Essential X-Men volume 2


By Chris Claremont, John Byrne & Terry Austin, Brent Anderson & Joe Rubenstein (Marvel)
ISBN: 978-0-7851-0298-4

In 1963 TheX-Men #1 introduced Scott “Cyclops” Summers, Bobby “Iceman” Drake, Warren “Angel” Worthington, Jean “Marvel Girl” Grey and Hank “The Beast” McCoy: very special students of Professor Charles Xavier, a wheelchair-bound telepath dedicated to brokering peace and integration between the masses of humanity and the emergent off-shoot race of mutants dubbed Homo Superior. After years of eccentric and spectacular adventures the mutant misfits disappeared at the beginning of 1970 during a downturn in costumed hero comics whilst supernatural mysteries once more gripped the world’s entertainment fields.

Although the title was revived at the end of the year as a cheap reprint vehicle, the missing mutants were reduced to guest-stars and bit-players throughout the Marvel universe and the Beast was refashioned as a monster fit for the global uptick in scary stories until Len Wein & Dave Cockrum revived and reordered the Mutant mystique with a brand new team in Giant Size X-Men #1 in 1975.

To old foes-turned-friends Banshee and Sunfire was added one-shot Hulk hunter Wolverine, and all-original creations Kurt Wagner, a demonic German teleporter codenamed Nightcrawler, African weather “goddess” Ororo Monroe AKA Storm, Russian farmboy Peter Rasputin, who transformed at will into a living steel Colossus and bitter, disillusioned Apache superman John Proudstar who was cajoled into joining the makeshift squad as Thunderbird.

The revision was an instantaneous and unstoppable hit, with Wein’s editorial assistant Chris Claremont taking over the writing from the second story onwards. The X-Men reclaimed their own comicbook with #94 and it quickly became the company’s most popular – and high quality – title.

Cockrum was succeeded by John Byrne and as the team roster shifted and changed the series rose to even greater heights, culminating in the landmark “Dark Phoenix” storyline which saw the death of arguably the book’s most beloved and imaginative character.

In the aftermath team leader Cyclops left but the epic cosmic saga also seemed to fracture the epochal working relationship of Claremont and Byrne. Within months of publication they went their separate ways: Claremont staying with the mutants whilst Byrne moved on to establish his own reputation as a writer on series such as Alpha Flight, Incredible Hulk and especially his revolutionised Fantastic Four…

After Apache warrior Thunderbird became the team’s first fatality, the survivors slowly bonded, becoming an awesome fighting unit under the brusque and draconian supervision of Cyclops and this second superlative monochrome Essential collection re-presents the groundbreaking tales from (Uncanny) X-Men #120-144, covering April 1979 to April 1981.

The action begins here with the introduction of a foreign super-squad in ‘Wanted: Wolverine! Dead or Alive!’, as the enigmatic mutant, accompanied by Cyclops, Nightcrawler, Storm, Colossus, Banshee and Nightcrawler, return from a bombastic battle in Japan but are covertly herded into Canadian airspace so that the Ottawa government can confiscate their property.

Forced down by a magical tempest the heroes are soon on the run in Calgary, ambushed by the aforementioned Alpha Flight – specifically battle-armoured Vindicator, super-strong Sasquatch, magician Shaman, shapeshifting Snowbird and mutant speedster twins Northstar and Aurora – all ordered to repossess former special operative “The Wolverine”…

After a brutal but inconclusive clash at the airport the X-Men fade into the city but only after Wolverine and Nightcrawler are captured…

The retaliation results in a ‘Shoot-Out at the Stampede!’ with the mutants confronting their pursuers as Shaman’s eldritch blizzard spirals out of control, threatening to destroy the entire province. Even after Storm fixes the problem, the Canadians are adamant and to end hostilities Wolverine surrenders himself in return for his comrades’ safe passage.

Of course he never promised to stay captured…

With Byrne producing light breakdowns, inker Terry Austin stepped up to produce full art finishes for issue #122’s ‘Cry for the Children!’ as the heroes finally return to the Xavier School to find their home boarded up and deserted.

Months previously, following a catastrophic battle against Magneto of which Beast and Phoenix believed themselves the only survivors, heartbroken Professor X had grieved for his fallen pupils and left Earth to be with his fiancée Empress Lilandra of the Shi’ar.

As the prodigals slowly settle in at the Professor’s mansion again, they try to resume their previous routines but psychological stress testing shows Russian Colossus is having second thoughts about deserting his family and country…

Reborn as the cosmic-powered Phoenix, Jean Grey went globetrotting to bury her woes and is currently in Scotland, unaware that she has been targeted by one of the team’s oldest enemies for a cruel assault. In New York, Storm has at last taken the time to trace her roots, visiting the old home of her American dad, only to find it now a junkie squat filled with doped and feral kids who viciously attack her…

Stabbed and bleeding she lashes out and only the sudden arrival of hero for hire Luke Cage and his friend Misty Knight (coincidentally Jean’s Manhattan room-mate) prevents a tragedy. None of them are remotely aware that they have been targeted by the world’s most outrageous hit-man…

With Byrne back in full pencil mode X-Men #123 includes a cameo from Spider-Man as jolly psycho-killer Arcade proceeds to pick off the oblivious mutants and run them through his fatal funfair Murder World in ‘Listen… Stop Me if You’ve Heard It… But This One Will Kill You!’, subjecting the abductees to perils mechanical and psychological.

The former prove understandably ineffectual but family guilt and cunning conditioning soon transform the homesick Russian into a vengeful mind-slave dubbed The Proletarian, determined to smash his former comrades in the concluding ‘He Only Laughs When I Hurt!’ Happily his inner child and the assorted heroes’ gifts and training prove too much for the maniacal killer clown…

Jean re-enters the picture when her stay with biologist Moira MacTaggert leads to the release of a long secret family shame in ‘There’s Something Awful on Muir Island!’ Throughout her long holiday Phoenix has been gradually turned and psychically seduced by a psionic predator. Groomed for a life of refined cruelty and debauchery by a man calling himself Jason Wyngarde, the intention is to create a callous “Black Queen” for the mysterious organisation known as the Hellfire Club…

At the other end of the galaxy Charles Xavier reviews records of how Phoenix once reconstructed the fragmenting universe and is gripped with terror at the thought of all that power in the hands of one frail human personality, whilst in his former home The Beast checks a tripped alarm and discovers his long-mourned friends are all alive.

The first thought is to tell Jean the incredible news, but no sooner is a transatlantic call connected than a scream echoes out and the line goes dead…

Issue #126 resumes frantic hours later as the X-Men approach Muir Island in their supersonic jet. With all contact lost and no telepath aboard, Cyclops assumes the worst and the team infiltrate in battle formation only to find a withered corpse and badly shaken comrades Lorna Dane, Havok, Madrox, Moira and Jean slowly recovering from a psionic assault.

