By Clive King and Giovanetti (Macmillan)
No ISBN Library of Congress catalog card number: 57-11517
Pericle Luigi Giovanetti was a huge star in the cartoon firmament in the years following World War II, and a prolific one who appealed to fans of all ages. Born in 1916 in Basel, he launched Max in Punch in April 1953. Max is a small, round furry creature most likened to a hamster, whose wordless pantomimes were both cute and whimsical and trenchantly self-deprecating. Don’t ask me how a beautifully rendered little puff-ball could stand for pride and pomposity punctured, but he did. It was also blissfully free of mawkish sentimentality, a funny animal for adults.
Max was syndicated across the world, and celebrities the likes of Charles (‘Peanuts‘) Schulz were huge fans. The British Navy and even the Swiss Air Force impressed the ambiguous little hairball as mascot and figurehead. There were four collections between 1954 and 1961: Max, Max Presents, Nothing But Max and The Penguin Max.
For all his trenchant ability to convey meaning without uttering a sound, Max’s origins – and indeed species – was a subject of much dispute in the four corners of the globe so this delightful children’s book written by Clive King and copiously, wonderfully illustrated by Giovanetti is a godsend to zoologists and lovers of great storytelling everywhere. Long out of print it recounts the peripatetic wanderings of Max’s Great-Grandfather Hamid who lived in a hole in a hill in the desert region of Aleppo.
At least he did under the wanderlust seized him and he went in search of adventure, friends and the secret of his own identity. An irresistible and charming tale from a period where whimsy was a desirable treasure, this meanders along doling out equal amounts of exoticism and mystery from the mystic East – which wouldn’t go far amiss in today’s troubled and intolerant times.
A sheer delight, this isn’t the easiest book to find – ‘though it should be – so if you’re burning to discover Hamid – and Max’s – close kept secret I’ll reveal it here. If you don’t want to know look away now.
Max and Hamid are Syrian Golden Hamsters!
By Murray Ball (Titan Books)
ISBN: 978-1-85286-398-2
Footrot Flats is one of the all-time classic humour strips and beloved the world over. It was created by New Zealand cartoonist Murray Ball in 1975 on his return to the North Island after many years travelling the globe drawing for everybody from Punch to the Labour Weekly via both DC Thomson and IPC/Fleetway.
Taking up farming, he never put down his pens and brushes, but turned his clearly frustrating experiences into a twenty-year odyssey of mud, charm, weather, hysteria, endurance, stark wit and tear-jerking sentiment. He captured the joy and magic of agriculture with a blend of fearsome candour and total surrealism which captivated millions (he was also sometimes a wee bit sarcastic and ironic).
The drama unfolds via Dog – a dog – and relates the life of Regular Bloke Wal, eking out a living on his small-holding (400 acres of swamp between Ureweras and the Sea with sheep, cows, a bull, goats, ducks, bugs, cats, geese and the occasional visiting relative) just trying to get by. He loves sport, has a girl-friend and would love an easy life… if only the flamin’ stock would do what it’s told.
The third volume introduced still more weird characters and as Ball hit his creative stride his brilliant cartooning reached new heights of manic zaniness. Wal’s prickly little niece Janice – known to all as “Pongo†– became a regular and the strip expanded from thrice weekly to a full seven days, which meant some episodes here are expanded from 3 or 4 panels to as many as 8 with the inclusion of Sunday Pages. Some of these are all too-rare huge single-panel gags taking up the whole page and showing the artist’s facility with zany, action-packed comedy set-pieces and his sheer cartoon inventiveness.
Footrot Flats was one of the most successfully syndicated strips in the world. It ran in newspapers on four continents until 1994 when Ball retired it, citing reasons as varied as the death of his own dog and the state of New Zealand politics. Books of new material continued until 2000, resulting in 27 daily strip collections, 8 volumes of Sunday pages, and 5 pocket books, plus ancillary publications. There was a stage musical, a theme park and a truly superb animated film Footrot Flats: The Dog’s Tail Tale.
