Mega Robo Bros volume 2: Mega Robo Rumble


By Neill Cameron with Abby Bulmer & Lisa Murphy (David Fickling Books)
ISBN: 978-1-910989-81-4

Win’s Christmas Gift Recommendation: The Future of Fun… 9/10

After far too long an interval, the second sterling all-ages outing for Neill (Tamsin of the Deep, How to Make Awesome Comics, Pirates of Pangea) Cameron’s marvellous metal and plastic paladins return to share more of their awesome adventures and growing pains!

It’s the Future!

In a London much cooler than ours Alex and his younger brother Freddie are (mostly) typical kids: boisterous, fractious, always arguing, but devoted to each other and not too bothered that they’re adopted. It’s no big deal for them that they were constructed by the mysterious Dr. Roboticus (before he vanished from all human knowledge) and are considered by those in the know as the most powerful robots on Earth.

They recently became super-secret agents too, but almost the entire world knows that…

It’s enough for the digital duo that Mum and Dad love them, even though the boys are a bit more of a handful than most kids. They live as normal a life as possible; going to school, making friends, putting up with bullies and hating homework: it’s all part of the Mega Robo Routine combining boring lessons, fun with friends, playing games, watching TV and training in the covert combat caverns under RAID HQ…

When occasion demands, the lads undertake missions for bossy Baroness Farooq, head of government agency R.A.I.D. (Robotics Analysis Intelligence and Defence). They think it’s because they are infinitely smarter and more powerful than the Destroyer Mechs and other man-made minions she employs…

However, although Dad may be just your average old guy it’s recently become clear that Mum is a bit extraordinary herself and, as renowned boffin Dr. Nita Sharma, harbours some surprising secrets of her own…

All the same, life in the Sharma household is pretty normal. Freddie is insufferably exuberant and over-confident whilst Alex is at the age when self-doubt and anxiety begin to manifest. Of course, their parents’ other robot rescues can be a bit of a trial.

Baby triceratops Trikey with his dog-programming is ok, but French-speaking deranged ape Monsieur Gorilla can be mighty confusing whilst gloomily annoying, existentialist aquatic fowl Stupid Philosophy Penguin constantly quoting dead philosophers all the time makes most people rapidly consider self-harm or manic mayhem …

Culled from the pages of fabulous UK weekly comic The Phoenix, this fistful of fun kicks off with ‘Chapter 1: Mega Robo Schooldays’ as Alex gets a hard time from classmates Mira and Taia. They used to be best friends, but with all his extra-curricular activities the girls are feeling a bit neglected. Alex’s guilt turns to something far worse on Monday at Oak Hill Primary School after a heated football match leads bully Jamal to make a startling accusation. But actually, how do we know if Alex is a Boy or a Girl…?

Deeply shaken the startled hero naturally asks Mum, and she’s never been more grateful for a sudden sneaky Surprise Giant Robot Attack…

In ‘Chapter 2: Mega Robo Underground’ Alex and Freddie are called in by Baroness Farooq, and jet over to Aldgate Tube Station to battle a colossal driller-droid. Further investigation leads the lads and a R.A.I.D. science team deep, deep into the abandoned transport tunnels beneath the city.

Here they encounter an army of rejected and rebuilt robots all undertaking the bizarre agenda of a crazy bag-lady calling herself “The Caretaker”. When she abruptly loses control of her precious charges, all Hell breaks loose. After a massive fight, she escapes to an even more secret lair and an ongoing repair project with hidden ramifications that will have dire consequences for the bombastic boys and the entire world…

Freddie gets to see Mum’s stern side when she takes him – kicking and screaming – clothes shopping in ‘Chapter 3: Mega Robo Weekend’ after which shameful incident ‘Chapter 4: Mega Robo Celebrities’ zooms in on the price of fame when Prettiest Girl in School Jamila finally notices Alex.

With his shiny head all turned around, he’s in no mood for Freddie’s jealous response: candid home videos posted on VuTube. He’s even less chuffed when the postings go mega-viral but cheers up when Freddie’s celebrity bubble inevitably implodes in a most unfortunate manner…

Wrapping up with a spectacular big finish, ‘Chapter 5: Mega Robo Expo’ finds the kids – and their surprisingly famous mum – as guests of a massive Robot Show. After taking down obnoxious, fame-craving mech-makers Team Robotix in a gladiatorial contest, the lads think the action portion of the entertainment has ended, but then the Caretaker’s darkest secret bursts in with mass-murder in mind…

The huge rampaging robot quickly reinforces all humanity’s fears and anxieties about sentient mechanicals, but as the Mega Robo Bros drive the belligerent Wolfram off, Alex realises with alarm that Mum knows far more about the rogue – and her own “sons” – than she’s letting on…

To Be Continued…

Crafted by Cameron and his doughty colouring assistants Abby Bulmer & Lisa Murphy (Tamsin of the Deep, How to Make Awesome Comics, Pirates of Pangea), this is another exceedingly engaging romp which rockets along like anti-gravity rollercoaster, blending mirth with warmth, wit and incredible verve. Alex and Freddy are utterly authentic boys, irrespective of their artificial origins, and their antics strike exactly the right balance of future shock, family fun and bombastic superhero action to capture readers’ hearts and minds. What a movie this would make!

Unmissable excitement for kids of all ages and vintage, this is a true “must-have” item.
Text and illustrations © Neill Cameron 2016. All rights reserved.

And while we’re talking perfect X-Mas gifts, why not pick up Mega Robo Bros volume 1 and enjoy the whole superb saga to date?

Oor Wullie & The Broons: Cooking Up Laughs!


By Robert Duncan Low, Dudley D. Watkins, Ken H. Harrison & various (DC Thomson)
ISBN: 978-0-84535-614-9

Win’s Christmas Gift Recommendation: Evergreen Fun and an Ideal Last-Minute Gift… 10/10

We always get a wee bit Caledonian come Christmas in Win Wonderworld, so here’s another loving look at a matched pair of Scotland’s greatest exports whilst simultaneously revelling in the Good Old Days of comics…

If you’re too busy to read yet more of my lecturing, hectoring blather, please feel free to skip the review… just as long as you buy these books for yourself or someone in severe need of a good cheering up and infectious laugh…

Published eternally in perfect tandem, The Broons and Oor Wullie are two of the longest-running newspaper strips in British history, having appeared continuously in the Scottish Sunday Post since their dual debuts in the March 8th 1936 edition.

Both the boisterous boy and the gregariously engaging inner city clan were co-created by writer and Editor Robert Duncan Low (1895-1980) in conjunction with Dudley D. Watkins (1907-1969); DC Thomson’s greatest – and signature – artist.

Three years later the strips were collected in reprint editions as Seasonal Annuals; alternating stars and years right up to the present day and remaining best-sellers every single time.

