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May 7, 2015May 7, 2015

Superman: the World’s Finest Comics Archives volume 2

By Jerry Siegel, Don Cameron, Alvin Schwartz, Joe Samachson, Sam Citron, Ed Dobrotka, Ira Yarbrough, John Sikela, George Roussos, Stan Kaye & various (DC Comics)
ISBN: 978-1-4012-2470-7

The debut of Superman rapidly propelled National Comics to the forefront of their fledgling industry and in 1939 the company was licensed to produce a commemorative extra-length comicbook celebrating the opening of the New York World’s Fair. With the Man of Tomorrow prominently featured on the appropriately titled New York World’s Fair Comics, the premium also featured such four-colour stars as Zatara, Butch the Pup, Gingersnap and The Sandman.

The experiment generated another such titanic tome a year later, and since the prodigious card-covered 96 page anthologies were a tolerable hit, the editors were inclined to further test the waters through another oversized anthology starring only their own pantheon of characters with market-leaders Superman and Batman prominently featured.

The format was retained for a wholly company-owned, quarterly high-end package, retailing for the then hefty price of 15Â¢. Launching as World’s Best Comics #1 (Spring 1941), the book transformed into the somehow-deemed-classier World’s Finest Comics from #2, beginning a stellar 45 year run which only ended as part of the massive clear-out and decluttering exercise that was Crisis on Infinite Earths.

Until a cost-cutting exercise in 1954 reduced the page count, the first 70 issues of World’s Finest only saw Superman, Batman and Robin united on the covers. From #71 (cover-dated July) onwards, however, the three began a long-lived partnership that lasted more or less until the title was cancelled.

This deliciously deluxe hardback Archive edition collects the Action Ace’s solo exploits from World’s Finest Comics #16-32 (Winter 1945 to January/February 1948) in gleaming, seductive full-colour and also includes an incisive Foreword by fan, historian, and comics creator Jim Amash as well as the now-traditional creator biographies.

With stunning, eye-catching covers from Jack Burnley, Dick Sprang and Win Mortimer, this fabulously exuberant compendium opens with the regrettably anonymous ‘Music for the Masses!’ illustrated by Sam Citron & George Roussos wherein Clark Kent and Lois Lane help a starry-eyed hick songwriter escape the machinations of arch conman J. Wilbur Wolfingham to find stardom and true love, and World’s Finest Comics #17 provided thrills and spills in Don Cameron, Citron & Roussos’ ‘The Great Godini!’, wherein a reformed convict struggles to escape his notorious past whilst attempting to forge a career as a stage magician and escapologistâ€¦

‘The Junior Reporters!’, by Alvin Schwartz & Ed Dobrotka, sees a young newsboy prove his grit and integrity in a journalism competition, scoring his first major scoop by exposing the crooked schemes of his older brother’s gang, after which WFC #19 details Cameron & Ira Yarbrough’s ‘The Battle of the Zodiac!’ as Lois’ investigation of a shady swami leads to a spectacular, phantasmagorical clash between the Man of Steel and animatedly aggressive astrological embodiments.

After swiping advanced electronic and atomic components, creepy Winslow Schott becomes ‘The Toyman: Super-Scientist!’ (Cameron, Dobrotka & Stan Kaye), bedevilling the Metropolis Marvel with lethally devious devices, whilst from #21, ‘The Plane of Tomorrow!’ (Joe Samachson, Yarbrough & Roussos) finds Superman feeling uncharacteristically jealous when Lois seemingly switches her fickle attentions to a dashing jet designer targeted by a dodgy industrialistâ€¦

When Lois and Clark are despatched north to cover radium mining they uncover a strange mystery. Aging prospector John Borealis seems to be just a crazy old man handing out gold to his struggling fellows but he harbours a dangerous secret which draws out an army of bandits in ‘The Siege of Aurora Roost!’ (Schwartz, Yarbrough & Kaye in #22)â€¦

When a handful of silent screen stars attempt a comeback they begin dotting the city with vast imitations of the Seven Wonders of the World. As the poorly built edifices begin to crumble, Superman steps in to save the day as ‘The Colossus of Metropolis!’ (Cameron, Yarbrough & Kaye from World’s Finest Comics #23), after which those artists delineate the again-anonymously-scripted ‘Impossible But True!’ wherein the presenter of a new TV show tells more and more blatant lies on camera.

What nobody knows is that poor Olga Olmstead is being fed false info by ruthless kidnappers and the Man of Tomorrow is biding his time until he can strikeâ€¦

‘Mad Weather in Metropolis!’ from WFC #25 (Cameron, Yarbrough & Kaye) follows similar themes when Lois is appointed Daily Planet meteorologist and resentfully fabricates impossible forecasts which Superman makes come true. What she doesn’t know is that the Caped Crimebuster is using her potty prognostications to help out an ailing sporting goods store and catch a gang of racketeersâ€¦

Co-creator Jerry Siegel returned after war service in 1946 and ‘The Confessions of Superman!’ (art by John Sikela & Kaye) saw him on top form as the promise of a huge charity donation convinces the Man of Might to pen his (somewhat expurgated) autobiography and then have to prove to his publisher that he did indeed perform the feats he describedâ€¦

World’s Finest #27’s featured ‘The Man who Out-Supered Superman!’ (Siegel, Sikela & Kaye again ) wherein downtrodden love sick schnook Nelson Swayne devised numerous sharp ways of outdoing the Man of Steel to win back his flighty, star-struck girlfriendâ€¦

Paramount mad scientist Lex Luthor returned with a â€œlife-rayâ€ to plunder and pillage Metropolis, galvanising a giant statue into becoming ‘Superman’s Super-Self!’ (Cameron, Yarbrough & Kaye) whilst ‘The Books that Couldn’t be Bound!’ (Schwartz, Sikela & Kaye in #29) found Clark and Lois following a harried bookbinder as he strove to fulfil three all-but-impossible commissions. Naturally the Caped Kryptonian also turned up to assist as a unique apprenticeâ€¦

‘Sheriff Clark Kent’ (Cameron, Win Mortimer & Dobrotka) took the Man of Steel to the Wild West but it was his meek alter ego and feisty little lad Roaring Pete who caught the cunning crook ramrodding the fearsome Rockdust Banditsâ€¦

Sheer whimsy guided ‘Superman’s Super-Rival!’ (Schwartz, Yarbrough & Kaye) as punchy boxer Dan the Dunce swipes an experimental sedative which turns him into a mighty muscled mauler able to mangle the Man of Steel and seduce away his girl Loisâ€¦ The last tale in this volume – from World’s Finest Comics #32, Fall 1944 – is ‘The Seventh Wonder of the World!’ by Siegel, Yarbrough & Kaye, astoundingly detailing how Superman briefly visits ancient Egypt just in time to smash an army of proto-Nazis, liberate Pharaoh’s slaves and complete the Pyramid of Cheops. All in a day’s work, reallyâ€¦

These blockbusting yarns provide a perfect snapshot of the Caped Kryptonian’s amazing development from unstoppable, outlaw social activist to trusted and omnipotent paragon of American virtues in timeless tales which have never lost their edge or their power to enthral and beguile.

This is raw comicbook wonderment at its most primal and perfect.
Â© 1945, 1946, 1947, 1948, 2009 DC Comics. All Rights Reserved.

May 6, 2015

Civil War Adventure

By Chuck Dixon & Gary Kwapisz, with Esteve Polls, Enrique Villagran, Silvestre & Erik Burnham (Dover Comics & Graphic Novels)
ISBN: 978-0-486-79509-6

From its earliest inception, cartooning and graphic narrative has been used to inform. In newspapers, magazines and especially comicbooks the sheer power of pictorial storytelling – with its ability to distil technical recreations of time, place and personage whilst creating deep emotional affinities to past or imagined events – has been used to forge unforgettable images and characters within us. When those stories affect the lives of generations of readers, the force that they can apply in a commercial, social, political or especially educational arena is almost irresistibleâ€¦

Thus the compelling power of graphic narrative to efficiently, potently and evocatively disseminate vast amounts of information and seductively advocate complex issues with great conviction through layered levels has always been most effectively used in works with a political, social or historical component.

Comics have brought the past to life since they began. Superb examples of a broad view include such triumphs as Jack Jaxon’s Los Tejanos and Comanche Moon or more recently The Loxleys and the War of 1812 and Fight The Power – a Visual History of Protest Among the English Speaking Peoples, but the medium is equally adept in crafting more personal biographs such as Terry Eisele & Jonathon Riddle’s With Only Five Plums or Wilfred Santiago’s â€œ21â€: the Story of Roberto Clemente.

And that brings us to another superb and welcome re-release from Dover Comics & Graphic Novels intended to bring â€œThe War Between the Statesâ€ to life for younger readers.

Originally published by History Graphics Press in 2009 as Civil War Adventure 1: Real History Stories of the War that Divided America, this marvellous monochrome tome – crafted primarily by gritty fantasy comics veterans Chuck Dixon and Gary Kwapisz – alternates actual historical events, maps, diagrams and found writings with a fictionalised thread of tales depicting how the conflict affected one poor Southern family.

The graphic re-enactments are preceded by a ‘Map of the United States’ detailing the division of the States in 1860 and a ‘Civil War Timeline’ which marks key moments and battles (sensibly linking them directly to the stories which follow) after which ‘Choice of Targets’ by Dixon and Esteve Polls features a text vignette explaining the development of snipers and sharpshooters before offering a pithy moment during the second day of the Battle of Gettysburg in 1863 when opposing marksmen found themselves in a life-or-death duelâ€¦

‘Berdan’s Sharpshooters’ is a short cartoon lesson on the innovative Union soldier who invented the concept of snipers, promptly followed by a chilling and heartrending incident of battlefield misfortune in Dixon & Kwapisz’s ‘Home Again’ after which an illustrated info and glossary page reproduces an actual letter from a Confederate lad the night before he fellâ€¦

‘Mosby Bags a General’ – an all Kwapisz affair – combines a potted history of the South’s most successful raider with a compelling strip revealing how bold Lieutenant John Mosby infiltrated far behind Union lines to capture 58 horses , thirty prisoners and their captain plus sleeping General Stoughton, all in one nightâ€¦

‘Tempered in Blood’ (Dixon & Kwapisz) then introduces the narrative strand as the simple Campbell clan are torn apart when, after heated family discussion, both father and first son Tybalt sneak off from the farm to enlist in the Spring of 1861.

