Origin II


By Kieron Gillen, Adam Kubert & Frank Martin (Marvel/Panini UK)
ISBN: 978-1-84653-590-1

After years of mystery and imagination, in 2001 the perennially punching-above-his-weight feral fury Wolverine was finally accorded a definitive back-story in the miniseries Origin: the True Story of Wolverine.

The Canadian Wildman had captivated audiences from his earliest appearances in the X-Men comics, and did it all over again for a far larger audience in his movie incarnation, but the story when it came did not please or satisfy everyone.

Now writerKieron Gillen, artist Adam Kubert and colourist Frank Martin have collaborated on in-filling the next chapter and their 5-part miniseries Origin II (February to July 2014) makes an extremely appetising if perhaps controversial titbit to add to the canonical menu…

In Canada at the turn of the 19th century, 12 year old Rose was hired as the companion of sickly child James Howlett, on the palatial estate of his wealthy grandfather. Among the servants she befriended an all but feral child called Logan, abused son of the estate groundskeeper and general handyman.

Tragedy occurred one night as a murder-suicide shattered the uneasy stability of the gothic estate forever, forcing Rose and the Wolverine-to-be to flee for their lives. For years they lived life on the run, eventually settling in a quarrying camp where the harsh conditions and physical toil rapidly matured the sickly mutant.

However even here the repercussions of the Howlett Estate tragedy inevitably found them leading to a final, appalling confrontation in which a hasty unplanned unsheathing of bone claws cost Rose her life…

A few years later: It’s 1907 in the icy wilds of Canada. A man more beast than human runs with the wolves, fully accepted by the pack as one of them. Their harsh but happy life is destroyed however when a colossal white bear enters the territory. The creature doesn’t know how to eat like other bears and inexorably tracks the pack to its den before destroying the cubs.

The Wolfish Man’s peace of mind is shattered and after almost dying in killing the beast an even greater tragedy begins. The loss of his family has forced the not-wolf to start thinking again…

The Polar Bear was no unhappy wanderer, but introduced by men into the unfamiliar wilderness. Now showman Hugo Haversham, the trapper Creed and his disfigured woman Clara are scouring the icy wastes for other potentially profitable attractions. Creed and Clara share some strange secret; and react badly when their erstwhile employer – creepy English scientist Dr. Nathaniel Essex – turns up in the frozen frontier town.

He clearly knows something of her amazing affinity with animals and Creed’s uncanny healing abilities and is very angry that the entrepreneur has appropriated the butchered bear carcass for his circus show…

Haversham knows a dangerous rival when he sees one, too, and takes the first opportunity to leave when Creed announces they are heading out.

The scientist continues his own endeavours, using his paramilitary “Marauders” to disseminate a poison gas of his own devising in the deep woods, intent on finding what killed his white bear…

The tactic proves disastrous as the fumes drive a bizarre clawed aborigine to attack and butcher the gas-masked Marauders. Moreover the attacker seems utterly immune to the deadly vapours…

Essex’s remaining men pursue, driving the furious wild man straight into Creed’s traps. Although the snares don’t stand up to his claws, the human beast is helpless against Clara’s uncanny calming influence. To cruel Creed’s mounting fury the connection seems to be mutual…

Soon, suitably caged, the Clawed Man of the Woods is the star attraction of Hugo the Great’s Travelling Circus. Regularly tortured and baited by Creed and fawned upon by Clara, the no-longer mute beast-man has only one thought in his head: the sight of another beloved blond girl dying on his claws…

Essex is still in the picture too: following the show and trying to buy the feral exhibit for his ongoing experiments. When his frustrated patience finally expires so does Hugo – thanks to Essex’s gas – leaving the rapid-healing Clawed Man to undying agonies on the sinister scientist’s vivisection tables…

When all hope seems lost, Clara, having convinced Creed to help, breaks her new pet out and the trio flee into the night. Thanks to the torture – or perhaps Clara’s devotion – the poor, benighted creature who now calls himself Logan has begun to speak again…

A month later the fugitives are starving in New York City and Creed has had enough. He is not there when Essex’s men try to capture Clara’s wild lover and does not see history tragically, bloodily repeat itself…

He does however join the heartbroken, traumatised Logan in going after Essex, whilst happily concealing the true nature and extent of Clara’s powers…

The man who will be Mr. Sinister is unrepentant and working on his next project: an impossibly tempting solution that can lobotomise the imbiber and eradicate all painful memories…

The saga ends in more horrific score-settling before Logan escapes into the night and into history, but this tales still has a couple of shocking twists to reveal…

Brutal, visceral and compulsive; cleverly laying as much intriguing groundwork for future stories as answering long-asked questions, Origin II is a superior yarn that will delight true aficionados of the complex Canadian crusader and this engaging tome also includes an impressive covers-&-variants gallery by Kubert & Martin, Salvador Larroca & David Ocampo, Steve Leiber, Salva Espin & Pete Pantazis and Skottie Young.

™ & © 2014 Marvel. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British edition published by Panini UK.

Wolverine First Class: Class Actions


By Peter David, Ronan Cliquet, Francis Portela, Dennis Calero & Scott Koblish (Marvel)
ISBN: 978-0-7851-3678-1

Charming, light action-comedy is not the first thing that snikts to mind when considering Marvel’s mutant wild man… which is probably why the sorely-missed series detailing Logan‘s days as reluctant tutor to then-neophyte junior X-Man Kitty Pryde was such a delightful surprise for every rather rare reader who saw it.

The series launched in 2008, written by Fred Van Lente, but this final selection is scripted by veteran chortle-raiser Peter David who applies his deft, daft touch to the final five tales from Wolverine First Class #17-21 (September 2009 – January 2010).

The delicious pairing of surly, world-weary antihero and naïve, bubbly, keen-as-mustard, interminably chatty gamin has been comedy gold since the days of silent movies and is exploited to perfection in this hilarious but action-packed compilation which begins with ‘Two Wongs’ – illustrated by Ronan Cliquet.

This features Wolverine in his roguish persona as “Patch” investigating the son of a notorious, ruthless ganglord from outlaw island Madripoor whom the feral fury was sure he had permanently dealt with years before.

Patch is convinced that the apple doesn’t fall far from the shady tree, even though there’s no evidence that young Senatorial candidate Benjamin Wong is anything more than another idealistic hopeful looking to clean up the system…

Silly, innocent Kitty thinks otherwise and soon the argumentative pair are undercover and stealthily investigating as only two X-Men can (that is with lots of fights, chases and explosions), but they’re both in for a big surprise before all the votes are in…

Francis Portela handles the art for ‘Identity Crisis’ wherein student and master are on opposite sides of a knotty debate when Madrox the Multiple Man stops by the X-Mansion.

The young mutant needs Wolverine’s assistance to track down an errant copy of himself who doesn’t want to be reabsorbed. Unfortunately that runaway dupe has found a sympathetic ear in romantic soul Kitty who completely understands his need for independence and autonomy…

Too soon, however, events conspire to give everybody what they want, which only leaves the lass with a bitter taste of pointless tragedy…

Next up is an enthralling two part cosmic calamity as Dennis Calero limns ‘Discreet Invasion: Part One’ which finds Kitty waking up in a cunning copy of her bedroom aboard a spaceship.

Elsewhere on the vessel Professor Wolverine is enduring the tortures of the damned as the Super Skrull undertakes another plan of Earthly infiltration and conquest.

Discarding any potential threat from the stupid, puny earth girl, the Skrull is astounded to find her vanished and, soon after, all hell being let loose on his heavily fortified warship.

Things only get worse when Kree Protector of the Universe Captain Marvel bursts in…

The tension rises to blistering fever pitch in ‘Discreet Invasion: Conclusion’ as, amidst a catastrophic three-way tussle between the male heavies, Kitty displays her own shattering propensity for destruction.

