Now Read This!

June 3, 2014June 3, 2014

Buz Sawyer volume 2: Sultry’s Tiger

By Roy Crane & various (Fantagraphics Books)
ISBN: 978-1-60699-499-3

Modern comics evolved from newspaper comic strips, and these pictorial features were, until relatively recently, utterly ubiquitous. Hugely popular with the public and highly valued by publishers who used them as an irresistible weapon to guarantee sales and increase circulation, the strips seemed to find their only opposition in the short-sighted local paper editors who often resented the low brow art form, which cut into advertising and frequently drew complaint letters from cranksâ€¦

It’s virtually impossible for us today to understand the overwhelming allure and power of the comic strip in America (and the wider world) from the Great Depression to the end of World War II. With no television, broadcast radio far from universal and movie shows at best a weekly treat for most folk, household entertainment was mostly derived from the comics sections of daily and especially Sunday Newspapers. â€œThe Funniesâ€ were the most universally enjoyed recreation for millions who were well served by a fantastic variety and incredible quality of graphic sagas and humorous episodes over the years.

From the very start comedy was paramount; hence the terms â€œFunniesâ€ and â€œComicsâ€, and from these gag and stunt beginnings – a blend of silent movie slapstick, outrageous fantasy and the vaudeville shows – came a thoroughly entertaining mutant hybrid: Roy Crane’s Wash Tubbs.

Debuting on April 21^st 1924, Washington Tubbs II was a comedic, gag-a-day strip which evolved into a globe-girdling adventure serial. Crane produced pages of stunning, addictive high-quality yarn-spinning for years, until his eventual introduction of moody swashbuckler Captain Easy ushered in the age of adventure strips with the landmark episode for 6^th May, 1929.

This in turn led to a Sunday colour page that was possibly the most compelling and visually imaginative of the entire Golden Age of Newspaper strips (see Roy Crane’s Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips volumes 1-4).

Practically improving minute by minute, the strip benefited from Crane’s relentless quest for perfection: his imaginative, fabulous compositional masterpieces achieved a timeless immediacy that made each page a unified piece of sequential art. The influence of those pages can be seen in the works of near-contemporaries such as HergÃ©, giants-in-waiting like Charles Schulz and comicbook masters such as Alex Toth and John Severin ever since.

The material was obviously as much fun to create as to read. In fact, the cited reason for Crane surrendering the Sunday strip to his assistant Les Turner in 1937 was NEA/United Features Syndicate’s abrupt and arbitrary demand that all its strips must henceforward be produced in a rigid panel-structure to facilitate their being cut up and re-pasted as local editors dictated.

They just didn’t lift the artist any more so Crane stopped making them.

At the height of his powers Crane just walked away from the astounding Captain Easy Sunday page to concentrate on the daily feature, and when his contract expired in 1943 he left United Features, lured away by that grandee of strip poachers William Randolph Hearst.

The result was a contemporary aviation strip set in the then still-ongoing World War II: Buz Sawyer.

Where Wash Tubbs was a brave but largely comedic Lothario and his pal Easy a surly, tight-lipped he-man, John Singer â€œBuzâ€ Sawyer was a joyous amalgam of the two: a good-looking, popular country-boy who went to war because his country needed himâ€¦

Buz was a fun-loving, skirt-chasing, musically-inclined pilot daily risking his life with his devoted gunner Rosco Sweeney: a bluff, brave and simply ordinary Joe – and one of the most effective comedy foils ever created.

The wartime strip was – and still is – a marvel of authenticity: picturing not just the action and drama of the locale and situation but more importantly capturing the quiet, dull hours of training, routine and desperate larks between the serious business of killing and staying alive. However when the war ended the action-loving duo – plus fellow pilot and girl-chasing rival ChiliHarrison – all went looking for work that satisfied their penchant for adventure and romance wherever they could find itâ€¦

Crane was a master of popular entertainment, blending action and adventure with smart drama and compellingly sophisticated soap opera, all leavened with raucous comedy in a seamless procession of unmissable daily episodes.

He and his team of creative assistants – which over the decades comprised co-writer Ed â€œDocâ€ Granberry and artists Hank Schlensker, Clark Haas, Al Wenzel, Joel King, Ralph Lane, Dan Heilman, Hi Mankin and Bill Wright) – soldiered on under relentless deadline pressure, producing an authentic and exotic funny romantic thriller rendered in the signature monochrome textures of line-art and craftint (a mechanical monochrome patterning effect used to add greys and halftones to the superb drawing for miraculous depths and moods) as well as the prerequisiteÂ full-colour Sunday page.

This primarily black-&-white tome contains an impressive selection of those colour strips – although Crane came to regard them only as a necessary evil which plagued him for most of his careerâ€¦

The eternal dichotomy and difficulty of producing Sunday Pages (many client papers would only buy either Dailies or Sunday strips, but not both) meant that most creators had to produce different story-lines for each feature – Milt Caniff’s Steve Canyon being one of the few notable exceptions.

Whereas Dailies needed about three weeks lead-in time, hand-separated colour plates for the Sabbath sections meant the finished artwork and colour guides had be at the engravers and printers a minimum of six weeks before publication.

Crane handled the problem with typical aplomb; using Sundays to tell completely unrelated stories. For Wash Tubbs he created the prequel series starring Captain Easy in adventures set before the mismatched pair had met, whilst in Buz Sawyer he turned the slot over to Roscoe Sweeney for lavish gag-a-day exploits, big on slapstick laughs and situation comedy.

During the war years it was set among the common â€œswabbiesâ€ aboard ship: a far more family-oriented feature and probably much more welcome among the weekend crowd of parents and children than the often chilling or disturbing realistically sexy sagas that unfolded Mondays to Saturdays.

A year before Steve Canyon began, Crane tried telling a seven-days-a-week yarn in Buz Sawyer – with resounding success, to my mind, and you can judge for yourself here – but found the process a logistical nightmare. At the conclusion he retuned to weekday continuity whilst Sundays were restored to Roscoe with only occasional guest-shots by the named star.

This second lush and sturdy archival hardback re-presents the tense and turbulent period from October 6^th 1945 to July 23^rd 1947 wherein de-mobilised adrenaline addict Buz tries to adjust to peacetime life whilst looking for a job and career – just like millions of his fellow ex-servicemenâ€¦

Before getting out, he had returned home on leave and ended up accidentally engaged. Buz was the son of the town’s doctor; plain, simple and good-hearted. In that ostensibly egalitarian environment the school sporting star became the sweetheart of ice-cool and stand-offish Tot Winter, the richest girl in town,

Now when her upstart nouveau riche parents heard of the decorated hero’s return they hijacked the homecoming and turned it into a publicity carnival. Moreover the ghastly, snobbish Mrs. Winter conspired with her daughter to trap the lad into a quick and newsworthy marriage.

Class, prejudice, financial greed and social climbing were enemies Buz and Sweeney were ill-equipped to fight, but luckily annoying tomboy-brat girl-next-door Christy Jameson had blossomed into a sensible, down-to-earth, practical and clever young woman.

She’d scrubbed up real pretty too and showed Buz that his future was rife with possibility. Mercifully soon, the leave ended and he and Sweeney returned to the war. The Sawyer/Winter engagement fizzled and diedâ€¦

When their discharge papers finally arrived (in the episode for September 9th 1945) an era of desperate struggle was over. However that only meant that the era of globe-girdling adventure was about to beginâ€¦

Before the comics wonderment resumes, Jeet Heer and Rick Norwood take some time here discussing ‘The Perfectionist and his Team’. Concentrating initially on ‘After the War’ the fascinating explorations then delve deep into the detail of the artist’s troubled and tempestuous relationship with ‘Crane’s Team’ before offering ‘A Word on Comic Strip Formats’ and the censorious iniquities local newspaper editors would regularly inflict upon Crane’s workâ€¦

With all the insightful stuff over, the cartoon adventure begins anew as the newly civilian Mr. Sawyer goes home to a life of indolence before his own restless nature starts him fretting again.Â The old town isn’t the same. Tot has inherited her father’s millions and moved to New York and even Christy is gone: away attending his old alma materâ€¦

After a brief interlude wherein he visits the cheery Co-Ed and debates the merits of returning to college on the G.I. Bill, Buz instead opts for fulltime employment and heads to the Big Apple where Chili Harrison has a new job offer and an old flame waiting.

As he heads East, Buz chooses to ignore his instincts and the huge mysterious guy who seems to turn up everywhere he goesâ€¦

In NYC the aloof, alluring Tot is the cream of polite â€œartyâ€ society but her wealth and clingy new fiancÃ© – opera singer Count Franco Confetti – are all but forgotten when â€œthe one who got awayâ€ hits town and she finds her interest in her High School beau rekindled.

Buz has moved in with Chili, blithely unaware that the strange and ubiquitous giant has inveigled himself into the apartment next door and is now actively spying on himâ€¦

Sawyer wants a job flying but is only one of hundreds of war-hero pilots looking for a position at International Airways. Moreover his reputation as a hot-shot risk-taker makes him the last person a commercial carrier might consider. However after well-connected Chili intercedes with a major player in the company – something does come upâ€¦

The truth about Buz’s hulking stalker comes out when the Maharani of Batu‘s yacht docks in New York. The exotic Asian princess is one of the wealthiest women on Earth and cuts a stunning figure with her tiger on a leash. However when Buz first met her she was simply â€œSultryâ€: a ferocious, remorseless resistance fighter helping him kill the occupying Japanese on her Pacific island.