Each confidently assures themselves that all the shooting will all be over long before harvest and they unknowingly individually abandon Mrs. Campbell and the little sisters to link up with the overconfident volunteers massing for what everybody believes will be one fast knockout blowâ€¦

After barely surviving the brutal training that turns hunters, croppers and ploughmen into real soldiers, the Southern heroes finally learn what warfare means at Bull Runâ€¦

More contemporary terms, factual data and historical insight is offered in ‘The War is Joined!’ before ‘The Devil’s Due’ (Kwapisz) delves into the atrocity of total warfare as a Bluecoat patrol diligently follows its bald orders to â€œturn the South into a wastelandâ€â€¦

A fact-feature page on ‘John Singleton Mosby’ leads to a feature on rising star and flamboyant self-aggrandiser George Armstrong Custer whose rash adventuring leads ‘The Boy General’ (Dixon & Enrique Villagran) into desperate straits against overwhelming rebel oppositionâ€¦ resulting in Custer’s First Standâ€¦

Information pages on the devastating ‘Sharps Rifle’ and the double-pronged naval blockade of the Mississippi River spins off into an account of the duel between ironclad vessels and the brilliant countermeasure devised by Colonel Charles Ellet in ‘Ram Squadron’ (Dixon & Silvestre), capped off with a Kwapisz segment detailing ‘Hell on the Mississippi’ as a Union flotilla horrifically fails to sneak past the naval guns established above Vicksburgâ€¦

‘Tempered in Blood II’ returns to the troubled Campbell Clan as Ty wakes in the bloody aftermath of battle to discover his best friend Seth has had enough and absconded. By the time he has found and brought back Seth, however, he discovers his own father has similarly fled.

The elder is not running from bloody death but heading home to save his farm from ruin and family from fever, but that won’t make any difference if he’s picked up by ruthless and remorseless Confederate Picquetsâ€¦

The tragic true tale of ‘Colonel Cocke’ and his unseemly death gives way to the ribald eccentricity of ‘Darnel Dingus is aâ€¦’ which reveals the insane and impecunious ends to which some States descended to ensure their manpower obligations were met. The tale is couched in the story of famous war artist Winslow Homer and a practical joking jackass who learned the hard way that war isn’t funny, and is appended by an grim examination of ‘The Ultimate Punishment’ for desertion under fire and other – even worse – infringementsâ€¦

The strip section then closes with a sobering and ironic tale of comeuppance in ‘The Letter’ by Erik Burnham & Kwapisz wherein a burned-out sawbones steals a missive from one of his less lucky patients and chases a dream to a woman he has fallen for based solely on her handwriting and proseâ€¦

Following one last Kwapisz-illustrated info page – on ‘Battle Field Surgery’ – this stunning introduction to the birth of modern warfare ends with a comparative list of

‘Further Reading’ and a moving notification of how to learn more in ‘If the Valley Was Lost’.

Similar in tone and style to the best of Harvey Kurtzman’s triumphant anti-war classics from Two-Fisted Tales and Frontline Combat, this is a rousing, evocative and potently instructive collection which melds history and horrific entertainment – and not a little grim wit and actual belly-laughs – to bring a pivotal time to vivid life.

Civil War Adventure will be in stores from May 20^th 2015 and is available for pre-order now. Check out www.doverpublications.com or your internet retailer or comic shop of choice.

May 5, 2015

Solid State Tank Girl

By Alan Martin & Warwick Johnson-Cadwell (Titan Comics)
ISBN: 978-1-78276-003-0

Comics have grown up since I was a kid. On one hand they’ve bloomed, adopting and encompassing serious attitudes whilst challenging social issues to become a literary arena as potent and valid as any other art form. And then there are those that boldly celebrate irrepressible vulgarity, inspirational rudeness, intoxicating visual bravura, incorrigible invention and sheer raucous daft fun, sort of like TISWAS for the Soulâ€¦

I’m going to say a few things about Solid State Tank Girl and let you guess which kind this book isâ€¦

Once upon a time upstarty art-students Jamie Hewlett and Alan Martin (and, tangentially, Phillip Bond) prowled the convention circuit impressing the hell out of everybody with their photocopied fanzine Atomtan. At the back of issue #1 was a pin-up/ad for a dubious looking young lady with a big, Big, BIG gun and her own armoured transport. Things happened. Brett Ewins and Steve Dillon commissioned a redeveloped version for their forthcoming publishing venture Deadline (a pop-culture magazine with loads of cool comics strips): the absurdist tales of a feisty, thoroughly well-armed bad-ass chick roaming the wilds of a futuristic Australia with her Kangaroo boy-friend Booga which caught the imagination of a large portion of the public and the zeitgeist of the times. Tank Girl got massive. There was even a movieâ€¦

Collecting the miniseries from 2013, this gloriously surreal full-colour hardback is one of the books spotlighted in Titan Comics’ Best of British Month and another explosively unforgettable annal in the chequered history of a true icon of Empire and decidedly dubious darling of the comics Commonwealthâ€¦

Expressively scripted by Alan C. Martin and astoundingly illustrated by the amazing Warwick Johnson-Cadwell, the story starts with the gun-gal and her marsupial man popping into an on-its-uppers radio shop in search of advice and trinkets for Booga’s Ham Radio kit and walking into a trap unlike any otherâ€¦

Before long kangaroo-boy is in a coma and Tank Girl, Jet Girl and Barney are taking a Fantastic Voyage (with all the inherent and leftover pop culture mod cons) around his (extremely) nervous system, intent on destroying the brain clot slowly killing the clot in question.

It all goes tragically wrong though and soon instead of charting the cerebellum the trio of chaotic cussing kanganauts are helplessly ‘Circumnavigating Booga’s Left Bollock’â€¦

What they find there is a microscopic but rapidly gestating little infant whom they quite naturally pluck from its ghastly environment and return to the relative safety of the good ship and sausage-shaped submersible Significant Triodeâ€¦

Once aboard the vessel the pretty pink foetus proves far from normal as ‘Three Ladies, a Kangaroo & a Little Baby’ quickly descends from charming comedy pastiche into a hairy horror story as the rush to fix Booga’s brain blockage introduces the team to deadly ghosts, involves them in a mad dash to get out of the patient before they all regain their normal sizes and inculcates a worthy yet impossible resolution not to swear in front of the nipperâ€¦

Mission improbably accomplished, the girls and more-confused-than-ever Booga can only watch in shock and terror as their wee newcomer swiftly mutates into an unstoppable, super-powered evil antithesisâ€¦ an Anti-Tank Girlâ€¦

The Big Pink She-Beast’s initial attack in ‘Awesome Wells’ almost ends our unsavoury heroine’s life and only Booga’s natural tendency to react with excessive violence and extraordinary ordinance drives the still-growing invader off.

As her friends fall back to a secret fortress and try to revive her, Tank Girl’s consciousness is visiting a very strange and hippie place, gleaning impenetrable clues on how to end the evil nemesis crisisâ€¦

She returns to the physical world just in time for a showdown with Anti-Tank Girl and a hastily gathered if rather sub-par gang consisting of Anti-Barney, Anti Booga and Auntie Jet Girlâ€¦

Soon cataclysmic final battle is joined in ‘Flippin’ ‘Eck Benny’ but even after the good guys somehow triumph there’s still the little matter of dealing with the sad little anonymous evil genius who crafted the whole plot. Luckily Tank Girl’s brief sojourn in La-La Land has pointed her subconscious in the right directionâ€¦

Bizarre, manically hilarious and crammed with captivating cartoon-violence, Solid State is an unashamedly riotous romp which comes with a brace of mini extras, beginning with a typically restrained exercise in bludgeoning ballistic ballet entitled ‘Make Them All Die’, after which a quiet moment spring-cleaning the tank goes messily awry in ‘The Girl That Cleansed Our Souls’.

Also included are a half-dozen motivational poem/poster pics, a cover gallery, sketch/artwork pages and an Afterword from the Anti-Alanâ€¦

Wild, weird, endlessly re-inventive and spectacularly silly, this an ever-so-cool rollercoaster thrill-ride and lifestyle touchstone for life’s incurable rebels and undying Rude Britannians, so if you’ve never seen the anarchic, surreal and culturally soused peculiarity that is Tank Girl, bastard love child of 2000 AD and Love and Rockets, you’ve missed a truly unique experienceâ€¦ and remember, she doesn’t care if you like her, just so long as you notice herâ€¦
Tank Girl and all related characters are â„¢ & Â© 2013 Jamie Hewlett and Alan Martin. All rights reserved.

May 4, 2015May 2, 2015

Avengers: Earth’s Mightiest Heroes Ultimate Collection

By Joe Casey, Scott Kolins, Will Rosado, Tom Palmer & various (Marvel)
ISBN: 978-0-7851-5937-7

One of the most momentous events in Marvel Comics history occurred in 1963 when a disparate array of individual heroes banded together to stop the Incredible Hulk. The Avengers combined most of the company’s fledgling superhero line in one bright, shiny and highly commercial package. Over the decades the roster has continually changed until now almost every character in their universe has at some time numbered amongst the team’s colourful ranksâ€¦

During Marvel’s rebirth in the early 1960’s Stan Lee & Jack Kirby took their lead from a small but growing band of costumed characters debuting or being revived and reimagined at the Distinguished Competition. Julie Schwartz’ retooling of DC Comics’ Golden Age mystery-men had paid big dividends for the industry leader as the decade turned, and Managing Editor Lee’s boss (uncle and publisher Martin Goodman) insisted that his company should get in on the act too.

