Category: Superman

Posted on

Showcase Presents Doom Patrol volume 2


By Arnold Drake, Bruno Premiani, Bob Brown & various (DC Comics)
ISBN: 978-1-85768-077-8 (TPB)

In 1963 DC/National Comics converted a venerable anthology-mystery title – My Greatest Adventure – into a fringe superhero team-book with #80, introducing a startling squad of champions with their thematic roots still firmly planted in the B-movie monster films of the era which had for so long informed the tone and timbre of the parent title.

That aesthetic subtly shaped the progression of the strip – which took control of the title within months, prompting a title change to The Doom Patrol with #86 – and throughout a 6-year run made the series one of the most eerily innovative and incessantly hip reads of that generation. Happy 60th Anniversary, you “Fabulous Freaks”!

No traditional team of masked adventurers, the cast comprised a robot, a mummy and a 50-foot woman in a mini-skirt, united with and guided by a brusque, domineering, crippled mad scientist, all equally determined to prove themselves by fighting injustice their way…

Two relatively recent compilations are still awaiting a third and final edition to complete the reprint run, and this monochrome tome from 2010 might have to do for some time yet.

Should you be afflicted with the curse of a completist nature, Doom Patrol: The Silver Age volume 1 spans June 1963 to May 1965, re-presenting in full colour My Greatest Adventure #80-85 and Doom Patrol #86-95, whilst Doom Patrol: The Silver Age volume 2 covers June 1965-November 1966 via Doom Patrol #96-107, The Brave and the Bold #65 and Challengers of the Unknown #48. They’re both available digitally, but should you want a comprehensive read-through, that’s going to take a little more effort than we spoiled 21st Centurians are used to…

Spanning March 1966 to their radically bold demise in the September/October 1968 final issue, this quirky monochrome compilation collects their last exploits as seen in Doom Patrol #102 to 121: a landmark run that truly deserves better dissemination…

These creepy Costumed Dramas were especially enhanced by the superb skills of Italian artist Giordano Bruno Premiani, whose comfortably detailed, subtly representational illustration style made even the strangest situation frighteningly authentic and grimly believable.

As such, he was the perfect vehicle to squeeze every nuance of comedy and pathos from the captivatingly involved and grimly light-hearted scripts by Arnold Drake who always proffered a tantalising believably world for the outcast heroes to strive in.

Those damaged champions comprised competitive car racer Cliff Steele, but only after he’d had “died” in a horrific crash, with his undamaged brain transplanted into a fantastic mechanical body – without his knowledge or permission…

Test pilot Larry Trainor was trapped in an experimental stratospheric plane and become permanently radioactive, with the dubious benefit of gaining a semi-sentient energy avatar which could escape his body to perform incredible stunts …for up to a minute at a time. To pass safely amongst men, Trainor had to be perpetually wrapped in radiation-proof bandages.

Former movie star Rita Farr was exposed to mysterious gases on location. These gave her the unpredictable, initially uncontrolled ability to shrink or grow – in part or wholly – to incredible sizes.

The outcasts were brought together by brilliant, enigmatic Renaissance Man Niles Caulder who, as The Chief, sought to mould the solitary misfits into a force for good. The wheelchair-bound savant directed the trio of solitary strangers in many terrifying missions as they slowly grew into a uniquely bonded family…

Here – now firmly established in the heroic pantheon – The Doom Patrol join fellow outsiders The Challengers of the Unknown in #102’s ‘8 Against Eternity!’: battling murderous shape-shifter Multi-Man and his robotic allies as they seek to unleash a horde of zombies from a lost world upon modern humanity

Meanwhile, super-rich Steve Dayton – who had created a psycho-kinetic superhero persona Mento solely to woo and wed Rita, met outrageous, obnoxious Gar Logan. It was disgust at first sight, but neither the ruthless, driven billionaire authority figure nor wildly rebellious Beast Boy realised how their lives would soon entwine…

Whilst a toddler in Africa, Logan had contracted a rare disease. Although his scientist parents’ experimental cure beat the contagion before they died, it left him the colour of cabbage and able to change shape at will. A protracted storyline commenced in #100 wherein the secretive, chameleonic kid revealed how he was now an abused orphan being swindled out of his inheritance by his unscrupulous guardian Nicholas Galtry. The greedy, conniving accountant had even leased his emerald-hued charge to rogue scientists…

Rita especially had empathised with Gar’s plight and resolved to free him from Galtry whatever the cost…

DP #103 held two tales, beginning with a tragedy ensuing after Professor Randolph Ormsby sought the team’s aid for a space shot. When the doddery savant mutates into flaming monster ‘The Meteor Man’ it takes the entire patrol plus Beast Boy and Mento to save the day.

‘No Home for a Robot’, continues unpacking the Mechanical Man’s early days following Caulder’s implantation of Cliff’s brain into an artificial body. The shock had seemingly driven the patient crazy as Steele went on a city-wide rampage, hunted and hounded by the police. Here, the ferrous fugitive finds brief respite with his brother Randy, before realising that trouble would trail him anywhere…

DP #104 astounded everyone as Rita abruptly stopped refusing loathsome Steve to become ‘The Bride of the Doom Patrol!’ However, her star-stuffed wedding day is almost ruined when alien arch-foe Garguax and The Brotherhood of Evil crash the party to murder the groom. So unhappy are Cliff and Larry with Rita’s “betrayal” that they almost let them…

Even whilst indulging her new bride status in #105, Rita can’t abandon the team and joins them in tackling old elemental enemy Mr. 103 during a ‘Honeymoon of Terror!’ before back-up yarn ‘The Robot-Maker Must Die’ concludes Cliff Steele’s origin as the renegade attempts to kill the mystery surgeon who had imprisoned him in a metal hell… finally giving Caulder a chance to fix a long-term malfunction in Steele’s systems…

‘Blood Brothers!’ in #106 introduces domestic disharmony as Rita steadfastly refuses to be a good trophy wife: resuming the hunt for Mr. 103 with the rest of the DP. Her separate lives continue to intersect, however, when Galtry hires that elemental assassin to wipe Gar and his freakish allies off the books…

The back-up section shifts focus onto ‘The Private World of Negative Man’: recapitulating Larry Trainor’s doomed flight and the radioactive close encounter that turned him into a walking mummy. However, even after being allowed to walk amongst men again, the gregarious pilot finds himself utterly isolated and alone…

Doom Patrol #107 began an epic story-arc concerning ‘The War over Beast Boy!’ as Rita and Steve open legal proceedings to get Gar and his money away from Galtry. The embezzler responds by commencing a criminal campaign to beggar Dayton which inadvertently aligns him with the team’s greatest foes. Already distracted by the depredations of marauding automaton Ultimax, the hard-pressed heroes swiftly fall to the murderous mechanoid as Rita is banished to a barbaric sub-atomic universe…

The secret history of Negative Man resumes with ‘The Race Against Dr. Death!’ when fellow self-imposed outcast Dr. Drew draws the pilot into a scheme to destroy the human species which had cruelly excluded them both, before Larry’s ebony energy being demonstrates the incredible power it possesses by saving the world from fiery doom.

In #108, ‘Kid Disaster!’ sees Mento diminished and despatched to rescue Rita whilst Galtry’s allies reveal their true nature before ambushing and killing the entire team…

…Almost.

Despite only Caulder and Beast Boy remaining, our exceedingly odd couple nevertheless pull off a major medical miracle: reviving the heroes in time to endure the incredible attack of alien colossus ‘Mandred the Executioner!’ whilst Larry’s ‘Flight into Fear’ at the comic’s rear proves that Drew hasn’t finished with the itinerant Negative Man yet…

DP #110 wonderfully wraps up the Beast Boy saga as Galtry, Mandred and the Brotherhood marshal one last futile attack before the ‘Trial by Terror!’ finally finds Logan legally adopted by newlyweds Mr. and Mrs. Dayton. Sadly, it’s a prelude to a titanic extraterrestrial invasion in #111, which heralds the arrival of ‘Zarox-13, Emperor of the Cosmos!’

The awesome overlord and his vanguard Garguax make short work of the Fabulous Freaks and, with all Earth imperilled, an unbelievable alliance forms, but not before ‘Neg Man’s Last Road!’ ends Trainor’s tale as the alienated aviator again battles Dr. Death, before joining a band of fellow outcasts in a bold new team venture…

Unbelievably, the uneasy alliance of the DP with The Brain, Monsieur Mallah and Madame Rouge as ‘Brothers in Blood!’ in #112 results in no betrayals and the last-minute defeat of the invincible aliens.

Moreover, although no rivalries were reconciled, a hint of romance does develop between two of the sworn foes, whilst at the back, untold tales of Beast Boy begin as ‘Waif of the Wilderness’ introduces millionaire doctors Mark and Marie Logan whose passion for charity took them to deepest Africa and into the sights of native witch-man Mobu who saw his powerbase crumbling…

When their toddler Gar contracts dread disease Sakutia, the parents’ radical treatment saves their child and grants him metamorphic abilities, but as they subsequently lose their lives in a river accident, the baby boy cannot understand their plight and blithely watches them die.

Orphaned and lonely, he inadvertently saves the life of a local chief with his animal antics and is adopted, …making of Mobu an implacable, impatient enemy…

Doom Patrol #113 pits the team against a malevolent mechanoid one-man army in ‘Who Dares to Challenge the Arsenal?’ but the real drama manifests in a subplot showing Caulder seeking to seduce schizophrenic Rouge away from the lure of wickedness and malign influence of the Brotherhood of Evil.

The issue includes another Beast Boy short as ‘The Diamonds of Destiny!’ finds two thieves kidnapping the amazing boy, just as concerned executor Nicholas Galtry takes ship for the Dark Continent to find the heir to his deceased employer’s millions…

DP #114 opens with the team aiding Soviet asylum seeker Anton Koravyk and becoming embroiled in a time-twisting fight against incredible caveman ‘Kor – the Conqueror!’ whilst Beast Boy segment ‘The Kid who was King of Crooks!’ sees toddler Gar turned into a thief in Johannesburg… until his Fagin-ish abductors have a fatal falling out…

The next issue debuts ‘The Mutant Master!’: pitting the team against three hideous, incomprehensibly powerful atomic atrocities resolved to eradicate the world which had cruelly treated them. Things might have fared better had not the Chief neglected his comrades in his obsessive – and at last successful – pursuit of Madame Rouge…

Also included is ‘General Beast Boy – of the Ape Brigade!’, wherein a Nazi war criminal is accidentally foiled by lost wanderer Gar. The madman’s loss is Galtry’s gain, however, as his search ends with the crook “rescuing” Logan and taking him back to safe, secure America…

The mutant maelstrom concludes in #116 as ‘Two to Get Ready… and Three to Die!’ features Caulder saving Earth from mutant-triggered obliteration to reap his reward in a passionate fling with the cured – but still fragile – Rouge.

The wheelchair wonder seizes centre stage in #117 as his neglect drives the team away, leaving him vulnerable to attack from a mystery man with a big grudge in ‘The Black Vulture!’, before a reunited squad deals with grotesque madman ‘Videx, Monarch of Light!’ even as the Brain challenges Caulder to return his stolen chattel Rouge. Nobody thought to ask her what she wanted, though, and that’s a fatal oversight…

Tastes were changing in the turbulent late 1960s and the series was in trouble. Superheroes were about to plunge into mass decline, and the creators addressed the problem head-on in #119: embracing psychedelic counter culture in a clever tale of supernal power, brainwashing and behaviour modification leaving the DP cowering ‘In the Shadow of the Great Guru!’…

An issue later they faced a furious Luddite’s ‘Rage of the Wrecker!’ when a crazed scientist declares war on technology – including the assorted bodies keeping Cliff alive…

The then-unthinkable occurred next and the series spectacularly, abruptly ended with what we all believed at the time to be ‘The Death of the Doom Patrol!’…

Faced with cancellation, Editor Murray Boltinoff and creators Drake & Premiani wrapped up all the long-running plot threads as spurned Madame Rouge goes off the deep end and declares war on both the Brain and Caulder’s “children”…

Blowing up the Brotherhood, she attacks the city until the DP remove themselves to an isolated island fortress. Even there they are not safe and her forces ambush them…

Captured and facing death, Rouge offers mercy if they abandon their principles and allow her to destroy a village of 14 complete strangers in their stead…

At a time when comics came and went with no fanfare and cancelled titles seldom provided any closure, the sacrifice and death of the Doom Patrol was a shocking event for us youngsters. We wouldn’t see anything like it again for decades – and never again with such style and impact…

With the edge of time and experience on my side, it’s obvious just how incredibly mature Drake & Premiani’s take on superheroes was, and these superbly engaging, frenetically fun and breathtakingly beautiful stories rightfully rank amongst the very best Fights ‘n’ Tights tales ever told.

Even the mercilessly exploitative many returns of the team since can’t diminish that incredible impact, and no fan of the genre or comic dramas in general should consider their superhero education complete until they’ve seen these classics. Let’s hope DC wise up quickly and release that final volume soon…
© 1966, 1967, 1968, 2010 DC Comics, Inc. All Rights Reserved.

Posted on

Batman & Superman in World’s Finest Comics: The Silver Age volume 1


By Edmond Hamilton, Bill Finger, Alvin Schwartz, Curt Swan, Dick Sprang, Stan Kaye, John Fischetti, Charles Paris, Ray Burnley & various (DC Comics)
ISBN: 978-1-4012-6833-6 (TPB/Digital edition)

Some things were just meant to be: Bacon & Eggs, Rhubarb & Custard, Chalk & Cheese…

For many years Superman and Batman worked together as the “World’s Finest team”. They were friends as well as colleagues and the pairing made sound financial sense since DC’s top heroes (in effect, the company’s only costumed superstars) could cross-pollinate and, more importantly, cross-sell their combined readerships.

