Marvel Platinum: the Greatest Foes of Wolverine – UK Edition


By various (Marvel/Panini Publishing UK)
ISBN: 978-1-84653-422-5

The Wolverine juggernaut rolls confidently on with this bulky yet absorbing compendium of bombastic battles starring a selection of worthy adversaries as rendered by some of the biggest names in comics.

The carnage begins with a sleekly impressive turn from illustrators Paul Smith and Bob Wiacek, as the feral mutant Logan goes wild in Japan after the X-Men are poisoned at his wedding. With fellow mutant powerhouse Rogue in tow Wolverine carves a bloody trail to the Yakuza mercenary Silver Samurai and the deadly mastermind Viper in Chris Claremont’s ‘To Have and Have Not’ (from Uncanny X-Men # 173, September 1983).

This is followed by the concluding episode of the six part miniseries Kitty Pryde and Wolverine (April, 1985). ‘Honor’ by Claremont and Allen Milgrom features a big battle between Logan and an immortal Ninja magician named Ogun, but unless you’ve actually read the preceding five issues somewhere else, that’s about all you’ll comprehend plot-wise from this underrated saga which completely rewrote the character of the youngest X-Man and her relationship to the Canadian crazyman.

‘Wounded Wolf’ is a visceral, visual masterpiece from Uncanny X-Men # 205, (May 1986), courtesy of Claremont and Barry Windsor-Smith as Wolverine faces the vengeance-crazed cyborg Lady Deathstrike in a compelling tale guest-starring little Katie Power from Power Pack.

Marc Silvestri and Dan Green illustrated the first part of a classic clash with ex-Hellfire Club villain Donald Pierce (‘Fever Dream’ Uncanny X-Men # 251, November 1989) and his band of cyborg assassins the Reavers, whilst Rick Leonardi and Kent Williams finished Claremont’s brutal tale in the concluding ‘Where’s Wolverine?!?’

There’s no let-up in the extreme action and bloodletting in the untitled tale that follows as Peter David and Sam Kieth introduce the grotesque and decidedly warped Adamantium Assassin Cyber in an eight chapter, 64 page saga that originally ran in the fortnightly anthology Marvel Comics Presents (1991) whilst John Byrne, Jim Lee and Scott Williams pit the old Canuckle-head (albeit incredibly briefly and please don’t make explain that peculiarly inept nick-name) against toxic Cold War living weapon Omega Red in the first part of a much longer tale that begins in ‘The Resurrection and the Flesh’ from X-Men #4 (January 1992).

From the same month in Wolverine #50, Larry Hama, Marc Silvestri and Dan Green’s ‘Dreams of Gore: Phase 3’ reveals tantalizing snippets from Logan’s past life as secret agent when he fights a rogue computer program and a past lover in a choppy but oddly satisfying tale, whilst ‘The Dying Game’ (Wolverine #90, February 1995) by Hama, Adam Kubert, Mark Farmer and Dan Green, although not the final battle between Logan and his arch-foe Sabretooth it was proclaimed, is certainly one of the most cathartic and impressive.

‘Better than Best’ by Tom DeFalco, Denys Cowan and Bill Sienkiewicz (Wolverine #123, April 1998) finds a physically depleted Logan imprisoned and tortured by two of his oldest foes Roughouse (a giant troll) and Bloodscream (a vampire) in an unusually insightful tale of perseverance and the grudge matches conclude – once more unsatisfactorily I’m afraid – with parts one and two of the three part epic ‘Bloodsport’ by Frank Tieri, Dan Fraga and Norm Rapmund (Wolverine #167 and 168, October-November 2001). Herein the mutant mite competes in a gory martial arts/superpowers tournament against such second-raters as Taskmaster, Puma and the Terrible Toad just so he can confront Viper and the man he cannot defeat, the telepathic serial killer Mr. X.

The old, old plot still has plenty of punch here but I find it incomprehensible to have 18 pages of data-files and biographies of Wolverine’s foes pad out the book whilst omitting the 20 or so pages that would end the story! Visually this book contains some of Wolverine’s best moments, but I’ll never understand sacrificing story-content for pictures and punches…

© 1983, 1985, 1986, 1989, 1991, 1992, 1995, 1998, 2001, 2009 Marvel Entertainment Inc. and its subsidiaries. All Rights Reserved.

