Neil Gaiman’s Murder Mysteries

Neil Gaiman's <i>Murder Mysteries</i>

By Neil Gaiman & P. Craig Russell (Dark Horse Books)
ISBN: 1-84023-521-7

Adapted from a radio play script, this is an intriguing, if slow, introspective parable. A British guy in Los Angeles, reeling from culture shock, meets a bum who tells him a story. As the bum speaks the man is mesmerised by the eerie echoes of his own existence. The bum is actually an ex-angel and recounts a tale of the Silver City…

After God created the Angels, but before he made us or the world, the sexless winged paragons – each with their own appointed role – were still finishing up the details of Creation. The bum was once Raguel: The Vengeance of the Lord, and he spent his life waiting. Eventually Lucifer came to him. A new thing had happened, something unique. An Angel had been killed. Deliberately.

This engrossing tale-within-a-tale, a murder-mystery, detective tale and supernatural fantasy, has a languid lyrical quality devoid of tension or drama, but nonetheless is an engrossing diversion, technically perfect, gently compelling. The clean, lovely art by P. Craig Russell is some of the best he has ever created.

If you can appreciate beauty for its own sake and suspend your need for drama and angst, this is a fascinating example of the power of style over content.

Text © 2002 Neil Gaiman.
Adaptation & illustrations © 2002 P. Craig Russell All Rights Reserved.

Commando: True Brit

Commando True Brit

By various (Carlton Books)
ISBN: 978-1-84442-121-3

DC Thomson is probably the most influential comics publisher in British history. The Beano and Dandy revolutionised children’s comedy comics, the newspaper strips Oor Wullie and The Broons (both created by the legendary Dudley D. Watkins) have become a genetic marker for Scottishness and the uniquely British “ordinary hero” grew from the prose-packed pages of Adventure, Rover, Wizard, Skipper and Hotspur.

In 1961 the company launched a half-sized title called Commando. Broadly the size of a paperback book, it had 68 pages per issue and an average of two panels a page. Each issue told a complete war story (usually of World War I or II – although all theatres of conflict have featured since) and told tasteful yet gripping stories of valour and heroism in stark black and white dramas which came charged with grit and authenticity. The full painted covers made them look more like novels than comics and they were a huge and instant success. They’re still being published at the rate of eight every month.

This volume collects an even dozen of these mini-epics, selected by series editor George Low, and although much of the collection’s marketing concentrates on the nostalgic element by exhorting the reader to remember dashing about the playground shouting “Achtung” or “Donner und Blitzen” and saluting like Storm-troopers, these tales – subtitled “The Toughest 12 Commando Books Ever” are fine and compelling examples of comic storytelling.

Because of company policy these tales are all uncredited, (and I’d rather not prove my vast ignorance by guessing who did what), so you’ll have to be content with the work itself, although the many fan-sites should be able to provide information for the dedicated researcher. So if you’re looking for a more British comics experience, well-written and wonderfully illustrated, check out ‘Guns on the Peak’, ‘The Fighting Few’, ‘Bright Blade of Courage’, ‘The Haunted Jungle’, ‘Tiger in the Tail’, ‘The Specialists’, ‘Mighty Midget’, ‘VLR: Very Long Range’, ‘Flak Fever’, ‘Fight or Die!’, ‘Fearless Freddy’ and ‘Another Tight Spot…’ in this brilliant compilation.

Let’s make it as traditional as watching The Great Escape on a bank holiday.

™ & © 2006 DC Thomson & Co. Ltd. All Rights Reserved.

Challengers of the Unknown

DC ARCHIVE EDITION VOLUME 1

Challengers of the Unknown

By Jack Kirby & various (DC Comics)
ISBN 1-56389-997-3

Jack Kirby was – and still is – probably the most important single influence in the history of American comic books. There are quite rightly millions of words written about what the man has done and meant, and you should read those if you are at all interested in our medium. I’m going to add as few words as possible to that superabundance whilst I review two of the best ever compilations of his work.

