Thunderbirds… In Space

(THUNDERBIRDS COMIC ALBUM VOLUME 2)

Thunderbirds… In Space

By Frank Bellamy, with Steve Kite & Graham Bleathman, edited and compiled by Alan Fennel (Ravette Books/Egmont)
ISBN: 1-85304-407-5

This second collection of adventures culled from the pages of TV 21 once again features the magical artwork of Frank Bellamy in three more fantastic adventures of the original International Rescue team. Written by Alan Fennell, these thrillers for all ages capture the energy and wonderment of the original Gerry Anderson puppet shows without the budgetary restrictions that always dog fantasy shows, and mercifully the colour reproduction of the photogravure artwork is infinitely better in this volume than in its predecessor (Thunderbirds … To The Rescue, ISBN: 1-85304-406-7).

The Space Mirror is a deep space thriller featuring an orbital platform used to melt the polar ice-caps; Operation Depthprobe sees a sabotaged fuel-rocket seconds from destroying its launch facility; and The Atlantic Tunnel features the devilish Hood whose machinations nearly end not only a new transport system but also the lives of Brains and Alan Tracy.

Augmented by cutaway technical features on Thunderbirds 3, 4 and 5, this fabulous comic album is a superb example of the quality of those old British comics and especially the brilliance of Frank Bellamy. There will never be a greater argument of the necessity for a new and permanent collection of his strips and illustrations.

© 1991 ITC Entertainment Group Ltd. Licensed by Copyright Promotions Ltd. All Rights Reserved.

Star Trek: The Mirror Universe Saga

Star Trek: The Mirror Universe Saga

By Mike W. Barr, Tom Sutton & Ricardo Villagran (DC Comics)
ISBN: 0-930289-96-X

One of the most potent devices in fiction is the concept of meeting ones opposite – whether in morality or ability – or as is more common in the fantasy genres, one’s evil counterpart. Certainly the original Star Trek episode “Mirror, Mirror” is one of the most fondly remembered and one that fans and professionals alike have speculated upon ever since.

In this splendidly workmanlike sequel to Jerome Bixby’s most memorable script, set just after the film The Search for Spock, the errant, peripatetic crew are making their reluctant way back to Starfleet HQ to face the music for stealing – and destroying – the Enterprise, when they encounter their doppelgangers from that Mirror universe. In the intervening decades since they last met, the scientists of The Empire have discovered the secret of travelling between dimensions and have dispatched their most feared ship to our Reality. Now, as the vanguard of an overwhelming invasion armada, this evil crew are intent on conquering our galaxy in the same ruthless manner in which they dominate their own…

Kirk and Company must thwart this deadly threat whilst staying one step ahead of his own comrades – who still have orders to arrest them on sight – in a tense action-packed battle epic of double-cross, subterfuge and deep strategy.

Seamlessly blending spectacular drama with the subtle character interplay that distinguished the TV series, this swashbuckling space-opera (originally printed in issues #9-16 of DC’s monthly Star Trek comic-book in 1985) is reassuringly compelling and a sure hit with die-hard fans and casual readers alike.

 ©1992 Paramount Pictures Corporation. All rights reserved.

Gash

Gash

By Søren G. Mosdal (Slab-O-Concrete)
ISBN: 1-899866-39-6

Not all comics are nice. Not all stories are cosy and comforting. This slim volume collecting some short strips by Danish cartoonist Søren Mosdal, are powerful, surreal to the point of absurdism, starkly, bleakly, casually violent yet unbelievably compelling vignettes of modern disassociation and spiritual isolation in an urban landscape of staggering indifference.

Mosdal’s intense, exaggerated drawing bristles with ill-suppressed animosity as he tells of getting drunk, getting stoned, getting laid and ultimately getting nowhere. Whether relating what I pray are not autobiographical everyday interludes or depicting the distressing adventures of Hans Drone (“The Greatest Writer of our Time!”), or any of the other misfits gathered here, Mosdal’s fevered works are unsettling but unforgivably intoxicating. If you’re old enough and strong enough, these beautiful, ugly stories are ready for you and absolutely worthy of your attention.

© 2001 Søren G. Mosdal. All Rights Reserved.

The Life of Captain Marvel

The Life of Captain Marvel

By Jim Starlin and various (Marvel)
ISBN: 0-87135-635-X

As much as I’d love to claim that Marvel’s fortunes are solely built on the works of Jack Kirby and Steve Ditko, I’m just not able to. Whereas I do know that without them the modern monolith would not exist, it is also necessary to acknowledge the vital role played by the second generation creators of the early 1970s. Marvel’s welcome of fresh, new, often untried talent paid huge dividends in creativity -and most importantly at a time of industry contraction – new sales.