Batman: Detective #27


By Michael Uslan & Peter Snejbjerg with Lee Loughridge (DC Comics)
ISBN: 1-4012-0185-7

For a brief while DC’s experimental Elseworlds imprint, where familiar characters and continuity were radically or subtly re-imagined, was a regular hive of productivity and generated some wonderful – and quite a few ridiculous – stories. Moreover by using what the reader thought he/she knew as a springboard, the result, usually constricted into a single story, had a solid and resolute immediacy that was often diluted by regular, periodical publications where the illusion of change always trumped actual innovation in long-running characters.

A fine example is this intriguing pulp mystery and generational drama that blends the lineage of the Wayne family of Gotham City with covert societies and the secret history of the United States of America.

April 1865, Washington DC: President Lincoln overrides the objections of Allan Pinkerton (who had created the Secret Service to protect him) and goes to see “Our American Cousin” at Ford’s Theatre. His assassination prompts the security genius to create a dedicated clandestine force beyond the reach of everything but their mission and their own consciences…

April 1929, Gotham City: a doctor, his wife and their young son exit a movie theatre where they have thrilled to the exploits of Douglas Fairbanks as Zorro. Suddenly sneak thieves confront them and in the struggle Thomas and Martha Wayne are gunned down, leaving a grieving boy kneeling over their bloody corpses. The family butler Alfred packs the coldly resolute boy off on a decade-long world tour to study with masters of criminology around the globe…

Lincoln’s murder was planned by a cabal of Confederate plotters named the Knights of the Golden Circle. Their leader, an early geneticist named Josiah Carr, outlines a Doomsday vengeance plot that will take decades to complete…

January 1st 1939: Bruce Wayne returns to Gotham ready to begin his life’s mission but is diverted when crusading newspaperman Lee Travis reveals the existence of the Secret Society of Detectives and invites the young man to become their 27th operative since Pinkerton…

Charming and relentlessly compelling, this superb thriller follows two time-lines as the founding Detective hunts the Golden Circle through the years enlisting the covert aid of many historical figures such as Kate Warne (America’s first female detective), journalist and President-to-be Teddy Roosevelt and biologist/monk Gregor Mendel whilst Wayne closes in on the climax of the Doomsday plot with the aid of Babe Ruth and Sigmund Freud, facing customised versions of such classic Bat-foes as Catwoman, Scarecrow, Hugo Strange and the Joker.

There’s even a cameo from the Golden Age Superman as well as a magnificent surprise ending to this two-fisted tribute to the “Thud-and-Blunder” era of the 1930s pulps… This is a conspiracy thriller stuffed to overflowing with in-jokes, referential asides, pop culture clues and universal icons that make The Da Vinci Code look like a bunch of dry words on dusty paper. The only flaw is that writer Uslan and artists Snejbjerg and Loughridge were never able to create a sequel…

And just in case you’re wondering… Detective Comics #27 (May 1939) featured the very first appearance of a certain Dark Knight…
© 2003 DC Comics. All Rights Reserved.

She Hulk: Time Trials


By Dan Slott, Juan Babillo & Marcelo Sosa and various (Marvel)
ISBN: 978-0-78511-795-7

Let’s re-cap: She Hulk is the cousin of the Incredible Hulk. Her alter-ego, lawyer Jennifer Walters, got a blood transfusion from Bruce Banner and the inevitable result was a super-powerful, ample-bosomed, seven foot tall green Valkyrie who is the poster-child for “As If…”

For most of her comics career she’s been played slightly skewed to the rest of the Marvel Universe. For a good deal of it she was the only character to refer to her life in comic-book terms, with all the fourth wall comedy that could be wrung out of that situation. In this incarnation (reprinting her five issue miniseries from 2005 – in which #3 is celebrated as her 100th full issue) she returns to the prestigious Manhattan law-firm which specialises in the fledgling legal grey area known as Superhuman Law (see also Single Green Female).

This volume is marginally less tongue-in-cheek, but still follows the delightfully accessible formula, albeit with a slightly darker overtone as the human Jennifer needs artificial methods to transform into her seven foot glamazon form due to psychological traumas incurred as a result of the Avengers: Disassembled storyline and her rampaging destruction of the city of Bone, Idaho.