It’s her innate smarts that win the day, however: when the Skrull plays his final card by becoming an exact duplicate of Wolverine, he cannot believe her solution to the age-old conundrum of who to shoot…

The series – and this volume – ends with #21 and ‘The Last Word’ (Scott Koblish art), as Kitty faces a terrifying graduation of sorts when Wolverine, apparently mind-controlled by Magneto, does everything in his power to slaughter her, just as her powers of intangibility stop working…

Also offering a lovely covers-&-variants gallery by Cameron Stewart, Skottie Young, Takeshi Miyazawa & David Williams, Class Actions is thrilling, engaging and filled with the much-missed humorous family camaraderie which made the early X-Men stories so irresistibly appealing.

What more could a Costume Dramas addict want?
© 2009, 2010 Marvel Characters, Inc. All rights reserved.

Savage Wolverine: Wrath


By Phil Jimenez, Scott Lope, Richard J. Isanove & various (Marvel/Panini UK)
ISBN: 978-1-84653-605-2

Company kick-start initiative Marvel NOW! having reinvigorated the entire continuity, assorted X-stars began life anew and Savage Wolverine was launched to spotlight tales outside the usual helter-skelter, non-stop progression of Marvel Universe continuity.

This grimly dark and moody collection – gathering issues #12-17 (published between February and June 2014) – captures two of the feral fury’s most brutal sagas in a bloody volume reaffirming the character’s charnel-house underpinnings.

Ever since his early glory days in the All-New, All Different X-Men, the mutant berserker known variously as Wolverine, Logan, Patch and latterly James Howlett has been a character who appealed to the suppressed, put-upon, catharsis-craving comic fan by perpetually promising to cut loose and give bad guys the kind of final punishment we all know they truly deserve.

Always skirting the line between and blurring the definitions of indomitable hero and maniac murderer, Wolverine soldiered on: a tragic, brutal, misunderstood champion cloaked in mysteries and contradictions. Then society changed and, as with ethically-challenged colleague the Punisher, final sanction and quick dispatch became acceptable and even preferred options for costumed crusaders…

Debuting as a throwaway foe for The Incredible Hulk in a tantalising teaser-glimpse at the end of issue #180 (October 1974) before indulging in a full-on scrap with the Green Goliath in the next issue, the semi-feral Canadian mutant with fearsome claws and killer attitude rode – and maybe even caused – the meteoric rise of the rebooted X-Men before gaining his own series, super-star status and silver screen immortality.

He hasn’t looked back since, although over the years many untold tales of the aged agent (since the miniseries Wolverine:Origins revealed the hero had been born at the end of the 19th century) have explored his missing exploits in ever-increasing intensity and torturous detail.

Thus Wolverine’s secret origin(s) and increasingly revelatory disclosures regarding his extended, conveniently much-brainwashed life have gradually seeped out. Cursed with recurring and periodic bouts of amnesia and mind-wiped ad nauseum by sinister or even well-meaning friends and foes, the Chaotic Canucklehead has packed loads of adventurous living into his centuries of existence – but until relatively recently hasn’t remembered most of it.

This infinitely unploughed field has conveniently resulted in a crop of dramatically mysterious, undisclosed back-histories, and ‘Come Conquer the Beasts Part 1: Claws and Teeth’ by Phil Jimenez (with additional input from Scott Lope) reveals the undying Wild Rover’s ancient connection with Africa and particularly a tribe of elephants with whom Logan has a semi-mystical relationship…

Now that beloved tribe is dying out: another callous casualty of the man-made extinction event caused by Asian and Arabian hunger for ornamental ivory and animal parts for the moronic, misconceived Chinese Medicine trade…

On one of his visits Wolverine encounters the stomach-churning results of organised poaching and is compelled by rage and disgust to do something about it. Following the bloody trail back to a staging post in rogue state Madripoor he is shocked to find one of his most trusted human friends neck-deep in the gory, indefensible business…

‘Come Conquer the Beasts Part 2: Death in Its Eyes’ further explores the crisis caused by human superstition and greed as Wolverine calls in the X-Men to help stop one pitifully small operation whilst being ultimately helpless to affect the ghastly global ongoing atrocity…

This is a tale filled with tragedy, hopelessness, small moments of vicarious indulgence and even gallows humour, but the message is what’s really important. Uncompromising, stark, breathtakingly brutal and packed with enough facts to appal any rational, clear-thinking individual, this is comics propaganda of the very best kind: horrifying, impassioned and strident, a true call to arms for all decent people to make self-serving governments act now…

Just as dark but remaining faithfully locked into ferocious fiction, the eponymous 4-part ‘Wrath’ by Richard Isanove takes us back to 1933 to reveal Logan’s own trip down the Road to Perdition, beginning when he was a rum-runner smuggling booze from Canada into Minnesota.

His contact is storekeeper Elias, a fellow survivor of the Great War just trying to keep his four kids safe and well fed in the depths of the Great Depression. Sadly, selling illegal hooch is a dangerous game for independent little guys and, when representatives of the Chicago mob arrive demanding a cut, things very quickly get out of hand…

In the bloody melee, Elias dies and both kids and gangsters discover that Logan is nothing like an ordinary little man…

With Elias dead Logan is honour-bound to take his kids to their aunt in Sterling, Colorado, but psychotic button men Pierre-Anselme AKA “Frenchy” and Sergio (don’t call me “Marion”) are deadly opponents and despite being maimed by the feral Canuck, manage to escape with pretty Matti – a valuable prospect for the mob’s cathouses…

Recovering from the assorted Tommy-gun and grenade wounds, Logan drags the kids –Sofia, Peter, and poor consumptive Vicky – in pursuit and soon rescues Matti – but only after another incomprehensible bloodbath.

However Logan makes a critical error in leaving Marion and Frenchy alive and the vengeance-crazed thugs relentlessly follow, using all their Chicago connections to turn the venal and corruptible local law-enforcement officers against the fugitives…

Doggedly moving on the party makes friends with “Okies” and other Dust-Bowl economic fugitives but the mobsters are equally determined and remorseless in their pursuit, leaving a trail of bodies and ultimately taking an unimaginable, unforgivable toll on the children, their tragedy-soaked family and the man called Wolverine…

Short, feisty and indomitable, Logan has always threatened and promised an explosion of visceral, vicarious ultra-violence and grim, gritty justice at every moment and in this slim, savage collection the fact has never been more impressively realised.

With covers-&-variants by Jimenez, Isanove, Chris Samnee, J. G. Jones and John Cassaday, Wrath returns the mutant megastar to realms and milieus largely ignored in recent mainstream appearances, living up to its named promise with brooding, bloody blisteringly bombastic, shocking sagas: a stirring reminder of past glories and uncanny adventures still to be revealed…
™ & © 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Marvel Knights X-Men: Haunted


By Brahm Revel & Cristiane Peter (Marvel/Panini UK)
ISBN: 978-1-84653-586-4

The Marvel Knights imprint began as a way to produce slightly darker and more mature miniseries starring favourite characters in stories intended for older readers. More parallel to rather than actually outside regular continuity, the adventures of familiar stalwarts could be counted as canon or discarded as the readership pleased. Eventually these Knights tales were all absorbed into the mainstream and the imprint generally retired.

In 2013 the subset was revived with a few new limited series…

Marvel Knights X-Men: Haunted #1-5 originally ran from January-May 2014 and featured a particularly messy murder mystery and prime example of why baseline humanity should fear the mutants in their midst… and vice versa.

In case you forgot…

In 1975 Len Wein & Dave Cockrum revived a revered but painfully uncommercial fan favourite with Giant Size X-Men #1, replacing most of the 1960s team – Iceman, Angel, Marvel Girl, Beast, Lorna Dane and Havok – with a second generation of edgier international mutants young and old.

With both field-leader Cyclops and wheelchair-bound telepath Professor Charles Xavier remaining to carry on the dream of brokering peace and achieving integration between the sprawling masses of humanity and an emergent off-shoot race with terrifying extra abilities, the stage was set for “All New, All Different” adventures, and the fledgling squad rapidly became the company’s biggest hit and asset, as well as largest pool of captivating characters.

