Category: Marvel Superheroes

Posted on

Avengers/Defenders War

Av-def war
By Steve Englehart, Bob Brown, Sal Buscema & various (Marvel)
ISBN: 978-0-7851-2759-8 (HC),       978-0-7851-5902-5 (2012 TPB)

For kids – of any and all ages – there is a simply primal fascination with brute strength and feeling dangerous, which surely goes some way towards explaining the perennial interest in angry tough guys who break stuff as best exemplified by Prince Namor, the Sub-Mariner and the Incredible Hulk. When you add the mystery and magic of Doctor Strange the recipe for thrills, spills and chills becomes simply irresistible…

Last of the big star-name conglomerate super-groups, the Defenders would eventually number amongst its membership almost every hero – and a few villains – in the Marvel Universe. No surprise there then since the initial line was composed of the company’s major league bad-boys: misunderstood, outcast and often actually dangerous to know.

For Marvel in the 1970s, the outsider super-group must have seemed a conceptual inevitability – once they’d finally published it.

Apart from Spider-Man and Daredevil all their heroes regularly teamed up in various mob-handed assemblages, and in the wake of the Defenders’ success even more super-teams featuring pre-existing characters would be packaged: the Champions, Invaders, New Warriors and so on… but never again with so many Very Big Guns…

The genesis of the team in fact derived from their status as publicly distrusted “villains”, and they never achieved the “in-continuity” fame or acceptance of other teams, but that simply seemed to leave the creators open to taking a few chances and playing the occasional narrative wild card.

The Avengers, however, are the result of one of the most momentous events in Marvel Comics history, when in 1963 Stan Lee & Jack Kirby combined most of their disparate, freshly minted individual heroes as a response to the astounding success of National/DC’s Justice League of America.

The Mighty Avengers combined the company’s fledgling superhero stars Thor, Iron Man, Ant-Man and the Wasp in one bright, shiny and highly commercial package: ostensibly called together by fate to stop the Incredible Hulk – although Asgardian nemesis Loki was actually the fiend behind it all.

Over the years the roster has waxed and waned until almost every character in their universe has at some time numbered amongst their serried ranks.

As described in his Introduction, in 1973 wunderkind scripter Steve Englehart was writing both series as (well as Doctor Strange, the Hulk and Luke Cage, Hero for Hire) and, yearning for the days of summer blockbuster annuals, decided to attempt his own massive multi-player epic. Bravely given the editorial go-ahead at a time when deadline crunches regularly interrupted ongoing storylines, the author and his regular pencillers Sal Buscema and Bob Brown laid their plans…

Threads had been planted as early as Defenders #4 with Englehart carefully putting players in place for a hugely ambitious cross-over experiment: one that would turn the comics industry on its head.

When madwoman Barbara Norris was cursed by Asgardian Amora the Enchantress she became an incarnation of old Avengers enemy The Valkyrie. The denouement of the tale also left part-time Avenger and Defender the Black Knight an ensorcelled, immobile stone statue, and as Strange and Co. searched for a cure, aided by the Silver Surfer and the tempestuous Hawkeye (another Assembler looking to forge a solo career), they fell into a subtle scheme orchestrated by two of the greatest forces of evil in all creation.

The massive cross-over experiment began with a little prologue taken from the end of Avengers #115 illustrated by Brown & Mike Esposito. ‘Alliance Most Foul!’ saw extra-dimensional demon lord Dread Dormammu and Loki unite to search for an ultimate weapon that would give them final victory against their foes. They would trick the Defenders into securing the six component parts by “revealing” that the reconstructed Evil Eye could restore the petrified Black Knight, a plan that began at the end of Defenders #8…

The first chapter in ‘The Avengers/Defenders Clash’ was ‘Deception!!’ (Buscema & Frank McLaughlin) as a message from the limbo-locked spirit of the Black Knight was intercepted and doctored by the twins of evil, leading directly to ‘Betrayal!’ wherein the Avengers, hunting for their missing comrade, “discover” that their oldest enemies Hulk and Sub-Mariner may have turned the Black Knight to stone.

This and following chapter ‘Silver Surfer Vs. the Vision and the Scarlet Witch’ comprise the contents of Avengers #116, illustrated by Brown & Esposito, wherein the rival teams split up: one to gather the scattered sections of the Eye and the other to stop them at all costs…

Defenders #9 (Buscema & McLaughlin) began with the tense recap ‘Divide …and Conquer’ before ‘The Invincible Iron Man Vs. Hawkeye the Archer’ and ‘Dr. Strange Vs. the Black Panther and Mantis’ shed more suspicion and doubt on the mystical villain’s subtle master-plan.

Avengers #117 ‘Holocaust’, ‘Swordsman Vs. the Valkyrie’ and the turning point ‘Captain America Vs. Sub-Mariner’ (Brown & Esposito) led to the penultimate clash in Defenders #10 (Buscema & Bolle) ‘Breakthrough! The Incredible Hulk Vs. Thor’ and the inevitable joining together of the warring camps in ‘United We Stand!’, but sadly too late as Dormammu seized the reconstructed Evil Eye and used its unimaginable power to merge his monstrous realm with ours.

Avengers #118 provided the cathartic climactic conclusion in ‘To the Death’ (Brown, Esposito & Giacoia) as all the heroes of the Marvel Universe battled the demonic invasion, whilst united Avengers and Defenders plunged deep into the Dark Dimension itself to end the threat of the evil gods forever (or at least for the moment…).

With the overwhelming cosmic threat over the victorious Defenders attempted to use the Eye to cure their stony comrade, only to find that his spirit had found a new home in the 12th century.

In Defenders #11’s ‘A Dark and Stormy Knight’ (inked by Frank Bolle), the group travelled to the distant past encountering wonderment, miracles and a kind of happy ending whilst combating black magic. However they ultimately failed to retrieve or restore the Knight and went their separate ways – as did departing scripter Englehart.

Also included in this perfect Fights ‘n’ Tights festival of fisticuffs and frantic action

is a cover gallery of all the issues – including the prologues from Avengers #115 and Defenders #8 – as well as Carlos Pacheco’s cover to the 2002 edition and the full-painted Buscema cover to this book, digitally enhanced by colourists Richard Isanove, Avalon’s Matt Milla & Michael Kelleher.

If all you want is spectacularly pure classic comicbook gratification then this is the book for you – especially as the latest paperback edition of this perennial favourite was only released last year…
© 1973, 2007, 2012 Marvel Characters, Inc. All rights reserved.

Posted on

The First X-Men: Children of the Atom


By Neal Adams & Christos Gage with Andrew Currie (Marvel/Panini UK)
ISBN: 978-1-84653-522-2

By now you’re either aware or not of mutant continuity, so in the spirit of this high octane, terse, and immensely enjoyable prequel, I’ll forego the usual catch-up scorecard and précis to simply state that new readers can jump on with the minimum of confusion and, by the skilful use of banter, be readily brought up to cruising speed.

Presumably designed to appeal as much to fans of the movie franchise as comicbook aficionados, the drama is set in those Cold War days when Charles Xavier was a college student – and latterly American G.I. – whilst immortal beast Wolverine and feral manhunter Sabretooth both worked as spies specialising in wet-work…

Even in the Marvel Universe today not all Children of the Atom are found and mentored by heroes, villains or the ever-vigilant Federal Government, and in the long-gone era revealed by this tale (originally released at the end of 2012 as 5-issue miniseries) we learn a few harsh secrets about the early moments of the burgeoning and isolated emergent mutant race and the tragic way today’s draconian status quo was established.

In a fast-paced romp from co-writers Neal Adams and Christos Gage, fully illustrated by the living graphic legend and artistic associates Andrew Wildman & Matthew Wilson, the action begins in the eponymous first chapter when the cagy mutant Logan meets with the son of an old friend.

Young Anthony is “special” in the same way Wolverine is, but just as the elder metahuman makes contact in the heart of Harlem, the boy starts glowing and explosively detonates…

When the boy’s remains are quickly shipped away the veteran spy realises it was by fellow spooks – American FBI agents.

Shocked and shaken Logan talks things over with savage sometime-partner Victor Creed and convinces him to help in hunting down, protecting and training all those other freaks popping up everywhere – before the government scoops them up as guinea-pigs or weapons…

However when Logan and Creed break into FBI HQ at Quantico they not only discover Anthony’s body in a lab but also files and plans for the capture of all mutants. Their own names are on a list…

Although ambushed by agents in robotic armour they easily escape and head for WashingtonDC to foil the next planned rendition – a young girl named Holly Bright – completely unaware that Anthony has revived…

Holly is living on the streets and has the ability to take thoughts and images from minds and cast spellbinding illusions, which comes in handy when a full compliment of robo-agents arrive just as Logan and Creed locate her.

The next name takes them to OxfordUniversity in England where brilliant PhD student Charles Xavier is planning his marriage – to Moira MacTaggert – and a rich, happy, uncomplicated future. When the trio of bizarre, brutal creatures turn up they tell him a preposterous story of hunted beings and ask him to join as their leader. He refuses and sends them packing, but he has to believe that he’s on the FBI’s catch list… after all he read it in their minds.

Disgusted with the telepath’s refusal to join or even acknowledge the problem, Logan, Creed and Holly head for South America and the next name – a magnetic mutant and determined killer named Erik Lehnsherr…

First however they find ‘Common Cause’ with a monstrous teen in Colorado, rescuing Ben Goldendawn – Yeti – from common hunters rather than Feds, before joining him in another assault on Quantico. Ben was in mental contact with his equally empowered brother, but when the mutants reach Virginia they find the government facility abandoned and reduced to rubble.

