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Daredevil Epic Collection volume 4 1970-1972: A Woman Called Widow


By Roy Thomas, Gerry Conway, Gary Friedrich, Gene Colan, Don Heck, Alan Weiss, Barry Windsor-Smith, Bill Everett & various (Marvel)
ISBN: 978-1-3029-2034-0 (TPB)

Matt Murdock is a blind lawyer whose remaining senses hyper-compensate, making him capable of astonishing acrobatic feats, a formidable fighter and a living lie-detector.

Very much a second-string hero for most of his early years, Daredevil was nonetheless a striking and popular one, due in large part to the roster of brilliant artists who had illustrated the strip. He only really came into his own, however, after artist Gene Colan signed up for the long haul…

The natal DD battled thugs, gangsters, an eclectic mix of established and new super-villains and even the occasional monster or alien invasion. He quipped and wise-cracked his way through life and life-threatening combat, utterly unlike the grim, moody quasi-religious metaphor he became under modern authorial regimes…

In these tales from the pivotal era of relevancy, social awareness and increasing political polarisation, the Man Without Fear was also growing into the judicial conscience of a generation turning its back on old values…

Covering May 1970 -April 1972, this trade paperback and digital compilation chronologically re-presents Daredevil #64-86 plus a crossover with Iron Man #35-36 and sees the once-staid and so-very Establishment Murdock move with the shifting cultural mores as scripter Roy Thomas hands over the reins to newcomer Gerry Conway in an increasingly determined move to make the Man Without Fear cutting edge and relevant… …

The action opens here with Horn-Head prowling the rooftops of Los Angeles. He’s there to find the love-of-his-life, who quit New York when the pressure of sharing DD’s secrets proved too much…

After trailing the star-struck Karen Page to Hollywood, DD gets to take out his bad mood on a handy hood in ‘Suddenly… The Stunt-Master!’ (Thomas, Gene Colan & Syd Shores) before eventually helping his old enemy (a petty criminal biker) get a TV show of his own…

Murdock remains in LA to oversee Karen’s first acting gig – a pastiche of then-hot spooky TV phenomenon Dark Shadows – and prevents her becoming part of a murder spree in ‘The Killing of Brother Brimstone’: a classy whodunit which cataclysmically climaxes one month later in ‘…And One Cried Murder!’

Still stuck on the West Coast, DD tackles another grudge-bearing villain as ‘Stilt-Man Stalks the Soundstage’ (Gary Friedrich, Thomas, Colan & Shores) with now-respectably reformed Stunt-Master ably assisting our hero. Matt eventually leaves Karen to the vicissitudes of Tinseltown, landing back in the Big Apple just in time to become embroiled in a plot blending radical politics and the shady world of Boxing – ‘The Phoenix and the Fighter!’

The Black Panther returns seeking a favour in ‘A Life on the Line’ as kid gangs and the birth of the “Black Power” movement leap from news headlines to comic pages. The same consideration of youth in protest also inspired the seditious menace of ‘The Tribune’ (written by Friedrich) as youthful ideologues, cynical demagogues and political bombers tear a terrified and outraged city apart.

The unrest peaks in Daredevil #71 as Thomas contributes his swansong script and concludes the right-wing manufactured anarchy in ‘If an Eye Offend Thee…!’

New find Gerry Conway assumed the scripting with #72, easing himself in with an interdimensional fantasy frolic wherein the Scarlet Swashbuckler encounters a strange rash of crimes and a mirror-dwelling mystery man named Tagak in ‘Lo! The Lord of the Leopards!’ before plunging readers into an ambitious cosmic crossover yarn which begins in Iron Man #35.

Here the Armoured Avenger, seductive, morally-ambivalent free agent Madame Masque and S.H.I.E.L.D. supremo Nick Fury all seek‘Revenge!’ (illustrated by Don Heck & Mike Esposito) for various vile acts, and specifically the near-fatal wounding of valiant young American agent Jasper Sitwell at the hand of the mercenary Spymaster.

Their efforts – and those of their assembled enemies – are somehow fuelling an alien artefact called the Zodiac Key and, when its creators suck Daredevil into the mix to battle Spymaster and a bunch of super-villains affiliated to the cosmic device, everybody is ultimately shanghaied to another universe for more pointless fighting in ‘Behold… the Brotherhood!’(Daredevil #73, illustrated by Colan & Shores with plot input from Allyn Brodsky) before the epic concludes with extreme briskness in Iron Man #36.

So brisk, in fact, that only the first 8 pages of ‘Among Us Stalks the Ramrod!’ (Conway, Heck & Esposito) are reprinted here, leaving this potent brew of action and suspense to wrap up with Daredevil #74: an impressive and mercifully complete conundrum with DD trapped ‘In the Country of the Blind!’ (art by Colan & Shores) and calling on a group of sight-impaired volunteers to help him thwart a criminal plot to cripple New York…

The social upheaval of the period produced a lot of impressively earnest material that only hinted at the true potential of Daredevil. These beautifully illustrated yarns may occasionally jar with their heartfelt stridency but the honesty and desire to be a part of a solution rather than blithely carry on as if nothing was happening affords them a potency that no historian, let alone comics fan, can dare to ignore.

The Sightless Swashbuckler makes a politically-charged appearance in Daredevil #75 (April 1971) in a drama of devious intrigue and kidnapping that begins as Murdock travels to the banana republic of Delvadia where ‘Now Rides the Ghost of El Condor!’ (Conway, Colan & Shores) offers a canny yarn of revolutionary fervour, self-serving greed and the power of modern mythology.

The saga concludes in ‘The Deathmarch of El Condor!’ – wherein inker Tom Palmer (perhaps Colan’s most effective inker) starts his long association with the penciller.

Guest stars abound in ‘…And So Enters the Amazing Spider-Man!’ when an uncanny artefact appears in Central Park, inviting DD, the webspinner and the Sub-Mariner to participate in a fantastic battle in a far-flung, lost world. The adventure concludes in the Atlantean’s own comic (#40) but as our hero didn’t join the quest, that sequel isn’t included in this tome.