Although National/DC had achieved incredible success with revised and updated versions of the company’s old stable, the natural gambit of trying the same revivification process on characters that had dominated Timely/Atlas in those halcyon days didn’t go quite so well.

The Justice League of America-inspired Fantastic Four featured a new Human Torch but his subsequent solo series began to founder almost as soon as Kirby stopped drawing it. Sub-Mariner was back too, but as a villain, as yet incapable of carrying his own titleâ€¦

So a procession of new costumed heroes began, with Lee, Kirby and Steve Ditko churning out numerous inventive and inspired â€œsuper-charactersâ€.

Not all caught on: The Hulk folded after six issues and even Spider-Man would have failed if writer/editor Lee hadn’t really, really pushed his uncle Martinâ€¦

Even so, after nearly 18 months during which the fledgling House of Ideas had churned out a small stable of leading men (but only a sidekick woman), Lee & Kirby finally had enough players to stock an â€œall-starâ€ ensemble – the format which had made the JLA a commercial winner – and thus assembled a handful of them into a force for justice and even higher salesâ€¦

Cover-dated September 1963, The Avengers #1 launched as part of an expansion programme which also included Sgt. Fury and his Howling Commandos and The X-Men and, despite a few rocky patches, the series grew into one of the company’s perennial top sellers.

Those early Avengers yarns became a cornerstone of the company’s crucially interlinked continuity and as decades passed they were frequently revisited and re-examined. In 2005 however Joe Casey and artist Scott Kolins (with colourists Morry Hollowell & Will Quintana) took the occasional exercises in creativity a little further, offering an 8-issue modernising miniseries which added devious back-writing to the original stories – with a spot of post-modern in-filling – which exposed secrets and revealed how the team actually came to hold its prominent and predominant position in the Marvel Universeâ€¦

Avengers: Earth’s Mightiest Heroes #1-8 ran fortnightly from January to April 2005 and was successful enough to warrant a second season – Avengers: Earth’s Mightiest Heroes II #1-8 which repeated the trick from January to May 2007, and both epics are re-presented here in a splendid, no-nonsense softcover compilation.

The drama begins (chronologically set between Avengers #1 and 2 ) as industrialist Tony Stark reviews media coverage of the coalition of mystery men currently residing in his family’s townhouse and ponders how best to keep such diverse and headstrong personalities as Ant Man, The Wasp, Thor and the Hulk together.

Across town in a seedy dive, a young troublemaker and pool-shark named Clint Barton can’t understand why folks are so nervous about the masked freaksâ€¦

Two weeks later the team has fallen apart and the Avengers are actually hunting their gamma-fuelled former colleague. In the course of events they unexpectedly recover a legendary form from a coffin of iceâ€¦

The gradually assimilation of partially amnesiac WWII legend Captain America into a terrifying new time is not without problems and the iconic and grimly experienced warrior is keenly aware of the seething tensions that beset the team he has joined.

Iron Man is still fervently pursuing an exalted Federal status for the Avengers but the army are baulking: clearly set on putting the wilfully independent powerhouses under military jurisdiction.

After a ferocious clash with Lava Men from the earth’s deep interior the word finally comes. The powers that be have created an all-encompassing â€œAvengers Priority Security Statusâ€ – but only for as long as the fickle public’s new darling and National Treasure Captain America stays with the teamâ€¦

Self-made scientific genius Hank Pym created the roles of Ant Man and the Wasp – AKA girlfriend Janet Van Dyne – but his inherent mental instability has caused him to push further and harder ever since he joined the ranks of a squad that includes a patriotic legend, an infallible metal juggernaut and a god.

Now as Giant Man he is letting his feelings of inadequacy drive a wedge between him and his lover even as the Army ups the pressure to take over the team, and reborn Steve Rogers increasingly sinks into survivor’s guilt over the comrades he failed to save in the war.

His torment kicks into overdrive when Nazi war criminal and arch foe Baron Zemo comes out of hiding to attack the Avenger with his Masters of Evilâ€¦

When an invader out of time strikes, the Avengers finally and very publicly prove their worth to the government, and with Kang the Conqueror sent packing the team at last secure their favoured-but-fully-independent security clearance. Meanwhile in the streets a wanted vigilante dubbed Hawkeye saves Avengers butler Edwin Jarvis and they strike up a most irregular friendshipâ€¦

The cases come thick and fast but the internal tensions never seem to dissipate. In far distant Balkan Transia fugitive mutants Wanda and Pietro desperately search for a place where they can feel safe whilst in America Cap is becoming increasingly obsessed with tracking down Zemo.

After a battle with Count Nefaria leaves the Wasp near death from a gunshot wound, Giant Man also edges closer to a complete breakdown. As a surgeon battles to save her life, Pym swears that he’s going to quit and take her away from all the madness but before that can happen Zemo returns to abduct the Sentinel of Liberty’s teenaged friend Rick Jonesâ€¦

The team acrimoniously divides with Cap trailing the monomaniac to Bolivia whilst the rest of the Avengers remain for a final battle against the Masters of Evil. Below stairs Jarvis and Clint are concocting a scheme of their ownâ€¦

As the death-duel in Bolivia concludes, in Germany two restless young mutants orchestrate their return to America and – with a little collusion from Jarvis – Hawkeye â€œauditionsâ€ for Earth’s Mightiest Heroesâ€¦

As Cap and Rick wearily make their way back to civilisation, Iron Man deals with the Government fallout when they hear the news that their Red, White and Blue poster boy is missing. Soon news leaks out that the rest of the original team have decided to quit and Stark has lined up a wanted vigilante and two outlaw mutants to replace themâ€¦

The initial secret history lesson concludes with the astounded Captain America’s re-emergence and reluctant succession to leadership of a team of obnoxious and arrogant young felons he is expected to mould into true heroesâ€¦

The rest is historyâ€¦

The second bite of the cherry (by Casey, Will Rosado, Tom Palmer & Quintana) focuses on a time when the Avengers were in resurgent form. The Founders had all returned at a time when Pym (now calling himself Goliath), Wasp and Hawkeye had been joined by enigmatic African monarch Black Panther and the action commences immediately following the expanded team’s attack by an android called The Vision – whom they promptly signed up (Avengers #58 if you’re keeping count)â€¦

The density-shifting â€œsynthezoidâ€ was created by robotic nemesis Ultron (a murderous AI created by Pym whilst suffering one of his many psychotic breaks) before switching allegiances, and the first issue opens as the highly-suspect new Avenger is impounded by SHIELD for investigation and clearance. The ostensible reason is that another autonomous murder mechanism – the Super-Adaptoid – has escaped from custody and humanity can’t be too carefulâ€¦

In the Philippines, the real cause of all the anti technology tension and overweening suspicion are busy. Science terrorists Advanced Idea Mechanics have secretly stolen the Adaptoid and begun seeing how they can improve an already ultimate killing machineâ€¦

At a hidden SHIELD base interrogator Jasper Sitwell has met his match in The Vision but still perseveres in trying to dig out dirt on the android and its â€œmasterâ€ Ultron.

The Panther meanwhile has foregone his status as a VIP dignitary to teach at an inner city school under the alias of Luke Charles. What he finds there is a true educationâ€¦

Hawkeye too is under pressure as his lover Black Widow reveals she’s going back into the spy-game. With Pym close to apoplexy at the government’s quasi-legal rendition of the Vision, nobody is in a particularly good mood when SHIELD supremo Nick Fury demands the team head to the Philippines to investigate AIM’s latest enterprise.

With Fury’s carrot-&-stick pep talk ringing in their ears the heroes – rejoined by the just released Vision – jet off, unaware that in Manhattan an assassination plot against King T’Challa/Mr. Charles has brought one of Panther’s greatest enemies to Americaâ€¦

The heroes are challenged over the Pacific skies by a massed-produced army of Super-Adaptoids and are soon engaged in the fight of their livesâ€¦

Overwhelmed, the party is in danger of being swamped and Goliath valiantly turns himself into as colossal human rampart to stem the tide and save the endangered island population whilst his comrades are despatched to take out the AIM superbaseâ€¦

Left all alone Pym fights in a maddened frenzy and becomes increasingly obsessed with how human the things he is incessantly slaughtering seem to be. By the time the triumphant team get Goliath home he is a deeply traumatised shell of a manâ€¦

Luke Charles returns to school in time to get deeply embroiled in a bullying case that will inevitably end in gunplay and tragedy. And then the apparently recuperating Hank Pym goes missingâ€¦

Soon after a new and excessively brutal hero named Yellowjacket is making news even as Agent Sitwell again targets the Vision for further debriefing after Pym’s â€œmassacreâ€ of mechanical lifeforms on AIM Island. This time he has brought in SHIELD’s top psychologist Agent Carver to try and get under the newcomer’s artificial skinâ€¦

The spies are in heated argument with Hawkeye when Yellowjacket breaks in, claiming to have murdered the Man of Many Sizes and demanding to take Goliath’s place on the teamâ€¦

Nobody is fooled. Everyone has recognised the abrasive stranger as Pym gone far off the deep end, but Carver prevents them from saying anything. She advises that he is clearly inches from being utterly incurable and devises a treatment to cure him which basically comprises â€œplay along and don’t do anything to upset the crazy manâ€â€¦

That even includes allowing Yellowjacket to kidnap the Wasp and agreeing to let him marry his hostageâ€¦

The wedding is held at Avengers Mansion and includes a Who’s Who of heroes along for the ride, but the scheme spirals out of control when the Circus of Crime (not privy to the details of the service) use the gathering as the perfect opportunity to kill all America’s costumed champions in one goâ€¦

That deadly dilemma is apparently enough to shock Pym back to his right senses but in the aftermath a number of SHIELD agents are brutally slaughtered as Wakandan assassin Death Tiger gets ever closer to fulfilling his own mission of murderâ€¦

And to cap off all the chaos the still at large Super-Adaptoid also attacks, determined to expunge the race-traitor Vision who has perpetrated the ultimate betrayal by siding with inferior humanity and denying the innate superiority and inevitable ascension of mechanical and artificial lifeformsâ€¦

Politically savvy, wryly cynical and compellingly action-packed, this extremely impressive Fights ‘n’ Tights chronicle is a superb addition to the annals of the Avengers and would serve as perfect comics vehicle for those movie blockbuster fans in search of a print-fix for their costumed crusader cravingsâ€¦
Â© 2005, 2007, 2012 Marvel Characters, Inc. All rights reserved.

