Category: X-Men

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X-Men: Asgardian Wars


By Chris Claremont, Paul Smith, Bob Wiacek, Arthur Adams, Terry Austin,
Alan Gordon & Mike Mignola (Marvel)
ISBN: 978-0-87135-434-1

In 1963, X-Men #1 introduced Cyclops, Iceman, Angel, Marvel Girl and the Beast: very special students of Professor Charles Xavier, a wheelchair-bound telepath dedicated to brokering peace and integration between the masses of humanity and the emergent off-shoot race of mutants dubbed Homo Superior. After years of eccentric and spectacular adventures, the mutant misfits disappeared at the beginning of 1970 during a sustained downturn in costumed hero comics whilst fantasy and supernatural themes once more gripped the world’s entertainment fields.

Although the title was revived at the end of the year as a reprint vehicle, the missing mutants were reduced to guest-stars and bit-players throughout the Marvel universe and the Beast was made over into a monster until in 1975 Len Wein, Chris Claremont & Dave Cockrum revived and reordered the Mutant mystique with a stunning new iteration in Giant Size X-Men #1.

To old foes-turned-friends Banshee and Sunfire was added a one-shot Hulk villain dubbed Wolverine, and all-original creations Kurt Wagner, a demonic German teleporter codenamed Nightcrawler, African weather “goddess” Ororo Monroe AKA Storm, Russian farmboy Peter Rasputin, who transformed at will into a living steel Colossus, and bitter, disillusioned Apache superman John Proudstar who was cajoled into joining the makeshift squad as Thunderbird.

The revision was an unstoppable hit and soon grew to become the company’s most popular and high quality title. In time Cockrum was succeeded by John Byrne and, as the team roster shifted and changed, the series rose to even greater heights, culminating in the landmark “Dark Phoenix” storyline which saw the death of (arguably) the series’ most beloved and groundbreaking character.

In the aftermath, team leader Cyclops left and a naive teenaged girl named Kitty Pryde signed up just as Cockrum returned for another spectacular sequence of outrageous adventures.

The franchise inexorably expanded with an ever-changing cast and in 1985 a new slant was added as author Claremont began to forge links between Marvel’s extemporised Norse mythology and the modern mutant mythos through the two series he then scripted.

Released in 1990 as Marvel was tentatively coming to grips with the growing trend for “trade paperback” collections, this sturdy 224 page full-colour compendium (re-released as a deluxe hardcover in 2010) collects the 1985 two-issue Limited Series X-Men and Alpha Flight, The New Mutants Special Edition and X-Men Annual #9 which, taken together, comprise a vast saga of staggering beauty and epic grandeur…

Two-part tale ‘The Gift’, illustrated by Paul Smith & Bob Wiacek, saw the retired Scott  “Cyclops” Summers and his new girlfriend Madelyne Prior ferrying a gaggle of environmental scientists over Alaska in a joint American/Canadian survey mission, only to fall foul of uncanny weather and supernatural intervention…

When the X-Men receive a vision of Scott’s crashed and burning body they head North and attack Canadian team Alpha Flight under the misapprehension that the state super-squad caused the disaster. Once the confusion has been cleared up and a tenuous truce declared, the united champions realise that mystic avatar Snowbird is dying: a result of some strange force emanating from the Arctic Circle…

In another time and place the Asgardian god Loki petitions a conclave of enigmatic uber-deities “They Who Sit Above in Shadow” for a boon, but their price is high and almost beyond his understanding…

When the assembled teams reach the crash site they find not a tangle of wreckage and bodies but a pantheon of new gods dwelling in an earthly paradise, and amongst them Scott and Madelyne, also transformed into perfect beings. These recreated paragons are preparing to abolish illness, want and need throughout the world by raising all humanity to their level and most of the disbelieving heroes are delighted at the prospect of peace on Earth at last.

However Kitty Pryde, Talisman and Rachel Summers (the Phoenix from an alternate future) are deeply suspicious and their investigations uncover the hidden cost of this global transfiguration and, once they convince Wolverine, Loki’s scheme begins to unravel like cobwebs in a storm. Soon all that is left is anger, recrimination and savage, earth-shaking battle…

Once the God of Mischief’s plan was spoiled the malignant Prince of Asgard plotted dark and subtle revenge which began with ‘Home is Where the Heart is’ (by Claremont, Arthur Adams & Terry Austin in The New Mutants Special Edition) when he recruited the sultry Enchantress to abduct the junior X-Men whilst he turned his attentions to the adult team’s field commander Storm.

Sunspot, Magik, Magma, Mirage, Cannonball, Wolfsbane, Karma, Warlock and Doug Ramsey are dragged to the sorceress’ dungeon in Asgard, but manage to escape through a teleport ring. Unfortunately the process isn’t perfect and the kids are scattered throughout the Eternal Realm; falling to individual perils and influences, ranging from enslavement to adoption, true love to redemption and rededication…

Most telling of all, Mirage AKA Danielle Moonstar rescues a flying horse and becomes forever a Valkyrie, shunned by the living as one of the “Choosers of the Slain”…

With such power at her command Mirage soon gathers her scattered mutant comrades for revenge on the Enchantress before the dramatic conclusion in ‘There’s No Place Like Home’ (X-Men Annual #9, by Claremont, Adams, Alan Gordon & Mike Mignola)…

Loki, who has elevated the ensorcelled Storm to the position of Asgardian Goddess of Thunder, is simultaneously assaulted by a dimension-hopping rescue unit consisting of Cyclops, Wolverine, Nightcrawler, Rogue, Kitty Pryde, Colossus and the future Phoenix as well as the thoroughly “in-country” New Mutants for a spectacular and cosmic clash which, although setting the worlds to rights, ominously promised that the worst was yet to come…

This expansive crossover epic proved that, although increasingly known for character driven tales, the X-Franchise could pull out all the stops and embrace its inner blockbuster when necessary, and this yarn opened up a whole sub-universe of action and adventure which fuelled more than a decade of expansion. More than that, though, this is still one of the most entertaining mutant masterpieces of that distant decade.

