Gash

Gash

By Søren G. Mosdal (Slab-O-Concrete)
ISBN: 1-899866-39-6

Not all comics are nice. Not all stories are cosy and comforting. This slim volume collecting some short strips by Danish cartoonist Søren Mosdal, are powerful, surreal to the point of absurdism, starkly, bleakly, casually violent yet unbelievably compelling vignettes of modern disassociation and spiritual isolation in an urban landscape of staggering indifference.

Mosdal’s intense, exaggerated drawing bristles with ill-suppressed animosity as he tells of getting drunk, getting stoned, getting laid and ultimately getting nowhere. Whether relating what I pray are not autobiographical everyday interludes or depicting the distressing adventures of Hans Drone (“The Greatest Writer of our Time!”), or any of the other misfits gathered here, Mosdal’s fevered works are unsettling but unforgivably intoxicating. If you’re old enough and strong enough, these beautiful, ugly stories are ready for you and absolutely worthy of your attention.

© 2001 Søren G. Mosdal. All Rights Reserved.

The Life of Captain Marvel

The Life of Captain Marvel

By Jim Starlin and various (Marvel)
ISBN: 0-87135-635-X

As much as I’d love to claim that Marvel’s fortunes are solely built on the works of Jack Kirby and Steve Ditko, I’m just not able to. Whereas I do know that without them the modern monolith would not exist, it is also necessary to acknowledge the vital role played by the second generation creators of the early 1970s. Marvel’s welcome of fresh, new, often untried talent paid huge dividends in creativity -and most importantly at a time of industry contraction – new sales.

One of the most successful of these newcomers was Jim Starlin. As well as the groundbreaking Master of Kung Fu, which he worked on with his equally gifted confederates Steve Englehart and Al Milgrom, his earliest success was the epic of cosmic adventure collected here.

Captain Marvel was an alien on Earth, a defector from the militaristic Kree who fought for Earth and was atomically bonded to professional sidekick Rick Jones by a pair of wristbands that enabled them to share the same space in our universe. When one was here the other was trapped in the antimatter dimensiom known as the Negative Zone.

After meandering around the Marvel Universe for a while, continually one step ahead of cancellation (the series had folded many times, but always quickly returned – presumably to secure the all important Trademark name), the Captain was handed to Starlin — and the young artist was left alone to get on with it. With many of his friends he began laying seeds (particularly in Iron Man and Daredevil) for a saga that would in many ways become as well regarded as the Kirby Fourth World Trilogy that it emulated. But the Thanos War, despite many superficial similarities would soon develop into a uniquely modern experience. And what it lacked in grandeur it made up for with sheer energy and enthusiasm.

This regrettably incomplete collection begins with Iron Man #55, and is scripted by Mike Friedrich. ‘Beware The … Blood Brothers!’ introduces Drax the Destroyer, an incredibly powerful alien. Trapped by Thanos under the desert, he is rescued by the Armoured Avenger, but it’s merely a prelude to the main story which appeared in Captain Marvel #25-33, (with an interlude starring Iron Man and The Fantastic Four’s Thing from Marvel Feature #12). Thanos is obsessed with conquest and targets Rick Jones whose subconscious hides the location of an ultimate, irresistible weapon.

With a coterie of old super-villains and a rogue fleet of starships he misdirects Earth’s defenders whilst he turns himself into a god, and only Captain Marvel – with the aid of an Eight billion year old cosmic entity has any chance to defeat him. (Completists should note that the Avengers’ battle against that fleet of aliens isn’t reprinted here, which is a pity as it’s a pretty good action issue, but the Thing joined Iron Man’s second desert battle with the Blood Brothers and that is included).

This is a key event in Marvel history, innovative and still deeply thrilling on an instinctual level. The co-creators of this opus all continued or went on to great things in the industry. As well as the previously cited Englehart, Milgrom and Friedrich, Mike Esposito, Chic Stone, Dave Cockrum, Pablo Marcos, Dan Green, Joe Sinnott, Klaus Janson and Jack Abel all lent their talents to this groundbreaking story. If you are at all interested in superhero comics, you should brave the less than polished artwork and somewhat dated dialogue for a magnificent rollercoaster thrill-ride.