May 3, 2015May 2, 2015

Challengers of the Unknown by Jack Kirby

By Jack Kirby, Dave Wood, France â€œEdâ€ Herron, Roz Kirby Wally Wood, Marvin Stein, George Klein & various (DC Comics)
ISBN: 978-1-4012-3474-4

The Challengers of the Unknown were a bridging concept between the fashionably all-American human trouble-shooters who monopolised comicbooks for most of the 1950s and the costumed mystery men who would soon return to take over the industry.

As superheroes were being revived in 1956 here was a super-team – the first of the Silver Age – with no powers, the most basic and utilitarian of costumes and the most dubious of motives – Suicide by Mystery.

Yet they were a huge hit and struck a chord that lasted for more than a decade before they finally diedâ€¦ only to rise again and yet again. The idea of them was stirring enough, but their initial execution made their success all but inevitable.

Jack Kirby was – and still is – the most important single influence in the history of American comics. There are quite rightly millions of words written (such as Paul Kupperberg’s enthusiastic Introduction and John Morrow’s pithy Afterword in this superb hardback compilation) about what the man has done and meant, and you should read those if you are at all interested in our medium.

I’m going to add a few words to that superabundance in this review of one of his best and most influential projects which, like so many others, he perfectly constructed before moving on, leaving highly competent but never quite as inspired talents to build upon.

When the comic industry suffered a witch-hunt-caused collapse in the mid-50’s, Kirby returned briefly to DC Comics where he worked on mystery tales and Green Arrow (then simply a back-up strip in Adventure Comics) whilst creating the newspaper strip Sky Masters of the Space Force.

He also re-packaged for Showcase (a try-out title that launched the careers of many DC mainstays) an original super-team concept that had been kicking around in his head since he and long-time collaborator Joe Simon had closed their innovative but unfortunately ill-timed Prize/Essankay/Mainline Comics ventures.

After years of working for others Simon & Kirby had finally established their own publishing company, producing comics with a much more sophisticated audience in mind, only to find themselves in a sales downturn and awash in public hysteria generated by an anti-comicbook pogrom spearheaded by US Senator Estes Kefauver and pop psychologist Dr. Frederic Wertham.

Simon quit the business for advertising, but Kirby soldiered on, taking his skills and ideas to a number of safer, if less experimental, companies.

The Challengers were four ordinary mortals; explorers and adventurers who walked away unscathed from a terrible plane crash. Already obviously what we now call â€œadrenaline junkiesâ€, pilot Ace Morgan, diver Prof Haley, acrobat/mountaineer Red Ryan and wrestler Rocky Davis summarily decided that since they were all living on borrowed time, they would dedicate what remained of their lives to testing themselves and fate. They would risk their lives for Knowledge and, naturally, Justice.

The series launched with ‘The Secrets of the Sorcerer’s Box!’ in Showcase #6 (cover-dated January/February 1957 – so it was on spinner-racks and news-stands in time for Christmas 1956).

Kirby and scripter Dave Wood, plus inkers Marvin Stein and Jack’s wife Roz, crafted a creepily spectacular epic wherein the freshly introduced doom-chasers were hired by the duplicitous magician Morelian to open an ancient container holding otherworldly secrets and powers.

This initial story roars along with all the tension and wonder of the B-movie thrillers it emulates and Jack’s awesome drawing resonates with power and dynamism, which grew even greater for the sequel, a science fiction drama instigated after an alliance of leftover Nazi technologies and contemporary American criminality unleashes a terrible robotic monster.

‘Ultivac is Loose!’ (Showcase #7, March/April 1957) introduced a necessary standard appendage of the times and the B-movie genre in the form of brave, capable, brilliant and beautiful-when-she-took-her-labcoat-off boffin Dr. June Robbins, who became the fifth Challenger at a time when most comics females had returned to a subsidiary status in that so-conservative era.

The uncanny exploits then paused for a sales audit and the team didn’t reappear until Showcase #11 (November/December 1957) as The Flash and Lois Lane got their respective shots at the big time. When the Challengers returned it was in alien invasion epic ‘The Day the Earth Blew Up’.

Uniquely engaging comics realist Bruno Premiani (a former associate and employee from Kirby’s Prize Comics days) came aboard to ink a taut doomsday chiller that keeps readers on the edge of their seats even today, and by the time of their last Showcase issue (#12, January /February 1958) the Questing Quartet were preparing to move into their own title.

‘The Menace of the Ancient Vials’ was defused by the usual blend of daredevil heroics and inspired ingenuity (with the wonderful inking of George Klein adding subtle clarity to the tale of an international criminal who steals an ancient weapons cache that threatens the entire world if misused), but the biggest buzz would come two months later with the first issue of their own magazine.

Challengers of the Unknown #1 (May 1958) was written and drawn by Kirby, with Stein on inks and presented two complete stories plus an iconic introductory page that would become almost a signature logo for the team. ‘The Man Who Tampered with Infinity’ pitted the heroes against a renegade scientist whose cavalier dabbling loosed dreadful monsters from the beyond onto our defenceless planet, before the team were actually abducted by aliens in ‘The Human Pets’ and had to win their freedom and a rapid rocket-ship (sphere actually) ride homeâ€¦

The same creators were responsible for both stories in the second issue. ‘The Traitorous Challenger’ is a monster mystery, with June returning to sabotage a mission in the Australian Outback for the very best reasons , after which ‘The Monster Maker’ finds the team seemingly helpless against super-criminal Roc who can conjure and animate solid objects out of his thoughts.

Issue #3 features ‘Secret of the Sorcerer’s Mirror’ with Roz Kirby and Marvin Stein again inking The King’s mesmerising pencils, as the fantastic foursome pursue a band of criminals whose magic looking-glass can locate deadly ancient weapons, but undoubtedly the most intriguing tale for fans and historians of the medium is ‘The Menace of the Invincible Challenger’ wherein team strongman Rocky Davis is rocketed into space only to crash back to Earth with strange, uncanny powers.

For years the obvious similarities of this group – and especially this adventure – to the origin of Marvel’s Fantastic Four (FF #1 was released in November 1961) have fuelled speculation. In all honesty I simply don’t care. They’re both similar but different and equally enjoyable so read both. In fact, read them all.

With #4 the series became artistically immaculate as the sheer brilliance of Wally Wood’s inking elevated the illustration to unparalleled heights. The scintillant sheen and limpid depth of Woody’s brushwork fostered an abiding authenticity in even the most outrageous of Kirby’s designs and the result is – even now – simply breathtaking.

‘The Wizard of Time’ is a full length masterpiece of the art form as a series of bizarre robberies lead the team to a scientist with a time-machine. By visiting oracles of the past rogue researcher Darius Tiko found a path to the far future. When he got there he intended robbing it blind, but the Challengers found a way to follow and foil himâ€¦

‘The Riddle of the Star-Stone’ (#5) is a full-length contemporary thriller, wherein an archaeologist’s assistant uncovers an alien tablet which bestows various super-powers when different gems are inserted into it. The exotic locales and non-stop action are intoxicating, but Kirby’s solid characterisation and ingenious writing are what make this such a compelling read.

Scripter Dave Wood returned for #6’s first story. ‘Captives of the Space Circus’ has the boys kidnapped from Earth to perform in a interplanetary show, but the evil ringmaster is promptly outfoxed and the team returns for France â€œEdâ€ Herron’s mystic saga ‘The Sorceress of Forbidden Valley’, wherein June becomes an amnesiac puppet in a power struggle between a fugitive gangster and a ruthless feudal potentate.

Issue #7 is another daring double-feature both scripted by Herron. First up is relatively straightforward alien-safari tale ‘The Beasts From Planet 9’, followed by a much more intriguing yarn on the ‘Isle of No Return’ as the team face a scientific bandit whose shrinking ray has left them all mouse-sized.

Issue #8 (July 1959) offered a magnificent finale to a superb run as Kirby & Wally Wood went out in stunning style with a brace of gripping thrillers – both of which introduced menaces who would return to bedevil the team in future tales.

‘The Man Who Stole the Future’ by Dave Wood, Kirby and the unrelated Wally Wood, introduces Drabny – an evil mastermind who steals mystic artefacts and conquers a small nation before the team dethrones him. This is a tale of spectacular battles and uncharacteristic, if welcome, comedy, but the real gem here is space opera tour-de-force ‘Prisoners of the Robot Planet’, (probably) written by Kirby & Herron. Petitioned by a desperate alien, the Challs travel to his distant world to liberate the population from bondage to their own robotic servants, who have risen in revolt under the command of the fearsome autonomous automaton, Kraâ€¦

These are classic adventures, told in a classical manner. Kirby developed a brilliantly feasible concept with which to work and heroically archetypical characters. He then tapped into an astounding blend of genres to display their talents and courage in unforgettable exploits that informed and affected every team comic that followed – and certainly influenced his successive landmark triumphs with Stan Lee.