Nonetheless she is soon back at work on a time-travel murder case with a fascinating underlying idea. As everybody in the potential jury pool has been prejudiced by constant media coverage of the attempted murder (the victim isn’t dead yet at time of trial) Jen’s defence team comes up with the brilliant notion of calling jurors from the recent past – courtesy of the multiversal temporal police force the Time Variance Authority…

It’s all going so well until Clint Barton is selected as a jury member: how can Jen work when one of the twelve is secretly Hawkeye – a fellow Avenger she feels responsible for killing!? Guilt-racked and conflicted, Jen decides to break her oath and the rules of time-travel to warn the Ace Archer of the doom that awaits his return to his own time…

The Time Variance Authority is infallible however and when Jen is accused of the capital offence of time-tampering she faces having her entire existence erased from the annals of reality.

This third chapter is also her 100th anniversary issue and features guest art from Paul Pelletier & Rick Magyar, Scott Kolins, Mike Vosburg, Amanda Conner & Jimmy Palmiotti, Ron Frenz, Joe Sinnott & Sal Buscema, Mike Mayhew, Don Simpson, Lee Weeks and Eric Powell as well as dozens of costumed guest-stars from her jaded career as a hero/villain, whilst #4 is a brief interlude in the greater story (illustrated by Scott Kolins) as She Hulk explores the aftermath of her Idaho rampage with the poignant and rewarding ‘Back to Bone’ before the jurisprudence and chronal carnage concludes with the rescue and return of a dead hero…

This is a priceless, clever romp with devastatingly sharp wit and low, vulgar slapstick in equal amounts plus loads of the mandatory angst-free action: a great read and possibly the Best Whacky Legal Drama since Boston Legal. But don’t listen to me: catch this book and judge for yourself…

© 2006 Marvel Characters, Inc. All Rights Reserved.

Justice Society of America: the Next Age


By Geoff Johns, Dale Eaglesham, Art Thibert & Ruy Jose (DC Comics)
ISBN: 978-1-84576-606-1

The World’s first Superhero team reboots itself once more after the interminable series of universal Crises (specifically World War III) and in conjunction with the Justice League of America returns as an organisation of heroic veterans working with and training the next generation of young heroes in this new interpretation of the JSA.

Originally published as issues #1-4 of the latest monthly comicbook series, this gripping thriller sees Elder Statesmen Flash, Green Lantern and Wildcat begin a recruitment drive that leads them to the heirs and inheritors of a number of older mystery men just as the corpse of one of the very first costumed heroes comes crashing through their HQ’s skylight, alerting them to a vicious plot by their oldest foe to wipe out “legacy heroes” forever…

Fast paced, tense and eerily gratifying, the venerable, journeyman and apprentice heroes cut loose against modern super-Nazis and the most evil man alive as they gather Cyclone, a new (or perhaps not) Starman, Citizen Steel, Liberty Bell, Damage and another Wildcat into their burgeoning fold just in time for the incipient JLA/JSA crossover The Lightning Saga and the unfolding Countdown to Final Crisis.

Steeped in DC lore and continuity this won’t be accessible to every reader, but it is still a compelling and enjoyable new chapter for the Justice Society and a worthwhile endeavour for fans of big plots and bold costumed crusaders.

© 2007 DC Comics. All Rights Reserved.

Blue Beetle: Reach for the Stars


John Rogers, Rafael Albuquerque & various (DC Comics)
ISBN: 978-1-4012-1642-9

Although long-gone as a monthly series the latest incarnation of the venerable Blue Beetle still survives in trade paperback collections where you can – and should – experience the frantic, fun and thrill-packed exploits of young Jaime Reyes, an El Paso teenager who was catapulted into the world of high-level super-heroics when a sentient scarab jewel affixed itself to his spine and transformed him into an armoured bio-weapon.

The third volume (collecting issues #13-19 of the monthly comic-book) begins with ‘Defective’ by Rogers, Albuquerque, David Baldeon and Dan Davis, wherein a benevolent seeming alien from an interstellar collective named The Reach introduces himself and reveals that the scarab is a invitation used to prepare endangered worlds like Earth for trade and commerce as part of a greater pan-galactic civilisation.