Dry, surreal and wonderfully self-deprecating, the humour comes from the perfectly realised characters, human and otherwise, the tough life of a bachelor farmer and especially the country itself. The art is utterly captivating; expansive, efficient, exciting and just plain funny. I’m reviewing the 1991 Titan Books edition, but the same material is readily available from a number of publishers and retailers. If you want to give the Dog a go, your favourite search engine will be your own friend faithful unto death…
By various (Marvel/Panini UK)
ISBN: 987-1-905239-84-9
With the Wolverine movie looming and rumours of a spin-off for featured bad-guy Deadpool this timely collection of the unkillable assassin’s first two miniseries was inevitable and will hopefully lead to collections of the sterling run by scripter Joe Kelly that followed these tales. That’s not to disparage the fine efforts of Fabian Nicieza and Joe Madureira or Mark Waid, Ian Churchill, Lee Weeks, Ken Lashley and assorted inkers Mark Farmer, Harry Candelario, Jason Minor, Bob McLeod, Bob LaRosa and Tom Wegryzn, however.
What does it say about our industry that bloodthirsty – if stylish – killers and mercenaries make for such popular antagonists? Well, they certainly lead more interesting lives than your average plumber. Deadpool is Wade Wilson (and yes he is a thinly disguised knockoff of DC’s Slade Wilson AKA Terminator: Get over it – DC did) a hired killer and survivor of a genetics experiment that has left him capable of regenerating from any wound.
The wisecracking high-tech “merc with a mouth†was created by Rob Liefeld and Fabian Nicieza and first appeared in New Mutants #97, another product of the Canadian project that created Wolverine and the second Weapon X. He got his first shot at stardom with The Circle Chase miniseries in 1993.
This fast-paced if cluttered thriller sees Wade pursuing an ultimate weapon as one of a large crowd of mutants and ne’er-do-wells trying to secure the fabled legacy of arms dealer and fugitive from the future Mr. Tolliver. Among the other worthies after the boodle are Black Tom and the Juggernaut, the aforementioned Weapon X, shape-shifter Copycat and a host of half-cyborg loons with odd names like Commcast and Slayback. If you can swallow any nausea associated with the dreadful trappings of this low point in Marvel’s tempestuous history, there is a sharp little thriller underneath.
The second story (from 1994) revolves around Black Tom and Juggernaut. During the previous yarn it was revealed that the Irish arch-villain was slowly turning into a tree. Desperate to save his life they manipulate Wilson by exploiting the mercenary’s relationship with Siryn (a sonic mutant and Tom’s niece). Believing that Deadpool’s regenerating factor holds a cure, the villains cause a bucket-load of carnage at a time when Wade Wilson is at his lowest ebb. Fast paced, action-packed and full of mutant guest stars, this is a shallow but hugely immensely readable piece of eye-candy.
When the movie breaks, everyone is going to be an expert on Deadpool. Get this now and you’ll be one step ahead of the pack.
A MARVEL GRAPHIC NOVEL
By Jim Starlin, Bill Reinhold & Linda Lessman (Marvel)
ISBN: 0- 87135-855-7
The Silver Surfer was a popular star of Marvel’s Graphic Novel line, his elevated pedigree and the nature and location of his adventures obviously offering an appealing number of opportunities to many creators. This tale from 1991 teams “Mr. Cosmic Storyline†Jim Starlin with the hugely undervalued Bill Reinhold to tell a rather lacklustre saga of granted wishes and thwarted dreams.
Norrin Radd allowed himself to be transformed into the Silver Surfer to save his homeworld Zenn-La from planet-devouring cosmic entity Galactus. His eventual emancipation never gave him the opportunity to permanently return to his place of birth, nor settle down with his lost love Shalla Bal, whom he had forsaken for a life of service to the Great Destroyer. Years later whilst on his solitary wanderings he finds Zenn-La missing; removed from reality by a galactic hyper-being.