Compelling, enchanting, moving and oh, so very pretty, The Asgardian Wars is a book no Fights ‘n’ Tights fantasy fan can afford to miss.

© 1985, 1988, 1990 Marvel Entertainment Group, Inc. All rights reserved.

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Avengers: The Children’s Crusade


By Allan Heinberg, Jim Cheung, Alan Davis, Olivier Coipel & various (Marvel/Panini UK)
ISBN: 978-1-84653-485-0

As the new Avengers film screens across the world, Marvel has again released a bunch of tie-in books and trade paperback collections to maximise exposure and cater to those movie fans wanting to follow up the cinematic exposure with a comics experience.

This stunning yarn is every bit as epic as any big screen extravaganza but does depend a bit too much on a thorough grounding in Avengers lore so newbies might struggle a bit with the minutiae…

Once upon a time the mutant Scarlet Witch married the android Vision and they had – through the agency of magic and Wanda’s unsuspected ability to reshape reality – twin boys. Over the course of time it was revealed that the boys were not real (for further details see Marvel Platinum: the Definitive Avengers) and as the years passed the tragedy drove the Scarlet Witch to insanity.

When Wanda tipped completely over the edge and destroyed at least three of her team-mates, the “World’s Mightiest Heroes” were shut down and rebooted in a highly publicised event known as Avengers Disassembled. Of course it was only to replace them with both The New and Young Avengers. The event also spilled over into the regular titles of current team members, and affiliated comic-books such as the Fantastic Four and Spectacular Spider-Man ran parallel but not necessarily interconnected story-arcs to accompany the Big Show.

Said Big Show consisted of the worst day in the team’s history as the Witch manipulated people and events: betraying her oldest, closest friends and causing the destruction of everything they held dear.

In the later company crossover event House of M reality was rewritten (yes, again!) when she had another breakdown and altered Earth continuity so that Magneto’s mutants ruled a society where normal humans (“sapiens”) were an acknowledged evolutionary dead-end living out their lives and destined for extinction within two generations. It took every hero on Earth and a great deal of luck to put that genie back in a bottle and in the aftermath almost no mutants were left on Earth…

Needless to say in recent time Wanda Maximoff has not been anybody’s favourite person so it’s perhaps lucky that no one on Earth seems to know her current whereabouts…

This compilation collects portions of Uncanny X-Men #526, Avengers: the Children’s Crusade #1-9 and Avengers: the Children’s Crusade – Young Avengers issue #1 (published in comicbook form from October 2011 to March 2012) which comprised the core-story for the latest relaunch of the constantly-changing grim and gritty alternate universe.

This gripping but convoluted tale opens with ‘Rebuilding’ (from X-Men #526 by author Allan Heinberg and artists Olivier Coipel & Mark Morales) as the aging Magneto, now loosely aligned with the remaining mutants in the semi-autonomous enclave “Utopia”, learns that two members of the teen superhero team Young Avengers bear an impossible similarity to the twins his daughter conjured up years ago.

Moreover, the ultra-swift Speed and sorcerous Wiccan bear an uncanny resemblance to Quicksilver and the Scarlet Witch at the same age…

Can these superhero twins possibly be his grandchildren? When he decides to investigate, X-Man and Avenger Wolverine warns the master of Magnetism to leave them alone… or else…

The story proper begins with Young Avengers Stature, Vision, Hulkling, Hawkeye, Patriot, Speed and Wiccan battling the racist terrorists Sons of the Serpent just as the elder Avengers arrive. When the child sorcerer displays a terrifying burst of power, alarm bells start ringing for Captain America, Iron Man and Ms. Marvel who have also noticed the startling similarities to their crazed and deadly former member…

In a world where the impossible happens every day and twice on Sundays, Wiccan has always suspected that Wanda was his true mother, and as the veteran heroes seek to curb his rapidly developing powers the boy mage convinces his team-mates to accompany him on a search for the missing Scarlet Witch and the true story of how and why she went bad…

Every Young Avenger has a different motive for the quest: for Speed it’s a chance to prove his annoying twin wrong, whilst Hulkling sees a chance to give his boyfriend Wiccan a sense of peace and closure. For Stature it’s the remote possibility of resurrecting the father Wanda murdered…

As the kids break out of Avenger custody they are joined by Magneto, sparking a clash with Wolverine and the rest of the “A” Team…

Bloodshed is avoided only by Wiccan transporting his friends and the Mutant Mastermind to the Balkan nation of Transia where Wanda and her brother Pietro grew up. Here they discover that Quicksilver – who blames his father and the Avengers in equal part for his beloved sister’s fate – is waiting.

…And so is Wanda herself…

Except that it’s only a carefully constructed android facsimile, but one which takes the reluctant and inimical fellow questers to the door of one the world’s most dangerous men, who has been harbouring the Scarlet Witch ever since the cataclysmic events following her magical decimation of the planet’s mutant population…

Meanwhile the Avengers have recruited Wonder Man – who was brought back from the dead by Wanda – but he proves to be an unreliable ally once he realises that the World’s Mightiest Heroes intend to kill the Witch at the first sign of trouble…

In Avengers: the Children’s Crusade – Young Avengers issue #1, illustrated by Alan Davis & Mark Farmer, founding member Iron Lad returns to finish the mission he gathered the young heroes for.

The futuristic technologist is the teen iteration of Kang the Conqueror and formed the Young Avengers to prevent himself growing into the merciless Master of Time, but as this pithy behind-the-scenes and out of continuity saga shows, history and destiny are not easily cheated…

Back in Avengers: the Children’s Crusade #5 the chaos builds and the fabric of reality itself begins to unravel as Wanda and her notional boys are reunited and discover the true nature of her powers.