In ‘How Sharper Than a Serpent’s Tooth…!’ Dr. MacTaggert bitterly reveals the attacker is a psychic bodysnatcher imprisoned on Muir for years. He’s also her son…

Rapidly burning out one of Madrox’s duplicate bodies, the monster has already reached the mainland, but as the mutants disperse to hunt him down Jean is hampered by a torrent of seductive mirages projected by the smugly confidant Wyngarde, allowing the predatory Proteus to ambush the X-Men and try to possess Wolverine.

It is his first mistake. Metal has an inimical effect on the formless horror and the feral fury’s Adamantium skeleton forces him to flee his victim in screaming agony. It is then the creature unleashes his most terrifying power: warping reality to drive Wolverine and Nightcrawler to the brink of madness. Only the late-arriving Storm prevents their immediate demise but soon she too is at the edge of destruction…

‘The Quality of Hatred!’ finds the badly shaken team undergoing desperate “tough-love” remedies from Cyclops to regain their combat readiness whilst Moira tries to make up for her dangerous sentimentality by putting a bullet into her deadly offspring.

Frustrated by the idealistic Cyclops but having divined the path Proteus is taking, she then heads for Edinburgh and an unpleasant reunion with her former husband: brute, bully, Member of Parliament and father of most merciless monster the world has yet produced…

As Jean finally shrugs off her distractions and telepathically homes in on Proteus, the team swing into action a little too late: the sinister son has possessed his scurrilous sire and created an unstoppable synthesis of world-warping abomination…

With Edinburgh and perhaps the entire world roiling and rebelling as science goes mad, X-Men #128 sees the valiant champions strike back and spectacularly triumph in ‘The Action of the Tiger!’ after which ‘God Spare the Child…’ sees another happy reunion as the heroes (all but the now retired Banshee) find Charles Xavier awaiting them when they reach Westchester.

Jean is increasingly slipping into visions of a former life as a spoiled, cruel child of privilege, contrasting sharply with her renewed love for Scott, but the home atmosphere is troubled by another discordant factor. Xavier is intent on resuming the training of the team, haughtily oblivious that this group are grizzled, seasoned veterans of combat, rather than the callow teenagers he first tutored.

Elsewhere a cabal of mutants and millionaires plot. Black King Sebastian Shaw, White Queen Emma Frost and the rest of the Hellfire Club hierarchy know Wyngarde is an ambitious and presumptuous upstart but the possibility of subverting the Phoenix to their world-dominating agenda is irresistible…

When two new mutants manifest Xavier splits the team to contact both, taking Storm, Wolverine and Colossus to Chicago to meet the parents of naive thirteen year old Kitty Pryde who has just realised that along with all the other problems of puberty she can now fall through floors and walk through walls…

However no sooner does Professor Xavier offer to admit her to his select and prestigious private school than they are all attacked by war-suited mercenaries and shipped by Emma Frost to the Hellfire Club. Only Kitty escapes, but instead of running she stows away on the transport; terrified but intent on saving the day…

The other mutant neophyte debuts in X-Men #130 as Cyclops, Phoenix and Nightcrawler head to Manhattan’s club district to track down a disco singer dubbed ‘Dazzler’ unaware that they too have been targeted for capture. However little Kitty’s attempts to free the captives at the Hellfire base forces the villains to tip their hand early and with the assistance of Dazzler Alison Blair – a musical mutant who converts sound to devastating light effects – the second mercenary capture team is defeated…

In #131 Kitty is frantically fleeing but her ‘Run for Your Life!’ leads straight into the arms of the remaining X-Men. Soon the plucky lass – after an understandable period of terror, confusion and kvetching – is leading an incursion into the lair of the White Queen and freeing Wolverine, Colossus and Xavier whilst Frost faces off for a psionic showdown with a Phoenix far less kind and caring than ever before…

The saga expands in #132 as ‘And Hellfire is their Name!’ brings the Angel back into the fold. The Hellfire Club is in actuality a centuries-old association of the world’s most powerful and wealthy individuals and Warren Worthington’s family have been members in good standing for generations. What better way of infiltrating the organisation than with someone on the inside?

As Wolverine and Nightcrawler scurry through sewers beneath the society’s palatial New York headquarters, Warren inveigles the rest through the grand front doors into the year’s swankiest soiree whilst he and the Professor await events.

It’s a bold move but a pointless one. Although the rank and file are simply spoiled rich folk, there is an Inner Circle led by Shaw which comprises some of Earth’s most dangerous men and women… and they have been waiting and watching for the mutants-in-mufti’s countermove…

As soon as the heroes are inside, Wyngarde strikes, pushing Jean until she succumbs to the fictitious persona he has woven to awaken her darkest desires. With her overwhelming power added to the Inner Circle’s might, former friends quickly fall before the attack of super-strong Shaw and cyborg human Donald Pierce. Even Wolverine is beaten, smashed through the floors to his doom by mass-manipulating mutant Harry Leland…

As the Inner Circle gloat, Cyclops – connected to Jean by their psionic rapport – sees the world through his lover’s corrupted, beguiled eyes and despairs. However, when Wyngarde, revealed as mutant illusion caster Mastermind, apparently stabs Cyclops the effect on “his” Black Queen is far from anticipated…

Far below their feet, a body stirs. Battered but unbowed ‘Wolverine: Alone!’ begins to work his ruthless, relentless way through the Club’s murderous minions. His explosive entrance in #134’s ‘Too Late, the Heroes!’ gives the heroes a chance to break free and strike back, soundly thrashing the Hellfire blackguards. Sadly for Mastermind, not all his tampering has been expunged and when Jean catches him Jason Wyngarde’s fate is ghastly beyond imagining…

As the mutants make their escape the situation escalates to crisis level as the mind-manipulation unleashes all Jean’s most selfish, self-serving desires and she shatteringly transforms into ‘Dark Phoenix’…

Manifested as a god without qualm or conscience, Jean attacks her comrades before vanishing into space. Soon she reaches a distant system and, cognizant that she is feeling depleted, consumes the star, indifferent to the entire civilisation that dies upon the planet circling it…

Passing the D’Bari system is a massive ship of the Shi’ar star fleet. Rushing to aid the already extinct world they are merely a postprandial palate cleanser for the voracious Phoenix…

X-Men #136 opens with the horrified Empress Lilandra mobilising her entire military machine and heading for Earth, determined to end the threat of the ‘Child of Light and Darkness!’ On that beleaguered world Cyclops has called in the Beast to build a psychic scrambler to disrupt Jean’s immeasurable psionic might but when she cataclysmically reappears to trounce the team, the device burns out in seconds.