The shape and structure of British kids cartoon reading owes a huge debt to Robert Duncan Low who was probably DC Thomson’s greatest creative find.

He started at the Scottish publishing monolith as a journalist, rising to the post of Managing Editor of Children’s Publications where – between 1921 and 1933 – he conceived and launched the company’s “Big Five” story-papers for boys. Those rip-roaring illustrated prose periodicals comprised Adventure, The Rover, The Wizard, The Skipper and The Hotspur.

In 1936 his next brilliant idea resulted in The Fun Section: an 8-page pull-out supplement for Scottish national newspaper The Sunday Post consisting primarily of comic strips. The illustrated accessory premiered on 8th March and from the very outset The Broons and Oor Wullie – both rendered by the incomparable Watkins – were its indisputable stars…

Low’s shrewdest move was to devise both strips as domestic comedies played out in the charismatic Scottish idiom and broad unforgettable vernacular. Ably supported by features such as Auchentogle by Chic Gordon, Allan Morley’s Nero and Zero, Nosey Parker and other strips, they laid the groundwork for the company’s next great leap.

That came in December 1937 when Low launched DC Thomson’s first weekly pictorial comic. The Dandy was followed by The Beano in 1938 (Happy Anniversary, guys!) and early-reading title The Magic Comic the year after that.

War-time paper shortages and rationing sadly curtailed this strip periodical revolution, and it was 1953 before the next wave of cartoon caper picture-papers. To supplement Beano and Dandy, the ball started rolling again with The Topper, closely followed by a host of new titles such as Beezer and Sparky.

Low’s greatest advantage was always his prolific illustrator Dudley Dexter Watkins, whose style, more than any other, shaped the look of DC Thompson’s comics output until the bombastic advent of Leo Baxendale shook things up in the mid-1950s.

Hailing from Manchester and Nottingham, Watkins was an artistic prodigy. He entered Glasgow College of Art in 1924 and before long was advised to get a job at Dundee-based DCT, where a 6-month trial illustrating boys’ stories led to comic strip specials and some original cartoon creations.

Percy Vere and His Trying Tricks and Wandering Willie, The Wily Explorer made him a dead cert for both lead strips in the proposed Fun Section and, without missing a beat, Watkins added The Dandy’s Desperate Dan to his weekly workload in 1937, and The Beano’s placidly and seditiously outrageous Lord Snooty seven months later.

Watkins soldiered on in unassailable magnificence for decades, drawing some of the most lavishly lifelike and winningly hilarious strips in illustration history. He died at his drawing board on August 20th 1969. For all those astonishingly productive years he had unflaggingly drawn a full captivating page each of Oor Wullie and The Broons every week.

His loss was a colossal blow to the company and DC Thomson’s top brass preferred to reprint old Watkins episodes in both the newspaper and the Annuals for seven long years before replacement artists were agreed upon. The Dandy reran his old Desperate Dan stories for twice that length of time.

An undeniable, rock-solid facet of Scots popular culture from the very start, the first Broons Annual (technically Bi-Annual) appeared in 1939, alternating with the first Oor Wullie book a year later (thanks to wartime paper restrictions, no annuals at all were published between 1943 and 1946) and for millions of readers no year can truly end without them.

Every kid who grew up reading comics has their own personal nostalgia-filled nirvana, and DC Thomson have always sagely left that choice to us whilst striving to keep all eras alive with carefully-tooled collectors’ albums like this substantial (225 x 300 mm) hardback Gift Book.

Bright and breezy, the compilation focuses on the characters’ relationship with food – particularly Scotland’s unique and evocative cuisine – through festive occasions, seasonal celebrations and in everyday contexts: especially in comedic situations as comfort or consolation or even hard-won prizes. It’s also jam-packed with some of the best-written and most impressively drawn strips ever conceived: superbly timeless examples of cartoon storytelling at its best…

Moreover, rather than a chronological arc tracing from particularly bleak and fraught beginnings in British history through years of growth, exploration and cultural change, we’re treated to a splendid pick-&-mix protocol: a surprise on every turn of a page with Low and Watkins ably succeeded by Tom Lavery, Peter Davidson, Robert Nixon, Ken H. Harrison, Iain Reid, Tom Morton, Dave Donaldson, Morris Heggie and more.

So What’s the Set Up?: the Brown family dwell together in a tenement flat at 10 Glebe Street in timelessly metafictional Scottish industrial everytown Auchentogle (sometimes known as Auchenshoogle and based on the working class Auchenshuggle district of Glasgow).

As such it’s an ideal setting in which to tell gags, relate events and fossilise the deepest and most reassuring cultural archetypes for sentimental Scots wherever in the world they might actually be residing. And naturally, such a region was the perfect sounding board to portray all the social, cultural and economic changes that came after the war…

The adamant, unswerving cornerstone of the family feature is long-suffering, ever-understanding culinary commander-in-chief Maw, who puts up with cantankerous, cheap, know-it-all Paw and their battalion of stay-at-home kids. These comprise hunky Joe, freakishly tall Hen (Henry), sturdy Daphne, gorgeous Maggie, brainy Horace, mischievous twins Eck and the unnamed “ither ane” plus a wee toddling lassie referred to only as “The Bairn”.

Not officially in residence yet always hanging around is sly, patriarchal buffoon Granpaw – a comedic gadfly who spends more time at Glebe Street than his own cottage and constantly tries to impart his decades of out-of-date, hard-earned experience to the kids… but do they listen?

Offering regular breaks from inner-city turmoil and a chance to simultaneously sentimentalise, spoof and memorialise more traditional times, the family frequently repair to their But ‘n’ Ben (a dilapidated rustic cottage in the Highlands) to fall foul of the weather, the countryside and all its denizens: fish, fowl, farm-grown, temporary and touristic…

As previously stated, Oor Wullie also launched on March 8th 1936 with his own collected Annual compilations subsequently and unfailingly appearing in the even years.

The premise is sublimely simply and eternally fresh: an overly-imaginative, impetuous scruff with a weakness for mischief, talent for finding trouble and no hope of ever avoiding parental or adult retribution when appropriate…

Wullie – AKA William MacCallum – is an archetypal good-hearted rascal with too much time on his hands who can usually be found sitting on an upturned bucket at the start and finish of his page-a-week exploits.

His regular supporting cast includes Ma and Pa, local beat-Bobby P.C. Murdoch, assorted teachers and other interfering adults who either lavish gifts or inflict opprobrium upon the little pest and his pals Fat Boab, Soapy Joe Soutar, Wee Eck and others. As a grudging sign of changing times, in later years he’s been caught in the company of sensible schoolgirls like Rosie and Elizabeth

A compilation in monochrome – with some full-colour pages – Cooking Up Laughs! was released in 2016 as part of the admirable drive to keep early material available to fans: a lavishly sturdy hardback (still readily available through internet vendors) offering a tasty and tantalising selection curated with an emphasis on the eating habits of the stars.