When the comic industry suffered a collapse in the mid 1950’s, Kirby returned briefly to DC Comics where he worked on mystery tales and the Green Arrow while preparing the newspaper strip Sky Masters of the Space Force. He also created for Showcase (a try-out title that launched the careers of many DC mainstays) the first super-team of the Silver Age of comics.

The Challengers of the Unknown were four ordinary mortals; heroic adventurers and explorers who walked away unscathed from a terrible plane crash. Already obviously what we now call “adrenaline junkies”, they decide that since they are all living on borrowed time, they will dedicate what remains of their lives to testing themselves and fate. They will risk their lives for knowledge and naturally, justice.

The series launched with ‘The Secrets of the Sorcerer’s Box!’ (Showcase #6, dated January /February 1957 – which meant it came out in time for Christmas 1956) Kirby and scripter Dave Wood, plus inkers Marvin Stein and Jack’s wife Roz crafted a spectacular epic as the doom-chasers are hired by the duplicitous magician Morelian to open an ancient container holding otherworldly secrets and powers.

The story roars along with all the tension and wonder of the B-movie thrillers it emulates and Kirby’s awesome drawing resonates with power and dynamism, which doesn’t let up for the sequel, a science fiction drama caused when an alliance of Nazi technologies and American criminality unleashes a terrible robotic monster. ‘Ultivac is Loose!’ introduced the beautiful and capable boffin Dr June Robbins, who became the fifth Challenger at a time when most comic females had returned to a subsidiary status in that so-conservative era.

The team didn’t reappear until Showcase #11 (November/December 1957) in the alien invasion adventure ‘The Day the Earth Blew Up’, with the superb Bruno Premiani inking a taut doomsday chiller that keeps readers on the edge of their seats even today, and by the time of their last Showcase issue (#12, January /February 1958) they had secured their own title. The mystic threat posed by ‘The Menace of the Ancient Vials’ was defused by the usual blend of daredevil heroics and ingenuity (with the wonderful inking of George Klein adding subtle clarity to the tale of an international criminal who steals an ancient weapons cache that threatens the entire world if misused), but the biggest buzz would come two months later with the first issue of their own magazine.

The first issue was written and drawn by Kirby, with Stein on inks, and presented two complete stories plus an iconic introductory page that would become almost a signature icon for the team. ‘The Man Who Tampered with Infinity’ pitted the heroes against a renegade scientist whose cavalier dabblings loosed dreadful monsters from the beyond onto our defenceless planet and the team were actually abducted by aliens in ‘The Human Pets’.

The same creators were responsible for the two stories which conclude this volume. ‘The Traitorous Challenger’ is a monster mystery, with June returning only to sabotage a mission in the Australian Outback, whilst ‘The Monster Maker’ finds the team seemingly helpless against a criminal who can conjure solid and animate objects out of his thoughts.

In an era bowdlerised by draconian censorship Jack Kirby managed to create tension, fear, and thunderous excitement with his fantastic creativity. This glorious and lavish book is a worthy tribute to his matchless abilities and one of his most fascinating and enjoyable concepts.

© 1957, 1958 DC Comics. All Rights Reserved.

Hellblazer: Freezes Over

Hellblazer: Freezes Over

By Brian Azzarello, Marcelo Frusin, Guy Davis & Steve Dillon (Vertigo)
ISBN 1-84023-531-4

Brian Azzarello continues his blending of Noir and urban horror in this collection of tales reprinted from issues #157-163 of the monthly comic from DC’s Vertigo imprint, and as usual in his world, the human heart is still the nastiest place of all.

Making his way across the American hinterlands after the unsettling events in the hillbilly hellhole of Doglick (Good Intentions – ISBN: 1-84023-433-4), Machiavellian magician Constantine walks into a bar and finds Agent Turro, the Fed who sprung him from prison (Hard Time ISBN: 1-84023-255-2). Their loaded conversation determines Constantine’s next destination. The Scouse of Mystery is headed for a showdown in Highwater (ISBN: 1-84023-861-5) but for the most part he fades into the background of this sharp shaggy dog story of dark suspense as three guilty bar-flies steal the show, waiting for an inexorable doom to find them. ‘…And Buried’ is by Azzarello and Steve Dillon, a powerful exercise in diversion and suggestion that acts as set-up and prologue for the tense main feature.