This most inevitable of Paladin Pairings first occurred on the Superman radio show in the early 1940s, whereas in comics the pair had only briefly met whilst on a Justice Society of America adventure in All-Star Comics #36 (August-September 1947) – and perhaps even there, they missed each other in the gaudy hubbub…

Of course, they had shared the covers of World’s Finest Comics from the outset, despite never crossing paths inside: sticking firmly to their specified solo adventures within. For us pictorial continuity buffs, the climactic real first time was in the pages of Superman’s own bi-monthly comic (#76, May/June 1952).

That yarn kicks off this stunning compendium of Silver Age solid gold, accompanied here by the lead story from World’s Finest Comics #71 through 94; spanning July/August 1954 to May/June 1958.

Science fiction author Edmond Hamilton was tasked with revealing how Man of Steel and Caped Crusader first met – and accidentally uncovered each other’s identities – whilst sharing a cabin on an over-booked cruise liner. Although an average crime-stopper yarn, it was the start of a phenomenon. The art for ‘The Mightiest Team in the World’ was by the brilliant Curt Swan and inkers John Fischetti & Stan Kaye.

With dwindling page counts, rising costs but a proven readership and years of co-starring but never mingling, World’s Finest Comics #71 presented the Man of Tomorrow and Gotham Gangbuster in the first of their official shared cases wherein the Caped Crusader became ‘Batman – Double for Superman!’ (by Alvin Schwartz, with Swan & Kaye providing pictures) as the merely mortal hero trades identities to preserve his comrade’s alter ego and – latterly – his life…

‘Fort Crime!’ (Schwartz, Swan & Kaye) has them unite to crush a highly-organised mob with a seemingly impregnable hideout, after which Hamilton returned for ‘Superman and Batman, Swamis Inc.’, a sharp sting-operation that almost goes tragically awry. Next, an alien invader prompts insane rivalry resulting in ‘The Contest of Heroes’ (Bill Finger, Swan & Kaye, in WFC #74.

The same creative team produced ‘Superman and Robin!’ wherein a disabled Batman can only fret and fume as his erstwhile assistant seemingly dumps him for a better man, whilst ‘When Gotham City Challenged Metropolis’ (by Hamilton, Swan & Charles Paris) catches the champions at odds as their hometowns over-aggressively vie for a multi-million-dollar electronics convention.

A landmark tale by Hamilton, Swan & Kaye invented a new sub-genre when a mad scientist’s accident temporarily removes the Caped Kryptonian’s powers and creates ‘The Super Bat-Man!’ in #77. The theme would be revisited for decades to come…

Arguably Batman’s greatest illustrator joined the creative crew ‘When Superman’s Identity is Exposed!’ (by Hamilton, Dick Sprang & Kaye) as a mysterious source keeps revealing the Man of Steel’s greatest secret, only to be exposed as a well-intentioned disinformation stunt. The tone switches to high adventure as the trio become ‘The Three Musicians of Bagdad’ – a stunning time-travel romp from Hamilton, Sprang & Kaye – after which the Gotham Gazette faces closure days before a spectacular crime-expose, and Clark Kent and Lois Lane join dilettante Bruce Wayne as pinch-hitting reporters on ‘The Super-Newspaper of Gotham City’ (Hamilton, Sprang & Charles Paris). Then, ‘The True History of Superman and Batman’ (Hamilton, Sprang & Kaye, #81) finds a future historian blackmailing the heroes into restaging their greatest exploits so his erroneous treatise on them will be accurate…

Hamilton also produced a magnificent and classy costumed drama when ‘The Three Super-Musketeers!’ visit 17th century France to solve the mystery of the Man in the Iron Mask, whilst Finger wrote a brilliant and delightful caper-without-a-crime in ‘The Case of the Mother Goose Mystery!’ after which Hamilton provides insight on a much earlier meeting of the World’s Finest Team with ‘The Super-Mystery of Metropolis!’ in #84, all for Sprang & Kaye to enticingly illustrate.

Hamilton, Swan, Sprang & Kaye demonstrate how a comely Ruritanian Princess inadvertently turns the level-headed heroes into ‘The Super-Rivals (or does she?), before monolithic charity-event ‘The Super-Show of Gotham City’ (Hamilton, Sprang & Kaye) nearly turns into a mammoth pay-day for unscrupulous con-men.

‘The Reversed Heroes’ (Finger, Sprang & Ray Burnley) once again catches the costumed champions swapping roles after Batman and Robin gain powers thanks to Kryptonian pep-pills found by criminal Elton Craig, ironically just as Superman’s powers fade…

As conceived by Hamilton, Sprang, Kaye, World’s Finest #87 revealed ‘Superman and Batman’s Greatest Foes!’ with “reformed” villains Lex Luthor and The Joker ostensibly setting up in the commercial robot business – which nobody really believed – after which seminal sequel ‘The Club of Heroes’ (Hamilton, Sprang & Kaye) reprised a meeting of Batmen from many nations, but added an intriguing sub-plot of an amnesiac Superman and a brand-new costumed champion…

That originating tale appeared in Detective Comics #215, January 1955 becoming a key plank of Grant Morrison’s epic Batman: The Black Glove serial: you should read that one too…

That evergreen power-swap plot was revived in #90’s ‘The Super-Batwoman’ (Hamilton, Sprang & Kaye) when the “headstrong heroine” defies Batman to resume her costumed career and is quickly compelled to swallow Elton Craig’s last Krypton pill to prevent criminals getting it…

A stirring time-busting saga of ‘The Three Super-Sleepers’ (Hamilton, Sprang & Kaye) sees our heroes fall into a trap causing them to slumber for 1000 years and awaken in a fantastic world they can never escape, but of course they can and – once back where they belonged – ‘The Boy from Outer Space!’ (Hamilton, Sprang & Kaye) details how a super-powered amnesiac kid crashes to Earth and briefly becomes Superman’s sidekick Skyboy, even as ‘The Boss of Superman and Batman’ (author unknown, but impeccably illustrated as always by Sprang & Kaye) sees a brain-amplifying machine turn Robin into a super-genius more than qualified to lead the trio in their battle against insidious rogue scientist Victor Danning…

Wrapping up this initial compendium with comfortable circularity, the Man of Tomorrow replaces the Caped Crusader with a new partner and provokes a review of ‘The Origin of the Superman-Batman Team’ courtesy of Hamilton, Sprang & Kaye, suspending these supremely enticing Fights ‘n’ Tights triumphs on an epic high.

These are gloriously clever yet uncomplicated tales whose dazzling style has returned to inform if not dictate the form for much of DC’s modern television animation – especially the fabulous Batman: The Brave and the Bold series – and the contents of this titanic tome are a veritable feast of witty, charming thrillers packing as much punch and wonder now as they always have.
© 1952, 1954, 1955, 1956, 1957, 1958, 2017 DC Comics. All Rights Reserved.

Posted on

The Brave and the Bold volumes 1 & 2: The Lords of Luck and The Book of Destiny


The Lords of Luck By Mark Waid & George Pérez & various (DC Comics)
ISBN: 978-1-84576-649-8 (US HB) 978-1-84576-649-8 (TPB)

There are so many great graphic novels and compilations available these days that it’s always a shock when I realise how many more are still out of print. Here’s a classic example just begging for revival and digital editions…

The Brave and the Bold: The Lords of Luck collects the first 6 issues of another revival of a venerable DC title (technically volume 3 and spanning April -September 2007): returning it not only to the fitting team-up format we all enjoyed, but doing so with such style, enthusiasm and outright joy that I’m reduced to a gawping, drooling nine-year-old again.

Here Mark Waid, George Pérez and inkers Bob Wiacek & Scott Koblish crafted an intergalactic romp through time and nether dimensions, ripping across the DC Universe in a funny, thrilling and immensely satisfying murder-mystery-come-universal-conquest saga.

When Batman and Green Lantern (in part one ‘Roulette’ and concluding episode ‘The Girl Who Knew Too Much’) discover absolutely identical corpses hundreds of miles apart it sets them on the trail of probability-warping aliens and the missing Book of Destiny – a mystical chronicle of everything that ever was, is, and will be!

And yes, that makes this a notional tie-in to The Sandman series by Neil Gaiman and his coterie of classy creatives…

Each issue/chapter highlights a different team-up and eventually the hunt by Adam Strange, Blue Beetle (‘The Lord of Time’), Destiny (of the Endless, no less in chapter 4 ‘The Garden of Destiny’), the Legion of Super Heroes (‘The Batman of Tomorrow’), Lobo, Supergirl (‘Ventura’) and a mystery favourite from long-ago (you’ll thank me for not blowing the secret, honestly!) plus an incredible assortment of cameo stars coalesces into a fabulous free-for-all that affirms and reinforces all the reasons I love this medium.

With the value-added bonus of an annotated exploration of Waid & Pérez’s creative process to entrance the aspiring creator-of-tomorrow, this is a great story with great art, and is perfect for all ages to read and re-read over and over again. So let’s hope that happens soon…

© 2006, 2007 DC Comics. All Rights Reserved.

 

The Book of Destiny

By Mark Waid, George Pérez, Jerry Ordway, Bob Wiacek & Scott Koblish (DC Comics)

ISBN: 978-1-4012-1838-6 (HB) 978-1-4012-1861-4 (TPB)

The Book of Destiny is a mystical ledger which charts the history, progress and fate of all Reality and everything in it – except for the four mortals entrusted with its care at the end of The Brave and the Bold: The Lords of Luck. The death-defying Challengers of the Unknown – cool pilot Ace Morgan, indomitable strongman Rocky Davis, intellectual aquanaut Prof. Haley and daredevil acrobat Red Ryan – live on borrowed time and were bequeathed the terrifying tome by Destiny of the Endless since their lives are no longer included within its horrifying pages…

After the staggering spectacle of the previous Brave and the Bold story-arc, here Waid & Pérez, with inkers Bob Wiacek & Scott Koblish are joined by co-penciller Jerry Ordway for a stunning sequel featuring most of the DC universe…

This compilation collects issues #7-12 (volume 3 from December 2007-June 2008) of the high-energy, all-star revival of the venerable DC title: playing novel games with traditional team-up format as a mysterious mage begins manipulating heroes and villains in a diabolical alchemical scheme to transform the cosmos fundamentally and forever…

Beginning with ‘Scalpels and Chainsaws’ – wherein Wonder Woman and the ever-abrasive Power Girl rub each other the wrong way (oh please, what are you, ten!?) whilst tackling an undead invasion, the case takes a stranger turn and Kara-Zor-L accidentally discovers the Caped Kryptonian has been brainwashed into trying to murder her cousin Superman…

Their ill-tempered investigations lead to the fabled Lost Library of Alexandria and a disastrous confrontation with the deranged Dr. Alchemy, but he too is only a pre-programmed pawn – of a sinister presence called Megistus – who needs Power Girl to use the mystical artefact known as the Philosopher’s Stone to turn the Fortress of Solitude into pure Red Kryptonite…

Thanks to Wonder Woman’s battle savvy, the plot is frustrated and the stone thrown into the sun… just as Megistus intended…

All this has been perused in the mystic chronicle by the Challengers and their fifth member Dr. June Robbins – whose merely mortal existence and eventual doom are tragically recorded in the Book. They rush off to investigate a universe-rending menace even as ‘Wally’s Choice’ brings The Flash and his rapidly aging children Jai and Iris West into unwelcome contact with manipulative genius Niles Caulder and his valiant Doom Patrol. “The Chief” claims he can cure the twins’ hyper-velocity malady, but Caulder never does anything for selfless reasons…

With no other hope, Wally and wife Linda acquiescence to the mad genius’ scheme – which relies on using elemental hero Rex Mason to stabilise their kids’ critical conditions. It might have worked, had not Metamorpho been mystically abducted mid-process – consequently transforming the children into bizarre amalgams of Negative Man and Robot Man…

Worst of all, Flash is almost forced to choose which child to save and which should die…

Thinking faster than ever, the Scarlet Speedster beats the odds and pulls off a miracle but, in a distant place, the pages of the Book are suddenly possessed and abruptly attack the Challengers…

‘Changing Times’ features a triptych of short team-up tales which play out as the Men that History Forgot battle a monster made of Destiny’s pages, beginning as the robotic Metal Men joined forces with young Robby Reed who could become a legion of champions whenever he needs to Dial H for Hero.

Sadly not even genius Will Magnus could have predicted the unfortunate result when crushingly shy robot Tin stuck his shiny digit in the arcane Dial…

Next, during WWII the combative Boy Commandos are joined by The Blackhawks in battling animated mummies intent on purloining the immensely powerful Orb of Ra from a lost pyramid, after which perpetually reincarnating warrior Hawkman joined All-New Atom Ryan Choi in defending Palaeolithic star-charts from the marauding Warlock of Ys.

None of them are aware that they are doing the work of malignly omnipresent Megistus…

The fourth chapter paralleled the Challengers’ incredible victory over the parchment peril with a brace of tales seeing the Man of Steel travel to ancient Britain to join heroic squire Brian of Kent (secretly the oppression-crushing Silent Knight) in bombastic battle against a deadly dragon, whilst the Teen Titan’s untold second ever case finds Robin, Wonder Girl and Kid Flash in Atlantis for the marriage of Aquaman and Mera.