All Wanda wants to do is make amends whilst the man who claims to have caused all her breakdowns is prepared to keep her at all costs. Just as the Avengers arrive, determined to save the world from their former comrade, all hell breaks loose. When Iron Lad rejoins his team in real time he changes the recent past and the situation escalates to a catastrophic crescendo when the X-Men turn up, seeking justice for all the mutants “Wanda” destroyed in her crazy days…

With the dead rising, history unmaking itself and the true villain seizing control of all creation the stage is set for a truly tragic and spectacular climax…

Bombastic and cosmically broad in scope, this impressive tale by Allan (Wonder Woman, JLA, Sex and the City, The O.C., Gilmore Girls, Grey’s Anatomy) Heinberg seeks to undo and reset key milestones of Marvel history with boldness and generally succeeds in all his goals, aided by the impressive art of Jim Cheung and inkers Mark Morales, John Livesay, David Meikis & Dexter Vimes, but although this yarn will delight long-time fans I fear casual and new readers will struggle to pick up the nuances or even follow the plot. Still, the spectacular alternate cover gallery by Cheung, Jelena Kevic-Djurdjevic, Alan Davis & Mark Farmer, Travis Charest and Art Adams will enthrall art fans and the impetus afforded by the film release will certainly draw new followers to this extremely attractive package with many small and big screen connections.

™ & © 2010, 2011, 2012 Marvel and subs. Licensed by Marvel Characters B.V. through Panini S.p.A, Italy. All Rights Reserved. A British edition published by Panini UK, Ltd.

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Ultimate Comics X-Men: Reborn


By Nick Spencer, Paco Medina & Juan Vlasco (Marvel/Panini UK)
ISBN: 978-1-84653-506-2

Marvel’s Ultimates imprint launched in 2000 with major characters and concepts re-imagined to bring them into line with the presumed different tastes of modern readers.

Eventually the alternate, darkly nihilistic universe became as continuity-constricted as its predecessor, and in 2008 the cleansing event “Ultimatum” culminated in a reign of terror which apparently (this is still comics, after all) killed dozens of super-humans and millions of lesser mortals.

The era-ending event was a colossal tsunami triggered by Magneto which inundated the superhero-heavy island of Manhattan and utterly devastated the world’s mutant population. The X-Men as well as many other superhuman heroes and villains died and in the aftermath anybody classed as ‘”Homo Superior” had to surrender to the authorities or be shot on sight. Understandably most survivors as well any newly emergent X-people kept themselves well hidden…

Mutants had always been feared and despised: as the indisputable inheritors of Earth, the often lethally-empowered and wildly uncontrollable creatures were seen by many as an alien, inimical species; a new race destined to take the world from humanity the way we took it from the Neanderthals…

This compilation continues to describe the gradual return of mutants to the post-deluge public gaze which began in Ultimate X: Origins by collecting Ultimate Comics: X-Men #1-6 and pertinent portions of Ultimate Comics: Fallout #4 (published in comicbook form from September 2011 to March 2012) which provided a game-changing new reality and status quo for the latest relaunch of the constantly-changing, grim and gritty alternate universe.

In a stunning story-arc by writer Nick Spencer, artists Paco Medina & Juan Vlasco and colourist Marte Gracia, the slow descent into uncontrolled chaos begins when Presidential Special Advisor on Superhuman and Mutant Affairs Valerie Cooper is forced to admit to the entire world that – rather than a result of inexorable evolution and natural selection – Mutants are the result of a fifty year old American covert program of genetic manipulation which got out of control…

In a world where Homo Superior are registered like guns, kept in internment camps and where good, God-fearing folk would rather execute their children than have them grow up afflicted with the sin of “mutant-ness”, the news instantly causes uproar and riot across the nation and around the planet…

Former X-Man Karen Grant (nee Jean Grey) has been continuing Charles Xavier‘s dream of fostering Human/Mutant co-existence but the news not only rips the rug out from under her; it also proves intolerable for her young charge Jimmy Hudson, who hears on National TV that his dead father Wolverine was the US Military’s ‘Mutant Zero’ and from his initial escape five decades ago has stemmed all the pain and horror and super-powered proliferation…

With a downtrodden, oppressed emergent species suddenly reduced to a virus or failed science experiment, global tensions are explosively high, and when renegade X-survivor Rogue very publicly battles American Nimrod Sentinels, the US President is faced with a civil crisis like no other…

Meanwhile hunted “Mutant Terrorist” Kitty Pryde is holed-up with fellow fugitives Iceman and the Human Torch, all on the run since their friend and fellow teen Peter Parker was murdered in his Spider-Man guise.

With the entire world in crisis (see Ultimate Comics: Hawkeye and The Ultimates: The Republic is Burning), the President consults S.H.I.E.L.D. director Nick Fury but is also approached by the deceased Magneto’s son Pietro Lensherr who has since inherited control of the terrorist group known as the Brotherhood of Mutants. The super-swift master manipulator has an arcane Faustian Bargain for the severely embattled Leader of the Free World…

Soon after the deluge hit, fundamentalist preacher Reverend William Stryker seized Sentinel technology and attacked the Xavier School, murdering many of the mutants Magneto’s flood had missed. Now he has returned, intent on capitalising on the troubled times and expediting his genocidal crusade.

Acting as a new X-team and against Pryde’s best judgment Iceman and the Torch rescue Rogue, but are horrified to discover that the fugitive powerhouse has literally “seen God”.

However, as they all hide in subterranean tunnels beneath New York, picking up stray mutant children as they flee, the young misfits have no idea just how far their former comrade has fallen or what lengths Rogue will go to in order to fulfil her divinely ordained mission…

With the nation in chaos Stryker plans a massive event in Times Square, offering a cure for mutantcy and a final solution to the crisis, but his true plan is to ambush the gathered deviants and end their blasphemous existence forever…

In the White House Quicksilver has his own scheme: he knows the secret Stryker is concealing and intends to use it for his own ends, but when the Reverend takes control of the entire Sentinel program and sends every killer robot in America’s arsenal to hunt down all the remaining mutants still in hiding, the cataclysmic battles leads to a stunning series of revelations and a breathtaking cliffhanger…

This welcome return to the bleak and cynical Ultimate fare, with the trademark post-modernity, sharp abrasive humour and darkly brutal action, still delivers the grim ‘n’ gritty punch fans crave, but with so much backstory to absorb Reborn might not be the best book for anybody thinking on jumping on to decidedly different world of Wonder. Nevertheless the striking drama and returning cast-favourites will certainly please those older readers who love this trenchant iteration of superhero sagas and any casual readers who are more familiar with the company’s movies than the comic-books.