Coming to the rescue the Surfer discovers not a tyrant but a benefactor who is preserving many words from the horrors of a violent universe, and decides to remain in this paradise. Unfortunately this dream come true is only for the invited…
An interesting premise, and well-handled visually, Homecoming nevertheless falls short of its aim due to a heavy-handed script that lacks any real punch or insight. Another one best left for the dedicated fan and collectors, I’m afraid.
By Vittorio Giardino (Catalan Communications)
ISBN: 0-87416-033-2
After ten years, Italian graphic novelist Vittorio Giardino recently completed a trilogy of albums featuring his reluctant spy Max Fridman (transliterated into Max Friedman for the English speaking world), who was called back to the “Great Game†in the years of uneasy peace just before the outbreak of World War II.
No Pasarán! Volume 3 completed a tale of Republican Spain in the dying days of the Civil War which revealed many clues into the life of a diffident and unassuming hero who has charmed and enthralled word-wide audiences since the early 1980s, so in the earnest hope that this landmark will convince current publisher NBM (or anybody) to re-release the earlier books that are out of print I’m going to review them here over the next few months. If I make an impatient convert out of anyone, fear not. All but No Pasarán! Volume 1 are available from assorted internet retailers at reasonable prices and NBM do have copies of most of the other albums.
Born on Christmas Eve 1946 Vittorio Giardino was an electrician who switched careers at age 30. He worked for a number of comics magazines initially and his first collection Pax Romana was released in 1978. He has worked, slowly but consistently, on both feature characters such as the detective Sam Pezzo, the saucy Winsor McKay homage Little Ego and the cold-war drama Jonas Fink as well as general fiction tales producing over 35 albums to date.
In 1982 he began the tale of a quiet, bearded fellow recalled by the Deuxieme Bureau (the French Secret Service) to investigate the slaughter of almost every agent in the cosmopolitan paradise of Budapest. The series ran in four parts in the magazine Orient Express before being collected as Rhapsodie Hongroise – Giardino’s thirteenth book and in no way unlucky for him.
Friedman is a troubled, cautious man with a daughter he adores and a troubled past that somehow stems from undisclosed experiences in the Spanish Civil War where he fought as a Republican in the International Brigades against Franco’s Nationalists. Yet he is convinced – call it blackmailed – to leave his home in Switzerland and investigate the plague of assassinations.
Max Friedman is one of espionage literature’s greatest characters. Giardino’s work is like honey for the eyes and mind. Hungarian Rhapsody is a graphic novel any fan of comics or the Intelligence Game should know.
By Joe Kelly, Doug Mankhe & Tom Nguyen (DC Comics)
ISBN13: 978-1-84023-609-5
Joe Kelly’s run on the World’s Greatest Superheroes has some notable highs and lows. This slim volume collecting issues # 61-65 of the monthly comicbook happily falls into the former category. The title comes from the three-part tale that forms the bulk of the book, but before that the wonderment kicks off with the stand-alone tale ‘Two-Minute Warning’, one of the best “day-in-the-life†type stories I’ve ever seen, with sharp dialogue, spectacular art and a novel format that elevates it beyond the many other attempts to show what everyday means for such god-like beings.
‘Golden Perfect’ is a tale which examines the nature of Truth itself. When Wonder Woman leads the team to the hidden kingdom of Jarhanpur to rescue a baby from a life of hereditary slavery she encounters a despot whose philosophy counters her belief in objective or absolute truth. The dispute shatters her magical golden lasso of Hestia…
Soon however this defeat has astounding repercussions for the entire universe. The broken lasso has destroyed objective truth completely. What people believe becomes the only arbiter of Reality. The moon is made of green cheese, the world is flat, Earth is the centre of the universe… As it all unravels a devastated Wonder Woman must find a way to reconcile her beliefs within the new Reality while the team battle desperately to keep the cosmos alive.
A dynamic end-of-everything tale that challenges the mind as well as stirring the blood, the patented Kelly one-liners, especially from Plastic Man, leaven the tension and heighten the enjoyment in this cracking little epic.