Eating has always been a perennial and fundamental aspect of both strips (don’t get me started on the sociological value and importance of food in a communal or tribal setting: I’ve been to college twice and did all the reading they told me to!), and the topic has even generated a spin-off line of Maw Broon Cook Books

Divided by colour cover or title-pages from previous Annuals, the endless escapades of the strip stars comprise the happily standard fare: kids outsmarting older folk to score sweets and prohibited provender; pompous male adults making galling goofs and gaffes when cooking; family frolics and festival events: rules of rationing and home-grown garden gifts; etiquette outrages: the penalties of gorging; stolen candies, Christmas revels, how to drink Tea and even some full-colour puzzle pages to digest…

Also on show are Scots-specific treats and techniques such as Clootie Dumpling disasters; the mysteries of Fruit; the makings of “a Piece”; Fish Suppers and the miracle of Cheps; how to present Crofter’s Porridge; the marvel of Mince ‘n’ Tatties; better things to do with Neeps; dieting dos and don’ts and every manner of sweet and savoury sampling of succulence and sinfulness…

With snobs to deflate, bullies to crush, duels to fight, chips to scoff, games to win and rowdy animals (from cats to cows) to escape, the eternally affable humour and gently self-deprecating, inclusive frolics make these superbly crafted strips an endlessly entertaining, superbly nostalgic treat.

Packed with all-ages fun, rambunctious homespun hilarity and deliriously domestic warmth, these examples of comedic certainty and convivial celebration are a sure cure for post-modern glums… and you can’t really have a happy holiday without that, can you?

© D.C. Thomson & Co., Ltd. 2016.

How the Grinch Stole Christmas


By Dr. Seuss (Random House/Harper Collins Children’s Books)
ISBN: 978-0-00717-024-1                  978-0-00736-554-8                 978-0-00717-304-4

Win’s Christmas Gift Recommendation: Perfect. Just Perfect… 10/10

The son of a wealthy beermaker of German origins, Theodore Seuss Geisel was born in Springfield Massachusetts on March 2nd 1094. Some years later, he attended Dartmouth College, where he edited the college magazine, before graduating in 1925… despite a few narrow escapes from the college authorities.

Geisel liked to party and preferred drawing to his studies. It was apparently how he got his penname: after the Dean banned him from drawing after a particularly raucous binge, the young artist took pains to sign his work only with his middle name…

Theodore studied English Literature at Lincoln College, Oxford in 1927, where he met his first wife Helen. When they returned to America he became a cartoonist and illustrator, doing spot gags, political panels and covers for a variety of publishers. He produced weekly strip Birdsies and Beasties in prestigious humour magazine Judge and his work also appeared in Life, Vanity Fair, The Saturday Evening Post, Liberty, PM among others.

He even briefly produced a newspaper strip – ‘Hejji’ – in 1935 and tried his hand at animation and advertising. During World War II Geisel turned to political cartooning, advocating a strong response to the Fascist threat. In 1943 he enlisted as a lead animator and director for the United States Army, winning an award in 1947 for the documentary Design For Death which explored Japanese cultural history.

He published his first poem/cartoon book And to Think That I Saw it on Mulberry Street in 1937 but only truly and gradually became a literary god after the war when news reports about the relative illiteracy and lack of vocabulary in young children (particularly a damning report in Life, May 1954) led him to create a string of easy-reading masterpieces The Cat in the Hat’, Green Eggs and Ham, Gerald McBoing-Boing, One Fish, Two Fish, Red Fish, Blue Fish, Horton Hears a Who! and 38 others before his death in 1991.

In 1957 he released the now-legendary How the Grinch Stole Christmas!, a Yuletide evergreen, immortalized in a brilliant Chuck Jones animated short in 1966 and a so-so big budget movie in 2000. Over and above both of these the actual book still towers as a masterpiece of cartoon fiction and one I beg you to read if you already haven’t.

If you’re one of the three westerners who still don’t know the story…

The Grinch is a mean hermit who, for no special reason, loathes everything about the whole Christmas Season. So, one X-Mas Eve he creeps into all Who-houses in the nearby Who hamlet and nicks every trinket that Christmas espouses. No Trees, Tinsel, Presents or Tasty Treats are left: the nasty old codger has left Who-ville bereft.

But just at the moment when his triumph is paramount the Grinch sees what Christmas is actually all about. Heart bursting with joy and good feelings re-surging Grinch returns all the treats he was wickedly purging and joins Who-ville’s people in their grand feast – and even shares some of their glorious Roast Beast!

Seriously though; the simple heart-warming tale of the old monster – and his trusty, long-suffering and illogically faithful hound – as they fail to ruin Christmas, the miraculous change of heart and eventual redemption is the perfect examination of what the Season should mean. Moreover, it’s written in a captivating manner with bold rhyme and incredibly enthralling artwork that embeds itself within every reader. Wily, wise and wonderful, How the Grinch Stole Christmas! is absolutely the best kid’s Christmas book ever created and one you simple have to read. If your house has kids (or not) but no copy, it must be brought up to code immediately and forthwith.

Doctor’s orders… so don’t make me put coal in your socks…
© 1957, 1985 Dr. Seuss Enterprises, L.P. All rights reserved

Thelwell Goes West


By Norman Thelwell (E P Dutton/Magnum/Eyre Methuen)
ISBN: 978-0-87690-189-2 (HB)                  978-0-41701-110-3 (PB)

Norman Thelwell was and remains one of Britain’s greatest cartoonists. His genteel yet rowdily raucous artistic endeavours combined Bigfoot abstraction with a keen and accurate eye for detail, not just on the horse-riding and countryside themes that made him a household name, but on all the myriad subjects he turned his canny eye and subtle brushstrokes to.

His wittily wry observations and gloriously rendered pictures are an immaculate condensation of a uniquely unchanging United Kingdom – everything warmly resonant, resolutely Post-War and Baby-Boomingily British, without ever being parochial or provincial – starring a dangerous realm where all animals and inanimate objects loathe humanity and will go to any extreme to vex or even harm us…

His work has international implications and scope, neatly distilling and presenting us to the world. There were 32 collections of his work during his lifetime and every aficionado of humour – illustrated or otherwise – could do much worse than own them all.

From 1950 when his gag-panel Chicko first began in the Eagle, and especially two years later with his first sale to Punch, Thelwell built a solid body of irresistible, seductive and always funny work. His canny cartoons appeared in a host of magazines, comics and papers ranging from Men Only to Everybody’s Weekly. His first curated cartoon collection – Angels on Horseback – was released in 1957 and in 1961 he made the rare return journey by releasing a book of all-original gags that was subsequently and rapturously serialised in the Sunday Express.