A British edition licensed and published by Panini UK, Ltd. ™ & © 2012 Marvel Entertainment LLC and its subsidiaries. Licensed from Marvel Characters B.V. All Rights Reserved.

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Bishop: The Mountjoy Crisis


By John Ostrander, Carlos Pacheco & Cam Smith (Marvel)
ISBN: 978-0-7851-0211-3

The Uncanny X-Men draw their members from a wide variety of places but none more striking than the home of moody, monolithic Bishop, an energy-manipulating mutant super-cop who fell into our world from a dystopian alternate future.

He and his partners Randall and Malcolm first came to this era to eradicate a band of time-hopping evil mutants led by the malevolent maniac Fitzroy. In a cataclysmic final clash his comrades sacrificed themselves to stop the future-marauders and now only Bishop remains; trapped, traumatised and continually questioning his current status as a member of the mythical team of champions who inspired his own era’s “Xavier’s Security Enforcers”.

Whilst desperate to fit in, Bishop carries a lot of baggage. He is particularly obsessed with his failure to save Malcolm and Randall, haunted by the death of his sister Shard and conflicted about the historical knowledge he cannot share: how the X-Men are fated to be betrayed and murdered by one of their own…

This gripping and fast-paced thriller (originally released as a four-issue miniseries from December 1994 to March 1995) opens with ‘Escape from Tomorrow’ as the brooding émigré from Eternity constantly and fruitlessly runs through Danger Room simulations, looking for the mistake that cost his friends’ lives.

Eventually convinced by Professor X to let it go for one night, the bluff giant accompanies Storm into the city and is accosted by the only survivor of Fitzroy’s band – an inconsequential little nothing named Bantam.

The cowering future fugitive has been hiding a terrible secret: on the fateful night of the trip back to now, Bantam had been the unwilling vessel of lethal mutant parasite Mountjoy, a psychotic predator who merges with, absorbs and eventually consumes his victims. Now Mountjoy is loose and keen on tying up loose ends – such as anyone who knows of his existence…

Ambushed by the leech, Storm is taken over and Bishop is forced to beat the beast out of her before total absorption occurs…

When the life-jacker critically wounds the XSE man, ‘One-Man Posse’ finds Bishop fighting for survival whilst plagued by memories and hallucinations as he chases Mountjoy from body to body and battle to battle, his only advantage an interactive hologram of Shard.

After the parasite kills a number of cops and civilians in spectacular but inconclusive clashes, the tension escalates in ‘Future Intense’ as Mountjoy attacks the X-Men, stealing the bodies and powers of Gambit, Psylocke, Archangel and Bishop himself; intending to destroy his most hated enemy’s soul by making him the long-dreaded betrayer of his life-long heroes in the climactic ‘Final Reckonings’…

Mercifully there’s far more to the hologram of Shard than anybody suspected…

Affording tantalising glimpses of the charismatic Bishop’s secret history whilst delivering a fast and furious, scary action-epic The Mountjoy Crisis offers a full-on frantic Fights ‘n’ Tights experience no dedicated devotee of Costumed Dramas can afford to miss.
© 1996 Marvel Characters Inc. All rights reserved.

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X-Men: God Loves, Man Kills – Marvel Graphic Novel #5


By Chris Claremont & Brent Eric Anderson (Marvel)
ISBN: 978-0-93976-620-8   1994 edition 0-939766-20-5   2011: 978-0785157267

Following hard on the heels of their X-line expansion with The New Mutants, Marvel capitalised on the buzz by releasing a hard-hitting graphic novel which emphasised and cemented the aspects of alienation and bigotry which underpinned relations between Homo Sapiens and Superior with a stunningly effective modern parable starring the Uncanny X-Men in a landmark tale worthy of the company’s hot new format as a Marvel Graphic Novel.

At that time Marvel led the field of high-quality original graphic novels: offering big event tales set in the tight continuity of the Marvel Universe, as well as series launches, creator-owned properties, movie adaptations and licensed assets in lavishly expansive packages based on the well-established European Album format.

With bigger, almost square pages (285x220mm rather than the customary 258x168mm) which felt and looked instantly superior to the gaudily standard flimsy comicbook pamphlets, the line did much to improve the overall poor, shoddy and especially cheap image of comics, paving the way for today’s ubiquitous market where anything pictorial between two covers can be so designated, irrespective of how good, bad or incomprehensible the contents might be.

After the immensely successful in-House epic The Death of Captain Marvel, licensed properties Elric: the Dreaming City and Dreadstar set the seal on Marvel’s dedication to experimentation. The New Mutants then proved the growing power of the burgeoning Comicbook Direct Sales Market when the introductory graphic novel (only available in those still-scarce and widely scattered emporia) led directly into a nationally distributed new monthly series. Some fans had to jump through incredible hoops to pick up that all-important initial adventure…

God Loves, Man Kills repeated the furore for rabid X-Fans as the grim cautionary tale unfolded only for those fans near a comic store or prepared to buy through the mail…

The story itself is one of the most disturbingly true to life in the entire canon and opens with the murder of two children. The “Purifiers” responsible then proudly display the bodies in the playground where they died with the placard “muties” around their necks.

When mutant terrorist Magneto finds the bodies the stage is set for one of the X-Men’s darkest cases…

Fundamentalist preacher Reverend William Stryker is the demagogue of the hour: his evangelical crusade against unholy, ungodly mutants has made him rich and powerful whilst his sinister secret death-squads have enabled him to undertake the latest stage of his mission in the full, controversial glare of the public eye. He even has powerful friends and allies within the Government…

Stryker’s divinely-inspired mission is to incite a race-war and eradicate the entire sub-species of Homo Superior, using not only his television ministries to whip up public fear and hatred, but with a private army of merciless mutant-hating racist killers.

The next phase involves taking out the X-Men and begins when Professor Xavier, Cyclops and Storm are ambushed after participating in a TV debate.