She never forgot him and will ensure no other woman can have himâ€¦

Sultry moves into the penthouse adjoining Tot’s and is witness to the ploys of the Winter woman as she sidelines Confetti and makes a play for Buz. She is also a key figure in the tragic heiress’ sudden deathâ€¦

Just prior to Tot’s gruesome demise Buz had finally met the unconventional Mr. Wright of International Airways. The doughty executive had no need for pilots but wanted a quick-thinking, capable fighter who could solve problems in the world’s most troubled conflict zones. He even has a spot open for good old Roscoe Sweeneyâ€¦

Buz is all set for his first overseas assignment when the cops decide he’s the other prime suspect in Tot’s murder and, with Sawyer and Count Confetti in jail, Sultry tries to flee America before the truth comes out.

However Sweeney and the freshly exonerated Buz soon track her down, but Sultry turns the tables on them and shanghais her erstwhile lover, imprisoning him on her yacht, determined to make him her permanent boytoy, far, far away from American justiceâ€¦

Never short of an idea and blessed with the luck of the damned, Buz’s escape results in a terrifying conflagration and the seeming death of his obsessed inamorata – but Sultry’s body isn’t recoveredâ€¦

It takes a lot of pleading to get Mr. Wright to give him another chance but, soon after, Buz and Sweeney are winging north to Greenland to stop a crazed sniper taking pot-shots at aircraft passing over the â€œRoof of the Worldâ€.

This savage, visceral extended saga soon reveals the shooter to be a deranged leftover Nazi and his hapless attendants, but the heroes’ astonishing hunt for and capture of the Teutonic trio is as nothing compared to the harrowing trek to get them back to civilisation: especially since poor Roscoe is putty in the hands of Frieda, beautiful devil-daughter of the utterly mad Baron von Schlingle.

Before Buz get the survivors home safely, he loses his plane, has to forcibly trek across melting floes, gets them all stranded on a iceberg and even has his pretty-boy face marred foreverâ€¦

Worst of all by the time he gets back to civilisation his job no longer exists. Mr. Wright has quit and moved on to another companyâ€¦

It’s not all bad news: Wright has euphemistically become â€œPersonnel Directorâ€ for Frontier Oil, a truly colossal conglomerate active all over Earth and wants Buz to carry on his unique problem-solving career for his new employers.

Despite a large bump in salary, the weary war hero is undecided – until he hears Christy is helping her father in the Central American nation of Salvaduras in his role as a geologist for Frontier Oil. This happily ties in with an outstanding missing persons case; said vanished victim being Bill Daniels, playboy son of a prominent company executive.

It takes very little to convince Wright to despatch Buz and Roscoe south of the border to investigate, opening the floodgates to a spectacular epic of light-hearted romantic adventure a world apart from the previous harrowing taleâ€¦

The story also saw Crane and Co. merging the Daily and Sunday strips into a single storyline (with the Sundays primarily illustrated by Schlensker) as the boys tried to trace the missing American in a country that seems locked in fear and povertyâ€¦

After initially hitting a wattle-and-daub wall, Buz takes time off for a picnic with Christy and, after a close call with a faux Mexican bandit (in actuality a Yankee fugitive from justice with an atrocious fake accent), declares his undying lover for her.

He is not rebuffed and there’s the hint of wedding bells in the airâ€¦

First however he and Sweeney need to finish their mission, and help comes from a brave peon who breaks the regional code of silence to put them on the trail of the mysterious Ranch of the Caves and its American Ã©migrÃ© who runs the isolated canton with blood and terror.

After romancing the daughter of vicious â€œDon Jaimeâ€ Buz and Roscoe infiltrate the desolate fiefdom and the gang boss’ international band of thugs, discovering not only the very much alive missing playboy but an incredible lost Mayan treasure troveâ€¦

Mission accomplished, Buz returns to New York to marry Christy, only to find he’s already needed elsewhere. Christy too is having doubts, worried that she will always play second fiddle to her man’s lust for action, whereas in truth the real problem is that trouble usually comes looking for Buzâ€¦

Boarding a Frontier plane for the Yukon, Sawyer is merely a collateral casualty when the ship’s other passenger is kidnapped. The mysterious men abducting plastic surgeon Dr. Wing take their helpless hostages all the way to deepest Africa where they expected the medic to change the face of an infamous madman everybody in the world believes died in a Berlin Bunkerâ€¦

Tragically the fanatics are not prepared for the physician’s dauntless sense of duty and sacrifice nor Buz’s sheer determination to surviveâ€¦

The latter part of this tale describes Buz’s epic river trek with mercenary turncoat honey-trap Kitty as they flee from the vengeful Nazis, but even after reaching the coast and relative safety the insidious reach of the war-criminals is not exhausted and one final attack loomsâ€¦

Eventually Buz returns to New York alone and wins time from the slave-driving Mr. Wright to settle things with Christy. He follows her to Nantucket Sound but even their romantic sailboat ride turns into a life-changing adventureâ€¦

This splendid collection is the perfect means of discovering – or reconnecting with – Crane’s second magnum opus: spectacular, enthralling, exotically immediate romps that influenced generations of modern cartoonists, illustrators, comics creators and storytellers.

Buz Sawyer ranks amongst the very greatest strip cartoon features ever created: stirring, thrilling, outrageously funny and deeply moving tale-telling that is irresistible and utterly unforgettable.
Buz Sawyer: Sultry’s Tiger Â© 2012 Fantagraphics Books, all other material Â© 2012 the respective copyright holders. All Strips Â© 2010 King Features Syndicate, Inc All rights reserved.

June 2, 2014

Superman Chronicles volume 8

By Jerry Siegel & Joe Shuster, Leo Nowak, Paul Cassidy, Ed Dobrotka, John Sikela & Fred Ray (DC Comics)
ISBN: 978-1-4012-2647-3

The American comicbook industry – if it existed at all today – would be an utterly unrecognisable thing without Superman. His unprecedented invention and adoption by a desperate and joy-starved generation gave birth to an entire genre if not an actual art form.

The ebullient, effervescent, spectacular Man of Tomorrow spawned an inconceivable army of imitators and, within three years of his 1938 debut, his intoxicating blend of action and social wish-fulfilment had grown to encompass cops-and-robbers crime-busting, socially reforming dramas, science fiction, fantasy, whimsical comedy and, once the war in Europe and the East finally involved America, patriotic relevance for a host of gods, heroes and monsters, all dedicated to profit through exuberant excess and explosively dashing derring-do.

Re-presented in this eighth pulp-revering Superman Chronicles edition, collecting the breathtaking yarns from Action Comics #44-47 and Superman #14-15 (January-April 1942) in chronological publishing order – and in as near-as-dammit recapturing the texture, smell and colour of the original newsprint – are the crude, rough, cathartically exuberant exploits of a righteous and superior man dealing out summary justice equally to social malcontents, exploitative capitalists, thugs and ne’er-do-wells that initially won the imagination of a generation.

Superman‘s rise was meteoric and inexorable. He was the indisputable star of Action, World’s Finest Comics and his own dedicated title whilst a daily newspaper strip had begun on 16^th January 1939, with a separate Sunday strip following from November 5^th that year, which garnered millions of new fans.

A thrice-weekly radio serial launched on February 12^th 1940 and, with a movie cartoon series, games, toys, apparel and a growing international media presence, Superman was swiftly becoming everybody’s heroâ€¦

Although the gaudy burlesque of monsters and super-villains still lay years ahead of our hero, these captivating tales of villainy, criminality, corruption and disaster are just as engrossing and speak powerfully of the tenor of the times. The perilous parade of rip-roaring action, hoods, masterminds, plagues, disasters, lost kids and distressed damsels are all dealt with in a direct and captivating manner by our relentlessly entertaining champion in summarily swift and decisive fashion.

No â€œto be continuedsâ€ here!

This epochal run of raw, unpolished but viscerally vibrant stories by Jerry Siegel and the burgeoning Superman Studio (Joe Shuster spending most of his time and declining eyesight on the newspaper strip) continued to set the funnybook world on fire, and are accompanied throughout by the eye-popping covers of Fred Ray, whose creative genius was responsible for some of the most unforgettable iconic images and patriotic graphics on the genreâ€¦

As most of these early tales were untitled, for everyone’s convenience – especially your reviewer’s – the tales here have been given descriptive appellations by the editors and we begin here with ‘The Caveman Criminal’ from Action #44, illustrated by Leo Nowak & Ed Dobrotka, wherein crooks capitalised on a frozen â€œDawn Manâ€ who thawed out and went wild in the crime-ridden Metropolis, after which Superman #14 (January/February 1942 and again primarily a Nowak art affair) opened with ‘Concerts of Doom!’

Here a master pianist discovered just how mesmerising his recitals were and joined forces with unpatriotic thieves and dastardlyÂ saboteurs, after which the tireless Man of Tomorrow was hard-pressed to cope with the reign of diabolical destruction caused by ‘The Invention Thief’.

John Sikela inked Nowak’s pencils in a frantic high fantasy romp resulting from the Man of Steel’s discovery of a friendly mermaid and malevolent fishmen living in ‘The Undersea City’ before more high-tension and catastrophic graphic destruction signalled Superman’s epic clash with sinister electrical savant ‘The Lightning Master’.

Action Comics #45 by Nowak & Ed Dobrotka saw ‘Superman’s Ark’ girdle the globe to repopulate a decrepit and nigh-derelict city zoo, whilst Action #46 featured ‘The Devil’s Playground’ (credited here to Paul Cassidy) wherein masked murderer The Domino stalked an amusement park wreaking havoc and instilling terror.

In the bimonthly Superman #15 ‘The Cop Who was Ruined’ (Nowak) found the Metropolis Marvel clearing the name of framed detective Bob Branigan – a man who even believed himself guilty – whilst scurvy Orientals menaced the nation’s Pacific fleet in ‘Saboteurs from Napkan’ with Sikela again lending his pens and brushes to Nowak’s pencil art.

