Batgirl: Kicking Assassins

Batgirl: Kicking Assassins 

By Andersen Gabrych & various (DC Comics)
ISBN 1-84576-203-7

Following on from the events of the Batman: War Games quartet of novels, this volume sees Batgirl relocated to the notorious Gotham City suburb of Blüdhaven, for a measure of autonomy but still the same old high-octane crime-busting. Also new in town is arch Bat-foe the Penguin, who is seeking to carve himself a new criminal empire free of the depredations of the Dark Knight.

That’s pretty much all the scene setting you need for these eminently readable action romps, collected from issues #60-64 of Batgirl’s own monthly magazine. In short order she establishes her own sanctum, resources and snitches as she strives to clean up those wicked streets.

En route she tackles assorted thugs, learns a few lessons from Batman’s sometime assistant Onyx, battles the bizarre criminal band known as the Brotherhood of Evil and narrowly survives an encounter with the super-assassin Deathstroke the Terminator, who has his deranged daughter, the Ravager, in tow.

Light on plot but wonderfully packed with martial arts mayhem and snappy dialogue, this just book buzzes with simple heroic exuberance. This is a light snack to offset some of the more ponderous and pompous super-hero fare.

© 2005 DC Comics. All Rights Reserved.

Batgirl: Destruction’s Daughter

Batgirl: Destruction's Daughter 

By Andersen Gabrych & various (DC Comics)
ISBN 1-84576-327-0

The adventures of this particular incarnation of Batgirl (Cassandra Cain, daughter of the world’s deadliest assassin, full face mask – post No Man’s Land – if you’re keeping count) conclude with a martial arts and parental-angst ridden melee as the reading impaired super-heroine goes on a quest to discover her mother’s identity only to fall in, and afoul of, the daughter of Batman’s greatest foe and a somewhat unimpressive new League of Assassins.

Muddled and slapdash, this story (comprising Batgirl #65-73) feels as if it was axed half way through, and as the comic was cancelled with that 73rd issue that may well be the case.

For completists only, I fear.

© 2005, 2006 DC Comics. All Rights Reserved.

DNAgents: Born Orphans

DNAgents: Born Orphans 

By Mark Evanier & Will Meugniot (About Comics)
ISBN: 0-9716-3387-8

Every twenty years, give or take, there seems to be a burst of comics creativity that raises the overall level of the industry and also helps sales. We’re about due for another any minute now, in fact.

The last time was the mid 1980s, and one of the first hits of the then nascent direct sales market was a series called DNAgents. Creators Mark Evanier and Will Meugniot told sharp superhero/sci fi tales of corporate skullduggery resulting from the creation of artificial teenagers with wonderful powers and a built-in sense of alienation guaranteed to appeal to the X-Men/Teen Titans set.

Lots of cheesy and salacious semi-nudity and Evanier’s sharp, sardonic scripting didn’t hurt either. Now the stories are being collected in black and white pocket sized editions and they actually stand up pretty well. A bonus is that this series created a true ‘lost classic’ character.

Crossfire – a shabby gumshoe/bail bondsman who stumbled into super hero-dom debuted as a support character in this series, and his own adventures – by Evanier and the magnificent Dan Spiegle was one of the high points of the decade.

Lets all look forward to the republishing of all those stories too. In the meantime you could do worse than track down these sly, sharp and savvy alternatives to the X-Men and Teen Titans.

© 1983, 2004 Mark Evanier and Will Meugniot

CSI: Serial

CSI: Serial 

By Max Allan Collins, Gabriel Rodriguez & Ashley Wood (Titan Books)
ISBN: 1-84023-771-6

Comics based on “Hit TV Shows” have long been a staple of the industry, but the quality, let alone resemblance to their live action progenitors, has always been a variable factor.

Assuring the former with this initial miniseries is crime-writer extraordinaire Max Allan Collins, probably best known to us for Road to Perdition, Batman or even the Dick Tracy newspaper strip – although his credits as a novelist are even more impressive to the outside world. The artists for Serial are Gabriel Rodriguez, whose subdued, matter-of-fact illustration exemplifies the down-beat, procedural nature of the work undertaken, and he can capture the likenesses of the very large ensemble cast (of itself a rare ability in this genre of comics), and Ashley Wood, whose painterly exuberance handles the flashbacks, special effects and theoretical reconstructions which are such a large part of the TV show.

The plot itself deals with a copycat killer using a Jack the Ripper convention to restage the Whitechapel murders of 1888 in Las Vegas, but since nothing is ever as it seems there are still surprises and thrills for the fans as this tight, complex tale unfolds.

This is a great read that the TV producers would be proud to screen. If you love that you’ll love this.