Comic fans have a seemingly insatiable appetite for untold tales and details, so this grim and gritty, chronologically non-specific yarn featuring Wolverine, Kitty Pryde, Rachel Grey,the Beast and Rogue will certainly appeal to older readers with a taste for nasty business…

Written and illustrated by Brahm Revel with colour art by Cristiane Peter, the tale begins when telepathic Rachel picks up the psychically broadcast murder of a young unknown mutant. The most potent sense she got was that the boy was being hunted…

A little technological research by Hank McCoy pinpoints a cluster of three new mutants in rural West Virginia so the team heads off to the Appalachian boondocks. Further poking around had also revealed an unholy number of missing kids in that desolate area…

With Wolverine already on edge over the prospect of somebody hunting mutant children, he and fellow covert specialists Kitty and Rogue arrive in a bleak, forbidding and primitive town and start poking around.

Rogue in particular feels the oppressive tone of a time and milieu she thought she had long left behind. Almost as soon as the suspicious strangers arrive, Wolverine arouses the ire of the local biker gang in their favourite watering hole, but while he does what he does best Kitty has found one of the mutants in the back…

Teenaged Krystal is a drug dealer for her uncle Jasper – the town sheriff – and can control minds, so she easily escapes the X-Men. She is also quite partial to the illicit and unique narcotic produced by cultish isolationists “The Cooks” in their secluded compound and soon after taking another dose is cornered by the patiently searching heroes.

Explaining the situation, the strangers take the oddly subdued Krystal – who lies about her true power – with them as they track down another mutant energy signature.

The trail leads to a cabin in the deep woods, a place the girl is clearly terrified of, and soon all four are experiencing impossible visions.

Wolverine has no time to ponder as he is ambushed by arch-nemesis Sabretooth and a brutal fight ensues. Rogue is then jumped by her former Brotherhood of Evil Mutants compatriots Mystique, Blob and Pyro and soon the shabby hut is filled with an army of old X-enemies and all-out war is underway…

Realising something strange is going on, Wolverine battles his way to a young girl at the centre of the savage melee and discovers that deeply troubled Darla is cursed with the ability to materialise other people’s memories…

As he tries to reach her, the vision of the mutant boy’s murder plays out again for all to see…

Back at the bar, Jasper delivers the latest batch of the new drug from The Cooks and suggests that the bikers get rid of the prying mutie strangers in town…

As the X-Men try to calm the deeply troubled dream-weaver, Krystal suddenly blurts out that Darla was the one who killed the missing boy, resulting in the cruel death materialising yet again and sending Wolverine into a murderous rage.

It’s all his team-mates can do to stop him gutting Darla on the spot…

In an effort to calm the situation the mutants all drive back to town, but when no adult is looking, Krystal slips Darla a bunch of pills from her stash and the memory-girl’s power goes into overdrive…

As Sentinels, evil mutants and demons from the X-Men’s past ravage the town, whilst the heroes turn on each other with homicidal intent, in the woods The Cooks, believing their particular apocalypse has arrived, head towards town to kill all the humans they can find…

Darla is off her head and out of control. However, as the town burns, with Rogue and Wolverine engrossed in trying to kill each other and a manifested army of old foes trying to kill everybody else, the truth slowly begins to emerge.

The Cooks’ special ingredient is bled out from captive mutants, boosting their product’s effect on humans and causing even nastier reactions in any Homo Superior who take it. Moreover, the doom-cultists believe that by taking the stuff they can become mutants themselves, leaving behind mortality and freeing them to slaughter the doomed genetic dead-ends of humanity…

As doped-up, despairing Darla discovers how to control her psychic constructs the chaos spirals to a bloody crescendo and Kitty, largely unaffected by the madness of malignant memories, realises that they have all been played for suckers.

Unfortunately even after the true cause of all the bloodshed comes clean, the carnage has reached a point beyond anybody’s control… and then comes inspiration…

Not all memories are bad and Kitty’s past is filled with valiant friends and heroes who would give their lives over and again to save the innocent and punish the guilty…

With covers and variants by Revel & Peter and Paolo Rivera, Haunted is simultaneously a smart, convoluted mystery and breathtaking primal action comics spectacle that will delight fans of high octane Fights ‘n’ Tights action.

™ & © 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Mighty Avengers volume 2: Venom Bomb


By Brian Michael Bendis, Mark Bagley, Marko Djurdjevic, Danny Miki, Allen Martinez, Victor Olazaba & various (Marvel)
ISBN: 978-0-7851-2369-9

After a TV reality show starring superheroes The New Warriors went hideously wrong and resulted in the deaths of hundreds of ordinary folk in Stamford, Connecticut, popular opinion turned massively against masked crusaders.

The Federal Government rushed through a scheme to licence, train and regulate all metahumans but the plan split the superhero community and a terrified and indignant merely mortal populace quivered as a significant faction of their former defenders, led by the ultimate icon of liberty, Captain America, refused to surrender their autonomy and anonymity to the bureaucratic vicissitudes of the Superhuman Registration Act.

The Avengers and Fantastic Four, bedrock teams of the Marvel Universe, fragmented in scenes reminiscent of America’s War Between the States, with “brother pitted against brother” and as the conflict inexorably escalated it became clear to all involved that the increasingly bitter fighting was for souls as much as lives.

Both sides battled for love of Country, Constitution and personal Liberty and both sides knew they were right…

Following the divisive and brutal Civil War, Tony Stark (a staunch advocate of the SRA) formed a squad of registered, Government-sanctioned heroes. His S.H.I.E.L.D.-backed Mighty Avengers were designed to take care of business whilst he worked on his “Fifty States Initiative”, the objective of which was to eventually field teams of trained and licensed superheroes in every State of the Union.

Firstly, though, he had to restore public confidence, especially as the unregistered, rogue New Avengers continued to defy his orders to surrender to government authority: saving lives and crushing evil without his permission…

This second scintillating volume, gathering Mighty Avengers #7-11 (March-July 2008) is written throughout by Brian Michael Bendis and primarily illustrated by Mark Bagley, Danny Miki, Allen Martinez & Victor Olazaba, and begins with an opening shot in the then-forthcoming company event Secret Invasion.

‘Venom Bomb Part One’ finds New Avenger Spider-Woman switching sides to bring Stark the corpse of a Skrull who had replaced ninja assassin Elektra. Her own team thought they could handle the prospect – and feared Stark and/or his squad might also be alien infiltrators – but Jessica Drew, a triple agent simultaneously working for S.H.I.E.L.D., Hydra and the rebel Avengers felt that only by going to the Nation’s security chief could the situation be successfully handled…

Stark keeps the corpse secret but invites Drew to join his team in hopes that her presence will cause any Skrulls in his Avengers to betray themselves. However, no sooner has Stark officially inducted the Arachnid Amazon to the squad (field leader Ms. Marvel, Black Widow, Wonder Man, the Wasp, Sentry and Grecian war god Ares), over their very strident protests, than a tiny ball of stellar debris crashes into New York City and unleashes an horrific, highly communicable plague…

The capsule contains a voracious iteration of the alien Symbiote Spider-Man inadvertently brought back from The Beyonder‘s Battleworld and contact instantly transforms any organism into a voracious duplicate Venom.

Soon the city is a seething mass of rampaging, shapeshifting monsters – which is almost a relief for Stark as his constant scrutiny has detected no impostors. More worrying though is a desperate snatched conversation with Sentry’s wife Lindy, who begs the genius to find a way to de-power or kill her husband before his growing mental instability makes him a threat to the entire planet…

As the team deploys to the infection site the Wasp is pondering her last meeting with size-changing ex-husband Henry Pym (formerly Ant-Man, Giant Man, Goliath and Yellowjacket) when the erratic genius upgraded her powers. Unfortunately the ability to become a giant only makes her a bigger target and lethal liability when the rabid Venoms attack and infect her…

Thankfully Iron Man and the more or less than human Wonder Man, Ares, Sentry and Ms. Marvel are immune to the transformative terrors but then they encounter Hawkeye and Wolverine‘s New Avengers already on scene, and see that the outlaw heroes have succumbed to the contagion, becoming “Venomised” versions of their former selves…

Using all his scientific resources, Stark synthesises a cure for the plague whilst his comrades hold the line, but in the aftermath the restored Hawkeye accuses him of being responsible for the murder of Captain America and the parlous state of the world.