Unfortunately Megistus’ drone Oceanus crashes the party, intent on turning Aqualad into an enslaved route map to the future…

And in California, the Challengers attempted to save Green Lantern’s Power Battery from being stolen only to find it in the possession of an ensorcelled Metamorpho…

As the Element Man easily overwhelms Destiny’s Deputies, Jerry Ordway assumed the penciller’s role for issues #11-12.

‘Superman and Ultraman’ saw the natural enemies initially clash and then collaborate at the behest of an alternate universe’s Mr. Mixyezpitelik, who reveals the appalling scope and nature of Megistus’ supernal transformational ambitions, leading to a gathering of the heroic clans and a blistering Battle Royale in the roaring heart of the Sun…

With the fate of reality at stake and featuring a veritable army of guest stars ‘The Brave and the Bold’ concludes the saga with a terrible, tragic sacrifice from the noblest hero of all, whilst subtly setting the scene for the then-upcoming Final Crisis…

With fascinating designs and pencil drawings from Ordway to tantalise the art lovers, this second captivating collection superbly embodies all the bravura flash’n’dazzle thrills superhero comics so perfectly excel at. This is a gripping fanciful epic with many engaging strands perfectly coalescing into a frantic and fabulous free-for-all overflowing with all the style, enthusiasm and exuberant joy you’d expect from top costumed drama talents.

The Brave and the Bold: The Book of Destiny is another great story with great art, ideal for kids of all ages to read and re-read over and over again.
© 2007, 2008 DC Comics. All Rights Reserved.

Posted on

Bizarro Comics! – The Deluxe Edition


By a big bunch of very funny people AKA Jessica Abel, Todd Alcott, Rick Altergott, Peter Bagge, Kyle Baker, Gregory Benton, Charles Berberian, Aaron Bergeron, Nick Bertozzi, Ariel Bordeaux, Rand & David Borden, Ivan Brunetti, Eddie Campbell, Jim Campbell, Dave Cooper, Leela Corman, Mark Crilley, Jef Czekaj, Farel Dalrymple, Brian David-Marshall, Paul Dini, Paul Di Filippo, D’Israeli, Evan Dorkin, Mike Doughty, Eric Drysdale, Ben Dunn, Philippe Dupuy, Sarah Dyer, Phil Elliott, Hunt Emerson, Maggie Estep, Bob Fingerman, Abe Foreu, Ellen Forney, Liz Glass, Paul Grist, Matt Groening, Tom Hart, Dean Haglund, Tomer & Asaf Hanuka, Dean Haspiel, Danny Hellman, Sam Henderson, Gilbert Hernandez, Jaime Hernandez, Matt Hollingsworth, Paul Hornschemeier, Dylan Horrocks, Nathan Kane, John Kerschbaum, Chip Kidd, Derek Kirk Kim, James Kochalka, John Krewson, Michael Kupperbaum, Tim Lane, Roger Langridge, Carol Lay, Jason Little, Lee Loughridge, Matt Madden, Tom McCraw, Pat McEown, Andy Merrill, Scott Morse, Peter Murrietta, Tony Millionaire, Jason Paulos, Harvey Pekar, Will Pfeifer, Paul Pope, Patton Oswalt, Brian Ralph, Dave Roman, Johnny Ryan, Alvin Schwartz, Marie Severin, R. Sikoryak, Don Simpson, Jeff Smith, Jay Stephens, Rick Taylor, Raina Telgermeier, Craig Thompson, Jill Thompson, M. Wartella, Andi Watson, Steven Weissman, Mo Willems, Kurt Wolfgang, Bill Wray, Jason Yungbluth, & various (DC Comics)
ISBN: 978-1-7795-1012-9 (HB/Digital)

Here am big, dull shopping list of top-ranking cartoonists from beginning of twenty-oneth century. Bunch of names not very entertaining, but what they draw and write am, especially when taking loving pot-shots at beloved DC Comics icons and moments…

I’ll happily go on record and say that practically all of the fun and true creativity in comics has come out of the ‘alternative’ or non-mainstream writers and artists these days. To prove my point I’d list a bunch of things, and very near the top of that list would be this book -actually two older, smaller books sensibly nailed together in 2021.

In its near 90 years of comics publishing, DC Comics has produced many of the most memorable, most engaging and most peculiar comic characters and concepts you could imagine. For all that, they also managed to stir echoes and forge a deep and abiding affection in the hearts and minds of some of the most creative people on the planet.

As I’ve already said, the material in this titanic tome of titters (sorry, apparently I’m channelling my inner Frankie Howerd today) first emerged in a brace of cartoon anthology volumes: Bizarro Comics and Bizarro World in 2001 and 2005, disrespectively.

They delivered fast and furious skits, sketches and gags by profoundly engaged – often deeply disturbed – fans turned pros. There was a heavy dependence on small-press and self-published creators all used to having complete control of their work…

It was all meant to make you laugh and feel longing for simpler whackier times, and the Introduction by Kyle Baker should be all you need to steer you through what follows.

If I were you, I’d stop here and just buy the book, but just in case you’re a stubborn holdout, I’m going to add to my editor and proof-reader’s many woes by listing exactly who is in the thing, what they did and even add a few critical comments, just to earn my keep.

Then I’ll make my poor staff read the book too, just to cheer them up after all my word salad…

Following Matt Groening’s Bizarro Comics cover (which you get here for free) lurks a hilarious framing sequence, as a monstrous unbeatable creature attempts to conquer Mr Mxyzptlk’s 5th dimensional home. Chris Duffy & Stephen DeStefano – aided by legendary cartoonist and colourist Marie Severin – tell a weird and wonderful tale of outlandish failed Superman clone Bizarro that begins in ‘Bizarre Wars Part One’ and diverges into a wonderland of individual battles against cosmic games player A.

As the appointed defender of the entire endangered dimension, Bizarro resorts to a heretofore unsuspected ultimate power: producing comic strips featuring unfamiliar adventures of DC’s most recognizable heroes that come to life …ish.

Cue a veritable Who’s Who of the cool and wonderful of modern comics creating a plethora of wacky, dreamy, funny, wistful and just plain un-put-downable strips that would delight any kid who read comics but then accidentally grew up.

In rapid rollercoaster fashion and Fighting the Goof Fight for reality come ‘Bizarro-X-Ray One’ by Gregory Benton, Bizarro-X-Ray Two’ by John Kerschbaum and Bizarro-X-Ray Three’ by Gilbert Hernandez – all coloured by Tom McCraw. Sam Henderson & Bob Fingerman reconvene the ‘Super-Pets’ whilst Duffy & Craig Thompson expose Green Lantern in ‘The Afterthoughts’. Chip Kidd & Tony Millionaire revisit early days of ‘The Bat-Man’ in stylish monochrome before Henderson, Dean Haspiel, Bill Oakley & Matt Madden recount the silly charm-packed saga of ‘Captain Marvel and the Sham Shazam’…

Baker & Elizabeth Glass test the mettle of ‘Letitia Lerner, Superman’s Babysitter!’ and Aquaman endures double trouble as Evan Dorkin, Brian David-Marshall, Bill Wray & Matt Hollingsworth draw attention to ‘Silence of the Fishes’ before Andy Merrill & Jason Little douse the Sea King in ‘Porcine Panic!’

Fingerman, Pat McEown, Oakley & Hollingsworth inflict ‘The Tinnocchio Syndrome’ on The Metal Men before Andi Watson, Mark Crilley & Lee Loughridge orchestrate ‘Wonder Girl vs Wonder Tot’ and James Kochalka, Dylan Horrocks & Abe Foreau pit Hawkman against ‘The Egg-Napper!’, even as ‘The GL Corps: The Few, The Proud’ glean more story glory courtesy due to Will Pfeifer, Jill Thompson, Clem Robins, Rick Taylor & Digital Chameleon.

Horrocks, Jessica Abel & Madden then see Supergirl and Mary Marvel have a moment in ‘The Clubhouse of Solitude’ whilst Nick Bertozzi & Tom Hart tune in to ‘Kamandi: The Last Band on Earth!’ before Jeff Smith, Paul Pope & Loughridge depict Bizarro demanding ‘Help! Superman!’ as Jef Czekaj & Brian Ralph confront Aquaman with ‘The Man Who Cried Fish!’ in advance of Wonder Woman pondering ‘One-Piece, Two-Piece, Red-Piece, Blue-Piece’ on a shopping trip organised by Fingerman & Dave Cooper.

Ellen Forney, Ariel Bordeaux & Madden probe a young girl’s ‘Bats Out of Heck’ and Eddie Campbell, Hunt Emerson, Rick Taylor & Digital Chameleon went full-on Batmaniacal in ‘Who Erased the Eraser’ before Crilley & Watson negotiate a shocking ‘First Contact’ with The Atom, after which The Batman invites us ‘Inside the Batcave’ with Pope & Jay Stephens as tour guides.

Dorkin, D’Israeli & Digital Chameleon expose ‘Solomon Grundy: Bored on a Monday’ before Alvin Schwartz, Roger Langridge & Loughridge debut ‘The Most Bizarre Bizarro of All’ and Ivan Brunetti, Dorkin & Sarah Dyer reveal ‘That’s Really Super, Superman!’ to The World’s Finest Team whilst Dorkin, Carol Lay, Tom McCraw & Digital Chameleon invite everyone to ‘The J’onn J’onzz Celebrity Roast’ before Bordeaux, Forney & Madden share ‘Wonder Woman’s Day Off’…

The initial volume and that framing Mxyzptlk yarn are coming to a close as Dorkin, Wray, John Costanza & Hollingsworth craft ‘Unknown Challenges of the Challengers of the Unknown’ and Dorkin, Steven Weissman & Dyer go to bat for all the forgotten creature sidekicks in ‘Without You, I’m Nothing’ before Duffy, DeStefano, Phil Felix, Severin & Digital C reunite for the climactic conclusion of ‘Bizarre Wars – Part Two’…

If you haven’t heard of anybody on that overwhelming list then get Googling. Then get this book and get enjoying.

No? that’s okay… There’s More…

The turn of this century was a particularly fraught time – aren’t they always? – and one of the best ways to combat the impending travail was to make people laugh. A follow up to the remarkably successful Bizarro Comics again invited a coterie of alternative comics creators (and guests!) to make sport of various hallowed DC icons. Superman, Batman, Wonder Woman and all the lesser gods were dragooned into more tales humorous, dolorous and just plain peculiar, drawn in an eye-wrenching range of styles. Many of those involved continued to display a disturbing knowledge of, if not respect for, the DC continuity of the 1960s whilst others seem to centre on the TV and Movie interpretations, but the fondness for times gone by was readily apparent throughout.

Behind a Bizarro World cover from Jaime Hernandez, Rian Hughes & Coco Shinomiya is unsurprisingly story ‘Bizarro World’ by Duffy, Scott Morse, Rob Leigh & Dave Stewart as a couple of unwary kids fall into a universe stuffed to overflowing with everyday super people…

Answers come from a crusty reporter with extensive files and notes from many stringers…

Kidd, Millionaire & Jim Campbell review ‘Batman with Robin the Boy Wonder’ and Merrill, Langridge & Madden get seasonally silly in ‘Jing Kal-El’, whilst Mo Willems, Forney & Madden reveal ‘The Wonder of it All’ for the youthful feminist before Foreu, Kochalka & Madden have shapeshifter Chameleon Boy ask ‘Where’s Proty?’

Nostalgia and childish wish-fulfilment masterfully merge in pants-wettingly funny ‘Batman Smells’ by American National Treasures Patton Oswalt, Fingerman & Stewart, whilst Duffy & Craig Thompson channel ‘The Spectre’ and Jasons Yungbluth & Paulos confirm with Hal Jordan that ‘It’s Not Easy Being Green’ even as Aaron Bergeron & Kerschbaum revel in ‘The Power of Positive Batman’…

Mike Doughty & Danny Hellman’s Fish-out-of-water ‘Aquaman’ segues into another true Stand Out story: ‘Batman: Upgrade 5.0’ by Dean Haglund & Peter Murrieta, illustrated by Don Simpson, before comics bad boy John Ryan joins Dave Cooper to explore being ‘Super-Dumped’ via the sad story of Clark and Diana…

Elsewhere, Dorkin & M. Wartella retroactively introduce Batman to ‘Monkey, the Monkey Wonder’ whilst comics verité legends Harvey Pekar & Dean Haspiel declare ‘Bizarro Shmizarro’ just as Dylan Horrocks, Farel Dalrymple & Paul Hornschemeier proposition ‘Dear Superman’ on behalf of a youngster with a secret…

‘The Red Bee Returns’ courtesy of Peter Bagge, Gilbert Hernandez & Madden, after which Eric Drysdale, Tim Lane, Oakley & Madden organise ‘The Break’ for the JLA. Dorkin & Watson then find The Legion of Super-Heroes ‘Out with the In Crowd’ just as Todd Alcott, Michael Kupperman & Ken Lopez detail the ‘Ultimate Crisis of the Justice League’…

Tomer & Asaf Hanuka join Lopez & Campbell to define ‘Batman’ whilst Paul Dini & Carol Lay have the very last word on ‘Krypto the Superdog’ and Ariel Bordeaux & Rick Altergott unwisely launch ‘Legion.com’ before mercurial Harvey Dent enjoys a ‘Dinner for Two’ thanks to Dorkin & Iva Brunetti…

Maggie Estep & Horrocks take on ‘Supergirl’ and her horsey history before Leela Corman & Tom Hart steer a ‘Power Trip’ for Batgirl, Wonder Woman and the Girl of Steel, whilst Eddie Campbell, Paul Grist & Phil Elliott schedule ‘A Day in the Life in the Flash’ before hilariously reprising their manic madness via ‘The Batman Operetta’…

Bizarro returns in an activity page from his ‘Daily Htrae’ – by Dorkin & R. Sikoryak – and the GL Corps turn Japanese in ‘Lantern Sentai’ from Rand & David Borden of Studio Kaiju, manifested by multi-talented Benn Dunn. Philippe Dupuy & Charles Berberian then offer a continental touch in ‘Batman of Paris’, Kurt Wolfgang & Brian Ralph have fun with ‘The Demon’ and John Krewson, Dorkin & Dyer expose ‘Kamandi, The Laziest Boy on Earth’.