© 2004 CBS Broadcasting Inc. and Alliance Atlantis Productions, Inc. All Rights Reserved.

Batman: The Long Halloween

Batman: The Long Halloween 

By Jeph Loeb & Tim Sale (DC Comics)
ISBN: 1-5389-427-0 (hardcover) 1-5389-469-6 (softcover)

The creative team of Jeph Loeb and Tim Sale have tackled many iconic characters in many landmark tales, but one of their earliest is still, to my mind, their best.

Set during the Batman: Year One scenario created by Frank Miller, and originally released as a 13 part miniseries (running from Halloween to Halloween) it details the early alliance of Police Captain Jim Gordon, District Attorney Harvey Dent and the mysterious vigilante The Batman to destroy the unassailable mob boss who runs Gotham City; Carmine Falcone – “The Roman”.

Trenchant with narrative foreboding – long time fans already know the tragedies in store for all the participants although total neophytes won’t be left wondering – this gripping Noir thriller effortlessly carries the reader along on a trail of tension as a mysterious serial killer stalks The Roman’s world, slaughtering close family and criminal employees, once a month, on every public holiday.

Halloween, Thanksgiving, Christmas, New Year’s, Valentine’s Day and so on, each hit crushing more of The Roman’s perfect world, just as the three dedicated crime-busters had secretly sworn to. Is the Holiday Killer a rival mobster, a victim of criminality, one of the newly ubiquitous super-freaks such as the Joker, Scarecrow, or Mad Hatter, or has perhaps one of our heroes stepped over a line in their zeal for Justice? And what part does the sultry Catwoman play in all this?

Effortlessly blending the realms of the mobster with Batman’s more usual super-foes (most of whom make a memorable appearance) and graced with startlingly powerful images of Mood, Mystery and Mayhem from the magic pencil and brush of Tim Sale, this serial killer whodunit is an utter joy to read that should keep you guessing until the very end.

One of the very best Batman adventures.

© 1996,1997 DC Comics. All Rights Reserved.

HM Bateman: The Man Who… and Other Drawings

HM Bateman: The Man Who… and Other Drawings 

Edited by John Jensen (Methuen 1983)
ISBN: 0-41332-360-9

Henry Mayo Bateman was born in New South Wales in 1887 but was raised in England, attending Forest Hill House School and Goldsmith’s College (Institute, as was). He also studied with John Hassall and at the Charles Van Havenmaet Studio from 1904-07. He was a great fan of Comic Cuts and Ally Sloper’s Half Holiday, and his first cartoons were published in 1903 in Scraps. He was skilled at both illustrative and comedic drawing and agonised over his career path before choosing humour. Mercifully he was too frail for military service in 1914 and so his gifts were preserved for us all to share. He died in 1970.

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Bateman’s most memorable series of cartoons was ‘The Man Who…’ These were lavish set pieces, published as full colour double-page spreads in The Tatler, that lampooned the English Manner by way of frenzied character reactions to a gaffe or inappropriate action by a blithely oblivious central participant. His unique strength came from extending his training as a caricaturist into all his humorous work, a working philosophy that the artist equated with drawing people as they felt rather than how they looked. He was also a British pioneer of cartoons without text, depending on beautifully rendered yet powerfully energetic and vivacious interpretations of people and environment to make his always funny point. He was a master of presenting a complete narrative in a single image.

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In reviewing the 14 collections published during his lifetime and such collections as the volume at hand, or the excellent The Best Of H M Bateman 1922-1926: The Tatler Cartoons (1987), I was particularly struck by the topicality of the work as well as the sheer wonder of the draughtsmanship. Find if you can ‘The Man Who asked for a second helping at a City Company Dinner’ wherein 107 fully realised Diners and waiters, all in full view, have 107 different and recognizable reactions to that gauche request. It is an absolute masterpiece of comic art. In a world where the next fad is always the most important, it is vital that creators such as Bateman remain unforgettable and unforgotten.

Text ©.1983 John Jensen/Methuen.
Illustrations © 1982, 2007 Estate of H M Bateman.

Star Wars: Dark Empire II

Star Wars: Dark Empire II 

By Tom Veitch, Cam Kennedy & Jim Baikie (Dark Horse Books)
ISBN 1-84576-368-8

Tom Veitch and Cam Kennedy returned in a blaze of glory after the success of Dark Empire with this superb continuation of the further battles of Luke Skywalker, Princess Leia, Han Solo and all those other movie favourites.

The ghost of Emperor Palpatine, deprived of the clone bodies he was incubating, is intent on possessing the unborn child in Leia’s belly. His Dark Side lieutenants struggle to become his successor. The Empire’s last infrastructure remnants are producing more diabolical planet killing weapons to terrorise and subdue the battered, war-weary galaxy. And Luke Skywalker has flown off on a wild goose chase in pursuit of lost Jedi survivors. How can the good guys possibly win this time?