One of the most successful of these newcomers was Jim Starlin. As well as the groundbreaking Master of Kung Fu, which he worked on with his equally gifted confederates Steve Englehart and Al Milgrom, his earliest success was the epic of cosmic adventure collected here.

Captain Marvel was an alien on Earth, a defector from the militaristic Kree who fought for Earth and was atomically bonded to professional sidekick Rick Jones by a pair of wristbands that enabled them to share the same space in our universe. When one was here the other was trapped in the antimatter dimensiom known as the Negative Zone.

After meandering around the Marvel Universe for a while, continually one step ahead of cancellation (the series had folded many times, but always quickly returned – presumably to secure the all important Trademark name), the Captain was handed to Starlin — and the young artist was left alone to get on with it. With many of his friends he began laying seeds (particularly in Iron Man and Daredevil) for a saga that would in many ways become as well regarded as the Kirby Fourth World Trilogy that it emulated. But the Thanos War, despite many superficial similarities would soon develop into a uniquely modern experience. And what it lacked in grandeur it made up for with sheer energy and enthusiasm.

This regrettably incomplete collection begins with Iron Man #55, and is scripted by Mike Friedrich. ‘Beware The … Blood Brothers!’ introduces Drax the Destroyer, an incredibly powerful alien. Trapped by Thanos under the desert, he is rescued by the Armoured Avenger, but it’s merely a prelude to the main story which appeared in Captain Marvel #25-33, (with an interlude starring Iron Man and The Fantastic Four’s Thing from Marvel Feature #12). Thanos is obsessed with conquest and targets Rick Jones whose subconscious hides the location of an ultimate, irresistible weapon.

With a coterie of old super-villains and a rogue fleet of starships he misdirects Earth’s defenders whilst he turns himself into a god, and only Captain Marvel – with the aid of an Eight billion year old cosmic entity has any chance to defeat him. (Completists should note that the Avengers’ battle against that fleet of aliens isn’t reprinted here, which is a pity as it’s a pretty good action issue, but the Thing joined Iron Man’s second desert battle with the Blood Brothers and that is included).

This is a key event in Marvel history, innovative and still deeply thrilling on an instinctual level. The co-creators of this opus all continued or went on to great things in the industry. As well as the previously cited Englehart, Milgrom and Friedrich, Mike Esposito, Chic Stone, Dave Cockrum, Pablo Marcos, Dan Green, Joe Sinnott, Klaus Janson and Jack Abel all lent their talents to this groundbreaking story. If you are at all interested in superhero comics, you should brave the less than polished artwork and somewhat dated dialogue for a magnificent rollercoaster thrill-ride.

The book concludes rather weakly with Starlin’s last regular Captain Marvel adventure, taken from issue #34 of the comic book. In the first part of a much longer sequence the Protector of the Universe temporarily defeats Nitro, the Exploding Man, only to succumb to the world’s deadliest nerve gas. From this exposure the hero would eventually contract the cancer that killed him, as depicted in Marvel’s first Graphic Novel, The Death of Captain Marvel. (I’ll be reviewing that particular oversized tome in the days ahead, but I should make you aware that a single book combining it and the collection reviewed above was released as The Life and Death of Captain Marvel – ISBN13: 978-0-7851-0837-5 in 2002 and might still be available if you want all your cosmic eggs in one basket).

© 1972, 1973, 1974, 1990 Marvel Entertainment Group/Marvel Characters, Inc. All Rights Reserved.

Shooting Stars

Shooting Stars

By Rod Kierkegaard Jr. (Catalan Communications)
ISBN: 0-87416-028-6

Here’s a spectacularly cool and probably dangerously litigation-prone slice of 1980’s satire that still delivers a breathtaking punch for modern readers and art-fans. This selection of short spoofs and pastiches that presages our modern obsession with celebrity and scandal by lampooning major music icons in grotesque murder-and-monster yarns, many featuring the fab, hip and cool Rock Detective Rockfort.

‘Killer!’ features that king of Pop Michael Rockson in a sex-and-blood teen-slasher tale featuring the marvellously crafted likenesses of that boy who never grew up, but also such notables as Paul McCartney, Diana Ross and a host of others. ‘Doctor Boy… And Mr. Gore’ stars Boy Gorgeous, the gender-bending Marilyn, Vanessa Williams (nee ‘Willing’) and a truly macabre tale of steroid abuse, whilst ‘Prance’ features too many stars to list in a Mary Shelley riff that sees Baron Von Funkestein build the perfect performer from the remains of dead rock stars.