Still reeling with guilt, Iron Man rockets into orbit to discover more weaponised venom bombs, and Ms. Marvel chooses not to arrest the SRA-resistors, allowing the New Avengers make their escape…

In space Iron Man examines the bomb’s point of origin and discovers the satellite was built by Doctor Doom. Enraged and determined to make a political point Stark then deploys his team to invade the sovereign state of Latveria…

With additional art from Marko Djurdjevic ‘Doom’s Castle’ opens with the Iron Tyrant indulging his passions with volatile sorceress Morgana Le Fey in the distant past, but his dangerous dalliance is soon forgotten when he returns to his own citadel to discover that his Venom satellite has prematurely triggered and a battalion of angry Avengers are attempting to kick his portcullis in…

The earth-shattering battle which follows sees the dictator soundly beaten but, on the verge of defeat, his Time Platform is damaged and the temporal malfunction causes the Golden Avenger, Sentry and Doom to plunge helplessly into the past…

Presented as a visual pastiche of 1970’s Marvel Comics stories, ‘Time is on No One’s Side’ picks up the tale as Sentry discovers that his history is not as he remembers whilst watching his younger self battling dark mastermind The Void. Elsewhere in old New York, time-lost Tony Stark and Victor Von Doom resume their deadly duel until the panicking Sentry finds them and forces a truce…

Realising at last the incredible danger inherent in Sentry losing it, Doom leads his fellow chronal castaways to the era’s only known location of a time machine.

Unfortunately that’s Doom’s own device, confiscated by the Fantastic Four and cached in the Baxter Building and the bid to use it is interrupted by a fighting mad Thing named Ben Grimm…

Eventually however the trio triumph and travel back to their own Now, but only Iron Man and Sentry actually arrive, just in time to be caught in a monumental explosion…

This cataclysmic clash concludes as, in the Dark Ages, Doom and Le Fey collude and the witch-queen teaches her amorous pupil how to construct an army of demons.

Thus reinforced Doom returns to the 21st century before Iron Man and Sentry and unleashes his horde of horrors on the rest of the Mighty Avengers. Crushed by the unholy horrors the team are soon trussed up as trophies of the devil doctor but nobody expected Spider-Woman to display an unprecedented power, disrupting Doom’s devices, freeing the team and demolishing his castle.

By the time Iron Man and Sentry pop back into reality it’s all over bar a colossal (and previously seen) detonation and the resounding defeat of the master of Latveria who subsequently becomes the most famous international terrorist ever arrested by S.H.I.E.L.D….

With covers by Bagley and Frank Cho and a selection of astounding inked cover samples by Cho, Danny Miki & John Dell, Venom Bomb offers another slick and stylish slice of breathtaking all-action entertainment which soundly sets the scene for the startling Secret Invasion main event which followed, but also reads astounding well on its own merits.

This is another Fights ‘n’ Tights “must-read” for insatiable thrill-chasers everywhere.
© 2007, 2008 Marvel Characters, Inc. All rights reserved.

Wolverine: Killable


By Paul Cornell, Alan Davis, Mirco Pierfederici, Mark Farmer & Karl Kesel (Marvel/Panini UK)
ISBN: 978-1-84653-541-3

Perennially punching-above-his-weight, feral fury James Howlett, AKA Logan, AKA Wolverine has been many things in his very long life, but some of the most significant changes have only occurred in recent years.

Possibly the most significant new deal comes in this cruelly cutting collection written by Paul Cornell which was originally released as issues #7-13 of Wolverine volume 5 (cover-dated September 2013 to March 2014) and presaged a new look, new title and potentially new character to come…

At the conclusion of the previous saga the Canadian Crusader and a desperate coterie of S.H.I.E.L.D. agents had repulsed an invasion by a sentient virus from an incredible alien “microverse” which almost united humanity under one all-dominant intellect.

However, although Wolverine’s astounding healing factor had proven crucial in defeating the infective invasion, the defeated pathogenic plunderer had managed to turn off his mutant healing ability in the final encounter, leaving the formerly immortal warrior little more than a tough old guy with enhanced senses and really heavy metal bones…

Before this transformative  unfolds, ‘Mortal’ (illustrated by Mirco Pierfederici & Karl Kesel) describes how the barely recuperating James Howlett adapts to his new normal and realises for the first time just how much of his previous moment-to-moment existence revolved around instantly healing from everything ranging from a shaving cut to jumping off a building.

Now aging and feeling constant and protracted niggling pain, he realises he has to unlearn all the instincts and reactions of at least one lifetime. He simply cannot fathom how to continue as a hero and hunter, no matter how much advice is offered by the likes of sympathetic comrade warriors Nick Fury Jr., the Beast, Thor and Storm…

Rattled, unsure and perhaps afraid for the first time in his life, he doesn’t need the call to arms that comes when the news arrives that mutants and metahumans who can control viruses are being systematically murdered all over the planet…

Alan Davis & Mark Farmer return to illustrate the 6-part ‘Killable’ which begins as Wolverine sneaks a hand-picked team into African world power Wakanda, seeking to steal crazed criminal The Host from custody.

She is the last remaining being with the power to affect micro-organisms…

S.H.I.E.L.D. needs to confirm that the recently repulsed Virus has returned and may be controlling one of the most technologically advanced and paranoid nations on Earth but as Storm, Fury and unflappable surgeon Victoria Frankenstein (she pronounces it “Fronken-schteen”) spring the incarcerated metahuman, Wolverine is inevitably confronted by the lethally efficient Black Panther and is soon in a ferocious fight he can’t win.

With some relief he accepts a truce when the Feline Avenger offers it. It seems the Panther was well aware of the viral threat and was simply using the infiltration to make it tip its communal hand…

However even as the mission winds down Wolverine receives a shocking communication. Murderous mutant Mystique has invaded his home at the Jean Grey School for Higher Learning and threatened the students under his care…

By the time he reaches America it’s all over, but instead of killing kids the spitefully manipulative witch has simply trashed all his possessions and stolen his most treasured memento – an ancient Katana.

It doesn’t take much to deduce her motives. She’s messing with his head whilst issuing a challenge on behalf of her new boss Sabertooth…

Victor Creed is Wolverine’s most despised and tenacious foe, possessed of the same powers and skills he once boasted but now leader of a manic deviant sect of ninja cult The Hand…

Promising the assembled X-Men not to do anything stupid, Wolverine nevertheless sneaks off to track down Creed and his sword. He hasn’t fooled Kitty Pryde however and she follows him, even as elsewhere S.H.I.E.L.D. technos attempt to weaponise the furiously unstable Host in their plan to destroy the Virus which is slowly taking over the planet…

It’s clearly open season on Wolverine. En route to his rendezvous with Mystique his aircraft is blasted out of the sky by mercenary Batroc the Leaper who sees an easy chance to enhance his rep by killing the most infamous mutant on Earth. Instead the blistering battle only inspires Logan to some semblance of his former combative self. He and Kitty continue their pursuit of Creed’s creatures to Montana where another ambush – by acupuncture assassin Fiber – is narrowly circumvented, but not without more long-term damage to Wolverine’s ailing body…

The world is falling city by city to the Virus as The Host’s power slowly builds, and as she marshals her expanding resources she lets slip that only the microversial microbe monster could restore Wolverine’s healing factor…

Mystique’s trail leads to Alberta, Canada and a shopping mall built on the site of the estate where James Howlett was born in the 18th century. Wolverine’s birthplace seems like a suitably poetic venue for a final showdown, but the innocent bystanders still inside only add distraction and potential disaster to the mix.

Reluctantly enlisting the aid of local cops, Pryde and Wolverine search the near-deserted complex and are not surprised when the building goes into lockdown, trapping them in the dark with fanatical ninjas and a gauntlet of aggrieved old enemies including Lord Deathstrike and Silver Samurai.

