.

The mysteries begin to unravel after Captain Stacy offers Spider-Man a Consultant position with the NYPD and asks him to help apprehend Silencer who has been robbing the city blind.

Whilst searching for her and dreaming of a life where the cops aren’t always chasing him, the young Torino kid Carter takes an opportunity during one more gang hit to warn the Wallcrawler that Bullseye is after him…

Heading for Chat’s place Peter finds Silencer in residence and calls in the cops, only to discover the bandit is actually his girlfriend’s BFF Emma Frost…

Choosing to help Emma escape the police, Peter sacrifices his chance for an easier life, but discovers to his dismay in the concluding chapter that Emma is the cause of all his romantic woes, meddling with both Gwen and Chat’s minds because she wants the Webslinger herself. Of course the animals know what’s going on and when they tell Chat the fur – and webbing – starts to fly…

Never the success the company hoped, the Marvel Adventures project was superseded in 2012 by specific comics tied to those Disney XD television shows designated as “Marvel Universe cartoons”, but these collected stories are still an intriguing, amazingly entertaining and more culturally accessible means of introducing the character and concepts to kids born sometimes two generations or more away from the originating events.

Fast-paced, enthralling and impressive, these Spidey super stories are extremely enjoyable yarns, although parents should note that some of the themes and certainly the violence might not be what everybody considers “All-Ages Super Hero Action” and might perhaps better suit older kids…
© 2009, 2010 Marvel Characters, Inc. All rights reserved.

Amazing Spider-Man – The Gauntlet volume 2: Rhino and Mysterio


By Joe Kelly, Dan Slott, Fred Van Lente, Max Fiumara, Marcos Martin, Javier Pulido, Michael Lark, Nick Dragotta, Barry Kitson& Stefano Gaudiano (Marvel)
ISBN: 978-0-7851-3872-3

Outcast, geeky school kid Peter Parker was bitten by a radioactive spider and, after seeking to cash-in on the astonishing abilities he’d developed, suffered an irreconcilable personal tragedy. His beloved guardian Uncle Ben was murdered and the traumatised boy determined henceforward to always use his powers to help those in dire need. For years the brilliant young hero suffered privation and travail in his domestic situation, whilst his heroic alter ego endured public condemnation and mistrust as he valiantly battled all manner of threat and foe…

During this continuous war for the ordinary underdog, Parker has loved and lost many more close friends and family…

During a particularly hellish period a multitude of disasters seemed to ride hard on his heels and a veritable army of old enemies simultaneously resurfaced to attack him (an overlapping series of stories comprising and defined as “The Gauntlet”), before Parker’s recent tidal wave of woes was revealed to be the culmination of a sinister, slow-building scheme by the surviving family of one of his most implacable foes – and one who had long been despatched to his final reward.

From that tirade of terror and collecting material in whole or in part from Amazing Spider-Man #617-621 and Web of Spider-Man #3-4, (November 2009-April 2010), this powerful and portentous tome opens with ‘Gauntlet Origins: Rhino, written by Fred Van Lente and illustrated by Nick Dragotta, which reveals how – decades ago – Russian hard man and mercenary Aleksei Sytsevich was bamboozled into becoming the test subject for an illegal procedure which made him immensely strong and fantastically durable.

Sadly it didn’t make him any smarter or less stubborn and over the years The Rhino was too often a tool for clever men and a punching bag for weaker heroes…

The parade of foes queuing up to take on the Amazing Spider-Man resumes as ‘Rage of the Rhino’ (by Joe Kelly & Max Fiumara) sees a worn out Peter Parker co-opted by agonisingly bright and breezy journalist Norah Winters as her personal “photo-monkey” even as, in a dark hole, a fully redesigned and more deadly Rhino listens to a pervasive voice suggesting who to kill if he wants to “ascend”…

Hot for fun and a possible scoop, Norah drags Peter to a casino where his spider-sense goes berserk as he sees hulking old enemy Aleksei Sytsevich working as a bouncer… Bracing himself for another blockbuster brawl the Webslinger is astounded to see the ponderous Russian attacked by a new and far more deadly Rhino, proudly intent on becoming the “one and only”…

The undercover hero is even more gobsmacked to see Sytsevich refusing to fight and even trying to convince his assailant to quit his pointless life of mayhem. Despite every pacific effort the scene soon descends into shattering chaos before the brand new heavy escapes and in the aftermath Spider-Man learns of Oksana, the simple waitress who turned his most intransigent and hard-headed foe into a reformed and law-abiding citizen…

However in a dark den the new Rhino, manipulated by the voices of hidden provocateurs, transfers his thwarted hatred to a new target…

This tale is ably augmented by a charming peek into the first meeting of Aleksei and Oksana where the freshly paroled super-thug decided not to take up the offer of criminal scientist and thorough bad influence Dr. Tramma and instead went on ‘The Walk’ (by Kelly & Javier Pulido).