When news of their deaths reaches the test of the team, Colossus, Wolverine and Nightcrawler track down the assailants and discover that their friends are only captives of Stryker’s Purifiers, just as old enemy Magneto appears, proposing a temporary truce…

Meanwhile Colossus’s sister Illyana and Kitty Pryde have stumbled upon the captives’ fate and been attacked too. Kitty escapes and goes on the run with murderous Purifiers hot on her trail…

Stryker has been busy: whilst happily torturing his captives he has devised a way to use Xavier’s telepathic abilities to destroy mutants and all those with latent mutant genes at one genocidal stroke.

As the hate-peddler’s plans enter the final stage Magneto and the remaining X-Men prepare for their most important battle, but the showdown on live TV from Madison Square Gardens offers many surprises and reversals of fortune as Stryker, in his paranoid hubris, overestimates the power of blind prejudice and the underestimates the basic humanity of the common man …

This tale is perhaps the most plainspoken and shocking example of mutants as metaphors for racial abuse in society and the stark message herein, savagely delivered by author Chris Claremont and artist Brent Anderson at the very top of their game, made explicit the power of bigotry and the ghastly repercussions of allowing it to bloom uncontested…

A slightly re-proportioned and reformatted edition was released in 1994, reduced in size to approximate standard comicbook size and the tale has also been reprinted, in similarly reduced circumstances in 2006 and 2011.

Moving, scary and immensely influential, God Loves, Man Kills is the comicbook X-Men at their most effective and movie-going readers will recognise much of the tale as it formed the basis for the X-Men film sequel X2.
© 1982, 1994, 2006, 2011 Marvel Entertainment Group, Inc. All rights reserved.

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New Mutants: The Demon Bear Saga


By Chris Claremont & Bill Sienkiewicz (Marvel)
ISBN: 978-0-87135-673-4

New Mutants was the first regular X-Men spin-off series (unless the you count the brief but brilliant saga of The Beast in Amazing Adventures #11-17 (all six-and-a-half tales are reprinted in Essential Classic X-Men volume 3) and the return to grass roots of powerful alienated kids in training offered many opportunities for slightly different tales that resonated with teen-aged readers.

The team – or perhaps class – gradually expanded as scripter Claremont explored his twin pet themes of alienation and female empowerment and by the time of this collection (reprinting issues #18-21, August-November 1984) his original kid cast – Scottish lupine metamorph Rahne (Wolfsbane) Sinclair, Brazilian solar powerhouse Roberto (Sunspot)DaCosta, human Cannonball Sam Guthrie and projecting psionic Dani (Psyche) Moonstar – had been joined by two new pupils whilst the older Vietnamese Xi’an Coy Manh AKA Karma had been sidelined in the ensuing months.

New additions included Amara Aquilla, a living volcano codenamed Magma who hailed from a lost colony of the Roman Empire and Ilyana (Magik) Rasputin, little sister of Russian X-Man Colossus and recently returned after ten years trapped in a sorcerous, timeless nether-dimension…

With #18, iconoclastic artist Bill Sienkiewicz began a stellar and controversial run pushing the illustrative narrative envelope with his expressionistic, multi-disciplinary range of styles: a perfect place to begin a new kind of adventure for the mutant Next Generation…

‘Death-Hunt’ begins with a fearsome flash forward of horrors to come before Psyche reveals her own precognitive talents have been warning her of the approach of a legendary animal spirit inimical to her tribe. However, whilst training in the Danger Room she gains her first inkling that the threat might be more than myth…

Meanwhile in deep space, a young alien mutant technological organism is fleeing from a catastrophic threat… his own murderous paranoid father.

With Professor X absent and a blizzard hitting, Dani roams the snowy grounds of the school when an impossible ursine monster attacks…

The action switches to the local hospital for ‘Siege’ as Moonstar’s broken body is rushed into emergency surgery. Her personal bogeyman is terrifyingly real and not of this Earth; a magical foe of her people determined to invade this plane and convert Earth into a realm of dark spirits.

In space the alien fugitive flees unheedingly towards Earth, disastrously encountering the swashbuckling Starjammers, before plunging onward. In the hospital, doctors struggle to save Dani, and Magik gleans some useful information with her mystic powers. The Bear needs to destroy Psyche because she holds the secret of defeating it and preventing the poisoning of our world with its malign influence.

With her classmates desperately guarding her dying body during the operation, the Bear’s next attack transports the entire medical centre to its mystical dimension, the metaphysical ‘Badlands’…

On its home turf it is unstoppable, warping a cop and nurse into Native American archetypes to attack the kids whilst slowly tainting the soul of the planet with its evil. Fighting back with all they have, the valiant kids stumble onto a last-ditch plan of attack to defeat the Bear and when returned to Earth they discover a shocking secret about the permanently transformed nurse and policeman…

The book ends with the extra-long ‘Slumber Party’ as the girls of Xavier’s School indulge in a relatively normal part of growing up. With the boys – including new recruit Doug Ramsey – banished for the night, a group of girls from Salem Centre stay over for the time-honoured festivities, but when dying techno-organic parasite Warlock crashes the party – fleeing from his homicidally destructive sire The Magus – the frolics dissolve into planet-threatening horror…

With the introduction of the weirdly warped Warlock and down-to-Earth Doug, the New Mutants cast was relatively complete and an era of superb storytelling and sublime experimentation began…

Fast-paced, evocative, thought-provoking, funny and scary, this book epitomises the very best of Marvel’s second renaissance and these compelling tales are amongst the most impressive and enjoyable of the vast Mutant canon.
© 1984, 1990 Marvel Entertainment Group, Inc. All rights reserved.

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The New Mutants – Marvel Graphic Novel #4


By Chris Claremont & Bob McLeod (Marvel)
ISBN: 978-0-93976-620-8   1994 edition 0-939766-20-5

Midway through an extended X-Men storyline wherein the maligned mutants were lost in space and Professor X was infected with a telepathic parasite which urged him to gather similarly super-powered, potential hosts for parasitic aliens The Brood, Marvel launched a spin-off X-series which returned thematically to the core concept of heroes-in-training.

This fresh yet retro venture was dubbed The New Mutants and to fully capitalise on the landmark undertaking the junior class debuted in the company’s hot new format as a Marvel Graphic Novel.