The book concludes rather weakly with Starlin’s last regular Captain Marvel adventure, taken from issue #34 of the comic book. In the first part of a much longer sequence the Protector of the Universe temporarily defeats Nitro, the Exploding Man, only to succumb to the world’s deadliest nerve gas. From this exposure the hero would eventually contract the cancer that killed him, as depicted in Marvel’s first Graphic Novel, The Death of Captain Marvel. (I’ll be reviewing that particular oversized tome in the days ahead, but I should make you aware that a single book combining it and the collection reviewed above was released as The Life and Death of Captain Marvel – ISBN13: 978-0-7851-0837-5 in 2002 and might still be available if you want all your cosmic eggs in one basket).

© 1972, 1973, 1974, 1990 Marvel Entertainment Group/Marvel Characters, Inc. All Rights Reserved.

Shooting Stars

Shooting Stars

By Rod Kierkegaard Jr. (Catalan Communications)
ISBN: 0-87416-028-6

Here’s a spectacularly cool and probably dangerously litigation-prone slice of 1980’s satire that still delivers a breathtaking punch for modern readers and art-fans. This selection of short spoofs and pastiches that presages our modern obsession with celebrity and scandal by lampooning major music icons in grotesque murder-and-monster yarns, many featuring the fab, hip and cool Rock Detective Rockfort.

‘Killer!’ features that king of Pop Michael Rockson in a sex-and-blood teen-slasher tale featuring the marvellously crafted likenesses of that boy who never grew up, but also such notables as Paul McCartney, Diana Ross and a host of others. ‘Doctor Boy… And Mr. Gore’ stars Boy Gorgeous, the gender-bending Marilyn, Vanessa Williams (nee ‘Willing’) and a truly macabre tale of steroid abuse, whilst ‘Prance’ features too many stars to list in a Mary Shelley riff that sees Baron Von Funkestein build the perfect performer from the remains of dead rock stars.

This wicked, graphically sexy and devilishly funny book concludes with ‘Like a Holy Virgin’ as Rockfort is hired by superstar Madollar. It seems she’s lost her virginity and only a great detective can recover it for her… The cameos here range from Sting to Sean Penn and once again the surreal, sardonic and supremely talented Rod Kierkegaard Jr. hits the parody bullseye over and over again.

Beautifully painted, flamboyant and incisive, this trenchant, biting slice of Sex and Drugs and Rock ‘n’ Roll is still a great treat for adult readers, especially as his targets have stayed the course as well. One wonders if today’s stars will enjoy the same celebrity longevity…?

© 1987 Editions Albin Michel S.A. English language edition © 1987 Catalan Communications. All Rights Reserved.

Hey Skinny!

Great Advertisements from the Golden Age of Comic Books

Hey Skinny!

By Miles Beller and Jerry Leibowitz (Chronicle Books)
ISBN13: 978-0-8118-0828-6

A few years back there were a brace of books released that reprinted the iconic advertisements that peppered comic books; both American and the much more sedate British variety. Although mostly sensationalistic and concentrating on the kitsch value of their content, there’s still a valid reason to commemorate these histrionic and fantastic landmarks of nostalgia. The volume cited here is a slim and jolly little gem that features full page ads that appeared in US comic-books from the dawn of the form until the mid 1950’s.

Culled from such disparate sources as Alarming Tales, Blue Bolt, Buck Duck, Captain Marvel Adventures, Crime and Punishment, Heart Throbs, Little Lulu, Sad Sack, Terry and the Pirates and a host of others, these full colour seductions offer to fulfill every child’s dreams with such devices as the Technicolor Comicscope, a Jet “Rocket” Space Ship, a Phono-Toon, Forest-Fire Lamps, Space Cadet “Invisible Helmets”, Nutty Putty or even Captain Video Two-Way Communicators.