Unfortunately the one attached to Jaime has been damaged over the centuries it was here and isn’t working properly.

But the Reach envoy is a big, fat liar…

The Scarab should have paved the way for a full invasion and once they discover this, Jaime and militaristic superhero Peacemaker soon realise that The Reach are the worst kind of alien invaders; patient, subtle, deceptive and stocked with plenty of space-tech to sell to Earth’s greedy governments. The only hope of defeating the marauders is to expose their real scheme to the public – which is too dazzled by the intergalactic newcomers’ media blitz to listen…

‘Mister Nice Guy’ (Rogers & Albuquerque) finds the Beetle teamed again with the erratic Guy Gardner – a Green Lantern who knows all about The Reach and their Trojan Agenda – to defeat the macabre Ultra-Humanite who has sold his telepathic services to the invaders. Still looking for allies and a solution Jaime meets Superman in ‘Someone to Watch Over Me’ by J. Torres & Freddie Williams Jr. and battles one of the DC Universe’s gravest menaces in the startlingly powerful change of pace tale ‘Total Eclipso: the Heart’ by Rogers & Albuquerque.

The same creative team produced ‘Something in the Water’ as the elemental menace Typhoon joins with The Reach to endanger an entire city – and Bruce Wayne’s off-shore oil wells – in a clever and insightful tale with plenty of punch whilst ‘Away Game’ (Rogers, Albuquerque, Baldeon & Davis) finds the Beetle and the Teen Titans in pitched and pithy battle against the unbeatable alien biker-punk Lobo.

Rogers and Albuquerque are joined by the weirdly whimsical Keith Giffen for the final tale in this collection which focuses on Jaime’s best friend Brenda, who has blithely lived her entire life unaware that her foster-mother is La Dama, El Paso’s crime boss supreme. The distraught girl only learns the dreadful ‘Hard Truths’ when the rival mob Intergang declares war and sends the fifty foot woman Giganta to smash her and her family to gooey pulp…

There are so few series that combine action and adventure with fun and wit, and can even evoke tragedy and poignant loss on command. John Rogers excels in this innovative and impossibly readable saga and the art is always top notch. And with the climactic final battle against the Reach still to come, this is a series any adventure fan will want to read over and over again.

© 2007, 2008 DC Comics.  All Rights Reserved.

Wolverine/Ghost Rider: In Acts of Vengeance


By Howard Mackie, Mark Texeira & Harry Candelario (Marvel)
ISBN: 0-7851-0022-9

From that dubious period of “Grim ‘n’ Gritty” super-heroics in the early 1990s comes this slight but entertaining fast-paced pairing of Marvel’s (then) most savage champions which originally ran as the lead series in the fortnightly anthology Marvel Comics Presents #64-70, although dyed-in-the-wool continuity buffs should be warned that the connection to the company’s crossover event Acts of Vengeance is oblique – if not downright tenuous.

From his insalubrious bar on the pirate stronghold of Madripoor the globe-trotting mutant Wolverine is lured back to New York by a blatantly inept attack carried out by ninjas belonging to vampiric super-villain Deathwatch. Meanwhile Dan Ketch, human host of the fearsome Ghost Rider, finds one of his oldest friends also the target of similar ninjas.

The heroes’ paths cross with a karate instructor whose family also has a grudge against the criminal mastermind and all converge on the life-leech’s skyscraper headquarters for a surprise or two and a climactic showdown…

This yarn is just a stylish excuse for a big chase and huge fight – and that’s not necessarily a bad thing – so on those terms, this is a visceral, vicarious, effective use of the creators’ talents, with the added bonus of the introduction of yet another mutant superstar-in-waiting (I think he’s still waiting, even now) in the form of the unstoppable martial arts manhunter code-named Brass.

Sometimes no-frills cathartic comics combat is all you want from graphic narrative, and if you ever get that feeling this might be the book to buy…
© 1990, 1991, 1993 Marvel Entertainment Group. All rights reserved.

Colossus: God’s Country


By Anne Nocenti, Rick Leonardi & P Craig Russell (Marvel Comics)
No ISBN:

The world of the X-Men has always been a broad canvas for telling stories and exploring issues and in this collected tale from the always intriguing Marvel Comics Presents (volume 1, issues #10-17) writer Anne Nocenti explores Cold War politics, Free Speech, unthinking patriotism, combative ideology and family dynamics as the Russian mutant Peter Rasputin goes walkabout in America’s heartland.