Issue #78 returns to more traditional territory as ‘The Horns of the Bull!’ traces the downfall of petty thug Bull Taurusafter enigmatic mastermind Mr. Kline has him transformed into a savage beast and sets him upon the Scarlet Swashbuckler…

Friedrich scripted cataclysmic conclusion ‘Murder Cries the Man-Bull!’, but plotter Conway was back the following month to spectacularly reintroduce a vintage villain ‘In the Eyes… of the Owl!’: presaging a major format change for the series…

From issue #81’s ‘And Death is a Woman Called Widow’ (inked by Jack Abel), Soviet defector Natasha Romanoff bursts onto the scene as the ubiquitous Mr. Kline is finally unmasked and revealed to be behind most of DD’s recent woes and tribulations…

Sometimes called Natalia Romanova, she is a Soviet-era Russian spy who came in from the cold and stuck around to become one of Marvel’s earliest and most successful female stars. She started life as a svelte, sultry honey-trap during Marvel’s early “Commie-busting” days, battling Iron Man in her debut exploit (Tales of Suspense #52, April, 1964).

She was subsequently redesigned as a torrid tights-&-tech super-villain before defecting to the USA, falling for an assortment of Yankee superheroes – including Hawkeye and Daredevil – before finally enlisting as an agent of S.H.I.E.L.D., freelance do-gooder and occasional leader of The Avengers.

Throughout her career she has always been considered ultra-efficient, coldly competent, deadly dangerous and yet somehow cursed to bring doom and disaster to her paramours. As her backstory evolved, it was revealed that Natasha had undergone experimental processes which enhanced her physical capabilities and lengthened her lifespan, as well as assorted psychological procedures which had messed up her mind and memories…

Following a stunning pin-up of the bodacious Black Widow by Bill Everett, the conspiracy crisis continues with ‘Now Send… the Scorpion’, as Kline – AKA the Assassin – sets a manic artificial arachnid against DD and the Widow, even as his Machiavellian master attempts to suborn Murdock’s greatest friend Foggy Nelson.

At the end of that issue the Scorpion is apparently dead and ‘The Widow Accused!’ by Nelson of the villain’s murder. A sham trial intended to railroad and pillory the Russian émigré ensues in #83, (rendered by Alan Weiss, Barry Smith & Everett), with the Assassin subsequently dispatching brutish Mr. Hyde to ensure his victory.

Against all odds, however, Murdock exonerates Natasha of the charges, prompting the hidden mastermind to take direct action in ‘Night of the Assassin!’ (Colan & Syd Shores). After attacking DD and the Widow in Switzerland – whence the jetsetting former spy had fled to nurse her wounded pride – Kline at last meets final defeat in a stunning and baroque climax to the extended saga.

In the aftermath of that cataclysmic clash, the odd couple are stranded in Switzerland before #85 sees them tentatively beginning a romantic alliance and returning to America on a ‘Night Flight!’ courtesy of Conway, Colan & Shores.

Typically, the plane is hijacked by the bloodthirsty Gladiator, after which another long-forgotten foe resurfaces – for the last time – in ‘Once Upon a Time… the Ox!’ (with stunning Tom Palmer inks) culminating in the broken romantic triangle of Matt, Karen Page and Natasha compelling a life changing relocation for our players from the Big Apple to San Francisco…

The next volume heads even further into uncharted territory…

Rounding out the comics experience are bonus pages including the covers to all-reprint Daredevil Annual #2 and 3, a selection of house ads, unused cover pencils by Colan and his contribution to the 1970 Marvel Artist Self-Portrait project.

Despite a few bumpy spots, during this period Daredevil blossomed into a truly magnificent example of Marvel’s compelling formula for success: smart, contemporarily astute stories, truly human and fallible characters and always magnificent illustration. These bombastic tales are pure Fights ‘n’ Tights magic no fan of stunning super-heroics can afford to ignore.

© 2019 MARVEL.

 

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Muhammad Ali


By Sybille Titeux de la Croix & Amazing Améziane, translated by Nicole Seguin-Morris for Studio Cutie (Dark Horse Books)
ISBN: 978-1-50670-318-3 (HB) eISBN: 978-1-63008-899-6

Fuelled largely by European comics, there’s a superb wealth of graphic biographies and auto biographies around for us mere English-speakers and I’ve reviewed a fair few of them. One of the best is this redoubtable treat from 2016, crafted by all-round artist and musician Sybille Titeux de la Croix (L’Apparition, Dostoyevski’s Gratte Moi La Puce) who studied at the École nationale supérieure des arts décoratifs. Her tag-team partner and illustrator here goes by Amazing Améziane: a multi-disciplinary creator, screenwriter and avowed child of the 1970s. He started crafting comics in 2001 and his other efforts include Clan, Bagmen and Cuatro Manos.

Their subject certainly needs no introduction. Born Cassius Marcellus Clay Jr. on January 17th 1942, he rose to fame through professional boxing during the most turbulent period in American history. Smart, incredibly fit and ferociously determined, he used his fame to become an activist, philanthropist and political and social influencer long before the term was coined or even possible. You don’t need me to tell you how important he was: history does that perfectly well and this superb appreciation and distillation of his life – available in hardback and digital editions – adds stylish gloss and polish to it all.

Following the Introduction from author Titeux de la Croix, the potent blend of narrative art and calligraphic declamation begins with ‘Equality’, relating the early days in Louisville, Kentucky, describing the day to day hardships of segregation, racist atrocities such as ‘The Murder of Emmett Till’ and how little Cassius Clay accidentally falls into boxing after his bike is stolen…

Grit, determination and focus carry him to the Olympics where he wins gold, and back to America where he still can’t ride some buses or eat in any diner he chooses…

‘Islam’ relates the days of political and religious awakening, meeting Henry Cooper and Malcolm X, proving he’s “the Greatest” and changing his name…

Diverting for a detailed and comprehensive analysis of ‘Ali’s Technique’, we follow the champion’s major bouts and landmark fights in and out of the ring (with specific reference to FBI boss J. Edgar Hoover’s obsessive investigations) and the time when pro civil rights advocates started being assassinated, leading to a quest for ‘Justice’…

The increasingly famous fighter becomes a figurehead through the late 1960s and spokesman in the 1970s, all the while combatting other boxers, media persecution and the aging process, before the later years of ‘Freedom’ culminate in 1984’s ‘Diagnosis: Parkinson’s’ and the long, slow unwinnable fight that ultimately claimed his life on June 3rd 2016…

Remarkable and uncompromising – the book, as well as the man – Muhammad Ali celebrates a unique life and unmatchable achievements with compelling effect. Even if you don’t like biographies or sports, this is a story and graphic treat every comics lover will want to see…
Muhammad Ali, Ali the Great © ÉDITIONS DU LOMBARD (DARGUAD- LOMBARD S.A.) 2015 by Amazing Améziane, Sybille Titeux de la Croix. All rights reserved.