Thinly veiled fascist oppression and expansion was spectacularly nipped in the bud in ‘Superman in Oxnalia’ – an all-Sikela art job, but Nowak was back on pencils for a concluding science fiction thriller ‘The Evolution King’ wherein a malignant mastermind artificially aged his wealthy, prominent victims until the invulnerable Man of Steel stormed inâ€¦

This splendid compilation concludes with a blockbusting, no-holds-barred battle which was only the opening skirmish in a bigger campaign. Action #47 (Sikela) revealed how Lex Luthor gained incredible abilities after acquiring the incredible ‘Powerstone’, making the mad scientist temporarily Superman’s physical equal – if not mental – matchâ€¦

As fresh and thrilling now as they ever were, the endlessly re-readable epics are perfectly housed in these glorious paperback collections where the savage intensity and sly wit still shine through in Siegel’s stories – which literally defined what being a Super Hero means – whilst Shuster’s shadows continued to create the basic iconography of superhero comics for all others to follow.

Such Golden Age tales are priceless enjoyment at an absurdly affordable price and in a durable, comfortingly approachable format. What dedicated comics fan could possibly resist them?

As well as cheap price and no-nonsense design and presentation, and notwithstanding the historical significance of the material presented within, the most important bonus for any one who hasn’t read some or all of these tales before is that they are all astonishingly well-told and engrossing mini-epics that cannot fail to grip the reader.

Once read you’ll understand why today’s creators keep returning to this material every time they need to revamp the big guy. They are simply timeless, enthralling, and great.
Â© 1942, 2010 DC Comics. All Rights Reserved.

June 1, 2014May 31, 2014

Unlovable volume 3

By Esther Pearl Watson (Fantagraphics Books)
ISBN: 978-1-60699-737-6

I first encountered Unlovable when the second volume turned up unannounced in my â€œplease reviewâ€ mail-pile. I’d never heard of the strip nor the magazine Bust where it had run for years, but as I’m always in the market for a new graphic experience, I dutifully sat down and lost myself in the world of a Texas Teen from a long, long time agoâ€¦

Based on or perhaps rather inspired by an actual schoolgirl diary Ester Pearl Watson found in a gas-station restroom in 1995, the strip – now collected in three diminutive yet huge hardback volumes – as translated and reconfigured by the cartoonist, reveals the innermost thoughts, dreams, experiences and doodles of a dumpy, utterly ordinary American girl of the tastelessly intoxicating Eighties – forensically displayed for our examination in a catchy, breathless, effusive warts ‘n’ all cartoon-grotesque style.

In the course of these garish and oddly compulsive tomes we follow ferociously aspirational Tammy Pierce as she goes through the unrelenting daily rollercoaster ride dictated by hormones, strict, religious mom, social pressure and the twin drives to both stand out and fit in.

From my lofty male vantage point here in the future it is achingly sad and hysterically funny.

Now it’s the Summer of 1989, the party decade is almost over and this third collection covers the heady, aimless days of the vacation as ever-more mature and sophisticated (I’m pretty sure they’re the words I’m looking for) Miss Pierce of Texas increasingly spars with her obnoxious tool of a brother Willis and his annoying best bud Tim Starryâ€¦ Other world-ending distractions include an overwhelming fascination with boys of the wrong sort, cars, pimples, clothing brands, bands from Pop to Punk, Reggae to Heavy Rock, adolescent poetry, violent movies, mascara, perpetual humiliation from friends and enemies alike, the idiocy of parents and the looming prospect of finally doing â€œitâ€â€¦

Amongst the most memorable sequences in store here are the extended mixed signal interactions with psycho best pal Kim‘s loser â€œnot-boyfriendâ€ Erick Burns, her own mother’s constant carping on Tammy getting a part-time job, monumental make-up mistakes, a succession of inane get-rich-quick schemes, learning to breakdance, the ongoing war with mean girl Courtney Brown, petty vandalism, cheerleader tryouts, being condemned to Summer School whilst her friends get to just hang out and why Tammy had to stop practising her wrestling moves with that Tim Starry boyâ€¦

These visual epigrams reference universal aspects of puberty and adolescence: parents are unreasonable and embarrassing, siblings are scum and embarrassing and your body is humiliatingly embarrassing; always finding new and horrifying ways to betray you practically every dayâ€¦

Your friends can’t be trusted, you’re attracted to all the wrong people and you just know that no one will ever want youâ€¦

Drawn in a two-colour – black and purple are this year’s tones – faux-grotesque manner (you can call it intentionally primitive and ugly if you want) the page by page snapshots of a social hurricane building to disaster are absolutely captivating.

Although this is a retro-comedy experience, behind her fatuous obsession with fashion, boys, money, fame, music, designer labels, peer acceptance and traitorous bodily functions, Tammy is a lonely bewildered child who it’s impossible not to feel sorry for.

Actually it’s equally hard to like her (hell, its difficult to curb the urge to slap her at times) but that is, after all, the pointâ€¦

If you live long enough you’ll experience the pop culture keystones of every definitive era of your life at least twice more. Here the base, tasteless and utterly superficial aspects of 1980s America are back to harrow a new generation which is too young to remember them, but you and I can get all nostalgic for the good bits and blithely ignore all the bad stuff.

This big little hardback (416 pages each and 146 x 146mm) affords a delightful and genuinely moving exploration of something eternal, given extra punch with the trappings of that era of tasteless self-absorption, and like those other meta-real diarists and social commentators Nigel Molesworth, Bridget Jones and Adrian Mole, the ruminations and recordings of Miss Tammy Pierce have something ineffable yet concrete to contribute to the Wisdom of the Ages.

Modern and Post-Ironic, Unlovable is unmissable; offering a perfect opportunity to discover the how and why of girls and possibly learn something to change your life.

Now please excuse me, I need to replace the 96 batteries in my boom boxâ€¦
Â© 2014 Esther Pearl Watson. All rights reserved.

May 31, 2014May 30, 2014

DreamWorks Dragons: Riders of Berk volume 1: Dragon Down

By Simon Furman, Iwan Nazif & Bambos Georgiou (Titan Comics)
ISBN: 978-1-78276-076-4

These days, young kids are far more likely to find their formative strip narrative experiences online or between the card-covers of specially tailored graphic novels rather than the comics and periodicals of my long-dead youth.

In times past the commercial comics industry thrived by producing copious amounts of gaudy, flimsy pamphlets subdivided into a range of successful, self-propagating, seamlessly self-perpetuating age-specific publications. Such eye-catching items generated innumerable tales and delights intended to entertain, inform and educate such well-defined target demographics as Toddler/Kindergarten, Younger and Older Juvenile, General, Girls, Boys and even Young Teens, but today the English-speaking world can only afford to maintain a few paltry out-industry, licensed tie-ins and spin-offs for a dwindling younger readership.

Where once cheap and prolific, strip magazines in the 21st century are extremely cost-intensive and manufactured for a highly specific – and dying – niche market, whilst the beguiling and bombastic genres that originally fed and nurtured comics are more immediately disseminated via TV, movies and assorted interactive media.

Happily, in this country old-school prose publishers and the newborn graphic novel industry have a different business model and far more sustainable long-term goals, so the magazine makers’ surrender has been turned into a burgeoning victory, as solid and reassuringly sturdy Comics-in-Books increasingly buck the pamphlet/papers downward spiral.

Moreover, many of those old comics enjoyed a successful affiliation and almost symbiotic relationship with television (and before that, Films and radio shows), and these days when even the ubiquitous goggle-box business is paralysed and endangered by on-demand streaming, too many channels and far too much choice, those connections have been taken up by the graphic novel trade too.

The links between animated features and comicbooks are long established and I suspect, for young consumers, indistinguishable. After all, in the end it’s all just entertaining picturesâ€¦

One of the most popular TV cartoons – and certainly the most gripping and entertaining – of recent years is DreamWorks Dragons: Riders of Berk (and its follow-up Defenders of Berk). It’s based on the wonderful movie How to Train Your Dragon – which was itself loosely adapted from Cressida Cowell’s glorious and charming sequence of children’s books.

The show has internationally wowed audiences young and old alike and, in this first full-colour Titan Comics digest-sized collection by Simon Furman, Iwan Nazif & BambosGeorgiou, those amazing adventures continue as brilliant but introverted boy-hero Hiccup and his compatriots of the Dragon Rider Academy gleefully roam the skies with their devoted scaly friends.

When not fighting each other the trusty teens attempt to keep the peace between the rambunctious multiplicity of saurians and the island of Berk’s irascible Viking settlers: protecting the humans’ village from the constant attacks of nastier folk such as Alvin the Treacherous and his fleet of piratical Outcasts or new and unknown monstersâ€¦

Following a brace of handy information pages introducing Hiccup and his devoted Night Fury Toothless, as well as tom-boyish Astrid on Deadly Nader Stormfly, obnoxious jock Snotlout and Monstrous Nightmare Hookfang, portly scholar Fishlegs on ponderous Gronckle Meatlug and the terribly dim but merrily violent twins Tuffnut and Ruffnut on double-headed Zippleback Belch & Barf, this initial saga opens as the riders go through their spectacular aerial combat paces over the waters around Berk.

Trouble is never far away where Dragons are concerned, and when Hookfang begins shedding incandescent scales, they soon have half the village putting out the resultant flash-firesâ€¦

For the safety of the town and the ailing Wyrm, Hiccup’s father Chief Stoick has no choice but to quarantine Hookfang off-island and ground the rest of the flight. However, when the Monstrous Nightmare goes missing the kids decide to ignore orders and go looking for the poor beastâ€¦

Chapter two opens during a massive squall with the Dragon Riders being bawled out by Stoick. Snotlout is heartbroken – but won’t show it – and guilty Hiccup furtively sneaks off to continue the search alone with Toothless.