Bruce fought in Viet Nam but now lives a precarious existence in a ramshackle house with his wife, father-in-law and young son Zackery. Life is tough, the neighbours are snide and unfriendly, but at least they all live free in a proud country…

They’re on a picnic when Zackery stumbles into an execution by cyborg warriors. Luckily Colossus is on hand to prevent the witnesses from becoming collateral damage, but the danger is not over. The killers belong to a clandestine group of US Government “patriots”, agents who defend their country by ignoring its laws, ethics and morals. They can’t afford public scrutiny – especially from the kind of citizens they’re sworn to protect…

Now all Bruce can rely on to save his family is a monstrous commie agent from the “Empire of Evil”…

Action packed and thought-provoking this slim tome (64 pages) is engaging enough mind-candy but as illustrated by the brilliant pairing of grand art stylists Rick Leonardi and P Craig Russell it’s also a visual wonder that few other X-Yarns can touch. Still available from numerous online retailers, and it’s worth every penny…

© 1984 Marvel Entertainment Group, Inc. All Rights Reserved.

Batman: the Strange Deaths of Batman


By various (DC Comics)
ISBN: 978-1-84856-138-0

Compiled on the coat-tails of the Batman RIP publishing event this delightfully eccentric collection celebrating the recurrent demise of the Gotham Guardian digs up a few oddments and some genuine valuable artifacts to amuse, enthrall and amaze.

The wonderment begins with the quirkily eponymous ‘The Strange Death of Batman!’; a highly experimental mystery that first appeared in Detective Comics #347 (January 1966) literally moments before the Dynamic Duo became household names all over the globe due to that incredibly popular TV show. Written by Gardner Fox and illustrated by Carmine Infantino and Joe Giella, it featured possibly Batman’s daftest super-foe – the Bouncer – but still delivers action, drama and an intriguing conundrum to challenge the reader.

It’s followed by ‘Robin’s Revenge’ from World’s Finest Comics #184 (May 1969) wherein writer Cary Bates and artists Curt Swan and Jack Abel recount the imaginary story (see the review for DC’s Greatest Imaginary Stories, ISBN: 978-1-4012-0534-8 for a definition if the term is unknown to you) of Batman’s murder and the dark path that event takes the Boy Wonder down, with a hapless Superman as stand-in guardian helpless to forestall the seemingly inevitable further tragedy…

‘The Corpse that Wouldn’t Die!’ is a superb tale guest-starring the Atom taken from team-up title the Brave and the Bold #115 (October/November 1974). Written by Bob Haney and magnificently drawn by Jim Aparo it details how the Gotham Guardian is killed in the line of duty and how the Tiny Titan reanimates his corpse to conclude the case that finished him…

Next up is an extended saga from Batman #291-294 (September to December 1977) written by author David V Reed and illustrated by John Calnan and Tex Blaisdell. Over four deviously clever issues ‘Where Were You the Night Batman was Killed?’ sees the hordes of costumed foes the Caped Crusader crushed assemble to verify the stories of various felons claiming to have done the deed. This thematic partial inspiration for the recent Neil Gaiman “Last Batman Story” kicks off with ‘The Testimony of the Catwoman’, and follows with the testimonies of the Riddler, Lex Luthor and the Joker before satisfactorily concluding in a grand manner.

‘Buried Alive!’ by Gerry Conway, Rick Buckler and Frank McLaughlin (World’s Finest Comics #269 June/July1981) finds Superman and Robin desperately racing against time hunting for the madman who entombed the Batman, whilst ‘The Prison’ written and inked by John Stanisci, with Sal Buscema pencils, is a moody character piece featuring the post-mortem reflections of Talia, Daughter of the Demon Ra’s Al Ghul which originally appeared in Batman Chronicles #8, Spring 1997.

This odd but engaging tome ends with a frilly, fluffy fantasy from Nightwing #52, (February 2001) as Catwoman imagines a morbidly mirthful ‘Modern Romance’ courtesy of Chuck Dixon, Greg Land and Drew Geraci.

