Teen Titans: The Silver Age Volume One

By Bob Haney, Bruno Premiani, Nick Cardy, Irv Novick, Bill Molno & various (DC Comics)
ISBN: 978-1-4012-7508-2

The concept of kid hero teams was not a new one when the 1960s Batman TV show finally prompted DC to trust their big heroes’ assorted sidekicks with their own regular comic in a fab, hip and groovy ensemble as dedicated to helping kids as they were to stamping out insidious evil.

The biggest difference between wartime groups such as The Young Allies, Newsboy Legion and Boy Commandos or 1950s holdovers like The Little Wise Guys or Boys Ranch and the creation of the Teen Titans was quite simply the burgeoning phenomena of “The Teenager” as a discrete social and commercial force. These were kids who could – and should – be allowed to do things themselves without constant adult help or supervision.

This quirkily eclectic trade paperback and eBook compilation re-presents the landmark try-out appearances from The Brave and the Bold #54 and 60 and Showcase #59 – collectively debuting in 1964 and1965 – as well as the first eleven issues of Teen Titans solo title, spanning January/February 1966 to September/October 1967.

As early as the June-July 1964 issue of The Brave and the Bold (#54), DC’s Powers-That-Be tested the waters in a gripping tale by writer Bob Haney superbly illustrated by unsung genius Bruno Premiani.

The Thousand-and-One Dooms of Mr. Twister’ united Kid Flash, Aqualad and Robin the Boy Wonder in dire and desperate battle against a modern wizard-cum-Pied Piper who tried to abduct all the teen-agers of scenic Hatton Corners. The young heroes accidentally meet in the town by chance after students invite them to mediate in a long-running dispute with the town adults…

This element of a teen “court of appeal” was the motivating principle in many of the group’s cases. One year later the team reformed for a second adventure (B&B #60, by the same creative team) and introduced two new elements.

‘The Astounding Separated Man’ features more misunderstood kids (weren’t we all?); this time in the coastal hamlet of Midville and threatened by an outlandish monster whose giant body parts can detach and move independently. Wonder Girl was added to the roster (not actually a sidekick, or even a person at that juncture, but rather an incarnation of Wonder Woman as a child – a fact the writer and editor of the series seemed blissfully unaware of) but most importantly they kids finally had a team name: ‘Teen Titans’.

Their final try-out appearance was in Showcase (#59, November-December 1965); birthplace of so many hit comic concepts. It was also the first to be drawn by the brilliant Nick Cardy (who became synonymous with the 1960s series).

‘The Return of the Teen Titans’ pits the neophyte team against teen pop trio ‘The Flips’ who are apparently also a gang of super-crooks. As was so often the case, the grown-ups had got it all wrong again…

The next month Teen Titans #1 debuted (cover-dated January/February 1966 and released mere weeks before the Batman TV show aired on January 12th) with Robin very much the point of focus on the cover and most succeeding ones.

Haney & Cardy crafted an exotic thriller entitled ‘The Beast-God of Xochatan!’ which sees the team act as Peace Corps representatives in a South American drama of sabotage, giant robots and magical monsters. The next issue held a fantastic mystery of revenge and young love involving ‘The Million-Year-Old Teen-Ager’ who was entombed and revived in the 20th century. He might have survived modern intolerance, bullying and culture shock on his own but when his ancient blood enemy turned up the Titans were ready to lend a hand…

‘The Revolt at Harrison High’ in #3 cashed in on the contemporary craze for drag-racing in a tale of bizarre criminality. Produced during a historically iconic era, many readers now can’t help but cringe when reminded of such daft foes as Ding-Dong Daddy and his evil biker gang, and of course the hip, trendy dialogue (it wasn’t that accurate then, let alone now) is pitifully dated, but the plot is strong and the art magnificent.

‘The Secret Olympic Heroes’ guest-starred Green Arrow’s teen partner Speedy in a very human tale of parental pressure at the Olympics, although there’s also skulduggery aplenty from a terrorist organisation intent on disrupting the games.

TT #5’s ‘The Perilous Capers of the Terrible Teen’ finds Titans facing the dual task of aiding a troubled young man and capturing an elusive super-villain dubbed the Ant, despite all evidence indicating that they’re the same person, after which another DC sidekick made his Titans debut.

Illustrated by Bill Molno & Sal Trapani ‘The Fifth Titan’ then introduces Beast Boy (the obnoxious juvenile know-it-all from the iconic Doom Patrol). Feeling unappreciated by his adult mentors, the young hero wrongly assumes he’ll be welcomed by his peers. Rejected again he then falls under the spell of an unscrupulous circus owner and the kids need to set things right.

Slow and overly convoluted, it’s possibly the low-point of a stylish run, but many fans disagree, citing #7’s ‘The Mad Mod, Merchant of Menace’ as the biggest stinker. However, beneath the painfully dated dialogue there’s a witty, tongue-in-cheek tale of swinging London, cool capers and novel criminality, plus the return of the magnificent Nick Cardy to the art chores.

It was back to America for ‘A Killer called Honey Bun’ (illustrated by Irv Novick & Jack Abel): another tale of intolerance and misunderstood kids, played against a backdrop of espionage in Middle America, and featuring a deadly prototype robotic super-weapon in the menacing title role…

Teen Titans #9’s ‘Big Beach Rumble’ finds the Titans refereeing a swiftly-escalating vendetta between rival colleges on holiday when modern day pirates led by the barbarous Captain Tiger crash the scene. Novick pencilled it and Cardy’s inking made it all very palatable in a light and uncomplicated way

The editor obviously agreed as the art teem continued for the next few issues, beginning with ‘Scramble at Wildcat’: a rowdy crime caper featuring dirt-bikes and desert ghost-towns, with skeevy biker The Scorcher profiting from a pernicious robbery spree…

Wrapping up this initial outing, Speedy returned in #11’s spy-thriller ‘Monster Bait’, with the young heroes going undercover to save a boy being blackmailed into betraying his father and his country…

Although perhaps dated in delivery now, these tales were an incomprehensibly liberating experience for kids when first released. They truly betokened a new empathy with increasingly independent youth and sought to address problems that were more relevant to and generated by that specific audience. That they are so captivating in execution is a wonderful bonus. This is absolute escapism and absolutely delightful and you absolutely should get this book
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