Despite all the craziness, the best has wisely been left until last and end begins with The Justice League of America regretting ‘Take Your Kids to Work Day’ (by Dave Roman & Raina Telgemeier) whilst ultimate manservant Alfred Pennyworth conducts his master’s business as a “Personal Shopper” thanks to Kyle Baker & Elizabeth Glass, before we finish with Deadman who learns with horror – from Paul Di Filippo & Derek Kirk Kim – that ‘Good Girls Go to Heaven. Bad Girls Go Everywhere’…

What do you get if you give a whole bunch of vets and alternative comics creators carte blanche and a broad brief? You should get this.
© 2001, 2005, 2021 DC Comics. All rights reserved.

Posted on

Legion of Super-Heroes: The Silver Age volume 1


By Otto Binder, Jerry Siegel, Edmond Hamilton, Robert Bernstein, Al Plastino, George Papp, Jim Mooney, Curt Swan, John Forte & various (DC Comics)
ISBN: 978-1-4012-8157-1 (TPB/Digital edition)

Once upon a time, in the far future, a super-powered kids from dozens of alien civilisations took inspiration from the greatest legend of all time and formed a club of heroes. One day those Children of Tomorrow came back in time and invited that legend to join them…

And thus began the vast and epic saga of the Legion of Super-Heroes, as first envisioned by writer Otto Binder & artist Al Plastino in early 1958, just as the revived comic book genre of superheroes was gathering an inexorable head of steam. Since that time the fortunes and popularity of the Legion have perpetually waxed and waned, with their future history tweaked and rebooted, retconned and overwritten again and again to comply with editorial diktat and popular whim.

This glorious, far-and-wide ranging collection assembles the numerous preliminary appearances of the valiant Tomorrow People and their inevitable progress towards and attainment of their own feature. It includes all pertinent material from Adventure Comics #247, 267, 282, 290, 293, and 300-310, Action Comics #267, 276, 287, 289, Superboy #86, 89, 98 and Superman #147, cumulatively spanning April 1958 through July 1963.

Happy anniversary!

The many-handed mob of juvenile universe-savers eponymously premiered in Adventure Comics #247 (cover-dated April 1958) in Superboy tale ‘The Legion of Super-Heroes!’ wherein three mysterious kids invited the Boy of Steel to the 30th century to join a club of metahuman champions inspired by his life.

Devised by Otto Binder & Al Plastino, the throwaway concept gripped public imagination and, after frequent further appearances throughout Superman Family titles, the LSH eventually took over the Boy of Steel’s lead spot in Adventure for their own far-flung, quirky escapades, with the Caped Kid Kryptonian reduced to merely “one of the in-crowd”…

However, here the excitement is still gradually building as the kids return 18 months later in Adventure #267 (December 1959) for Jerry Siegel & George Papp to play with. In ‘Prisoner of the Super-Heroes!’ the teen wonders attack and incarcerate the Boy of Steel because of a misunderstood ancient record they have uncovered…

The following summer Supergirl met the Legion in Action Comics #267 (August 1960, by Siegel & Jim Mooney) as Lightning Lad, Saturn Girl and Cosmic Boy secretly travel to “modern day” America and invite the Maid of Might to join the team, in a repetition of their offer to Superboy 15 years previously (in nit-picking fact they claimed to be the children of the original team – a fact glossed over and forgotten these days: don’t time-travel stories make your head hurt?).

Due to a dubious technicality, young and overeager Kara Zor-El fails her initiation task at the hands of ‘The Three Super-Heroes’ and is asked to reapply later – but at least we get to meet a few more Legionnaires, including Chameleon Boy, Invisible Kid and Colossal Boy…

With editors still cautiously testing the waters, it was Superboy #86 (cover-dated January 1961 but on sale in November 1960) before ‘The Army of Living Kryptonite Men!’ (by Siegel & Papp) turned the LSH into a last-minute Deus ex Machina to save the Smallville Sentinel from juvenile delinquent Lex Luthor’s most insidious assault.

Two months later in Adventure #282, Binder & Papp introduced Star Boy as a romantic rival for the Krypton Kid in ‘Lana Lang and the Legion of Super-Heroes!’…

For Action #276 (May 1961) Siegel & Mooney debuted ‘Supergirl’s Three Super Girl-Friends’, which finally saw her crack the plasti-glass ceiling and join the team, sponsored by Saturn Girl, Phantom Girl and Triplicate Girl. We also met for the first time Bouncing Boy, Shrinking Violet, Sun Boy and potential bad-boy love-interest Brainiac 5 (well, at least his distant ancestor Brainiac was a very bad boy…)

Next comes a pivotal tale as ‘Superboy’s Big Brother’ (by Robert Bernstein & Papp from Superboy #89, June 1961) reveals how an amnesiac, super-powered space traveller crashes in Smallville, speaking Kryptonese and carrying star-maps written by the Boy of Steel’s long-dead father…

Jubilant, baffled and suspicious in equal amounts, Superboy eventually, tragically discovers ‘The Secret of Mon-El’ after accidentally exposing the stranger to a lingering, inexorable death, before providing critical life-support by desperately depositing the dying alien in the timeless Phantom Zone until a cure can be found…

With an August 1961 cover-date Superman #147 unleashed ‘The Legion of Super-Villains!’ (Siegel, Curt Swan & Sheldon Moldoff): a stand-out thriller featuring the adult Luthor and correspondingly mature wicked future bad guys coming far too close to destroying the Action Ace …until the temporal cavalry arrives…

Bernstein & Papp seemingly give Sun Boy a starring role in ‘The Secret of the Seventh Super-Hero!’ (Adventure #290, November 1961), followed by a clever tale of redemptive second chances followed in #293 (February 1962) in a gripping thriller from Siegel, Swan & George Klein. ‘The Legion of Super-Traitors’ posits the future heroes turning evil, prompting Saturn Girl to recruit a Legion of Super-Pets including Krypto, Streaky the Super Cat, Beppo, the monkey from Krypton and magical Superhorse Comet to save the world…

Siegel & Mooney set ‘Supergirl’s Greatest Challenge!’ in Action #287 (April 1962) seeing her visit the Legion (quibblers be warned: for some reason it was mis-determined as the 21st century in this story) to save future Earth from invasion. She also met a telepathic descendent of her cat Streaky. His name was Whizzy (I could have omitted that fact but chose not to – once again for smug, comedic effect and in sympathetic solidarity with cat owners everywhere…)

Action #289 originally hosted ‘Superman’s Super-Courtship!’ wherein the Girl of Steel scours the universe for an ideal mate for her cousin. One highly possible candidate is the adult Saturn Woman, but for some reason her husband Lightning Man objects…

Modern sensibilities might quail at the conclusion but at that time his obvious perfect match was a doppelganger of Supergirl herself… albeit thankfully a little bit older…

By the release of Superboy #98 (July 1962), the decision had been made. The buying public wanted more Legion stories and after ‘The Boy with Ultra-Powers’ (Siegel, Swan & Klein) introduced a mysterious lad with greater powers than the Boy of Steel, focus shifted to Adventure Comics where #300 (cover-dated September 1962) proudly saw the futuristic super-squad finally land their own gig: even occasionally taking an alternating cover-spot from the still top-featured Boy of Steel.

Tales of the Legion of Super-Heroes opened its stellar run with ‘The Face Behind the Lead Mask!’ by Siegel, John Forte & Plastino: a fast-paced premier pitting Superboy and the 30th century champions against an impossibly unbeatable foe until Mon-El, long-trapped in the Phantom Zone, briefly escapes a millennium of confinement to save the day…

In those halcyon days humour was as important as action, imagination and drama, so many early exploits were light-hearted and moralistic. Adventure #301 offered hope to fat kids everywhere with ‘The Secret Origin of Bouncing Boy!’ by regular creative team Siegel & Forte, wherein the process of open auditions was instigated.

These provided fans with dozens of truly bizarre and memorable applicants over the years but here allows the rebounding human rotunda to deliver a salutary pep talk and inspirational account of heroism persevering to triumph over adversity.

Adventure #302 featured ‘Sun Boy’s Lost Power!’ with the golden boy forced to resign until fortune and boldness restore his abilities, after which ‘The Fantastic Spy!’ in #303 sparks a tense tale of espionage and potential betrayal by new member Matter-Eater Lad.

The happy readership was stunned by the events of #304 when Saturn Girl engineered ‘The Stolen Super-Powers!’ to make herself a one-woman Legion. Of course, it was for the best possible reasons, but still didn’t prevent the shocking murder of Lightning Lad…

As a result she was elected Legion leader – at that time the first female to ever lead a comic book team.

With comfortable complacency utterly destroyed, #305 further shook everything up with ‘The Secret of the Mystery Legionnaire!’ who turns out to be long-suffering Mon-El, finally cured and freed from his Phantom Zone prison.

Normally I’d try to be more obscure about story details – after all my intention is to get new people reading old comics – but these “spoiler” revelations are crucial to further understanding here and besides you all know these characters are still around, don’t you?

Pulp sci fi author Edmond Hamilton took over the major scripting role with Adventure #306, introducing ‘The Legion of Substitute Heroes!’ (still quirkily, perfectly illustrated by John Forte): a group of rejected audition applicants selflessly banding together and clandestinely assisting the champions who had spurned them, after which transmuting orphan Element Lad joins the big league.

He seeks vengeance upon the space pirates who had wiped out his entire species in ‘The Secret Power of the Mystery Super-Hero!’ whilst in #308 readers seemingly saw ‘The Return of Lightning Lad!’

Actual Spoiler Warning: skip to the next paragraph NOW!!!

Otherwise you’ll find out it was actually his similarly empowered sister who – once unmasked and unmanned – took her brother’s place as Lightning Lass…

Penultimate escapade ‘The Legion of Super-Monsters!’ was a straightforward clash with embittered applicant Jungle King who took his rejection far too personally and gathered a deadly clutch of space beasts to wreak havoc and vengeance, after which the future tension temporarily subsides with ‘The Doom of the Super-Heroes!’ from #310: a frantic battle for survival against an impossible foe

The Legion is undoubtedly one of the most beloved and bewildering creations in American comic book history and largely responsible for the growth of the groundswell movement that became Comics Fandom.

Moreover, these sparkling, simplistic and devastatingly addictive stories, as much as the legendary Julie Schwartz Justice League, fired up the interest and imaginations of a generation of young readers and built the industry we all know today.

These naive, silly, joyous, stirring and utterly compelling yarns are precious and fun beyond any ability to explain – even if we old lags gently mock them to ourselves and one another. If you love comics and haven’t read this stuff, you are the poorer for it and need to enrich your future life as soon as possible.
© 1958-1963, 2018 DC Comics. All Rights Reserved.

Posted on

Black Lightning


By Dennis O’Neil, Gerry Conway, J.M. DeMatteis, Martin Pasko, Paul Kupperberg, Dick Dillin, George Tuska, Rich Buckler, Marshall Rogers, Mike Netzer/Nasser, Romeo Tanghal, Joe Staton, Pat Broderick, Dick Giordano, Gerald Forton & various (DC Comics)
ISBN: 978-1-4012-7546-4 (TPB/Digital edition)

Black Lightning was the first African American superhero to have his own solo DC title. It launched in 1977 and ran for 11 issues.

When former Olympic decathlete Jefferson Pierce returned to the streets of Metropolis’ Suicide Slum to teach at inner city Garfield High School, he was determined to make a real difference to the disadvantaged and often troubled kids he used to be numbered amongst. However, when he interrupted a drug buy on school grounds and sent the dealer packing, he opened everyone around him to mob vengeance and personal tragedy…

When the ruling racketeers – an organised syndicate dubbed The 100 – came seeking retaliation, one of Pierce’s students paid the ultimate price. The traumatised teacher realised he needed the shield of anonymity if he was to win justice and safety for his beleaguered home and charges…

Happily, tailor Peter Gambi – who had raised Jefferson and taken care of his mother after the elder Pierce was murdered – had some useful ideas and inexplicable access to some pretty far-out technology. Soon, equipped with a strength-&-speed-enhancing forcefield belt and costume, plus a mask and wig that completely changed his appearance, a fierce new vigilante stalked the streets of Metropolis…

This second outing gathers a flurry of back-up and guest appearances from May 1979 to October 1980, garnered from various titles the urban avenger prowled in after his solo title folded. They cumulatively comprise World’s Finest Comics #256-259 and #261, DC Comics Presents #16, Justice League of America #173-174, Detective Comics #490-491, 495-495 and The Brave and the Bold #163 plus pertinent material from Who’s Who: The Definitive Directory of the DC Universe #3 (1985) and Who’s Who in the DC Universe #16 (1992).

Following an informative Introduction by character originator Tony Isabella reprising Black Lightning: The In-Between Years, the (relatively) down-to-earth superhero antics recommence in ‘Encounter with a Dark Avenger!’ (courtesy of Denny O’Neil, Dick Dillin & Frank Chiaramonte, as seen in World’s Finest Comics #256).