Before the main event begins, ‘Gauntlet Origins: Mysterio (by Van Lente & Barry Kitson) discloses the supernatural close shave – complete with cameo by Doctor Strange – that finally turned conman and Hollywood SFX guru Quentin Beck into murderously malevolent menace Mysterio, after which ‘Un-Murder Incorporated’ (Dan Slott & Marcos Martin) offers a quick reprise of Maggia history to reveal that, with most of the family hierarchy recently rubbed out, hapless “Baby Bruno” Karnelli is rapidly losing the latest turf war with enigmatic Asiatic upstart Mister Negative.

Even the psychotically loyal Hammerhead has switched sides and joined the Chinatown gang…

A clash between the opposing mobs at a gambling den draws in Spider-Man, and in the aftermath crime photographer Peter has an argument with chum and CSI Carlie Cooper: another girl who has suffered romantically thanks to the lad’s big secret…

He disappoints her yet again by suddenly dashing off to meet Aunt May – who is just returning from her honeymoon trip with new husband Jay Jameson – but when the old new bride accidentally stumbles into an execution by her friend Martin Li, the fiend who is Mister Negative uses his dark powers to befuddle her mind and transform her into a cold, ruthless bullying martinet…

Back at the Karnelli ranch, none-too-bright Baby Bruno is astounded to find that all nine of the Dons recently killed had actually faked their deaths and resentfully resumes his position as low man on the totem pole when cyborg Capo Silvermane takes back control of the Maggia.

The neophyte mobster has no idea his own ambitious lieutenant Carmine has gone into partnership with robotics miracle-worker Mysterio. More importantly, Carmine has no idea what kind of man Quentin Beck really is…

Carlie’s day gets worse too. When she returns to the crime scene, her dead hero-cop dad is waiting for her…

‘Re-Appearing Act’ turns up the pressure as Ray Cooper explains to his daughter that he was in the Maggia’s pocket all along, whilst elsewhere the resurgent Silvermane leads his forces against Mister Negative’s undead Inner Demons causing Hammerhead to take himself out of the game and alerting Spider-Man to the latest outbreak of gang warfare.

Plunging into the fray, the hero is astonished to be welcomed by Police Captain Yuri Watanabe who is happy to get some metahuman muscle on the hard-pressed cops’ side.

However the Arachnid only falls into Mysterio’s latest snare when he seemingly kills a mobster with a single punch…

Overruling her outraged squad, Yuri allows the horrified Wallcrawler to go free and quietly assigns Carlie to prove the death was a set-up…

Meanwhile across town, the formerly benign, negatively charged May Parker-Jameson cruelly evicts the “freeloaders” she let use her house, making Harry Osborn and many of Peter’s friends homeless…

Beck finally overplays his hand when he resurrects one time villain The Big Man whom Spider-Man unmasks as deceased cop George Stacy. Finally getting a handle on what’s really happening, the Webslinger recruits Carlie and puts his own scheme into play just as Silvermane/Mysterio kills Carmine and takes full control…

‘Smoke & Mirrors’ explosively reveals that the trickster was always about the money: using the gang war to manipulate the Maggia into putting all their cash somewhere he could relieve them of it.

Everything else was just perks, but thanks to Spider-Man and Carlie the plan is spoiled, even though Mister Negative further muddies the waters by unleashing his DNA-specific poison gas Devil’s Breath (specifically encoded to kill Spider-Man thanks to a stolen sample of Peter’s blood), almost killing the Wallcrawler at the moment of his greatest triumph…

This sterling slice of action and suspense ends with ‘Out for Blood’ (by Slott, Michael Lark & Stefano Gaudiano) as Spidey asks unstable old paramour Black Cat to help him retrieve his blood sample from Mister Negative’s Chinatown fortress. Sadly the stealth mission soon turns into a painfully straightforward clash of arms…

And elsewhere, as penniless Harry goes looking for a place to crash at old girlfriend Mary Jane Watson‘s place, Carlie has a final agonising confrontation with the inveterate criminal who might or might not be her cherished and supposedly deceased dad…

Fast, furious, and easily combining frantic action with heartwarming character vignettes and ferociously addictive soap opera melodrama, these tales are offbeat even by Spider-Man’s standards – which is no bad thing – but sadly suffer from a surfeit of unaddressed backstory… which rather is.