Sporadically Jean’s gentler persona appears, begging her friends to kill her before she loses control, but Dark Phoenix is close to destroying the world before, in a cataclysmic mental duel, Xavier shuts down her powers and establishes psychic circuit breakers to prevent her ever going rogue again…

With Jean left as little more than human, the heroes shudder in the aftermath of Earth’s latest close call when suddenly in a flash of light they all vanish…

The epic tale concludes in X-Men #137 as the outraged and terrified Shi’ar arrive in orbit to settle ‘The Fate of the Phoenix!’ With observers from the Kree and Skrull empires in attendance, Lilandra has come to exact justice and prevent the Phoenix from ever rising again. She is not prepared to accept her fiancé’s word that the threat is already ended…

Summary execution is only avoided when Xavier invokes an ancient rite compelling Lilandra to accept a form of trial-by-combat. Relocating to the Blue Area of the Moon (with its pocket of breathable atmosphere) the mutants engage in all-out war with brigade of cosmic champions The Shi’ar Imperial Guard (an in-joke version of DC’s Legion of Super Heroes), but despite their greatest efforts are pushed to the brink of defeat.

With collapse imminent and her friends doomed, Jean’s psychic shackles slip and the Phoenix breaks free again. Horrified at what will inevitably happen, Jean commits suicide to save the universe…

Days later on Earth the X-Men mourn her passing in #138’s ‘Elegy’ as Cyclops recalls his life with the valiant woman he loved so deeply – and we get a comprehensive recap of the mutant team’s career to date. Heartbroken, the quintessential X-Man resigns just as Kitty Pryde moves in…

A new day dawns in issue #139 ‘…Something Wicked This Way Comes!’ as the Angel rejoins the squad in time to see Nightcrawler join Wolverine in heading north for a reconciliation with the Canadian’s previous team, Alpha Flight. The visit turns into a hunt for the carnivorous magical monster Wendigo, culminating in a brutal battle and a rare clean win in #140’s ‘Rage!’

X-Men #141 saw the start of an evocative and extended subplot which would dictate years of tales to come. ‘Days of Future Past’ depicted an imminently approaching dystopian apocalypse wherein almost all mutants, paranormals and superheroes have been eradicated by Federally-controlled Sentinel robots.

The mechanoids rule over a shattered world on the edge of utter annihilation. New York is a charnel pit with most surviving superhumans kept in concentration camps and only a precious few free to fight a losing war of resistance.

Middle-aged Kitty Pryde is the lynchpin of a desperate plan to unmake history. With the aid of telepath named Rachel (eventually to escape that time-line and become the new Phoenix) Pryde swaps consciousness with her younger self in a last-ditch attempt to prevent the pivotal event which created the bleak, black tomorrow where all her remaining friends and comrades are being pitilessly exterminated one by resolute one…

‘Mind Out of Time’ sees the mature Pryde in our era, inhabiting her juvenile body and leading her disbelieving team-mates on a frantic mission to foil the assassination of US senator David Kelly on prime-time TV by a sinister new iteration of the Brotherhood of Evil Mutants – super-powered terrorists determined to make a very public example of the human politician attacking the cause of Mutant Rights…

Fast-paced, action-packed, spectacularly multi-layered, bitterly tragic and tensely inconclusive – as all such time-travel tales should be – this cunning, compact yarn is indubitably one of the best individual tales of the Claremont/Byrne era and set the mood, tone and agenda for the next two decades of mutant mayhem…

With history restored and tragedy averted things slowed down at the X-Mansion as John Byrne left for pastures new. His swan song in #143 was a bombastic romp which found lonely, homesick Kitty home alone at Christmas… except for a lone N’garai ‘Demon’ determined to eat her…

Her solo trial decimated the X-Men citadel and proved once and for all that she had what it takes…

The story portion of this classic compendium concludes with ‘Even in Death…’ from X-Men #144, scripted by Claremont and illustrated by Brent Anderson & Joseph Rubenstein wherein heartbroken Scott fetches up in coastal village Shark Bay and joins the crew of Aleytys Forester‘s fishing boat.

Trouble is never far from the man called Cyclops however and when she introduces him to her dad the hero must draw upon all his inner reserves – and uncomprehending help of the macabre Man-Thing – to repel the crushing soul-consuming assaults of pernicious petty devil D’spayre…

Accompanied by fact-filled entries on Professor X, Cyclops, Wolverine, Colossus, Nightcrawler, Beast and Angel, all taken from the Marvel Universe Handbook, this comprehensive monochrome includes some of the greatest stories Marvel ever published; entertaining, groundbreaking and painfully intoxicating. These adventures are an invaluable grounding in contemporary fights ‘n’ tights fiction no fan or casual reader can afford to ignore.
© 1979, 1980, 1981, 1997, 2007 Marvel Characters, Inc. All rights reserved.

X-Men Legacy: Salvage


By Mike Carey, Scott Eaton, Phil Briones & various (Marvel)
ISBN: 978-0-7851-3876-1

Since its creation in 1963 and triumphant revival in 1975, Marvel’s Mutant franchise has always strongly featured powerful, conflicted and often controversial characters with the balance never resting solely on the side of light. One of the least explored and underused – except perhaps as the last-reel, deus-ex-machina, nuke-the-fridge problem solver – was the man who started it all: Professor Charles Xavier.

This particular collection gathers X-Men Legacy #219-225 (cover-dated February to August 2009); written by Mike Carey, it smartly redresses that imbalance as the usually sedentary mind-master becomes a fully participant mutant warrior determined to put right a number of sins and omissions plaguing his conscience and repay some too long outstanding debts…

At this point in time, the evolutionary offshoot dubbed Homo Sapiens Superior is at its lowest ebb. As seen in the House of M and Decimation storylines, Scarlet Witch Wanda Maximoff – ravaged by madness and her own reality-warping power – has reduced the world’s multi-million plus mutant population to a couple of hundred individuals with three simple words…

The quest begins with ‘Jagannátha’ (illustrated by Scott Eaton, Phil Briones & Cam Smith) as Xavier is summoned by his murderous half-brother Cain Marko to settle a lifetime of grudges. The bullying wastrel was transformed by evil magic in decades past into the brutally unstoppable Juggernaut and wants to finally end the savant’s perpetual efforts to save and cure him.

Taking a bar and all its patrons hostage Cain thinks he’s got the upper hand, but when confronting the mightiest telepathic mind on Earth it’s never wise to trust what your brain and senses are telling you…

At last accepting that all he can do is contain his savage sibling, Xavier moves on to the student he feels he has most failed in the 4-part epic psycho-drama ‘Salvage’ with art by Eaton, Andrew Hennessy & Lee Bermejo.

When former Evil Mutant Rogue originally joined his school she was desperate to find a way to turn her power off and still the voices inside her. Anna-Marie could steal abilities with a touch but overlong contact stole the donor’s mind and personality, cramming them screaming inside her head until Rogue couldn’t hear her own thoughts.