Here the electric warrior is manipulated into a potentially fatal confrontation with equally fervent urban vigilante Green Arrow. As the heroes clash, neither is aware the 100’s ousted boss Tobias Whale is behind their mutual woes…

That short yarn saw Black Lightning as GA’s guest star and served as a prelude to ‘Death Ransom!’ (WFC #257), beginning Pierce’s second (strictly backup) series. Crafted by O’Neil, George Tuska & Bob Smith, it sees a fateful, brutal clash with The Whale, resulting in a wary ceasefire for the archenemies as they unite to destroy a swiftly rebuilding 100 cartel…

Of course, a scorpion’s gotta sting and the alliance only lasts one issue before Whale betrays Lightning’s trust and another innocent dies in ‘The Blood of the Lamb!’ (O’Neil, Rich Buckler & Romeo Tanghal, from World’s Finest #258)…

Issue #259 offers a labyrinthine conundrum as the hero and a horde of gunmen act on a deathbed tip-off, converging on a seedy welfare hotel that might be ‘The Last Hideout’ (O’Neil, Marshall Rogers, Michael Nasser/Netzer & Vince Colletta) of a legendary criminal and his ill-gotten gains. Sadly, only the masked vigilante cares about collateral casualties…

‘Return of the River Rat!’ (O’Neil, Tanghal & Colletta, WFC #261) ends this back-up run on a mediocre note as school chaperone Jefferson Pierce is fortuitously on hand for a river cruise party, just as an exiled mobster attempts to sneak back into the USA by submarine…

A co-starring role in DC Comics Presents #16 (December 1979) finds the street-smart urban avenger and Superman facing a heartsick, violently despondent alien trapped on Earth for millennia in ‘The De-volver!’ (O’Neil, Joe Staton & Frank Chiaramonte) after which the loner gets a nod of approval from Superhero Big Guns…

Justice League of America #173-174 (December 1979 and January 1980) sees a smart 2-parter with a twist ending as the League seek to induct the mysterious, unvetted vigilante.

After much fervent, self-righteous and smugly privileged debate, they decide to set their still-unsuspecting candidate a little problem to prove his worth.

However, as a vermin-controlling maniac unleashes terror upon Metropolis, the ‘Testing of a Hero’ and ‘A Plague of Monsters’ (Gerry Conway, Dillin & Frank McLaughlin) takes the old recruitment drive in a very fresh direction and delivers disappointment all around…

Still Not Quite Popular Enough, the hero was found tenure in the more moody but grounded Detective Comics, beginning with #490 (May 1980).

Here Martin Pasko, Pat Broderick & McLaughlin reveal how ‘Lightning Strikes Twice Out!’ as a protracted clash with a ruthless Haitian gang led by Mama Mambu leads to Pierce’s kidnap and loss of his powers and gimmicks in concluding chapter ‘Short-Circuit’ (Detective #491).

A corrupt Senator stealing oil shipments to finance a private army and planned takeover of America is foiled in separate-but-convergent investigations conducted by Black Lightning and Batman in ‘Oil, Oil… Nowhere’ (Paul Kupperberg & Dick Giordano from The Brave and The Bold #163, June 1980) after which J.M. DeMatteis & Gerald Forton assume creative control of the Lightning’s path in Detective Comics #494…

‘Explosion of the Soul’ (cover-dated September 1980) sees the streets haunted by a murderous junkie-killing vigilante, with all Pierce’s investigations leading inexorably back to one of his students…

Ending on a dark note of tragedy, ‘Animals’ (DeMatteis & Forton, Detective #494) then sees the Suicide Slum School Olympics turned into a charnel house when a juvenile street gang seizes the girls’ hockey team and demands safe passage and new lives in Switzerland. When Black Lightning intercedes, events escalate and not everyone gets out alive…

Supplemented with a cover gallery by Ross Andru, Giordano, Jim Aparo, Neal Adams & Dillin, with fact-packed background and data pages about ‘Black Lightning’ from Who’s Who: The Definitive Directory of the DC Universe #3 (1985) and an updated entry from Who’s Who in the DC Universe #16 (1992), this is a potent package of fast-paced Fights ‘n’ Tights thrillers no thriller fan could resist.
© 1979, 1980, 2018 DC Comics. All Rights Reserved.

Posted on

A Very DC Valentine’s Day


By Cecil Castellucci, Amanda Conner, Andy Diggle, Paul Dini, Ray Fawkes, Phil Hester, Kyle Higgins, Collin Kelly, Alisa Quitney, Jackson Lanzing, Peter Milligan, Ann Nocenti, Steve Orlando, Jimmy Palmiotti, James Robinson, Mark Russell, Mairghread Scott, Tim Seeley, Simon Bisley, Ben Caldwell, Aaron Campbell, Giuseppe Camuncoli, Mirko Colak, Andrew Currie, Javier Fernandez, Julio Ferreira, Julius Gopez, Sanford Greene, Stephanie Hans, Bryan Hitch, Frazer Irving, Kelley Jones, Nic Klein, Emanuela Lupacchino, Guillem March, John McCrea, Jaime Mendoza, Inaki Miranda, Robson Rocha, Thony Silas, Cam Smith, John Timms & various (DC Comics)
ISBN: 978-1401287665 (TPB/Digital edition)

After generations of incorporating seasonal occasions, milestones and themes into their regular chronology, in recent years comics publishers have started releasing special issues and compilations to single out those sale-enhancing moments. For DC, that process really began during their New 52 reboot…

Regrettably eschewing their own vast back catalogue of magnificently-limned genre romance material (still… maybe one day, hey?) the home of Batman, Superman and Wonder Woman released all-new anthologies exploring the many roads to and ways of loving.

In 2018, three one-shots – Young Monsters in Love #1, Young Romance: The New 52 Valentine’s Day Special #1 and Harley Quinn Valentine’s Day Special #1 – were tangled together as a celebratory tome which might entice less traditional fans…

We begin with Young Monsters in Love #1, which hit stores on February 7th 2018 carrying an April cover-date. It opens with a tale of Man-Bat wherein Kyle Higgins, Kelley Jones & colourist Michelle Madsen expose the bestial inner monologue of Kirk Langstrom’s ‘“Nocturnal Animal”’ as the self-mutated science renegade seeks to rekindle his romantic relationship with ex-wife Francine…

Tim Seeley, Giuseppe Camuncoli & Cam Smith also explore that theme of stability lost as Frankenstein, Agent of S.H.A.D.E. reviews his centuries-long relationship with “The Bride” in ‘Pieces of Me’ whilst Clark Kent and his son Jon learn a few hard truths about love and loss in ‘Buried on Sunday’. It’s a potentially shattering lesson for the Man of Steel and Superboy who seek to ensure that Solomon Grundy does not wallow in the eternal despair of bereavement as sensitively detailed by Mairghread Scott, Bryan Hitch & Andrew Currie…

Disgruntled Teen Titan/peripatetic ghost buster Raven discovers ‘The Dead Can Dance’ on a long-deferred Prom Night(mare) by Collin Kelly, Jackson Lanzing & Javier Fernandez, after which Paul Dini & Guillem March expose the cruel traumas of elementary school bullying when Deadman saves a lonely boy crushed and nearly killed by the annual purgatory of card-giving in ‘Be My Valentine’…

Swamp Thing loves and loses another frail and fragile human contact in the beautifully eerie ‘Heart-Shaped Box’ by Mark Russell & Frazer Irving, before Steve Orlando & Nic Klein push the parameters of amour and self-sacrifice when queer cop Maggie Sawyer seeks to stop a potential bloodbath as Monsieur Mallah & The Brain (of the Brotherhood of Evil) seek a way to further their impossibly complex relationship by looking backwards in ‘Visibility’…

Andrew Bennet (I, Vampire, by Alisa Quitney & Stephanie Hans) then experiences painful revelation when forced to accept a new role for his ever-maturing disciple in ‘The Turning of Deborah Dancer’, whereas Etrigan – The Demon – brutally challenges the entire infernal host to reach Jason Blood’s lost love in ‘To Hell and Gone’ by Phil Hester &Mirko Colak.

Amidst the madness of WWII, the warped wooing closes with a distressing brush-off letter to the Creature Commandos’ man-made vampire in ‘Dear Velcoro’, by James Robinson & John McCrea.

Heralding a shift from dark dilemmas to costumed courting – courtesy of the contents of Young Romance: The New 52 Valentine’s Day Special #1 (originally cover-dated April 2013) – our soap-opera sagas start with Catwoman reminiscing over her first meeting and troubled history with Batman in Ann Nocenti, Emanuela Lupacchino & Jaime Mendoza’s ‘Think it Through’…

Aquaman & Mera uncover unrequited love and reunite unquiet separated spirits in ‘The Lighthouse’ (by Cecil Castellucci & Inaki Miranda) before Batgirl Babs Gordon lets her guard down with a certified bad boy in Ray Fawkes & Julius Gopez’s ‘Dreamer’.

Superhero teammates Apollo & Midnighter revisit their first “ mad moment” mid-mission in ‘Seoul Brothers’ by Peter Milligan & Simon Bisley, whilst paragon legacy hero Nightwing makes all his old mistakes again with new foe/ally/love interest Ursa in ‘Another Saturday Night’ by Kyle Higgins & Sanford Greene…

One of the biggest and most touted draws of the New 52 was the sidelining of Lois Lane and shocking romantic entanglement of Superman and Wonder Woman. Here, Andy Diggle, Robson Rocha & Julio Ferreira depict the ultimate power couple in the early, exploratory stages of that relationship and learning via a shocking game of ‘Truth or Dare’ …until spiteful sirens and a possessed god of love violently object…

The final third of this torrid tome sees lunatic love bandit Harleen Quinzel hog the limelight and steal the show with an extended epic from the Harley Quinn Valentine’s Day Special #1: released on February 11th 2015 and once again cover-dated for the month of All Fools…

Written by Amanda Conner & Jimmy Palmiotti, and collaboratively illustrated by John Timms, Ben Caldwell, Aaron Campbell, Thony Silas and colourists Paul Mounts & Hi-Fi, ‘Just Batty Over You’ offers an hallucinogenic rollercoaster ride of passions and perplexing playfulness as The Joker’s former main squeeze espies and is enthralled by super-sexy Bruce Wayne who is a prize in a charity dating auction…

She determines to make him hers and the abduction part goes off pretty much as required. However, complicating the scheme is Harley’s own meandering grip on reality, Bruce’s many jobs and secrets, so very much over-applied and shared narcotic inducement, hench-folk who can only see the billionaire’s vast dollar-value and the perpetual interference of briny costumes activists The Carp and Sea Robin, who really want everybody to heed their message of marine environmental crisis…

Daft, delightful and delivered with perfect timing and elan, this lustful lark caps a supremely frothy and inconsequential diversion to charm casual and fully committed thrill seekers in equal amounts.
© 2013, 2015, 2018 DC Comics. All Rights Reserved.

Posted on

Showcase Presents Superman Family volume 2


By Otto Binder, Jerry Coleman, Alvin Schwartz, Leo Dorfman, Robert Bernstein, Bill Finger, Curt Swan, Wayne Boring, Kurt Schaffenberger, Dick Sprang, Al Plastino & various (DC Comics)
ISBN: 978-1-84576-812-4 (TPB)

In America during the 1950s and early 1960s being different was a bad thing. Conformity was sacrosanct, even in comic books, and everybody and thing was meant to keep to its assigned and intended role.

For the Superman family and extended cast that meant a highly strictured code of conduct and parameters: Daily Planet Editor Perry White was a stern, shouty elder statesman with a heart of gold, Cub Reporter Jimmy Olsen was a brave and impulsive, unseasoned fool with a heart of gold – and plucky News-hen Lois Lane was nosy, impetuous and unscrupulous in her obsession to marry Superman, although she too was – deep down – another possessor of an Auric aorta. They were – of course – uniformly white and the Anglo-est of Saxons…

Yet somehow even with these mandates in place, talented writers and artists assigned to detail their wholesomely uncanny exploits managed to craft tales both beguiling and breathtakingly memorable – and usually as funny as they were exciting as seen in this second cunningly combined chronologically complete compendium. Here, collected in marvellous monochrome, are the affably all-ages tales from Superman’s Pal Jimmy Olsen #23-34 (September 1957-January 1959), Lois’s second try-out issue originally seen in Showcase #10 (September/October 1957) and #1-7 of her subsequent solo series Superman’s Girl Friend Lois Lane (March/April 1958-February 1959).

We commence with the Man of Steel’s Go-To Guy in three tales comprising issue #23 of his solo title: illustrated as almost always by the wonderful Curt Swan & Ray Burnley. ‘Jimmy Olsen’s Two Super-Pals’ was the first of three scripts by irrepressible Otto Binder, describing how our lad gains an other-dimensional Genie as another faithful Super-Friend. Of course with sinister radium bandits plaguing Metropolis there’s more to the cosmic companion than meets the eye…

Next comes ‘Jimmy Olsen, the Bearded Boy’ wherein boastful hubris and a magic potion inflict runaway whiskers on many Daily Planet staffers – even Clark Kent – prompting a flurry of face-saving secret feats from the identity conscious Man of Tomorrow.

As Jimmy’s series progressed, one of the most popular plot-themes (and most fondly remembered and referenced today by surviving Baby-Boomer fans) was the unlucky lad’s appalling talent for being warped, mutated and physically manipulated by fate, aliens, magic, mad science and even his friends …a fate which frequently befell Lois too, although Jimmy got far fewer marriage proposals (but not NONE!) from aliens, murderers of monsters…

The boy’s bits briefly conclude with ‘The Adventures of Private Olsen’, wherein the Cub Reporter is assigned to write articles on Army life and – with Superman’s assistance – teaches a nasty and unscrupulous drill sergeant a much-needed lesson…

When Lois Lane – arguably the oldest supporting character/star in the Superman mythology if not entire DC universe – finally received her own shot at a solo title, it was very much on the terms of the times. I must shamefacedly admit to a deep, nostalgic affection for her bright and breezy, fantastically fun adventures, but as a free-thinking, (nominally) adult liberal of the 21st century I’m often simultaneously shocked these days at the jollified, patronising, patriarchally misogynistic attitudes underpinning so many of the stories.