Nonetheless, the stories here are clever, compelling and beautifully illustrated throughout so art lovers and established fans have plenty to enjoy. Moreover, the explosive, if occasionally confusing, Fights ‘n’ Tights rollercoaster is graced with cool extras such as information features culled from the pages of the Bugle and a gallery of covers -&-variants by Jelena Kevic Djurdjevic, Fiumara, Martin, Ed McGuiness, Dexter Vines. Morry Hollowell, Pasqual Ferry, Fabio D’Auria & Joe Quinones to delight the eyes if not soothe those tired brain cells.

All in all, this is that oddest and most disappointing of beasts; a great story but an unsatisfactory book…
© 2009, 2010, Marvel Characters, Inc. All Rights Reserved.

Superior Spiderman: the Superior Venom


By Dan Slott, Christos N. Gage, Humberto Ramos & Victor Olazaba, Javier Rodriguez & Álvaro López and various (Marvel/Panini UK)
ISBN: 978-1-84653-584-0

With this superb reinterpretation of the Amazing Arachnid iteration clearly approaching an ending or final resolution, the tension in this sublime series is again ratcheted up by scripter Dan Slott in The Superior Venom which collects issues #22-25 of Superior Spider-Man (4th September-13th November 2013) and Superior Spider-Man Annual #1.

Where Were You When…?: in an apocalyptic final battle Peter Parker apparently died and Doctor Otto Octavius took over his body. The hero’s mind had been imprisoned in the dying body of the super-villain where, despite his every desperate effort, at last Peter perished with and within that decrepit, expiring frame.

This left the coldly calculating Octopus permanently installed in the Wondrous Wallcrawler’s body and successfully living out Parker’s life, albeit with a few minor but necessary alterations, upgrades and improvements…

At first the situation did not seem utterly hopeless. As his foe exulted in triumph, Parker had inflicted his full unvarnished memories on the psychic invader, forcing unwary Otto to experience every ghastly moment of tragedy and sacrifice which combined to make Spider-Man the compulsive do-gooder that he was.

From that enforced emotional turmoil came a bitter understanding. Ock had a change of heart and swore to live the rest of his stolen life in tribute to his greatest enemy; earnestly endeavouring to carry on Spider-Man’s self-imposed mission, guided by Peter’s abiding principle: “with great power comes great responsibility”…

However Octavius’ ingrained monomania proved impossible to suppress and the usurper constantly toiled to prove himself the better man: augmenting Parker’s paltry gadgets and slapdash methodology with millions of spy robots to patrol the entire city at once, constantly adding advanced tech and refining new weaponry to the suit and even acting pre-emptively rather than merely reacting to crises as the original had…

Otto even took Parker’s frame back to college because he arrogantly refused to live life without a doctorate and even briefly tried to rekindle his new body’s old relationship with Mary Jane Watson.

The new, ultra-efficient Spider-Man became New York’s darling and even Mayor J. Jonah Jameson embraced the Web-spinner; practically adopting Spider-Man as his deputy – to the utter incredulity of an imperceptible psychic fragment of Peter which still screamed in frustration within the deepest recesses of the hero’s overwritten consciousness…

The helpless ghost was an unwilling passenger, unsuspected by Octavius yet increasingly privy to the villain’s own barely-suppressed memories. Simultaneously, more and more of Parker’s oldest friends began to suspect something amiss…

Police CSI Officer and ex-girlfriend Carlie Cooper knew Peter’s secret identity and recalled the last time Spidey fought Doc Ock, when the killer broke her arm. He claimed then that he was Peter trapped in the villain’s body…

The public initially seemed happy with how Spider-Man had changed. Not only was he more efficient, but far more brutal too. This new hard-line attitude actually increased the webslinger’s approval rating and, following a hostage siege, his status peaked after he executed the psychotic perpetrator Massacre…

Eventually Octavius realised there was a noble passenger in his head and eradicated the last vestiges of his enemy’s presence – at the cost of many of Parker’s useful memories – but the trade-off was a fully liberated mind able to make darker decisions whilst instigating his revolution in crime-fighting.

Helping Jameson after Spider-Slayer and other super-felons rioted on The Raft, the hero blackmailed the Mayor into donating the now empty edifice as a base of operations. The superior wallcrawler designed a new costume, built giant Arachnaut war-tanks and even hired a gang of henchmen to help him clean up the city for the decent, law-abiding citizens.