The embattled mutants are also keenly aware that shapeshifting Mystique could be any one of their enemies… or allies…

And in the greater world S.H.I.E.L.D.’s latest data indicates that the Virus is only thirty minutes away from infecting the entire world’s population…

As Kitty and Wolverine battle for their lives in Canada, the hyper-energised Host is deployed to attack the Virus, but that means little to exhausted, punch-drunk, pushed beyond his limits Logan who abandons every vestige of humanity in his struggle to survive.

And when he is at his lowest ebb, Sabertooth attacks…

Beaten, crushed and demoralised, Wolverine lies bleeding on the floor as one of the bystanders approaches him.

The body is the last host of the defeated and globally retreating Virus. With no chance of victory it offers to restore his healing powers and return him to all he was if he will only offer it sanctuary…

As Wolverine sees another bizarre vision of the cosmic observer known as The Watcher (indicating that whatever is going on it’s of significance to the entire universe), he croaks “No”…

To Be Continued…

Non-stop visceral action and shocking suspense carry this explosive yarn from high-octane start to explosive finish and this gripping yarn also includes a beautiful gallery of covers and variants by Davis & Farmer, Matthew Waite, Leinil Francis Yu and David Lopez. Also upping the entertainment ante are the now-standard added extras provided by of AR icon sections (Marvel Augmented Reality App) which give access to story bonuses once you download the code – for free – from marvel.com onto your smart-phone or Android-enabled tablet.

™ & © 2013 and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

House of M Ultimate Edition


By Brian Michael Bendis, Olivier Coipel, Tim Townsend & various (Marvel/ Panini UK)
ISBN: 978-0-184653-582-6

Once upon a time the mutant Scarlet Witch married the android Vision and they had – through the agency of magic and Wanda Maximoff‘s undiagnosed ability to reshape reality – twin boys. Over the course of time it was revealed that her sons were not real, and as the years passed the shock of that revelation drove her insane.

After tipping completely over the edge Wanda engineered the destruction of her other family – the vast and varied assemblage of superheroes called the Avengers – and even caused the death of former husband and some of her oldest friends.

The World’s Mightiest Heroes were shut down and rebooted in a highly controversial storyline known as Avengers Disassembled, which resulted in the formation of both The New and Young Avengers. The publishing event also spilled over into the solo titles of team members and affiliated comicbooks such as the Fantastic Four and Spectacular Spider-Man, which all ran parallel story-arcs to accompany the Big Show.

Said Show consisted of the worst day in the team’s history as the Witch manipulated people and events: betraying her oldest, closest companions and causing the destruction of everything they held dear. The chaos-storm was only ended when mystic master Doctor Strange and mutant patriarch Charles Xavier took the dazed and crazed Wandainto their personal care.

This follow-up company crossover conjunction – released originally and primarily as an 8-issue miniseries from August to November 2005 – saw reality rewritten again as Wanda apparently had another major lapse in concentration; rejigging history such that mutants now dominated a society where normal humans (“sapiens”) were an acknowledged evolutionary dead-end living out their lives and destined for extinction within two generations. Moreover her true father Magneto ruled the mutants, head of a glorious dynasty which exerted political control over the entire planet.

It took a dedicated band of heroes and a great deal of luck to put that genie back in a bottle, but in the aftermath almost no mutants were left…

Re-presenting the core fortnightly miniseries House of M this Ultimate Edition also contains covers and variants by Esad Ribic, Joe Quesada, Terry Dodson, John Cassaday, Brandon Peterson, Mike McKone, Greg Land, Salvador Larocca, Chris Bachalo and Joe Madureira, as well as a critical overview of the tale and its attendant spin-off miniseries entitled ‘The Legacy of the House of M’, but annoyingly only a quarter of The Pulse – an inspired 12 page faux issue of that world’s top mutant gossip mag, which offered engaging and pertinent snippets of congruent stories in other titles…

Following a handy scene-setting recap page the drama begins in devastated former mutant homeland Genosha, where Xavier frustratedly admits that his psychic surgeries are not helping Wanda.

The desire to restore her non-existent children is too strong and she constantly tinkers with reality to make her whims real. After much impassioned debate with her despondent father Magneto and brother Quicksilver, Professor X finally admits defeat and considers other options…

Meanwhile in New York Wonder Man, Ms. Marvel and The Falcon visit the New Avengers at Stark Tower preparatory to the latest iteration of the team going public. Thus they are on hand when the X-Men come calling: summoned by Xavier to discuss the final fate and disposition of the Scarlet Witch.

In Genosha her father and brother argue on: one seeing no option but the final sanction and the other determined that Wanda must not die.

Opinion is just as divided amongst Avengers and X-Men. Unable to reach a decision, the assemblage opt to visit Wanda and try to get through to her one last time, but by the time they reach Genosha she is gone.

Fearing the world might end at any second they frantically search until they are all consumed by a blinding light…

The second chapter begins in a very different New York, where decrepit nonagenarian war hero Steve Rogers draws a well deserved pension, millionaire celebrity Peter Parker, his wife Gwen and their son Richie as well as May and Ben Parker all live in lofty luxury and teeming billions of mutants run the world, all safeguarded and policed by colossal robotic Sentinels…

All the heroes who sought out the Witch now live perfect lives that match their deepest, most secret hearts’ desires, but there is a painful undercurrent of tension amongst the rapidly declining, soon to be extinct Homo Sapiens…

Wolverine awakes screaming. His greatest desire has always been to recover his lost memories: destroyed and discarded by more than a century of brainwashing, mind-wiping and intervention by a succession of sinister enemies. As consciousness returns he remembers everything.

Especially how a moment ago the world was completely different…

In this new universe he is leader of an elite team of mutant peacekeepers. The Red Guard are the prime enforcers of the House of M and agents of the Royal Family of Magneto: de facto rulers of Earth.

Appalled, he leaps from the ominous floating aircraft carrier dominating New York and plunges to Earth…

Healing factor in overdrive he then lurches through the streets of the city searching for Xavier and a solution to this insurmountable problem. Hard on his heels are his former subordinates in the Red Guard, all convinced their ruthless commander has gone crazy.

In his frantic flight, the desperate fugitive stumbles into old comrade Luke Cage who is, in this world, a cunning gangster leading a band of human rebels fighting mutant oppression. Shockingly, amongst his motley crew is masked archer Hawkeye – one of the cruellest casualties of the Scarlet Witch’s first killing spree…

Playing with his grandchild in the idyllic paradise of Genosha, Magneto is unaccountably troubled at the perfection of his existence even as, in New York, Sentinels track and attack Cage’s “Human Avengers”. Thanks to teleporter Cloak, Wolverine and a few of the gang escape, taking with them a strange little girl named Layla Miller.

She is a mutant and amongst her arcane and undisclosed power-set is the ability to reawaken a person’s memories of the world Wanda overwrote…

Convinced Magneto had used his crazy daughter to remake the world to his advantage, Wolverine is exultant to have a weapon that can offset all the dictator’s advantages, and with Cage begins tracking down and restoring his former allies. The game plan remains unchanged: find Xavier and use his telepathic powers to force the Witch to restore the real world.

In Genosha, meanwhile, Magneto again finds himself drawn to the simple tomb of his greatest friend and occasional enemy Charles…

The next stage in Wolverine’s campaign is to use his now restored and grimly determined Avenger and X-Men allies to take control of the helicarrier above New York, piloting it to Genosha and engaging the House of  M’s forces whilst Layla works her own special mutant magic and reawakened mystic master Stephen Strange deals with Wanda…

Throughout the horrifying ordeal everybody involved has assumed that Magneto made his daughter reorder reality to suit his dark ambitions, but the Doctor’s confrontation shockingly reveals a different hand and motive behind the grand change and, as the universe begins to unravel once more, the appalled and furious Master of Magnetism unleashes his own power against the traitor who betrayed his friends, family, species and planet…

…And at the heart of the chaos and carnage Wanda Maximoff, whether at the peak of her madness or in a chilling moment of clarity, utters three little words.