Ending the volume is ‘Bouncing Baby Boy’, a wistful and funny team-up of the mismatched Batman and Plastic Man. This small story looks at the sad side of the eternal clown, seen through the “cold and emotionless†eyes of the Dark Knight, and provides a welcome change from the Big Stories that are increasingly all Super-team books consist of.
Golden Perfect is well written and superbly illustrated, but not a typical JLA collection: It’s much, much better than that…
By Warren Ellis & JH Williams III (WildStorm)
ISBN 1-84576-400-5
Los Angeles is a dump and a dumping ground. Personal opinions aside, that’s the premise of this deep, dark espionage thriller from comics wunderscribe Warren Ellis. When MI6 screw-up Michael Jones is no longer capable of doing his job he’s offered a comfy testing job as his ticket out. No-one in their right mind should ever trust security service types but that’s the point – the burnt out, alcoholic agent just wasn’t.
After years of unspeakable atrocities ostensibly intended to create better operatives up to and including the bizarre and inexplicable Desolation Test, the ravaged remains of Michael Jones is consigned to the reservation provided by the West’s Intelligence Agencies for retired, rejected and discarded agents plus all the experiments that didn’t measure up: Los Angeles, USA.
There they can live out their lives as they see fit, but they can never, ever leave the city. There’s no pension scheme but the dregs can do whatever they need to make a living as long as it’s within the city limits.
Jones is a mess, both physically and mentally. He can’t drink, won’t sleep and takes too many drugs. He avoids daylight, regularly hallucinates and is numb to all sensation and emotion. In “the Community†he freelances as a private eye-come-fixer, sorting out problems that can’t be resolved by legitimate methods.
In this first compilation (collecting issues #1-6 of the occasional WildStorm comicbook) that problem is a retired NSA spook who’s being blackmailed by new members of the Community who have stolen the Holy Grail of pornography. The ravaged Colonel Nigh wants Hitler’s homemade porno back and will do anything to get it. Unfortunately so will the other filthy rich deviants who populate Tinseltown.
But something isn’t right. Jones may not feel but something deeper is hiding behind all the subterfuge and depravity…
Sardonic and rather bleak, this caustic caper on the nasty side of the espionage genre is a thriller with plenty of twists and a solid mystery to intrigue the most jaded reader. The content is strictly adults only – by that I mean that the subtext of duty, love and honour are assaults on the traditions of the hero-spy in as brutal a manner as the sex and violence underscore the dark side of the American Dream-town. This is a story for cynical adults not horny kids with appropriate IDs. Great stuff beautifully executed by Ellis and magically illustrated by JH Williams III.
By Ed Brubaker & Sean Phillips (Titan Books)
ISBN13: 978-1-84856-151-9
The third captivating collection of Brubaker and Phillips’s addictive modern Noir thriller (see Criminal: Coward ISBN: 1-84576-610-5 and Criminal: Lawless ISBN13: 978-1-84576-611-5) takes an unexpected turn by travelling back to the 1970s and recounting via three interconnected stories the history of the dark characters who inhabit those first two books.
Collecting volume 2, issues #1-3, of the comic book series, we meet the son of a black gangster who teamed with white Wise Guy Walter Hyde to take over the city’s rackets in 1954. Hyde became the Big Man and Clevon Brown became his invisible second. After all, there’s only so much progress even bad guys will let a black man enjoy in 1950s America.
1972 and Hyde’s kid Sebastian is making his way in his dad’s business but Jake Brown has chosen another route. They grew up friends but Jake chose boxing as a way to out, leaving the rackets to Hyde. Their closeness was soured over a woman but his once-friend still drags him back to the gutters whenever he needs a favour. And then one day he sees her: The girl who got between them.