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Firestorm the Nuclear Man: Reborn


By Stuart Moore, Jamal Igle & Keith Champagne & various (DC Comics)
ISBN: 978-1-4012-1219-3 (TPB)

One of the best “straight” superhero series of the last decade came and went with very little fanfare and only (thus far) this intriguing collection to mark its passage. Firestorm the Nuclear Man was created by Gerry Conway & Al Milgrom, launched in 1978 and promptly fell foul of the “DC Implosion” after five flamboyant, fun-filled issues.

High School Jock Ronnie Raymond and Nobel winning nuclear physicist Martin Stein were, due to a bizarre concatenation of circumstances, caught in an atomic blast that melded their bodies and minds into a fusion-powered being with extraordinary powers over matter and energy. Ronnie had conscious control of their consolidated body, and became an exuberant, flashy superhero, with a unique pantheon of villains all his own.

He was drafted into the Justice League of America, and eventually won a  well-received back-up series in The Flash (#289 to 304) which led to his second chance; Fury of Firestorm (100 issues and five Annuals between June 1982 and August 1990) before fading into the quiet semi-obscurity of team-books and guest-shots.

In 2004 Dan Jolley & Chrisscross reinvented the character. Black Detroit kid Jason Rusch was brought back from the brink of death thanks to a blazing energy ball (the Firestorm matrix seeking a new host after the murder of its previous body – although nobody discovered that for nearly a year…). This new version of the Nuclear Man can absorb any other body into the matrix, using them as a kind of battery – or more accurately spark plug – for Jason’s powers.

After impressively establishing himself as a hero in his own right he joined Donna Troy‘s Space Strike Force in the Infinite Crisis, consequently suffering hideous injuries.

Inexplicably this volume (reprinting issues #23-27 of the third Firestorm comicbook series) ignores all that back-story and begins as part of the One Year Later narrative strand. Jason can now only combine with fellow atomic hero Firehawk, and their un-combined personas cannot safely be more than a mile apart. That’s rather problematic as Jason is a student in New York and Lorraine Reilley, when not Firehawk, is a United States Senator. Jason’s teleporting girlfriend Gehennaisn’t too keen on how much time her man and that “Older Woman” spend together either…

As Firestorm they are desperately searching for Martin Stein, missing for a year and somehow connected to a plot to destroy the Earth, but their quest has also made them/him the target for some extremely dangerous people…

By trying not to give too much away I might have made this tale seem a bit daunting or confusing, but it really isn’t. This is a deliciously clever and witty adventure, providing plenty of opportunities to bring first-time fans up to speed, with likable characters, dastardly villains, an intriguing mystery, plenty of action and loads of laughs – just like the rest of the series was. It reads enchantingly and is really beautiful to look at, so I just don’t understand why newcomers’ first exposure to this material should be with the 23rd chapter and not the first…

You would have thought Firestorm’s appearances in TV animation delight the Brave and the Bold or as one of the Legends of Tomorrow would have prompted somebody to release the rest of this utterly appetising little gem in trade paperback or digital editions by now. Still it’s never too late to start agitating for change is it?
© 2006 DC Comics. All Rights Reserved.

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Paul Robeson for Beginners


By Paul Von Blum, illustrated by Elizabeth Von Notias & Ramses (For Beginners)
ISBN: 978-1-934389-81-2 (PB)

The For Beginners book series produces heavily illustrated text primers: graphic non-fiction foundation courses in a vast variety of subjects from art to philosophy, politics to history and much more, all tackled in an accessible yet properly respectful manner. This particular volume was written by Paul Von Blum, author and Senior Lecturer in African American Studies and Communication Studies at UCLA with a wealth of strips and illustrations by graphic design specialist Elizabeth Von Notias and self-taught multi-media creator Ramses.

If remembered at all, Paul Robeson (April 9th 1898 – January 23rd 1976) is thought of by most people as that African American singer/actor with an incredible bass voice. Maybe some will recall that he was a left-wing political activist who fell foul of Senator Joe McCarthy during America’s infamous “Red-baiting” witch-hunting period.

That’s true enough, but he was also one of the most accomplished and gifted individuals in the nation’s history: a true Renaissance man cheated of his ultimate potential simply because his skin was the wrong colour…

The Introduction lists Robeson’s astonishing accomplishments – all the more amazing when you realise the lack of opportunities if not outright repression facing negroes in segregated America at the time of his birth, and not truly confronted until the Civil Rights movement began gaining traction in the late 1950s.

As told in more telling detail – both in word and pictures in ‘The Early Days’, ‘Paul Robeson the Athlete’, ‘Paul Robeson the Stage Actor’, ‘Paul Robeson the Screen Actor’ and ‘Paul Robeson the Singer’ – the unheralded superman was born in Princeton, New Jersey; the son of a preacher. He was the last of five children in a time and place rigidly defined by class and race divisions.

A brilliant student, Robeson graduated Somerville High School in 1915 and won a four-year scholarship to Rutgers University where, despite initial hostility and actual physical assaults, he became the star of the Football, Baseball, Basketball and Athletics squads, and was twice designated “All-American”.

From there he attended New York University Law School, before transferring to Columbia University Law School. Talented and seemingly tireless, he turned an interest in the dramatic arts into a part-time stage career and also became a professional Football player in 1920. He got married, acted, sang, played Pro ball and kept on studying. Graduating from Columbia in 1923, he worked as a lawyer at a prestigious law firm until the bigotry he experienced from his own subordinates became too much.

In 1924 he switched from stage acting to movies, but still carried on a glittering international career: starring as Othello in London and playing in many hit plays and musicals such as Showboat, Emperor Jones, Stevedore and All God’s Chillun’s Got Wings…

Politically active, he visited the Soviet Union in 1934, spoke out against Fascism during the Spanish Civil War, co-founded the anti-colonial Council on African Affairs and used his name and fame to agitate for social and legal changes in such contentious areas as Southern lynch law and trade union legislation. These activities made him a prime target in the USA and in 1941 J. Edgar Hoover ordered the FBI to open a file on him…

In 1950 the US government took away Robeson’s passport because he refused to recant his pro-Soviet, pro-socialist stance and he became an exile in his own country. He was unable to leave America for eight years, until a Supreme Court ruling decreed the State Department had no right to revoke passports due to an individual’s political beliefs.