‘Freezes Over’ is a tale of claustrophobic bondage. A bunch of ordinary folks are trapped in a diner by heavy snows and just pass the time until the weather clears. The idle chatter softens as a young family staggers in, though, as nobody wants to upset their little girls. In this weather, nobody’s able to drive, so when the scary Englishmen walks in the nervous patrons are pretty spooked. But he’s the least of their problems…

There’s a car in the parking lot. In it is a corpse, with a four-foot long icicle driven through his chest. The panic that ensues is not that of a simple murder though. This wilderness country has a legendary heritage. ‘The Iceman’ is a mythical bogeyman who has legendarily killed and vanished over the years. Is he real after all, or is the problem just a common or garden psychopath?

The final nail in this cold coffin comes in the shape of three hard desperate men who have their own secret, which they’re prepared to protect with guns even as their boss is slowly bleeding to death…

Marcelo Frusin draws a moody, tense time-bomb of a tale, and similarities to Archie Mayo’s classic 1936 movie masterpiece The Petrified Forest aside, this cold concoction is an edgy delight even without the supernatural overtones that keep the reader guessing until the very end.

The volume concludes with an exhilarating look into the punk-rock days of young Johnny Constantine, courtesy of Azzarello and Guy Davis. ‘Lapdogs and Englishmen’ is a frantic flashback to London at the end of the 1970s. John and his nearly-men band-mates from “Mucous Membrane” become involved with a crazy American millionaire who wants a clock that can predict the future. For the young, drunk and stupid kids, the caper seems like a doddle, but the sinister undercurrent that pervades the scene escapes all the participants, and the real key to the future is safe where no one wants to look… until it’s too late. This pacy, poignant two-parter is loaded with revelation and foreboding, making it by far the best thing in this book.

The horror and power in this volume is all derived from the various deadly effects of anticipation. Azzarello used his run on Hellblazer to dissect the working principles of the graphic horror narrative and thus moved it beyond the simple clichés of goblins and beasties. Hellblazer is one of the best graphic series in print. If you’re not a fan you should give it a try and thus become one.

© 2001 DC Comics. All Rights Reserved.

The Adventures of Jo, Zette & Jocko

THE VALLEY OF THE COBRAS

Valley of the Cobras

By Hergé, translated by Leslie Lonsdale-Cooper & Michael Turner (Egmont UK)
ISBN 13: 978-1-4052-1244-1

The last completed adventure of the adventurous and capable Legrand family came out in the 1950’s, when Hergé was at the peak of his creative powers. Although he found the concept a difficult one to work with, devoid of the opportunities for satire or social commentary, the wholesome adventurism of this series – created at the request of a Catholic priest – still provides thrilling and funny entertainment for kids of all ages. Father Courtois, the director of the French weekly newspaper Coeurs Vaillants (‘Valiant Hearts’) wanted an inspirational serial to promote family values and this is just what Hergé delivered – albeit at tremendously infrequent intervals.

Whilst vacationing in the Alps, the children Jo and Zette inadvertently fall foul of the whimsical and capricious Maharajah of Gopal, who is infuriated that they are better skiers than he. Matters worsen when Jo accidentally hits the Maharajah with a snowball.

The spoiled, rich bully’s appalling behaviour escalates until eventually their father Jacques administers a long overdue spanking to the middle-aged potentate which completely changes his attitude. The much friendlier Maharajah engages the engineer to construct a bridge across the fabled Valley of the Cobras that divides his mountainous kingdom. As the family embark for the sub-continent all are unaware that the villainous Prime Minister of Gopal has colluded with a greedy Fakir to sabotage the project…

Begun in 1939 but shelved for nearly two decades, this is a light exuberant adventure, full of thrills and packed with laughs, executed with the captivating artistry that has made Tintin a global phenomenon. This is a book any child will adore.