“No more Mutants”…

Dawn breaks on New York City and all the battered participants at the centre of the apocalyptic struggle awake in their own – as far as they know – proper beds. For those that remember, the world seems back to its true state, but after gathering together the shell-shocked protagonists compare notes and realise some things don’t jibe.

Wolverine still has all the memories of his long and previously clouded life; Wanda has vanished; there is evidence that Hawkeye might be alive again and, most unbelievable of all, the almost one million members of the mutant sub-species are now only human.

Across the Earth less than 200 super-powered Homo Superior remain. Governments are scrabbling to process the fact and form policies whilst the pedagogues of the religious right claim God has smitten the unclean and exhort decent – human – men and women to finish the good work…

Scientist Henry Pym has an even more chilling warning. Reminding us of Einstein’s dictum “Energy cannot be created or destroyed, it can only be changed from one form to another”, he ominously ponders on where all the powers, radiations and assorted exotic energies formerly wielded by the ex-mutant population have gone…

To Be Continued…

Although Marvel continuity was skilfully interwoven throughout the event, this particular tale stands alone perfectly without any need to refer to the many attendant miniseries: offering an engaging, fast-paced thriller by Brian Michael Bendis, Olivier Coipel & Tim Townsend, brimming with tension and stuffed with bombastic action

House of M is an action-packed, spectacular adventure that will delight lovers of epic Fights ‘n’ Tights fantasy and beguile casual readers looking for an easy entry into the madcap world of Costumed Dramas.

™ & © 2005 and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Dark Avengers: Ares


By Kieron Gillen, Michael Avon Oeming, Travel Foreman, Manuel Garcia, Stefano Gaudiano, Derek Fridolfs, Mark Pennington & various (Marvel)
ISBN: 978-0-7851-4406-9

After years of valiant, if often controversial, service to humanity, when the draconian Federal mandate known as the Superhuman Registration Act led to Civil War between costumed heroes, Tony Stark was hastily appointed the American government’s Security Czar – a “top cop” in sole charge of the beleaguered nation’s defence and freedom. As Director of high-tech enforcement agency S.H.I.E.L.D. he became the very last word in all matters involving metahumans and the USA’s vast costumed community…

Stark’s subsequent mismanagement of various crises led to the arrest and assassination of Captain America and an unimaginable escalation of global tension and destruction, culminating in an almost-successful Secret Invasion by shape-shifting alien Skrulls.

Discredited and ostracised, he was replaced by apparently rehabilitated and recovering schizophrenic Norman Osborn – the original Green Goblin – who assumed full control of the USA’s covert agencies and military resources, disbanded S.H.I.E.L.D. and placed the nation under the aegis of his own new organisation H.A.M.M.E.R.

The erstwhile Spider-Man villain had begun his climb back to respectability after taking charge of the Thunderbolts Project; a penal program which offered a second chance to super-criminals who volunteered to undertake Federally-sanctioned missions…

Not content with legitimate political and personal power, Osborn also secretly conspired with a coalition of major menacing masterminds to divvy up the world between them. The Cabal was a Star Chamber of super-villains all working towards mutually beneficial goals, but such egomaniacal personalities could never play well together and cracks soon began to show, both in the criminal conspiracy and Osborn himself…

As another strand of his long-term plan, the Homeland Metahuman Security overlord subsequently sacked Iron Man’s Mighty Avengers and created his own, more manageable team consisting of compliant turncoats, tractable replacements and outright impostors. Constantly courting public opinion, Osborn launched his Avengers whilst systematically building up a personally loyal high-tech paramilitary rapid-response force.

One of Stark’s last Avenger recruits had been the Grecian war god Ares. Although a former villain (since debuting in Thor #129 in 1966 he had repeatedly battled both Hercules and the Avengers), he was seen by Stark as a fitting replacement for Founder member Thor, providing mythic hitting power and knowledge of non-earthly lore.

Ares was content to stay on when Osborn took over. The war god was always happy to serve under a truly strong commander…

A hard hero for harsh modern tastes, Ares is the star of this slim companion volume to the Dark Reign publishing event, gathering an eponymous initial 5-issue miniseries from 2006 by Michael Avon Oeming & Travel Foreman as well as the later 3-issue Dark Avengers: Ares run from 2009.

This myth-tinted martial chronicle opens with Oeming & Foreman’s canny reappraisal of the former foeman as the war lord, quietly living under the radar in New York and cursing all the works of his father and the Hellenic tradition of advancement through patricide, is called once more to duty for the brother-gods he despises.

Toiling as a simple builder, John Ares had dedicated himself to raising his son Alexander in a manner utter removed from the draconian, traditional manner of his own youth.

Thus when Hermes appears, demanding he return to wage war on Olympus’ latest enemies, Ares sends him packing. When his boy is abducted, all that resolve goes out the window and the Man of War is catapulted into a blistering ongoing campaign between his Hellenic brethren and invading devil-gods from the East.

Ares’ rage is initially aimed at Zeus, who has taken his own grandson as a bargaining chip, but by the time the War Lord reaches besieged Olympus, battered brothers Hercules, Apollo and Achilles regretfully admit that the boy has been taken by the unstoppable forces of undead deity Amatsu Mikaboshi – the August Star of Heaven – and held in the chill, dreary mist-lands of the Eastern Dead…

As the son of a god, Alexander has a birthright of power. Destined to become the God of Fear, the boy is plied with subtle gifts and undergoes many cunning treatments as the Japanese Death Lord endeavours to make the boy his greatest weapon in an eternal war of expansion…

In the rubble of Olympus, Ares cares nothing for cosmic politics: he wants his son back and is quite prepared to kill his own sire to achieve his aims. Nonetheless bloody years pass without progress as Alexander slowly succumbs to the blandishments of his captors and becomes the demon’s new lord of combat. Eventually even mighty Zeus goes down and the siege of Olympus staggers on until war god and son are pitted against each other on a field of the fallen.

Even with the belated and largely unwanted assistance of Japan’s Lords of Light the contest goes badly and comes down to a life or death duel between the dejected Ares and his bewitched and patricidal Alexander…

With a classically tragic, fore-fated combat cleverly, spectacularly and comprehensively subverted, restored father and son happily return to Earth for Dark Avengers: Ares (written by Kieron Gillen and illustrated by Manuel Garcia, Stefano Gaudiano & Mark Pennington) as the War Lord of Osborn’s Avengers is personally asked by the Security Czar to train the inexperienced paramilitary legions of H.A.M.M.E.R.

Accepting the challenge of turning ordinary soft soldiers into a puissant warrior elite, Ares loses himself in the task until manipulative goddess Hera manifests to “warn” him that his son – her grandson – is in danger…

On returning to earth Ares had entrusted Alexander to the care of rogue super-agent Nick Fury, but was never confident that the boy was truly secure. Now assembling his untested cadre of “Shades”, he again goes hunting and tracks the child to an abandoned base, only to realise once again why he despises his family.

The war god had sired many sons in his millennia of existence and Hera had never specifically said Alexander was the child in peril…

The family life of the Greek gods was always an open pit of horror, cruelty and tragedy, and monstrous Kyknos has somehow emerged from the forgotten corridors of the past and realm of Hades, sponsored by vile uncle Pluto to exorcise his own daddy issues through blood and pain and macabre slaughter…

As much a gritty vehicle for the poor mortal “red-shirt” Shades as the Hellenic hero, this is another dark and turbulent tale of tension and slaughter that will sit well with lovers of grim, sardonic cosmic adventure.

Although definitely not a book for younger fans, this is a magnificently illustrated and emotionally intriguing offering, providing an engaging peek at the sinister side of antiheroes and the deadly downside of family and duty.

© 2006, 2009 and 2010 Marvel Characters, Inc. All Rights Reserved.

New Avengers volume 3: Secrets and Lies


By Brian Michael Bendis, David Finch, Rick Mays, Frank Cho, Danny Miki, Jason Martin & various (Marvel)
ISBN: 978-0-7851-1706-3

In 2004, after decades as one of Marvel’s most successful series, “World’s Mightiest Heroes” were shut down in a highly publicised event known as Avengers Disassembled.