Yes, I’m fully aware that the series was intended for young readers at a time when “dizzy dames” like Lucille Ball or Doris Day played up to the popular American gestalt stereotype of Woman as jealous minx, silly goose, diffident wife and brood-hungry nester, but to ask kids to seriously accept that intelligent, courageous, ambitious, ethical and highly capable women would drop everything they’d worked hard for to lie, cheat, inveigle, manipulate and entrap a man just so that they could cook pot-roast and change super-diapers is plain crazy and tantamount to child abuse. They’re great, great comics but still… whooo… gah… splutter… I’m just saying…

Cover-dated September/October 1957 and illustrated by Wayne Boring & Stan Kaye, Showcase #10 was the second and final test appearance for what became  Superman’s Girl Friend Lois Lane, opening with scripter Binder’s ‘The Jilting of Superman’, wherein the Action Ace almost falls for a most ancient ploy as Lois pretends to marry another man to make the Kryptonian clod realise what she means to him…

Written by Jerry Coleman, ‘The Sightless Lois Lane’ tells how a nuclear accident temporarily blinds the journalist, and how her sudden, unexpected recovery almost exposes Clark Kent’s secret when he callously changes to Superman in front of his “sightless” friend, after which Binder delightfully details the contents of ‘The Forbidden Box from Krypton’. Exhumed by a Smallville archaeologist, this hoard houses devices originally packed by Superman’s birth father Jor-El and intended to aid the infant Superbaby on Earth. Of course, when Lois opens the chest all she sees is a way to become as powerful as the Man of Steel. Before long, she’s addicted to being a super-champion in her own right…

Scant months later, the mercurial journo had her own title, clearly offering exactly what the reading public wanted…

Jimmy Olsen #24 featured another trio of top tales from Binder, Swan & Burnley beginning with ‘The Superman Hall of Trophies’ which finds a Kryptonite-paralysed Metropolis Marvel trapped in a museum and rescued by the brave boy reporter. ‘The Gorilla Reporter!’ sees the poor kid briefly brain-swapped with a mighty (confused) Great Ape before – as so often before – Superman must audaciously divert attention from his exposure-threatened alter ego by convincing the world at large that Jimmy is ‘The Luckiest Boy in the World’…

Issue #25 – by Binder, Swan & Burnley – features ‘The Secret of the Superman Dummies’ wherein a trip to a magic show results in Jimmy being inescapably handcuffed to the last man in the world Superman dares to approach, after which ‘The Second Superboy’ reveals how poor Jimmy is accidentally rocketed to an alien world where he gains incredible abilities courtesy of resident absent-minded genius Professor Potter. ‘The Day There Was No Jimmy Olsen’ then offers a tantalising hoax and mystery which ends with an unexpected promotion for the pluckily ingenious boy…

Jimmy began #26 subject to inexplicable bouts of deadly mass fluctuations and improbably became ‘The World’s “Heavyweight” Champ’ before – as newly appointed ‘Jimmy Olsen, Foreign Correspondent’ – uncovering a sinister scheme to defraud the Ruritanian Kingdom of Hoxana. Back home again though, he has to again undergo a well-intentioned con from his best pal after seeing Clark flying and subsequently – inadvertently – himself becoming ‘The Birdboy of Metropolis’…

Superman’s Girlfriend Lois Lane #1 (March/April #1958) at last arrived, sporting three stunning yarns illustrated by sleek, slick comedically-inclined illustrator Kurt Schaffenberger, whose distinctive art-style would become synonymous with the woman reporter. Everything kicked off with ‘The Bombshell of the Boulevards’ (scripted by Leo Dorfman) wherein she dons a blonde wig to deceitfully secure a Hollywood interview and provokes a death-duel between rival enflamed suitors. Of course, it’s only another scheme by Superman and Jimmy to teach her a lesson in journalistic ethics. It’s a good thing reporters are so much less unscrupulous these days…

During this Silver Age period, with Superman a solid gold sensation of the newly ascendant television medium, many stories were draped in the wholesome trappings of Tinseltown – even more so than most of celebrity-obsessed America. It didn’t hurt that chief editor Whitney Ellsworth was a part-time screenwriter, script editor and producer, as well as National DC’s Hollywood point man.

Otto Binder then reunited with old Captain Marvel collaborator Schaffenberger for ‘Lois Lane, Super-Chef’ as she disastrously tries to master home cooking in another scheme to get the Man of Steel to propose, whilst in ‘The Witch of Metropolis’ a science assignment goes horrifically awry, transforming her into a wizened old hag every time the sun sets…

All courtesy of Binder, Swan & Burnley, SPJO #27 opens with ‘The Boy from Mars’ wherein the cub reporter gets his own lesson in integrity after trying to create a circulation-boosting hoax, and a refresher course on the perils of pride and over-confidence after messing up ‘A Date with Miss Metropolis’ before the issue ends in a riotous battle with his own evil duplicate after Professor Potter accidentally creates ‘The Outlaw Jimmy Olsen’…

Ever so slowly a more mature tone was developing in the kid’s adventures. In #28’s ‘The Spendthrift and the Miser’ an alien gift from Superman triggers wildly manic mood swings whilst an accidental time-trip incredibly reveals that Jimmy is destined to become ‘The Boy who Killed Superman’ after which in ‘The Human Skyscraper’, another botched Potter product enlarges the kid to monumental, city-endangering size.

Over in the second Lois Lane comic book she is apparently appalled to uncover ‘Superman’s Secret Sweetheart’ (uncredited here but possibly Bill Finger?), but is in fact on her very best mettle and helping a bullied college girl fight back against her mean sorority sisters.

The Binder recounts how Tinseltown improbably calls and the reporter becomes – eventually – an extremely high maintenance actress in ‘Lois Lane in Hollywood’…

‘Superman’s Forbidden Room’ closes proceedings with a cruel hoax played on her well-publicised infatuation, but this time it isn’t the Man of Steel doing the fooling and the stakes have never been higher than in this moody thriller illustrated by Boring & Kaye and probably written by Jerry Coleman.

In Jimmy Olsen #29 the usually adept reporter suffers a monumental writer’s block whilst working on a novel, but ‘The Superman Book that Couldn’t be Finished’ eventually is …with a little hands-on Kryptonian help. ‘Jimmy Olsen’s Super-Pet’ then sees the cub reporter adopted by super-hound Krypto in his twilight years: an act that is instrumental in rejuvenating the Dog of Steel for a new generation.

The issue ends with ‘The Amazing Spectacles of Doctor X’: a clever thriller seeing Jimmy appropriate goggles which can see the future and glimpsing something he wishes he hadn’t!

Crafted by Binder & Schaffenberger, The Rainbow Superman’ opens Lois Lane #3 portraying the “News-hen” at her very worst as a cosmic accident makes the Man of Tomorrow an ambulatory spectrum and she sets about seeking to see if Clark also glows, whilst ‘The Man who was Clark Kent’s Double’ (scripted by Coleman, as is the final tale here) breaks her heart after she again proves too nosy for her own good.

‘Lois Lane and the Babe of Steel’ then delivers a terrifying glimpse of her dreams come true when Superman trades temporal places with his toddler self, causing all manner of problems for the capable bachelorette…

In JO #30, ‘The Son of Superman’ – by Binder, Swan & Burnley – jerks our tears as an attempt by the Kryptonian to adopt the boy reporter goes tragically wrong, after which the creators prove equally adept at concocting mystery and tension when criminals scheme to destroy Jimmy by making him ‘The Cub who Cried Wolf’.

‘Superman’s Greatest Enemy’ – with Dick Sprang standing in for Swan – then discloses how the naive lad falls for a crook’s scam but has enough smarts to turn the tables at the end…

Binder & Schaffenberger open SGFLL #4 with a well-meaning Jimmy using hypnotism to get Clark to propose to Lois, utterly unaware who he is actually using these gimmicks on, and catastrophically leading to ‘The Super-Courtship of Lois Lane’…

Times have changed, but when Coleman scripted ‘Lois Lane, Working Girl’ he was simply referring to her being challenged to undertake a job in manual labour, so shame on you. Alvin Schwartz then crafts a canny conundrum in ‘Annie Oakley Gets her (Super)man’ for Boring & Kaye to illustrate, when a riding accident out West causes Lois to believe she is the legendary sharpshooter whilst hunting some very nasty gangsters with very real guns…

Jimmy Olsen #31 highlights the now mythic tale of ‘The E-L-A-S-T-I-C Lad’ (Binder, Swan & Burnley) wherein Superman is ultimately responsible for the reporter gaining stretching powers. He should have known better than to leave a chest of alien artefacts with the nosy, accident-prone kid…

‘The Mad Hatter of Metropolis’ sees the simple power of suggestion convince the kid that he can imitate the feats of famous folks simply by donning their characteristic chapeaus,  before ‘The Boy who Hoaxed Superman’ has him attempt to secure a pay raise by pretending to leave for the future. Sadly, it doesn’t work, and everybody seems to prefer the replacement Perry hired who is, of course, Jimmy in disguise…

For #32 Professor Potter’s latest chemical concoction makes Jimmy look like Pinocchio but does compensate by giving him ‘The Super Nose for News’, whilst an uncanny concatenation of crazy circumstances turns the sensibly staid Man of Tomorrow into ‘The Rock ‘n’ Roll Superman’ every time the kid reporter – masquerading as a pop star – twangs his old guitar. Then, Alvin Schwartz scripts ‘The Jimmy Olsen from Jupiter’, revealing how aliens mutate the cub reporter into one of their scaly selves: complete with extremely useful mind-reading abilities, much to Superman’s dismay…

Robert Bernstein & Schaffenberger’s ‘Superman’s Greatest Sacrifice’ leads in Lois Lane #5, as the journalist meets her millionaire double and seemingly loses her beloved sort-of lover to the rich witch, whilst in ‘The Girl of 100 Costumes’ the canny lass employs a myriad of new looks to catch his attention, in an uncredited story drawn by Al Plastino.

It was back to silly, disquieting (and fat-shaming) usual for Binder & Schaffenberger’s ‘The Fattest Girl in Metropolis’ as a plant growth ray “accidentally” super-sizes the valiant but vain reporter. Imagine her reaction when Lois learns Superman has deliberately expanded her dimensions… for good and solid reasons, of course…

Binder, Swan & Burnley were in sparkling form in JO #33, starting with ‘Legends that Came to Life’, wherein a nuclear accident animates the strangest foes from fairy tales and only Jimmy, but not his mighty mentor, can save the day, after which ‘The Lady-Killer from Metropolis’ offers a classic case of boyish arrogance and girlish gossip which leads to the boy reporter briefly becoming the sexiest thing in Hollywood. The horror and hilarity is capped by ‘The Human Flame-Thrower!’ as Potter’s latest experiment leaves Jimmy with the worst case of high-octane halitosis in history…

Coleman, Boring & Kaye opened LL #6 with ‘The Amazing Superman Junior’ as yet another attempt to teach Lois a lesson backfires on the pompous Man of Steel and she brings in a mysterious kid to show the Kryptonian what it feels like…

This is followed by a brace of tales by Bill Finger & Schaffenberger, starting with ‘Lois Lane… Convict!’ which seemingly sees the reporter take a bribe from gangster Baldy Pate and pay a terrible price, whilst in ‘Lieutenant Lois Lane, U.S. Army’ she and Clark join the military for a story only to have Lois’ (temporary) rank turn her into a man-hating bully. Surely some mistake, no…?

‘Superman’s Pal of Steel’  by Binder, Swan & Burnley, begins the last Jimmy Olsen issue in this marvellous monochrome collection, as another secret identity-preserving scheme takes a bizarre turn after the boy reporter genuinely gains an incredible power. Alvin Schwartz then fills ‘The Underworld Journal’ which see our kid inherit his own newspaper …and swiftly go off the journalistic rails.

Finally for the boy, Potter’s newest invention turns Jimmy’s clunky old kit into ‘The Most Amazing Camera in the World’ (Binder, Swan & Burnley) – and a deadly danger to Superman’s greatest secret…

Superman’s Girlfriend Lois Lane #7 ends this volume with three more mixed-message masterpieces. beginning with ‘Lois Lane’s Kiss of Death’ (by Bernstein & Schaffenberger), wherein a canny conman tries to fool the reporter into botching her biggest crime exposés. Schwartz then has Lois use hypnotism to wash her heroic obsession out of her mind in ‘When Lois Lane Forgot Superman’.

Illustrated by Boring & Kaye, the tale takes an unlikely turn when she turns her passionate, unfulfilled attentions on poor Clark, after which Lana Lang fully enters the Man of Steel’s modern mythology. When Lois took in the destitute, down-at-heel lass who once held the Boy of Steel’s heart, she seemingly allowed her to also become ‘The Girl who Stole Superman’ in a tense and clever tale from Coleman & Schaffenberger…

These spun-off, support series were highly popular, top-selling titles for more than two decades: blending action, adventure, broad, wacky comedy, fantasy and science fiction in the gently addictive whimsical manner that Binder and Schaffenberger had perfected at Fawcett Comics on the magnificent Marvel Family.