It’s not a complete disaster however. Buried in the debris is the now fully recovered Anthony who gratefully joins the refugees as Logan takes a time-out and  trains his kids in the basics of combat, survival and living under the radar…

Meanwhile in Argentina, Lehnsherr is increasingly active: tracking Nazi war criminals and exterminating them in the same ruthless manner that they eradicated his family and people. When Logan and the team find him, Magneto spectacularly refuses to join, declaring a war against oppression is no place for children.…

Somewhere in America, anthropologist Bolivar Trask stridently advises his FBI employers to renew all efforts to locate and destroy all “Homo Superior” beings before they supplant mankind, overruling the suggestions of senior Agent Fred Duncan who advises working with, not alienating and eliminating, the coming race…

Their Director Hartfield has his own short-term solution however: using their own pet mutant to enslave and subjugate the worrisome freaks…

In ‘A Place to Belong’ the government’s ghastly mind-controlling monster Lyle Doorne, AKA Virus, is deployed even as Wolverine’s pack tackle and fail to recruit a demented, super-strong and very crazy water-breathing wino in Manhattan (a sly tip of the hat to Fantastic Four #4, for all the long-term fans. Look it up if you want…). They are inexplicably aided by Agent Duncan, covertly and independently testing his policy of cooperation…

Later at their wilderness hideaway, the unwise relationship between Victor and Holly takes a major step forward even as, at the Pentagon, Private Xavier is removing all suspicious flags against his name and scrubbing his own government record via his psychic gifts before arranging his own transfer to the top-secret Federal Project Chimera in Pennsylvania…

Things are going badly: no one realised the full extent of Virus’ abilities nor that the horrific monster might have his own agenda for both humanity and Homo Superior, and when Logan’s heroes raid the facility to rescue Yeti’s long-lost brother, nobody realises it’s all part of Doorne’s game plan…

Secret origins lead off ‘Things Fall Apart’ before the team – now comprising nine mutants of varying age and ability – starts to disintegrate from internal tensions, ably abetted by the Trojan Horse that Virus has planted amongst them. The FBI’s shaky solidarity is also fracturing, with Duncan and Trask – who advocates using robot hunter/killers to utterly exterminate all mutants – constantly clashing.

Hartfield prefers the latter option and a flight of prototype Sentinels is launched to capture the rogue misfits. Desperate to see his toys in action, Trask and his driver Xavier head to the fugitive’s hideout in time to see Virus’ scheme come close to dreadful fruition before the subsequent horrific battle scars all the surviving outcasts forever, turning Sabretooth into Wolverine’s most vengeful and implacable foe forevermore in ‘I Dreamed a Dream’…

Clever and powerfully engaging, this sharp, gritty and very pretty exercise in dramatic in-filling skilfully operates as a prequel to many themes and events of the later overarching continuity whilst never losing sight of the principal objective of entertaining both devotees and newcomers alike.

This thrilling rollercoaster ride also includes a stunning selection of covers and variants from Adams, Ryan Stegman, Mike Deodato Jr., Shane Davis, Daniel Acuña and Adam Kubert for all art-lovers to enjoy.
™ & © 2012 and 2013 Marvel & Subs. Licensed by Marvel Characters B.V. A British Edition published by Panini Publishing, a division of Panini UK, Ltd. All rights reserved.

Posted on

Uncanny X-Men – First Class: Hated and Feared


By Jeff Parker, Scott Gray, Roger Langridge, Craig Rousseau, Roger Cruz, David Williams, David Calero, Sean Galloway, Joe Infurnari, Cameron Stewart & various (Marvel)
ISBN: 978-0-4051-4104-4

In 2006 the deliriously naive secret school-days adventures of the Marvel’s Merry Mutants were re-imagined as X-Men First Class (a comicbook iteration, not the movie) which updated and reinterpreted the seminal 1960s adventures for the far more sophisticated contemporary audience.

An 8-issue miniseries and a One-Shot Special led to a further 16 issue run: retrofitting old stories, creating new material by in-filling existing narratives and especially by integrating the kids with the mainstream continuity through team-ups with assorted guest stars such as Doctor Strange, Man-Thing, Gorilla-Man, Thor and Invisible Woman. The experiment was a conceptual success and even led to a number of spin-off series based on the same winning “untold X-tales” format.

However all good things come to an end – until the next time a few years from now – and the junior league finally had to move on into their later lives and rejoin the ongoing Marvel Universe continuity. Thus in 2009 the 4-issue miniseries X-Men – First Class: Finals revealed the story of the trainees’ graduation and fed directly into the landmark tale which introduced a thoroughly modern new team…

In 1975 Len Wein & Dave Cockrum revived the revered but painfully uncommercial fan favourite in Giant Size X-Men #1, replacing most of the 1960s team – Iceman, The Angel, Marvel Girl, The Beast, Lorna Dane and Havok – with a second generation of edgier international mutants young and old.

With both field-leader Cyclops and wheelchair-bound telepath Professor Charles Xavier remaining to carry on the dream of brokering peace and achieving integration between the sprawling masses of humanity and an emergent off-shoot race with terrifying extra abilities, the stage was set for “All New, All Different” adventures, and the fledgling squad rapidly became the company’s biggest hit and asset.

Comic fans have an insatiable appetite for untold tales and details, so this fresh iteration of the First Class concept, rather than rewriting or updating canonical tales already perpetually in print and utterly familiar to fans, opted to exploit gaps and spaces between scenes and stories with all new yarns…

Collecting one-shot Giant-Size Uncanny X-Men: First Class #1 and the first four issues of the follow-up Uncanny X-Men: First Class from 2009, the revelations begin as quintessential good Soldier Cyclops struggles to adapt to the undisciplined strangers who comprise his unwelcome new team.

After an ill-omened and almost catastrophic battle against a giant mutant fungus, the lone remaining graduate of Xavier’s original intake takes stock by studying the early exploits of Storm as a thief in Cairo, Banshee‘s battle against a Faerie Bog Ogre in Ireland, Nightcrawler‘s formative days in a German circus and Peter Rasputin‘s very first transformation into a living steel Colossus.

Of course Wolverine‘s revelations were clearly a cover-story – if a hilariously funny one – but the effort to understand his new comrades in arms soon allowed a connection to be made by the earnest, dedicated, determinedly single-minded team leader…

That initial outing – a collaborative jam-session from writers Jeff Parker, Scott Gray & Roger Langridge and assembled illustrators Craig Rousseau, David Williams, Dennis Calero, Sean Galloway, Joe Infurnari, Cameron Stewart, John Beatty – was capped off with an hysterical glimpse at the list of ‘International Mutant’s Who Didn’t Make the Team’ before the regular series commenced with ‘Refugee’ by regular series scripter Gray and artist Roger Cruz.

Set just after Marvel Girl Jean Grey “died” and was resurrected as the cosmic entity Phoenix (approximately between X-Men #108 and 111 if you’re counting) the drama begins after demonic-seeming Nightcrawler Kurt Wagner was attacked by the very humans he had saved and went into a depression of disappointment and disgust.

Thus when the Royal Family of the mysterious Inhumans came to visit Professor X as part of a cultural exchange, the dejected hero was intoxicated by the concept of an entire society that venerated the concept of being physically different…

The Inhumans were conceived as an incredible lost civilisation and debuted in 1965 (in Fantastic Four #44-48, during Stan Lee & Jack Kirby’s most fertile and productive creative period).

They are a race of disparate (generally) humanoid beings, genetically modified by aliens in Earth’s distant pre-history, who consequently became technologically advanced far ahead of emergent Homo Sapiens. Few in numbers, they isolated themselves from barbarous dawn-age humanity, first on an island and latterly in a hidden Himalayan valley, voluntarily closeted in their fabulous city Attilan – until a civil war brought them into the public gaze of the modern world.

The hidden race practised a ritual and doctrine wherein almost every member of their society – was on reaching maturity – subjected to mutagenic Terrigen Mists which transformed them into an utterly unique being: something Wagner was unaware of when he made a fervent request of Xavier and Inhuman monarch Black Bolt and his queen Medusa…

In the meantime his cousins Triton, Karnak, Gorgon, and Medusa’s bewitching sister Crystal (and her giant teleporting dog Lockjaw) were being entertained by the other X-Men until abrasive alpha-dogs Wolverine and Gorgon clashed and a bombastic battle broke out…

With no real harm done, arrangements were made and Kurt, accompanied by best friend Peter “Colossus” Rasputin, became guests in the hidden Himalayan retreat, enjoying the easy camaraderie of the society of strangers, until Kurt witnessed the Terrigen ceremony and went ballistic, incensed that perfectly healthy, normal youngsters were deliberately turned into monsters… just like him…

Struck down for disrupting the sacred ritual in ‘To Err is Inhuman…’ Nightcrawler was held for trial, but Triton and Colossus secretly warned the rest of the X-Men, and Cyclops led a rescue mission which quickly escalated into a small, short war that almost destroyed Attilan before order and peace were restored…

Banshee was the focus of ‘The Next Life’ as wise old Sean Cassidy was targeted for revenge by the father of his long-dead bride. That was bad enough, but the cruel weapon of choice was a mutant who could materialise ghosts of lost loved ones…

Meanwhile in space, astronomer astronaut Peter Corbeau of the UN satellite Starcore One detects three impossible entities cavorting on the surface of the sun…

This premiere volume concludes with a classic girl’s night out and a cosmic cliffhanger in ‘Sisters of the Dragon’ illustrated by David Williams, as African émigré Ororo Monroe (AKA Storm) joins Jean and her martial arts/Private Eye pals Colleen Wing and Misty Knight for some downtime, chat and socialisation, only to be ambushed by queen of criminality Nightshade.

The devious diva needs something from the impregnable S.H.I.E.L.D. Heli-carrier and unless the weather witch gets it her friends will die horribly. Complying and completing her task before spectacularly turning the tables on Nightshade, Ororo doesn’t realise the seriousness of messing with the vindictive spy agency…

Meanwhile Professor X is psychically shocked by a telepathic distress call from old colleague Corbeau. Starcore has been invaded by a trio of sadistic solar horrors… and Earth is next…

To Be Continued…

This superbly entertaining collection wisely keeps the continuity baggage to a bare minimum, determined to deliver a compelling, rocket-paced rollercoaster ride of thrills and chills, heavy on action and light on extended sub-plots.

Engaging, exciting and extremely enjoyable, these new adventures are a welcome continuation of the Good Old Days that will delight fans and newcomers alike, offering another bite of that long-lost perfect cherry for all lovers of grand mutant Fights ‘n’ Tights action, mirth and mayhem…
© 2009 Marvel Characters, Inc. All rights reserved.