Of course it was only to reboot and replace the long-running and long in the tooth team with both The New and The Young Avengers mere months later.

The fresh iteration emerged six months later, culled from the ranks of Marvel’s A-Listers – possibly the most sales-savvy team of superheroes to carry the fabled Avengers ID card – with a few intriguing, underused characters mixed in to add spice, suspense and sub-plots.

Although wearing the trappings of the new, more in-your-face Marvel Universe, Secrets and Lies is at heart an all-action set-up for forthcoming events Civil War and Secret Invasion with scripter Brian Michael Bendis positioning his many players for the epic game-changing adventures ahead.

The contents herein are gathered from New Avengers issues #11-15 (November 2005 – March 2006) with additional material from Giant-Size Spider-Woman #1 (September 2005) and follow a rather strenuous bout of world-saving…

What Has Gone Before: following an orchestrated breakout of a lethal legion of super-villains from floating ultra-penitentiary The Raft, Captain America convinced metahuman first responders Luke Cage, Spider-Man, Iron Man and sidelined S.H.I.E.L.D. agent Jessica (Spider-Woman) Drew to form a new superhero squad.

During the riot they had been ably assisted by Matt Murdock, (recently “outed” as Daredevil in the media) and a mystery prisoner named Bob Reynolds who nobody seemed to know anything about. Reynolds or Sentry – the most powerful being on Earth – had in fact volunteered to be incarcerated for killing his wife Lindy… but she was still alive…

Tentatively united, the Avengers – sans Bob – rocketed to the Savage Land (a sub-surface wonderland of cavemen, dinosaurs and stranger things, kept in splendid isolation as a UN Protectorate) to recapture mutant Karl Lykos, who fed on energy to become reptilian monster Sauron.

He had been the actual objective taken during the mass escape…

The impromptu mission was an unmitigated disaster with the disparate champions marooned, mauled by monsters and captured by mutant mega-genius Brainchild until their paths crossed with X-Man Wolverine on his mission to stop Sauron.

Uneasy allies, the heroes subsequently discovered that an apparently rogue faction of S.H.I.E.L.D. had enslaved indigenous peoples of the region, using them to mine the miracle element Vibranium and generally pillage the primordial paradise.

There were even scarier discoveries to come. The breakout had exposed the fact that many of the criminals on the S.H.I.E.L.D.-run Raft had been officially dead for years… Cap’s raw recruits had to face the prospect that the Free World’s greatest peacekeeping force might be partly – or even completely – corrupt. After all, they were demonstrably stockpiling super-weapons, stealing exotic elements and “disappearing” metahumans for what could not possibly be any good reason…

The team then solved the mystery of Sentry, revealing that Bob Reynolds was actually an incomprehensibly powerful superhero excised from history and the memories of fellow costumed champions such as Reed Richards by the psychic manipulations of mutant spellbinder Mastermind and an enigmatic schemer dubbed The Void…

Realising that the brain-tweaking has left Reynolds dangerously unstable, the team called in nearly every superhero in America but they were not enough and only psychic surgery by White Queen Emma Frost allowed Bob to throw off the conditioning.

When the breakthrough finally came and the villains behind brainwashing Sentry and mindwiping the world were exposed, Sentry’s psionic backlash instantly transformed the Avengers’ monumental and far-distant New York skyscraper, creating an eerie ebony Watchtower above it in the blink of an eye…

Sentry was invited to join the New Avengers, blissfully unaware that it’s more to do with keeping an eye on him than the immense power he brings to the squad…

With this team determined to be more proactive, the 3-part ‘Ronin’ opens in full swing as a mighty masked ninja rampages through the underworld in Osaka, Japan. In flashback Captain America again fails to convince Matt Murdock to enlist, but the Man Without Fear has an intriguing suggestion for a potential replacement. The job is for a covert investigation of a possible merger between Hydra, The Hand and the Yakuza…

The covert crusader penetrates to the heart of the criminal alliance and finds Silver Samurai (another Raft escapee, but one who was apparently renditioned to S.H.I.E.L.D. custody clandestinely and without Due Process) dickering with Madame Hydra about their possible coalition…

Unfortunately Ronin is followed and ambushed just as he reaches the Avengers – hiding in the plush penthouse of Stark Enterprises in Osaka – forcing the heroes to battle a tidal wave of fanatical ninja assassins…

As the battle rages Spider-Woman confronts Madame Hydra, revealing she is working for the terrorist cabal, but is soon forced to capture the queen of evil to preserve her own cover. When Silver Samurai at last enters the fray the fighting actually ceases as he quite reasonably points out that he is on sovereign foreign soil and was illegally abducted by S.H.I.E.L.D.

With no other choice and far more concerned about the mounting evidence of rogue elements in S.H.I.E.L.D., the Avengers return to the US with the captive Madame Hydra, but something goes amiss in their Quinjet and the lethal terrorist escapes.

Spider-Woman, who might have stopped her, instead saves Captain America from certain death, whilst mystery man Ronin joins the team full-time and reveals her incredible secret to her new comrades…

‘Choices’ (by Bendis, Rick Mays & Jason Martin from Giant-Size Spider-Woman #1) then details Jessica Drew’s fall from grace and explains the fortuitous return of her failing powers prior to the Breakout, whilst exploring the true allegiances of the double-agent who apparently acts as an Intel gatherer for both S.H.I.E.L.D. and Hydra whilst actually reporting on both of them to a third faction…

New Avengers #14 pushes the tense suspense further with ‘Secrets and Lies’ (illustrated by Frank Cho) as Cap takes Jessica aside and demands to know what hold Hydra has over her. She breaks, telling him everything and reveals she’s working against both sides for maverick superspy Nick Fury who needs to know what’s happening within S.H.I.E.L.D. – an organisation he ran for years… before they ousted him…

With confirmation from Fury himself the team tentatively accept her, just in time for their latest crisis…

In ‘Public Relations’ Tony Stark officially launches possibly the least-popular roster in Avengers history – mutant Wolverine, media pariah Spider-Man, ex-convict Luke Cage and the mysterious all-powerful basket-case known as the Sentry.

At least Carol Danvers AKA Ms. Marvel, Binary, Warbird (and probably a bunch more code-names by the time you read this) are on hand to pitch in and offer some much-needed if temporary credibility…

Even so the press are less than enthusiastic. J. Jonah Jameson of the Daily Bugle has carried out a hate campaign against Spider-Man for years, and despite – or perhaps because of – Stark’s blithe platitudes and shameless bribe, has every intention of pillorying the new Avengers every chance he gets…

Couple all that with a positively hostile US Government and a new S.H.I.E.L.D. Director who’s ruthless when defied and possibly evil too, and To Be Continued… sounds positively agonising doesn’t it?

Dark, gritty, complex and spectacularly action-packed, with covers-&-variants by Finch & Miki, Cho, Andrea Di Vito & Laura Villari, this is another supremely enticing Fights ‘n’ Tights fiesta for the incorrigible fans, and one more ideal jumping-on point for readers familiar with the animation series and movie franchises of the World’s Greatest Superheroes.
© 2005, 2006, 2011 Marvel Characters, Inc. All rights reserved.

The New Avengers volume 1: Sentry


By Brian Michael Bendis, Steve McNiven, Mark Morales & various (Marvel)
ISBN: 978-0-7851-1672-1

During Marvel’s rebirth in the early 1960’s Stan Lee & Jack Kirby took their lead from a small but growing band of costumed characters debuting or reviving at the Distinguished Competition.

Julie Schwartz’ retooling of DC Comics’ Golden Age mystery-men had paid big dividends for the industry leader in recent years, and Editor Lee’s boss (publisher Martin Goodman) insisted that his company should get in on the act too.

Although National/DC had achieved incredible success with revised and updated versions of the company’s old stable, the natural gambit of trying the same revivification process on characters that had dominated Timely/Atlas in those halcyon days didn’t go quite so well.