His dry, sly, cannily observed drawings were a huge success and other books followed to supplement his regular periodical appearances. He is most famous for his countryside and equine subjects. The phrase “Thelwell Pony” is an instant verbal shortcut to a whole other world of adroit, goblin-like little girls constantly battling malevolent, chubby mini-horses gifted with the guile of Machiavelli, the mass and temerity of a deranged mule and the cheery disposition of Bill Sikes.

The artist’s fascination and endless reservoir of dressage drollery originated with a pair of short obnoxious muses in the field next door to his home, where also roamed two shaggy ponies. They were, in his own words “Small and round and fat and of very uncertain temper” – and apparently owned by “Two little girls about three feet high who could have done with losing a few ounces themselves….”

“As the children got near, the ponies would swing round and present their ample hindquarters and give a few lightning kicks which the children would side-step calmly as if they were avoiding the kitchen table, and they had the head-collars on those animals before they knew what was happening. I was astonished at how meekly they were led away; but they were planning vengeance – you could tell by their eyes.”

His observations were best depicted in the classic Penelope and Penelope Rides Again, but in this particular instance, the master of the hounds and hilarious horseflesh cast his gaze a little further afield for a wickedly insightful and memorable draughtsman’s discourse, acutely weighing the benefits and pitfalls (oh, so very many painful falls) of Brit and Yank riding preferences and techniques.

After his introductory comparison/blueprint ‘The English Rider’ and ‘The Western Horseman’ Thelwell pits cocky little Cowboys against surly Show-jumping Schoolgirls in such compelling, picture packed chapters as Western Riding, What to Wear, Western Horses, Quick on the Drawl, How to Understand Your Horse, On the Trail, How to Manage a Mean Horse, How to Cross Water and Rodeo Dough before ending with a comprehensive Western Quiz.

So, which is best: East or West?

The answer, of course, is simple: Best to avoid all close encounters of an equine kind and read this book instead.
© 1975 Norman Thelwell.

Batman: Harley and Ivy The Deluxe Edition


By Paul Dini, Bruce Timm, Ty Templeton, Shane Glines, Dan DeCarlo, Ronnie Del Carmen, Rick Burchett, Stéphane Roux & various (DC Comics)
ISBN: 978-1-4012-6080-4

Win’s Christmas Gift Recommendation: Psychosis and Spice and Everything Nice… 9/10

Created by Paul Dini & Bruce Timm, Batman: The Animated Series aired in the US from September 5th 1992 to September 15th 1995. Ostensibly for kids, the breakthrough TV animation series revolutionised everybody’s image of the Dark Knight and immediately began feeding back into the print iteration, leading to some of the absolute best comicbook tales in the hero’s many decades of existence.

Employing a timeless visual style dubbed “Dark Deco”, the show mixed elements from all iterations of the character and, without diluting the power, tone or mood of the premise, reshaped the grim avenger and his extended team into a wholly accessible, thematically memorable form that the youngest of readers could enjoy, whilst adding shades of exuberance and panache that only most devout and obsessive Batmaniac could possibly object to…

The series offered a superbly innovative retro makeover for many classics super-villains and even added one unexpected candidate to the Rogues Gallery. Harley Quinn wasn’t supposed to be a star… or even an actual comicbook character. As would soon become apparent, however, the manic minx had her own off-kilter ideas on the matter…

Harley was first seen as the Clown Prince of Crime’s slavishly adoring, abuse-enduring assistant in Joker’s Favor (airing on September 11th 1992) where she instantly captured the hearts and minds of millions of viewers.

From there on she began popping up in the licensed comicbook and – always stealing the show – infiltrated mainstream DC comicbook continuity and into her own title. Along the way a flash of inspired brilliance led to her forming a unique relationship with toxic floral siren and plant-manipulating eco-terrorist Poison Ivy… a working partnership that delivered a bounty of fabulously funny-sexy yarns…

Collecting the eponymous 3-issue miniseries from 2004 plus Batman Adventures Annual #1 (1994), Batman Adventures Holiday Special #1 (1995), Batman and Robin Adventures #8 (July 1996), Batgirl Adventures #1 (1998) and material from Batman: Gotham Knights #14 (April 2001) and Batman Black and White #3 (2014) this deluxe hardback (and eBook) is an amazing cornucopia of comic treasures to delight young and old alike.

It begins with a global-spanning romp written by Dini, illustrated by Timm & Shane Glines from Batman: Harley & Ivy #1-3 as the ‘Bosom Buddies’ have a spat that wrecks half of Gotham before escaping to the Amazon together to take over a small country responsible for much of the region’s deforestation and spreading a heady dose of ‘Jungle Fever!’.

Once Batman gets involved the story suddenly shifts to Hollywood and the very last word in creative commentary on Superheroes in the movie business as ‘Hooray for Harleywood!’ delivers showbiz a devastating body blow it can never recover from….

As we all know, Harley is (literally) insanely besotted with killer clown The Joker and next up Dini, Dan DeCarlo & Timm wordlessly expose her profound weakness for that so very bad boy as she’s released from Arkham Asylum only to be seduced back into committing crazy crimes and stuck back in the pokey again, all in just ‘24 Hours’

‘The Harley and the Ivy’ comes from Batman Adventures Holiday Special #1 wherein Dini and Ronnie Del Carmen depict the larcenous ladies going on an illicit shopping spree after kidnapping Bruce Wayne thanks to a dose of Ivy’s mind-warping kisses…

‘Harley and Ivy and… Robin’ (Batman and Robin Adventures #8, by Dini, Ty Templeton & illustrator Rick Burchett) features more of the same except here the bamboozled sidekick becomes an ideal Boy Toy Wonder: planning their crimes, giving soothing foot-rubs and bashing Batman until a little moment of green-eyed jealously spoils the perfect set-up…

Batgirl Adventures #1 was the original seasonal setting for ‘Oy to the World’ (Dini & Burchett) as plucky teen Babs Gordon chases thieving thrill-seeking Harley through Gotham’s festive streets and alleys only to eventually team up with the jaunty jester to save Ivy from murderous Yakuza super-assassins.

Batman: Gotham Knights #14 yielded up brilliantly dark but saucily amusing tale ‘The Bet’ written by Dini and illustrated by Del Carmen. Incarcerated once more in Arkham, the Joker’s frustrated paramour and irresistible, intoxicatingly lethal Ivy indulge in a little wager to pass the time: namely, who can kiss the most men whilst remaining in custody. This razor-sharp little tale manages to combine innocent sexiness with genuine sentiment, and still packs a killer punch-line after the Harlequin of Hate unexpectedly pops in…

The madcap glamour-fest finishes with a moment of monochrome suspense as ‘Role Models’ (Dini & Stéphane Roux) sees a little girl escape her manic kidnapper and find sanctuary of a sort with the pilfering odd couple…

DC Comics sat on a goldmine of quality product for years but now they’re finally unleashing a blizzard of all-ages collections and graphic novels such as this one: child-friendly iterations of their key characters all stemming from the Paul Dini/Bruce Timm Batman series. These adventures are consistently some of the best comics produced of the last three decades and should be eternally permanently in print, if only as a way of attracting new young readers to the medium.