After conflicted years of world-saving service she disappeared: exiling herself from the X-Men in search of peace. Now just as Xavier resolves to finally fix her, a brace of extra-terrestrial terrors simultaneously hone in on the missing mutant…

In New Orleans the savant asks former X-Man Gambit to join him in his mission. Remy Lebeau had spent frustrating years loving a woman he could never touch and knows her better than anyone, but Xavier doesn’t want him for his insights: where he’s going the mind-master might need a capable bodyguard…

In desolate Maynards Plains, Western Australia, Rogue is hotly debating her life with adopted mother Mystique. It’s not a conversation she can avoid: the murderous mutant is the most strident and forceful personality still stuck inside her head…

The argument is postponed when a lone social historian wanders into the ghost town Anna-Marie has made her home. The woman is going to be trouble – but not as much as the crew of the Boneyard Dog, a Shi’ar salvage vessel which has just picked up a most appetising and potentially profitable tech signature…

As Xavier and Gambit approach the town – once a hidden base and scene of a colossal battle between the X-Men and an army of cyborgs – the alien scrap dealers land and trigger a horrific metamorphosis in the annoying anthropologist…

Revealed as a sentient but crippled AI born of the amalgamation of Shi’ar hard-light holographic technology and Xavier’s Danger Room programming software, the stranger fixates on Anna-Marie whilst transforming the entire region into nested scenes from her troubled past: everything from Sentinel assaults to attacks by past foes such as The Marauders, Magneto and Mystique and even the boy she killed when her powers first manifested.

Caught in the reality storm, the Shi’ar raiders unite with Gambit and Xavier as Rogue physically confronts past demons in the centre of a horrific mind-maze, but even as they gradually battle their way through to the victims at the heart of the chaos, the mutant heroes are painfully unaware that their alien allies are only in it for profit and are preparing to betray them…

Events take an even stranger shape when Xavier admits that he knew his hologram training suite had evolved into a free-thinking being. When it happened years ago he had, in a moment of weakness and fear, shackled, lobotomised and psychically enslaved the unique technological newborn.

With the Shi’ar about to kill them all to strip-mine and cannibalise her consciousness, Charles removes his hastily-applied psi-chains and Danger becomes a fully autonomous, remarkably forgiving but momentarily ticked-off creature. Deep within her, Rogue has been reliving her own crisis-moments and has reached an accommodation with her selves and her sins. Achieving a balance previously denied her, Rogue is ready and more than willing to take out her pent-up hostility on the unscrupulous scrap merchants… as is the now irrevocably autonomous Danger…

With two more stains removed from his escutcheon, Xavier finally seeks to end a thorny problem which is more a threat to his race than his soul.

Charismatic mutant terrorist Magneto was responsible for many crimes and tragedies but the undoubted worst was inspiring a fanatical squad of zealots known as the Acolytes.

Led by almighty Exodus, Joanna “Frenzy” Cargill, Carmella Unuscione, Amelia Voght, Omega Sentinel Karima Shapandar, Heather “Tempo” Tucker and shapeshifter Random are some of the most powerful beings on Earth and a constant threat to humanity and Xavier’s dream of peaceful coexistence.

They are utterly unprepared for their greatest enemy to walk alone into their citadel, intent on ending the animosity forever. Exodus is even less ready for how the telepathic scholar and humanitarian achieves this major miracle in ‘The Retreat’ (Eaton & Briones)…

With covers by Mike McKone & John Rauch, Lee Bermejo, Morry Hollowell and Daniel Acuña and variants by Marko Djurdjevic, Frank Miller/Hollowell and Adriana Melo, this slim, stirring, compelling Fights ‘n’ Tights chronicle also is a superb example of how, even in comicbooks, brain always trumps brawn .

© 2008, 2009 Marvel Characters Inc. All rights reserved.

Dark X-Men


By Paul Cornell, Leonard Kirk, Jay Leisten & various (Marvel)
ISBN: 978-0-7851-4527-1

When draconian US Federal mandate The Superhuman Registration Act led to Civil War between costumed heroes, Tony Stark was hastily appointed the American government’s Security Czar – the “top cop” in sole charge of the beleaguered nation’s defence and freedom. As Director of high-tech enforcement agency S.H.I.E.L.D. he became the final word in all matters involving metahumans and the vast costumed community…

Stark’s mismanagement of successive crises led to the arrest and assassination of Captain America and unimaginable escalation of global tension, destruction, culminating in an almost-successful Secret Invasion by shape-shifting alien Skrulls.

Discredited, ostracised and declared a wanted fugitive, he was replaced by apparently rehabilitated, recovering schizophrenic Norman Osborn – the original Green Goblin – who assumed control of America’s covert agencies and military resources. Osborn promptly disbanded S.H.I.E.L.D. and placed the nation under the aegis of his own newly-minted organisation H.A.M.M.E.R.

The erstwhile villain had first begun his climb back to respectability after taking charge of the Thunderbolts Project; a penal program which offered second chances to super-criminals who volunteered to undertake Federally-sanctioned missions…

Not content with legitimate political and personal power, Osborn also secretly conspired with a coalition of malevolent masterminds to divvy up the world between them. The Cabal was a Star Chamber of villains working towards mutually self-serving goals, but such egomaniacal personalities could never play well together for long and cracks soon began to show, both in the criminal conspiracy and eventually Osborn himself…

As another strand of his long-term plan, the Homeland Metahuman Security overlord fired Stark’s Mighty Avengers and created his own, more pliable team consisting of compliant turncoats, tractable replacements and outright impostors.

Constantly courting public opinion, Osborn launched his Avengers whilst systematically building up a personally loyal high-tech paramilitary rapid-response force. After the Utopia crisis engulfed Earth’s depleted mutant population, he pulled the same scam with the world’s most recognisable Homo Superior team…

Compiling his own team of X-Men to police “mutant problems” and be the face of law and order for the dangerous evolutionary minority, Osborn quietly continued exporting his seditious Dark Reign: a slowly destabilising madman who – through means fair and foul – officially worked to curb the unchecked power and threat of meta-humanity, with ever-decreasing success…

The repercussions of Osborn’s rise and fall were felt throughout and featured in many series and collections throughout the Marvel Universe, and this one, collecting 5-issue miniseries Dark X-Men (cover-dated January to May 2010, by writer Paul Cornell, artists Leonard Kirk & Jay Leisten with colour by Brian Reber) offers one of the first best nails in his coffin…

The drama begins with a strange plague: ordinary humans becoming dream-walking somnambulists communally declaring “I’m an X-Man”. The mystery provokes Osborn to convene his less-than-eager X-squad for a mission that will take them on a ‘Journey to the Center of the Goblin’…

Team leader is devious, rebellious shapeshifter Mystique; kept honest and grudgingly showing willing because of bombs implanted in her bloodstream. She’s supplemented by clinical depressive Calvin Rankin AKA Mimic, emotionally troubled, power-absorbing Michael “Omega” Pointer and alternate-Earth Henry McCoy – a conscienceless and sadistic biologist dubbed Dark Beast. He at least is happy to play: Osborn has promised him unlimited resources, plenty of guinea pigs and no ethical oversight…

Dispatched to Burton, California – site of the largest outbreak – on a glorified PR jaunt, the federal X-Men – with Mystique wearing the shape of the dead saviour Jean Grey – are interviewing a victim when Omega is suddenly overwhelmed and intoxicated by a huge influx of mutant energy and goes berserk…

Mimic heads off to stop him but is also affected by the strange force, gripped by a tantalising sense of precognition which promises to banish forever his crippling anxiety about his future…

As the team-mates crash through Burton causing untold carnage, in the hospital a ghostly force materialises from the boy they were quizzing. The nebulous shape stares at Dark Beast and says “I know you from home” before coalescing into long-dead mutant superman Nate Grey…

Grey, also known as X-Man, originally came from the same world as the Beast: an apocalyptic hell where humanity was all but eradicated. On escaping to our world Nate – son of that tragic Earth’s Jean Grey and Scott Summers – slowly evolved into an immensely powerful, shamanic, trans-dimensional messiah before ascending to a state of pure energy.