For older readers the secrets of a happy life are guaranteed with such boons to mankind as Wards Formula (for killing hair-destroying germs!), Baton Twirling in 5 Minutes, the Vacutex Gentle Suction Blackhead Remover, Anti-Bed-Wetting Tablets and of course the secrets of gaining weight and girlfriends.

Even if you’re not skinny this charming slice of yesteryear offers a warm and fuzzy feeling of simpler times now gone, for any fan who doesn’t take the industry and their passion too seriously.

© 1995 Miles Beller and Jerry Leibowitz. All Rights Reserved.

Figure Drawing Without a Model

Figure Drawing Without a Model

paperback edition
By Ron Tiner (David & Charles)
ISBN13: 978-0-71530-646-8

Having sat through a very large number of portfolio shows (where aspiring artists show their work in hope of advice and eventually a job) I’ve heard – and I must admit, uttered – the phrase “you need to do more life drawing” many hundreds of times. It’s a cliché but it’s universally absolutely true. The human body is the basic unit of meaning and communication in narrative fiction. Everything an artist needs to say depends on how you can render and manipulate that basic unit. And no-one ever EVER reaches the stage where they stop needing to practise observing, constructing and reducing 3-dimensional forms in real space into 2-dimensional analogues.

Rant over, I can admit that finding suitable classes and even the time to practise can be a real bother. So this book by illustrator, teacher and comic artist Ron Tiner, designed with the specialised needs of the narrative artist in mind, is an absolute gem for the aspiring and dedicated would-be creator. All the fundamentals are covered from Structure and Proportion, The Figure in Action, Imagination, Character and Expression, Picture and Composition and Graphic Narrative.

Especially useful for our purposes is the section on The Definitive Moment – depicting the most useful static image that best defines the intent of an action. When Splatman punches Doctor Deadly, what is the most telling, most satisfactory and most efficient figure, angle and composition to communicate the writer’s intention? Sounds woolly, I know, but it’s always the hardest skill for creators to develop, especially in scenes that need mood or tension rather than explosive drama, and this forthright examination here sells it perfectly.

This wonderful book, lavishly illustrated by a master of the comic strip, shows what the reader needs to know and reveals how the artist needs to think. Great stuff and absolutely invaluable – but still not a substitute for life-drawing classes…

So get both.

© 1992, 1997 Ron Tiner. All Rights Reserved.

Utopia’s Avenger, Volume 1

Utopia's Avenger, Volume 1

Created by Oh Se-Kwon (TOKYOPOP)
ISBN: 978-1-59816-670-5

This rip-roaring fantasy fight-fest has all the traditional hallmarks of what we westerners consider classic manga – although this is technically a manhwa thriller (i.e. a product of South Korea). In a world where flying bikes and feudal overlords co-exist bounty-hunter Hong Gil-Dong and his acolyte Danu rescue the abducted daughter of a merchant. As they conduct the beautiful Ju Sanghui back to safety they encounter bandits, assassins and monsters, and she realises that there is more to these rough capable men than at first appears.

Can Gil-Dong actually be the legendary fighter who founded and failed to save the fabled kingdom of Yuldo? If his claims are true and he is growing younger with each passing day will he have time to re-establish his kingdom before it’s too late? Or will the mysterious forces stalking him end his quest before he even has the chance?

Fast, furious, beautifully illustrated and untroubled by complexity, this is just plain fun to read. It ends in a cliff-hanger though so if you’re interested best pick up the next volume at the same time…

© 2004 Oh Se-Kwon, DAIWON C. I. Inc. English text © 2006 TOKYOPOP Inc. All Rights Reserved.