Batman: Harley and Ivy is a frantic, laugh-packed hoot that manages to be daring and demure by turns. An absolute delight, well worth the price of admission and an irresistible seasonal treasure to be enjoyed over and over again.
© 1994, 1995, 1996, 1998, 2001, 2004, 2014, 2016 DC Comics. All Rights Reserved.

Benny Breakiron volume 1: The Red Taxis


By Peyo, with backgrounds by Will, translated by Joe Johnson (Papercutz/NBM)
ISBN: 978-1-59707-409-4

Pierre Culliford was born in Belgium in 1928 to a family of British origin living in the Schaerbeek district of Brussels. An admirer of the works of Hergé and American comics in Mickey, Robinson and Hurrah!, he developed his own artistic skills but the war and family bereavement forced him to forgo further education and find work.

After some time toiling as a cinema projectionist, in 1945 he joined C.B.A. animation studios, where he met André Franquin, Morris and Eddy Paape. When the studio closed, he briefly studied at the Brussels Academy of Fine Arts before moving full-time into graphic advertising. In his spare time he began submitting comic strips to the burgeoning post-war comics publishers. His first sale was in April 1946: Pied-Tendre, a tale of American Indians in Riquet, the comics supplement to the daily L’Occident newspaper. Further sales to other venues followed and in 1952 his knight Johan found a permanent spot in Le Journal de Spirou. Retitled Johan et Pirlouit, the strip prospered and in 1958 introduced a strange bunch of blue woodland gnomes called Les Schtroumpfs.

Culliford – who now used the nom de plume Peyo – would gradually turn those adorable little mites (known to us and most of the world as the Smurfs) into an all-encompassing global empire, but before being sucked onto that relentless treadmill, he still found time to create a few other noteworthy strips such as the titanic tyke on view here today.

In 1960 Benoît Brisefer – AKA Benedict Ironbreaker or (in Dutch) Steven Sterk – debuted in Spirou #1183 (December 1960). With a few slyly added tips of the hat to Siegel & Shuster’s Superman (check out that cover, fanboys!), the wry bucolic adventures star a small boy with superhuman strength living in a generally quiet and unassuming little French – or maybe Belgian? – town.

Quiet, well-mannered, gentle and a bit lonely, Benny is also the mightiest boy on Earth; able to crush steel or stone in his tiny hands, leap huge distances and run faster than a racing car. He is also generally immune to all physical harm, but his only real weakness is that all his strength deserts him whenever he catches cold…

Benny never tries to conceal his powers but somehow the adults never catch on. They usually think he’s telling fibs or boasting and whenever he tries to prove he can bend steel in his hands the unlucky lad gets another dose of the galloping sniffles…

Most kids avoid him. It’s hard to make friends or play games when a minor kick can pop a football like a balloon and a shrug can topple trees...

Well-past it Brits of my age and vintage might remember the character from weekly comics in the 1960’s. As Tammy Tuff – The Strongest Boy on Earth – and later as Benny Breakiron and Steven Strong – our beret-wearing champion appeared in Giggle and other periodicals from 1967 onwards.

With Peyo’s little blue cash-cows taking up ever larger amounts of his concentration and time, other members of his studio assumed greater responsibilities for Benoît as the years passed. Willy Maltaite (“Will”), Gos, Yvan Delporte, François Walthéry and Albert Blesteau all pitched in and Jean Roba created many eye-catching Spirou covers, but by 1978 the demands of the Smurfs were all consuming and all the studio’s other strips were dropped.

You can’t keep a good super-junior down though, and, after Peyo’s death in 1992, his son Thierry Culliford and cartoonist Pascal Garray revived the strip, adding six more volumes to the eight generated by Peyo and his team between 1960 and 1978.

Thanks to the efforts of US publisher Papercutz, these gloriously genteel and outrageously engaging power fantasies are available to English-language readers again, both as robust full-colour hardbacks and eBooks, and this initial exploit begins in the sedate city of Vivejoie-la-Grande, where the sweet kid goes about his rather solitary life, doing good deeds in secret and being as good a boy as he can.

However, his sense of fair play is outraged when aging taxi driver Monsieur Dussiflard becomes the target of a dirty tricks campaign by new company Red Taxis. When he and the incensed cabbie challenge the oily company CEO in his flashy high-rise office, Benny is shooed away and the elderly driver later vanishes.

Suspicions aroused, the boy investigates and is attacked by a gang of thuggish Red Taxi employees. Only after thrashing and humiliating the goons does Benny realise that he still doesn’t know where Dussiflard is, so he throws the fight…

Just as he is imprisoned with his fellow abductee, the worst happens and the bombastic boy comes down with a stinker of a cold! As helpless as any other eight-year old, Benny is stuffed in a crate with the codger cabbie and loaded onto a freighter headed to the Galapagos Islands…

With all opposition ended, the boss and his Red Taxi stooges begin the final stage of their devilish plot, utterly oblivious to the dogged determination of Benny who must escape the ship and an alluring tropical paradise and impatiently wait for his cold to clear up, before setting off on a race against time, the elements and his own woefully-lacking knowledge of geography if he is to stop the ruthless criminals…

A superbly genteel spoof and fabulously winning fantasy about childhood validation and agency, The Red Taxis offers a distinctly Old World spin to the concept of superheroes and provides a wealth of action, thrills and chortles for lovers of incredible adventure and comics excellence.
© Peyo™ 2013 – licensed through Lafig Belgium. English translation © 2013 by Papercutz. All rights reserved.

Hellboy in Mexico


By Mike Mignola, Richard Corben, Mick McMahon, Fábio Moon, Gabriel Bá, Dave Stewart & Clem Robins (Dark Horse Books)
ISBN: 978-1-61655-897-0 (TPB)       eISBN: 978-1-63008-217-8

Happy Dia de los Muertos!

Let’s wind down our own Halloween celebrations and enjoy the more life-affirming Day of the Dead with a fabulously pertinent tome, formatted for your edification in both trade paperback and digital editions…

Towards the end of World War II an uncanny otherworldly baby was confiscated from Nazi cultists by American superhero The Torch of Liberty and a squad of US Rangers moments after his eldritch nativity on Earth. The good guys had interrupted a satanic ritual predicted by parapsychologist Professor Trevor Bruttenholm and his associates who were waiting for Hell to literally come to Earth…

The heroic assemblage was stationed at a ruined church in East Bromwich, England when the abominable infant with a huge stone right hand materialised in an infernal fireball. “Hellboy” was subsequently raised by Bruttenholm, and grew into a mighty warrior engaged in fighting a never-ending secret war against the uncanny and supernatural. The Prof assiduously schooled and trained his happy-go-lucky foundling whilst forming and consolidating an organisation to destroy arcane and occult threats – the Bureau for Paranormal Research and Defense.