At that time Marvel led the field of high-quality original graphic novels: offering big event tales set in the tight continuity of the Marvel Universe, series launches, creator-owned properties, movie adaptations and licensed assets in lavishly expansive packages based on the well-established European Album format with bigger, almost square pages (285x220mm rather than the customary 258x168mm) which felt and looked instantly superior to the gaudily standard flimsy comicbook pamphlets – irrespective of how good, bad or incomprehensible the contents proved to be.

After the immensely successful in-House epic ‘The Death of Captain Marvel’, two licensed properties ‘Elric: the Dreaming City’ and ‘Dreadstar’ set the seal on Marvel’s dedication to experimentation. The New Mutants then proved the growing power of the burgeoning Comicbook Direct Sales Market as this introductory graphic novel (only available in those still-few emporia) led directly into a nationally distributed new monthly series. Some fans had to jump through incredible hoops to pick up that all-important initial adventure…

Entitled ‘Renewal’ the school days saga finds sometime X-Men doctor Moira MacTaggert in the Scottish Highlands saving lupine metamorph schoolgirl Rahne Sinclair from a lynch mob led by a pious religious demagogue. The action then switches to Brazil where millionaire’s son and sporting golden boy Roberto DaCosta transforms into an eerie ebony monster in the middle of a soccer match. With the massed spectators appalled and terrified, only Bobby’s girlfriend Juliana Sandoval rushes to his aid…

In Kentucky, 16 year old Sam Guthrie trudges toward the coalmine. With his father recently dead, the boy now has to forget dreams of higher education and provide for his brothers and sisters. However when a cave-in buries him and his crew Sam unexpectedly blasts his way out in an explosive burst of power…

Meanwhile in the Medicine Bow Mountains of Colorado, reclusive Cheyenne maiden Danielle Moonstar is appalled to hear that her beloved grandfather is about send her to live with a white man named Xavier. Old Black Eagle fears her uncanny psychic abilities will overwhelm her and menace everybody around her…

None of these widely scattered waifs is aware that a manic mutant-hater has made them targets of his obsessive hatred. Dani is the first to suffer as her grandfather is murdered by armoured warriors…

Meanwhile in Westchester, Charles Xavier is examining Rahne and another young mutant. Xi’an Coy Manh is a Vietnamese refugee whose ability to possess people led her into conflict with her crime-lord uncle and the Amazing Spider-Man under the soubriquet Karma. When news of Black Eagle’s death arrives, Xavier rushes to Colorado with the two girls in tow, arriving in time to help Moonstar drive off more armoured assassins.

Discerning that Hellfire Club villain Donald Pierce is behind the murders and attempted abduction, the group then travels to Rio de Janeiro but arrives too late to save Roberto and Juliana from being kidnapped by Pierce’s agents…

Juliana dies saving DaCosta during a botched rescue mission and the grieving boy swears to have his full measure of vengeance…

Pierce has not been idle: he has already deceived and recruited gullible, desperate Sam Guthrie and sent the superhuman Cannonball to capture Xavier, leaving only the mutant kids, codenamed Wolfsbane, Mirage, Sunspot and Karma, to save him and thwart Pierce’s mad schemes. In this they are helped in no small part by the conflicted but rapidly reconsidering Guthrie…

Beautifully illustrated by Bob McLeod this fast-paced rollercoaster of drama and action was the first step in the inexorable expansion of the X-Universe franchise and still reads amazingly well – especially for new fans – even after that Homo Superior bubble has long burst…

A slightly re-proportioned and reformatted edition was released in 1994, reduced in size to approximate standard comicbook proportions and the tales has also been reprinted, albeit in proportionally much-reduced standard format as the first chapter of New Mutants Classic Volume 1 TPB (from 2006) which also includes the comicbooks New Mutants #1-7 and Uncanny X-Men #167 within its 240 pages.
© 1982, 1994 Marvel Entertainment Group, Inc. All rights reserved.

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Uncanny X-Men: From the Ashes


By Chris Claremont, Paul Smith, Walt Simonson, John Romita Jr. & Bob Wiacek (Marvel)
ISBN: 0-87135-6155

In 1963 X-Men #1 introduced Cyclops, Iceman, Angel, Marvel Girl and the Beast: very special students of Professor Charles Xavier, a wheelchair-bound telepath dedicated to brokering peace and integration between the masses of humanity and the emergent off-shoot race of mutants dubbed Homo Superior. After years of eccentric and spectacular adventures the mutant misfits disappeared at the beginning of 1970 during a sustained downturn in costumed hero comics as supernatural mystery once more gripped the world’s entertainment fields.

Although their title was revived at the end of the year as a cheap reprint vehicle, the missing mutants were reduced to guest-stars and bit-players throughout the Marvel universe and the Beast was made over into a monster until Len Wein, Chris Claremont & Dave Cockrum revived and reordered the Mutant mystique with a brand new team in Giant Size X-Men #1 in 1975.

To old foes-turned-friends Banshee and Sunfire was added a one-shot Hulk villain dubbed Wolverine, and all-original creations Kurt Wagner, a demonic German teleporter codenamed Nightcrawler, African weather “goddess” Ororo Monroe AKA Storm, Russian farmboy Peter Rasputin, who transformed at will into a living steel Colossus and bitter, disillusioned Apache superman John Proudstar who was cajoled into joining the makeshift squad as Thunderbird.

The revision was an unstoppable hit and soon grew to become the company’s most popular and high quality title. In time Cockrum was succeeded by John Byrne and, as the team roster shifted and changed, the series rose to even greater heights, culminating in the landmark “Dark Phoenix” storyline which saw the death of (arguably) the series’ most beloved and groundbreaking character.

In the aftermath, team leader Cyclops left and a naive teenaged girl named Kitty Pryde signed up just as Cockrum returned for another spectacular sequence of outrageous adventures.