Themed collections can be a rather hit-or-miss proposition, but the quality and variety of these inspired selections makes for a highly enjoyable read and the only regret I can express is that room couldn’t be found to include the various covers that fronted the tales. Include those in a new edition and you’d have a book to die for…

© 1966, 1969, 1974, 1977, 1981, 1997, 2001, 2009 DC Comics. All Rights Reserved.

Crisis on Multiple Earths: The Team-Ups


By Gardner Fox, John Broome & various (DC Comics)
ISBN: 978-1-4012-0470-9

As I’ve mentioned before, I was one of the “Baby Boomer” crowd that grew up with Gardner Fox and John Broome’s tantalisingly slow reintroduction of Golden Age superheroes during the halcyon, eternally summery days of the 1960s. To me those fascinating counterpart crusaders from Earth-Two weren’t vague and distant memories rubber-stamped by parents or older brothers – they were cool, fascinating and enigmatically new. And for some reason the “proper” heroes of Earth-One held them in high regard and treated them with obvious deference…

It all began, naturally enough, in The Flash, flagship title of the Silver Age Revolution. After ushering in the triumphant return of the costumed superhero concept the Scarlet Speedster, with Fox and Broome at the reins, set an unbelievably high standard for superhero adventure in sharp, witty tales of science and imagination, illustrated with captivating style and clean simplicity by Carmine Infantino.

Gardner Fox didn’t write many Flash scripts at this time, but those few he did were all dynamite. None more so than the full-length epic that literally changed the scope of American comics forever. ‘Flash of Two Worlds’ (the Flash #123 September 1961, illustrated by Infantino and Joe Giella) introduced the theory of alternate Earths to the continuity and by extension resulted in the multiversal structure of the DCU, Crisis on Infinite Earths and all the succeeding cosmos-shaking crossover sagas that grew from it. And of course where DC led, others followed…

During a benefit gig Flash (police scientist Barry Allen) accidentally slips into another dimension where he finds that the comic-book hero he based his own superhero identity upon actually exists. Every adventure he had absorbed as an eager child was grim reality to Jay Garrick and his mystery-men comrades on the controversially named Earth-2. Locating his idol Barry convinces the elder to come out of retirement just as three Golden Age villains, Shade, Thinker and the Fiddler make their own wicked comeback… Thus is history made and above all else, ‘Flash of Two Worlds’ is still a great read that can electrify today’s reader.

Fox revisited Earth-2 nine months later in #129’s ‘Double Danger on Earth!’ (inked by Murphy Anderson) as Jay Garrick ventured to Earth-1 to save his own world from a doom comet, only to fall foul of Captain Cold and the Trickster. Another cracking thriller, as well as double Flash action, this tale teasingly reintroduced Justice Society stalwarts Wonder Woman, Atom, Hawkman, Green Lantern, Doctor Mid-Nite and Black Canary. Clearly Editor Schwartz had something in mind…

‘Vengeance of the Immortal Villain!’ from Flash #137 (June 1963, inked by Giella) was the third incredible Earth-2 crossover, and saw the two Flashes unite to defeat 50,000 year old Vandal Savage and save the Justice Society of America: a tale which directly led into the veteran team’s first meeting with the Justice League of America and the start of all those aforementioned “Crisis” epics.

That landmark epic can be found elsewhere (most notably in Crisis on Multiple Earths volume 1, ISBN-13: 978-1-56389-895-2), and this collection continues with the less well-known ‘Invader from the Dark Dimension!’ (Flash #151, March 1964, by Fox, Infantino and Giella), a full-length shocker where the demonic Shade ambitiously attempts to plunder both worlds.

Public approval was decidedly vocal and Editor Julie Schwartz used DC’s try-out magazines to sound out the next step: stories set on Earth-2 with exclusively Golden Age characters.

Showcase #55 saw the initial team-up of Doctor Fate and Hourman as the Justice Society stalwarts battled the monster of Slaughter Swamp when ‘Solomon Grundy Goes on a Rampage!’ Produced by Fox and Anderson, this bombastic yarn even had room for a cameo by Earth-2’s Green Lantern, and the original text page featuring the heroes’ origins is also reproduced here.