After years of such devoted intervention, education and warm human interaction, in 1952 the neophyte hero began hunting down agents of the malign unknown, from phantoms to monsters as lead agent for the BPRD. Hellboy rapidly became its top operative; the world’s most successful paranormal investigator…

As decades passed, Hellboy gleaned snatches of his origins and antecedents, learning he was a supposedly corrupted beast of dark portent: a demonic messiah destined to destroy the world and bring back ancient powers of evil.

It is a fate he despised and utterly rejected…

This eerily esoteric collection of tales concocted by Mike Mignola and friends re-presents a selection of short stories as originally published Hellboy In Mexico, Dark Horse Presents Volume 2 #7, 31-32, Hellboy 20th Anniversary Sampler, Dark Horse Presents Volume 3 #7, and Hellboy: House of the Living Dead, collectively spanning 2010 and 2015. The premise is that in 1956 Hellboy was working south of the border and, thanks to booze and an unspecified crisis, went way, way, wa-aay off the reservation…

With each piece preceded by some informative commentary from Mignola, the arcane action begins with ‘Hellboy in Mexico or, A Drunken Blur’, (May 2010) illustrated by Richard Corben with colourist Dave Stewart & letterer Clem Robins applying their own seamlessly fitting contributions to the mix…

In 1982 Hellboy and amphibious ally Abe Sapien are winding down after a strenuous mission in Mexico. Looking for a quiet drink they amble into a ramshackle cantina and discover a sort of shrine comprising a Holy Virgin statue and hundreds of faded photos, posters and tickets for luchadors (masked wrestlers).

One of them features Hellboy and three grinning, hooded grapplers…

Shocked and stunned, Hellboy’s mind drifts back to a barely-recalled drunken binge three decades ago…

And thus is revealed an untold tale of sterling comradeship and collaborative chaos-crushing, as the Demon Detective joins a trio of fun-loving masked brothers who combined their travels on the wrestling circuit with a spot of monster-hunting and devil-destroying. Sadly, Hellboy also remembers how it all fell apart after young Esteban succumbed to the deadly embrace of vampiric bat-god Camazotz

With the golden times over, Hellboy indulged in an epic, memory-eradicating booze-bender until months later BPRD agents found, dried out and brought home their errant top gun…

Of course, since he was missing for months, there might be other exploits still unrecalled…

From Dark Horse Presents Volume 2 #7 (December 2011) – and fully crafted by Mignola – ‘Hellboy versus the Aztec Mummy’ returns to that lost time in Mexico as the powerfully pixilated paranormal paragon hunts down a devil-bat only to find himself overmatched in a clash with godly Quetzalcoatl, after which marvellous Mick McMahon picks up the illustrator’s brushes to render Mignola’s outrageous drunken tall tale ‘Hellboy Gets Married’ (DHP #31-32, December 2013 to January 2014).

This time the demon drink led to the infernal gladiator falling into an unlikely matrimonial match with a ghostly shapeshifter. Their wedding night was the stuff of nightmares…

Relentlessly following on is ‘The Coffin Man’ (by Mignola and Fábio Moon from March 2014’s Hellboy 20th Anniversary Sampler). Here another cantina night was interrupted by a little girl whose recently interred uncle was being pilfered by a sinister Brujo (witchman). Hellboy’s best attempts to take back the beloved cadaver were insultingly inadequate…

The sequel ‘The Coffin Man 2: The Rematch’ was illustrated by Moon’s twin brother Gabriel Bá and first appeared in Dark Horse Presents Volume 3 #7 (February 2015). A fortnight after that initial encounter the still smarting AWOL B.P.R.D. agent went looking for the corpse-stealer and yet again came off embarrassingly second-best…

‘House of the Living Dead’ originally emerged as an eponymous one-off graphic novel crafted by Mignola, Corben, Stewart & Robins. It was devised as loving tribute to the golden age of Universal monster movies, their Hammer Films descendants and legendary actors Boris Karloff, Glenn Strange, John Carradine & Lon Chaney Jr.

The saga starts during that hazy sun-drenched fugue season with Hellboy still revelling in the heady thrills of the travelling wrestling ring. That only makes him a target for a cunning plan that begins with the offer of a lucrative private bout. After refusing, our soused champion is convinced to comply when the stranger shows him the photo of the girl who will be killed if he doesn’t fight…

Soon he is reluctantly entering a dilapidated hacienda and climbing into a ring to clash with a mad doctor’s recently animated corpse-monster. And then vampires show up and the rising full moon bathes the deranged genius’ manservant…

A light-hearted romp with a potent twist and dark underpinnings, it’s no wonder Hellboy carried on drinking after all the grave dust settled…

Moderated and annotated by editor Scott Allie, the ‘Hellboy Sketchbook’ closes this festive fear fiesta, revealing story-layouts, doodles, roughs, designs and pencilled pages accompanied by creator comments and garnished with a full cover gallery.

Delivered as a succession of short, sharp shockers of beguiling wit and intensity, this potent piñata of horror history is a perfect example of comics storytelling at its very best: offering astounding supernatural spectacle, amazing arcane action and momentous mystical suspense – something every fear fan and adventure aficionado will enjoy.
™ and © 2010, 2011, 2013, 2014, 2015, 2016 Mike Mignola. Hellboy is ™ Mike Mignola. All rights reserved.

The Baker Street Peculiars


By Roger Langridge, Andrew Hirsh & Fred Stresing (KaBOOM!)
ISBN: 978-1608869282 (PB)             eISBN: 978-1-61398-599-1

Win’s Christmas Gift Recommendation: A Fresh New Romp to Enjoy Forever After… 9/10

Roger Langridge is a very talented gentleman with a uniquely beguiling way of telling stories. He has mastered every aspect of the comics profession from lettering (Dr. Who) to writing (Thor: The Mighty Avenger) to illustration (Knuckles the Malevolent Nun, Zoot!).

When he combines them (Fred the Clown, Popeye, Abigail and the Snowman), the approbation, accolades and glittering prizes such as Eisner and Harvey Awards can’t come fast enough.

He is also a bloody genius at making folk laugh…

The Baker Street Peculiars started life as an all-ages comicbook miniseries before being gathered in a titanic detective tome and craftily references a glittering reservoir of cool concepts encompassing the mythology of Sherlock Holmes, 1930s London, cosy crime mysteries, kid gangs and rampaging monster movies. Moreover, thanks to Langridge’s keen ear for idiom and slang, every page resonates with hilarious dialogue any lover of old films or British sitcoms will find themselves helplessly chortling over – if not actually joining in with…

Blimey, Guv’ner!