But then Jack was goneâ€¦

The Challengers would follow the Kirby model until cancellation in 1970, but due to a dispute with Editor Jack Schiff the writer/artist resigned at the height of his powers. The Kirby magic was impossible to match, but as with all The King’s creations, every element was in place for the successors to run with. Challengers of the Unknown #9 (September 1959) saw an increase in the fantasy elements favoured by Schiff, and perhaps an easing of the subtle tension that marked previous issues (Comics Historians take note: the Challs were bitching, bickering and snarling at each other years before Marvel’s Cosmic Quartet ever boarded that fateful rocket-ship).

But that’s meat for another different bookâ€¦

Challengers of the Unknown is sheer escapist wonderment, and no fan of the medium should miss the graphic exploits of these perfect adventurers in that ideal setting of not-so-long-ago in a simpler, better galaxy than ours.

May 2, 2015April 30, 2015

The Chronicles of Legion volume 3: Blood Brothers

By Fabien Nury, Mario Alberti, Zhang Xiaoyu & Tirso translated by Virgine Selavy (Titan Comics)
ISBN: 978-1-78276-095-5

The epic war between immortal sanguinite siblings rumbles on in the third translated volume of Fabien (Once Upon a Time in France, I Am Legion) Nury’s inspired reinvigoration of the Dracula legend, with Mario Alberti, Zhang Xiaoyu and Tirso Cons each illustrating a discrete epoch in the centuries-spanning and intertwined vendetta.

The accursed clash of wills began in 2011 as Les Chroniques de Legion: a generational saga which put a new spin on the monster-myth, and Blood Brothers further unravels a triptych of mysteriesâ€¦

What You Need to Know: Vlad Tepes Dracula and his brother Radu possess the power to extend their lives beyond apparent death. Their consciousnesses are carried in their blood and by transferring the gory gruel to other creatures – human or not – they can possess and dominate any number of victims infinitely, carrying their minds and their motivations forever onward into infinity.

Both have lived for centuries and for all those interminable years they have despised each otherâ€¦

In this tensely suspenseful third volume some hint of what caused their enhanced states of being and eternal enmity is at last revealed as their story continues to unfold across three very varied theatres of war and through very different aspects of their inhumanityâ€¦

The tale resumes in 1812 where Transylvanian snows conceal the many creatures which are Radu as they collectively await the next move of the Napoleonic deserters lured to this frozen wasteland by dreams of finding Dracula’s lost treasure.

The teller of those tales was Captain Armand Malachi who led his battle-hardened comrades Kholya, Stern, Hartmann and Feraud to the Wallachian Mountains before dying in battle against a band of Cossacks.

At least that’s the way they all saw it. Vlad, riding Malachi, found it expedient to fall down when â€œkilledâ€ but now, with his host form actually ceasing to function in the crippling cold, the eternal warrior is forced to transfer his accommodations to something more welcoming.

When he catches up to his former friends, however, their understandable reaction leads to more violence and in the end only poor Kholya remains of any real useâ€¦

Half a world away and back in 1521, Gabriella, DoÃ±a Del La Fuente, bearing a scarlet sigil which marks all the blood-possessed, stoically endures the vigorous dynastic intentions of future husband Hernan Torres. She had travelled to the New World to be his socially acceptable, church-sanctioned brood-mare but has become far more interested in the Conquistador’s mulatto bastard Martin.

Gabriella’s empire-building is not only imperilled by her treacherous body’s needs but also by the impossibly powerful and indefatigably hostile natives who all carry the taint and preternatural vitality of brother Raduâ€¦

When the Indians at last mount a full attack on the half-constructed Torres compound, the Europeans barely repel the assault and then only at the cost of the DoÃ±a’s faithful, steadfast and mystically augmented bodyguard Carlos whom she impetuously sacrifices to preserve Martinâ€¦

In the gory aftermath the bastard son realises what she is and what she’s done, but when they foolishly consummate their overwhelming passion, the constantly spying priests of the Inquisition make their own move. They are of course, no match for the powers of a Draculaâ€¦

Soon Hernan is gone too and Gabriella turns her attentions to making the New World her own. All that remains to bar her progress is the firmly embedded Raduâ€¦

In 1887 London is the centre of the world and formerly impoverished scoundrel Victor Douglas Thorpe relishes his return to it even as the latest embodiment of Dracula. The new Lord Cavendish soon takes his place amongst the aristocracy of the Athenaeum Club but cannot escape their haughty disapproval and even outright hostility.

No one knows why the immensely wealthy old oligarch settled his title and the largest fortune in the Empire upon such a blatant parvenu blackguard, but they all have their suspicionsâ€¦

When Chief Superintendent Warren of Scotland Yard and solicitor Mr. Morris Webster attempt to extort the new Lord with a fabrication of supposition and innuendo they are unaware that they are challenging a sadistic absolute monarch carrying centuries of experience in removing threats to his security, but his summary treatment of them is as nothing to the way the next chancer is dealt withâ€¦

Soon afterwards the holder of Thorpe’s old gambling debts attempts to reassert his old hold on the former addict and foolishly uses Esther Harrington as leverage.

When he was human Thorpe had left her pregnant and penniless without a second thought but the new Lord Cavendish is more concerned about making a statement than any sum of money and before long the grimy streets of Whitechapel first run red with his all-encompassing vengeance and then explosively burn in a furious storm of purging flame.

Afterwards Cavendish cannot really explain why he let Esther live or why he set her up with a fortune and a new life in Indiaâ€¦

And in the cold snows of a dark night gypsies gather around a campfire where an old man tells the story of two brothers who were held hostage by the Ottoman Sultan to keep their lordly father compliant.

The boys dealt with enforced captivity in different ways. Tough, rebellious Vlad bided his time and nursed his hatred whilst his softer, weaker sibling Radu quickly capitulated, becoming a favourite plaything of the Sultan.

One day an aged pilgrim came to court carrying a box with two scorpions in it and Vlad discovered the means to fulfil all his dreams, but at such an incredible, eternal costâ€¦

To Be Concludedâ€¦

Bleak, thrilling and sumptuously sinister, this latest instalment is couched, as ever, in a luxurious oversized (211 x 282 mm) full-colour hardback: offering a superbly illustrated and beguiling told, intoxicating mosaic of macabre menace which is a stunning and ambitious treat for all fans of fang and fearâ€¦

Les Chroniques de Legion and all contents Â© Ã‰ditions GlÃ©nat 2012. Translated edition Â© Titan Comics, 2015

The Chronicles of Legion volume 3: Blood Brothers will be released on May 5^th 2015 and is available for pre-order now.

May 1, 2015April 30, 2015

Thorgal volume 2: The Three Elders of Aran/The Black Galley

By RosiÅ„ski & Van Hamme, translated by Luke Spear (Cinebook)

ISBN: 978-1-905460-31-1

One of the best and most celebrated adventure series of all time, Thorgal achieves the seemingly impossible by being able to both please critics and sell in vast quantities. The prototypical Game of Thrones debuted in iconic weekly Tintin in 1977 with album compilations beginning three years later.

A far-reaching and expansive generational saga, it has won a monolithic international following in fourteen languages and dozens of countries, generating numerous spin-off series and thus naturally offers a strong presence in the field of global gaming.

In story-terms, the series offers the best of all weird worlds with an ostensibly historical milieu of bold Viking adventure seamlessly incorporating science fiction elements, horrendous monsters, social satire, political intrigue, soap opera, Atlantean mystique and mythically mystical literary standbys such as gods, monsters and devils.

Created by Belgian writer Jean Van Hamme (Domino, XIII, Largo Winch, Blake and Mortimer) and Polish illustrator Grzegorz RosiÅ„ski (Kapitan Å»bik, Pilot ÅšmigÅ‚owca, Hans, The Revenge of Count Skarbek), the feature grew unstoppably over decades with the creative duo completing 29 albums between 1980 and 2006 when Van Hamme moved on.

Thereafter the scripting duties fell to Yves Sente who has collaborated on a further five collections to date.

By the time Van Hamme departed the canon had grown to cover not only the life of the titular hero and his son Jolan but also other indomitable family members through a number of spin-off series (Kriss de Valnor, Louve, La Jeunesse de Thorgal) under the umbrella title Les Mondes de Thorgal – with all eventually winning their own sub-section series of solo albums.

In 1985 American publisher Donning released a superb series of oversized hardcover book translations but Thorgal never really found an English-speaking audience until Cinebook began its own iteration in 2007.

The original French series wanders back and forth through the hero’s life but here, following the childhood exploits seen in volume 1, the saga opens in the full bloom of young manhood for this second translated collection, comprising third and fourth albums (Les Trois Vieillards du pays d’Aran and La GalÃ¨re Noire from 1981 and 1982 respectively) in one double-sized barbarian bonanza.

Thorgal Aegirsson was recovered as a baby from a ferocious storm and raised by Northern Viking chief Leif Haraldson. Nobody could possibly know that the fortunate foundling had survived a stellar incident which destroyed a starship full of super-scientific aliens. Growing to manhood, the stranger was eventually forced out of his adopted land by ambitious Gandalf the Mad who feared the young warrior threatened his own claim to the throne.

As a boy Thorgal had been inseparable from Gandalf’s daughter Aaricia and, as ‘The Three Elders of Aran’ opens, the now adult couple are travelling together through lush unexplored country, having recently eloped to escape her father’s lethal jealousy and obsessive terror of losing his throneâ€¦

They are startled by the sudden appearance of a strange little man named Jadawin who welcomes them to the beautiful land of Aran and invites them to a feast. The land might be glorious but the village is a pitiful hovel inhabited by people on the edge of extinction.

The lordly â€œBenevolent Onesâ€ who extended the invitation dwell in the colossal Castle of the Bottomless Lake, but even before the couple can boat across Aaricia solves a tantalising Gordian puzzle and wins a glorious necklace.

That show of keen wit electrifies the populace who declare her their Chosen Queen and brutally mob Thorgal when he objectsâ€¦

As the horrified Aaricia is bundled off the castle, her husband’s presumed corpse is dumped in the forest but later that night a lone warrior swims the uncrossable moat and scales the impenetrable keep to take back his true love.