Now he’s back and might see right through the rogues pretending to be his extended family. However he disperses again before realising his “mother” is also an impostor…

Retrenching in New York after their debacle, the mutant squad confer with Osborn – who is practically salivating at the prospect of suborning X-Man’s unlimited power – and receive orders to find and capture the psionic phantom at all costs…

The energy-absorbing team members are far from keen, but deviant Dr. McCoy loves a challenge and makes use of H.A.M.M.E.R.’s nascent Psi-Division (an army of interned psychics and telepaths forced into a gestalt by unscrupulous charlatan Dr. Jarl) to summon and stabilise the psionic fugitive.

Physically present and instantly aware of all Osborn and McCoy’s past sins, the reborn X-shaman arrives on Earth all-powerful and furiously outraged…

His first move is to attack the Dark Avengers, routing all of them until only Olympian war-god Ares remains. Battling simultaneously throughout numerous time-planes Grey might even have beaten him, had not the extremely conflicted Mimic intervened and distracted him, allowing the immortal warrior to destroy X-Man…

Things take a strange turn in the aftermath as Mystique quietly confronts the gloating security supremo. Expert at swiping identities for decades, only she has realised Nate has willing discorporated in order to possess the most influential man in the world…

Determined to make Earth a paradise, Grey is wearing Osborn like a meat-glove: using him to carry out his own – benevolent – ambitions. However the mutant ghost has utterly underestimated the astonishing willpower of the madman he’s riding and the voracious fury of the savage elemental force pent at the core of Osborn’s fractured id.

To finally succeed in his evil plans, Norman Osborn had to hive off and imprison his maniacal, petty, angry other side, but with Grey now inside his head, the lethally dangerous, uncompromising Green Goblin is breaking free…

Unable to convince Nate to withdraw and terrified of what the Goblin persona might do if it ever gained control, Mystique finds herself forced to play hero for real and, galvanising her team of monsters and no-hopers, she uses the remnants of Dr. Jarl’s brain brigade to transport her Dark X-Men into Osborn’s mindscape to fix – or if necessary end – the catastrophic three-way mindwar.

Only they’re a little too late…

Rocket-paced, action-drenched, wryly imaginative and wickedly funny, this sharp sortie into weird worlds also includes sketches and designs by Leonard Kirk and a cover gallery by Simone Bianchi & Simone Peruzzi, Mike Choi, Sonia Oback, Giuseppe Camuncoli and Morry Hollowell to complete a perfect package for tried-and-true mutant mavens and Fights ‘n’ Tights aficionados everywhere.
© 2009, 2010 Marvel Characters, Inc. All rights reserved.

Wolverine: Season One


By Ben Acker, Ben Blacker, Salva Espin & Cam Smith, with Jason Aaron, Ramón Pérez, Laura Martin & various (Marvel)
ISBN: 978-0-7851-6672-6

Much as I’d love to believe otherwise, I know that the Cold War, transistor radio and pre-cellphone masterpieces of my youth are often impenetrable to younger fans – even when drawn by Jack Kirby, Steve Ditko, Bill Everett or Don Heck.

Perpetual and overarching revision – or at least the appearance of such – is the irresistible force driving modern comics. There must be a constant changing of the guard, a shifting of scene and milieu and, in latter times, a regular diet of death, resurrection and rebirth – all grounded in relatively contemporary terms and situations.

Even for relatively minor or secondary stars the process is inescapable, with increasing supra-comicbook media adjuncts (film, TV, games, etc.) dictating that subjects be perpetually updated because the goldfish-minded readers of today apparently can’t understand or remember anything that’s more than a week old.

Alternatively, one could argue that for popular characters or concepts with a fifty-year + pedigree, all that history can be a readership-daunting deterrence, so radical reboots are a painful but vital periodic necessity…

Publishing ain’t no democracy, however, so it’s comforting to realise that many of these retrofits are thankfully exceptionally good comics tales in their own right and anyway, the editors can call always claim that it was an “alternate Earth” story the next time the debut saga is modernised…

Released in 2013, Wolverine: Season One is an all-new distilation of the Feral Fury’s debut appearances in the Marvel Universe, delivered in a hardback graphic novel with hidden extras.

It was a late entry into a series designed to renovate, modify and update classic origin epics (following Fantastic Four, X-Men, Daredevil, Spider-Man, Ant-Man, Hulk, Doctor Strange, and Avengers) which, despite clearly being intended as story-bibles for newer, movie-oriented fans and readers, mostly managed to add a little something to the immortal but hopelessly time-locked tales.

Scripted by Ben Acker and Ben Blacker, illustrated by Salva Espin & Cam Smith with colours from Jim Charalampidis, the saga opens in the forested wilds of Canada where our unmistakable savage star is engaged in a ferocious struggle for survival against the mystical man-eating monster known as the Wendigo.

The horrific death-duel is witnessed by backpackers Heather and James Macdonald Hudson whose first assumptions – that the man is as bestial as the monster – are shaken when the clearly overmatched underdog intervenes after Wendigo turn his hungry attention to them…

Battle rejoined, the big beast slaughters the little man and shambles off, leaving the stunned couple to realise that – somehow, impossibly – their saviour is not dead…

Taking him back to their cabin, they nurse the incredibly fast-healing stranger to a semblance of health but although his body mends quickly his mind seems shattered. Moreover, they can see metal inside the clearly superhuman survivor…

Heather and James are not ordinary citizens either. They are employed by Canada’s security services where he is prominent in the clandestine Department H, building a suit of high-tech battle armour.

Idle chatter with the older scientists there leads James to rumours of a project called “Weapon X” wherein a man had indestructible Adamantium grafted to his bones before going crazy and slaughtering everybody…

The potentially homicidal maniac and certified amnesiac meanwhile has been patiently tended by Heather who has achieved a cognitive breakthrough. Reaching the man submerged by the animal, she has restored his power to speak but not to remember his past.

She was only slightly daunted by the razor sharp, nine-inch claws that tended to spring out of his arms whenever he became frustrated or upset…

James meanwhile has discussed Weapon X with his boss Dr. Myra Haddock and been told a pack of face-saving placatory lies about the whole shameful affair. She is however, extremely keen to bring the feral enigma into Department H, whose mandate is creating a super-soldier for Canada…

Soon the wild man is being groomed for the role of a special agent – a role he seems remarkably familiar with – but James is becoming increasingly uncomfortable with Heather’s new role as his “keeper” and the subject’s growing infatuation with his wife…

Throughout the training period the clawed conundrum has been subject to traumatic nightmares (buried memories of the tortures he endured as the involuntary test subject of the Weapon X program) and after a particularly arduous session in the laboratory he snaps, attacking Heather in berserk fury.