Illustrated by Andy Hirsch (Science Comics: Dogs, Varmints, Adventure Time, Regular Show) and coloured by the inestimable Fred Stresing, ‘The Case of the Cockney Golem’ opens in foggy old 1933 London Town, which is currently enduring an odd spot of bother. Exceedingly odd…

‘A Beast in Baker Street’ reveals that famous statues are going missing. Now, as one of the bronze lions in Trafalgar Square comes to life and bolts away down Charing Cross Road -unlike the crowds rushing about in panic – three wayward children (and a dog) chase after it. Soon they are embroiled in the story of a lifetime… perhaps several lifetimes…

Tailor’s granddaughter Molly Rosenberg, orphan street thief Rajani Malakar and neglected filthy rich posh-boy Humphrey Fforbes-Davenport (and his canine valet Wellington) are all out long after bedtime and keen on a spot of adventure.

Having individually chanced upon the commotion, they spontaneously unite to doggedly track the animated absconder to Baker Street where they enjoy a chance encounter with a legendary investigator…

Molly is especially intrigued: she has read all the exploits of the famous consulting detective. When he rubbishes their claim of moving statues – and claims to be too busy with other cases – she angrily suggests they act as his assistants. The detective complies, but is actually hiding an incredible secret not even his fanciful new deputies could ever imagine…

As Molly’s grandfather suffers another visit from thugs running an extortion racket for the nefarious Chippy Kipper “the Pearly King of Brick Lane”, the kids’ bizarre quest continues in ‘The Lion, the Lord and the Landlady’ after the junior sleuths meet up at 221B Baker Street. Although consoled with a fine meal, they are disappointed to find their hoped-for mentor absent.

Receiving further instructions from the great detective’s elderly cook Mrs. Hudson, the youthful team learn that Mr Holmes believes the statues are simply being stolen and that he wishes the dauntless children to post guard on Boadicea at Westminster Bridge and Lord Nelson in Trafalgar Square…

Their sentinel duty bears strange fruit, however, as East End thugs perform a strange and dangerous ritual and the beloved tourist attractions come to menacing life. As the kids follow the ambulatory landmarks back to Kipper’s hideout, Molly strives to recall a story her grandfather used to tell her: a fable about a Rabbi in old Prague who used a scroll to bring a giant avenging clay statue to life…

As the colossal Chippy shares his own unique origins with his army of thugs and sculptures the youngsters sneak in but are quickly captured. Stuck in a cell they can only watch in horror as Kipper uses ancient magic to make a new kind of monster…

‘The Old, Hard Cell’ brings the plot to a bubbling boil as the terrified tykes swallow simmering resentments and work together to escape their predicament, even as elsewhere, other, more mature truth-seekers are forced to change their stubbornly-held opinions…

Someone else with a keen eye and suspicious mind is enterprising lady journalist Hetty Jones of The Mirror. Her own patient, diligent enquiries have brought her to Baker Street in time to collaborate with the aged detective-in-charge. With all eventualities except the impossible exhausted, the grown-ups must accept the truth and soon track down the missing lion. It’s probably too late though, since an army of animated marble and bronze artefacts are rampaging through London towards the East End, with only three kids (and a dog) ready to confront them…

With Chippy Kipper in the vanguard, the chilling regiment invades Molly’s home turf but ‘The Battle of Brick Lane’ is no one-sided affair. The plucky tyke has remembered the secret of the Rabbi’s Golem and has conceived a daring stratagem to immobilise the monstrous invaders. As for Kipper’s human thugs, they’ve underestimated the solidarity of hundreds of poor-but-honest folk pushed just a bit too far…

And when the dust settles, Sherlock Holmes has one last surprise for his squad of juvenile surrogates…

Adding to the charm and cheer is a cover-&-variants gallery by Hirsch and Hannah Christenson, sketch and design feature ‘Meet the Peculiars’ and a delicious sequence of all-Langridge strips starring his unique interpretation of the Great Detective in ‘The Peculiar Adventures of Sherlock Holmes’.

Reverently refencing and spoofing beloved old films and our oh-so-idiosyncratic manners and parlance with a loving ear for an incongruous laugh, The Baker Street Peculiars is a sheer triumph of spooky whimsy, reinventing what was great about classic British storytelling.

Fast, funny, slyly witty and with plenty of twists, it is an absolute delight from start to finish and another sublime example of comics at its most welcoming.

Don’t be surprised if it turns up as a movie or BBC TV special one of these days…
™ & © 2016 Roger Langridge & Andrew Hirsch All rights reserved.

Buster Book of Spooky Stories 1976


By various (IPC Magazines)
ISBN: 85037-199-6

Considering that Halloween is a still a children’s festival (tabloid press and TV reports of bingeing adult excess notwithstanding) I thought I’d re-review this delightful package that epitomises the veritable End of Days of the traditional post-war English Comics industry.

By 1975 the Halcyon era of the children’s periodical publishing business was swiftly fading. Accepted Wisdoms dictating that comics were only read by children who would eventually move on to better and more acceptable forms of entertainment (and these were opinions held by the monolithic managements which produced them!) were gradually being eroded by more creative types within the industry. They still saw potential in the medium and were backed up by an increasingly vocal fan movement which kept on buying and reading the iniquitous, garish little pamphlets even after they had all “grown up.”

Fleetway was an adjunct of the IPC (at that time the world’s largest publishing company) and had, by the early 1970s, swallowed or out-competed all other English companies producing mass-market comics except the exclusively television-themed Polystyle Publications. As it always had been, the megalith was locked in a death-struggle with Dundee’s DC Thomson for the hearts and minds of their assorted juvenile markets – a battle the publishers of the Beano and Dandy would finally win when Fleetway sold off its diminishing comics line to Egmont publishing and Rebellion Studios in 2002.

In 1974 Fleetway’s hidebound, autocratic bureaucracy still ruled the roost, even though sales had been steadily declining in all sectors of the industry (Pre-school, Juvenile, Boys and Girls, Educational) since the end of the 1960s, and increasingly the company were sanctioning niche products to shore up sales rather than expand or experiment.

A dashing young sub-editor on Buster, Dez Skinn – who would go on to produce a number of successful independent publications such as Starburst, House of Hammer and Warrior as well as partially reviving the fortunes of the moribund reprint house Marvel UK – proposed a kids horror comic called Chiller to fill a perceived gap in the market, even preparing new and revised reprint material to show the “higher ups.”

His always reactionary and overly cautious bosses nixed the idea but decreed that the prepared material would be used in one-off annuals as part of occasional themed series “The Buster Book of …”

These one-offs had begun in 1970 with “Gags” and provided cost-effective, profitable items with a longer shelf-life for the lucrative Christmas and summer holiday markets.