This wicked, graphically sexy and devilishly funny book concludes with ‘Like a Holy Virgin’ as Rockfort is hired by superstar Madollar. It seems she’s lost her virginity and only a great detective can recover it for her… The cameos here range from Sting to Sean Penn and once again the surreal, sardonic and supremely talented Rod Kierkegaard Jr. hits the parody bullseye over and over again.

Beautifully painted, flamboyant and incisive, this trenchant, biting slice of Sex and Drugs and Rock ‘n’ Roll is still a great treat for adult readers, especially as his targets have stayed the course as well. One wonders if today’s stars will enjoy the same celebrity longevity…?

© 1987 Editions Albin Michel S.A. English language edition © 1987 Catalan Communications. All Rights Reserved.

Hey Skinny!

Great Advertisements from the Golden Age of Comic Books

Hey Skinny!

By Miles Beller and Jerry Leibowitz (Chronicle Books)
ISBN13: 978-0-8118-0828-6

A few years back there were a brace of books released that reprinted the iconic advertisements that peppered comic books; both American and the much more sedate British variety. Although mostly sensationalistic and concentrating on the kitsch value of their content, there’s still a valid reason to commemorate these histrionic and fantastic landmarks of nostalgia. The volume cited here is a slim and jolly little gem that features full page ads that appeared in US comic-books from the dawn of the form until the mid 1950’s.

Culled from such disparate sources as Alarming Tales, Blue Bolt, Buck Duck, Captain Marvel Adventures, Crime and Punishment, Heart Throbs, Little Lulu, Sad Sack, Terry and the Pirates and a host of others, these full colour seductions offer to fulfill every child’s dreams with such devices as the Technicolor Comicscope, a Jet “Rocket” Space Ship, a Phono-Toon, Forest-Fire Lamps, Space Cadet “Invisible Helmets”, Nutty Putty or even Captain Video Two-Way Communicators.

For older readers the secrets of a happy life are guaranteed with such boons to mankind as Wards Formula (for killing hair-destroying germs!), Baton Twirling in 5 Minutes, the Vacutex Gentle Suction Blackhead Remover, Anti-Bed-Wetting Tablets and of course the secrets of gaining weight and girlfriends.

Even if you’re not skinny this charming slice of yesteryear offers a warm and fuzzy feeling of simpler times now gone, for any fan who doesn’t take the industry and their passion too seriously.

© 1995 Miles Beller and Jerry Leibowitz. All Rights Reserved.

Figure Drawing Without a Model

Figure Drawing Without a Model

paperback edition
By Ron Tiner (David & Charles)
ISBN13: 978-0-71530-646-8

Having sat through a very large number of portfolio shows (where aspiring artists show their work in hope of advice and eventually a job) I’ve heard – and I must admit, uttered – the phrase “you need to do more life drawing” many hundreds of times. It’s a cliché but it’s universally absolutely true. The human body is the basic unit of meaning and communication in narrative fiction. Everything an artist needs to say depends on how you can render and manipulate that basic unit. And no-one ever EVER reaches the stage where they stop needing to practise observing, constructing and reducing 3-dimensional forms in real space into 2-dimensional analogues.

Rant over, I can admit that finding suitable classes and even the time to practise can be a real bother. So this book by illustrator, teacher and comic artist Ron Tiner, designed with the specialised needs of the narrative artist in mind, is an absolute gem for the aspiring and dedicated would-be creator. All the fundamentals are covered from Structure and Proportion, The Figure in Action, Imagination, Character and Expression, Picture and Composition and Graphic Narrative.

Especially useful for our purposes is the section on The Definitive Moment – depicting the most useful static image that best defines the intent of an action. When Splatman punches Doctor Deadly, what is the most telling, most satisfactory and most efficient figure, angle and composition to communicate the writer’s intention? Sounds woolly, I know, but it’s always the hardest skill for creators to develop, especially in scenes that need mood or tension rather than explosive drama, and this forthright examination here sells it perfectly.

This wonderful book, lavishly illustrated by a master of the comic strip, shows what the reader needs to know and reveals how the artist needs to think. Great stuff and absolutely invaluable – but still not a substitute for life-drawing classes…

So get both.

© 1992, 1997 Ron Tiner. All Rights Reserved.