Sneaking into the main hall Thorgal overhears Jadawin discussing the new queen with a trio of elderly sages. Now that they have a queen again the triumvirate are planning to invite princely suitors to compete for her and rule of Aranâ€¦

The lone invader has his own plans but when he finds Aaricia, she doesn’t recognise her man and calls her guards in genuine panic. Baffled, Thorgal barely escapes with his life and has no choice but to devise a plan Bâ€¦

Some time later, ten princes arrive in Aran determined to win the beautiful queen (and her staggeringly valuable dowry) and are promptly presented with mystic challenges which soon winnow the field to brutish Karshan of Urizen, sly Volsung of Nichor and a masked bravo who turns out to be Thorgalâ€¦

The Elders seem rather unconcerned about the deception and allow all the finalists to continue. Before long the competitors have fetched up on Whirlpool Island where seductive sorceress the Key Guardian assesses their worth and warns Thorgal that all is not as it seemsâ€¦

The final feat finds the questers tested with doom and monumental wealth, but as Thorgal travels to another time and place through a fantastical realm he at last discerns the truth about The Benevolent Ones and changes the rules to rescue his beloved and bring down a true kingdom of the damnedâ€¦Â Â

‘The Black Galley’ – opening sally in an epic continued tale known by fans as the Brek Zarith Saga – starts some time later with Thorgal and Aaricia enjoying the hard but gratifying life of simple peasants in a village of serfs. Thorgal is happy to be an industrious farm-worker, with solid dependable friends and a wife only weeks away from giving him his first child.

The idyllic life is far from perfect however since the headman’s teenage daughter Shaniah has developed an unhealthy fixation with the glamorous Viking and is determined to take him away from Aariciaâ€¦

When the girl acts up after a harvest feast the hero tries one last time to reason with her but their heated conference is interrupted by a man in manacles who steals Thorgal’s horse. Later, when knights of Shardar the Powerful, King of Brek Zarith come looking for an escaped prisoner, spurned, petulant Shaniah accuses Thorgal of aiding the fugitiveâ€¦

Ignoring all his protests the warriors, led by seasoned veteran Jarl Ewing drag the vigorously resisting Viking to their distant galley and a painful interview with decadently effete Prince Veronarâ€¦

The promised inquisition results in Thorgal utterly humiliating the prince and killing the spiteful scion’s favourite murder-pet before boldly escaping. All too soon however the Jarl recaptures the Viking he has grown to admire and it takes all his energies to foil Veronar’s attempts to take bloody vengeance.

Unable to give any information on the whereabouts of fugitive rebel Galathorn, Thorgal is sentenced to join the other captives at the oars where his indomitable spirit makes even more enemies amongst the slave-masters and new friends of his fellow slavesâ€¦

Sometime later Ewing tries to recruit the Viking to his cause – taking the throne from Shardar – but the wily prince overhears and sentences both warriors to a painful deathâ€¦ As the sentence is being carried out the tribute-filled Black Galley is discovered by a small fleet of Viking drakkars (raiding ships) which give frantic chase. In the chaos Thorgal escapes and frees the oar slaves before dealing with Veronarâ€¦

The raiders are old friends. Thorgal is immediately recognised by hulking Jorund the Bull who embraces his lost comrade and informs him that as new king – since Gandalf has died – his banishment is ended and he is welcome to return home with the Northern Vikings.

Thorgal regretfully refuses. All he wants is to be with Aaricia and his coming child, spending peaceful days as a farmer.

Sadly when he reaches the village all that remains is ash, corpses and Jarl Ewing. The traitor had hired mercenaries and awaited Thorgal’s return, intending to use Aaricia as a hostage to ensure her husband’s cooperation. She chose death and drowned herself, refusing to be weapon aimed at her man’s heartâ€¦

The debacle sparked a disaster as the mercenaries went wild and pillaged the hamlet and now, the two warriors must end their ill-fated association with yet one more deathâ€¦

It’s certainly no spoiler to remind you that Aaricia and Thorgal’s story doesn’t end here and that this is but one moment in the magnificently illustrated, astoundingly addictive and completely compelling epic.

The enchantingly wondrous world of Thorgal is every fantasy fan’s ideal dream of unending adventure. How can you possibly resist?

April 30, 2015April 29, 2015

Essential Spider-Man volume 6

By Gerry Conway, Stan Lee, John Romita Sr., Ross Andru, Gil Kane & various (Marvel)
ISBN: 978-0-7851-1365-2

The Amazing Spider-Man was always a comicbook that matured with – or perhaps just slightly ahead of – its fan-base and this sixth exceptionally economical monochrome volume of chronological web-spinning adventures sees the World’s Most Misunderstood Hero through one of the most traumatic periods of his career.

By the time of these tales Stan Lee had replaced himself with young science fiction author Gerry Conway and the scripts acquired a more contemporary tone (which of course often feels quite outdated from here in the 21^st century, Man!) which were purportedly more in tune with the times whilst the emphatic use of soap opera subplots kept older readers glued to the series even when the bombastic battle sequences didn’t.

Moreover, as a sign of the times a hint of cynical surrealism also began creeping inâ€¦

Thematically, there’s a decline in the use of old-fashioned gangsterism and a growing dependence on outlandish villains. The balance of costumed super-antagonists with thugs, hoods and mob-bosses, was gradually ending and soon the global resurgence of interest in supernatural stories would result in more monsters and uncanny happeningsâ€¦

Nevertheless the Wallcrawler was still indisputably mainstream comics’ voice of youth and he defined being a teenager for young readers of the 1970s, tackling incredible hardships, fantastic foes and the most pedestrian and debilitating of frustrations.

High School nerd Peter Parker had grown up and gone to college. Because of his guilt-fuelled double-life he struggled there too, developed a stress ulcer but found true love with policeman’s daughter Gwen Stacyâ€¦

This volume, collectively spanning October 1972-October 1974, reprints Amazing Spider-Man #114-137 and includes team-up tales from Giant-Size Super-Heroes #1 and Giant-Size Spider-Man #1 and 2, opening here with the next chapter in a long-running duel for control of New York’s underworld in ‘Gang War, Schmang War! What I Want to know is … Who the Heck is Hammerhead?’ by Conway, John Romita Sr., Tony Mortellaro & Jim Starlin, from #114.

Our angst-ridden arachnid is trapped between the battling mobs of 1930s movie gangster pastiche Hammerhead and archenemy Dr. Octopus; each seeking to dominate the Big Apple’s underworld.

In the melee Spidey is captured by the brutally ruthless newcomer and learns from the boastful braggart how an ordinary amnesiac gunsel was rebuilt into an unstoppable cyborg by a rogue scientist named Jonas Harrow.

Seconds from death, Spider-Man is driven to risk everything on a wild escape bid after he overhears that Ock is meeting up with an old lady and fears that his beloved, befuddled Aunt May is once more sheltering the many-armed menaceâ€¦

Dashing across town, he breaks in to Ock’s HQ only to be brained with a vase by the terrified May. Moments behind him are Hammerhead’s goons and all too soon ‘The Last Battle!’ (art by Romita Sr. & Mortellaro) is underway. As the mobsters decimate each other, Spider-Man barely escapes being shot by his own aunt and is more than happy to disappear when the police show up to arrest (almost) everybody.

In the aftermath, however, May astounds everybody by revealing that she will be staying in Octopus’ Westchester mansion until he is releasedâ€¦

Amazing Spider-Man #116 began an extended political thriller as charismatic reformer Richard Raleigh opens a savvy campaign to become Mayor, only to be opposed and hunted by a brutish monster in Suddenlyâ€¦ the Smasher!’

Older fans will recognise much of the story and art since Conway had recycled and augmented Stan Lee, Romita & Jim Mooney’s black & white story from 1968’s Spectacular Spider-Man Magazine (with additional art by Romita & Mortellaro): reconfigured to encompass new subplots regarding May’s absence and publisher J. Jonah Jameson‘s involvement and obsession with Raleighâ€¦

The drama deepens with ‘The Deadly Designs of the Disruptor!’ as the monster’s masked master intensifies his efforts to destroy the would-be Mayor – with only Spider-Man seemingly able to deter the maniac – before the affair finally culminates in a ‘Countdown to Chaos!’ wherein the true architect of the campaign of terror is exposed and destroyedâ€¦

Peter’s problems exponentially increased in #119 as a mysterious telegram to May calls him away to Canada to meet a man named Rimbaud. Before he leaves, however, his best friend’s father has a disturbing episode.

Norman Osborn had been the maniacal Green Goblin until cured by hallucinogen-induced amnesia. Now as Parker readies himself for a trip to Montreal, Osborn seems to be recovering his memoriesâ€¦

With no other option the harried hero heads north, arriving in time to be caught in a city-wide panic as another verdant former sparring partner hits town. ‘The Gentleman’s Name isâ€¦ Hulk’ (an all-Conway & Romita collaboration) saw the wall-crawler utterly overmatched but still striving to stop the rampaging green juggernaut, spectacularly culminating in ‘The Fight and the Fury!’ (drawn by Gil Kane with Paul Reinman and inked by Romita & Mortellaro).

With the immediate threat averted, Peter at last rendezvous with Rimbaud only to see the man murdered before he can share whatever secret he knew about May Parkerâ€¦

In these days of an infinitude of fan-sites, publicity cycles and gleeful spoiler-mongers, it takes a lot to keep a shock ending from the readers, but back in 1973 comics consumers had only word of mouth and the story itself. Thus Amazing Spider-Man #121 staggered everybody when it was releasedâ€¦

The Norman Osborn storyline kicked into high gear on ‘The Night Gwen Stacy Died’ (Conway, Kane, Romita & Mortellaro), the initial instalment of a two-part tale which stunned the readership as Peter’s greatest efforts are not enough to save his intended from the insane rage of the resurgent Green Goblin. The tragic episode then leads inexorably to ‘The Goblin’s Last Stand!’ and a grim and gritty new directionâ€¦

With Spider-Man accused of murdering Osborn and implicated in Gwen’s death, Jameson takes advantage of a new kind of metahuman champion in #123; engaging a Hero for Hire to bring the webspinner to justice in ‘â€¦Just a Man Called Cage!’