Posted on

Ultimate Comics Spider-Man: Divided We Fall, United We Stand


By Brian Michael Bendis, David Marquez & Pepe Larraz (Marvel/Panini UK)
ISBN: 978-1-84653-523-9

When Spider-Man died, a new hero arose in his image …

Marvel’s Ultimates imprint began in 2000 with a post-modern take on major characters and concepts to bring them into line with the tastes of a 21st century readership – a wholly different market from those baby-boomers and their descendents content to stick with the precepts sprung from founding talents Jack Kirby, Steve Ditko and Stan Lee… or simply those unable or unwilling to deal with the five decades (seven if you include the Golden Age Timely tales retroactively co-opted into the mix) of continuity baggage which saturated the originals.

Eventually even this darkly nihilistic new universe became as continuity-constricted as its ancestor and in 2008 the cleansing event “Ultimatum” culminated in a reign of terror which excised dozens of super-humans and millions of lesser mortals in a devastating tsunami which inundated Manhattan, courtesy of mutant menace Magneto.

In the months that followed, plucky Peter Parker and his fellow meta-human survivors struggled to restore order to a dangerous new world, but just as Spider-Man finally gained a measure of acceptance and was hailed a hero by the masses, he took a bullet for  Captain America and very publicly met his end during a catastrophic super-villain showdown …

In the aftermath, child prodigy Miles Morales gained suspiciously similar powers and began the same deadly learning curve: coping with astounding new physical abilities, painfully discovering the daily costs of living a life of lies and realising how an inescapable sense of responsibility is the most seductive method of self-harm and worst all of possible gifts.

He was helped and hindered in equal amounts by his Uncle Aaron: a career super-criminal dubbed The Prowler…

This compilation (collecting Ultimate Comics Spider-Man #11-18, August 2012-February 2013 and written throughout by Brian Michael Bendis) follows Miles and his close circle of confidantes from ordinary tragedy and peril into total chaos as America succumbs to a second Civil War when global crises, ineffectual leadership and rogue elements in power converge and whole swathes of ordinary Americans secede from the Union…

A day resident at the prestigious BrooklynVisionsAcademyBoarding School, Miles spends only weekends at home and is coming to terms with some unpleasant truths. Foremost is that he has secrets to keep from his parents, but also poisoning the air is the fact that his father used to be a street-thug and now passionately hates costumed heroes – like Spider-Man.

The Prowler has been secretly grooming Miles ever since some of his loot bit the youngster, transforming him into a super-strong and fast kid who can walk up walls, turn invisible and deliver a devastating venom charge through his hands,  and the action opens here as the manipulative creep tricks Miles into attacking Mexican gang-lord and prospective new Kingpin of Crime the Scorpion.

The action (illustrated by David Marquez) begins with a blistering raid on the Mexican’s plush new club where, in the heat of battle, the novice wall-crawler at last realises Aaron isn’t reforming or making amends, but simply clearing out the opposition for his own attempt to take over New York’s underworld…

Events come to a tragic head when the gangster accosts Miles at school and tries to blackmail him with threats of telling the boy’s father all about Spider-Man, resulting in a devastating showdown. Equipped with years of criminal experience and an ingenious arsenal of gadgets he murdered underworld tech-savant The Tinkerer for, Aaron goes crazy, determined to finish his rebellious nephew.

The fight inevitably escalates, endangering a busload of civilians who all apparently see the neophyte wall-crawler first save them before killing the Prowler in a horrific explosion…

Meanwhile in the wider world: In the wake of the global inundation, ongoing internecine strife amongst the covert ops community, and deadly brushfire wars all over the planet, ousted spymaster Nick Fury regained control of S.H.I.E.L.D.’s army of agents and officially-sanctioned super-squad The Ultimates as well as clandestine task-force The Avengers, just as civilisation began coming apart at the seams…

Metahumans had become the preferred “Weapons of Mass Destruction” and personal superpowers were the focus of a terrifying global arms race. In Asia, emergent federated nation SEAR dissolved into bloody conflict soon after developing a serum that randomly sparked fantastic abilities in ordinary humans. The plan had been to win the organic arms race but events quickly overtook the leadership when they tried to stack the deck by simultaneously releasing a virus that neutralised genes which triggered natural mutations.

With a plague preventing the birth of any more mutants and lab-produced metahumans roaming the streets, SEAR collapsed from internal dissent and open warfare…

From the conflict, dual metahuman nations were established and both Celestials and Eternals began offering super-powers to anybody brave or greedy enough to want them…

When WWII super soldier Captain America vanished, the gods of Asgard, who had been dragged from their heavenly halls and marooned on Earth, were slaughtered by a new fantastic race called the Children of Tomorrow, whose appearance presaged a deadly fight for control of Earth by the Maker – disgraced former superhero Reed Richards.

The deranged genius had created a high-tech Dome where enhanced time, forced evolution and ruthless scientific augmentation enabled the inhabitants to hyper-develop thousands of years in the space of a few days.

The war against the Dome involved most of the world’s metahumans, allowing corrupt S.H.I.E.L.D. agent Flumm to oust Fury and blackmail Bruce Banner into attacking the future city. The Hulk’s assault went tragically wrong, however, once The Maker convinced the man-monster to switch allegiances and the American President, distracted by one too many crises, allowed genocidal anti-mutant activists to turn the southwest into their own hunting preserve, inspired by the hate-filled preachings of Reverend William Stryker…

With Sentinels and militias controlling Arizona, New Mexico, Utah and Oklahoma, and carrying out a successful campaign of extermination, and Texas declaring independence, many other states saw opportunity and followed suit, even as the President launched the nation’s entire nuclear arsenal at the ever-evolving Dome.

The nuclear fusillade and a metahuman attack could not obliterate the Dome but the component intelligence of the living City was badly damaged. In retaliation Richards unleashed the Hulk and a very special Child of Tomorrow he had cultured without the knowledge of the Dome hive-mind. The child detonated with nuclear force in the Capitol, utterly eradicating WashingtonDC and the American government…

Even though the Dome was no longer an urgent threat, President Howard – who only the day before was the earnest but under-qualified new Secretary of Energy – was in already well in over his head.

With a nuclear-armed Texas threatening the Union, Sentinels rampaging through the southwest and militant local militias sparking rebellions all over the country, the President declared martial law as the nation splintered around him. Flumm was also rapidly losing his grip and could not handle more bad news…

And then word arrived that Captain America had returned from his self-imposed exile…

(For fuller comprehension the reader is strongly advised to consult companion Ultimate Comics series X-Men and The Ultimates. These will greatly enhance understanding of the parlous state of this alternate universe in its darkest hours…)

With the Land of the Free ripped apart by a rash of local rebellions and actual state secessions, this binary publishing event – designed to create a jumping-on point for new readers – opens for Spider-Man with the 2-part ‘Divided We Fall’ as the Sentinel of Liberty stops in New York long enough to learn that there’s a new – 13-year old – wall-crawler.

Keenly aware that the previous Spider-Man died because of him, Captain America overreacts and hunts down Miles, just when as the boy is trying to deal with being accused of murder – and unsure whether or not he was actually guilty….

A battle against opportunist thief Batroc the Leaper is a cathartic relief for the troubled boy but things get complicated again aftr during a shocking, surprise confrontation with May Parker, Gwen Stacy and Mary Jane Watson which changes Miles’ life forever.

Peter Parker’s loved ones have been following the new boy’s short career and now they give the poor kid their full support and approval – as well as the original martyr’s web-shooters and secret formula.

At last Spider-Man will be a web-spinner again… unless the furious and outraged Captain America shuts him down for good…

The clash of wills is only resolved when the rampaging Rhino breaks loose and Spidey saves the day, leading the Star Spangled Avenger to grudgingly permit the kid to carry on… under strict adult supervision and training.

The saga culminates with the concluding 4-chapter ‘United We Stand’ (illustrated by Marquez & Pepe Larraz) as Civil War explodes west of the Rocky Mountains and, in locked-down New York, Spider-Man gets a huge boost when he learns from the cops that he wasn’t responsible for the Prowler’s death.

However, even as the ebullient arachnid rushes to enlist in the Ultimates’ push to retake America, his own strait-laced father is being arrested for breaking curfew. The horrible ramifications of this misunderstanding will bring the loving, concerned parent to the edge of insanity…

Cap is still trying to make his exuberant teenaged volunteer go home when a devastating attack by Hydra-backed separatists plunges Miles into the thick of the action. Convinced by the boy’s conviction if not capability, the Sentinel of Liberty at last welcomes the new kid to the team.

Events quickly overtake everybody however when President Howard is informed by seditious elements of his own government that he has no official mandate to rule. In the middle of the war the over-burdened leader calls an emergency Recall Election…

With the election and daily battles on every news channel, the tirelessly fighting Captain America is elected to the battered nation’s highest office even though he was unaware that he was a candidate. Without breaking step, the hero gratefully accepts before getting back to the job of re-Uniting the States…

The fighting shifts to Casper, Wyoming for the final battle against a million-strong militia manipulated by the secret magical mastermind behind the entire crisis, with President America in the vanguard as usual. Sadly, Spider-Man is elsewhere, lost and near death…

The boy was partnered with the constantly objecting Spider-Woman Jessica Drew – who obnoxiously insisted that he was too young to be there at all. Far worse than his wounds and prospects is Miles’ suspicion that she might have been right after all…

The fighting was fast and furious but after a spectacular skirmish the Amazing Arachnid saved the President’s life and was knocked out. He woke up wounded and lost in the flat vastness of Wisconsin with a Hydra-controlled Giant-Woman trying to squash him like a bug.

Nobody was there to see him achieve his most impressive victory ever, but even though he was feted all the way back to New York as the victorious Union forces began the long, tedious job of consolidating power whilst attempting Reconstruction and Reconciliation, Miles had bigger problems.

He now had even bigger secrets and a far more complex double-life to keep from his folks and his father was acting really, really strangely…

To Be Continued…

This extra-long volume also contains a gallery of covers and variants (by Kaare Andrews. Jorge Molina, David Marquez, Rainier Beredo, Sara Pichelli & Adi Granov) and this so-contemporary saga also incorporates a 21st century extra for all those tech-savvy consumers with added value in mind, as many chapters contain an AR icon (Marvel Augmented Reality App) which gives access to all sorts of story bonuses once you download the little dickens – for free – from marvel.com onto your iPhone or Android-enabled device.
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. A British Edition published by Panini Publishing, a division of Panini UK, Ltd. All rights reserved.

