Marvel Masterworks: The Uncanny X-Men 1977-78

Marvel Masterworks: The Uncanny X-Men 1977-78 

By Various (Marvel/Panini UK)
ISBN 978-1-84653-009-8

This second volume of these cheap’n’cheerful UK editions featuring early landmarks of Marvel’s most popular characters starts with the conclusion of a tale wherein the team visit Banshee’s ancestral castle in Ireland but run afoul of the ultra-powerful Juggernaut and Banshee’s cousin Black Tom Cassidy. There’s lots of action and much background on the newly minted mutant heroes. And Leprechauns. No, really. That one was originally printed in Uncanny X-Men #103.

Following on in swift and wonderful succession are the contents of issues #104-116, which once again leaves the reader with a bit of a cliff-hanger situation — although, in fairness, it would be hard to find an episode that didn’t end with some kind of unresolved plot thread.

Throughout those early stories a mysterious enemy calling himself Eric the Red was sending villains to attack the team. His next ploy was to restore Magneto to full power (he’d been turned into a baby – a very common fate for villains in those faraway days) and the arch villain’s subsequent attack nearly destroyed the team. After that he orchestrated an attack by the Firelord, an alien flamethrower, then a slight digression as overstretched artist Dave Cockrum was given a breather by a fill-in tale featuring psychic clones of the original X-men from Bill Mantlo and Bob Brown.

The regular story resumes with Eric revealed as an alien spy and the heroes catapulted to another galaxy to save the universe. This marks the beginning of the cosmic nature of the X-Teams. They meet The Shi’ar Imperial Guard (an in-joke version of DC’s Legion of Super Heroes), the heroic space pirates the Star Jammers, and uncover a plot to unmake the fabric of space-time. This tale (from issue 107) was also the last drawn by Cockrum for many years. He would return to replace the man who replaced him.

The final part of the cosmic saga was drawn by John Byrne, whose work was to become an industry bench-mark as the X-Men grew in popularity and complexity. The bravura high-octane thrills of “Armageddon Now” seemed a high-point, but Claremont and Byrne just got better each issue. Weapon Alpha attacked in an attempt to force Wolverine to rejoin the Canadian Secret Service. He would later return, renamed Vindicator, with Alpha Flight — a Canadian team that would eventually star in their own comic.

Another fill-in, by artist Tony Dezuniga, featuring the assassin Warhawk and best forgotten, is followed by a thrilling mystery when the heroes vanish. X-Men graduate the Beast tracks them to a carnival where mutant hypnotist Mesmero has enslaved them. No sooner have they escaped that trap when Magneto returns, and after a titanic struggle is defeated. The battle, in Antarctica, seemingly claims the lives of all but Beast and Phoenix, who return to civilisation and try to pick up their lives. This ‘tragedy’ directly leads into the justly famed “Dark Phoenix Saga” but that’s a tale for another volume.

In actual fact, the X-Men survived by tunnelling into the subterranean paradise known as the Savage Land, a Pellucidarian tropical jungle beneath the ice where dinosaurs and cavemen still live. Here the team recuperate until they encounter an old foe, Sauron, and become embroiled in a war instigated by a Zaladane and Garokk, a mad queen and reincarnated God, respectively. After defeating them the team try to return home but get caught in a major typhoon…

And that’s where this volume closes, but don’t let that dissuade you from this book. It’s a bright and breezy introduction (or even reintroduction) to these characters, and irrespective of your views on the current series it serves as a reminder of just how good comic book adventure can be.

© 1977, 1978, 2007 Marvel Characters, Inc. All Rights Reserved.

Wolverine: Wizard Masterpiece Edition

Wolverine: Wizard Masterpiece Edition

By various

(Marvel/Panini UK)  ISBN 1-905239-42-4

(A BRITISH EDITION RELEASED BY PANINI UK LTD)

Here is a great big book of mutant mayhem to introduce new readers to the world of Wolverine. Although not what I’d call masterpieces, and certainly not a section of the choicest cuts, this volume has good, solid action, lots of great art and many big name creators on board. If you are new to the X-scene this is a handy package to bring you up to speed without breaking the bank.