Starfawn

(FICTION ILLUSTRATED VOLUME 2)

 Starfawn

By Byron Preiss & Stephen Fabian (Byron Preiss Visual Publications Inc/Pyramid Books)
No ISBN

Byron Preiss’s publishing outfit was responsible for some pretty impressive steps in the development of the comic strip medium over the years. He used major talent, advocated the book over the periodical and was determined to always expand the fan-base rather than consolidate in a declining marketplace. By taking such risks he didn’t always hit his mark, but the results were always interesting and worthy of the readers time and money.

In this little gem, which boldly proclaims itself to be “in the Star Trek Tradition!”, he wrote an above average, if derivative, science fiction odyssey of First Contact that nonetheless still resonates today. His secret weapon was the hiring of pulp illustrator Stephen Fabian, whose pointillist artwork had been seen in Marvel’s black and white magazine line as well as increasingly in the anthology periodicals of the day.

Using a stippling technique reminiscent of SF classicists Virgil Finlay and Hannes Bok, the self-taught Fabian has since made a glittering career for himself (just Google him and see for yourself) and in this tale of a team of explorers and the startling metamorphosis that overtakes one of them shows that his sequential narrative and design skills are as impressive as his illustrative ability. With comic-book legend Marie Severin as colourist, this quaintly dated tale is still a great read and well worth seeking out if histrionic superheroes and moody misanthropes are beginning to pall your palate.

™ & © 1976 Byron Preiss Visual Publications Inc. All Rights Reserved.

The Brave and the Bold: The Lords of Luck

The Brave and the Bold: The Lords of Luck

By Mark Waid & George Pérez (DC Comics)
ISBN13: 978-1-84576-648-1

Maybe it’s just my age but I often think that I have a few deep-seated problems with most modern comics. Perhaps I’ve seen the same old plots regurgitated over and over too many times, or maybe the “old stuff” is only better because I’ve bronzed it uncritically with my personal nostalgias, but a large amount of modern output feels shallow, glossy and calculatedly contrived to me.

And then something like this turns up. The Brave and the Bold: The Lords of Luck collects the first six issues of another revival of this hallowed DC title and returns it not only to the fitting team-up format we all enjoyed but does it with such style, enthusiasm and outright joy that I’m almost a gawping, drooling nine-year-old again. Mark Waid, George Pérez and inkers Bob Wiacek and Scott Koblish have produced an intergalactic romp through time and space that rips through the DC Universe as a funny, thrilling and immensely satisfying murder-mystery-come-universal-conquest saga.

When Batman and Green Lantern discover absolutely identical corpses hundreds of miles apart it sets them on the trail of probability-warping aliens and the stolen Book of Destiny – a mystical chronicle of everything that ever was, is, and will be!

Each issue/chapter highlights a different team-up and eventually the hunt by Adam Strange, Blue Beetle, Destiny (of the Endless, no less) the Legion of Super Heroes, Lobo, Supergirl and a mystery favourite of long-ago (you’ll thank me for not blowing the secret, honestly!) plus an incredible assortment of cameo stars coalesces into a fabulous free-for-all that affirms and reinforces all the reasons I love this medium.

Great story, great art and great for all ages to read and re-read over and over again.

© 2006, 2007 DC Comics. All Rights Reserved.

Up Front

Up Front

By Bill Mauldin (W.W. Norton)
ISBN13: 978-0-39305-031-8

During World War II a talented and thoughtful young man named William Henry “Bill” Mauldin (29/10/1921 -22/01/2003) fought “Over There” with the 45th Division of the United States Infantry as well as many other fine units of the army. He learned to hate war and love his brother soldiers – and the American fighting man loved him back. During his service he began creating cartoons for Stars and Stripes, the US Armed Forces newspaper and his cartoons were reproduced in papers in Europe and America.

They mostly featured two slovenly “dogfaces” – a term he popularised – giving a trenchant and laconic view of the war from the very tip of the Sharp End. Willie and Joe, much to the dismay of the brassbound, spit-and-polish military doctrinaires, became the permanent and lasting image of the ordinary soldier, and they showed the conflict in ways the upper echelons of the army would prefer remained secret. Willie and Joe even became the subject of two films (Up Front -1951 and Back at the Front – 1952) whilst Willie made the cover of Time magazine in 1945, the year 23 year old Mauldin won his first Pulitzer Prize.