Robeson’s life was filled with such social and cultural landmarks. Once free to travel again, he became an international political celebrity and social commentator, using his concerts and stage appearances in places as disparate as Wales, Australia, Russia, East Germany and elsewhere to promote a dream of World “Freedom, Peace and Brotherhood”…

His beliefs, struggles achievements and failures are examined in ‘Paul Robeson the International Activist’, ‘Paul Robeson the Domestic Political Activist’ before culminating in a thorough appreciation of ‘The Final Years and His Lasting Legacy’…

Augmented by a ‘Bibliography’, ‘Selected Chronology’ and creator biographies, this absorbing documentary – available in paperback and digital editions – proves again the astounding power of visual narrative when wedded to the life story of a truly unique individual.
© 2013 Paul Von Blum. Illustrations © 2013 Elizabeth Von Notias & Ramses. All rights reserved. A For Beginners Documentary Comic Book © 2013.

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Incognegro: A Graphic Mystery (New Edition/10th Anniversary Edition)


By Mat Johnson & Warren Pleece, with Clem Robbins (Berger Books/Dark Horse)
ISBN: 978-1-50670-564-4 (HB) eISBN: 978-1-50670-591-0

What’s prejudice? How does bigotry and that unthinking fear and hatred of otherness work? What happens when haters can’t tell the difference between “us” and “them?” Those are frankly disturbing and astonishing questions first asked in 2008 in an Original Graphic Novel released by DC’s Vertigo imprint that made a lot of noise and changed some lives. The book won acclaim and awards and its subject matter started a few conversations in exactly the right places: classrooms where it became a selected text for high schools and colleges.

This 10th Anniversary edition reprints the original tale in all its moody monochrome glory, backed up by a contextualising Author’s Note (‘I grew up a black boy who looked white’) and Afterword; a copious sketchbook section featuring designs by Pleece and ‘Reading Group Guide/Questions & Topics for Discussion’.

The tale itself is set in the segregationist South in the early 1930s and opens at a social gathering in Tuscaloosa with families all happily gathering to see a black boy strung up. As the attendees patiently queue for a picture with the “strange fruit”, a newcomer takes their names and addresses. It’s only when the photographer denies hiring him that Zane Pinchback of New York City’s African American newspaper The New Holland Herald realises he’s pushed his luck and needs to run for his life…

Sadly, however, not before a visiting bigwig from the Ku Klux Klan gats a good look at him and starts wondering…

Safely back north of the Mason-Dixon Line, Zane’s latest headline grabber upsets liberals and shames the perpetrators but the journalist is still unhappy. His exposés change nothing and he feels a fraud: a proud black man who makes a living pretending to be white. He can’t even use his own name – hence the byline “Incognegro” – or face on his widely syndicated columns: that would instantly negate the genetic advantage of a negro who can “pass”…

Things are liberal enough in Manhattan that he and his debonair wastrel pal Carl can intermingle with most folk and go drinking in swish clubs, but Zane knows things can go bad easily enough and resolves to quit and go legit…

His editor staunchly refuses to accept, instead offering him a deal: one more undercover assignment. He is certain Zane will accept. The negro jailed in Tupelo, Mississippi and accused of killing a white woman is a man he’s known his entire life. Heading off in a hurry and readying himself to play the high stakes game of his life, Zane has no idea how complex and convoluted this case will be, or that blithely incautious Carl has invited himself along to a place where his kind of idiocy has lethal consequences…

Author Mat Johnson took inspiration from his own childhood and the activities of Walter White (ultimately Chief Exec of the National Association for the Advancement of Colored People) who began his career investigating lynchings because of the same genetic quirk as Zane Pinchback…

Available in hardcover, trade paperback, digital editions and even in its original DC/Vertigo edition – Incognegro is smart, funny where it can be and devastatingly effective whenever it needs to be. As well as the racial injustice so savagely skewered here, this is a cunning and engrossing murder mystery with plenty of twists, which even finds room to have a stab at the still largely unaddressed problems of women’s independence and transgender acceptance. If you love great storytelling underpinned by real-world issues, this is something you must see.
Incognegro™ © 2008, 2018 Mat Johnson and Warren Pleece. All rights reserved.

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Alone volume 1: The Vanishing


By Gazzotti & Vehlmann, translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-849181-96-9 (PB Album)

Fabien Vehlmann was only born in 1972 yet his prodigious canon of work (from 1998 to the present) has earned him the soubriquet of “the Goscinny of the 21st Century”. He entered the world in Mont-de-Marsan and grew up in Savoie, growing up to study business management before taking a job with a theatre group.

In 1996, after entering a writing contest in Le Journal de Spirou, he caught the comics bug and two years later published – with illustrative collaborator Denis Bodart – a mordantly quirky and sophisticated portmanteau period crime comedy entitled Green Manor. From there on his triumphs grew to include – many amongst others – Célestin Speculoos for Circus, Nicotine Goudron for l’Écho des Savanes and major-league property Spirou and Fantasio…

Bruno Gazzotti is Belgian, born in 1970 and was a student of Institut Saint Luc in Liège. Another artist addicted to comics from his earliest years, he started being paid to draw them in 1988, after being hired by Spirou editor Patrick Pinchart on the strength of his portfolio alone. Before long he was illustrating Le Petit Spirou with Tome & Janry. In 1989, he and Tome created New York Cop Soda, which kept Gazzotti busy until 2005, when he resigned to co-create award-winning feature Seuls…

Released in January 2006, Seuls – La disparition is a superb example of a kids’ thriller suitable for all ages: evoking the eerie atmosphere of TV series Lost and the most disturbing elements of Philip Wylie’s The Disappearance and William Golding’s Lord of the Flies.

Translated as The Vanishing, the first chapter show us peeks of an ordinary bustling town, with simple folk going about their business. Our swift glimpses show us a cross section of kids: Ivan, an imaginative child of wealth who wants for nothing but never sees his dad any more and Leila, a born engineer, inventor and tinkerer. Her poor but honest dad always has time to play and critique her latest gadget…

Camille is studious and over-focussed on exams and achievement and Terry is pretty much still a baby. He certainly acts like one, trying to stay up late, binge watching TV and throwing tantrums if he doesn’t get his way.