With extreme verve, style and panache, apparently, as this big budget blockbuster fairly rockets along full of tension and invention, with action aplenty and spectacular set pieces for the fans – although it might be a tad bewildering if your Star Wars IQ is limited.

This latest, second, edition also includes the final story-arc of the sequence, Empire’s End, with Jim Baikie replacing Kennedy as artist for a much shorter adventure that wraps up all the plot-threads in a fittingly spectacular if somewhat rushed fashion. Unchallenging fun, beautiful pictures, but perhaps best consumed in conjunction with its predecessor. I’m sure a complete compilation of all three tales can’t be that far, far away.

© 1994, 1995, 1997, 2006 Lucasfilm Ltd. & ™. All Rights Reserved.

Star Wars: Dark Empire

Star Wars: Dark Empire 

By Tom Veitch & Cam Kennedy (Dark Horse Books)
ISBN 1-84023-752-X

Although the Emperor is gone, the war continues. Six years after the Battle of Endor, and the death and redemption of Darth Vader, the remnants of the Empire are still battling for every inch of the galaxy. The New Republic is desperately hard-pressed. Han Solo and his wife Leia, although new parents, are as deeply involved as ever, and Luke Skywalker is pushed to ever-more desperate measures as he attempts to destroy the evil corrupting the Universe and rebalance the Force by reviving the Jedi Knights.

A mysterious new leader and ingenious new super-weapons are winning the war for the Empire, and the heroes must separate to succeed. As Han and Leia pursue the strategic aspects of the conflict, Luke heads directly to the source and succumbs to the Dark Side when a dead foe returns. And Leia’s newly conceived child is destined to become the greatest threat the galaxy has ever faced… Can the heroes reunite before all is lost?

Dark Horse kicked off its Star Wars franchise with this superbly moody, action-packed thriller set after the close of the film Return of the Jedi. Cam Kennedy, reuniting with Tom Veitch (previously collaborating on the excellent and peculiar Light and Darkness War) provides quirky but reassuringly authentic settings and scenarios for a space opera romp that satisfyingly captures the feel and pace of the cinema versions, whilst building on the canon for Force-starved fanatics everywhere.

A sure-fire favourite with fans of strips and movies alike, this tale, now in its third edition, spawned two sequels and assured the longevity of the franchise – at least in comic strip terms.

© 1994, 2002 Lucasfilm Ltd. & ™. All Rights Reserved.

The Coffin

The Coffin 

By Phil Hester and Mike Huddleston (Oni Press)
ISBN: 1-9299-9816-3

Dr Ashad Ahmad is a scientist researching into after-life phenomena and the secrets of immortality. To this end he develops a technology that can contain, or perhaps imprison the life force after the body dies. Unfortunately, his financial backers don’t share his scientific or spiritual sense of adventure and he finds himself murdered, trapped in his own device (a mechanical humanoid suit nicknamed “the Coffin”), and being blackmailed for his secrets with his daughter’s life as the bargaining chip.

There’s a compelling metaphysical edge to this classic plot of technology challenging the divine that favourably compares with the best that literature and especially horror films can offer. Comics all-rounder Phil Hester provides edgy dialogue, rounded characters that step up from their archetypal roots and a punchy, satisfying conclusion that is a tribute to the traditions of its creative forebears. Mike Huddleston’s monochrome and wash illustrations are compelling and subversive, seducing you into a tale that actually improves by being collected from its original incarnation as a miniseries into a read-in-one-sitting treat.

© 2001 Phil Hester & Mike Huddleston.

Silverfish

Silverfish 

By David Lapham (Vertigo)
ISBN 1-84576-468-4

David Lapham returns to the style and genre that made him a comics ‘name’ (for the superb Stray Bullets and Murder Me Dead) with this all original thriller, tailor made to be a major motion picture.

Typically troubled teenager Mia Fleming doesn’t like her new stepmom, Suzanne. That’s not uncommon. However when she steals Suzanne’s diary, making prank calls and snooping in her closet, she sets in motion a storm of bloody violence and terrifying consequences for herself, her friends and family, and ultimately, the entire town of Seaside Heights, New Jersey.

Lapham’s skill at unravelling the simmering violence in modern American society is put to efficient and engrossing effect in this fascinating blend of psycho-thriller and teen-Slasher tale, drawn with simple yet powerful clarity in moody black and white tones. If you’re a comics missionary this a great book to recommend to crime, thriller, and plain good story loving acquaintances. You might even want a copy for yourself.

© 2007 David Lapham. All Rights Reserved.