1972 and the second chapter finds a revenge-hungry Danica involved with returning Vietnam vet Teeg Lawless in a plan to steal from the Hyde’s. But when Lawless discovers just who he’s robbed he knows his method of making amends must be spectacular if he and his two baby boys are to live. His bloody mission to return the money and punish his confederates ensures his fearsome reputation for decades to come…
1972: Danica Briggs is making her way back to the city where her life ended. She wants money. She wants revenge. She wants to see Sebastian and Jake again. She wants it all to end…
‘Second Chance in Hell’, ‘A Wolf Among Wolves’ and ‘Female of the Species’ tell three tragic stories which combine into a brutal, foredoomed spiral of hopelessness which only violence can end. Oddly reminiscent of Christopher Nolan’s film Memento the story unfolds by taking us further back into each character’s past with each beginning but, nihilistically, at no stage does there ever appear to be a instant when a different path taken could have saved anyone. These trapped souls are doomed from the moment they met…
Dark, brutal and fearfully compelling, these tales of the other side of society are an irresistible view of raw humanity. These are stories that can’t be ignored… so don’t.
This themed collection re-presents some of the key clashes between the Gotham Guardian and the immortal mastermind and eco-activist Ra’s Al Ghul – a contemporary and more acceptable visual embodiment of the classic inscrutable foreign devil as typified in a less forgiving age as the Yellow Peril or Dr. Fu Manchu. This kind of alien archetype permeates fiction and is an overwhelmingly powerful villain symbol, although the character’s Arabic origins, neutral at the time, seem to embody a different kind of ethnic bogeyman in today’s post 9/11 world.
The concept of a villain who has the best interests of the planet at heart is not a new one, but Ra’s Al Ghul, whose avowed intent is to reduce teeming humanity to viable levels and save the world from our poison, hit a chord in the 1970s – a period where ecological issues first came to the attention of the young. It was a rare kid who didn’t find a note of sense in what the Demon’s Head planned.
Although the character is best remembered for the O’Neil/Adams collaborations, this book kicks off with a seminal story from Detective Comics #411 that featured the sinister League of Assassins (introduced in #405 I believe) and the exotic Talia. ‘Into the Den of the Death Dealers’ was written by Denny O’Neil and illustrated by the great Bob Brown, and inked by Dick Giordano.
‘Daughter of the Demon’ from Batman #232 by O’Neil and Neal Adams (with Giordano inking) is one of the signature high-points of the entire Batman canon, an exotic mystery yarn that draws the increasingly Dark Knight from Gotham’s concrete canyons to the Himalayas in search of hostages Robin and Talia. If you’re one of the few who hasn’t read this much reprinted tale I’m not going to spoil the joy that awaits you.
From Batman #235, with penciller Irv Novick joining regulars O’Neil and Giordano comes ‘Swamp Sinister’ a mystery tale and bio-hazard drama that gives some early insights into the true character of Talia and her ruthless sire. ‘Vengeance for a Dead Man’ (Batman #240) by the same creative team sets the scene for the groundbreaking “series-within-a-series†soon to follow as Batman uncovers one of Ra’s Al Ghul’s less worthy and far more grisly projects. As a result there was open war between Batman and the Demon…
Batman #242-244 and the epilogue from #245 (not included in this volume) formed an extended saga taken out of normal DC continuity, relating what was to be the final confrontation between two opposing ideals. Novick penciled the first part ‘Bruce Wayne – Rest in Peace!’ which saw Batman gather a small team of allies, including the still active today Matches Malone, to destroy the Demon forever, and Neal Adams returned with the second part ‘The Lazarus Pit’ which seemed to we consumers of the day a brilliant conclusion to the epic. But with the last three pages the rug was pulled out from under us and the saga continued!