During the PTSD driven assault he shouted a name… “Logan”…

The net result is a huge fight as James dons the Exo-Suit he’d been building and goes after the mystery man. Total destruction of the base is only averted by scheming Dr. Haddock’s intervention; dragging them back to Heather’s bedside so she can shout at them both…

Chastened and frightened, the agent now known as Logan wants to quit, but Haddock has other plans. The monolithic man-monster known as the Hulk has wandered over the border into Canada and she wants her Weapon X to tackle the emerald invader. Not to kill him, necessarily: if Logan can get back with a gamma-irradiated blood sample that will be success enough. With such a transformative DNA to add to the Department’s discoveries, a Canadian super-soldier serum is an eventual certainty.

There’s only one little problem: the Jade Goliath is in the same region as the Wendigo and Logan still has a psychological handicap regarding the cannibal beast which all but killed him…

Outfitted in a tailored combat outfit and codenamed “Wolverine” the feisty scrapper is dropped into the middle of a brutal blockbusting battle between the behemoths – and is nearly pounded to jelly. Only last minute intervention by James saves the mighty mite, but he does come back with the Green Goliath’s blood all over him…

Haddock, however, has had enough of her subordinates’ seeming lack of guts and hires a freelance operative named Victor Creed who has similar abilities to Logan but none of his squeamishness about killing or following orders.

The big brute also claims to have shared history with Logan. The little amnesiac certainly has plenty of bad dreams and flashbacks after meeting the cruelly taunting new guy…

With Codename Wolverine benched due to his growing insubordination and repugnance at the Department’s methods, Creed – now using the combat appellative “Sabretooth” – is dispatched to bring in the Wendigo for Haddock’s vivisection labs whilst Logan is placed in lockdown and sedated.

He’s sprung by Heather who gives him a new costume to go after Sabretooth and her blinkered, out-of-his-depth husband. James might have a suit like Iron Man‘s but he’s no superhero, and accompanying Creed on this mission is likely to get him killed…

Thanks to Logan’s mutant super senses he locates the cannibal beast first and, due to his new rational state, manages to befriend the monster. Unfortunately when James – still writhing in unfounded jealousy of Logan – and Creed arrive, Sabretooth’s bloodlust soon provokes a terrifying four-way war…

Only when Heather becomes involved and endangered does James come to his senses and suddenly all bets are off…

The cataclysmic combat seems to shake a few hidden memories loose, however, and in the aftermath Wolverine wants out of Department H. James too has had enough of Haddock and goes to her superiors with a new idea: rather than super-soldiers, perhaps what Canada needs is a team of superheroes.

He even knows a consultant the government can hire: a metahuman specialist named Professor Charles Xavier. Once Logan and the American savant meet history is made…

The Beginning…

As an additional fillip the reimagined origin is supplemented with ‘Survival 101’ by Jason Aaron, Ramón Pérez and Laura Martin (from Wolverine and the X-Men #25, April 2013) wherein the tough-love terror, in his capacity as headmaster of the Jean Grey School of Higher Learning, drags a pack of his most troublesome and recalcitrant charges on an educational away-day to the dinosaur-infested Savage Land for a little team-building and bonding.

Of course if he’d realised his murderous big brother Dog had returned from the dead to hunt him, Professor Logan might just have opted for detentions and pop quizzes instead…

Fair Warning: this tale is funny, scary and extremely addictive but does not conclude here…

Also included are seven pages of design sketches, cover examples and variants by Espin, Julian Totino Tedesco, Pérez & Martin making this an enticing and entertaining package for both newcomers and dedicated aficionados alike.
© 2013 Marvel Characters, Inc. All rights reserved.

Cyclops: Starstruck


By Greg Rucka, Russell Dauterman, Carmen Carnero, Terry Pallot & various (Marvel/Panini UK)
ISBN: 978-1-84653-624-3

When mutant genius Henry McCoy learned he was dying, he used time-travel tech in a last-ditch attempt to give his life meaning. Seeking to prevent a species war, he brought the young, naive X-Men of his own youth into the future to reason with his radicalised former comrade Scott Summers, praying the still idealistic and hopeful teens could divert Mutant Enemy Terrorist No. 1 from his path of doctrinaire madness…

The gamble paid off in all the wrong ways. Rather than shocking Cyclops back to his senses, the confrontation hardened the renegade’s heart and strengthened his resolve. Moreover, after the younger McCoy miraculously cured his older self, he and the rest of the X-Kids were trapped in their own future and began gradually defecting to the fundamentalist team…

Eventually the temporally misplaced First Class all ended up living with the elder Cyclops’ crew, but everything changed after Gladiator of the Shi’ar realised that Jean Grey AKA Marvel Girl – and future host of the cosmic force known as the Phoenix – was back. The alien overlord rashly attempted to abduct and execute her for the crimes of her older self…

The insane pre-emptive punishment plan was foiled by an amalgamation of X-Men, Guardians of the Galaxy and intergalactic buccaneers Hepzibah, Ch’od, Raza and bizarre medical wizard Sikorsky – collectively known as The Starjammers.

During the cosmic conflict 16-year-old Scott met his believed-dead dad Christopher, now called Corsair and undisputed leader of the cosmic privateers and, when the mutant heroes returned to Earth, he chose to remain in space with the father he had spent most of his brief life assuming killed in a plane crash…

Scripted by Greg Rucka and illustrated by Russell Dauterman, Carmen Carnero & Terry Pallot, stellar saga Starstruck collects issues #1-5 of Cyclops: (July-November 2014), following the chronal castaway to the ends of the universe and even further into uncharted emotional territory…

The story begins as the still shell-shocked teen spends some time in hard vacuum with his dad’s exotic paramour Hepzibah. Together they are testing his new spacesuit which allows him to fire his fearsome optic blasts safely through his helmet. That and reminiscing about how he got here and revelling in the sheer majesty of the intergalactic firmament, of course…

For most of his comicbook career Scott Summers has been capable and competent but also dour, grim, despondent and simply no fun at all. Here, however, we get to see the incredible hero he always was, but also follow a nervous, unsure kid hungry for affirmation and still capable of ingenuous wide-eyed wonder.

That’s never more ably demonstrated than when his attempts to write a letter to Jean (the girl everybody from the future tells him he will marry and lose) are interrupted by an attack on the starship.