© 1957, 2007 Editions Casterman, Paris& Tournai. All Rights Reserved.
English text © 1986, 2005 Egmont UK Limited. All Rights Reserved.

How to Draw and Sell Comic Strips

Wondering, “WHAT SHALL I GET HIM FOR CHRISTMAS?”

How to Draw and Sell Comic Strips

By Alan McKenzie (Titan Books)
ISBN: 1-84576-076-X

The latest edition of this excellent How To… is totally revamped for the digital age and computer-literate creator, whilst never forgetting that everything, Everything, EVERYTHING starts with the basics.

Sub-titled Content, Layout, Style, Colour and Presentation, this volume takes the reader through easy to assimilate stages with equal attention paid to fundamental principles such as page size and proportion and exacting details like which software and programs produce the best value for your budget.

Beginning with a brief history of comics, the book covers basic elements (equipment, workspace, format, covers, figures, motion and perspective), storytelling (script, pacing, format, breakdowns and layouts with samples), drawing the story (penciling, characters, design, expression and posture, background and composition, inking, marks and textures), lettering and colour (the full course from rulers and brushes to the latest digital techniques), and selling your work.

This last chapter is perhaps the most useful, drawing as it does on the author’s decades of experience as both freelance writer and as editor of magazines as varied as Starburst and 2000AD. Lavishly illustrated throughout, with many of the accompanying pictures purpose-created by long-time collaborator Steve Parkhouse, this book is a must-have companion for aspiring creators who know this is a serious, skilled – and technical – Business, and not a soft option for the lazy or indolent dreamer.

© 2005 Quarto Publishing Inc. All Rights Reserved.

Breathtaker

Breathtaker

By Mark Wheatley & Marc Hempel (Vertigo)
ISBN 1-56389-163-8

This lost classic from the early days of the Vertigo imprint is still one of their best and most innovative. The always excellent Wheatley and Hempel here relate a tale of love and horror in a dazzling variety of novel narrative and graphic techniques, but never let the experimentation obscure the storytelling as they explore the remarkable life of Chase Darrow, a girl with a big secret.

This pretty but unremarkable lass is, literally, irresistible to men, and deeply unhappy with the situation. She’s simply not the kind of girl to take advantage of her quirky attractiveness, and besides, if she becomes physically intimate with anyone, her body draws all the life-energy out of them. If she isn’t very careful they will swiftly age and die.

So compelling is she however, that even knowing the risks men willingly sacrifice themselves for her – and to her. Moreover her growing need for them – both physically and emotionally, is driving her to the brink of suicide. When her latest flame burns out too publicly to conceal, she is forced to flee, pursued by the US Government (which knows more about her origins than she does) in the form of their manufactured and heavily merchandised Public Superhero “The Man”.

Her pursuit, capture and escape are fast-paced and thrilling, but the real meat of the tale is the superb characterisation of the many and various fully rounded participants. How this insurmountable dilemma spirals to a logical and powerful conclusion is a adult fan’s delight – this thoughtful drama has lots of nudity and sex so if you’re easily offended don’t read it – and a lot of what you’re reading now owes thanks to this ground breaking series.

With edged barbs at spin-doctors, the media, Government intrusion and a thoroughly modern take on love and life, this cynical, savvy, blackly comic satire is compelling, thrilling and deeply moving. Those who first read it as a four part mini-series might be interested to discover that the creators revised the original, perhaps obscurist ending for this compilation. A great treat for modern lovers.

© 1990 Mark Wheatley and Marc Hempel. All Rights Reserved.