Posted on

Ultimate Comics the Ultimates: Divided We Fall, United We Stand


By Sam Humphries, Billy Tan, Timothy Green II, Luke Ross & Terry Pallot (Marvel/Panini UK)
ISBN: 978-1-84653-524-6

The Ultimate Comics imprint launched in 2000, upgrading and reformatting hallowed Marvel characters and concepts for a presumed-more sophisticated modern audience: one that mostly comprised older readers rather than the youngsters who had participated in the company’s 1960s rise to glory.

Eventually the alternate, darkly nihilistic new universe became as continuity-constricted as its predecessor, and in 2008 the “Ultimatum” story-arc culminated in a reign of terror which wiped out dozens of the new super-humans and millions of lesser mortals.

The era-ending event was a colossal tsunami triggered by mutant terrorist/messiah Magneto which inundated the superhero-heavy island of Manhattan and utterly devastated the world’s mutant population. Ever since The Deluge, the world has been stumbling from crisis to catastrophe…

This volume, collecting Ultimate Comics: the Ultimates issues #13-18 (September 2012 – January 2013) is part of an imprint-wide crossover which saw America fall into urban chaos and civil war, with the saga affecting and seen from the points of view of a newly blooded Spider-Man, a revitalised team of Ultimates and the last remaining X-Men…

How We Got Here: In the wake of the global inundation, ongoing internecine strife amongst the covert ops community, and deadly brushfire wars all over the planet, ousted spymaster Nick Fury regained control of S.H.I.E.L.D.’s army of secret agents and officially-sanctioned super-squad The Ultimates as well as clandestine task-force The Avengers, just as civilisation was coming apart at the seams…

Metahumans had become the preferred “Weapons of Mass Destruction” and personal superpowers were the focus of a terrifying global arms race. In Asia, emergent nation SEAR (SouthEastAsianRepublic) dissolved into bloody conflict soon after developing a serum which randomly sparked fantastic abilities in ordinary humans. Their plan had been to win the organic arms race but events quickly overtook the leadership when they tried to stack the deck by simultaneously releasing a virus that neutralised genes which triggered natural mutations.

With random metahumans roaming the streets, SEAR collapsed from internal dissent and open warfare…

From the conflict, dual metahuman nations were established and both Celestials and Eternals began offering super-powers to anybody brave or greedy enough to want them…

Meanwhile American hero Spider-Man was murdered, resurrected WWII super soldier Captain America went AWOL and the gods of Asgard, who had been dragged from their heavenly halls and marooned on Earth, were slaughtered by a new fantastic race called the Children of Tomorrow.

The Children were the results of a fantastic experiment by the Maker – disgraced, deranged former superhero Reed Richards – who created a high-tech Dome where enhanced time and ruthless scientific augmentation enabled the inhabitants to hyper-evolve thousands of years in the space of a few days.

The Dome inexorably expanded into a voracious semi-sentient super-city and absorbed much of Western Europe, despite every effort of the region’s superhumans, until vengeful Thor broke into the marauding metropolis and, with the aid of boffin Sam Wilson (AKA the Falcon), Iron Man Tony Stark (and his sentient brain-tumour side-kick), Captain Britain, Hawkeye, Black Widow and the elevated Celestials of Xorn and Eternals of Zorn stopped the incursion by excessive violence and by turning the dome dwellers against their increasingly doctrinaire and draconian leader.

At the same time, corrupt S.H.I.E.L.D. agent Flumm forced Fury out and blackmailed Bruce Banner into attacking the Dome. The Hulk‘s enforced assault went tragically wrong, however, once The Maker convinced the man-monster to switch allegiances and the American President, distracted by one too many crises, allowed anti-mutant activists to turn the southwest into their own hunting preserve…

With Sentinels and militias controlling Arizona, New Mexico, Utah and Oklahoma, and other states threatening secession, the President launched the nation’s entire nuclear arsenal at the ever-evolving Dome. To ensure no interference, the Commander-in-Chief also invoked “the Winter Protocols” and ordered S.H.I.E.L.D. to capture or kill all Ultimates and Avengers…

The nuclear fusillade and the metahuman attack could not obliterate the Dome but the component intelligence of the living City was badly damaged. In retaliation Richards unleashed the Hulk and a very special Child of Tomorrow he had cultured without the knowledge of the Dome hive-mind. The child detonated with nuclear force in the Capitol, utterly eradicating WashingtonDC and the entire government…

Stunned by the loss of the entire ruling structure of America, self-promoted Director Flumm was further incensed when Fury, Falcon, Hawkeye and the Widow all escaped capture…

Although the Dome was no longer a credible or urgent threat, President Howard – who only a day previously was the earnest but under-qualified Secretary of Energy – was in over his head. With a nuclear-armed Texas quitting the Union and declaring itself an independent nation, mutant-hunting Sentinels rampaging through the southwest states and militant local militias sparking rebellions all over the country, the last thing he needed to hear was that the Ultimates and Avengers are all free.

Forced to overreact, the President declared martial law as the nation splintered around him. Flumm too was rapidly losing control and could not cope with more bad news…

And then word arrived that Captain America had returned from his self-imposed exile…

(For fuller comprehension the reader is strongly advised to consult companion series Ultimate Comics: X-Men 1 & 2 and previous volumes of this series. These will greatly enhance understanding of the parlous state of this alternate universe in its darkest hours…)

With the Land of the Free ripped apart by numerous small rebellions and full state secessions, this twinned publishing event – designed to create a jumping-on point for new readers – opens with the 2-part ‘Divided We Fall’ (by Sam Humphries, Billy Tan, Timothy Green II & Terry Pallot) as Director Flumm is compelled by President Howard to deploy the hated and unruly Ultimates, overruling the S.H.I.E.L.D. boss’s warning that they cannot be controlled…

Even as the harried leader appoints veteran administrator spy and former White House administrator Carol Danvers his Chief of Staff, news pictures come in of Captain America battling in New Mexico, whilst in New York, Iron Man Stark is galvanised into action again and calls Thor away from the massive graveyard that holds the remains of his entire race. It’s time to put the old band back together…

Cap is on a rampage of indignant patriotic fury: destroying Sentinels and thrashing murderous mutant hunters. When he’s finally joined by his former comrades the revolution of hate swiftly collapses as the heroes forcibly drag the abandoned states back into the Union.

None of them are aware of the long-term role played by an enigmatic rabble-rouser and power-broker named Morez, who slips away to one of the other areas where he’s successfully fomented dissent, even as the Sentinel-held territories fall to resurgent American Forces …

Forced out of the shadows, Morez reappears in Texas, convincing the businessmen and corporate heads that run the New Republic to fire their prized solitary nuke at New York City. Instantly apprised, Iron Man, Thor and the Sentinel of Liberty join the other Ultimates in invading the Lone Star Nation, with less than fifteen minutes to find the missile’s abort code and avert another bloodbath…

Meanwhile Morez has contacted the head of the Senate Emergency Powers Committee and convinced ambitious Senator Underwood to have the government look the other way whilst the manipulator facilitates Wyoming becoming an independent militia-run nation…

As the heroes rip Dallas apart in their successful attempt to stop the missile, Thor notices an odd symbol on the gold used by the Republic’s ex-movers and shakers and begins to suspect that another Asgardian escaped the extermination… the Evil One…

Howard too feels the rug ripped out from under him when Underwood finds a dubious legal precedent and claims the new President has no official mandate to rule. In the middle of the Civil War there’s going to be an emergency Recall Election…

And on the West Coast, the constantly moving Morez offers deadly weaponised WASP security drone technology to the radical hippies, free thinkers and Silicon Valley entrepre-nerds who have assumed control of Washington State, Oregon and California: decent dudes whose freedom loving new country is currently being swamped by American refugees and Internally Displaced Persons from the embattled USA…

The hard-fought war of reunification occurs in the 4-part ‘United We Stand’ (illustrated by Luke Ross) and sees the well-meaning free thinkers of the West Coast Nation become accidental mass-murderers when Morez assumes control of the WASPs and lets them loose upon the refuges flooding across the new border. With the election and the genocide both filling the media airwaves, Howard orders Captain America not to intervene in California, but the Star-Spangled legend decides to listen to the higher authority of his conscience…

Following a surprise meeting with Fury, Captain America goes west, linking up with Hawkeye and Black Widow to spectacularly save victims live on TV. As Morez switches his attention to Wyoming, all over the country voters begin exercising their mandate with a surprise “Write-in candidate”…

When Thor and Iron Man destroy the automated system unleashed by Morez, the grateful West Coasters are happy to rejoin the nation just as the Sentinel of Liberty receives a call and is informed that he’s the new President…

Rapidly sworn in, Steven Rogers remains in costume and appoints Carol Danvers his political operative as he stays in the field dragging his America out of Civil War. As she navigates the stormy waters stirred up by the infuriated Senator Underwood, the Ultimates are ending the bloody feud between North and South Carolina and forcing them both back into the United States. Thor, suspecting Asgardian influence, heads to top secret Project Pegasus in Wyoming as Cap ends weeks of  urban anarchy and territorial tumult by the Great Lakes Liberation Front in Michigan by sheer presence and charisma…

With their influence impossibly slipping away, Flumm and Underwood finally go too far when they try to assassinate their Red, White and Blue Commander-in-Chief, leaving the assembled Ultimates free to concentrate on their true foe at last.