The Starjammers are wanted by almost every empire in the universe but this ambush by the scurrilous Brotherhood of Badoon is easily repulsed and only results in the pirates capturing their attackers’ vessel primarily intact…

Not so easily handled is the growing gulf between Scott and Corsair. The boy simply cannot accept why his father would allow him – and indeed his future self – to believe he was dead for decades…

The grizzled star-pirate thinks he has a solution. Giving Scott a sword liberated from the vessel (apparently a crucial piece of kit for any space-farer regularly indulging in close combat) Christopher Summers suggests a father-and-son vacation: a few months tooling around the galaxies in their newest prize, just getting to know each other…

At first the grand tour is all mind-bending exploration and eye-popping alien encounters but eventually Scott begins to see a disturbing pattern to his dad’s actions and comes to a horrifying conclusion. Corsair is a drug addict and their numerous stopovers in quirky cosmic bazaars and seamy sidereal marketplaces are simply opportunities to restock his personal pharmacopoeia…

One such jaunt introduces the boy to unlikely barkeeper and crimelord Baroque and leads Scott into a potentially life-changing VR encounter with a svelte and sexy alien temptress named Vass. Unfortunately anything he might have learned is promptly forgotten when a multi-species band of merciless bounty hunters corners the father and son team.

The wily thief-takers are utterly unprepared for Cyclops’ optic blasts however and the displaced humans get away relatively unscathed… except for Corsair’s fresh stash of drugs…

The next crisis occurs soon after as the Badoon ship catastrophically malfunctions and shipwrecks them on an isolated planetoid. Painfully scouring through the wreckage some time later, Scott discovers a tracking device – now destroyed – and finally confronts his father about the drugs.

He is doubly appalled when Corsair shamefully reveals that rather than buying narcotics, his dad has been visiting every criminal dive in creation “scoring” proscribed nanite technology: the only thing currently keeping him alive…

Stranded on a primitive mudball filled with predators all becoming increasingly less cautious and more hungrily curious, Scott at last learns of his unsuspected brother Vulcan, a mutant who once seized control of the Shi’ar Empire, sparked an intergalactic war and killed their father…

Of course, his devoted comrades refused to leave Corsair dead and petitioned the enigmatic creatures known as the Shrouded to restore him. The cloaked wonders succeeded but the cure requires constant and illicit maintenance…

Days pass and as the last dregs of the contraband drugs are used up, fading father and son grow closer, even to the point where they unite to turn the tables on the horrific bird-things stalking them.

As Corsair impatiently tries to teach his son everything he’ll need to know to survive the decades he might be alone on the planetoid, the boy derives a desperate scheme to save them both. The first step is to repair the tracking device and lure the certainly still interested bounty hunters to their current location…

Everything goes according to plan and the hunters become the hunted, but at the critical moment Scott, seemingly swayed by the blandishments of the mercenaries’ female slave, sells his own dad out…

What happens next proves the boy hero’s astonishing tactical genius and saves everyone’s lives – if not necessarily their honour…

Heartwarming, thrilling, funny and astoundingly action-packed, Starstruck combines cosmic intrigue and dashing derring-do with solid characterisation and wild blue yonder wonderment, and comes with a covers-&-variants gallery by Alexander Lozano, Greg Land, John Tyler Christopher and Paul Renaud as well as AR icon sections (Marvel Augmented Reality App) for access to story bonuses once you download the free code from marvel.com onto your smart-phone or Android-enabled tablet.

What more could any wide-eyed, entertainment-starved child of the wondering stars want?
™ & © 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Savage Hulk: The Man Within


By Alan Davis, Roy Thomas, Sal Buscema, Mark Farmer, Sam Grainger & various (Marvel/Panini UK)
ISBN: 978-1-84653-630-4

In 1969, after six years of quirky, deliciously off-kilter adventures, The X-Men comicbook folded. It was a relatively early casualty of the latest periodic, repetitive changing-of-reading-tastes, which saw the buying public once again shun superhero stories in favour of genres like war, westerns and, most especially, supernatural horror yarns…

Of course after the fantasy fad receded again the team emerged resurgent and unstoppable in 1975’s Giant-Size X-Men #1 and have since become an unshakable fixture of contemporary comics and cinema culture. Nevertheless when they first folded, a goodly number of us strange funnybook fans couldn’t believe the loss of such outré and irreplaceable characters.

Despite their reappearance in recycled reprints a certain magic had gone from the world back then and this most modern confection by Alan Davis seeks to redress that loss, albeit 45 human years later…

That final 1960s X-Men exploit was a weird “sort-of” team-up and, as it pivotally informs the all-original 4-part tale by Davis, inker Mark Farmer and colourist Matt Hollingsworth which comprises the majority of this scintillating compilation chronicle, the editors at Marvel have thoughtfully included it – in all its raw glory – at the back of the book.

I’m reviewing it first because that’d just the way I am…

‘The Mutants and the Monster!’ by Roy Thomas, Sal Buscema & Sam Grainger (X-Men volume 1#66, cover-dated March 1970), was actually the epilogue to an epic clash between the mutants and voracious alien invaders.

The campaign had shockingly brought back long-believed dead Professor Charles Xavier, who then nearly killed himself for real by uniting every mind on Earth in a psychic thrust of unparallelled force to repel the already repellent Z’Nox.

The tragic aftermath was seen here: a debilitating coma caused by the exertion left the telepath near death, able only to convey a feeble psionic message which sent the team hunting for Bruce Banner in Nevada.

Apparently, the two cerebral heavyweights had previously and secretly collaborated on a gamma-powered device which might now be able to save and restore the fallen Xavier…

However the harried young heroes, in their hasty attempt to save their mentor, forgot one crucial fact: when you hunt Banner what you usually end up with is an immensely irate Incredible Hulk…

The resulting destructive debacle wrecked a lot of landscape but throughout the extended brouhaha, the Hulk seemed to be subconsciously leading the titanic teens to his hidden desert lab where the prototype Gamma Stimulator was stashed.

Despite colossal carnage and inevitable US Army interference the gadget was recovered and the Professor saved…

Flipping now to the front of the book, the main event reveals a previously undisclosed follow-up encounter published as Savage Hulk #1-4 (August to November 2014) ‘The Man within’ and opens with TV coverage of the Nevada battle being carefully scrutinised by Gamma-spawned evil super-genius The Leader. The sinister savant soon gleans a connection between the mutant warriors and their previously unsuspected boss Charles Xavier…

The Hulk meanwhile is fending of another furious attack by the military even as back in Westchester County the recuperating Xavier examines the life-saving device and realises Banner had completed it to cure himself of his emerald alter ego. The mutant mentor soon discovers why it didn’t work on the tragic titanic transformer. It needed a telepathic trigger…

Convinced he can return the favour and finally cure Banner, guilty, grateful Professor X accompanies Cyclops, Marvel Girl, Angel, Beast, Iceman, Havok and magnetic warrior Lorna Dane back to Nevada and Banner’s clandestine laboratory. They are all blithely unaware that The Leader has already staked the place out…

The frenzied fugitive at the heart of the matter meanwhile has been found by a well-meaning elderly couple whose offer of assistance leads to unbridled terror as the timid down-and-out suddenly shapeshifts into a mountain of angry green muscle…

Nearby the X-Men have been ambushed by the murderous, monstrous Abomination, who is also hunting for the Hulk and their titanic tussle soon intrudes on the Jade Giant’s agonised antics…

The three-way war immediately escalates after the army closes in, all guns blazing, but the merely human military are swiftly driven back by the mutants, leaving the Hulk to totally trash his gamma-powered nemesis single handed.