In 1945 a collection of his drawings, accompanied by a powerfully understated and heartfelt documentary essay, was published by Henry Holt and Co. Up Front was a sensation, telling the American public about the experiences of their Sons, Brothers, Fathers and Husbands in a way no historian would or did. This volume (with a new forward by Stephen Ambrose) is an anniversary re-issue of that publication. A biography, Back Home, followed in 1947. A Liberal and free-thinker, Mauldin’s anti-war, anti-idiots-in-charge-of-War views became increasingly unpopular in Cold War America.

Up Front

Despite being a War Hero his increasingly political cartoon work drifted out of favour and he left the business to become a journalist and illustrator. He was a film actor for awhile (appearing in Red Badge of Courage with Audie Murphy among other movies) and after an unsuccessful try for a seat in Congress in 1956 returned to newspaper cartooning in 1958. He retired in 1991, after a long and glittering career. He only ever drew Willie and Joe four times in that entire period (for an article on the “New Army” in Life magazine, for the funerals of “Soldiers Generals” Omar Bradley and George C. Marshall and to eulogize Milton Caniff). His fondest wish had been to kill the iconic dogfaces off on the final day of World War II, but Star and Stripes vetoed it.

Up Front is one of the most powerful statements about war ever to come out of America. The Willie and Joe cartoons and characters are some of the most enduring and honest symbols of all military history. Every Veterans Day in Peanuts from1969 to 1999, fellow veteran Charles Schulz would have Snoopy turn up at Mauldin’s house to drink Root beers and tell war stories with an old pal. When you read Sgt. Rock you’re looking at Mauldin’s legacy.

The issues, mordant wit and desperate camaraderie of his work is more important than ever in an age where increasingly cold and distant brass-hats and politicians send ever-more innocent lambs to further foreign fields for slaughter. With this volume and the forthcoming Fantagraphics Willie & Joe: The WWII Years, we should be well on the way to restoring the man and his works to the forefront of graphic consciousness, because tragically, his message is never going to be out of date…

Illustrations © 1944 United Features Syndicate. Text © 1945, 2005 the Estate of Bill Mauldin. All Rights Reserved.

The Songs of Michael Flanders & Donald Swann

The Songs of Michael Flanders & Donald Swann

Illustrated by various (International Music Publications Limited)
ISBN: 978-1-85909-439-6

I’m stretching my brief again here (and isn’t that a grisly image to conjure with?) to review this superb slice of comedy nostalgia that’s still readily available. Michael Flanders and Donald Swann were songwriters who made a big success of performing their own material on stage in a vibrant, satirical manner that captivated audiences both in the theatres but also on the increasingly important television variety circuit.

Their brand of gently jibing whimsy and mordant sarcasm delighted the folk of many nations, and songs such as ‘The Hippopotamus’ (you probably know it as “Mud, Mud, Glorious Mud”) or ‘The Reluctant Cannibal’ are still liable to break out whenever people of a certain age congregate near a piano. They were brilliantly funny on stage (the live albums At the Drop of a Hat and At the Drop of Another Hat are classic examples of comedy stand-up that still leave contemporary “improv” performers agog and breathless) and both of them died much too soon.

This book collects 41 of their funniest, most sarcastic, most touching and best songs, with both sheet music and separate lyrics augmented by cartoons and illustrations from some of Britain’s greatest humorous illustrators. H. M. Bateman, Hoffnung, Osbert Lancaster, David Low, Gerald Scarfe, Willy Fawkes (Trog), Edward Burra, Ionicus, Hewison, ffolkes, Ronald Searle and many others make this grand book a delight to look at as well read. If you ever needed a reason to dust off the old piano lessons…

© 1977, 1996 International Music Publications Limited. Illustrations © 1977 their respective copyright holders.