Jeph Loeb, Ed McGuinness and Dexter Vines (DC Comics)
For many years Superman and Batman worked together as the “World’s Finest” team. They were friends and the pairing made financial sense as DC’s top heroes should cross sell and cross pollinate their combined readerships.
When the characters were redefined for the post-Crisis 1980s they were remade as respectful co-workers who did the same job but deplored each other’s methods and preferred to avoid contact whenever possible (except when they were in the Justice League – but for the sake of your sanity don’t fret that right now!). Here they have reformed as friends for the style-over-content twenty-first century, and this is the story of their first outing together. Outlawed by Presidential decree and hunted by their fellow heroes, they find themselves accused of directing a country-sized chunk of Kryptonite to crash into Earth! To save Superman, the world and their own reputations they are forced to attempt the overthrow of the President himself.
In so many ways this compilation is everything I hate about the modern comics industry. Plot is reduced to an absolute minimum in favour of showy set-pieces. Previously established characterisation is hostage to whatever seems the easiest way to short-cut to action (mortal foes Captain Atom and Major Force work together to capture our heroes because US President Lex Luthor tells them to?). The story length is artificially extended to accommodate lots of guest stars, and yet large amounts of narrative occur off-camera or between issues, presumably to facilitate a faster, smoother read. Also, there was an unholy rush to a collected edition, presumably because of demand, but that didn’t prevent the publishers releasing the reprint as an expensive hardback before getting round to releasing a trade paperback collection a good few months after that. This is no way to service or expand an already diminishing customer base.
On the plus side however is the fact that I’m an old fart. There is obviously a market for snazzy looking, stripped down, practically deconstructed comic fare. There must be, or Image Comics wouldn’t have lasted three months, let alone the length of time many of the perpetrators managed. Public Enemies does look good, and if much of the scenario is obvious and predictable it is big and immediate and glossy like a summer action film. Perhaps there’s room for those alongside the Will Eisners, Dave Sims, Alan Moores, Robert Crumbs and Frank Millers of the world.
© 2004 DC Comics. All rights reserved.
By Jeph Loeb, Michael Turner & Peter Steigerwald (DC Comics)
DC really can’t seem to make up their minds over Supergirl. I’ve actually lost count of the number of different versions that have been foisted on us over the years, and I can’t escape the queasy feeling that above all else she’s a concept created to ease young male readers over that bumpy patch between voices breaking and hiding things under your mattress where your mum never, never ever looks.
This latest version resets to the most popular concept and has a naked blonde chick arrive on a Kryptonite meteor claiming to be Superman’s cousin. The most intriguing aspect of this incarnation is Batman’s total distrust of the girl as she is hidden from the world while she assimilates. This leads to her training/babysitting by Wonder Woman’s amazons and her eventual kidnapping by evil space-god Darkseid.
All in all though, it’s woefully predictable stuff with oodles of lovingly rendered girl-flesh and fetish outfits jostling for attention amidst the lavish fight-scenes and interminable guest-cameos. Yet as much as I bitch about all this, I won’t disparage the popularity of the material, because any increase in sales of comics is a wonderful thing in this current climate, but I just know that the writer of The Long Halloween and A Superman for All Seasons is capable of producing better stuff for artists of this quality to draw.
© 2005 DC Comics. All rights reserved.
By John Jackson Miller, Brian Ching & Travel Foreman (Dark Horse Books)
This is set nearly four thousand years before the events of the feature films and the Republic is a sprawling pan-galactic, multi-species culture run on largely democratic and free-market principles, policed by individual systems but overseen by the beneficent adepts known as Jedi Knights, who answer only to the Senate. Zayne Carrick is a Padawan, a Jedi-in-training, and one of the worst his Jedi masters have ever taught. In fact he’s even a bit of a joke to the various low-level criminals and thugs he in charge of policing.
So it’s much more than grim irony when his Jedi masters slaughter all the other Padawans and frame Carrick for the crime. Hunted and desperate the fugitive must team-up with a minor crime-lord and other “evil-doers” to discover the truth of a plot to re-shape the Galaxy if he is ever to find peace and justice.
This is an old fashioned story told in a traditional way, and it’s great. Harking back to the glory-days of the pulp genre from which the Star Wars brand evolved, it’s full of breakneck thrills, baroque characters and action, action, action. No knowledge of backstory is necessary, and there’s even a twist in the tale. All licensed comics should be this good.
© 2006 Lucasfilm Ltd. & ™. All Rights Reserved.
By Various (Dark Horse Books)
This final volume – containing issues #35-40 of the comic book series – returns to the Jabiim war front of the previous volume and focuses on Imperial up-and-comer Janek Sunber (Star Wars: Empire volume 3 The Imperial Perspective), a generally honourable ‘good soldier on the wrong side’, and a very useful narrative tool for creators wanting to ad some depth to the bad guys.