The franchise inexorably expanded and in 1982 a fresh generation of students enrolled in Xavier’s School for Gifted Youngsters…

Released in 1990, as Marvel was tentatively coming to grips with the growing trend for “trade paperback” collections, this sturdy 228 page full-colour compendium collects a supremely impressive run of issues of the Uncanny X-Men (#168-172, from April-December 1983) which perfectly encapsulated everything that made the outrageous outcasts such an unalloyed triumph and touchstone of youthful alienation.

The action opens as Kitty Pryde reacts badly to the news that she is being transferred to the student team of New Mutants… or as she calls them, “X-Babies”…

‘Professor Xavier is a Jerk!’, by Chris Claremont, new star art-find Paul Smith and inker Bob Wiacek, related the battled-hardened Pryde’s reaction to the arbitrary declaration as the team enjoyed a little downtime following a stupendous battle in space against the ghastly alien body-stealers The Brood. The sulking quickly escalated into a cataclysmic life-or-death struggle as Pryde and her little space-dragon Lockheed accidentally uncovered an infestation of alien predators which had remained undiscovered in the depths of the X-Mansion for months…

Meanwhile, original X-Man Cyclops had left the team again to catch up with rebound girlfriend Lee Forrester but discovered a new woman who was the exact duplicate of his dead one-and-only Jean Grey…

‘Catacombs’ plunged head-on into a new crisis as the team are called in when the Angel is abducted by a hitherto undiscovered enclave of outcast mutants dwelling beneath the streets of New York. With Kitty as part of the rescue team the X-Men descended into the tunnels and battled the horrific Morlocks and their charismatic leader Callisto.

Easily outmatched and overpowered the heroes were helpless until Storm took a radical, irreversible step: defeating Callisto in a death-duel and becoming the new ruler and protector of the subterranean deviants in ‘Dancin’ in the Dark’. Above their heads in the halls of the wealthy and powerful, the Hellfire Club was under sustained attack by a telepath of incredible power and spiteful intensity whilst in Alaska Scott Summers had fallen deeply in love with disturbing doppelganger Madelyne Pryor despite fearing she might be some new aspect of the immortal cosmic Phoenix…

Pencilled by Walt Simonson, issue 171 saw a major new player join the misunderstood mutants when ‘Rogue’ – a powers and memory leeching teen who had nearly murdered Carol Danvers – knocked on the mansion door begging for sanctuary and medical help.

It seemed her uncontrollable ability was afflicting her with stolen personalities and slowly driving her crazy. When the former Ms. Marvel, now a cosmic powered entity dubbed Binary, saw the girl who had stolen her life become a guest of the X-Men, sparks and fists inevitably flew…

Wolverine had been absent for weeks on a personal quest to Japan (see Marvel Platinum – the Definitive Wolverine or any number of collected editions of the first Wolvie miniseries by Claremont & Frank Miller), which culminated with the announcement of his impending marriage to Japanese aristocrat Mariko Yashida.

‘Scarlet in Glory’ found the rest of the team in Japan for the impending nuptials and poisoned by vengeful villains leaving Logan and Rogue – whom he deeply distrusted – to seek out an antidote. At the same time the transformation of Storm from nature goddess to grim-and-gritty bad-ass was completed by the mercenary maniac Yukio as the last X-Men raced their fast-approaching toxic deadline…

The result was sheer carnage as the feral Wolverine went wild. With desperate-to-please Rogue in tow Wolverine carved a bloody trail to Yakuza mercenary (and Mariko’s rival for the rule of Clan Yashida) Silver Samurai and psychopathic mastermind Viper in ‘To Have and Have Not’…

Although the bold champions were eventually triumphant, the victory came at great cost. Wolverine returned to America alone and unwed… and all the while, the long-hidden presence manipulating events had jockeyed for position, pushing the globally scattered heroes to one inescapable conclusion…

‘Romances’ opened with Binary choosing to leave Earth with the swashbuckling Starjammers and ended with Scott returning to the X-Men to announce his own imminent marriage to Madelyne. This calm before the storm led into the spectacular issue #175 with the revelation that one of the X-Men’s oldest enemies had returned to unleash the ultimate destructive force, culminating in the end of the world and the seeming ultimate revenge of ‘Phoenix!’ (with additional art from John Romita Jr.).

The issue also saw Scott and Madelyne tie the knot before slipping away for a honeymoon from hell in the concluding episode ‘Decisions’.

Setting the scene for upcoming epics, there was a final meeting between Logan and Mariko, the US Government sought new and permanent ways to curb mutant power and Callisto returned to the Morlocks but the main focus was the newlyweds’ crash-landing in monster-plagued seas…

These character driven tales proved conclusively that the X-Men phenomenon was bigger than any single creator and that the series was capable of infinitely renewing itself. The stories here opened up a whole sub-universe of action and adventure that fuelled more than a decade of expansion and are still some of the best comics of that distant decade.

Compelling, effective, moving and oh, so pretty, From the Ashes is a book no Fights ‘n’ Tights fan can do without.
© 1983, 1990 Marvel Entertainment Group, Inc. All Rights Reserved.

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The Aladdin Effect – Marvel Graphic Novel #16


By James Shooter, David Michelinie, Greg LaRoque & Vince Colletta (Marvel)
ISBN: 978-0-87135-081-7

Marvel don’t generally publish original material graphic novel anymore but once they were market leader in the field with a range of “big stories” told on larger pages emulating the long-established European Album (285 x 220mm rather than the standard 258 x 168mm of today’s books) featuring not only proprietary characters in out-of-the-ordinary adventures but also licensed assets like Conan, creator-owned properties like Alien Legion and new character debuts.

This extended experiment with big-ticket storytelling in the 1980s and 1990s produced many exciting results that the company has never come close to repeating since. Most of the stories still stand out today – or would if they were still in print.

Released in 1985, The Aladdin Effect was an attempt to capitalise on the company’s growing stable of female characters and – I’m guessing – target the notoriously scarce and fickle maturing female readership with something more exclusively to their tastes and aspirations. This conventional but highly enjoyable Fights ‘n’ Tights thriller was conceived and concocted by Editor Jim Shooter, scripted by David Michelinie and illustrated by Greg LaRoque & Vince Colletta.