Hookfang is in real trouble. He’s been cornered by Alvin the Treacherous, who wants to make dragons his war weapons. Now he has bait and only needs a skilled trainer to enslaveâ€¦ and he knows that one will be along soon to rescue the still-shedding Monstrous Nightmare he has trapped in a caveâ€¦

The evil scheme works almost perfectly. Hiccup is easily captured by the hulking Outcast warriors, but manages to convince the sleek, speedy Night Fury to abandon him and fetch helpâ€¦

Valiantly making his way back to Berk, the loyal Toothless rouses the Riders and Stoick’s men who speed to the rescue. Meanwhile, ingenious Hiccup has already engineered his own escape. It would have worked, too, if the islet they were on hadn’t been a not-quite dormant volcano with explosively shedding Hookfang inadvertently stoking the geological firesâ€¦

The saga concludes in an astounding sea battle as Stoick’s fleet engages Alvin’s pirates whilst Astrid and Stormfly spring Hiccup. Reunited with Toothless, the leader of the Dragon Riders then shows the Outcasts the dangers of messing with the boys and girls of Berk before deducing a (rather perilous) way to reunite Snotlout and Hookfang before the islet melts down or goes up in flamesâ€¦

Despite being ostensibly aimed at excitable juniors and TV kids, this sublimely sharp yarn is a smart and engaging fantasy romp no self-indulging fun-fan of any vintage should miss: accessible, entertaining, and wickedly habit-forming.
DreamWorks Dragons: Riders of Berk Â© 2014 DreamWorks Animation L.L.C.

May 30, 2014May 29, 2014

Superman: Phantom Zone

By Steve Gerber, Gene Colan, Rick Veitch, Tony DeZuniga & Bob Smith (DC Comics)
ISBN: 978-1-4012-4051-6

For fans and comics creators alike continuity can be a harsh mistress. These days, when maintaining a faux-historical cloak of rational integrity for the made-up worlds we inhabit is paramount, the greatest casualty of the semi-regular sweeping changes, rationalisations and reboots is the terrific tales which suddenly â€œnever happenedâ€.

The most painful example of this – for me at least – was the wholesale binning of the entire charm-drenched mythology that had evolved around Superman’s birthworld in the wonder years between 1948 and 1986.

Thankfully DC is not as slavishly wedded to continuity as its readership and understands that a good story is worth cherishing. This slim, trim spectral selection gathers the superb 4-issue miniseries The Phantom Zone from January-April 1982 and the very last pre-Crisis on Infinite Earths Zone yarn from DC Comics Presents #97 (September 1986), whilst simultaneously celebrating the stylish and enthralling scripting of unique comics voice Steve Gerber.

The riotous recapitulation of all that lost Man of Tomorrow mythology begins in ‘The Haunting of Charlie Kweskill!’ when the eponymous Daily Planet paste-up artist collapses at work. The solitary little dweeb has been sleeping badly, plagued by nightmares of a life on the long-gone world of Krypton.

His dreams reveal how brilliant scientist Jor-El devised a non-lethal way to deal with Krypton’s most incorrigible criminals: human monsters such as Jax-Ur, Professor Va-Kox, Dr. Xadu, sadistic psycho-killer Faora Hu-Ul, potential dictator General Dru-Zod and even Jor’s own crazy cousin Kru-Elâ€¦

Many lesser menaces such as psionic aberrants Az-Rel and Nadira were also banished to the twilight realm, as well as stranger outcasts like callous biological experimenter Nam-Ek, but the one who most catches Charlie’s attention is convicted fraudster Quex-Ul; a Kryptonian who was Charlie’s doppelgangerâ€¦

The dreams are all true, telepathic broadcasts beamed at Charlie by the Zone inmates from within the plane of timeless intangibility. Quex-Ul had been one of them, surviving long after Krypton died, but was innocent of his crimes. He had been framed and mind-controlled by a mastermind who had deservedly perished when the Red Sun world detonated.

After Superman corrected the injustice and released the poor dupe, Qwex-Ul had saved the Man of Steel from a Gold Kryptonite trap, losing all his inherent Kryptonian abilities and memory in the process. The grateful, heartsick Action Ace had found the amnesiac a job at the Planet and almost forgot his alien origins in the years since. Charlie’s former fellows had notâ€¦

Their telepathic onslaught has turned Kweskill into a somnambulistic slave, unknowingly spending his nights breaking into labs and stealing high-tech components. Superman, slowly putting the puzzle pieces together, is just too late to thwart the stealthy scheme and as he bursts into Charlie’s apartment a hastily cobbled together Phantom Zone device hurls him and the hapless mind-slave into the ghostly region, whilst simultaneously freeing a legion of the cruellest criminals in existenceâ€¦

The saga continues with ‘Earth Under Siege!’ as Superman and Charlie helplessly watch Zod, Jax-Ur, Va-Kox, Faora and Kru-El immediately take off to undertake the next stage of their plan, leaving passively nihilistic Az-Rel and Nadira to negligently torture monstrous Nam-Ek with their psychic talents and mock the ranting liturgies of religious zealot Jer-Em, whose manic bigotry and fundamentalist isolationism caused the death of every person in Argo Cityâ€¦

Superman’s cousin Kara Zor-El had been born on the city-sized fragment of Krypton, hurled intact into space when the planet detonated. Eventually Argo turned to Green Kryptonite like most of the detonated world’s debris, and her dying parents, observing Earth through their scopes, sent their daughter to safety as they perished.

On Earth, the teenager met the Man of Steel who created for her the identities of Linda Lee and Supergirl, concealing her from the world whilst she learned about her new home and how to use her astounding new abilities in secrecy and safety.

As the emotionally disconnected, disaffected and doubly alienated youths laconically saunter through Metropolis; casually slaughtering cops and citizens, Zod’s far more motivated cronies have reached Superman’s Fortress of Solitude and destroyed the only means of returning them to their extra-dimensional dungeon.

The next move is to attack the Justice League satellite, hurling it and occupants Flash, Zatanna, Red Tornado, Black Canary, Elongated Man, Firestorm and Aquaman on a non-stop trajectory out of the Solar System. When the rampant Kryptonians destroy all Earth’s communications satellites and trigger a mass launch of nuclear missiles, Wonder Woman and Supergirl narrowly avert atomic Armageddon whilst the frantic Man of Tomorrow can only watch in horrorâ€¦

Not every Zone inhabitant is a criminal. For instance the Daxamite Mon-El was exposed to common lead in ‘Superboy’s Big Brother’ (by Robert Bernstein & Papp from Superboy #89, June 1961) and his lingering, inexorable death was only forestalled by depositing the dying alien in the Zone until a cure could be foundâ€¦

Now, as Green Lantern confronts the Zod Squad on Earth only to be soundly beaten and have his Power Battery stolen, Mon-El informs Charlie and Superman of a possible back way out of the realm of hellish nullityâ€¦

On Earth, as Wonder Woman subdues Nam-Ek, Supergirl checks in with Batman, desperately trying to ascertain where her cousin Superman has gone. As the Dark Knight heads to Metropolis to investigate, Kara returns to the Fortress only to be ambushed by the Kryptonian escapees and beaten near to deathâ€¦

With no other choice, Charlie and Superman reluctantly pass through a dimensional portal even the obsessed villains were too scared to risk and encounter surreal madness in ‘The Terror Beyond Twilight!’â€¦

Back in the physical world of touch and time, Supergirl saves herself from ghastly atomic disintegration as Charlie and Superman pass through stormy turbulence and a tedious waiting-room-realm before arriving on a peculiar plane where they are confronted by luscious sirens with impossible riddles and exploding heads.

Their narrow escape from the Priestesses of the Crimson Sun only leads them to Kryptonian wizard Thul-Kar who magicked himself into the Zone in ages past and now slavishly serves an erratic and malevolent sentient universe named Aethyr.

It wants to consume Charlie and Superman but only by passing through it can they reach the physical world againâ€¦

On Earth, chaos reigns. Batman is utterly unable to pacify the extremist Jer-Em, who deems the planet impure, unclean and unholy. He would rather die than soil his Kryptonian purity here.

â€¦And high above the planet, the other freed villains have their own plan to fix the situation: a gigantic Phantom Zone Cannon which will inexorably and eternally banish Earth into the twilight dimension in the course of one full rotationâ€¦

The drama comes to a tragic conclusion in ‘The Phantom Planet!’ as Az-Rel and Nadira, having found kindred spirits amongst Metropolis’ disenfranchised Punk Rock counter culture – and killed them – encounter Jer-Em in martyr mode. The now suicidal cleric is quite keen on taking the rest of the apostate Kryptonians with himâ€¦

As the world turns into intangibility, in France Faora has briefly resumed her passion for murdering males – before they’re all gone – whilst in Aethyr’s universe an appalling sacrifice enables Superman to return to physicality in time to lead a last desperate charge, saving the day and puttingÂ the villains back where they belongâ€¦ those still alive, that isâ€¦

The remainder of the fantastic chronicle recounts the tying up of all those intriguing concepts and loose ends in a spectacular sidebar to the end of DC’s original universe.

In 1986 the company celebrated its fiftieth year with the groundbreaking Crisis on Infinite Earths: radically overhauling its convoluted multiversal continuity and starting afresh. All the Superman titles were cancelled or suspended pending this back-to-basics reboot courtesy of John Byrne, allowing the opportunity for a number of very special farewells to the old mythology.

One of the most intriguing and challenging came in the last issue of DC Comics Presents(#97) wherein ‘Phantom Zone: the Final Chapter’ by Gerber, Rick Veitch & Bob Smith offered a creepy adieu to a number of Superman’s greatest foesâ€¦

Tracing Jor-El’s discovery of the Phantom Zone through to the imminent end of the multiverse, this dark yarn built on Gerber’s landmark miniseries and revealed that the dread region of nothingness was in fact the sentient echo of a dead universe which had always regarded the creatures deposited within it as irritants and agonising intruders.

Now as cosmic carnage reigned Aethyr, still served by Kryptonian mage Thul-Kar, caused the destruction of the Bizarro World and the deification and corruption of Fifth Dimensional pest Mr. Mxyzptlk as well as the subsequent crashing of Argo City on Metropolis.