However the clash only proves that the antagonists’ lives are more tragically similar than different and Luke Cage resigns from the case in a most distinctive mannerâ€¦

As previously stated, at this time horror was on the rise and the trend permeated all aspects of Marvel continuity. In #124, Jameson’s astronaut son John was revealed to have picked up a strange gem during a moonwalk which transformed him into a lupine beast bearing ‘The Mark of the Man-Wolf’ (art by Kane, Romita & Mortellaro).

Deranged and deadly, the hairy horror stalked his own fiancÃ©e Kristine Saunders as well as his father, with a fighting-mad Spider-Man reacting in a far more brutal manner than ever beforeâ€¦

The conclusion marked the introduction of the next star penciller to the venerable strip as Ross Andru joined Conway and Romita to delineate the end of the ‘Wolfhunt!’ offering a particularly grisly cure for the altered astronautâ€¦

In #126 a new subplot bloomed as a marketing firm hired the astounded and unbelieving arachnid to build a â€œSpider-Mobileâ€ whilst an old and inept enemy returned in ‘The Kangaroo Bounces Back!’ (illustrated by Andru & Mooney).

Short of cash and desperate, Spidey ropes in best frenemy Johnny (Human Torch) Storm to help assemble the anticipated automobile, but is totally unprepared for his Australian attacker since the Kangaroo has had a power upgrade from a mad doctor named Harrowâ€¦

And in the apartment Peter shares with Harry Osborn, the son of the Green Goblin finally succumbs to the mental illness that has been sucking him down since the death of dear old dadâ€¦

Peter’s great friend and good time girl Mary Jane Watson comes under the spotlight in #127 as ‘The Dark Wings of Death!’ (Conway, Andru, Frank Giacoia & Dave Hunt) finds her targeted by a strangely familiar monster who believes she witnessed his last kill. The mystery concludes in ‘The Vulture Hangs High!’ wherein an incredible truth about the avian atrocity is revealed.

Moreover, portents of future trouble manifest as Parker’s biology tutor Professor Miles Warren warns that the student’s grades are slipping and his position is far from secureâ€¦

Conway, Andru, Giacoia & Hunt then crafted a true landmark in comics history in Amazing Spider-Man #129 with ‘The Punisher Strikes Twice!’ which introduced not only the renegade gunslinger but also nefarious manic mastermind The Jackal.

Although one of the industry’s biggest hits from the late 1980s onwards, the compulsive vengeance-taker was always an unlikely and uncomfortable star for comicbooks. His methods are always excessively violent and usually permanent. It’s intriguing to note that unlike most heroes who debuted as villains (Black Widow or Wolverine come to mind) the Punisher actually became more immoral, anti-social and murderous, not less: the buying public simply shifted its communal perspective; The Punisher never toned down or cleaned up his actâ€¦

He was created by Conway, Romita Sr. and Andru; an understandably toned down and muted response to popular prose anti-heroes like Don Pendleton’s Mack Bolan: the Executioner: the cutting edge of a bloody tide of fictive Viet Nam vets who all turned their training and talents to wiping out organised crime in the early 1970s.

In the short, sharp shocker the man with the skull logo was duped by his manipulative partner into hunting Spider-Man. Still a suspect in the death of Norman Osborn, the hero was easy to set up for the murder of the Punisher’s personal gunmakerâ€¦

The long-running mystery over May’s connection to Doc Ock was at last addressed in #130 as ‘Betrayed!’ finds Hammerhead prodded and provoked by the Jackal just as Octavius breaks out of jail.

Distracted by the now completed Spider-Mobile, the Wallcrawler is slow to react until he finally discovers why his aunt is so important to the villain, but by then she’s in the process of becoming Mrs. Otto Octaviusâ€¦

Spiderman is just about to bust up the wedding in ‘My Uncleâ€¦ My Enemy?’ when Hammerhead beats him to it. As the three-way battle escalates the truth comes out. May has inherited a desolate Canadian island which just happens to be teeming with uranium deposits which both Ock and Hammerhead want to secure as the means to becoming an independent nuclear powerâ€¦

Ock has already built an experimental atomic plant on the rocky crag and when his rival invades it all Peter can do is get May out before the entire place becomes an atomic infernoâ€¦

Romita, Reinman & Mortellaro return to limn #132 as the weary Spider-Man arrives back in New York only to stumble into ‘The Master Plan of the Molten Man!’ When old school flame Liz Allen resurfaces, Peter has no idea she is secretly trying to help her criminal stepbrother.

As a super-strong metal-skinned bandit Mark Raxton was only a minor inconvenience to Spider-Man but now his chemically induced condition has worsened and he is swiftly turning into an incandescent human fireball. By the time ‘The Molten Man Breaks Out!’ in #133, however, there is nothing the hero can do except fight until one of them is deadâ€¦

With the monster boom in full swing Giant-Size Super-Heroes #1 (June 1974) then teamed two of the Arachnid’s eeriest enemies in a double-length epic as ‘Man-Wolf at Midnight!’ (Conway, Kane & Esposito) finds John Jameson again gripped by murderous moon madness and enthralled by Living Vampire Morbius ‘When Strikes the Vampire!’

That dynamic dust-up led directly into Giant-Size Spider-Man #1 (July 1974) wherein the web-spinner went in search of an experimental flu vaccine improbably carried on a ocean liner in ‘Ship of Fiends!’ and clashed with Dracula and a scheming Maggia Don at ‘The Masque of the Black Death!’ (Conway, Andru & Don Heck)â€¦

The much-misunderstood hero again crossed paths with The Punisher in Amazing Spider-Man #134-135 when a South American bandit – trained to be his oppressive regime’s Captain America before going freelance – attempted to pillage a Manhattan tour boat in ‘Danger is a Man Namedâ€¦ Tarantula!’ (Conway, Andru, Giacoia & Hunt).

Once again unwilling allies, the ethically-estranged duo dutifully dismantled the villain’s schemes after a ‘Shoot-Out in Central Park!’ but the real danger was building elsewhere as poor Harry accepted at last the infamous inheritance of his devilish, recently departed dadâ€¦

Before then, however, Giant-Size Spider-Man #2 saw the Webslinger drawn into battle with Shang-Chi, Master of Kung Fu as sinister immortal Fu Manchu framed Spider-Man in ‘Masterstroke!’ Eventually the duped heroes cleared the air in ‘Crossâ€¦ and Double-Cross!’ before uniting to foil the cunning Celestial’s scheme to mindwipe America from the ‘Pinnacle of Doom!’

This compelling compendium concludes in a two-part thriller as Conway, Andru, Giacoia & Hunt’s long-brewing clash of former friends kicks off with completely crazy Harry attempting to blow up Peter and Mary Jane. Privy to his best friend’s secret, the maniac then targets all Parker’s loved ones in ‘The Green Goblin Lives Again!’

The desperate, deadly duel ends when ‘The Green Goblin Strikes!’ resulting in doom, destruction, shocking revelations and another tragedy for Peter to feel forever responsible forâ€¦

Despite major qualification this is still a fantastic book about an increasingly relevant teen icon and symbol. Spider-Man at this time became a crucial part of many youngsters’ lives and did so by living a life as close to theirs as social mores and the Comics Code would allow.

Blending cultural veracity with glorious art, and making a dramatic virtue of the awkwardness, confusion and sense of powerlessness most of the readership experienced daily, resulted in an irresistibly intoxicating read, delivered in addictive soap-opera instalments, but none of that would be relevant if the stories weren’t so compellingly entertaining.

The tales in this transitional tome at last proved Spider-Man was bigger than any creator and was well on the way to becoming as real as Romeo and Juliet, Sherlock Holmes or Tarzan.
Â© 1972, 1973, 1974, 2011 Marvel Entertainment Group, Inc. All rights reserved.

April 29, 2015April 28, 2015

IR$ volume 1: Taxing Trails

By Vranken & Desberg, coloured by Coquelicot and translated by Luke Spear (Cinebook)
ISBN: 978-1-905460-51-9

The most appetising thing about European comics (and manga too, although we only ever see the tip of that vast iceberg in English) is the sheer breadth of genres, styles and age ranges of material available.

The same used to be true of British and US comics but creeping colonisation by calcified fan-bases has slowly but surely eradicated many types of tale that might pique interest beyond the generalised ghettoes of superheroes, space opera, sexy horror and merchandised adaptations. Even crime and war comics are a rare exception these days.

Thus this quirky but exceedingly readable thriller with a tantalising twist is a welcome treat even if the Franco-Belgian original first saw print in 1999.

The unlikely champion of these sagas is a civil servant with a US government, who once upon a time started employing super-cool and infallibly effective agents to go after the type of tax dodger far beyond the reach of the law. These days, perhaps every country should have oneâ€¦

Belgian writer Stephen Desberg is one of the bestselling comics author in France. He was born in Brussels in 1954, son of an American lawyer (who was the distribution agent for Metro-Goldwyn Mayer) and a French mother. Stephen began studying law at UniversitÃ© Libre de Bruxelles but dropped out to follow a winding path into the comics biz.

He began with plots and eventually scripts for Will (AKA Willy Maltaite) on Tif et Tondu in Spirou, growing into a reliable jobbing creator on established strips for younger readers before launching his own in the StÃ©phane Colman illustrated Billy the Cat (a funny animal strip, not the DC Thomson superhero series).