As well as containing some of the most delightful episodes of the jovial, pre angst-anointed, cosmically catastrophic DC, these fun, thrilling and yes, occasionally deeply moving, all-ages stories also perfectly depict the changing mores and tastes which reshaped comics from the safe 1950s to the seditious, rebellious 1970s, all the while keeping to the prime directive of the industry – keep them entertained and keep them wanting more…

I certainly do…
© 1957, 1958, 1959, 2008 DC Comics. All Rights Reserved.

Posted on

Captain Action: Classic Collection


By Gil Kane, Wally Wood, Jim Shooter & various (IDW)
ISBN: 978-1- (TPB) eISBN: 978-1-64936-046-5

These days comics are about kids of varying ages looking back. So too are toys, and baby boomers like me are particularly prone to the fabled golden age and certain “must-have” items – whether we ever actually owned them or not. An added bonus comes if those toys made it to comics and vice versa…

Back then, the ultimate acme for so many of us in the UK was – no, not the Johnny Seven multi-gun, or Man from U.N.C.L.E. briefcase – but the Captain Action nine-heroes-in-1 doll (sorry, Action Figure)… 

Once upon a time comics were considered the nigh-exlusive domain of children, with many scrupulously-policed genres and subdivisions catering to particular and stratified arenas such as fact, fantasy, adventure and humour. They were even further codified by age and gender.

A particular and popular recurring theme was tapping into the guaranteed and hopefully mutual sales boost offered by licensing and cross-marketing. West Coast outfit Dell/Gold Key had early on specialised in out-industry licensing deals and adaptations…

Many titles depended on a media celebrity like Howdy Doody, Charlie Chaplin or Mickey Mouse and in America that eventually spread to the marketing of products also aimed at kids… such as sweets, cartoons and toys…

By the end of that era, comics for kids were almost exclusively released as a minor strand of a major maketing strategy. That comics like Thundercats, Micronauts, Transformers, Rom and G.I. Joe were actually good and entertaining on strictly strip terms was a happy coincidence and thanks solely to the diligent pride and efforts of the creators involved. Sadly, it also led to publishers intensifying efforts to add a toy component to their own properties. Hands up anyone out there who owns a Spider-mobile, Batboat or Supermobile…

For DC, that trend really began in 1968. Although the company – known as National Periodical Publications back then – had long benefitted from creating comics adventures of movie stars like Bob Hope, Jerry Lewis or Dale Evans and shows such as Gang Busters, A Date with Judy and Mr. District Attorney, they had stayed away from the toy biz – unless you count two issues of Showcase (#53 & 54 Novenber/December 1964 and January/February 1965) that unofficially tied-in to Hasbro’s release of the first G.I. Joe line.

Then, just as costumed superheroes boomed, peaked and began an inexorable die-back, an old connection resurfaced…

In 1964 inventor and promotions wizard Stan Weston devised a way to sell dolls to boys: a dilemma that had stumped toymakers for centuries. He devised an articulated mannequin that would represent all branches of the military and could be aurmented by add-on uniforms and equipment. He called it an “action-figure” and sold the notion to Hasbro, who marketed it with great and lasting success as G.I. Joe (in Britain it was rebranded Action Man).

With his remuneration, Weston – whose promotions company Leisure Concepts had secured representation rights to DC, Marvel and King Features characters – devised a similar boys toy figure designed to ride the then-current global superhero wave triggered by the Batman TV show. “Captain Magic” was not only a superhero in his own right but could also transform into other superheroes via costumes and masks purchased seperately…

Released in waves, these alter egos included Superman, Batman, Aquaman, Spider-Man, Captain America, Sgt. Fury, The Phantom, 2 different Lone Rangers, Tonto, Steve Canyon, Flash Gordon, Buck Rogers and the Green Hornet.

Weston sold this concept to Hasbro’s rival Ideal Toy Company who went all-out in producing and marketing the range. It launched in 1966, redesignated Captain Action…

A huge success, an expansion line in 1967 introduced a kid sidekick, pet panther, villains, an Action-Cave, secret lairs, a super car and lots of other paraphenalia. Latterly, distaff partner Lady Action was joined by doll versions (“Super Queens”) of Wonder Woman, Mera, Supergirl and Batgirl…

The line was an early casualty of the downturn in superheroes and discontinued in 1968. It has, however, cemented itself in popular memory, with the core character returning on many occasions. He now enjoys a new marketing company seeking to rebuild the brand, Since 2005, Catain Action Enterprises have been testing the waters and some of their efforts can bee seen as ads and addenda throughout the book…

However, back at the height if the craze that DC link led to Editor in Chief Mort Weisinger commissioning a comic book tie-in. It turned out to be one of the most lovely, powerful, experimental and maturely sophisticated titles of the era and – finally – all the legal loopholes have been circumvented so you can see it at last …or if you’re truly blessed, once again…

Weisinger tapped his youngest writer – teenager Jim Shooter – and teamed him with veterans on the potentially colossal project. Miracle-working editor Julie Schwartz was in charge, and Wally Wood started the ball rolling artistically, but the real revelation came after replacement penciller Gil Kane took over the writing…

Born Eli Katz and a pre-WWII infant immigrant from Latvia, Kane was one of the pivotal players in the development of the American comics industry, and indeed of the art form itself. Working as an artist, and an increasingly more effective and influential one, he drew for many companies from the 1940s onwards, tackling superheroes, crime, action, war, mystery, romance, animal heroes (Streak and Rex the Wonder Dog!), movie adaptations and, most importantly perhaps, Westerns and Science Fiction tales.

In the late 1950s he became one of Schwartz’s key artists in regenerating and rebooting the superhero concept. Yet by 1968, at the top of his profession, this relentlessly revolutionary and creative man felt so confined by the juvenile strictures of the industry that he struck out on bold new ventures that jettisoned the editorial and format bondage of comic books for new visions and media.

His Name Is Savage was an adult-oriented black & white magazine about a cold and ruthless super-spy in the James Bond/Matt Helm/Man Called Flint mould; co-written by friend and collaborator Archie Goodwin. It was very much a precursor in tone, treatment and subject matter of many of today’s adventure titles.

His other venture, Blackmark (1971, and also with Goodwin), not only ushered in the comic book age of Sword and Sorcery, but also became one of medium’s first Graphic Novels. Technically, as the series was commissioned by fantasy publisher Ballantine as eight volumes, it was also envisioned as America’s first comic Limited Series.

Before them, though, there was Captain Action…

Edited by Schwartz with covers by Irv Novick, Wood, Kane & Dick Giordano, the entire DC run is collected here, preceded by a fulsome and informative Introduction from Mark Waid.

Unable to play with the toy’s major attraction – multiple super-personalities – Shooter & Wood instead went with classical drama for issue #1’s ‘Origin of Captain Action!’: revealing how archaeologist Clive Arno and his assistant Krellik uncover a chest of coins left in antiquity by incredible superbeings remembered by humanity as gods.

These coins allow the holder to access the incredible powers of countless deities, but the temptation proves too much for the scheming assistant.

However, when he tries to steal them, an ancient failsafe painfully prevents him…

Driven away, the scoundrel is then found by the coin vindictively created by primal God of Evil Chernobog: one which imparts astounding magical abilities and feeds his hatred. As Arno designs a costumed identity to help the world via the coins, Krellik spies on and steals his thunder, resolved to taint the project before it even begins…

Returning to America, Arno learns ‘Where the Action is’ from his son Carl, as Krellik plunders museums dressed in Arno’s proposed uniform. A swift chase then results in a cataclysmic clash and brief cameo by Superman…

Trailing his enemy, the true Captain cannot stop Krellik obtaining more deadly artefacts of the lost gods. As the first issue ends he is savagely beaten and apparently defeated before he’s even started …

With Kane pencilling Shooter’s script and Wood inking, the saga concludes in #2 as ‘The Battle Begins!’ with the victorious villain repeatedly failing to appropriate the power coins: stymied by the remarkably astute and valiant Action Boy. When Krellik’s frustration boils over and he starts wrecking the city, our recently returned hero goes all out and at last overcomes in ‘Captain Action’s Reactions!’ Kane was eager to stretch his creative muscles in a period of great change and challenge and Schwartz was happy to oblige…

Although already distressingly high in drama and calamity, the series went into overdrive with #3 as the toy company’s preferred archfoe debuted. A blue skinned humanoid with an exposed brain. Dr Evil was fleshed out as Kane wrote and pencilled ‘…And Evil This Way Comes!’, revealing how a catastrophic earthquake in San Francisco caused hundreds of deaths and triggered an evolutionary aberration in the laboratory of Dr. Stefan Tracy…

The Nobel Laureate was also Arno’s father-in-law and both were united in grief over the death of his daughter (and Arno’s wife) Kathryn. They also shared an abiding love for Carl Arno.

All that seemed over when Tracy was elevated to the status of a futureman resolved to similarly improve mankind, no matter how many perished in the process…

The most telling consequence of the quake is the loss of all but a handful of power coins. Action Boy is given the superspeed inducing Mercury artefact, whilst his dad keeps the tokens of Zeus, Hercules and Heimdall (rationalising why the Captain needs cool tools like his supercar the Silver Streak), and they deploy to save lives in the aftershocks.

They are hindered and countered by Tracy/Dr. Evil: using his devices to amplify the natural disaster. His deed almost kills his grandson, until a fast-fading final shred of humanity hampers his deeds and hold back his damning hand…

The act is his last as a human being and allows the Captain a desperate chance to drive him away…

From this issue on a letters page – Action Line – was included, and they are reprinted from here on.

Kane went even more deeply into mature themes with #4 as ‘Evil at Dead World’s End!’, sees the hyper-evolved savant drawn across the universe to a dying planet peopled with beings just like him. Well, not quite: these beings are at the end of existence on a dying planet, worn out by eons and resolutely awaiting death. Dr. Evil refuses to let them go, inspiring their brief rejection of well-earned rest with the promise of a fresh young world: Earth. To offset his son-in-law’s interference, the mind master distracts the hero with a trio of rampaging monsters and cruel resurrection of dead Kathryn. The alluring spectre then implores her husband to forsake life and join her in the beyond…

The high impact dramas were far from what any kid might expect, and the series closed on an even more shocking premise as ‘A Mind Divided’ revealed a nation torn apart by a racist demagogue inciting insurrection and racial purity: a campaign polarising America’s youth and encapsulated in a single father’s descent into madness. Captain Action might be able to rescue victims, stop bombers, break up riots and beat uniformed thugs but saving a twisted soul from self-inflicted tragedy was beyond even the reach of gods…

Now, rush out and buy the Captain Action Parachute Mortar, kids…

The comics material closes with text and letters page Action Line and a reader competition – ‘The Two Faces of Dr. Evil’ – before even more avarice-inspiring found-features fill out the Captain Action Gallery.

The comics stories preceding this section were packed with ads for old and new Cap merch in the gaps originally filled by DC comics releases (some contemporarily crafted by Michael Polis) for dolls/action figures, toys, accessories, costumes, “Captain Action Action Facts!”, card & board games, choco bars, breakfast cereal, freezer pops and vintage comic book house ads and TV promos for the franchise.

Here however are full-page delights such as paintings of Captain Action; toy ads from the comics for Action Boy, Dr. Evil. Lady Action and pages from the Captain Action Yellow Book by Murphy Anderson, Kurt Schaffenberger, & Chic Stone, plus astondingly lovely original art pages and pencil art by Kane & Wood.

Although Captain Action couldn’t sustain a readership or toy-buying clientele, DC would dabble again and again with related topics (like Alex Toth & Neal Adams’s sublime Hot Wheels comic in 1970, MASK, Masters of the Universe, and DC in-house properties Mego Superheroes and Kenner’s Super Powers action figures) and publishing properities now make a large paart of every successful comics company…

The 1960s was the era when all the assorted facets of “cool-for-kids” finally started to coalesce into a comprehensive assault on our minds and our parents’ pockets. TV, movies, comics, bubble-gum cards and toys all began concertedly feeding off each other, building a unified and combined fantasy-land no kid could resist. That nostalgic force has never been more wonderfully expressed than in the stories in this book and you would be mad to miss it.
Captain Action: Classic Collection © & ™ 2022 Captain Action Enterprises, LLC. All rights reserved.

Posted on

Batman: Silver Age Dailies and Sundays 1969-1972!


By Whitney Ellsworth, E. Nelson Bridwell, Al Plastino, Nick Cardy & various (IDW)
ISBN: 987-1-63140-263-0 (HB)

Win’s Christmas Gift Recommendation: Nuggets of Nostalgia to Delight All Ages… 8/10

For nearly eight decades in America newspaper comic strips were the Holy Grail cartoonists and graphic-narrative storytellers hungered for. Syndicated across the country and often the planet, winning millions of readers and accepted (in most places) as a more mature and sophisticated form of literature than comic books, it also paid better, with the greatest rewards and accolades being reserved for the full-colour Sunday page.

So it was always something of a poisoned chalice when a comic book character became so popular that it swam against the tide (after all, weren’t funny-books invented just to reprint strips in cheap, accessible form?) and became a syndicated serial. Superman, Wonder Woman, Blue Beetle and Archie Andrews made the jump soon after their debuts and many features have done so since.

Due to war-time complications, the first Batman and Robin newspaper strip was a late entry, but when the Dynamic Duo finally hit the Funny Pages, the feature proved to be one of the best-regarded, highest quality examples of the trend, both in Daily and Sunday formats.

Somehow, it never achieved the circulation it deserved, but at least the Sundays were eventually given a new lease of life when DC began issuing complete vintage stories in the Batman 80-page Giants and Annuals in the 1960s. The exceedingly excellent all-purpose adventures were ideal short stories that added an extra cachet of exoticism for young readers already captivated by simply seeing tales of their heroes that were positively ancient and redolent of History with a capital “H”.