Sadly, not all children in town have such typical lives. Dodzi has just been taken into the system. His early life has made him tough and resilient but won’t stop the other young inmates handing him a beating on this ominous, odd-feeling night…

Next morning dawns overcast and forbidding. The city is quiet. Roaming empty streets, Dodzi calls out to anybody who can hear and is met – or actually run over – by Leila and Terry on her bike. They are all pretty scared and have seen nobody else at all…

No one else is around. All the adults have gone, and all their child pals. The internet is down, television and radio only blare out static. Above, fearsome storm clouds gather. Within minutes fear turns to panic and violence but eventually Dodzi brutally enforces calm and leads them away, only to stumble into Camille being attacked by a dog. As the tough guy tries to fight it off, the rabid beast senses something in the shadows of an alley and flees…

As they wander, someone watches the waifs and after they joyously blow off steam in a fountain, they meet final lost boy Ivan. He invites them back to his mansion on the edge of town where they find food while being subjected to his theories on what’s happened: everything from a shared dream to an extinction event to the possibility that they’re dead and in hell…

Needing more information, Dodzi and Leila try to drive one of many cars on the estate while the smaller ones sort out a proper meal, but neither task goes well. The cooking is a disaster while the near-lethal reconnaissance only finds more empty streets, wrecked shop fronts and wild animals in the streets. While the motoring minors seek to evade two rhinos, Terry and Camille are almost eaten by a white tiger that’s got through the estate gates…

When Dodzi and Leila return – and following a burst of viciously released tensions – the kids modify and weaponize a 4 by 4 and head back to town. Ivan’s dad owns the tallest building in the city: somewhere stuffed with resources and easily fortified and defended…

As the first day alone ends, the kids are bloated with vending machine snacks and playing in the vast office block’s upper reaches, but de facto leader Dodzi is still uneasy.

When Leia reports little Terry is missing, he heads out to search and finds to his horror where all the animals have come from: a scene of destruction that distracts him enough that a hidden stalker almost takes him.

Thankfully, the others have ignored his orders and followed so it isn’t Dodzi that dies…

Thus begins a spooky, powerful and often shocking tale of mystery and imagination with the bereft children facing increasingly daunting physical hazards and an escalating series of events which can have no logical or rational explanation…

Alone rapidly became one of the biggest critical and commercial comics hits of the decade and if you love eerie enigmas and powerful tale-telling, you’ll soon be buying this and seeing why for yourself…
© Dupuis 2006 by Gazzotti & Vehlmann. All rights reserved. English translation © 2014 Cinebook Ltd.

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Vixen: Return of the Lion


By G. Willow Wilson & CAFU, with Bit, Josh Middleton & various (DC Comics)
ISBN: 978-1-4012-2512-4 (TPB)

In 1978 fashion model Mari Jiwe McCabe nearly became the first black woman to star in her own American comic book. Sadly, the infamous “DC Implosion” of that year saw the Vixen series cancelled before release. She eventually premiered three years later in Action Comics #521’s ‘The Deadly Rampage of the Lady Fox’ (by creator Gerry Conway and Superman mainstays Curt Swan & Frank Chiaramonte) and remained lurking around the DC Universe until she joined a re-booted JLA (latterly dubbed JLA Detroit) in Justice League of America Annual #2.

A classic team-player, over intervening decades working within assorted JLA rosters, Suicide Squad, Ultramarine Corps, Checkmate and the Birds of Prey, Vixen’s origin has changed a lot less than most. It even remained mostly unmeddled-with when she made the jump to TV as part of the DC Legends of Tomorrow show…

Mari Jiwe comes from a line of warriors blessed by animist Trickster god Kwaku Anansi. The mythical creator of all stories claims to have designed her abilities – and those of fellow hero Animal Man – allowing Vixen, through use of an arcane artefact dubbed the Tantu Totem, to channel the attributes and power of every animal that has ever lived.

As a child in M’Changa Province, Zambesi, Mari’s mother was killed by poachers and her missionary father murdered by his own brother over possession of the Totem. To thwart her uncle, the orphan moved to America, eventually becoming a fashion model to provide funding and cover for her mission of revenge…

At first a reluctant superhero, Vixen became one of the most effective crusaders on the international scene and was a key member of the latest Justice League when her powers began to malfunction and she was forced to confront Anansi himself (for which tales see Justice League of America: Sanctuary and Justice League of America: Second Coming)…

Scripted by author, essayist, journalist and comics scribe G. Willow Wilson (Cairo, Air, Ms. Marvel, Wonder Woman) and illustrated by Carlos Alberto Fernandez Urbano AKA CAFU (Action Comics, T.H.U.N.D.E.R. Agents, Imperium, Unity), Vixen: Return of the Lion originally appeared as a 5-part miniseries in 2009 and opens here sans preamble with  ‘Predators’ wherein a League operation uncovers a plot by techno-thugs Intergang to fund a revolution in troubled African nation Zambesi. Amongst the impounded files is a record which proves that 15 years earlier, Vixen’s mother was actually killed by Aku Kwesi, a local warlord working with the American criminals…

When Mari learns the truth, not even Superman can stop her from heading straight to her old village to find the man responsible. Africa is not America, however, and the lawless settlement has no time for a woman who does not know her place – even if she does have superpowers. When Kwesi appears, Vixen’s powers are useless against him and she escapes with her life only because the warlord’s lieutenant Sia intervenes…

In ‘Prey’, broken, gravely wounded Mari is dumped in the veldt by Sia and staggers her way across the war-ravaged plain, battling beasts and hallucinating – or perhaps meeting ghosts – until she is attacked by a young lion and rescued by a holy man…

Alarmed at Vixen’s disappearance and further discoveries connecting Kwesi to Intergang, the JLA mobilise in ‘Sanctuary’as the lost Vixen gradually recuperates in a place where the constant battles of fang and claw survival are suspended and the saintly Brother Tabo offers her new perspective and greater understanding of her abilities. Her JLA colleagues, meanwhile, have exposed Intergang’s infiltration but fallen to a power even Superman could not resist…

As the League struggles against overwhelming odds, ‘Risen’ sees a transcendent Vixen flying to the rescue, and picking up some unexpected allies before facing her greatest challenge in shocking conclusion ‘Idols’, wherein more hidden truths are revealed and a greater mystery begins to unfold…

Featuring a gallery of stunning covers by Josh Middleton, this is an exceptional and moodily exotic piece of Fights ‘n’ Tights fluff to delight devotees of the genre and casual readers alike, and one long overdue for re-release and inclusion in the growing library of environmentally-beneficial digital comics and books.
© 2006, 2009 DC Comics. All Rights Reserved.