In Wyoming, Morez’s true identity is finally revealed and the evil Asgardian makes his play at last using the secret of Pegasus to enslave the state and turn terrified citizens into willing warriors in his army of rebellion: a Hydra of hate aimed at America’s heart…

Moreover there will be no help from Thor: guilt and the villain’s new weapon have made the Thunderer a helpless slave of the malign manipulator…

In Wyoming, as the ensorcelled Hydra forces clash with S.H.I.E.L.D. and a small force of loyal metahumans including the new Spider-Man, Giant-Woman Cassie Lang and Invisible Woman Sue Richards – last survivor of the legendary Fantastic Four – the real battle for Liberty is only won when Iron Man, Thor and President America defeat the Evil One in the skies above the embattled, sundered nation…

This bombastic battle for life, liberty and honour is designed to be read independently of the other strands (in Ultimate Comics X-Men and Ultimate Comics Spider-Man) if desired, so I’m not going to spoil the manner in which new President of the forcibly re-United States moves forward after the victory, but of course such a dictatorial beginning isn’t to everyone’s taste and naturally there’s more trouble brewing in the wings…

The darkly trenchant, nihilistically cynical Ultimate fare, with its signature post-modernity and bleakly brutal action, still delivers the grim ‘n’ gritty punch fans crave, but successfully surmounts those limits here by offering a powerfully uplifting message of hope for the determinedly worthy that is both satisfying and keenly tantalising. However for maximum impact you really should read those other two collections in this triptych of comics delights…

As usual the volume also contains a gallery of covers and variants – by Michael Komarck and Adi Granov – and this so-contemporary saga also incorporates a 21st century extra for all those tech-savvy consumers with added value in mind, as many chapters contain an AR icon (Marvel Augmented Reality App) which gives access to all sorts of story bonuses once you download the little dickens – for free – from marvel.com onto your iPhone or Android-enabled device.

Don’t touch that dial yet, fans, there’s still more to come…
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. A British Edition published by Panini Publishing, a division of Panini UK, Ltd. All rights reserved.

Posted on

Ultimate Comics X-Men: Divided We Fall, United We Stand


By Brian Wood, Paco Medina, Reilly Brown, Carlo Barberi, Agustin Padilla, Juan Vlasco & Terry Pallot (Marvel/Panini UK)
ISBN: 978-1-84653-525-3

Marvel’s Ultimates imprint launched in 2000 with major characters and concepts re-imagined to bring them into line with the presumed-more sophisticated tastes of modern readers and free from decades of extraneous story baggage.

Eventually the alternate, darkly nihilistic universe became as continuity-constricted as its predecessor, and in 2008 the cleansing event “Ultimatum” culminated in a reign of terror which apparently (this is still comics, after all) killed dozens of super-humans and millions of lesser mortals.

The era-ending event was a colossal tsunami triggered by mutant terrorist messiah Magneto which inundated the superhero-heavy island of Manhattan and utterly devastated the world’s mutant population. The X-Men – and many other superhumans, good and bad – died, and in the aftermath anybody classed as “Homo Superior” had to surrender to the authorities or be shot on sight. Understandably most survivors as well any newly emergent X-people kept themselves well hidden…

Mutants had always been feared and despised. As the indisputable inheritors of Earth, the often lethally-empowered and wildly uncontrollable creatures were generally believed to be an intrinsically hostile species: the new race destined to take the world from humanity as we took it from the Neanderthals…

This volume, collecting Ultimate Comics: X-Men issues #13-18 (August – December 2012), is part of an imprint-wide crossover which saw America fall into chaos and civil war, with the events affecting and seen from the points of view of a new Spider-Man, a restored team of Ultimates and the current crop of X-Men…

The world had been stumbling from crisis to catastrophe ever since the Deluge (for fuller comprehension the reader is also advised that a thorough reading of companion series Ultimate Comics: the Ultimates volumes 1 & 2 will greatly enhance understanding of the parlous state of this alternate universe in its darkest hours) when word was leaked that all the mutants proliferating around the globe were the result of a 50-year old covert program of genetic manipulation which had slipped from American control, rather than a process of inexorable evolution and natural selection.

Humanity went crazy and a wave of violent prejudice quickly threatened the existence of the feared and despised metahuman lab-rats. In the political furore following the disclosure, bloodshed grew to global panic and a genetic arms-race in Asia (see Ultimate Comics: Hawkeye and The Ultimates: The Republic is Burning), and the President unexpectedly sidelined S.H.I.E.L.D. director Nick Fury in favour of co-operation with Magneto’s son Pietro Lensherr – who had inherited control of the terrorist group known as the Brotherhood of Mutants.

The super-swift manipulator had a Faustian Bargain for the severely embattled Leader of the Free World, but their plans were subverted by fundamentalist preacher Reverend William Stryker who seized control of the government’s Sentinel technology and used it to attack mutants all over America as part of his genocidal crusade to purify humanity…

Quicksilver planned to co-opt the latest Nimrod Sentinels to his own purposes but Stryker had outwitted him by taking personal control of the entire program.

The hate-filled preacher then unleashed every killer robot in America’s arsenal to hunt down all remaining mutants wherever they might be hiding, turning a large part of the southwest USA into a killing zone where the freaks were held in experimental facilities, just waiting to die…

However in Mutant Internment Camp Angel, the humans guards and slaughtering Sentinels were overthrown by former X-Men Colossus and Storm, and once the younger prisoners discovered what atrocities the normals had been secretly perpetrating against the captives they erupted into open rebellion.

Tragically, before the situation could escalate further, the sky filled with unstoppable Nimrods who began their program of total eradication by indiscriminately targeting human and aberration alike…

…And after the camps, the Nimrods turned their attention on those human cities which foolishly allowed mutants to live amongst them, before beginning to construct their own robotic god and master – a Supreme Sentinel which somehow gained the personality of the recently killed Reverend Stryker…

Simultaneously in Washington DC, the President and the entire Cabinet were wiped out in a nuclear attack from Reed Richards‘ future men of the Dome (that’s all in the Ultimates volumes) whilst Texas seceded from the Union, provoking a series of similar rebellions by militias and libertarian hate-groups throughout the nation. Hopelessly out of his depth, Acting President Howard declared martial law and the second American Civil War began…

Former X-Man Karen Grant (nee Jean Grey) had been secretly continuing Charles Xavier‘s dream of fostering Human/Mutant co-existence and had gathered a few young mutants together for safety. After vanishing during the burgeoning Asian conflict her role had been taken up by “Mutant Terrorist” and public enemy Kitty Pryde…

Now Jimmy Hudson (whose dead father Wolverine had been revealed as the Military’s ‘Mutant Zero’), languished in hiding with Pryde as well as Iceman Bobby Drake, Marian “Rogue” Carlisle and Human Torch Johnny Storm, all on the run ever since their friend and fellow teen prodigy Peter Parker was murdered in his Spider-Man identity…

The kids had been laying low after Stryker was killed trying to eradicate all of New York’s mutants in a televised ambush. The kids had all survived and subsequently become accidental guardians to a group of mutant children found in tunnels beneath the city…

Written in entirety by Brian Wood, the unRealpolitik begins with ‘Born Free’ (art by Paco Medina, Reilly Brown, Juan Vlasco & Terry Pallot) as Kitty and her band reel in shock as President Howard officially cedes control of the Sentinel-held southwest states to human anti-mutant militias and mechanical murderers; legitimising the mass murder of their rare breed…

Unable to abide any more, Pryde decides to make a stand and invites any who feel the same to join her as she travels across her hostile homeland to Camp Angel. Only Johnny declines: as a mere enhanced human, he believes he’ll be safely left alone to look after their young mutant charges. He’s tragically mistaken and has sorely misjudged how much mankind can hate the different…

The twinned event begins with ‘Divided We Fall‘ and the 2-part ‘Road Worn’ as the freedom fighters escape from New York and slowly make their way across the broken country to Sentinel-subdued Arizona/New Mexico/Utah/Oklahoma, encountering and defeating vile prejudice and murderous men, but only by surrendering to those worst aspects of behaviour that they apparently share with savage unforgiving humanity…

At their lowest point the teen rebels link up with the long-undercover Nick Fury and a young mutant Paige Guthrie. The disgraced and disavowed superspy has been secretly saving the hunted Homo Superior and hiding them from the hordes of would-be genetic purifiers…

Now with inspirational and gutsy fighters to inspire his demoralised charges, Fury takes a back seat and schools Kitty in the role of Mutant Messiah for the upbeat fight back of ‘United We Stand:’ (illustrated by Barberi, Medina, Vlasco & Agustin Padilla)…

The desperate campaign begins with an assault on a newly constructed death-camp and the visible destruction of a brace of the not-so-invulnerable Nimrods, but these robot killers have hidden advantages the freedom fighters are painfully unaware of.

Soon the colossal Super Sentinel that thinks it is William Stryker is on the move with his entire artificial army assembled to wipe out the stain of mutants forever…

As other sectors of the sundered country begin their own climactic last battles, in the southwest states the tiny mutant force faces its greatest martial threat and emerges as an independent Mutant Nation, but victory only brings new problems…

This bombastic battle for life, liberty and honour is deliberately tangential to the other story arcs comprising the full saga (and can thus be read independently if desired), so I’m not going to spoil the manner in which Kitty’s magnificent triumph is soured, except to say that the new President of the forcibly re-United States extends the hand of friendship and cooperation whilst simultaneously offering the rebel leader the most punishing of choices…

The darkly trenchant, nihilistically cynical Ultimate fare, with its trademark post-modernity and bleakly brutal action, still delivers the grim ‘n’ gritty punch fans crave, but sweetens the deal here by offering a powerfully uplifting message of hope for the determinedly worthy that is both satisfying and keenly tantalising. However for maximum impact you really should read the other two collections in this triptych of comics delights…

As usual the volume also contains a gallery of covers and variants by Kaare Andrews, Dave Johnson & Phil Noto, Jorge Molina & Adi Granov, and this up-to-the-minute epic also incorporates 21st century extras for all those tech-savvy consumers with added value in mind.

Many chapters contain an AR icon (Marvel Augmented Reality App) which gives access to all sorts of story extras once you download the little dickens – for free – from marvel.com onto your iPhone or Android-enabled device.

Stay tuned, fans, there’s much more to come…
™ & © 2012 Marvel & Subs. Licensed by Marvel Characters B.V. A British Edition published by Panini Publishing, a division of Panini UK, Ltd. All rights reserved.

Posted on

X-Men – First Class: Finals


By Jeff Parker, Amilcar Pinna, Roger Cruz & Colleen Coover, Len Wein & Dave Cockrum (Marvel)
ISBN: 978-0-4051-3348-3

Radical perpetual change – or at least the appearance of such – is a cornerstone of modern comics. There must be a constant changing of the guard, a shifting of scene and milieu and, in latter times, a regular diet of death, resurrection and rebirth – all grounded in relatively contemporary terms and situations.