Here he’s part of the Imperial force interrogating captured Jabiimi on military/resupply base Kalist VI. As Luke Skywalker and a Rebel team infiltrate the base to steal fuel and rescue a vital Rebel Spy, Sunber is compelled to make harsh choices when he discovers some unpleasant facts about the way the Empire actually works. He also learns that the Rebel hero causing so much chaos is that scrawny kid he grew up with on Tatooine…
Less a conclusion than a bridge to further adventures in spin-off tales, this book nevertheless delivers a healthy dose of fun and thrills that will satisfy both franchise followers and adventure addicts alike. Both the main story by Welles Hartley, Davidé Fabri and Christian Dalla Vecchia, and John Jackson Miller and Brian Ching’s prologue thriller featuring Darth Vader’s hunt for a Rebel spy rattle along full pelt and are very easy on the eye. Why weren’t the films this well done?
© 2007 Lucasfilm Ltd. & ™. All Rights Reserved
By Various (Dark Horse Books)
With stories set between A New Hope and The Empire Strikes Back, this volume of intergalactic derring-do (reprinted from the comic book Star Wars: Empire issues #29-34) returns to the events of the Battle of Jabiim (see Star Wars: Clone Wars Vol. 3 Last Stand On Jabiim).
The plot examines how that tumultuous debacle has affected the sons of the leading proponents, Anakin Skywalker’s son Luke and Nolan Gillmun, child and heir of the resistance leader Anakin abandoned there more than twenty years previously. After an enjoyable first chapter by Scott Allie and artist Joe Corroney highlighting Darth Vader’s unique diplomatic skills, the main action begins as the Sith Lord returns to the rain-planet after two decades, where the young Rebels Luke and Leia, have come a cropper whilst on a mission for the Rebellion.
Jabiim had resisted the Empire in a bloody guerrilla war for that entire time, and a link up with the Rebels of other worlds seemed an ideal way to increase pressure on their mutual oppressor, but then the Jabiimis discovered that Luke was the son of the ultimate traitor Jedi Skywalker…
Full of action and suspense, although less dark and oppressive than its Clone Wars precursor, this is still a powerful tale that offers fresh insights into the complex character of Anakin/Vader whilst delivering a whole bunch of escapist fun, and the script by Thomas Andrews is captivatingly illustrated by Adriana Melo and Michel LaCombe makes this book some good clean fun for a rainy day.
© 2007 Lucasfilm Ltd. & ™. All Rights Reserved
By various (Dark Horse Books)
This volume of the series, set during the time frame of the original triptych of film blockbusters, shines its spotlight on Princess Leia Organa, with four tales set at key points of her Rebellious life.
Set just before the opening of the original movie, ‘Princess… Warrior’ (reprinted from issues #5-6 of the Star Wars: Empire comic book) tells of the tragic events that stem from her half-hearted attempts to aid the Rebellion, and how she learns the hard tasks and responsibilities that leadership demands. Randy Stradley adapts Brian Daley’s radio script, with art from Davidé Fabri and Christian Dalla Vecchia.
‘A Little Piece of Home’ by Ron Marz and Tomás Giorello (issues #20-21) follows Leia’s search for a new Rebel sanctuary to the palatial planetoid preserve of an past boy-friend and where old feelings are rekindled. As so often before grim reality once again intrudes with heartbreak and disappointment the only rewards.
Issue #22 originally provided ‘Alone Together’ as Han Solo’s latest flirtation provides character insights into the nature of her perceived rival for the Correllian’s affections. When Deena Shan, Leia, Chewbacca and Solo are trapped on a world with a deadly monster her rivalry turns into something more positive in this fluffy change of pace tale from Welles Hartley, captivatingly pictured by Adriana Melo.
Star Wars: A Valentine Story was the original venue for ‘Breaking the Ice’ a sadly lacklustre offering from the usually excellent Judd Winick and Paul Chadwick. Set immediately before the Rebels moved to the Ice planet Hoth (The Empire Strikes Back) it depicts the gradual warming of the frosty relationship of the arrogant and insufferable Han Solo and the haughty and controlling Princess.
Although not a great issue by the impressively high standard of the franchise, this book is still a readable and pretty package foe readers and fans of al ages and persuasions.
Star Wars © 2005 Lucasfilm Ltd. & ™. All Rights Reserved.
By Scott Allie, Ryan Benjamin & Curtis Arnold (Dark Horse Books)
This intriguing series concentrates on tales of the Star Wars universe told from the perspective of the evil Rulers rather than the heroic resistance. In this first collection (issue #1-4 of the monthly comic), set in the weeks just prior to the events of the film Star Wars Episode IV: A New Hope, betrayal is in the air.
As the Empire’s greatest weapon nears completion, Darth Vader is dispatched to the galactic hinterlands in pursuit of an apparent survivor of the massacre of the Jedis, unaware that a different kind of revolt is brewing at home. An unhappy collection of generals have decided to assassinate the Emperor, and their plan seems perfect.
As their machinations proceed and Vader is diverted to the Death Star to oversee the final arrangements, the creators of this volume manage the nigh impossible task of instilling a sense of tension, despite the sure and certain knowledge we all share that this plan simply can’t succeed because it didn’t.