The first tale comes from Uncanny X-Men #139 and 140 (1980), with Chris Claremont and John Byrne at their creative peak, telling a gripping story of a reconciliation with Wolvie’s previous team, Alpha Flight that turns into a hunt for a carnivorous monster called Wendigo. This is followed by Shattered Vows (Uncanny X-Men #172-173, 1983), as the diminutive mutant prepares to marry a Japanese princess but runs afoul of prejudice, evil mutants, and the Yakuza. The excellent Paul Smith deftly underplays the art to superb effect and Claremont once again supplies the script.

Vicious Circle by Peter David and Todd McFarlane, comes from Hulk #340 (1988), and is fondly regarded by fans as one of the few times both characters truly lived up to their savage reputations, and this is followed by Ann Nocenti and John Bolton’s Hunter and Prey, originally published as a back-up strip in Classic X-Men #25 in 1988. It highlights the primitive side of Logan in a primal triangle involving a bear, an obsessive hunter, and our hero, in an arctic wilderness.

Next up is a classic tale from Uncanny X-Men #268 (1990), Madripoor Knights, a contemporary tale which also flashes back to World War II. Here a pre-claws and adamantium skeleton-ed Logan teams with Captain America and the Black Widow (sort of), whilst beating the stuffings out of arch-Nazi Baron Strucker and the ever insidious ninja gang, The Hand. Claremont’s story is illustrated by the then rising star Jim Lee.

The longest story in the book is taken from Wolverine’s own comic (vol. 1. issues # 150-153, published in 2000) as writer/artist Steve Skroce constructs an epic confrontation against insurmountable ninja odds when Wolverine has to rescue his adopted daughter from the clutches of a Yakuza gang-lord or become the unwilling weapon in a battle for underworld supremacy of Japan. Blood Debt is seventy-seven action-packed, gore filled pages that nevertheless manages to maintain enough decorum to keep an all-ages rating, something of a mutant miracle in itself.

Accompanying these tales are featurettes and commentary culled from the pages of the fan magazine Wizard, covering such diverse topics as Wolverines Greatest Foes, blueprints for his skeleton, the best and worst costumes of the last thirty years, and even “what if Wolverine had been a woman?”

© 1980, 1983, 1988, 1990, 2000, 2006 Marvel Characters, Inc. All Rights Reserved.

Uncanny X-Men: Alan Davis Omnibus

Uncanny X-Men: Alan Davis Omnibus

By Chris Claremont and Alan Davis

(Marvel/Panini UK)  ISBN 1-905239-40-8

(A BRITISH EDITION RELEASED BY PANINI UK LTD)

Alan Davis has been a feature of the US comics scene — and a source of pride to his fellow Brits — for over twenty years now, so a compendium of his work is probably long overdue. It is, then, with mixed feelings that I have to say this is a joy and a disappointment as a package.

As always, his beautiful and influential picture-making is well worth the price of admission, especially when inked by his long-term collaborator, the masterful Mark Farmer, but the editors, by selecting such recent material (Uncanny X-Men issues #444-447, 450-451 and 455-459, – all from the last three years) have deprived newer readers of some wonderful tales. Not to mention ignoring the fact that Mr Davis is a writer of no mean ability himself.

Still, what is here is pretty good, as Chris Claremont scripts some rip-roaring tales featuring time-warps, Sentinels, an unstoppable robot Fury, a teenaged girl Wolverinette, and an all-out Battle Royale in the antediluvian Savage Land against the dinosaur counterparts of the Mutant superheroes for the fate of humanity on Earth, all of which show the range and versatility of the artist. Now if we can just work on a second volume…

© 2004, 2005, 2006 Marvel Characters, Inc. All Rights Reserved.

Marvel Masters: The Art of Jim Lee

Marvel Masters: The Art of Jim Lee 

By various & Jim Lee

(Marvel/Panini UK)  ISBN 1-905239-41-6

(A BRITISH EDITION RELEASED BY PANINI UK LTD)

Since Jim Lee launched himself into the comics arena a lot has changed – and he’s been responsible for a large part of it. So a retrospective volume makes sense for any publisher which owns a large portion of his output. This thick tome contains some of his earliest work for Marvel (Alpha Flight issues #58-60, written by Bill Mantlo and inked by Al Milgrom) wherein he learned the trick to drawing huge casts of characters, and his first real successes (Punisher War Journal #6-7, written by Carl Potts), a visceral team-up of the Punisher and Wolverine, before concentrating on the X-Men runs that made his name and prompted his bid for independence.