As a result Zod and his fellow immaterial inmates were freed to wreak havoc upon Earth – but only until the now-crystalline pocket dimension merged with and absorbed the felons before implausibly abandoning Superman to face his uncertain future as the very Last Son of Kryptonâ€¦

Superman has proven to be all things to all fans over his decades of existence and these timeless tales of charm, joy and wholesome wit are more necessary than ever: not just as a reminder of great tales of the past but as an all-ages primer of the wonders still to comeâ€¦
Â© 1982, 1986, 2013 DC Comics. All Rights Reserved.

May 29, 2014May 28, 2014

Mighty Avengers volume 2: Venom Bomb

By Brian Michael Bendis, Mark Bagley, Marko Djurdjevic, Danny Miki, Allen Martinez, Victor Olazaba & various (Marvel)
ISBN: 978-0-7851-2369-9

After a TV reality show starring superheroes The New Warriors went hideously wrong and resulted in the deaths of hundreds of ordinary folk in Stamford, Connecticut, popular opinion turned massively against masked crusaders.

The Federal Government rushed through a scheme to licence, train and regulate all metahumans but the plan split the superhero community and a terrified and indignant merely mortal populace quivered as a significant faction of their former defenders, led by the ultimate icon of liberty, Captain America, refused to surrender their autonomy and anonymity to the bureaucratic vicissitudes of the Superhuman Registration Act.

The Avengers and Fantastic Four, bedrock teams of the Marvel Universe, fragmented in scenes reminiscent of America’s War Between the States, with â€œbrother pitted against brotherâ€ and as the conflict inexorably escalated it became clear to all involved that the increasingly bitter fighting was for souls as much as lives.

Both sides battled for love of Country, Constitution and personal Liberty and both sides knew they were rightâ€¦

Following the divisive and brutal Civil War, Tony Stark (a staunch advocate of the SRA) formed a squad of registered, Government-sanctioned heroes. His S.H.I.E.L.D.-backed Mighty Avengers were designed to take care of business whilst he worked on his â€œFifty States Initiativeâ€, the objective of which was to eventually field teams of trained and licensed superheroes in every State of the Union.

Firstly, though, he had to restore public confidence, especially as the unregistered, rogue New Avengers continued to defy his orders to surrender to government authority: saving lives and crushing evil without his permissionâ€¦

This second scintillating volume, gathering Mighty Avengers #7-11 (March-July 2008) is written throughout by Brian Michael Bendis and primarily illustrated by Mark Bagley, Danny Miki, Allen Martinez & Victor Olazaba, and begins with an opening shot in the then-forthcoming company event Secret Invasion.

‘Venom Bomb Part One’ finds New Avenger Spider-Woman switching sides to bring Stark the corpse of a Skrull who had replaced ninja assassin Elektra. Her own team thought they could handle the prospect – and feared Stark and/or his squad might also be alien infiltrators – but Jessica Drew, a triple agent simultaneously working for S.H.I.E.L.D., Hydra and the rebel Avengers felt that only by going to the Nation’s security chief could the situation be successfully handledâ€¦

Stark keeps the corpse secret but invites Drew to join his team in hopes that her presence will cause any Skrulls in his Avengers to betray themselves. However, no sooner has Stark officially inducted the Arachnid Amazon to the squad (field leader Ms. Marvel, Black Widow, Wonder Man, the Wasp, Sentry and Grecian war god Ares), over their very strident protests, than a tiny ball of stellar debris crashes into New York City and unleashes an horrific, highly communicable plagueâ€¦

The capsule contains a voracious iteration of the alien Symbiote Spider-Man inadvertently brought back from The Beyonder‘s Battleworld and contact instantly transforms any organism into a voracious duplicate Venom.

Soon the city is a seething mass of rampaging, shapeshifting monsters – which is almost a relief for Stark as his constant scrutiny has detected no impostors. More worrying though is a desperate snatched conversation with Sentry’s wife Lindy, who begs the genius to find a way to de-power or kill her husband before his growing mental instability makes him a threat to the entire planetâ€¦

As the team deploys to the infection site the Wasp is pondering her last meeting with size-changing ex-husband Henry Pym (formerly Ant-Man, Giant Man, Goliath and Yellowjacket) when the erratic genius upgraded her powers. Unfortunately the ability to become a giant only makes her a bigger target and lethal liability when the rabid Venoms attack and infect herâ€¦

Thankfully Iron Man and the more or less than human Wonder Man, Ares, Sentry and Ms. Marvel are immune to the transformative terrors but then they encounter Hawkeye and Wolverine‘s New Avengers already on scene, and see that the outlaw heroes have succumbed to the contagion, becoming â€œVenomisedâ€ versions of their former selvesâ€¦

Using all his scientific resources, Stark synthesises a cure for the plague whilst his comrades hold the line, but in the aftermath the restored Hawkeye accuses him of being responsible for the murder of Captain America and the parlous state of the world.

Still reeling with guilt, Iron Man rockets into orbit to discover more weaponised venom bombs, and Ms. Marvel chooses not to arrest the SRA-resistors, allowing the New Avengers make their escapeâ€¦

In space Iron Man examines the bomb’s point of origin and discovers the satellite was built by Doctor Doom. Enraged and determined to make a political point Stark then deploys his team to invade the sovereign state of Latveriaâ€¦

With additional art from Marko Djurdjevic ‘Doom’s Castle’ opens with the Iron Tyrant indulging his passions with volatile sorceress Morgana Le Fey in the distant past, but his dangerous dalliance is soon forgotten when he returns to his own citadel to discover that his Venom satellite has prematurely triggered and a battalion of angry Avengers are attempting to kick his portcullis inâ€¦

The earth-shattering battle which follows sees the dictator soundly beaten but, on the verge of defeat, his Time Platform is damaged and the temporal malfunction causes the Golden Avenger, Sentry and Doom to plunge helplessly into the pastâ€¦

Presented as a visual pastiche of 1970’s Marvel Comics stories, ‘Time is on No One’s Side’ picks up the tale as Sentry discovers that his history is not as he remembers whilst watching his younger self battling dark mastermind The Void. Elsewhere in old New York, time-lost Tony Stark and Victor Von Doom resume their deadly duel until the panicking Sentry finds them and forces a truceâ€¦

Realising at last the incredible danger inherent in Sentry losing it, Doom leads his fellow chronal castaways to the era’s only known location of a time machine.

Unfortunately that’s Doom’s own device, confiscated by the Fantastic Four and cached in the Baxter Building and the bid to use it is interrupted by a fighting mad Thing named Ben Grimmâ€¦

Eventually however the trio triumph and travel back to their own Now, but only Iron Man and Sentry actually arrive, just in time to be caught in a monumental explosionâ€¦

This cataclysmic clash concludes as, in the Dark Ages, Doom and Le Fey collude and the witch-queen teaches her amorous pupil how to construct an army of demons.

Thus reinforced Doom returns to the 21^st century before Iron Man and Sentry and unleashes his horde of horrors on the rest of the Mighty Avengers. Crushed by the unholy horrors the team are soon trussed up as trophies of the devil doctor but nobody expected Spider-Woman to display an unprecedented power, disrupting Doom’s devices, freeing the team and demolishing his castle.

By the time Iron Man and Sentry pop back into reality it’s all over bar a colossal (and previously seen) detonation and the resounding defeat of the master of Latveria who subsequently becomes the most famous international terrorist ever arrested by S.H.I.E.L.Dâ€¦.

With covers by Bagley and Frank Cho and a selection of astounding inked cover samples by Cho, Danny Miki & John Dell, Venom Bomb offers another slick and stylish slice of breathtaking all-action entertainment which soundly sets the scene for the startling Secret Invasion main event which followed, but also reads astounding well on its own merits.

This is another Fights ‘n’ Tights â€œmust-readâ€ for insatiable thrill-chasers everywhere.
Â© 2007, 2008 Marvel Characters, Inc. All rights reserved.

May 28, 2014May 27, 2014

Batman – Streets of Gotham volume 2: Leviathan

By Paul Dini, Dustin Nguyen & Derek Fridolfs (DC Comics)
ISBN: 978-1-4012-2906-1

With all the furore and hype surrounding the death and inevitable resurrection of Batman cunningly orchestrated by Grant Morrison, everybody seemed so concerned with what was going to happen next that they apparently ignored what was actually occurring in the monthly comicbooks in their hands.

Now with the dust long settled let’s take a look at one of the better satellite-series to come out of the braided Batman R.I.P./Final Crisis/Last Rites/Batman Reborn/Return of Bruce Wayne publishing eventsâ€¦

In the aftermath of the epochal loss of the Gotham Guardian, a sustained and epic Battle for the Cowl ensued amongst the fallen hero’s closest allies. Eventually Dick Grayson succeeded his lost mentor, carrying on the tradition if not the methodology of the Dark Knight, with Bruce Wayne’s League of Assassins-trained son Damian continuing as the headstrong and potentially lethal latest iteration of Robin, the Boy Wonderâ€¦

This sterling submission, illustrated throughout by Dustin Nguyen & Derek Fridolfs, collects the contents of the monthly Batman: Streets of Gotham # 5-11 (October 2009-April 2010) and offers grim glances at the hellish everyday lives of citizens in the worst city on Earth, beginning with the 2-part ‘Leviathan’ – scripted by Chris Yost – wherein the life of a young, hope-filled Gotham priest is examined and tested over painful years before a calamitous crisis of conscience bloodily eruptsâ€¦

As his faith falters, the unpredictable Huntress frantically stalks Man-Bat Kirk Langstrom, convinced the self-mutated manhunter has finally slipped into carnivorous madness. Ignoring orders from Birds of Prey leader Barbara â€œOracleâ€ Gordon to merely subdue her quarry, the ruthless vigilante is determined to end forever the leather-winged horror’s attacks on Gotham’s citizens before eventually their ferocious extended struggle sends them smashing through the skylight of St. Aloysius‘ to land at the feet of troubled Father Mark.