Despite winnowing “Parker’s” personal life to a less distracting level, Ock still wanted that elusive doctorate and whilst negotiating the petty bureaucracy of Academia Parker began a romance with brilliant Anna Maria Marconi …

From his transformed citadel on the now-renamed Spider Island II, Spider-Man watches over his city through the electronic eyes of thousands of tiny Spider-bots, keeping a special lookout for resurgent hidden criminal mastermind Goblin King (an updated and even crazier Green Goblin Norman Osborn) who was slowly completing his own campaign to take over the underworld with his Goblin Army Cult.

To that end the emerald maniac transformed young Phil Urich – latest iteration of The Hobgoblin – into a Goblin Knight to lead his armies to inevitable victory…

Meanwhile, Carlie shared her suspicions about Spider-Man with friend and Police Captain Yuri Watanabe (who secretly moonlights as costumed vigilante The Wraith) and together they set about gathering definitive proofs of their suspicions regarding the Wallcrawler.

Since Spidey now has an Island fortress and a mercenary gang to pay for, they even had a money trail to follow…

However Carlie’s investigations alerted all the wrong people and she was abducted by the Goblin Army…

This rocket-paced chronicle opens with ‘Hostage Crisis’ from Superior Spider-Man Annual #1, scripted by Christos N. Gage and illustrated by Javier Rodriguez & Álvaro López, which sees potential disaster stemming from the leaked (cover) story that Peter Parker is the technical wizard building all the Superior Spider-Man’s gadgets.

The secretly embedded hero/villain is just starting to repair his relationship with Aunt May and her wealthy husband (J. Jonah’s dad Jay Jameson): helplessly re-experiencing the lad’s abiding affection for the gracious old lady when vampiric villain Blackout kidnaps her.

The darkness-generating undead psychopath has got wind of the Parker connection and wants Peter to sabotage Spider-Man’s gadgets, but he has not reckoned on the insane degree of sadistic violence the new hardline Superior Wallcrawler might inflict on anyone threatening those under his protection…

Sadly for the increasingly complacent Octavius, he is equally unaware that May is a witness to the ferocious punishment beating the Webslinger delivers. Thus, even though the upshot of the rescue is that the Parker clan is categorically “off-limits” to every rational denizen in the criminal fraternity, May now wants Peter to sever all ties to the monstrous Spider-Man…

And even more disturbing, nobody ever accused the Green Goblin of rationality…

Over in Superior Spider-Man the 4-part saga ‘Darkest Hours’ commences with ‘Beginnings’ as Betty Brant investigates a new Crime Master, terrified that he may be her wayward brother Bennet when old boyfriend Eugene “Flash” Thompson intervenes.

He still has feelings for the plucky journalist and is prepared to risk his top-secret, covert US operative job for her…

Once upon a time Spider-Man spawned an implacable enemy called Venom: a deranged and disgraced reporter named Eddie Brock who bonded with Parker’s alternate costume: a semi-sentient alien parasite called the Symbiote which the wallcrawler first picked up during Secret Wars.

Brock became a savage, shape-changing, dark-side version of the Wallcrawler, but after numerous spectacular clashes, the arachnid adversaries eventually reached a brooding détente and Venom became a “Lethal Protector”, dispensing a highly individualistic brand of justice everywhere but New York City.

Since thenmany other hosts have bonded with the ebony parasite, including Brock’s wife Ann Weying, Mac Gargan AKA the Scorpion, mobster Angelo Fortunato, Mayoral assistant Edward Saks and even Franklin Richards and members of the Fantastic Four.

Eventually the Government took control of the Symbiote and offered it – with strings attached – to Flash: Spider-Man’s greatest fan and a war-hero who came back from Afghanistan without his legs.

A recovering alcoholic, Eugene became the star of a military black-ops operation which uses the Symbiote to carry out under-the-radar missions vital to US security.

In return, Thompson gets to be a hero (of sorts), feel useful again, serve his country and get out of his wheelchair prison for 48 hours at a time. Agent Venom even became a Secret Avenger, serving directly under Steve Rogers.