How the plan fails is a good strong yarn, with a chance to see the charismatic Vader at his scene-stealing best, and the close echoes of the plot by his own generals to kill Adolf Hitler lend the fantasy some much appreciated undercurrents which are so often absent from space opera adventuring. Scott Allie’s script is economical and Ryan Benjamin art is open and dynamic, making this a page-turning delight for fan and civilian alike.
© 2004 Lucasfilm Ltd. & ™. All Rights Reserved.
By Ryder Windham & Daniel Wallace (Dark Horse Books)
Now here is a smart idea. The Star Wars franchise has spawned an awful lot of comic books and this lavish coffee table volume lists them all, both as comic series and in their graphic novel compilation form. Stuffed with illustrations and usefully categorised by the continuity’s main narrative eras (from 25,000 years prior to 25 years after the first film – now irrevocably designated Episode IV: A New Hope). There’s also a section for anthologies and Manga editions, lists of all the pertinent information a new reader or Trivial Pursuit nut might ever need from plot summations to creator credits, and even spoiler warnings so you can quench your thirst for information without spoiling the thrill of the eventual read.
Obviously there’s no real attention to the individual quality of the stories, so there’s always the risk that you might not like what you eventually do read, but that’s a risk you take every time you buy a book or comic. At least you’ll have some idea of what to look for in the first place and as the illustrations are taken from the comics themselves you can also get a feel for what the things will look like.
Hopefully this will lead to a plethora of such editions, not just for such media-based Dark Horse managed properties as Aliens, Predator or Robocop, but for the unbelievably convoluted major comics players from other companies. Wouldn’t you like to see an overview of Batman, Spider-Man, Superman or X-Men at a glance?
© 2006 Lucasfilm Ltd. & ™. All Rights Reserved
By Various (Dark Horse Books)
The dark and nasty corners of the Star Wars universe get an outing in this grim war story originally printed as issues #54-59 of the monthly Star Wars: Republic comic. The conflict, set on the eponymous monsoon planet, becomes one of the most fiercely contested prizes of the civil war instigated by Count Dooku. Both Imperial and Separatist forces desperately need the resources of the rain-soaked mudball, leading to an entrenchment situation identical to the trench warfare of Earth’s Great War. But slowly the balance of power is shifting…
With the loss of their Jedi leaders, the Padawans, led by Anakin Skywalker, are increasingly pressed by Jabiimi natives and their droid enhanced Separatist allies. Falling back to a last-ditch position they can only fight on and pray that a rescue mission will evacuate them in time. Skywalker’s subsequent – and unwitting — manipulation by the nefarious Palpatine is one of the final triggers that will lead to his inevitable rebirth as Darth Vader.
This grim and powerful tale of betrayal and regret is one of the better Star Wars adventures to spring from the second round of films, and one of the very few to create a truly epic resonance out of all the derring-do and glittery swash-buckling. This actually reads like a real war story, thanks in no small part to the deft scripting of Haden Blackman and low-key illustration of Brian Ching and Victor Llamas
© 2004 Lucasfilm Ltd & ™. All rights reserved.
By Various (Dark Horse Books)
Boba Fett is called ‘the Galaxy’s Greatest Bounty Hunter’ and I suspect it’s the profession rather than the character that makes this anti-hero so popular with Star Wars aficionados. This collection of his adventures (garnered from the one-shot comics Overkill and Agent of Doom plus issues #7 and #28 of Star Wars: Empire) just highlight what a shallow character he is even by the low standards of the Star Wars franchise. I’m convinced that the key to the success of Lucas’s baby is that very archetypical nature of all the participants and even scenarios.
‘Sacrifice’, by British veterans John Wagner and Cam Kennedy, set just after the destruction of the Death Star, has the faceless killer hired by a planetary Governor to capture the leader of an opposition group stirring dissent in the mines that make up the planet’s only source of income. Obviously, fate conspires to place Fett on the right side by story’s end, and it’s a tribute to the creators’ abilities that such a hackneyed yarn reads quite well. Of greater interest is ‘Wreckage’ by Ron Marz and Adriana Melo where the bounty hunter finds himself outmanoeuvred by an Imperial Admiral during a sabotage mission. Especially impressive is the practically wordless nature of the narrative.
‘Overkill’ by Thomas Andrews and Francisco Ruiz Velasco practically reduces Fett to a supporting role in a battle of political will and family rivalry as an ambitious Imperial officer makes a power-grab on an important refinery world. Cam Kennedy returns to illustrate John Ostrander’s excellent ‘Agent of Doom’ as Fett takes a cut-rate job killing two genocidal slavers in an attempt to reclaim his tarnished reputation (ruined in the wake of his defeat in the film Return of the Jedi).
Boba Fett is by nature a cipher, and his missions pretty much write themselves. There’s lots of action; he never fails; bad guys get punished. So it’s a tribute to the creators that the walk-on characters carry most of the narrative and carry it quite well.
© 2007 Lucasfilm Ltd. & ™. All Rights Reserved.