With a property as valuable as the X-Men such incessant remodelling is a necessarily good thing, even if you sometimes need a scorecard to keep up, and over the intervening decades the franchise has repeatedly represented, refashioned and updated the formative early epics by Stan Lee, Jack Kirby, Alex Toth, Roy Thomas and Werner Roth to give a solid underpinning to all the modern Mutant mayhem.

A case in point is this rather impressive and deliriously fun-filled restating of the Mutant paradigm from Marvel wherein the latest status quo gets the boot and a new beginning equates with a return to the good old days…

Most people who read comics have a passing familiarity with Marvel’s ever-changing X-Men franchise, and newcomers or occasional consumers won’t have too much trouble following the backstory, so let’s plunge in as the hostile world once more kicks sand in the faces of the planet’s most dangerous and reviled minority…

In 1963 The X-Men #1 introduced gloomy, serious Scott Summers/Cyclops, ebullient Bobby Drake/Iceman, wealthy golden boy Warren Worthington III/Angel, Jean Grey/Marvel Girl and erudite, brutish genius Henry McCoy/Beast: very special youngsters and students of Professor Charles Xavier, a wheelchair-bound telepath dedicated to brokering peace and achieving integration between the sprawling masses of humanity and an emergent off-shoot race of mutants with extra abilities, ominously dubbed Homo Superior.

The team was also occasionally supplemented by magnetic minx Polaris and cosmic powerhouse Havok – although they were usually referred to respectively if not respectfully as Lorna Dane and Scott’s brother Alex.

After nearly a decade of eccentric, mind-blowing adventures, the masked misfits faded away in early 1970 when mystery and supernatural horror themes once again gripped the world’s entertainment fields causing a consequent sustained downturn in costumed hero comics.

Although the title was revived at the end of the year as a cheap reprint package, the mutants were reduced to guest-stars and bit-players across the Marvel Universe whilst the Beast was further mutated into a monster to cash in on the new boom. A few years later Marvel Editor-in-Chief Roy Thomas green-lighted a risky Giant-Size one-shot as part of the company’s line of over-sized specials. The introduction of a fresh team of mutants made history and began a still-burgeoning frenzied phenomenon…

In 2006 those deliriously naive secret school days inspired X-Men First Class (a comicbook iteration, not the movie) which once again updated and reinterpreted the seminal 1960s adventures for a far more sophisticated modern audience (as had happened twice before in the intervening decades).

An 8-issue miniseries and a One-Shot Special led to a further 16 issue run: retrofitting old material and creating new stories by in-filling cases and teaming the teenaged school squad with assorted guest stars such as Doctor Strange, Man-Thing, Gorilla-Man, Thor and Invisible Woman, and even leading to a number of spin-off series based on the same winning “untold X-tales” format.

However all good things come to an end – until the next time a few years from now – and the junior league finally had to move on into their later lives and rejoin the ongoing Marvel Universe continuity. Thus in 2009 the 4-issue miniseries X-Men – First Class: Finals revealed the story of the student heroes’ graduation and fed directly into the tale which would introduce the All-New, All Different modern team…

Written throughout by Jeff Parker and coloured by Val Staples, the end begins with ‘Seniorities’ – illustrated by Roger Cruz – wherein the boys inexplicably find themselves in a fantastic realm and at last shamefully realise that they are conscious and experiencing the newly telepathic Jean’s dreams. The visual tour and fearful panorama make them all realise how far they’ve come since joining the XavierSchool.

The Professor would know what to do but he’s gone now…

Back in the waking world later, a Danger Room training session gets inexplicably out of hand resulting in lots of collateral damage, but the kids are soon in genuine peril when horrific and formidable mutant marauder Frederick comes calling, looking for a rematch with Cyclops…

Each chapter here is broken up with a comedic short by Parker & Colleen Coover so, after ‘Scott and Jean Go on a Date!’, the suspense recommences with ‘Beginning of the End’ (by Amilcar Pinna & Cruz) as the vengeful monstrosity attempts to make Summers pay for past indignities by killing the so-serious class captain’s classmates. The overmatched heroes are only saved when one of their most feared enemies materialises, trashes Frederick and promptly vanishes again…

As Henry McCoy ponders a job offer from the multinational Brand Corporation following his graduation (for the outcome of that you’ll need to check out Essential Classic X-Men volume 3), the anxious students track a mutant sighting on electronic wonder-computer Cerebro.

The trail leads into the wilds of upstate New York and as the baffled champions search for answers they are attacked by an animated and extremely hostile pile of junk and machine scraps that look like the ghost of arch-enemy Magneto…

Following the charmingly daft interlude of ‘X-Date part 2’, the dread doom resumes in ‘Higher Learning’ as the inexplicable attacks and mystery rescues continue until the freshly returned Charles Xavier steps in to solve the riddle. However it’s actually Scott who deduces the true nature and origin of the ongoing threat, and after the madly whacky ending of ‘X-Date part 3’, the team unite to quell the insane attacks by entering and exorcising ‘The Mind of Jean Grey’…

This thoroughly entertaining read keeps the continuity baggage to a sustainable minimum for non-addicts and concentrates on delivering a vibrant fun and fast-paced rollercoaster thriller packed with smart laughs, heavy on action and light on extended sub-plots before the rather jarring jump to the added extra of the aforementioned Giant Size X-Men #1 from 1975.

Reprinted in full here the big, big blockbuster details how the original team was lost in action, forcing the distraught Professor X to scour Earth for replacements…

Recruiting established old foes-turned-friends Banshee and Sunfire plus Hulk villain and Canadian secret agent Wolverine, most of the Professor’s time and attention was invested in unexploited and hidden mutants scattered around the globe.

One such was Kurt Wagner, a demonic-looking German teleporter who would be codenamed Nightcrawler, whom Xavier saved from a religious lynch mob, after which the quest focussed on young Russian farm worker Peter Rasputin, who could transform into a living steel Colossus; embittered, disillusioned Apache superman John Proudstar – who was cajoled and pressured into joining the makeshift squad as Thunderbird, and Ororo Monroe, a young woman who comported herself as an African weather goddess and would be known as Storm. These raw replacements were all introduced in the stirring opening chapter ‘Second Genesis’…

‘…And When There Was One!’ found wounded team-captain Cyclops swiftly drilling the far from willing or eager team before leading them into primordial danger against the monolithic threat of ‘Krakoa… the Island That Walks Like a Man!’

Overcoming the phenomenal terror of a sentient mutant eco-system and rescuing the original team should have led to another Special, but so great was the groundswell of support that the follow-up adventure was reworked into a 2-parter for the rapidly reconfigured reprint monthly which became a bimonthly home to the team and began the mutant madness we’re still experiencing today.

Engaging, exciting and extremely entertaining, the saga perfectly wrapped up the school days of the First Class and led perfectly into a sequel series starring the newcomers and offering more untold moments of mutant mirth and mayhem…
© 1975, 2009 Marvel Characters, Inc. All rights reserved.

Posted on

Secret Warriors volume 2: God of Fear, God of War


By Jonathan Hickman, Alessandro Vitti, Ed McGuiness, Tom Palmer & various (Marvel)
ISBN: 978-0-7851- 3865-5

Marvel’s very own immortal secret agent Nick Fury had in his time fought in every war since WWII, worked for the CIA and run numerous iterations of superspy agency S.H.I.E.L.D., generally finding over and again that nobody could be trusted – not to stay clean and decent – in a world of temptation or, worse yet, to never baulk at doing whatever was necessary to save the planet.

Too many times the spooks “on our side” became as debased as the bad guys in a world where covert agencies were continually exposed as manipulative, out-of-control tools of subversion and oppression.

The taste of betrayal and those seeds of doubt and mistrust never went away and following a succession of global crises – including a superhero Civil War – Fury was replaced as S.H.I.E.L.D. director.

His successor Tony Stark proved to be a huge mistake and after an alien invasion by Skrulls, the organisation was mothballed: replaced by the manically dynamic Norman Osborn and his cultishly loyal H.A.M.M.E.R. outfit. As America’s Director of National Security, the former Green Goblin and recovering psychopath instituted a draconian “Dark Reign” of oppressive, aggressive policies which turned the nation into a paranoid tinderbox and as the nation’s Top Fed he was specifically tasked with curbing the unchecked power and threat of the burgeoning metahuman community.

He was, however, also directing a cabal of the world’s greatest criminals and conquerors intent on divvying up the planet between them. The repercussions of Osborn’s rise (and inevitable fall) were felt throughout and featured in many series and collections throughout the entire fictive universe.

His brief rule also drastically shook up the entrenched secret empires of the planet, and his ultimate defeat destabilised many previously unassailable clandestine Powers and States…

Fury, a man driven by duty, fuelled by suspicion and powered by a serum which kept him vital far beyond his years, didn’t go away. He just went deep undercover and continued doing what he’d always done – saving the world, one battle at a time. From this unassailable unsuspected vantage point Fury picked his battles and slowly gathered assets and resources he’d personally vetted or built…

The indomitable freedom fighter had always known that to do the job properly he needed his own trustworthy forces and no political constraints. To this end he had long endeavoured to clandestinely stockpile his own formidable, unimpeachable army. Decades in charge of S.H.I.E.L.D. had provided him with mountains of data on metahumans from which he compiled “Caterpillar Files” on many unknown, unexploited, untainted potential operatives who might one day metamorphose into powerful assets…

His first move was to assemble a crack squad of super-human operatives. Team White initially comprised Yo Yo Rodriguez AKA Slingshot, Sebastian Druid, Jerry “Stonewall” Sledge, J.T. “Hellfire” James and Daisy Johnson, codenamed Quake, and the terrifyingly volatile Alexander: a 12-year old boy with incredible power.

The child Phobos was destined to become a true god and personification of Fear but until then his daily-growing divine gifts were Fury’s to use… if he dared…

In the aftermath of the wave of crises the old soldier had come across a truly shocking piece of intel: for most of his career, S.H.I.E.L.D. had been no more than a deeply submerged and ring-fenced asset of Hydra. All Fury’s world-saving triumphs had been nothing more than acceptable short-term losses for a secret society which claimed to reach back to ancient Egypt, secretly steering the world for millennia.