â€¦And that’s when the poor padre hears the voice in his ear telling him to kill both â€œThe Beastâ€ and â€œThe Harlotâ€â€¦

As Batman and Robin track new esoteric stealth weaponry being sold to premier gang boss Black Mask, in the church’s vault Father Mark struggles to carry out the Word of God. The order keeps coming, somehow further infuriating the already rabid Man-Bat, and Huntress at last realises that rather than going rogue Langstrom has been reacting to a threat only his bat-like super-senses can detect.

As the invisible killer forgoes cunning enticement for heavy ordinances the Dark Knight crashes in to save the day, but it’s Father Mark who actually executes a benison of salvation and finds redemptionâ€¦

Scripted by the superb Paul Dini, ‘In the Bleak Midwinter’ then offers a dark Seasonal treat as Batman and Robin track demented tinkerer and part-time Santa Humpty Dumpty to his lair and discover a dormitory full of dead children.

However, as monstrous vigilante Abuse has already found, the tragic felon isn’t a killer, but instead is simply trying to â€œfixâ€ the broken creatures he keeps finding floating in the riverâ€¦

The discovery deeply affects the usually cocksure Boy Wonder, who is as determined as orphan Colin Wilkes, who escapes the nuns’ scrutiny every night to hunt adults who hurt children as the hulking, mutated Abuseâ€¦

And further upriver, psychopathic serial killer Mr. Zsasz puts his latest acquisitions to work, duelling to the death for the appreciative viewers and bettors of his underground juvenile gladiatorial boutsâ€¦

The case goes onto the backburner in the 2-part ‘Hardcore Nights’ (written by Mike Benson) when Jim Gordon alerts Batman to a spate of savage killings. Every victim is a career criminal and the Commissioner’s thoughts naturally tend to another vigilante in town, but the Gotham Gangbuster uncovers a link to a certain sex club worker and a darkly devious web of deceit, jealousy and murderâ€¦

Dini returns to script the last two tales in this compilation as ‘Heroes’ reveals how frail Colin gained his strange powers and abiding passion to punish abusers after the fear-mongering Scarecrow used the boy as a guinea pig for the madman’s terror-toxins and doses of super-steroid Venom.

Origin over, the tale returns to the present day as the lad uses himself as bait for whoever is snatching kids and runs into the scarily intense Damian trying the same stratagemâ€¦

Soon shanghaied by Zsasz, the over-confident boys are soon fighting for their lives in the mass-murderer’s ghastly arena, but by the time Batman arrives for the ‘Final Cut’ they have already demolished the foul fight club and one of them had to talk the other out of taking vengeance Old Testament styleâ€¦

Bleak, ominously poignant and powerfully downbeat, Streets of Gotham is a visceral, imaginative and deliciously off-balance stage for the varied bat-cast to display their efficacy in frantic psycho-thrillers and moody crime capers set on the darkest avenues in all of comicsâ€¦
Â© 2009, 2011 DC Comics. All Rights Reserved.

May 27, 2014

The Chimpanzee Complex volume 2: The Sons of Ares

By Richard Marazano & Jean-Michel Ponzio, translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-015-3

Cinebook began publishing The Chimpanzee Complex in 2009 (and we reviewed it here) with the beguiling and enigmatic ‘Paradox’ which introduced the world of tomorrow to a bizarre and baffling cosmic conundrum.

When, six and a half decades after it first returned, the Apollo 11 Command Module splashed down in the Indian Ocean in February 2035, redundant NASA astronaut Helen Freeman was dragooned into joining a top-secret investigation of the incredible passengers, leaving behind in Florida her troubled and too-often neglected daughter Sofia.

Legendary heroes Neil Armstrong and Buzz Aldrin were the first men to walk on the moon, and nobody – including them – had any idea where they’d been for sixty-five years. For the baffled starmen it was only days since their mission beganâ€¦

On learning that history recorded their triumphant return and unremarkable deaths years later they went ballistic: exhibiting what Freeman described as the traumatic shock response peculiar to space voyagers categorised by NASA as â€œthe Chimpanzee Complexâ€â€¦

The spacers don’t know what happened to â€œtheirâ€ third astronaut Michael Collins (if he ever existed). Three heroes landed to be fÃªted by the world in 1969, but now two of them sit as prisoners in a world that terrified them.

Nobody can explain who or what they might be and no tests science can devise are sufficient to disprove their incredible storyâ€¦

Compelled to work under Presidential favourite and Top Brass Military Spook Konrad Stealberg, Freeman uncovered even more questions but no answers in her subsequent interviews, until the enigma-nauts finally began to exhibit gaps in memory.

As her best friend NASA bureaucrat Robert Conway struggled to look after the increasingly wayward Sofia, Konrad’s questioning team were presented with another shocking mystery after Armstrong and Aldrin suddenly expired: somehow becoming deteriorated cadavers overnightâ€¦

Soon Helen was (only partially) reluctantly piloting a mission to the moon in the mothballed and hastily reconditioned shuttle meant for Mars until budget cuts scotched the project. Her trusted comrades and fellow unemployed astronauts Kurt, Alex and Aleksa were just as delighted to be back in space, but as unhappy and apprehensive as Helen with the military presence and top-secret paraphernalia piled aboard. They were even less sanguine when Stealberg and his creepy elite commandos replaced the regular crew.

En route they discovered the secret history of the 1960s Space Race: America’s black ops space program and the USSR’s clandestine and apparently failed mission to Mars.

Even bigger shocks materialised on the lunar surface when the modern astronauts found the pressure-suited corpses of Aldrin and Armstrong deep in a concealed fissure even as, high above, a vintage Command Module was intercepted by their converted shuttle.

The stellar relic contained Collins’ corpse and an intercepted, decades-old Russian distress call the mission pilot had recorded. The message had been sent by Commies from Marsâ€¦

It transpired that NASA has never had the American monopoly on spaceflight: the military had been running a clandestine, parallel program from the very start, funded by siphoning a portion of NASA’s operating budget at the personal instigation of ex-Nazi rocket pioneer Werner von Braunâ€¦

Moreover, the 66-year old Russian distress message in the capsule’s primitive computers proved that the Soviets had also been far more committed to space exploration than history books had recordedâ€¦

Stealberg took charge, unveiling interplanetary hibernation chambers and turning the now-militarised shuttle-mission towards the Red Planet. Amidst fears of what awaited them, Helen fell into cold sleep, agonising that she had again abandoned and betrayed Sophia as her ship slowly voyaged to Mars and an appointment with the truth, whatever it might beâ€¦

The drama recommences in The Sons of Ares as, in October 2035, an increasingly off-the-rails Sophia argues and acts out with Robert Conway whilst in interplanetary space the fourth month of the journey finds American astronauts Paul Dupree and Mark Lawrence taking their boring turn awake for monitor duty whilst their comrades endure resource-saving but life-shortening hibernationâ€¦

The monotony is suddenly broken by a freak radiation storm and only one of the terrified explorers makes it to the ship’s shielded area in timeâ€¦

In Florida Robert is acutely conscious of his failings as a surrogate parent to Sophia, but Helen is blissfully unaware of the personal crisis when the slumbering crew rouse from cold sleep to find Paul insane and Mark missingâ€¦

In reporting the situation to Earth, Helen again misses – or perhaps avoids – a chance to speak to Sophia who is gradually coming to terms with the possibility that she might never see her mother againâ€¦

As the shuttle at last establishes Mars orbit, Paul is locked up for his own safety and the suspicious voyagers’ peace of mind. Konrad then shares the intel gathered by his agents on Earth whilst they slept. The Soviet clandestine Cosmonaut project began in 1963, headed by space pioneer Yuri Gagarin – whose death had been faked to facilitate his smooth transition to commander of their Mars shot.

Expecting a monumental propaganda coup, the Kremlin simply said nothing when contact was lost with Gagarin’s mission, preferring stolid rhetoric to incontrovertible proof of failure. Now with so many inexplicable events inevitably leading to the Red Planet, Stealberg expects Helen and her team to find all the answers with the Russians’ bodies on the dust surface.

He couldn’t be more wrongâ€¦

Locating a base at the polar cap, Konrad dispatches the heavily armed crew to the site even as on Earth, Sophia runs away from home. However even whilst experiencing her greatest desire – walking on another world – Helen can’t help but worry about Paul, doped up and locked into the isolation chamber of the otherwise empty Shuttleâ€¦

Whilst Robert frantically searches for Sophia on Earth, the astronauts are astounded to discover the primitive landing site and corpses they expected are, in actuality, a thriving, efficient facility, stuffed with botanical wonders and manned by the very strong and vital cosmonauts who had landed there in the1960s.

After an initial exchange of hostilities – and gunfire – friendly contact is established and another incredible saga unfolds. Russians Vladimir and Borislav have lost all sense of time in the â€œtwelve yearsâ€ since they landed and Commander Gargarin, having discovered a strange tunnel in a Martian glacier, has been absent for most of that period. They only know he’s still alive because food keeps vanishingâ€¦

Stealberg, seeing uncomfortable similarities in the agelessness of the cosmonauts and the duplicate Armstrong and Aldrin on Earth, sedates the Russians, who constantly ramble about the nature of reality, but Helen’s interest is piqued and, with Kurt’s assistance, she sneaks off into the glacier tunnel to find Gagarinâ€¦

When she succeeds it only leads to more baffling conundrums. The First Man in Space perpetually stares into the unyielding ice-wall, seemingly unsurprised by Helen’s reports on the Apollo returnees, the impossible time-differentials and the fall of the Soviet Union.