How sad for modern fans with so many sources of information today: the chances of creators genuinely surprising their devoted readers are almost nonexistent but in the faraway 1970s, we had no idea what to expect from #244 when ‘The Demon Lives Again!’ hit the shops and news-stands. In a classic confrontation Batman triumphed and Ra’s Al Ghul disappeared for many years. He was considered by DC as a special villain and not one to be diluted through overuse. How times change…
In 1978 the company was experimenting with formats and genres in a time of poor comic sales. Part of that drive and was an irregular anthology entitled DC Special Series. From the all-Batman 15th issue comes an oddly enticing little gem scripted by Denny O’Neil and drawn by a talented young newcomer called Michael Golden, inked by the ubiquitous Dick Giordano. ‘I Now Pronounce you Batman and Wife’ is a stylish, pacy thriller that anticipates the 1980s sea-change in comics storytelling, but the most interesting aspect of the tale is the plot maguffin that inspired a trilogy of graphic novels in the 1990s and today’s Batman and Son (ISBN13: 978-1-84576-429-6) serial.
The volume concludes with another key multi-part epic, this time from Detective Comics #485, 489 and 490. Although picky me still wishes that all parts were included the truncated version here has no significant loss of narrative flow as Batman becomes involved in a civil war for leadership of the Al Ghul organization between the Demon and the aged oriental super-assassin the Sensei – who older fans will know as the villain behind the murder of Deadman.
It all begins with ‘The Vengeance Vow!’ as a long-standing member of the Batman Family is murdered, drawing the Caped Crimebuster into battle with the deadly martial artist Bronze Tiger. The concluding parts ‘Where Strike the Assassins!’ and ‘Requiem for a Martyr!’ whilst perhaps not as powerful as the O’Neil/Novick/Adams/Giordano run are nevertheless a stirring thriller with a satisfactory denouement, elevated to dizzy heights by the magnificent artwork of Don Newton. Inked here by Dan Adkins, Newton’s Batman could well have become the definitive 1980s look, but the artist’s tragically early death in 1984 cut short what should have been a superlative career.
Ra’s Al Ghul has become just another Bat-Foe in recent years, familiarity indeed breeding mediocrity if not contempt. But these unique tales from a unique era are comics at there very best and this book is well overdue for a definitive re-issue.
By Dennis O’Neil, Denys Cowan & Rick Magyar (DC Comics)
ISBN13: 978-1-84576-839-3
In the “real†world, some solutions require better Questions…
An ordinary man pushed to the edge by his obsessions, Vic Sage uses his fists and a mask that makes him look utterly faceless to get answers (and justice) whenever normal journalistic methods fail. After a few successes around the DC universe Sage got a TV reporting job in the town where he grew up.
This second collection (reprinting issues #7-12 of the highly regarded 1980s series) of the seminal reinterpretation of Steve Ditko’s faceless seeker of Truth finds the obsessively driven reporter back on the streets of Hub City – probably the Worst City in America – and encountering a succession of highly conflicted and complex characters.
In ‘Survivor’ it’s aging vulpine racketeer Volk, who finds himself in the way of lesser, but more venal thugs, whereas ‘Mikado’ is a good man driven by the daily horrors of the city to take action, making his punishments fit the crime. Formerly corrupt cop Izzy O’Toole continues his struggle for redemption in ‘Watchers’ as the Question searches for his missing mentor and confidante Professor Rodor, a hunt that takes him to the Tropical hell-hole of ‘Santa Prisca’ and a confrontation with a sadist who wants to be a Saint in ‘Transformation’.
The Halloween celebration ‘Poisoned Ground’ closes this volume as a contaminated housing project provides a backdrop for another killing spree for Baby Gun, the mentally impaired gunman who killed Sage in The Question: Zen and Violence (ISBN13: 978-1-84576-690-0).
These are tales that probe the very mature of the struggle between Good and Evil, using Eastern philosophy and very human prowess to challenge, crime corruption, abuse, neglect and complacency.
Combating Western dystopia with Eastern Thought and martial arts action is not a new concept but the author’s spotlight on cultural problems rather than super-heroics make this series O’Neil’s most philosophical work, and Cowan’s raw, edgy art imbues this darkly adult, powerfully sophisticated thriller with a maturity that is simply breathtaking.
The Question’s direct sales series was one of DC’s best efforts from a hugely creative period, so it’s up to you to make it the popular hit it always should have been via these superb trade paperback collections, available at last due to the hero’s major role in the weekly comic maxi-series 52.