Joe Ember is a good man, loving husband and father: sheriff of the isolated community of Venture Ridge, Wyoming but someone looking the end of the world in the face…

Two months ago the little town lost all hope and has been sliding into decadence, anarchy and ruin. Sixty days ago, without explanation the rural community was surrounded by an invisible, impenetrable forcefield and trapped like bugs under glass.

Cut off from the world, with food and power dwindling, the people have begun to go mad…

Little Holly-Ann isn’t worried: the little girl knows her daddy will keep everyone safe even if so many old friends and neighbours are acting strange and scary. The little girl is a dreamer and fan of New York’s superheroes. She especially adores the women like Storm, She-Hulk, Tigra and the Wasp and wishes that she could be like them…

When Joe, crumbling under pressure, destroys her scrapbook Holly-Ann goes to sleep extremely upset and really, really wishes…

Next morning an amnesiac stranger is seen on the streets: a striking black woman with white hair and blue eyes. When the mob attacks her the stranger easily cows them all and Holly-Ann knows it is the mutant X-Man Storm.

At last an answer begins to form when a mysterious being called Timekeeper reveals himself and demands that the incomprehensible power-source hiding in the city reveals itself – or the city will be destroyed within 24 hours…

When Storm tries and fails to shatter the forcefield, the She-Hulk appears, also with muddled memories but just as determined to help little Holly-Ann. Soon after both the Wasp and Tigra are discovered and the sinister secret technologists of AIM (Advanced Idea Mechanics) are discovered as the true cause of all the town’s problems.

When She-Hulk tackles them she is almost beaten to death by the army of super scientific soldiers…

With only hours remaining before the deadline, the battered community and diminished super-women prepare for the overwhelming onslaught to come…

Terrified and outmatched Joe Ember is ready to surrender all hope but his valiant daughter shows him another way and, regaining his sense of purpose, he galvanises the ordinary folk and leads them in a last ditch battle for their town, their lives and their souls…

A stirring mix of childhood fantasy and mature B-movie thriller, all wrapped up in Marvel madness and with loving overtones of the Magnificent Seven, this extremely uncompromising and occasionally explicit tale delivers action, tension and soul-searching drama for both the faithful readership and even the newest kid on the block looking for a different kind of story….
© 1985 Marvel Comics Group/Marvel Characters, Inc. All Rights Reserved.

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X-Men: Schism


By Jason Aaron, Kieron Gillen, Carlos Pacheco, Frank Cho, Daniel Acuña, Alan Davis, Adam Kubert, Tim Seeley, Billy Tan & various (Marvel/Panini UK)
ISBN: 978-1-84653-502-4

Radical change – or at least the appearance of such – is a cornerstone of modern comics. There must be a constant changing of the guard, a shifting of scene and milieu and, in latter times, a regular diet of death, resurrection and rebirth.

A case in point is this rather impressive restating of the Mutant paradigm from Marvel wherein the latest status quo gets the boot and a new beginning equates with a return to the old days…

Most people who read comics have a passing familiarity with Marvel’s ever-changing X-Men franchise and newcomers or occasional consumers won’t have too much trouble following the backstory so let’s plunge in as the hostile world once more kicks sand in the faces of the planet’s most dangerous and reviled minority…

This utterly engrossing tome (collecting X-Men Schism #1-5, Generation Hope #10-11 and X-Men ReGenesis) finds the world’s mutant population reduced to a couple of hundred desperate souls living in self-imposed exile on an island dubbed “Utopia” located in San Francisco Bay.

Although generally welcomed by most of the easygoing residents of the city, tensions are high and with X-Men team-leader Cyclops running the colony in an increasingly draconian manner, his relationship with war-weary second-in-command Wolverine is slowly, inexorably deteriorating…

Matters come to head when Logan refuses to train the latest batch of kids in combat techniques, concerned that these newest mutants are being cheated of their childhoods, after which Quentin Quire, a 16-year old anarchist telepath provokes an frantic armed response from human world leaders at an arms limitation conference intended to convince humanity to abandon their “defensive” anti-mutant weapons; which generally equates to giant robotic Sentinels of various vintages…

With the world once again on alert against “Homo Superior” attacks, every nation is frantically rearming, but the robots have all degenerated into rampaging menaces attacking their owners – if they work at all – and the assembled mutants and assorted superheroes are kept busy saving humans from their own bellicose paranoid folly…

Meanwhile a bunch of very human rich kids make a move of their own. The greedy, remorseless and ambitious scions of munitions millionaires, human traffickers and deranged scientists have waited long enough for what’s theirs and, after murdering their parents and guardians, take over the Hellfire Club to initiate their scheme of ruling the Earth before they hit puberty…

As their cynical, vicious plan unfolds, the embattled Utopians become the unwitting target of increasingly bloody attacks and Cyclops and Wolverine catastrophically clash over the role of the super-powered children in their care, almost oblivious of the launch of the new super-Sentinel devised by the impatient new Hellfire kids…

Although Utopia is saved in the nick of time, the policy-split leads to a sundering of the Mutants as Wolverine leads many of the youngest kids and some of Cyclops’ oldest, but most disappointed and disaffected, friends to a place where they can attempt a different way of living, leaving the island as a highly visible fortress against and target of human aggression; populated by warriors and militaristic genocide-survivors ready to take the Race – or perhaps more correctly, Species – War to their oppressors…

The core miniseries was scripted by Jason Aaron and illustrated by Carlos Pacheco, Frank Cho, Daniel Acuña, Alan Davis, Adam Kubert, Cam Smith, Mark Farmer & Mark Roslan with Kieron Gillen writing the intersecting chapters from Generation Hope and the epilogue X-Men ReGenesis drawn by Tim Seeley and Billy Tan, respectively.

If you crave fast, furious and fulfilling Fights ‘n’ Tights fiction this is a nearly perfect one-shop stop for your edification and delectation.

X-Men Schism is scheduled for release on January 19th 2012.

™ & © 2012 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. Italy. A British Edition by Panini UK Ltd. ™ and © 2012 Marvel Entertainment LCC and its subsidiaries. All rights reserved. A British edition released by Panini UK Ltd.