He merely ruminates on Heisenberg’s Uncertainty Principle, and whether such a subatomic phenomenon could apply to larger constructs – such as human beings – in a constant and simultaneous state of being and non-being: a â€œprobability of presenceâ€â€¦

They also talk about children they will probably never see againâ€¦

As Helen returns to the greenhouse module, the Russians are planning more armed resistance but Stealberg has an even more pressing problem. Much to Helen’s astonished disbelief, he’s found Gagarin’s sixty-years-dead corpseâ€¦

As Vladimir and Borislav attack, setting fire to the modules, the Americans fall back to their vehicle, dragging the hysterical Helen, who had promised her very much alive Yuri Gagarin a ride homeâ€¦

The tension increases when they re-enter the orbiting Shuttle: Paul has vanished and no trace can be found of him. Thoroughly rattled, Konrad orders an immediate return to Earth, with increased watches for every day of the trip.

May 2036: on Earth Robert has tracked down Sophia and they both eagerly await Helen’s return at Cape Canaveral. However as the Shuttle nears Earth it suddenly vanishes from all tracking systems. Aboard the vessel Helen and Kurt experience the horror of seeing their home planet vanish. Unable to brake the shuttle and with no world in view, they rejoin the others in cold sleep, not knowing when they will next awaken or even if they will still be in their solar system when they do.

Helen’s last conscious thoughts are of the daughter she may never see againâ€¦

This astounding hard-science mystery tale steps boldly and confidently into the realm of chilling metaphysics, as the human wide-eyed wonderment gives way to uncanny uncertainty if not outright terror, as Marazano’s pared-down-to-the-bone script is realised with stunning clarity by Ponzio to produce a soaring amalgam of passion, intrigue, and paranoia.

May 26, 2014May 27, 2014

Iznogoud and the Magic Computer

By Goscinny & Tabary, translated by Anthea Bell & Derek Hockridge(Cinebook)
ISBN: 978-1-905460-79-3

During his too-short lifetime (1926-1977) RenÃ© Goscinny was one of the most prolific, most read writers of comic strips the world has ever seen.

He still is.

Among his most popular comic collaborations are Lucky Luke, Le Petit Nicolas and, of course Asterix the Gaul, but there were so many others.

Scant years after the Suez crisis, the French returned to the deserts when Goscinny teamed with the sublimely gifted Swede Jean Tabary (1930-2011 and numbering Richard et Charlie, Grabadu et Gabaliouchtou, Totoche, Corinne et Jeannot and Valentin le Vagabond amongst his other hit strips) to produce imbecilic Arabian (im)potentate Haroun el-Poussah. However it was the strip’s villainous foil, power-hungry vizier Iznogoud, who stole the show – possibly the conniving little devil’s only successful scheme.

Les Aventures du Calife Haroun el Poussah was created for Record, with the first instalment appearing in the January 15^th issue in1962. A minor hit, it jumped ship to Pilote – a magazine created and edited by Goscinny – where it was refashioned into a starring vehicle for the devious little rat-bag who had increasingly hogged all the laughs and limelight.

Like all the best storytelling, Iznogoud works on two levels: as a comedic romp with sneaky baddies coming a cropper for younger readers, and as a pun-filled, witty satire for older, wiser heads, much like its more famous cousin Asterix – and also translated here by the master translators Anthea Bell & Derek Hockridge who made the indomitable little Gaul so very palatable to the English tongue. Moreover the deliciously malicious whimsy is always heavily laden with manic absurdity and brilliantly applied creative anachronism to keep the plots bizarrely fresh and inventive.

Our insidious anti-hero is Grand Vizier to affable, easy-going Haroun Al Plassid, Caliph of Ancient Baghdad, but the sneaky little toad has loftier ambitions, or as he is always shouting â€œI want to be Caliph instead of the Caliph!â€

The revamped series launched in Pilote in 1968, quickly becoming a huge European hit, with 29 albums so far (carried on by Tabary’s children StÃ©phane, Muriel and Nicolas), his own solo comic, a TV cartoon show and even a live action movie.

When Goscinny died in 1977 Tabary assumed the scripting as well as the superbly stylish illustration from the 13^th album, moving to book-length complete tales, rather than the compilations of short punchy stories that typified their collaborations.

This fourth Cinebook album was actually the sixth French album (released in 1970 as L’ordinateur magique) and features a clenched and grasping fistful of short, sharp salutary tales beginning, after a handy catch-up profile page, with ‘A Calculated Risk’, wherein the cunning conniver, desperate to forestall a pact between the Caliph and mighty military neighbour Sultan Pullmankar, hires forward-thinking I-Bee’Em and his ponderous problem-solving â€œcomputerâ€ to stop the signing of the treaty.

The big grey box might be brilliant, but it’s agonisingly slow in reaching its infallible conclusionsâ€¦

Things then get hilariously surreal when Iznogoud and his long-suffering, bumbling assistant Wa’at Alahf discover a mystic crossroads that can lead the unwary traveller onto an unending, pointless journey from which they can neither escape nor return.

Dashing back to lure the Caliph onto ‘The Road to Nowhere’ our wicked wayfarers eventually realise that they’ve been stuck on it all alongâ€¦

Back in Baghdad and itching to take over, the Vile Vizier then seeks to employ the tragic gifts of lonely hermit Ghoudas Gho’ld, a direct descendent of legendary King Midas, in ‘The Golden Handshake’. All he has to do to remove the Caliph is get the accursed involuntary metal-maker back to the palace without him touching anythingâ€¦

There’s more direct skulduggery afoot in ‘The Caliph’s Sceptre’ when Iznogoud hires a master thief to sneak him into the high-security vault where the Staff of Office is cached. If he takes it and keeps the Caliph from presenting it to the people in the annual reaffirmation of worthiness to rule ceremony, the Vizier can legally assume control of the country. Of course, it doesn’t quite play out that wayâ€¦

This fine kettle of funny fish concludes with ‘The Mysterious Ointment’ as fabled explorer Notsobad the Sailor returns to the port of Basrah and, having forgotten to bring the undetectable Occidental poisons he promised the Vizier, palms him off with a tube of â€œSchpouk toothpaste’.

Assured the container holds a lethal and undetectable toxin, poor Iznogoud embarks on an eccentrically convoluted campaign to convince the Caliph and the court that cleaning one’s choppers is the latest and most beneficial of scientific advancements. Care to guess how well that goes?

Snappy, fast-paced hi-jinks and gloriously agonising pun-ishing (see what I did there?) abound in this mirthfully infectious series which is a household name in France where â€œIznogoudâ€ is common parlance for a certain type of politician: over-ambitious, unscrupulous â€“ and often of diminutive stature.

When first released here in the 1970s, these tales made little impression, but hopefully this snappy, wonderfully affable strips can finally find an appreciative audience among today’s more internationally aware, politically jaded comics-and-cartoon savvy Kids Of All Agesâ€¦
Â© 1970 Dargaud Editeur Paris by Goscinny & Tabary. All rights reserved.

May 24, 2014May 23, 2014

Uncanny Avengers: Ragnorok Now

By Rick Remender, Steve McNiven, Daniel AcuÃ±a, Laura Martin & various (Marvel/Panini UK)
ISBN: 978-1-84653-571-0

If you haven’t read the Avengers for a while then you’ve got a lot of catching up to do.

What You Need to Know: Once upon a time mutant hero Wanda Maximoff – daughter of arch-villain Magneto and known to the world as the Scarlet Witch – married android warrior The Vision and they had (through the agency of magic and her unsuspected chaos-energy fuelled ability to reshape Reality) twin boys. Over the course of time it was revealed that her beloved sons were not real and they subsequently vanished (for further details see Marvel Platinum: the Definitive Avengers).

As years passed, loss drove Wanda mad and when she finally slipped utterly over the edge her resultant slaughter-spree destroyed many of her Avenger comrades. The effects of her actions spread to reshape the entire Marvel Universe, resulting in the team’s dissolution and climactic reboot (Avengers Disassembled and New Avengers: Breakout).

The team had barely recovered from that catastrophe before she overwrote Reality again, altering recent Earth history such that mutants ruled over a society where humans or â€œsapiensâ€ were an acknowledged evolutionary dead-end, living out their lives and destined for extinction within two generations.

It took a legion of champions and a huge helping of luck to put that genie back in a bottle (in House of M), but in the aftermath less than 200 mutants existed on Earthâ€¦

The Witch was partially rehabilitated and began her quest for redemption during the Avengers versus X-Men where the World’s Mightiest Heroes strove against the remaining mutants for control of Hope Summers: a girl born to be the mortal host of implacable force of cosmic destruction and creation known as The Phoenix.

However the primal phenomenon instead possessed a quintet of X-Men, corrupting them by manifesting their dream of making Earth a paradise for besieged, beleaguered Homo Superior and hell for humanity.

At the height of Avengers versus X-Men mankind was briefly enslaved by resurgent mutants before the selfish appetites of omnipotent Phoenix Force caused those possessed by it to turn upon each other. Soon its transcendent power transformed rallying figurehead and mutant freedom-fighter Cyclops into another apparently unstoppable, insatiable â€œDark Phoenixâ€.

At that crossroads moment his beloved mentor Charles Xavier, founder of the X-Men and formulator of the aspiration of peaceful mutant/human co-existence, returned – only to be killed by his most devoted discipleâ€¦

Professor X’s death united X-Men and Avengers in a joint effort to overthrow the cosmic avatar but, in the days following the departure of the Phoenix Force, progress and reconciliation stalled. The mostly human world festered with resentment even as new mutants began to manifest, and newly liberated mankind fell into its old habits of intolerance, violence and bigoted, vigilante outragesâ€¦

When undying Ã¼ber-Nazi Red Skull stole Xavier’s brain to appropriate the deceased mutant’s awesome telepathic abilities, his subsequent terrorist outrages were halted by a new team of Avengers: one formed by Captain America and S.H.I.E.L.D. to counter the rising tide of inter-species hostilityâ€¦

Having been born out of one wave of genocidal race-wars, the Sentinel of Liberty was painfully aware that America’s mutant minority had been poorly served – if not actively institutionally discriminated against – and sought to make amends by publicly adopting Xavier’s utopian vision. To that end he convened the high-profile, affirmatively-active Avengers Unity Division, comprising human and mutant heroes working together.