However since Osborn and the Skrull invasion had shaken things up so much, the old warhorse now had an honest chance to wipe out the perfidious faceless foe forever…

Hydra too had been badly damaged by the crisis, and as the dust settled Baron Wolfgang von Strucker sought to capitalise on the chaos to regenerate the cult in his own image, seizing all fallow assets, technology and even experienced operatives abandoned by friends and enemies alike…

To this end, Strucker co-opted breakaway factions of Hydra and convened a new hierarchy of deadly lieutenants loyal to him alone. However even with Viper, Madame Hydra, Kraken, Silver Samurai, The Hive and resurrected mutant ninja the Gorgon on board, the prospect of wedding super-science and corporate rapaciousness with ancient magic and millennial covert cabals was a risky ploy…

The rabid rapid expansion also gave Fury an opportunity to place one of his own deep within the organisation…

To further bolster his own relatively meagre forces, Fury reached out to selected old S.H.I.E.L.D. comrades and especially his former second-in-command Dum-Dum Dugan who had gathered up the most trustworthy agents and veterans into a private security agency – the Howling Commandos Private Military Company. Warriors to the last, they were all looking for one last good war and a proper way to die…

Some of them got their wish when the good guys launched a daring raid and stole three of the mothballed colossal flying fortress warships dubbed Heli-Carriers, laying the groundwork for an imminent, unavoidable and very public shooting war…

Written throughout by Jonathan Hickman, this second intriguing and complex espionage epic declassifies material from Dark Reign, The List and Secret Warriors #7-10 from 2009, and opens in stunning style with ‘I Know Who You Work For’ (illustrated by Alessandro Vitti) as Fury secures operating capital for his private war by sending the team to rob a bank – a decent, reliable, reputable financial institution which just happens to be a covertly owned corporate holding of Hydra…

The audacious act prompts Strucker to reach out to Osborn who in turn condescends to deal with Fury as an insulting, double-edged “favour” to the despised former Nazi war-criminal. Osborn’s greatest advantage is his own team of Dark Avengers: ferocious ersatz heroes masquerading as genuine, altruistic champions of justice. One of the most formidable is Grecian war-god Ares. The Olympian is also the father of Fury’s wild-card agent Phobos…

The terrifying celestial child is snooping in Fury’s office with older but no-wiser bad influence J.T. James when they intercept a distress call from ex-Avenger and former S.H.I.E.L.D. operative Black Widow. She needs extraction immediately but when “Fury” rendezvous with her and partner Songbird, the desperate agents are all ambushed by Osborn’s Thunderbolts – a penal battalion of super-villains, purchasing pardons by doing dirty jobs for the Federal government…

In New York, captured and confronted by the Security Czar in ‘I’m the Perfect Means to an End’, Fury is shot in the head and everybody thinks it’s all over – until Phobos climbs out of the undetectable Life Model Decoy (a trusty robot duplicate the S.H.I.E.L.D. Director has utilised for decades to save his life from assorted threats)…

The real Fury is actually in Virginia with another old operative.

John Garrett is 90% mechanical after years of dutiful service to his country but the cyborg is prepared to risk all he’s got left for the right cause…

Back in the Big Apple, Team White agents J.T. and new recruit Eden Fesi attempt a rescue but it’s Phobos who saves them all by confronting Osborn head-on – earning the grudging respect of Ares who lets them all go. It’s not a reprieve, though, just a decent head start…

The rest of the squad are with severely wounded team-mate Yo Yo Rodriguez – whose arms have been replaced with mechanical limbs – when Alexander, J.T. and Eden teleport home with Ares, the Dark Avengers and lots of H.A.M.M.E.R. grunts hard on their heels in ‘The Starting Point is Everything’. With the base automatically initiating a data-purge and self-destruct program, Team White stage a spectacular holding action allowing everyone to relocate to a safe house…

And in Virginia, Garrett begins investigating former S.H.I.E.L.D. op Seth Waters, now a big-wig in the Department of the Treasury and just possibly a life-long dedicated Hydra agent…

Ed McGuiness & Tom Palmer provide the interlude ‘Start the Clock End Game’ wherein Nick breaks into the heart of Osborn’s citadel to put the Security Director on notice even as Waters is exposed as an agent of long-dormant terrorist group and universal threat Leviathan.

With Fury as Osborn’s willing hostage, H.A.M.M.E.R. officers and Dark Avengers lead the savage interrogation but Waters has unsuspected resources and distractingly suicides – just as the immortal superspy intended – allowing Fury to escape from the lion’s den with invaluable intelligence and ‘Leviathan Technical Data’ (all the bases, maps, files and diagrams any conspiracy nut could ever need to untangle the web of intrigue all diligently laid out for our perusal).

‘There Will Always Be War’ wraps up this saga with the full history of Phobos, beginning with an ancient parable of a forgotten war between the gods of Greece and Japan, the crafting of god-killing weapons and rare, telling insights into how Ares and Alexander grew apart.

A secret deal between undying war god and immortal spy is revealed before the fearsome inescapable fate and cost of inheritance is at last made clear to the slowly-maturing future god of Fear…

To Be Continued…

This excellent exercise in tense suspense and Machiavellian manipulation also includes a stunning ‘Cover gallery’ by Jim Cheung as well as variant covers from McGuinness, Adi Granov, Frank Cho & Gerald Parel to supplement the wry, engagingly cynical, blackly comical, staggeringly over-the-top action and dazzling cloak-and-dagger conflicts: employing enough intrigue to bamboozle even the most ardent espionage aficionado, with the added bonus that far less knowledge of Marvel continuity is necessary to fully appreciate this particularly intense and engaging effort to the full.
© 2009, 2010 Marvel Characters, Inc. All rights reserved.

Posted on

The Runaways: Rock Zombies


By Terry Moore, Chris Yost, James Asmus, Takeshi Miyazawa, Sara Pichelli, Emma Rios, Norman Lee, Craig Yeung & Roland Paris (Marvel)
ISBN: 978-0-7851-4074-0

The Runaways are a bunch of super-powered kids whose parents lied to them.

Whilst conveying an aura of affluent respectability, the adults were in actuality a secret cabal of super-criminals: “The Pride”. These extremely circumspect and clandestine villains played it smart for years and ran Los Angeles without the populace knowing they even existed – and were so ruthlessly dominant that most of the baddies and monsters in the Marvel Universe gave the city a wide berth.

When the appalled, betrayed offspring discovered the truth they rebelled and ran away (Duh!) and after many trials and tribulations – including the death of some of the pesky kids – the young absconders confronted, overthrew and eradicated their progenitors, with the unwelcome result that LA became a newly open city and soft target for ambitious costumed ne’er-do-wells and malevolent masterminds.

The orphans were briefly placed with well-meaning, clueless social services, but before long the renegades – who had inherited assorted powers, talents and devices, if not the amoral proclivities of their progenitors – were compelled to bolt: preferring to stick together on the streets rather than be separated again.

They also felt responsible for and were driven to protect the city they had unwittingly endangered. It was a dangerous wild life and the kids lost friends and recruited new members of the dysfunctional family with alarming frequency

…But not all of them were trustworthy either…

The underlying premise of this series is that adults can’t be trusted – only your friends – and this volume (collecting volume 3, issues #7-10 of the monthly comic-book) sees the kids, after adventures in New York and another century, resettled back in LA and endeavouring to taking their self-imposed role of city defenders seriously.

The current roster comprises Nico Minoru, last in a long line of hereditary sorcerers, whilst Karolina Dean was once the compliant daughter of two domineering aliens intent on global conquest. The extraterrestrial Valley Girl has just lost her lover (rebellious shape-shifting, gender-fluid apprentice Super-Skrull Prince Xavin) who sacrificed him/her/itself to save Karolina from vengeful alien invaders.

Little Molly Hayes is much younger than the others, a super-strong, invulnerable child of evil mutant parents, whilst oafish teen Chase Stein was the son of genuine mad scientists. He might not have inherited their intellects but he has got lots of toys from their arsenal. He also sort of inherited the genetically-augmented 87th century empathic dinosaur Old Lace when her adored previous owner Gertrude Yorkes was killed by the Pride.

Gert’s folks were time-travelling bandits and would-be world conquerors…

The latest editions to the group are Victor Mancha, who can control electricity and manipulate metals; gifts his “father” – genocidal robotic despot Ultron – considered quite useful in the secret weapon he was building and growing, and little Klara Prast, a 12-year Swiss girl rescued from her abusive husband in 1907. She can accelerate the growth and control the motion of plants, and thinks the 21st century is a joyous paradisiacal wonderland…

As this book opens with the 3-part tale ‘Rock Zombies’ by Terry Moore and artists Takeshi Miyazawa, Norman Lee, Craig Yeung & Roland Paris, the voluntary outcasts are back in LA LA land just taking it easy and bonding.

Over at radio station KZIT however, ambitious, greedy power-mad DJ Val Rhymin is chatting to an old friend. Wicked wizard and accountant Monk “Mother” Theppie has come far since the demise of the Minorus who kept the city’s magical denizens tightly bound, and Val’s talk of making zombies has produced a dark inspiration in the cagy mage/treasurer.

He can’t just magic up an army of enslaved undead, but he could use a transformation spell on something that many people have communally experienced. Something like plastic surgery, for example…

It’s Los Angeles: who knows how many people that sort of spell might affect…?

As Nico, Karolina and the younger girls tackle a hostage stand-off, Val is layering the spell into his latest dub mix and whilst the team are blithely vacationing in the desert the demented DJ plays it repeatedly on his show.

By the time the gang hit the city again, thousands of monster-zombies are rampaging through the sunny streets gathering booty for their avaricious master, and when Nico uses her mystic weapon the Staff of One to stop the ghastly rioters the spell is warped and hundreds of individual victims merge into a colossal composite horror…

Whilst she was in the past, the Last of the Minorus was captured and tortured by her own ancestor, a witch determined to make Nico attain her full potential. That scheme has clearly worked as her spells are fantastically stronger and drastically misfire every time she tries one…

After a further disastrous attempt to save the ensorcelled zombies, the kids withdraw and instead go after Rhymin at the Hollywood Bowl where he waits for his slaves to bring all the money and jewels they’ve been ordered to steal.