Of course there were drawbacks: the parasite is a voracious deadly menace, constantly seeking to permanently bond to its wearer, and is classed as one of the most dangerous entities on the planet. If the new Venom should go berserk, or if the human host stays bonded for more than two days, his war-room controllers will simply detonate explosives attached to Thompson’s body and start the project over with another volunteer. It’s what they had to do with the previous wearer, after all…

Now however Flash is risking everything for Betty, infiltrating the gang with his shapeshifting abilities…

Elsewhere his oldest friend Dr. Peter Parker is taking things to a new level by launching his own tech start-up company. Apparently gripped by exuberance – if not monomania – the very proud owner of Parker Industries is showing around his major investors, May and Jay Jameson, introducing them to medical maverick Elias Wirtham and offering his aunt the gift of a lifetime…

The doughty old lady has lived with chronic pain ever since her leg was injured in a criminal attack, but now Peter has devised a cybernetic implant which will enable her to walk normally again…

In a seedier part of town Captain Watanabe searches for her missing partner Carlie Cooper and comes to the understandable but erroneous conclusion that Spider-Man is responsible for her abrupt disappearance…

As the Spider henchmen continually scan the city for signs of the Goblin Gang they notice Venom battling Crime Master’s gang and alert their boss. Soon the entirety of the Spider force is tracking what they perceive as one of the most dangerous entities on the planet…

In ‘Complications’ the spectacular clash results in Flash’s defeat, but the new Spider-Man has no recent memory of Parker’s school days bully so when Venom escapes the Wallcrawler sets off in relentless, obsessive pursuit.

Deep in a hidden place Carlie is suffering at the hands of the Green Goblin who is desperate to glean all she knows about Spider-Man (information the troubled Osborn has himself forgotten)…

Eager to introduce May and Jay to new significant other Anna Maria, “Peter” arranges a dinner party at his apartment, but the preparations are interrupted when wheelchair-bound Flash turns up, looking to his old friend for shelter…

Another plot strand begins in the Mayor’s office where Jonah Jameson, fed up with Spider-Man’s exploitative extortion, commissions shady genius Tyler Stone of Alchemax to build a new generation of Spider-Slayer robots to protect the city.

The unscrupulous technologist is happy to turn the project over to his new protégé Michael O’Mara who unbeknownst to any is the temporally stranded Spider-Man of 2099…

The dinner party is a disaster. Peter is obsessively concentrating on Flash and doesn’t realise how disturbed old-fashioned May is that the prospective mother of the next generation of Parkers is a “little person”. After all, he never once mentioned Anna Marie’s dwarfism…

Too furious and impatient to play it cautiously, Peter shrugs off all the nonsensical emotionalism, concentrating on tricking Thompson – and the precious Symbiote – into his labs with the lure of fully responsive cybernetic legs…

The bait works and soon Spider-Man joins Dr. Wirtham (who moonlights as Robin Hood bandit Cardiac) in overseeing a procedure whose real purpose is to separate the man from the Symbiote.

It all goes horrifically awry and the ghastly invader attaches itself to the Wallcrawler, consequently reawakening the very worst instincts of the insane old Doctor Octopus and the fanatical, amalgamated defender of the weak becomes a sinisterly new horror: ‘The Superior Venom’…

As the diabolically driven creature goes on a crimebusting rampage, treating muggers, murders and litterbugs with equal savagery, the Green Goblin declares war on his rival (and cheap knock-off) Roderick Kingsley who has been franchising super-villain gigs as the Hobgoblin.

On a roll and finally losing patience with his cop captive, Osborn doses Carlie with mutagenic chemicals to transform her into one of his faithful acolytes. The forcibly crazed new Monster seems delighted to join his vile viridian family…

The Parker clan’s troubles also peak when Mary Jane Watson attempts to broker a peace between May and Peter and only succeeds in forcing her ex to terrifyingly transform into Venom before everybody’s appalled eyes. Luckily Yuri arrives to drive him off, giving MJ time to call in the Avengers to take down the out of control über-symbiote…

In ‘Conclusion’, with the city being devastated by the alien horror Flash – unable to survive without the ravening parasite – manages to trick the beast back into his body, seemingly giving the now coolly rational Octavius a golden opportunity to claim all his recent aberrant violent behaviour was caused by previous exposures to the creature.

…But whilst Parker’s friends and family are prepared to accept that line, ever-suspicious Iron Man has secured proof that the Superior Spider-Man has been lying from the very start…

Worst of all, the possession of Otto by the beast has awaked an aggravating ghost in his head he had thought long dead……

To Be Continued…

This carnage-crammed chronicle includes a covers-&-variants gallery by J.G. Jones, J. Scott Campbell, Humberto Ramos, Skottie Young, Stefano Caselli & Frank Kozik and more up-to-the minute AR icon sections (Marvel Augmented Reality App pages which provide access to story bonuses and content on your smart-phone or Android-enabled tablet).

Spider-Man has been reinvented so often it’s almost become commonplace, but this iteration – for however long it lasts – is one no lover of relentless action and diabolically devious drama should miss: clever, cunning, shocking and completely addictive.

™ & © 2013 and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.