Thereafter came 421 with Eric Maltaite, Arkel (Marc Hardy), Jimmy Tousseul (with Daniel Desorgher) and many others. During the 1980s he gradually redirected his efforts to material for older readerships (see for example The Garden of Desire). In 1999 he created popular modern thriller IR$, and a year later added historical drama Le Scorpion to his catalogue of major hits.

Bernard Vranken was an award winning artist by the time he was fifteen and was working on Tintin a year later. Whilst studying architecture at Saint-Luc he took some comics courses by legendary illustrator Eddy Paape at St. Gilles and his true career-path was set. Vranken was crafting short stories for A Suivre when he met Desberg and in 1996 they collaborated for the first time on epic romance Le Sang Noir. Three years later they traded love for money and launched IR$…

The premise is simple and delicious, and Cinebook’s premiere English edition in 2008 doubled your money by combining the first two albums – La voie fiscale and La stratÃ©gie Hagen – into one compelling compilation.

Taxing Trails opens with stylish American mystery man Larry B. Max calling his new favourite chat-line girl Gloria Paradise (Larry hates complications in his life) to kill some time before heading out.

A few days previously a Swiss banker had been rather ostentatiously splurging cash on a visit to California when he’d ended up as a freeway statistic. However his spending spree and sudden demise had raised a few red flagsâ€¦

A right place, wrong time kind of guy, Larry was decisively ending a convenience store hold-up he’d stumbled into when he got a call and soon was working his way up a deadly chain of wealthy reprobates trying to track down who had issued the contract on the bankerâ€¦

Before long Max has identified the former Luc Cretier as a minor banker but major blackmailer who pushed someone too hard and paid the price. That said, the person he was putting the squeeze to is of far more interest to the tax detective. Jewish-American Abraham Loewenstein is a rags-to-riches holocaust survivor who turned tragedy into a life of success and good works.

Larry however has seen something the rest of the world has not and his interview with the aged activist (as an author investigating the scandal of Jewish gold illegally held in Swiss Banks) puts him on another profitable trackâ€¦

Those esteemed institutions had always found some legal chicanery to deny the claims of survivors and family-members who tried to attempted to retrieve their property but in recent years – due the efforts of people like Loewenstein – have seen frustrated victims beginning to win justice through court cases exposing bank practises.

Now Larry’s forensic investigation lead straight to those so-secretive Swiss Banks and a generations-long scandal regarding the illegal retention and redistribution of Jewish funds deposited whilst Hitler was rising to power.

Although the Nazis are long gone, their heritage of plunder remains in those Helvetic vaults and somehow enigmatic, untouchable multi-billionaire survivor of the Death Camps Moshe Geldhof is involvedâ€¦

Larry knows he’s on to something when his car is sabotaged and less likely accidents – such as a girl on a motorcycle blasting him with a machinegun – start to complicate his investigation. Undaunted, he confronts Geldhof in a fancy New York restaurant and finds that hot lead is the first course on the menuâ€¦

After Abraham is murdered for knowing too much, a spectacular, breakneck car chase results in Max arresting Geldhof, but for once the infallible tax man has grossly underestimated the sheer power of moneyâ€¦

The story concludes in The Hagen Strategy as the scene shifts back to 1943 for the incredible truth about Moshe Geldhof as the indefatigable Max delves deeper into the history of the man who has the ear of governments, and especially of Israel.

In America the man himself seems to be â€œtoo big to failâ€ but his sudden liberation only pushes Larry to even greater efforts. That means heading to Bern and cultivating the attentions of Geldof’s ferociously Amazonian daughter Lenni whilst her dad is tangled in red tapeâ€¦

No sooner has he broached the palatial fortress-like mansion, however, than the sinister patron turns up and the hunt is on, with a cadre of heavily armed killers at Max’s well-shod heelsâ€¦

Larry has finally gleaned the true appalling secret of the contemporary Croesus and the truth is something his government can’t cover for him. Now he has only one possible ally in his all-or nothing-war against the money-man and places a call to Mossadâ€¦

Sleek, lean, almost Spartan in its lithe, muscular tribute to James Bond movies, IR$ is a splendidly effective, stylishly gritty thriller series that will delight fans of modern mayhem in all its literary and artistic forms.

Only death and taxes are inescapable, and Larry B. Max offers either or both in one suavely, economical packageâ€¦
Original edition Â© 1977 Editions du Lombard (Le Lombard/Dargaud SA) 1999-2000 by Desberg &Vrancken + Job. English translation 2008 Â© Cinebook Ltd.

April 28, 2015April 27, 2015

New Avengers: Secret Invasion Book 2

By Brian Michael Bendis, Billy Tan, Jim Cheung, Michael Gaydos & various (Marvel)
ISBN: 978-0-7851-2949-3

The Skrulls are shape-shifting aliens who’ve bedevilled Earth since Fantastic Four #2, and they have long been a pernicious cornerstone of the Marvel Universe. After decades of use, abuse and misuse the insidious invaders were made the sinister stars of a colossal braided mega-crossover event beginning in April 2008 and running through all titles until Christmas.

The premise of Secret Invasion is simple: the would-be alien conquerors have only just survived a devastating catastrophe which destroyed much of their empire; subsequently leading to a mass religious conversion. They are now utterly resolved and dedicated to make Earth their new holy homeworld.

To this end they have gradually replaced a number of key Earth denizens – most notably superheroes and other metahumans. When their plot is discovered no defender of the Earth truly knows who is on their sideâ€¦

Moreover the cosmic charlatans have also unravelled the secrets of Earth magic and genetic superpowers, creating amped-up counterparts to Earth’s mightiest. They are now primed and able to destroy the world’s heroic champions in face to face confrontations.

Rather than give too much away, let me just say that if you like this sort of thing you’ll love it, and a detailed familiarity is not crucial to your understanding. However, for a complete experience, you will want to see the other 22 â€œSecret Invasionâ€ volumes that accompany this one, although at a pinch you could get by with only the key collection Secret Invasion – which contains the 8-issue core miniseries, one-shot spin-off â€œWho Do You Trust?â€ and illustrated textbook â€œSkrullsâ€ which claims to provide a listing and biography for every shape-shifter yet encountered in the Marvel Universe (but if they left any out, who could tell?).

The New Avengers segment of the saga concludes in the book, collecting issues #43-47 (September 2008 to January 2009) and offering more supplementary and sidebar insights to the main event as the Invasion progresses, focussing again on individual character pieces to propel the narrative rather than vast battles.

Scripted throughout by Brian Michael Bendis, the first tale (illustrated by Billy Tan & Danny Miki) returns to the moment which turned a cold war of suspicion and attrition into a hot shooting match after a spaceship full of what appeared to be Earth heroes crashed into the dinosaur preserve known as the Savage Land.

These returnees all claimed to be the originals, taken at various times and upon landing accused those who had been on Earth prior to their crash of being alien impostors. The most shocking example was Captain America, whom everybody saw assassinated weeks previously on prime time TVâ€¦

Whilst the Star Spangled Avenger is exposed as a Skrull a flashback reveals how potent the new Skrull strategy is, not only copying the body and powers but programming the infiltrator with false memories so that it actually believes itself to be the human hero it mimicsâ€¦

These unwitting Trojan Horses have been mixed in with genuine shanghaied Terrans and eventually allowed to escape back to Earthâ€¦

With art by Tan & Matt Banning, the next sneak peek harks back to the time when Earth’s â€œIlluminatiâ€ – Reed Richards, Tony (Iron Man) Stark, Black Bolt, Stephen Strange, Charles Xavier and Namor, the Sub-Mariner – confronted and were consequently captured by the Skrulls.

Although the heroes eventually escaped they left behind far too many genetic secrets, and this shocking history lesson proceeds to reveal how neophyte scientist Dro’ge Fenu Edu used the mind and personality of Richards to forge the final link in the aliens’ infallible invasion planâ€¦

Jim Cheung, Matt Dell & Jay Leisten illustrated the next chapter which intersected with publishing event House of M as deep-cover agent and invasion commander Queen Veranke found herself caught up in the reality-warping spell of the Scarlet Witch.

As that deeply troubled woman remade the world in a crazed attempt to create a mutant paradise, Veranke was forced to see things that would sharpen her resolve to eradicate humanity once the previous reality was (mostly) restoredâ€¦

Tan & Banning were back for #46 as mystic gangster The Hood and his syndicate of super-criminals rescue murderous menace Madame Masque from SHIELD agents, only to discover that the high-tech lawmen are shapeshifting aliensâ€¦

As the villains struggle to decide what their role will be in the coming struggle, The Hood at last learns where his own incredible abilities come fromâ€¦

The catalogue of changeling tales concludes with a Tan, Michael Gaydos & Banning art collaboration as new parents Luke Cage and Jessica Jones review how they first met when the former â€œHero for Hireâ€ commissioned actual private detective Jones to track down his estranged father.

Some heartbreaks lead to new loves but as the woman known as â€œAliasâ€ gradually moved into Cage’s life, neither knew that one day it would all lead to a Skrull impersonating the Avengers’ butler, stealing their babyâ€¦

Quirky, moving, and winningly low-key, the stories gathered here are supplemented with a cover gallery from by Aleksi Briclot and a selection of landmark original covers his homages are based on, including Avengers Annual #2 by John Buscema, New Avengers: Illuminati #1 by Cheung, House of M #1 by Esad Ribic, Bring on the Bad Guys by John Romita Sr. and West Coast Avengers #1 by Bob Hall.

Although impressive and entertaining, this great Fights ‘n’ Tights tome doesn’t really stand alone, but you will also certainly benefit from checking out the collections Secret Invasion: the Infiltration, Avengers Disassembled, and Annihilation volumes 1-3, as well as the rather pivotal New Avengers: Illuminati graphic novel.

Despite the copious homework list I’ve provided, this book is still a solid action-adventure read, with plenty of human drama to balance the paranoia and power-plays: a pure guilty pleasure.
Â© 2008, 2009, 2011 Marvel Characters, Inc. All rights reserved.

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