From Uncanny X-Men #256-258 (scripted by Chris Claremont) comes a hi-octane, turbulent and perhaps over-blown battle with arch “Yellow Peril” stereotype The Mandarin, whose part in a super-villain pact has him attempt to destroy the misunderstood mutants as part of the “Acts of Vengeance” comic event. Don’t worry about it. There’s lots of semi-naked, exotic women, ninjas, big guns and shouting and hitting – just what every fan at the end of the 1980s demanded. And there’s plenty more where that came from in the last story-arc, reprinting X-Men #4-7, scripted by John Byrne and Scott Lobdell from Lee’s plots. This one features a glimpse into Wolverine’s past as a spy and the menace of Omega Red, a commie mutant whose touch can kill. Have no fear, though, the levels of angsty, hyper-tense testosterone remain at critical levels through-out.

Jim Lee’s work at Marvel shaped a generation of artists and his popularity directly led to the artist breakaway that resulted in Image Comics and a revolution in the industry. Although the work is a little unrelenting in tone, these stories are important and should be seen by a newer, wider audience. They’re quite well drawn, after all.

© 1988, 1989, 1990, 1991, 2006 Marvel Characters, Inc. All Rights Reserved.

Captain Britain Vol 1: Birth of a Legend

Captain Britain Vol 1: Birth of a Legend
Captain Britain

 

By Claremont, Friedrich, Trimpe & Kida

(Marvel/Panini UK) ISBN 1-905239-30-0

(A BRITISH EDITION RELEASED BY PANINI UK LTD)

Marvel UK set up shop in 1972, reprinting their earliest successes in the traditional weekly papers format, swiftly carving out a corner of the market – although the works of Lee, Kirby et al had been appearing in other British comics (Smash!, Wham!, Pow!, Eagle, Fantastic!, Terrific!, and the anthologies of Alan Class Publications) since their inception.

In 1976 they decided to augment their output with an original British hero – albeit in a parochial, US style and manner – in a new weekly, although fan favourites Fantastic Four and Agent of S.H.I.E.L.D. reprints filled out the issues. One bold departure was the addition of full colour printing up front for the new hero, and the equivalent back quarter of each issue.

Unremarkable even by its own standards at the time, this first compilation volume (featuring issues #1 through 23) of Captain Britain’s adventures reads quite well in the hyper-tense 21st century. There is a matter-of-fact charm and simplicity to the adventures that is sorely missed in these multi-part, multi-issue crossover days, and the necessity to keep attentions riveted and hungry for more in eight page instalments sweeps the willing reader along. Chris Claremont was given the original writing assignment apparently due to his being born here, Herb Trimpe the pencilling chores because he was actually resident here for awhile. Gary Friedrich eventually replaced the unhappy Claremont, but the artist, inked by golden age legend Fred Kida (Airboy, The Heap) provided rip-roaring art for this entire first volume. Future artists will include John Buscema, Alan Davis, and, if the publishers include the Black Knight strips from Hulk Weekly, John Stokes.

As for content, if you like old fashioned Marvel-style comics you’re in for a treat, as young Brian Braddock learns how to be a hero with help from the likes of Nick Fury and Captain America, not to mention Prime Minister James Callaghan, against the likes of Hurricane, The Vixen, Doctor Synne, Mastermind and even the Red Skull. The only possible quibble to endure is the petty annoyance of the volume ending mid-story, although the next volume is not too far away, apparently. If this sort of stuff doesn’t appeal, you might consider that these stories are pivotal to understanding the Alan Moore, X-Men and Excalibur tales of the last twenty years. Or the fact that there’s a free Captain Britain mask with the book. Not so easy to resist now, huh?

© 1977, 2007 Marvel Characters, Inc. All Rights Reserved.