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Black Jesus volume 1


By Jimmy Blondell & David Krintzman, Nicholas Da Silva & Bigjack Studios (Brazil) (Arcana)
ISBN: 978-1-897548-55-4 (TPB)

I’m always keen to spark a little controversy, so here’s an intriguing parable you probably missed when it launched in 2009…

Superheroes are frequently cited as a new mythology and occasionally comic books have dabbled with the idea that there’s not much difference between gods and metahumans. In a world where unnatural powers are common currency – at least in our fictions and entertainments – what happens when a genuinely different being appears and acts in ways neither the guardians of society nor the laws of physics will tolerate?

Conceived and written by Jimmy Blondell & David Krintzman and illustrated by Nicholas Da Silva (assisted by Brazil’s Bigjack Studios) this gripping thriller has all the facets of a urban/horror/conspiracy thriller but don’t be fooled. There’s more going on here than first appears…

Chris is a young black man in New York City. He’s a bit weird, and not just because of the recurrent nasty visions of cruel hunters slaughtering animals in the Serengeti…

He lives a peaceful life in a city where criminality, intolerance and hostility are everywhere, harming no one and caring for his pigeons in their rooftop roost. He’s got friends, a part-time job and plenty of questions about the strange things that keep happening around him. Case in point: despite never practising, he can score a basket from anywhere on the court without even trying. It’s a trick that’s earned the respect of violent angry young men throughout the neighbourhood, and when he’s not spends time breaking into Central Park Zoo to feed animals, or he’s studying with scholarly Rabbi Goldberg, a man who knows more about the boy’s past than he’s letting on…

His already complex existence takes a frantic turn the day Chris pulls some kids out of a car sinking into the Park Lake. He had to walk across the water to get to them and footage of the rescue made the news everywhere. Thankfully he kept his hoodie up and most viewers don’t know who he is…

That’s not a problem for the devout leader of the Black Christian Gang whose agenda is to reclaim the Messiah for people of colour and destroy forever the myth of a blond, blue-eyed white Christ. He sets his many brothers in the BCG to finding the miracle worker at all costs…

So does black televangelist Reverend Carnivean, whose millions of worshippers, billions of dollars and soaring political ambitions can’t afford any competition. Rather than true believers, he sets his moneymen, whores and assassins to finding the mystery man the media have dubbed Black Jesus…

That becomes even more urgent after a second tragedy strikes and witnesses at a charity gala all report seeing an anonymous young black waiter heal a woman mauled by a lion…

So begins a frantic race to control a potentially divine force or the next stage in human evolution: a trail peppered with bodies and shocking outrages. It doesn’t help that Chris himself has no idea what he truly is…

Understated and thoughtful, Black Jesus is a thriller about being born different (and yes, I do think that’s a metaphor for being black in America today), exploring dangerous ideas about the nature of divinity, poverty, status and belonging, as well as attempting to debunk the biggest and most divisive lie in politico-religious history.

The series was delving into some truly interesting corners before slumping into a hiatus triggered by the project being optioned as movie. Maybe when the film is finished, we can finally see how the comic would have progressed from the conclusion – but not ending – it reached…

Certainly not for everyone, but smart and compelling enough for you perhaps?
© 2009 by Black Jesus LLC. All rights reserved.

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Green Lantern: The Silver Age volume 4


By Gardner Fox, John Broome, Gil Kane, Sid Greene & various (DC Comics)
ISBN: 978-1-4012-9435-9 (TPB)

After a hugely successful revival and reworking of Golden Age Great The Flash, DC (National Periodical Publications as they were then) were keen to build on a resurgent superhero trend. Showcase #22 hit newsstands at the same time as the fourth issue of the new Flash comicbook – #108 – and once again the guiding lights were Editor Julie Schwartz and writer John Broome. Assigned as illustrator was action ace Gil Kane, generally inked by Joe Giella.

Hal Jordan was a brash young test pilot in California when an alien policeman crashed his spaceship on Earth. Mortally wounded, Abin Sur commanded his ring – a device which could materialise thoughts – to seek out a replacement officer: one both honest and without fear.

Scanning the planet, the wonder weapon selected Jordan and whisked him to the crash-site. The dying alien bequeathed his ring, the lantern-shaped Battery of Power and his profession to the astonished Earthman.

In 6 pages ‘S.O.S Green Lantern’ established characters, scenario and narrative thrust of a series that would increasingly become the spine of DC continuity. Now that the concept of the superhero was swiftly being re-established among the buying public, there was no shortage of gaudily clad competition. The better books thrived by having something a little “extra”.

With Green Lantern that was primarily the superb scripts of John Broome and Gardner Fox and the astounding drawing of Gil Kane (ably abetted in this collection by primary inker Sic Greene) whose dynamic anatomy and dramatic action scenes were maturing with every page he drew. Happily, the concept itself was also a provider of boundless opportunity.

Other heroes had extraterrestrial, other-dimensional and even trans-temporal adventures, but the valiant champion of this series was also a cop: a lawman working for the biggest police force in the entire universe.

This fabulous fourth paperback and eBook compilation gathers Green Lantern #36-48 (April 1965 to October 1966) and, with Hal Jordan firmly established as a major star of the company firmament, increasingly became the series to provide conceptual highpoints and “big picture” foundations. These, successive creators would use to build the tight-knit history and continuity of the DC universe. At this time there was also a turning away from the simple imaginative wonder of a ring that could do anything in favour of a hero who increasingly ignored easy solutions in preference to employing his mighty fists.

What a happy coincidence then, that at this time artist Gil Kane was reaching an artistic peak, his dynamic full-body anatomical triumphs bursting with energy and crashing out of every page…

Scripted by Gardner Fox Green Lantern #36 cover-featured captivatingly bizarre mystery ‘Secret of the Power-Ringed Robot!’ (how can you resist a tale that is tag-lined “I’ve been turned into a robot… and didn’t even know it!”?) and followed that all-action conundrum with the incredible tale of Dorine Clay; a young lady who was the last hope of her race against the machinations of the dread alien Headmen in John Broome’s ‘Green Lantern’s Explosive Week-End!’

As previously stated, physical combat had been steadily overtaking ring magic in the pages of the series and all-Fox #37’s‘The Spies Who “Owned” Green Lantern!’ – despite being a twist-heavy drama of espionage and intrigue – was no exception, whilst second story ‘The Plot to Conquer the Universe!’ pitted the Emerald Crusader against Evil Star, an alien foe both immortal and invulnerable, who gave the hero plenty of reasons to lash out in spectacular, eye-popping manner.