Aragones 3-D

Aragones 3-D

By Sergio Aragones, with 3-D by Ray Zone (3-D Zone)
ISBN 0-925300-00-4

Since I’m all about everything to do with comics I’ve dredged up this wonderful piece of eye-candy. It is both a splendid example of the periodic fascination our industry has with the somewhat hit-or-miss print process of Three-Dimensional reproduction, and also a superb short collection of the sardonic pictorial lunacy of one of the modern world’s greatest cartoonists.

Both in comic narrative and the infinitely more strenuous field of gag-cartooning Sergio Aragones has produced a vast volumes of excellent work. His darkly skewed sensibilities and grasp of the cosmically absurd, wedded to a totally unique drawing style and frankly terrifying professional discipline have made his (usually) silent doodles a vibrant proof of the maxims that laughter is universal and a picture is worth a thousand words.

This little book features more than sixty of his best, many embracing the theme of 3-D itself, but all dipped in the grim wit of the cynic and absurdist. Shove on your specs and see the gags just jump out at you.

© 1989 Sergio Aragones. All Rights Reserved.

Cosmic Odyssey

Cosmic Odyssey

By Jim Starlin, Mike Mignola, Carlos Carzon & Steve Oliff (DC Comics)
ISBN 1-56389-051-8

Here’s a good old-fashioned piece of super-hero fluff built to shock and awe the ten-year-old in all of us. Originally a four-part miniseries, this stellar melodrama teams Superman, Batman, some of Jack Kirby’s greatest creations plus a few other superheroic aliens in a classical interplanetary slugfest to save the entire Milky Way galaxy from the depredations of a malevolent sentient Concept out of the Great Beyond.

Jim Starlin’s plot is light but the action and drama are top-notch, especially when depicted by the magnificent pre-Hellboy Mike Mignola. With The Demon and Darkseid involved, betrayal and disaster are never far away but the double-dealing and tragedy still result in glorious triumph.

Fast fun, mind-boggling adventure and the inevitable victory of everything good, it’s what all feel-good fantasy should be like… Buy it and be a wide-eyed kid all over again.

© 1988, 2003 DC Comics. All Rights Reserved.

Ultimate Spider-Man, Vol 4: Legacy

Ultimate Spider-Man, Vol 4: Legacy

By Brian M. Bendis, Mark Bagley & Art Thibert (Marvel)
ISBN: 0-7851-0968-4

After Marvel’s problems of the mid 1990s, the company came back swinging, and one new concept was the remodelling and modernising of their core characters for the new youth culture. The ‘Ultimate’ imprint abandoned the monumental continuity that had been Marvel’s greatest asset and the company’s major characters were given a separate universe to play in and makeovers to appeal to a contemporary, 21st century audience.

As the Ultimate wall crawler ended his second year the characters had stabilised, the relationships had crystallised and everybody concerned accepted that the series was here for the long haul. Bendis, Bagley and Thibert were beyond the experimental stage and were crafting stories in their teen-friendly soap-opera that could aspire to something other than novelty value.

This sequence (originally printed as issues #22-27 of the monthly comic) features the return of Norman Osborn, the insane millionaire industrialist whose experiments led to the creation of Spider-Man. Believed killed as the mutated Green Goblin, he is back, and knows Peter Parker’s secrets. He also intends to make Peter his accomplice, if not slave, and threatens Parker’s nearest and dearest to get his way.

Luckily Nick Fury steps into the picture. Running covert agency S.H.I.E.L.D., Fury is responsible for handling superhuman affairs for the government. Unable to tackle Osborn himself, Fury will safeguard the innocents and give Spider-Man free rein to deal with the deranged and vengeance-crazed Goblin. All Peter needs to do is beat the most dangerous super-maniac in the world….

And even if he wins, he’s only got until he turns eighteen before he’s legally an adult and Fury can legally draft him. How different is it to be owned by a millionaire madman or an elected one?

Frenetic and compelling, the charisma of the misunderstood outsider fuels this readable pot-boiler of teen-angst and school-daze. Light but addictive, and stuffed with hot chicks, this glossy super-soap brings good comics to the post-literate generation.

© 2000, 2001 Marvel Characters, Inc. All Rights Reserved.