The quintessential Avenger chose former government agent Havok (Cyclops’ brother Alex Summers) to lead the team, which consisted of himself, Thor, Scarlet Witch, Rogue, Wolverine, Sunfire, Wonder Man and the Wasp.

Later, at a press conference inducting the latter two, the group was ambushed by the Grim Reaper and the clash ended with Rogue killing the psychopath in full view of the watching world. In one shocking instant the entire enterprise seemed utterly undermined with all that hard-won pro-mutant progress wastedâ€¦

Still reeling from that setback the Unity Division were then thrust into cosmic overdrive as the bewildering rivalry between arch-nemesis Kang the Conqueror and his elder self Immortus resurfaced with the attack of future-reared mutant Dark Messiahs The Apocalypse Twinsâ€¦

It began in 11^th century Scandinavia in 1013AD as youthful rebel Thor was attacked by En Sabah Nur, undying mutant Apocalypse and agent of the all-powerful Space Gods dubbed Celestials.

The grotesque creature sought to safeguard the future by promoting the triumph of only the very strongest mutants, and his defeat of the arrogant Thunderer compelled the shamed godling to accept the aid of his malevolent half-brother Loki who â€œfoundâ€ a spell which transformed Thor’s battleaxe JarnBjorn into a weapon capable of rending even Celestial defensesâ€¦

Apocalypse was being guided in his seemingly random attacks by former enemy Pharaoh Rama-Tut (another incarnation of Kang) who advocated pre-emptive strikes on certain beings: those whose descendents would one day unite to resist the mutant advocate of Survival of the Fittest: the ancestors of a group called Avengersâ€¦

Thor’s hunt for revenge took him to medieval London just as En Sabah Nur attacked the next name on Rama-Tut’s list; a near-feral warrior named Folkbern Loganâ€¦

The Pagan soldier was battling Apocalypse’s Four Horsemen when Thor – wielding JarnBjorn – arrived. After saving Logan, destroying the servants and grievously wounding Apocalypse, Thor returned to Asgard and Odin’s fury, even as somewhere in time Apocalypse realised he has been a gulled puppet of Rama-Tutâ€¦

The real winner was Kang who quietly commandeered JarnBjorn: a weapon even Space Gods could not endureâ€¦

In our present, Apocalypse had been recently killed. Many creatures attempted to replace him as mutant messiah/exterminator of humanity and on solar-orbiting Starcore Station his son Genocide petitioned the Celestials to accept him as their new agent.

Celestials are a crucial component in the mechanics of the cosmos; their only interest being the raw, unstoppable processes of evolution. The Apocalypse Twins then exercised their claim by using JarnBjorn to achieve the impossible, executing the previously-omnipotent Celestial Gardener: thereby endangering the very fabric of existenceâ€¦

Having successfully defended Rogue from murder charges at a S.H.I.E.L.D. hearing, Havok attempted to keep her busy – and out of sight – by sending her after Magneto when news arrived that The Peak (Earth’s early warning space station) was under attack.

The Scarlet Witch’s relationship with Wonder Man had been strained ever since she killed and resurrected him, and the traumatised energy being had reacted in many odd ways. For one thing he became a pacifist, willing to help the team in every way possible except by fightingâ€¦

The Avengers were unable to save The Peak from the Twins, who crashed the station on Rio de Janeiro. Although Thor and Sunfire saved the city from utter obliteration the rest of the team were far more concerned with a secret freshly uncovered: Wolverine’s role in the death of the Twin’s birth-father, X-Man and Archangel Warren Worthingtonâ€¦

The Twins are mainly reacting to years of cruel deceit. Raised by Kang in time-warped isolation in a private concentration camp in 4145AD, Eimin and Uriel eventually deduced their patron’s motives were self-serving and resolved only to trust each other whilst saving their speciesâ€¦

To that end the adult Apocalypse Twins constituted their own squad of Horsemen to winnow humanity and its heroes. These latest heralds of Mutant Rapture and human Armageddon were not the bio-engineered living creatures Apocalypse preferred, though. Eimin and Uriel instead opted for a quartet of dead apostles – Sentry, Banshee, Daken and Grim Reaper – to pave their way to mutant ascendancyâ€¦

When Immortus informed Captain America of the plot and the ghastly consequences should the Twins win the war to control all times, spaces and realities, he also included details of Wolverine’s murderous past and the Unity team split over issues of philosophy and pragmatismâ€¦

Thus Havok was hard-pressed to keep the heroes united before the onslaught of the Twins’ zombie Horsemen, everyone a remorseless killer with deep emotional ties to the heroes who died at the hands of Avengersâ€¦

The squad split up to tackle the Apocalypse agents, but the attacks were only intended to mask the Twins’ secret agenda: compelling the reality-shredding Scarlet Witch to use her world-warping powers to bring about their long-desired ascendancy by triggering the Mutant Raptureâ€¦

Collecting Uncanny Avengers #12-17 (published November 2013 to April 2014), this timeless confection kicks everything into chaos and calamity as, following a trenchant glimpse at the twins’ harrowing formative years under Kang’s oversight, Earth’s mutant defenders experience the first rumblings of a Big Change.

On the orbiting Apocalypse Ark, Eimin and Uriel deftly work their wiles on Wanda and Simon Williams, urging her to cast a reality-warping spell to save all Homo Superior beings, utilising Wonder Man’s ionic energy to fuel the change. The guilty lovers are resolved to resist but don’t know what kind of creatures they are dealing withâ€¦

Down in the city of Socotra, Havok, Captain America and the Wasp attempt to destroy a Tachyon Dam preventing Immortus from delivering reinforcements from the corridors of history but are attacked by the revenant Banshee even as, far above them, Simon and Wanda discuss the Rapture.

All the Twins intend is to use the Witch to teleport every mutant on Earth into the ark which will then take them all to Jupiter where they can carve out their own world in peaceful isolation. Where’s the harm in that?

â€¦And in a distant future Kang’s reality starts to crumble around himâ€¦

As Cap and Co continue their struggle against Banshee, on a far distant world Thor is fully engaged in saving the inhabitants from waves of gamma lava, but whilst the Apocalypse Twins further entreat and beguile Wanda and Simon, in the bowels of their vessel undead Daken tortures his captive father Wolverine with horrific physical abuse and a crushing catalogue of the Canadian Champion’s many murderous bad decisionsâ€¦

Having left her companions to deal with Banshee, Wasp’s assault on the Tachyon Dam is interrupted by Sentry. The most powerful hero on Earth when he was alive, he is now even stronger thanks to the malign tinkering of the Twins.

Cap and Havok then uncover a possible way to defeat the seemingly unbeatable Eimin and Uriel, as Sunfire and Rogue rescue the nigh-expired Wolverine and decide that, whatever the cost, Wanda must never be allowed to alter existence againâ€¦

As waves of change unmake entire future eras, ‘The Day Nor the Hour’ finds Kang extracting key warriors from each expiring epoch, gathering his own army of retaliation, whilst in the Ark, Simon and Wanda prepare to usher in the Mutant Rapture. Hurtling towards them with death in their hearts Rogue and Sunfire have no idea that their fellow Avengers have their own secret plan to thwart the Twins and not even the last-minute arrival of Wolverine is enough to prevent a horrific triple tragedyâ€¦

With casualties mounting ‘Rapture’ begins and all over Earth mutants fade away, reintegrating in hibernation coffins deep within the Twins’ ship, revealing that Eimin and Uriel had anticipated Wanda’s duplicity and taken steps to counteract her plan.

Elsewhere the Wasp is outmanoeuvring Sentry when Thor arrives to seal the monster’s fate, whilst in space Captain America and Havok boldly attack the Twins head on before ultimate disaster arrives in the planet-sized form of Exitar, the Celestials’ official executioner and sentient Extinction Event.

When Thor and Wasp join their surviving comrades aboard ship, the sidereal colossus – reacting to the personal threat of enchanted Jarnbjorn – decrees that Earth must dieâ€¦

‘Yesterday Didn’t Exist’ opens as Immortus’ legion of heroes, still trapped on the other side of the Tachyon barrier, anxiously await their chance to reinforce the Avengers whilst on embattled Earth-in-the-now, Tony Stark, Doctor Doom and the Vision rally an army of metahumans – good and evil – to forestall Exitar’s cataclysmic death sentence.

Learning too late from the Wasp how the Twins framed mankind for killing Celestials, the assembled champions battle on with desperation as far above the Unity Avengers fight valiantly but inexorably fall to the mutant messiahs.

With grim finality everything ends as the Apocalypse Twins intended as ‘Ragnarok Now’ depicts the destruction of Earth and the heartbreak of its only survivorâ€¦

To Be Continued?

Scripted by Rick Remender and limned by Steve McNiven, John Dell, Jay Leisten & Dexter Vines (with Daniel AcuÃ±a illustrating #13) this spectacular if somewhat convoluted saga may be a bit daunting for casual readers, but dedicated followers of cosmic Costumed Dramas will no doubt adore the fantastic premise and blockbusting scope of events.

With covers-&-variants by John Cassaday & Laura Martin, Leonel Castellani, McNiven, Justin Ponsor & Davew McCaig, this titanic tome also includes a selection of extra content in the form of AR icon sections with trailers, character bios, creator commentaries and oodles more. The Marvel Augmented Reality App pages grant access to story bonuses once you download the little dickens – free from marvel.com – onto your smart-phone or Android-enabled tablet, so for the Full Monty you should do that too, right?
â„¢ & Â© 2013 and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

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