Utopia’s Avenger, Volume 1

Utopia's Avenger, Volume 1

Created by Oh Se-Kwon (TOKYOPOP)
ISBN: 978-1-59816-670-5

This rip-roaring fantasy fight-fest has all the traditional hallmarks of what we westerners consider classic manga – although this is technically a manhwa thriller (i.e. a product of South Korea). In a world where flying bikes and feudal overlords co-exist bounty-hunter Hong Gil-Dong and his acolyte Danu rescue the abducted daughter of a merchant. As they conduct the beautiful Ju Sanghui back to safety they encounter bandits, assassins and monsters, and she realises that there is more to these rough capable men than at first appears.

Can Gil-Dong actually be the legendary fighter who founded and failed to save the fabled kingdom of Yuldo? If his claims are true and he is growing younger with each passing day will he have time to re-establish his kingdom before it’s too late? Or will the mysterious forces stalking him end his quest before he even has the chance?

Fast, furious, beautifully illustrated and untroubled by complexity, this is just plain fun to read. It ends in a cliff-hanger though so if you’re interested best pick up the next volume at the same time…

© 2004 Oh Se-Kwon, DAIWON C. I. Inc. English text © 2006 TOKYOPOP Inc. All Rights Reserved.

Starfawn

(FICTION ILLUSTRATED VOLUME 2)

 Starfawn

By Byron Preiss & Stephen Fabian (Byron Preiss Visual Publications Inc/Pyramid Books)
No ISBN

Byron Preiss’s publishing outfit was responsible for some pretty impressive steps in the development of the comic strip medium over the years. He used major talent, advocated the book over the periodical and was determined to always expand the fan-base rather than consolidate in a declining marketplace. By taking such risks he didn’t always hit his mark, but the results were always interesting and worthy of the readers time and money.

In this little gem, which boldly proclaims itself to be “in the Star Trek Tradition!”, he wrote an above average, if derivative, science fiction odyssey of First Contact that nonetheless still resonates today. His secret weapon was the hiring of pulp illustrator Stephen Fabian, whose pointillist artwork had been seen in Marvel’s black and white magazine line as well as increasingly in the anthology periodicals of the day.

Using a stippling technique reminiscent of SF classicists Virgil Finlay and Hannes Bok, the self-taught Fabian has since made a glittering career for himself (just Google him and see for yourself) and in this tale of a team of explorers and the startling metamorphosis that overtakes one of them shows that his sequential narrative and design skills are as impressive as his illustrative ability. With comic-book legend Marie Severin as colourist, this quaintly dated tale is still a great read and well worth seeking out if histrionic superheroes and moody misanthropes are beginning to pall your palate.

™ & © 1976 Byron Preiss Visual Publications Inc. All Rights Reserved.

The Brave and the Bold: The Lords of Luck

The Brave and the Bold: The Lords of Luck

By Mark Waid & George Pérez (DC Comics)
ISBN13: 978-1-84576-648-1

Maybe it’s just my age but I often think that I have a few deep-seated problems with most modern comics. Perhaps I’ve seen the same old plots regurgitated over and over too many times, or maybe the “old stuff” is only better because I’ve bronzed it uncritically with my personal nostalgias, but a large amount of modern output feels shallow, glossy and calculatedly contrived to me.

And then something like this turns up. The Brave and the Bold: The Lords of Luck collects the first six issues of another revival of this hallowed DC title and returns it not only to the fitting team-up format we all enjoyed but does it with such style, enthusiasm and outright joy that I’m almost a gawping, drooling nine-year-old again. Mark Waid, George Pérez and inkers Bob Wiacek and Scott Koblish have produced an intergalactic romp through time and space that rips through the DC Universe as a funny, thrilling and immensely satisfying murder-mystery-come-universal-conquest saga.

When Batman and Green Lantern discover absolutely identical corpses hundreds of miles apart it sets them on the trail of probability-warping aliens and the stolen Book of Destiny – a mystical chronicle of everything that ever was, is, and will be!

Each issue/chapter highlights a different team-up and eventually the hunt by Adam Strange, Blue Beetle, Destiny (of the Endless, no less) the Legion of Super Heroes, Lobo, Supergirl and a mystery favourite of long-ago (you’ll thank me for not blowing the secret, honestly!) plus an incredible assortment of cameo stars coalesces into a fabulous free-for-all that affirms and reinforces all the reasons I love this medium.

Great story, great art and great for all ages to read and re-read over and over again.

© 2006, 2007 DC Comics. All Rights Reserved.