Also there is Mother, who attempts to steal Nico’s Staff – and regrets it for the last three seconds of his life…

With the wizard gone it doesn’t take the kids long to reverse the spell and save the day but Nico is now terrified by how lethally uncontrollable her power has become…

Issue #10 offered two tales, beginning with the hilarious ‘Mollifest Destiny’ by Chris Yost & Sara Pichelli. Molly is a super-strong and tough mutant going through those difficult bossy-boots years but she’s faithful, loyal and extremely protective of her friends.

Elsewhere in the world, the world’s mutant population was reduced to a couple of hundred desperate souls, following the temporary madness of the Avenger Scarlet Witch (as seen in the various House of M story-arcs).

Most of the empowered survivors banded together in self-imposed exile on Utopia Island in San Francisco Bay: a defensive enclave led and defended by the X-Men. Although generally welcomed by most of the easygoing residents of the city, tensions were high and leader Cyclops ran the colony in an increasingly draconian and military manner whilst telepath Emma Frost sent out a psychic summons offering all remaining mutants sanctuary.

Heeding the call, little Mollie reluctantly obeyed but she would rather have stayed with her friends…

…And after a very short while trying to deal with the hyper-active, super-curious, annoyingly perky, indestructible and incredibly destructive little girl, Colossus, the Beast, Frost, Cyclops and especially Wolverine were more than happy to return her to them – especially after Wolverine saw how Mollie dealt with a gang of super-villains who wanted to take revenge on the turbulent tyke for the unexpiated sins of her parents…

The stories end with a warmly informative character piece by James Asmus & Emma Rios, which finds the reunited runaways playing ‘Truth or Dare’ in the Malibu beach house they have appropriated.

As well as learning more about each other, the kids discover just how unruly Nico’s Staff has become after it grotesquely interacts with another mystic talisman recently confiscated from racist cult The Sons of the Serpent. There’s kissing and violence and giant snakes and icky grossness, dudes…

With covers and variants by Humberto Ramos, David LaFuente & Christina Strain, cover production art by LaFuente and design sketches from Rios, this marvellously upbeat and deliciously funny thriller is a superbly entertaining, thought-provoking Fights ‘n’ Tights treasure bursting with wit, action, horror, humour, charm and poignant passion, once more proving that superhero comics can surmount their escapist, gratuitous power-fantasy roots and deliver stories of depth and even joy.

© 2009 Marvel Characters Inc. All Rights Reserved.

Posted on

Spider-Man and the Fantastic Four


By Christos Gage & Mario Alberti with Bill Mantlo, Mike Zeck, John Byrne & various (Marvel)
ISBN: 978-0-7851-4423-6

After a shaky start in 1962, The Amazing Spider-Man quickly became a popular sensation with kids of all ages, rivalling the groundbreaking creative powerhouse that was Lee & Kirby’s Fantastic Four. Eventually the quirky, charming action-packed comics soap-opera became the model for an entire generation of younger heroes who imperceptibly began elbowing aside the staid, more mature costumed-crimebusters of previous publications and eras.

Since the 1970s the Astounding Arachnid and his hard-luck alter ego Peter Parker have become full-blown multimedia icons and survived every manner of seemingly insane reboot and upgrade to become globally real in the manner of Sherlock Holmes, Mickey Mouse, Tarzan, Superman, Batman and Harry Potter.

The Fantastic Four are – more often than not – maverick genius Reed Richards, his fiancée (later wife) Sue Storm, their trusty friend Ben Grimm and Sue’s teenaged brother Johnny, driven survivors of a independently-funded space-shot which went horribly wrong after Cosmic Rays penetrated their ship’s inadequate shielding.

When they crashed back to Earth, the quartet found that they had all been hideously mutated into outlandish freaks. Richards’ body became elastic, Sue gained the power to turn invisible and, eventually, project force-fields, Johnny could turn into living flame, and poor, tormented Ben was mutated into a horrifying brute who, unlike his comrades, could not return to a semblance of normality on command.

A core element of superhero comics is the “team-up” wherein costumed champions unite to tackle a greater than usual threat, or even each other; a sales-generating tactic taken to its logical extreme at Marvel wherein most early encounters between masked mystery men were generally prompted by jurisdictional disputes resulting in usually spectacular punch-ups before the heroes finally got on with allying to confront the real menace…

Combining Marvel’s biggest franchise and most creatively influential series, this slim, slick tome collects the 4-issue miniseries Spider-Man/Fantastic Four (from August to September 2010) by scripter Christos Gage and artist Mario Alberti, reprising their earlier trawl through key points of Marvel history affecting the wall-crawler and assorted iterations of X-Men.

Also focussing on the long, convoluted, inextricably interwoven relationship of the solitary web-spinner and the First Family of Superheroics, this compilation also offers an earlier crossover of the icons first seen in Peter Parker, the Sensational Spider-Man #42 and Fantastic Four #218 (both from May 1980).

The first chapter of the main story is set just after stuffy Mr. Fantastic and Sue Storm announced their engagement, a time when Peter Parker had just started college at Empire State University.

A ‘Crisis on Campus’ was triggered when the institution hosted a secret conference of world leaders and Victor Von Doom, absolute monarch of Balkan kingdom Latveria, demanded his arch-foes the FF should be his bodyguards. With the State Department pushing all the patriotism buttons the furious foursome had no choice but to reluctantly comply…

Intended merely as a means to aggravate and humiliate his enemies, the ploy became deadly serious when enraged Atlantean Prince Namor and his sub-sea legions attacked the meeting seeking vengeance on Doom.

Events escalated when the Iron Dictator refused to stay locked in a super-secure Panic Room and possessed the body of the Human Torch to personally rebuke the Sub-Mariner‘s insults. Total catastrophe seemed unavoidable until the physically overmatched web-spinner proffered a brilliantly sneaky way to break up the cataclysmic fight…

Unknown to all participants, however, a clandestine time-travelling foe was the chaos as cover to acquire elements necessary to bring about the downfall of his greatest foes and the very rewriting of history…

‘Symbiosis’ skips forward a few years to the time after the first Secret Wars, when Spider-Man discovered that his new smart-tech black costume was in fact an alien parasite. The uniform had attempted to bond permanently to Peter and had to be forcibly removed and contained by Reed and the FF.

The strange invader (see Spider-Man vs. Venom and Amazing Spider-Man: the Saga of the Alien Costume for further details) would eventually bond with deranged, disgraced reporter Eddie Brock, becoming Venom, a savage, shape-changing dark-side version of the Astounding Arachnid, but in this untold aside the cosmic creature broke free almost immediately, seizing control of Richards, temporary replacement She-Hulk and eventually Reed’s son Franklin.

The boy possessed dormant power on a level to reshape the universe and, as Spider-Man selflessly attempted to lure the Symbiote away by offering himself as a sacrifice, the mysterious time-thief again surreptitiously stepped in to purloin another artefact crucial to his plan…

Once the heroes had at last repelled and incarcerated the parasite peril, the saga shifted forward to the time when Skrull outlaw De’Lila invaded Earth, with her own people hot on her viridian high heels.

Evading heavy pursuit she attacked the FF and seemingly killed them. Disguised as a grieving Sue Richards she then recruited four heroes – The Hulk, Wolverine, Ghost Rider and Spider-Man – to hunt down the murderers.

Their quest took them deep into the bowels of the Earth and battle with the Mole Man and his legion of monsters, before she was exposed and defeated. The shapeshifting psionic siren had been seeking a semi-sentient ultimate weapon called a Technotroid and ‘Bizarre Love Triangle’ occurs minutes after the close of the original story (for which see Fantastic Four: Monsters Unleashed) as the temporal raider frees De’Lila from her Skrull captors as a deadly diversion whilst he takes the essence of the Technotroid for himself

Deprived of her trademark duplicity but with her telepathic abilities augmented, the temptress simply makes most of the men and Skrull cops her love-slaves and sets them upon Sue, new temp Sharon “She-Thing” Ventura and Spider-Man, forcing the irrepressible wall-crawler to use the most shocking of tactics to free the males from their murderous stupors…

The decade-long scheme of the mystery time-bandit is finally revealed in the concluding chapter ‘Family Values’ as – in the present – Spider-Man is lured to the Fantastic Four’s HQ and attacked with the rest of the team by one they had long considered to be part of their exotic extended family, lost in combat years ago…

Armoured with ultimate power and sporting a colossal chip on his shoulder, the prodigal intends to destroy Dr. Doom and offers the astounded gathering a chance to prove their loyalty by joining him…

When they try to humour the clearly disturbed assailant he cracks and all hell breaks loose…

However not all the heroes’ power can affect the attacker but Spider-Man, child of misuse, ill-fortune and isolation thinks he sees a kindred damaged spirit in the maniacal marauder…

Wry, witty, explosively action-packed, bombastic and genuinely moving, this clever re-evaluation of the bonds between the First Family and the solitary Spider-Man is a delightful celebration of everything that made Marvel such a force for change in the industry, and it’s a real shame that new readers won’t be able to pick up on the historical continuity scholarship that underpins a great fun yarn. That being said, this is still a funnybook frolic the freshest newbie to comics can easily follow…

Following the fearsome festivities is a section of sketches, pencils, unused and working drawings from Alberti, before the compilation concludes with an old-school saga from Peter Parker, the Sensational Spider-Man #42 and Fantastic Four #218.

The action begins when ESU student Peter Parker goes on a class jaunt on a party boat  and is lured into a trap by the Frightful Four in ‘Give Me Liberty of Give Me Death’ by Bill Mantlo, Mike Zeck & Jim Mooney.

The villains had broadsided the wall-crawler after new recruit Electro impersonated the Human Torch and, in the concluding ‘When a Spider-Man Comes Calling!’ (FF #218 by Mantlo, John Byrne & Joe Sinnott, the Trapster repeats the tactic to ambush the crime-busting quartet, allowing his comrades the Wizard and Sandman to take over the Baxter Building citadel of the heroes.

…At least until the fighting-mad web-spinner finally breaks free to launch an unstoppable counter attack…

Most people who read comics have a passing familiarity with all these characters, and even occasional consumers won’t have too much trouble following the backstory in this magnificently compelling Costumed Drama, so if you’re looking for some fun-friendly Fights ‘n’ Tights fantasy this could well be the one for you…
© 1980, 2010 and 2011 Marvel Characters, Inc. All Rights Reserved.