For #38 (another all-Fox scripted affair), Jordan re-teamed with fellow Green Lantern Tomar Re to battle ‘The Menace of the Atomic Changeling!’ in a brilliant alien menace escapade counterpointed by ‘The Elixir of Immortality!’ wherein criminal mastermind Keith Kenyon absorbs a gold-based serum to become a veritable superman. He might be immune to Ring Energy (which can’t affect anything yellow, as eny old Fule kno) but eventually our hero’s flashing fists bring him low – a fact he will never forget on the many occasions he returns as merciless master criminal Goldface…

Green Lantern #39 (September 1965) featured two tales by world-traveller John Broome, Kane & master inker Sid Green: opening with a return engagement for Black Hand, the Cliché Criminal entitled ‘Practice Makes the Perfect Crime!’ and ending in a bombastic slugfest with an alien prize fighter named Bru Tusfors in ‘The Fight for the Championship of the Universe!’ They were mere warm-ups for the next issue.

‘The Secret Origin of the Guardians!’ was a landmark second only to ‘Flash of Two Worlds’ (see Crisis on Multiple Earths: The Team-Ups) as Broome teamed the Emerald Gladiator with his Earth-2 counterpart Alan Scott to stop Krona, an obsessed Oan scientist whose misguided attempts to discover the origins of the universe had first introduced evil into our pristine reality billions of years ago. His actions forced his immortal brethren to become protectors of life and civilisation in an unending act of group contrition – the Guardians of the Universe.

Simultaneously high concept and action packed, this tale became the keystone of DC cosmology and a springboard for all those mega-apocalyptic publishing events such as Crisis on Infinite Earths. It has seldom been equalled and never bettered…

Gardner Fox tackled issue #41 spotlighting twisted romance in ‘The Double Life of Star Sapphire!’ as an alien power-gem once more compelled Jordan’s boss and true love Carol Ferris to subjugate and marry her sometime paramour Green Lantern, and wrote another cracking magical mystery to end the issue as extraterrestrial wizard Myrwhydden posed ‘The Challenge of the Coin Creatures!’

The next release was ‘The Other Side of the World!’ wherein Fox continued a long-running experiment in continuity with a superb tale of time-lost civilisations and an extra-dimensional invasion by the Warlock of Ys co-starring the peripatetic quester Zatanna the Magician.

At that time the top-hatted, fish-netted young sorceress appeared in a number of Julie Schwartz-edited titles, hunting her long-missing father Zatarra: a magician-hero in the Mandrake mould who had fought evil in the pages of Action Comics for over a decade beginning with the very first issue.

In true Silver Age “refit” style, Fox concocted a young and equally empowered daughter, popularising her by guest-teaming her with a selection of superheroes he was currently scripting. If you’re counting, these tales appeared in Hawkman #4, Atom #19, Green Lantern #42, and an Elongated Man back-up strip in Detective Comics #355 as well as a very slick piece of back writing to include the high-profile Caped Crusader via Detective #336 before concluding after this GL segment in Justice League of America #51. You can enjoy the entire early epic by tracking down Justice League of America: Zatanna’s Search…

The much-mentioned Flash guest-starred in #43: sharing a high-powered tussle with a new tectonically terrifying nemesis in Fox’s ‘Catastrophic Crimes of Major Disaster!’ and the next issue provide two tales – an increasing rarity as book-length epics became the action-packed norm.

Oddly, second-class postage discounts had for years dictated the format of comic-books: to qualify for cheaper rates periodicals had to contain more than one feature, but when the rules were revised single, complete tales not divided into “chapters” soon proliferated. Here though are two reasons to bemoan the switch; Fox’s ‘Evil Star’s Death-Duel Summons’and Broome’s Jordan Brothers adventure ‘Saga of the Millionaire Schemer!’, offering high-intensity super-villain action and a heady, witty comedy-of-errors mystery as Hal visits his family and is embroiled in new sister-in-law Sue‘s hare-brained scheme to prove her husband Jim Jordan is Green Lantern… .

Earth-2’s Green Lantern returned for another team-up in #45’s fantasy romance romp ‘Prince Peril’s Power Play’, scripted by Broome, who raised the dramatic stakes with the hero’s first continued adventure in the following issue. Preceded by a spectacular Kane pin-up, Green Lantern #46 opens with Fox’s delightfully grounded crime-thriller ‘The Jailing of Hal Jordan’, before ‘The End of a Gladiator!’ details the murder of the Earth-1 GL by old foe Dr. Polaris, concluding with his honour-laden funeral on Oa, home of the Guardians!

Broome was on fire at this time: the following issue and concluding chapter sees the hero’s corpse snatched to the 58thcentury and revived in time to save his occasional future home from a biological infection of pure evil in the spectacular triumph ‘Green Lantern Lives Again!’

Bizarrely garbed goodies and baddies were common currency at this time of incipient TV-generated “Batmania” so when gold-plated mad scientist Keith Kenyon returned it was as a dyed-in-the-wool costumed crazy for Fox’s ‘Goldface’s Grudge Fight Against Green Lantern!’, a brutal clash of opposites and perfect place to pause for the moment.

These costumed drama romps are in themselves a great read for most ages, but when also considered as the building blocks of all DC continuity they become vital fare for any fan keen to make sense of the modern superhero experience. This blockbusting book showcases the imaginative and creative peak of Broome, Fox and Kane: a plot driven plethora of adventure sagas and masterful thrillers that literally reshaped the DC Universe. Action lovers and fans of fantasy fiction couldn’t find a better example of everything that defines superhero comics.
© 1965, 1966, 2019 DC Comics. All Rights Reserved.

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Sundiata, the Lion of Mali – a Legend of Africa


Retold by Will Eisner (NBM)
ISBN: 978-1-56163-332-6(HB)  978-1-56163-340-1(TPB)

It’s pretty much accepted today that Will Eisner was one of the pivotal creators who shaped the American comicbook industry, with most – but not sadly, all – of his works more or less permanently in print – as they should be.

Active and compellingly creative until his death in 2005, Eisner was the consummate storysmith and although his true legacy is making comics acceptable fare for adult Americans, his mastery and appeal spanned the range of human age and he was always as adept at beguiling the young as he was enchanting their elders…

William Erwin Eisner was born on March 6th 1906 in Brooklyn and grew up in the ghettos. They never left him. After time served inventing much of the visual semantics, semiotics and syllabary of the medium he dubbed “Sequential Art” in strips, comicbooks, newspaper premiums and instructional comics, he then invented the mainstream graphic novel, bringing maturity, acceptability and public recognition to English language comics.