Of course, I knew none of this when I picked up this second Buster Book of Spooky Stories in 1975 (UK annuals are forwarded-dated), a period when I was far more interested in girls and beer than funnybooks.

It was a remarkable experience: instant, brand new nostalgia…

Behind its gaudy, soft card covers lay a delightful blend of novel and comfortably familiar; comedy strips, fact-features and scary adventure yarns that had been the stuff of my formative Christmas experiences throughout the 1960s.

The jollity commences with a Reg Parlett ‘Rent-A-Ghost Ltd.’ 2-page howler, teasing essay ‘Do You Believe in Ghosts?’ and more ghost gags before the first lengthy scare-fest begins…

‘The Ghostly Guardian’ follows the trials and tribulations of young Jim Frobisher who escapes the home of his abusive foster-uncle and takes up residence with a stray dog and his own deceased ancestor – 17th century freebooting pirate Firebrand Frobisher.

This is a resized weekly serial collected from I know not where, but is still resonates with thrills, spills and comedy chills, delivered in beautiful moody monochrome as rendered by the Solano Lopez studio (sadly these credits are mostly guesswork as the work was deliberately un-attributed at the time).

Our eponymous star contributes the first of two ‘Buster’s Dream World’ episodes, followed by a Ken Reid ‘Face Ache’ yarn, the first of numerous ‘Spooky Scrapbook’ fact-files and a short tale of ‘Horace the Hopeless Haunter’ before the real gem of the book begins: the first of two paranormal exploits featuring Cursitor Doom; jazzed up for the sinister seventies by re-jigging them as cases of Curtis Bronson: Ghost Hunter.

Cursitor Doom first appeared in the revamped Smash in 1969, created by Ken Mennell and illustrated by the indescribably brilliant Eric Bradbury, an elderly mystical troubleshooter (Doom not Bradbury) who hires burly he-man Angus McCraggan to be his agent on the physical side of an eternal battle against manifest evil.

Here Angus has been redrawn to resemble contemporary anti-hero Charles Bronson and in ‘The Phantom Friar’ goes solo to defend a couple of damsels in distress from a spectral monk and greedy relative.

The next comedy tranche comprises ‘Angel Face and Dare Devil’, ‘The Creepy Crawleys’, ‘Whacky Waxworks’, ‘Chilling Chuckles’, an extended jape ‘The Mummy’s Curse’ and ‘The Scareys of St. Mary’s’, neatly bisected by terse text terrors ‘Ghost Stories of the Sea’ and another ‘Do You Believe in Ghosts?’ article before the original spooky thrill-fest resumes with ‘The Ghost of Gaunt Manor’ and a suitably themed ‘Puzzle Page’.

Stalking another ‘Spooky Scrapbook’, Ken Reid returns with an hilarious ‘Davy Jones Locker’ gag-strip before nefarious Buster regular Charlie Peace debuts in a Victorian shocker ‘The House of Thrills’.

Then tyrannical 15th century warlord Ungar the Merciless comes a cropper when he tries to steal ‘The Mystic Fountain’, after which ‘Rent-A-Ghost Ltd.’, ‘The Scareys of St. Mary’s’, ‘Whacky Waxworks’ and yet another ‘Do You Believe in Ghosts?’ precede the second and final instalment of ‘The Ghostly Guardian’.

More ‘Angel Face and Dare Devil’, ‘Puzzle Page’ and ‘The Mummy’s Curse’ swiftly follow and a ‘Creepy Cackles with ‘The Scareys of St. Mary’s’, after which ‘The 13th Man’ – a brief western terror-tale – provides some all-new thrills, balanced by more ‘Davy Jones Locker’, ‘Horace the Hopeless Haunter’, ‘Do You Believe in Ghosts?’, ‘The Creepy Crawleys’, ‘Face Ache’ and ‘Ghost Stories of the Sea’

The serialised Mummy’s Curse then concludes as the final section opens with a last witchly romp for ‘The Scareys of St. Mary’s’ whilst ‘Curtis Bronson meets The Snake Mummy’: a Bradbury drawn drama which tingles with menace in which Cursitor Doom makes a telling appearance, albeit in the trendier guise of with-it witch man Septimus Drood.

Just to ensure there’s not too many nightmares ‘Rent-A-Ghost Ltd.’, ‘Spooky Scapbook’ and the other ‘Buster’s Dream World’ take their last bows before the book ends with an activity page, the ‘Haunted House Escape Game!’

In 1984 Fleetway released the short-lived Scream!, an excellent weekly kids horror anthology modelled on the inexplicably (to management, at least) successful 2000AD, but the supernatural zeitgeist of the 1970s was long gone and the comic foundered and was cancelled after four months, which probably means something, but I’m too polite to say what…

This book is a delightful monster-mish-mash and one that will delight older fans and deliver lots of laughs and shivers to the young. Well worth tracking down and rapturously reading over and over again.
© 1975 IPC Magazines. All rights reserved.

Monsters! and Other Stories


By Gustavo Duarte (Dark Horse)
ISBN: 978-1-61655-309-8 (PB)                     eISBN: 978-1-62115-886-8

In comics, Less Is More.

There are already pictures. They should be clearly understood. Deathless prose so often just gets in the way…

This stunning compilation of Brazilian graphic raconteur Gustavo (Bizarro, Guardians of the Galaxy) Duarte’s earlier works is a sublime masterclass in cartoon humour: three engrossing mini-epics hallmarked by breakneck pace, captivating atmosphere, escalating surreality, inspired sight-gags and superb drawing.

Following an effusive Introduction extolling the virtues of pantomimic comics and the sheer wonder of silent comedy from indisputable maestro Sergio Aragonés, the twisted triptych of hilarious terror tales opens with ‘Có!’ (2009): a sardonically sinister saga of pig and chicken rearing practises, alien abductions, existential confrontation and the unmitigated horror of extraterrestrial metamorphoses…

Moodily unfolding next, ‘Birds’ (2011) pecks at the cutthroat business world. A sinister murder mystery ensues, swiftly degenerating into a bloodbath where only Death holds true dominion…

Concluding this quiet extravaganza is the bombastic ‘Monsters!’ (2012): a manic celebration of Kaiju (that’s city-stomping, rampaging giant beasties to you and me) as a recreational angler reels in a colossal lizard to tear up the town. As the creature inevitably attracts gargantuan rivals ashore for a showdown and the human populace panic, an elderly gentleman patiently gathers ingredients for a very ancient and special potion…

This manic, mostly monochrome tome is the acme of artistic thrills and chills, perfectly capturing the addictive wonderment of monster stories.

Less is More. Silence is Golden. Read this Book.
™ & © 2009, 2011, 2012, 2014 Gustavo Duarte Publications, Inc. All rights reserved.