Such was not the case in the mid-1960s when, for a relatively brief moment, mankind went bananas for superheroes in general and most especially went “Bat-Mad”. The comic book Silver Age revolutionised a creatively moribund medium cosily snoozing in unchallenging complacency, bringing a modicum of sophistication to the revived genre of mystery men.

For quite some time the changes instigated by Julius Schwartz (in Showcase #4, October 1956) which rippled out in the last years of that decade to affect all of National/DC Comics’ superhero characters generally passed by Batman and Robin. Fans buying Detective Comics, Batman, World’s Finest Comics and latterly Justice League of America would read adventures that – in look and tone – were largely unchanged from the safely anodyne fantasies that had turned the Dark Knight into a mystery-solving, alien-fighting costumed Boy Scout just as the 1940s turned into the 1950s.

By the end of 1963, however, Schwartz having – either personally or by example – revived and revitalised the majority of DC’s line (and, by extension and imitation, the entire industry) with his reinvention of the Superhero, was asked to work his magic with the creatively stalled and near-cancellation Caped Crusaders.

Installing his usual team of top-notch creators, the Editor stripped down the accumulated luggage and rebooted the core-concept. Down – and usually out – went the outlandish villains, aliens and weird-transformation tales in favour of a coolly modern concentration on crime and detection. Even the art-style itself underwent a sleek streamlining and rationalisation. The most visible change for us kids was a yellow circle around the Bat-symbol but, far more importantly, the stories changed. A subtle aura of genuine menace crept back in.

At the same time, Hollywood was in production of a TV series based on Batman and, through the sheer karmic insanity that permeates the universe, the studio executives had based their interpretation not upon the “New Look Batman” currently enthralling readers, but the wacky, addictively daft material DC was emphatically turning its editorial back on.

The Batman show premiered on January 12th 1966 and ran for three seasons of 120 episodes: airing twice weekly for the first two. It was a monumental, world-wide hit that sparked a vast wave of trendy imitation. Resultant media hysteria and fan frenzy generated an insane amount of Bat-awareness, no end of spin-offs and merchandise – including a cinema movie – and introduced us all to the phenomenon of overkill.

No matter how much we comics fans might squeal and froth about it, to a huge portion of this planet’s population Batman is always going to be that “Zap! Biff! Pow!” buffoonish costumed Boy Scout…

“Batmania” exploded across Earth and then as almost as quickly became toxic and vanished, but at its height led to the creation of a fresh newspaper strip incarnation. That strip was a huge syndication success and even reached fuddy-duddy Britain, not in our papers and journals but as cover feature of weekly comic Smash! (from issue #20 onwards).

The TV show ended in March 1968. As the series foundered and faded away, global fascination with “camp” superheroes – and no, the term had nothing to do with sexual stereotyping no matter what you and Mel Brooks might think – burst as quickly as it had boomed and the Caped Crusader was left with a hard core of dedicated fans and followers who now wanted their hero back…

That ennui also finally finished the Syndicated comic strip (at least until the 1989 Batman movie), but as this final compilation proves, by the end it was – if not a failed kidnap recovery – a mercy killing…

This third hardback compilation gathers the last hurrahs of the strip, from the time when the Gotham Guardians were being pushed out of their own series and highlights a time when contracts and copyrights proved far more potent than Truth, Justice and the American Way…

As well as re-presenting the last bright and breezy, sometimes zany cartoon classics of Batman with Robin the Boy Wonder, this tome is augmented by a wealth of background material, topped up with oodles of unseen scenes and background detail to delight the most ardent Baby-boomer nostalgia-freak as well as captivating contemporary examples of the massed merchandise the TV series and comic strip spawned – such as adhesive Adventures Stickers, and house ads from Smash!…

The fun-fest opens with more informative and picture-packed, candidly cool revelations from comics historian Joe Desris in ‘A History of the Batman and Robin Newspaper Strip: Part 3’; sharing the communications between principal players and discussing how E. Nelson Bridwell became editor and then scripter on the rapidly evolving feature.

In January 1972, growing disputes between NPP (National Periodical Publications: DC’s parent company) and the Ledger Syndicate led to the latter attempting to exclude the former from the deal. When NPP withheld the strips it was contracted to produce, LS brought in an uncredited replacement creative team and published unsanctioned “bootleg” material that infringed DC’s copyright, beginning with the January 3rd episode. By the 31st, LS was completely rogue and as well as a generating a huge drop in both story and art quality, the replacements actively worked to undo all of Bridwell’s efforts to crosspollinate the strip and comic book continuities. On April 8th the syndicate dropped DC’s copyright from the strips prior to introducing their own hero – Galexo – to the feature on April 11th.

Although Bruce Wayne and Dick Grayson still occasionally appeared and the title masthead stubbornly remained attention-grabbing “Batman”, the newcomer and his sidekicks Solaria and Paul were now the panel-hogging stars.

Eventually, NPP secured their intellectual property and walked away, and the strip staggered to a natural demise without DC heroes. Full details are provided by Desris in his introduction, which also shares its ultimate fate and where the feature continued until it ended…

The Introduction also offers a wonderful taste of what might have been via the unpublished episodes by Bridwell, Al Plastino & Nick Cardy that should have run from January 3rd – 15th 1972, to counterbalance the actual published material seen at the end of the volume…

Chronologically incorporating monochrome 2-4 panel dailies and full-page full colour Sundays, the series was originally scripted by former DC editor (and the company’s Hollywood liaison) Whitney Ellsworth, who’s still in charge as we recommence with a saga that began in the previous volume, drawn as ever by Plastino.

Alfred John “Al” Plastino was a prodigious artist with a stellar career. He had been active in early comic books, with credits including Captain America and Dynamic Man before serving in the US Army. His design talents were quickly recognised and he was seconded to Grumman Aerospace, The National Inventors Council and latterly The Pentagon, where he designed war posters and field manuals for the Adjutant General’s office.

In 1948, he joined DC and soon became one of Superman’s key artists. He drew many landmark stories and, with writer Otto Binder, co-created Brainiac, The Legion of Super-Heroes and Supergirl. From 1960-1969 Plastino ghosted the syndicated Superman newspaper strip and whilst still drawing Batman, also took over Ferd’nand in 1970: drawing it until his retirement in 1989.

He was extremely versatile and seemingly tireless: in 1982-1983 he drew Nancy Sundays after creator Ernie Bushmiller passed away and was controversially hired by United Media to produce fill-in episodes of Peanuts when Charles Schulz was in dispute with the company. Al Plastino died in 2013.

The new policy of guest stars from DC’s comics pantheon made Plastino the ideal choice as the strip transitioned to a tone of straight dramatic adventure and away from the campy comedy shenanigans of the TV show…

The first week of ‘My Campaign to Ruin Bruce Wayne’ (May 31st December 25th 1969) saw spoiled snob heiress Paula Vanderbroke and her brother Paul move into Wayne Manor and announce her intention of marrying Bruce. Here, when he tells her no, Paula – despite being bankrupt – dedicates all her remaining resources to crushing him and making him sorry.

Before she’s stopped, Wayne’s latest enterprise is sunk and the entire city suffers for her wounded pride and the Caped Crusader has succumbed to life-changing injuries…

Guest starring Superman, ‘Batman’s Back Is Broken!’ (December 26th 1969 to March 19th 1970) sees the Gotham Guardian laid low with the only surgeon who could fix him stuck in Mexico and unable to fly. That hurdle – amongst many others – is surmounted by the Man of Tomorrow who the steps in to impersonate Batman while he recuperates. Part of that program involves visiting a travelling show, sparking bad memories for Robin in ‘The Circus is Still Not For Sale!’ (March 20th – September 7th) as his senior partner retrains with the Fiore Family Circus. Almost immediately, a series of accidents imperil one and all, and physical therapy must give way to investigation and deduction. What that turns up is Mafia involvement…

When Wayne moves to end the threat by purchasing the show, a hidden mastermind makes a bold move by hiring a hitman to “cancel” him, but does not realise who he’s dealing with…

Bridwell began being credited as writer with the July 22nd instalment and immediately began dialling back the humorous tone in favour of darker drama, bringing the serial to a swift conclusion. With skulduggery exposed and thwarted the writer then began a bold move…

As DC’s continuity master, Bridwell began mirroring the dynamic changes punctuating a new age of relevancy in the company’s comic books, and adapted the big break-up between Batman and Robin as Dick Grayson went off to college.

‘Everything Will Be Different’ (September 8th 1970 – January 8th 1971) saw Wayne become a social activist, using his wealth to create the “Victim’s Incorporated Program” to help those who had suffered through crime. Shutting down the Batcave and Manor to work and live in the heart of Gotham City, Wayne and Alfred retooled to help the innocent as well as punish the guilty. The first survivor of crime was recent widow Mrs Whipp whose son Jeff had run away after his father was killed. She thought he might have gone to Star City to enlist the aid of Green Arrow…

Meanwhile, Dick had settled in at nearby Hudson University, meeting scientist Dr Kirk Langstrom even as Batman joined his JLA comrade there. All three heroes’ paths converged when student radicals sought to kill the runaway in their murderous efforts to create chaos and bring down “the Establishment”.

Bridwell also began overlapping storylines and before Jeff could be saved, ‘I am… Man-Bat!’ (January 8th – 14th April 1971) saw Langstrom’s experiments mutate scholar into monster, with his frantic attempts to find a cure contributing to the plot’s failure and heroes’ triumph…

Trapped in freak form, Man-Bat stows away with Batman and Jeff, and stalks Gotham in ‘Too Many Riddles – Two Many Villains’ (15th April-October 5th 1971): inadvertently stopping The Penguin killing Batman before enlisting the Dark Knight’s aid in saving himself before further mutating and flying off in panic just as Robin meets Langstrom’s fiancée Francine Lee at Hudson U.

As they all converge on Gotham, the Bird Bandit rejoins Catwoman, Riddler and The Joker who ally with another old Bat-foe for a major coup…

Despondent Francine has found Kirk and is pondering a horrific life change, whilst an army of former Bat-foes assaults Gotham, seeking to restage the Mad Hatter’s Tea Party for profit. The sinister soiree has attracted Tweedledee and Tweedledum, The Scarecrow, Poison Ivy, Killer Moth and Two-Face, but also called Batgirl out of retirement …

With Nick Cardy adding powerful moody tones to the mix, the drama built to a potent crescendo as a massive heroin deal was exposed as prompting the evil army’s antics, but in the end the assembled Bat Squad proved sufficient to the task…

The slow-boiling Man-Bat plot then overheated in ‘Hideous Newlyweds’ (October 6th – November 4th 1971) as the heroes learned of Francine’s fate after she had willing become a monster like Kirk, and the era technically ended with ‘The Secrets in Grandma Chilton’s Scrapbook’ (November 5th 1971 – January 28th 1972). Extrapolated from a character from comics, the tale revealed how a young thug inherits Chilton’s worldly goods and sees in her scrapbook that she was the mother of the man who murdered Thomas and Martha Wayne… and turned their son Bruce into Batman…

As the housekeeper of his Uncle Philip Wayne, she had reared the orphan in his formative years and deduced his secret. Now, with her death, the son of “Joe Chill” learned how his own father died because of the Dark Knight and the cycle of vengeance begins again as the young man – armed with deadly knowledge – targets Wayne and everything he loves…

We’ll never know how that so-promising, tension-drenched drama should have concluded, as pinch hitters parachuted in during the aforementioned dispute wrap up the tale on autopilot and plunge straight into feeble fable ‘Dick Grayson: Kidnapped!’ (January 29th-March 7th).

When Wayne’s ward is snatched from college the distressed hero calls in Batgirl and Superman – but only in their plainclothes personas of Babs Gordon and Clark Kent -gratuitously along to pad out the done-by-numbers rescue…

The teen has no luck but bad and ‘Dick Grayson: Skyjacked!’ (March 8th – April 3rd 1972) then sees his passenger flight home seized by a terrorist, before the kid steps in to save himself this time…

The end comes none too soon in ‘The Duo Becomes a Trio’ (April 4th – 1972 and beyond) with Bruce and Dick recruiting mystery champion Galexo to help them put the team on a global footing. The World’s Worst dressed telepath has his own team but will join for now, beginning with the mastermind igniting volcanoes in Antarctica…

The book stops here but the strip apparently continued awhile longer in overseas papers – represented here in another 17 full pages of Batman with Robin and Galexo from Australian and Singapore papers. I found them utterly unreadable but maybe you’re tough enough to handle it…

The majority of stories in this compendium reveal how gentler, stranger times and an editorial policy focusing as much on broad humour as Batman’s reputation as a crime-fighter was swiftly turned to all-out action adventure once Batmania gave way to global overload and ennui. That was bad for the strip at the time but happily resulted in some truly wonderful adventures for die-hard fans of the comic book Caped Crusader. If you’re of a certain age or open to timeless thrills, spills and chills this a truly stunning collection well worth your attention.

Batman: Silver Age Dailies and Sundays 1969-1972! concludes huge (305 x 236 mm) lavish, high-end hardback collections starring the Caped Crusaders, and is a glorious addition to the superb commemorative series of Library of American Comics which has preserved and re-presented in luxurious splendour such landmark strips as Li’l Abner, Tarzan, Little Orphan Annie, Terry and the Pirates, Bringing Up Father, Rip Kirby, Polly and her Pals and so many other cartoon icons.

If you love the era, the medium or just graphic narratives, these stories are great comics reading, and this is a book you simply must have.
© 2016 DC Comics. All rights reserved. Batman and all related characters and elements ™ DC Comics