The Justice League of America-inspired Fantastic Four featured a new Human Torch but his subsequent solo series began to founder almost as soon as Kirby stopped drawing it. Sub-Mariner was back too, but as a villain, as yet incapable of carrying his own title…

So a procession of new costumed heroes began, with Lee, Kirby and Steve Ditko churning out numerous inventive and inspired “super-characters”.

Not all caught on: The Hulk folded after six issues and even Spider-Man would have failed if writer/editor Lee hadn’t really, really pushed his uncle, the publisher…

Even so, after nearly 18 months during which the fledgling House of Ideas had created a small stable of leading men (but only a sidekick woman), Lee & Kirby finally had enough players to stock an “all-star” group – a format which had made the JLA a commercial winner – and assembled a handful of them into a force for justice and even higher sales…

Cover-dated September 1963, The Avengers #1 launched as part of an expansion programme which also included Sgt. Fury and his Howling Commandos and The X-Men and, despite a few rocky patches, the series soon grew into one of the company’s perennial top sellers.

However times and tastes always change and after four decades, during the latter part of 2004, the “World’s Mightiest Heroes” were shut down and rebooted in a highly publicised event known as Avengers Disassembled.

Of course it was only to replace them with both The New and The Young Avengers. Affiliated comic-books Thor, Iron Man, Spectacular Spider-Man, Captain America, and Fantastic Four ran parallel, quasi-interconnected story-arcs to accompany the Big Show.

The entire tale revealed the worst day in the team’s history as staunch Avenging veteran the Scarlet Witch was discovered to have gone crazy, attacking the team who had been her family and causing the destruction of everything they held dear.

With several members dead, Captain America and Iron Man disbanded the team and turned out the lights.

The most important development from that epic ending was The New Avengers, and this second collection gathers issues #7-10 from that celebrated revamp (covering July to September 2005) with additional fact pages culled from New Avengers: Most Wanted Handbook as scripter Brian Michael Bendis, with artists Steve McNiven & Mark Morales, further redefined the nature of group heroics for a darker, more complex century.

Following an orchestrated breakout of a lethal legion of super-villains from floating ultra penitentiary The Raft, Captain America had convinced metahuman first responders Luke Cage, S.H.I.E.L.D. agent Jessica (Spider-Woman) Drew, Spider-Man and Iron Man to join a new iteration of Avengers. On the Raft they had been assisted by Matt Murdock, (recently “outed” as Daredevil by the media) and a mystery prisoner named Bob Reynolds who nobody seemed to know anything about…

Reynolds or Sentry – the most powerful being on Earth – had in fact volunteered to be incarcerated for the murder of his own wife… who was still alive…

Tentatively united, the team – sans Bob who had vanished – rocketed to the Antarctic Savage Land (a sub-surface wonderland of cavemen, dinosaurs and even stranger things, left in splendid isolation as a UN Protectorate) to recapture Karl Lykos, who fed on mutant energy to become reptilian monster Sauron. Apparently he was the actual target of the orchestrated breakout…

The impromptu mission was an unmitigated disaster with the disparate champions marooned, mauled by dinosaurs and captured by mutant mega-genius Brainchild and his Mutates.

Lykos’ escape had been engineered by the evil experimenter, who considered humans as guinea pigs and wanted to eradicate them all. Happily the neo-Avengers’ mission overlapped with the intentions of Wolverine, who had independently resolved to end the threat of Sauron forever, no matter who got in the way…

Uneasy allies, the heroes then discovered that an apparently rogue faction of S.H.I.E.L.D. had enslaved indigenous peoples of the region, using them to mine the miracle element Vibranium.

There were even scarier discoveries to come. The mass-escape had exposed the fact that many of the criminals held on the Raft had been officially dead for years and Cap’s new recruits had to face the prospect that the Free World’s greatest peacekeeping force might be partly – or even completely – corrupt. After all they were demonstrably stockpiling super-weapons, exotic elements and even metahumans for what could not possibly be any good reason…

Volume two opens with part one of 4-chapter saga ‘The Sentry’ as Tony Stark begins a report to fellow over-achieving, high-minded individuals Reed Richards, Charles Xavier, Prince Namor, Doctor Strange and Black Bolt (later revealed as elitist heroic clandestine cabal The Illuminati) about the reformation of the Avengers and the menace of the 46 still-at-large Raft escapees. Eventually the discussion turns to the potentially world-shattering mystery of Bob Reynolds…

On Long Island, Stark’s new comrades Spider-Woman, Cage, Spider-Man and Wolverine are trying to arrest Asgardian-powered street-thug The Wrecker, whilst under the Nevada Desert Director Maria Hill leads a S.H.I.E.L.D. team trying to re-arrest the despondent, semi-catatonic Sentry who never returned after helping to quell the breakout.

She is unhappy that Iron Man and Captain America have invited themselves along, but far more upset that Reynolds seems to be completely insane; terrified of some nebulous, evil other self he calls “The Void”…

Stark has done his homework. The only references to the Sentry on the entire planet are from some old forgotten comicbooks, so he found and brought along the writer of the pamphlets and another tangentially linked individual.

The scribe doesn’t upset the cowering powerhouse nearly as much as Lindy Reynolds, the wife Bob clearly remembers killing…

Following ‘Alien Agenda’ (an extract from an old Sentry comicbook craftily scripted by Paul Jenkins and classily rendered by Sal Buscema), the mystery in the Nevada cave deepens as, confronted with conflicting truths, Bob Reynolds vanishes in a slash of energy…

An emergency meeting of the Illuminati then dredges up a disquieting fact. Even these most puissant forces for good have never heard of Sentry, but shockingly Reed’s personal computer has. As it reels off a tidal wave of records and files it becomes apparent that the mightiest minds on Earth have all been tampered with…

Soon happy suburbanite Bob wakes up on a sunny morning to discover almost every superhero in America on his front lawn and in stunned disbelief then watches them fall to the malignant power of The Void…

The heroes have not come unprepared. The first prong of their assault is a collection of record tapes Sentry made for Mr. Fantastic, detailing how he was having periodic memory lapses where he kept forgetting who he was and suppositions about the true psychic nature of The Void.

Sadly, thanks to telepath Emma Frost, all these revelations are only occurring within his mind whilst his almighty body is occupied smashing the largest assemblage of metahuman power on Earth, but it’s all merely a preamble to Reynolds psychically curing himself…

When the breakthrough finally comes and the villains behind brainwashing Sentry and mindwiping the world are exposed, the psionic backlash instantly transforms the Avengers’ monumental and far distant New York skyscraper, creating an eerie ebony Watchtower above it in the blink of an eye…

The apparently healed hero then joins the team, but only, as Stark advises his Illuminati brethren, to keep him closely monitored…

Plot-light and blockbustingly all-action, this volume also includes the 50-page New Avengers: Most Wanted Handbook, which provides information and a list of various metahuman prisons in the MU and detailed data and threat-assessment reports by the costumed champions on the Raft fugitives they missed; specifically Armadillo, Barbarus, Blackout, Blood Brothers, Brothers Grimm, Bushwacker, Carnage, Centurious, Chemistro, Constrictor, Controller, Corruptor, Count Nefaria, Crossbones, Crossfire, Crusader, Cutthroat, Deathwatch, Dr. Demonicus, Foolkiller, Graviton, Grey Gargoyle, Griffin, Hydro-Man, Jigsaw, King Kobra, Mandrill, Mentallo, Mr. Fear, Mr. Hyde, Molecule Man, Nitro, Purple Man, Rampage, Razor-Fist, Sauron, Scarecrow, Shockwave, Silver Samurai, Slug, Tiger Shark, Typhoid Mary, U-Foes, Vermin, Wrecking Crew and Zzzaxx…

With covers-&-variants by David Finch, Steve McNiven, Neal Adams, John Romita Sr., Herb Trimpe & Sal Buscema this is a deliciously plain and simple Fights ‘n’ Tights fiesta for the devoted fanbase and another terrific  jumping-on point for readers familiar with the TV animation series and movie franchises of the World’s Greatest Superheroes.
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