Showcase #56 also featured “the Super-Team Supreme” (and by the same creative team supreme) in ‘Perils of the Psycho-Pirate!’ wherein ex-con Roger Hayden (cell-mate of the original JSA villain) steals the magical Masks of Medusa to go on an emotion-controlling crime-spree. Fan-historians should note that this tale is a pivotal antecedent of the landmark Crisis on Infinite Earths (ISBN: 978-1-5638-9750-4) as well as a superbly engaging adventure in its own right. A text feature on the original Psycho-Pirate accompanies the story.

Although getting in late to the Counterpart Collaborations game, the inevitable first teaming of the Hal Jordan and Alan Scott Green Lanterns is one of the best and arguably second-most important story of the entire decade. ‘Secret Origin of the Guardians!’ by John Broome, Gil Kane and Sid Greene (Green Lantern #40, October 1965) introduced the renegade Guardian Krona, revealed the origin of the multiverse, showed how evil entered our universe and described how the immortal Oans took up their self-appointed task of policing the cosmos. It also shows Gil Kane’s paramount ability to stage a superhero fight like no other. This pure comicbook perfection should be considered a prologue to the aforementioned Crisis on Infinite Earths.

Still looking for an Earth-2 concept that would support its own series Schwartz, Fox and Anderson debuted the team of Starman and Black Canary in The Brave and the Bold #61 (September-October 1965), pairing the heroes against the eerily translucent villain the Mist in ‘Mastermind of Menaces!’ This compelling thriller is augmented here by the text feature biography of the Black Canary.

Although not featured in this volume, Schwartz and Fox did finally achieve their ambition to launch a Golden Age hero into his own title. After three Showcase appearances and many guest-shots the Spectre won his own book at the end of 1967, just as the super-hero craze went into a steep decline.

This fabulous volume concludes with a back-up tale from issue #7 (November/December 1968) of that brilliant but ill-fated series. ‘The Hour Hourman Died!’ by Fox, Dick Dillin and Sid Greene, is a dark and clever attempted-murder mystery that packs a book’s worth of tension and action into its nine moody pages and serves as a solid thematic reminder that the golden Silver Age of the 1960s was a creative high point that simply couldn’t last. When you start at the top the only way is down…

Still irresistible and compellingly beautiful after all these years, the stories collected here shaped the American comics industry for decades and are still influencing not only today’s funny-books but also the brilliant animated TV shows and movies that grew from them. These are tales and this is a book you simply must have.

© 1961, 1962, 1963, 1964, 1965, 1968, 2005 DC Comics. All rights reserved.

Wolverine Battles the Incredible Hulk


By Len Wein, Herb Trimpe, Jack Abel & various (Marvel Comics)
ISBN: 0-87135-612-0

A little while ago I reviewed Marvel Platinum: the Definitive Wolverine (ISBN: 978-1-84653-409-6), and I rather went off on one about incomplete stories. In a spirit of placatory fairness I feel I should mention this lovely little compilation from 1989 which reproduced the full first adventure of the manic mutant with the unbreakable bones.

It all starts with ‘And the Wind Howls… Wendigo!’ (from Incredible Hulk #180, October 1974) wherein the Jade Giant bounces across the Canadian Border to encounter a witch attempting to cure her lover of a bestial curse which has transformed him into a rampaging cannibalistic monster. Unfortunately that cure meant the Hulk had to become the Wendigo in his stead…

It was while the big Green and Giant White monsters were fighting that Wolverine first appeared – in the very last panel – and that’s what leads into the savage fist, fang and claw fest that follows. ‘And Now… the Wolverine!’ (from Incredible Hulk #181 November 1974) by Len Wein, Herb Trimpe & Jack Abel, captivatingly concluded the tragic saga of both Canadian monsters, and there’s even room for the obligatory behind-the-scenes featurette. But that’s not all…

Also included is a rarely seen and wonderfully light-hearted meeting between the off-duty mutant Logan and the fun-loving godling Hercules which originally appeared in Marvel Treasury Edition #26. ‘At the Sign of the Lion’ is by Mary Jo Duffy, Ken Landgraf and a young George Perez, and shows exactly why most pubs and bars reserve the right to refuse admission…

This is a cracking little read, and shows why sometimes a little forethought is better than a big budget…
© 1986, 1989 Marvel Entertainment Group. All Rights Reserved.