Jack Cole and Plastic Man

Jack Cole and Plastic Man 

By Art Spiegelman and Chip Kidd

(Chronicle Books)  ISBN 0-8118-3179-5

This eccentric tribute to the genius of cartoonist Jack Cole combines all the love and design skills of Spiegelman and Kidd with innovative print and paper techniques, a sharp biography and heart-felt appreciation of this inspired and tragic creator, and a wonderful selection of complete story reprints from Cole’s incredible fund of work.

The comic sections, printed of artificially browned newsprint — for that old comic feel — include The Eyes Have It (Police Comics #22, 1943), Burp the Twerp (Police Comics #29, 1944), Sadly-Sadly (Plastic Man #20, 1949), Plague of the Plastic People and Woozy Winks on Dopi Island (both from Plastic Man #22, 1950) and the legendary, if not infamous, Murder, Morphine and Me from True Crime Comics #1 (1947) cited often and tellingly by Dr. Frederick Wertham in his attacks on comics in the 1950s.

Although he would probably hate it said, Jack Cole is one of the key innovators in the field of comics and strip cartoons and this book is a fine tribute. Let’s get it reprinted right now!

Edition © 2001 DC Comics. All Rights Reserved. Text © 2001 Art Spiegelman

James Bond 007: The Phoenix Project

James Bond: The Phoenix Project 

By Jim Lawrence & Yaroslav Horak

Titan Books ISBN: 1-84576-312-2

Titan’s run of the newspaper strip Bond nears its inevitable conclusion in these tales from the mid-1970s, but the superlative work of scripter Jim Lawrence doesn’t slacken its pace or its grip on our action-hungry imaginations. The Phoenix Project examines some of the super-agent’s darker edges as he deals with the threat of a technological battle-suit that could revolutionise the way war is fought.

The Black Ruby Caper once again features a black lead heroine in a convoluted yet enthralling tale of duelling subversive organisations and a mysterious plot known only as Operation: Black Storm. As well as the usual fights and chases Bond has to use blackmail and coercion to achieve his goals. The exotic locales of Zurich, Paris and Ghana are no challenge to Horak’s gifted pens and brushes, and the increasing abundance of beautiful, naked women (it is the mid-1970s, after all) keeps everybody’s attention focussed.

Till Death Do Us Part is more traditional 007 fodder, as Bond kidnaps/rescues the daughter of a foreign “asset” to prevent a scandal. This is notable more for the inevitable introduction of the eccentric gadgets that had become an increasingly large part of the film version than for the adventure itself, but there are still thrills and flesh aplenty on view.

The volume closes with the brief but enthralling The Torch-Time Affair, wherein the search for a list of Latin American communist secrets leads to bodies on the beach, breathtaking chases over roads and through jungles and an intriguing detective mystery as 007 must save the girl, get the goods and kill the villain. Or must he..?

All the glamour and menace of James Bond is here in abundance and the chance to see two comic strip masters at their peak is very welcome and oh, so satisfying.

© 1974, 1975, 1976 Glidrose Productions Ltd/ Express Newspapers Ltd.
James Bond newspaper strip is © Express Newspapers Ltd 1987. All Rights Reserved