From 1936 to 1938 he worked as a jobbing cartoonist in the comics production hothouse known as the Eisner-Eiger Shop, creating strips for both domestic US and foreign markets. Using the pen-name Willis B. Rensie, he created and drew opening instalments for a huge variety of characters ranging from funny animal to historical sagas,

Westerns, Detectives, aviation action thrillers… and superheroes – lots of superheroes …

In 1940 Everett “Busy” Arnold, head honcho of the superbly impressive Quality Comics outfit, invited Eisner to take on a new challenge. The Register-Tribune newspaper syndicate wanted a 16-page weekly comicbook insert for the Sunday editions and Eisner jumped at the opportunity, creating three series which would initially be handled by him before two of them were delegated to supremely talented assistants. Bob Powell inherited Mr. Mystic and distaff detective Lady Luckfell into the capable hands of Nick Cardy (then still Nicholas Viscardi) and later the inimitable Klaus Nordling.

Eisner kept the lead feature for his own, and over the next twelve years The Spirit became the most impressive, innovative, imitated and talked-about strip in the business. However, by 1952 Eisner had more or less abandoned it for more challenging and certainly more profitable commercial, instructional and educational strips. He worked extensively for the US military in manuals and magazines like Army Motors and P*S, the Preventative Maintenance Monthly, generally leaving comicbooks behind.

After too long away from his natural story-telling arena, Eisner creatively returned to the ghettos of Brooklyn where he was born and capped a glittering career by inventing the mainstream graphic novel for America, bringing maturity, acceptability and public recognition to English language comics. After that he just kept on going…

In 1978 a collection of four original short stories in strip form were released as a single book: A Contract With God and Other Tenement Stories. All four centred around 55 Dropsie Avenue, a 1930’s Bronx tenement, housing poor Jewish and immigrant families. It changed the American perception of cartoon strips forever. Eisner wrote and drew a further 20 comics masterworks, opening the door for all other comics creators to escape the funnybook and anodyne strip ghettos of superheroes, funny animals, juvenilia and “family-friendly” entertainment. At one stroke comics grew up.

Eisner was constantly pushing the boundaries of his craft, honing his skills not just on the Spirit but with years of educational and promotional material. In A Contract With God he moved into unexplored territory with truly sophisticated, mature themes worthy of Steinbeck and F. Scott Fitzgerald, using pictorial fiction as documentary exploration of social experience.

If Jack Kirby was the American comicbook’s most influential artist, Will Eisner remains undoubtedly its most venerated and exceptional storyteller. Contemporaries originating from strikingly similar Jewish backgrounds, each used comic arts to escape from their own tenements, achieving varying degrees of acclaim and success, and eventually settling upon a theme to colour all their later works. For Kirby it was the Cosmos, what Man would find there, and how humanity would transcend its origins in The Ultimate Outward Escape. Will Eisner went Home, went Inward and went Back, concentrating on Man as he was and still is…

Naturally that would make him a brilliant choice to illustrate primal folktales and creation myths from our collective past. This stunning, slim yet over-sized tome (288 x 224mm) again proves his uncanny skill in exhibiting the basic drives and passions of humanity as he lyrically recounts a key myth of West Africa. Although I can’t find it in any digital editions, at least it’s still widely available in print formats…

The historical Sundiata Keita brought the Mandinka People out of bondage and founded the Mali Empire in the 13thcentury AD. He is still celebrated as a staple of the oral tradition handed down by the tribal historians, bards and praise-singers known as “Griots”.

Rendered in a moody, brooding wash of sullen reds, misty greys and dried out earth-tones, the tale begins; narrated by the Great Gray Rock, foundation stone of the world.

Once only the beasts were masters of Africa, but when people came, they sought to rule the land. The newcomers consulted the ghosts of Good and soon became the masters of the beasts and the land.

However, Evil ghosts also lurked. Once ambitious, greedy Sumanguru, King of Sasso had conquered all he could see, he still seethed with dissatisfaction, and the Gray Rock of Evil accosted him…

Sasso was a poor, arid country and when the wicked stone offered the king dark magical powers to conquer all the surrounding lands, Sumanguru eagerly accepted. Soon all the neighbouring nations were smouldering ruins as Sasso warriors and their mad lord’s control of the elements demolished all resistance.

Still Sumanguru was not content and, when a trader brought news of a rich, fertile land settled by peaceful gentle people, the king wanted to rule them too. The unctuous merchant also related how Nare Famakan, wise king of Mali, had recently passed away, leaving eight youthful healthy sons and a ninth who was weak and lame…

Ignoring the rock of Evil’s advice to beware the “frog prince”, Sumanguru led his mighty armies against Mali, unaware the double-dealing trader – denied a reward due to the mad king’s parsimony – had warned the nine princes that warriors of Sasso were coming.

Lame little Sundiata also wished to defend his land, but his brothers laughed and told him to stay home, trusting to their superior tactics to repel the invasion. Indeed, their plans were effective, and the battle seemed to go their way… until Sumanguru summoned an eldritch wind to destroy the army of Mali and added the defeated land to his possessions.

Gloating, he mocked Sundiata but, ignoring the advice of the Gray Rock of Evil, foolishly allowed the frog prince to live…

As unstoppable, insatiable Sumanguru ravaged every tribe and nation, an aged shaman showed Sundiata how to overcome his physical shortcomings. Years passed and the boy learned the ways of the forests, growing tall and mighty. Now a man, he prepared for vengeance and when Sumanguru heard and tried to have him killed, he fled and rallied an army of liberation.

On the eve of battle an uncle revealed Sumanguru’s one mystic weakness to Sundiata and the stage was set for a spectacular and climactic final confrontation before, as will always happen, Evil inevitably betrayed itself…

Although there might be something a little disquieting about an old Jewish white guy appropriating and retelling African myths and legends, this is an epic and intensely moving, all-ages fable re-crafted by a master storyteller: one well-versed in exploring the classic themes of literature and human endeavour, whilst always adding a sparkle and sheen of his own to the most ancient and familiar of tales.

A joy not just for Eisner aficionados but all lovers of mythic heroism.
© 2002 Will Eisner. All rights reserved.