In the quiet aftermath, Marvel Girl uses her own still-developing telepathy to quell the victorious Hulk’s rage and re-manifest the deeply traumatised Bruce. Soon the physicist is conferring with Xavier and preparing to be rid of his ominous other for all time, but as their salvation device is set in motion none are aware that deadly threat is nearby, awaiting the perfect moment to strike…

Shock follows shock as the procedure goes awry with the hulk’s gamma-energy migrating to Marvel Girl, creating a bellicose green giantess reeling with incomprehensible psionic power.

…And that’s when The Leader makes his move at the head of an army of mechanoids and a legion of the Hulk’s old foes…

Only Xavier is aware that things are not entirely what they seem and is capable of combating the true source of the fantastic threat, aided by the Hulk’s most incredible gamma-fuelled transformation yet…

Also included in this splendid and explosively entertaining epistle are the original covers by Davis, Farmer, Val Staples, Matt Hollingsworth & Brad Andersen plus Marie Severin & Grainger’s 1969 classic image, and a selection of variants from John Cassaday, Alex Ross, Ryan Stegman, Jim Starlin and Dale Keown.

Cleverly conceived, beautifully illustrated, riotously action-packed and stunningly suspenseful, this tale of triumph and tragedy is pure vintage Marvel Mastery, ably augmented by the original inspirational yarn from the end of a unique era and offering readers young and old a magnificent chance to re-experience the glory days of the House of Ideas.

™ & © 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Wolverine: 3 Months to Die


By Paul Cornell, Elliot Kalan, Kris Anka, Pete Woods, Salvador Larroca, Jonathan Marks & various (Marvel/Panini UK)
ISBN: 978-1-84653-631-1

James Howlett, AKA Logan, AKA Wolverine, has faced a multitude of impossible situations in his long and bloody life but possibly the most groundbreaking shake-up only came at the conclusion of Wolverine: Killable which saw the mayhem-making mutant Methuselah coming to terms with the fact that his healing factor – and therefore his virtual immortality – were gone, removed by a sentient virus from an incredible alien microverse.

No longer able to properly defend himself nor, most importantly, his loved ones and innocent civilians from the likes of monsters such as Mystique or Sabretooth, he underwent a great deal of soul-searching and solution seeking to offset a seemingly insurmountable power loss.

As if to emphasise the point his most despised and unrelenting foe Victor Creed – tenacious, savage and still possessing the powers and skills Howlett once boasted, then renewed his campaign of terror upon his woefully diminished enemy.

As current leader of deviant sect of ninja cult The Hand, the mutant monster dubbed Sabretooth orchestrated a murderous snipe-hunt which killed dozens of helpless humans at a shopping mall whilst leaving the helpless Canadian Crusader physically crushed, emotionally humiliated and spiritually broken…

In response Logan switched to high-tech guns and armour, abandoning all his friends and comrades to run with a new – bad – crowd. Supported by a band of young super-powered criminals (Lost Boy, Fuel, Reflex and Pinch) Logan seemed to have gone to the dark side by joining the gang of up-and-coming underworld boss The Offer…

The truth was far more palatable. When S.H.I.E.L.D. learned Sabretooth was seeking a weapon of cosmic capacity they tapped Logan to go deep undercover with a potential rival to the Hand’s new Lord in a Byzantine scheme to stop him. The subterfuge was total and even led to Logan clashing with old friends like Thor…

Fully immersed in his covert role, Wolverine began an affair with new crony Pinch – who had subsequently come into possession of the reality-rending device – when Sabretooth caught up to the gang. Betrayed and incensed the heartbroken and furious thief was in no mood to be reasonable when Logan pleaded with her to hand over the planet-shattering globe.

Creed however made a telling counter-offer: give him the device and he would stop his Hand ninjas from killing the daughter Pinch thought she had safely hidden from the consequences of her so-dangerous lifestyle…

Written primarily by Paul Cornell, 3 Months to Die collects the contents of Wolverine volume 6, #8-12 and Wolverine Annual #1(August-October 2014), concluding the shocking saga of the fall of a legend…

The action begins with an eerie and portentous 2-part digression as ‘Games of Deceit and Death’ (illustrated by Kris Anka and colourist David Curiel) suddenly finds Wolverine transported to the island of Itsukushima where Master of Kung Fu Shang-Chi and living weapon Iron Fist have invited the emotionally-adrift old warrior in order that he might enter “The Secret Temple of Death on Holiday”.

At the height of his last battle with Creed, Wolverine – although possessing the upper hand – hesitated and could not finish his enemy. Now the martial artists are offering a spiritual solution for the baffled, desperate and demoralised Logan which involves having a heart-to-heart with the conceptual being who is the embodiment of Death…

Meanwhile in Sabretooth’s lair the Hand’s master is still dickering with Pinch for possession of the world-warping globe, but when her trusted boss the Offer secretly switches sides the negotiations take a most unwelcome turn.

Back at the temple Wolverine has quelled his doubts and entered for a debate with Death, whilst in the mundane world the Offer has sold out all his former associates. Gleaning Logan’s whereabouts from Lost Boy, the duplicitous dealer informs Creed who promptly dispatches an army of ninjas to destroy at last his personal nemesis…

The concluding chapter then finds Iron Fist and Shang-Chi frantically battling that army even as, deep within the temple, Wolverine learns a few startling truths from the creature he has for so long fed whilst himself avoiding.

At Hand HQ Creed has taken control of the globe and the first Logan learns of it is when the ghost of Fuel suddenly appears, begging him to go back and save Pinch, Lost Boy and the rest…

Spiritually reinvigorated and fortified, Wolverine heads for the final confrontation with Sabretooth, utterly oblivious to the fact that Death has been playing with him as part of a much deeper game…

‘The Last Wolverine Story’ (art by Pete Woods and Curiel) opens as Wolverine returns to the Jean Grey School for Higher Learning for a reconciliation with his mutant students and X-Men comrades before going after Creed.

Sabretooth meanwhile has established a New York base from where he intends to use the globe to rewrite reality: creating a world perfectly tailored to his highly specific predatory needs. He has also realigned himself with Machiavellian shapeshifting schemer Mystique to ensure his every dream comes bloodily true…

Blessed with a new enlightenment, Wolverine has eschewed his usual lone wolf tactics and sought out allies. The first to be contacted are the eclectic think-tank of the Guernica Bar. Situated on West Fourth, the legendary dive is a superhero hostelry where a most select crew regularly and above all quietly meet…

As well as comicbook writer Harold Harold, there’s an odds-maker on superhero battles, a professional powers cataloguer and the current CEO of repair conglomerate Damage Control as well as unflappable Weird Science surgeon Victoria Frankenstein (she pronounces it “Fronken-schteen”) amongst others.

However no sooner does the Feral Fury arrive than the bar is invaded by more murderous ninjas and in the resultant melee Harold reveals a potent secret which holds the horde at bay until thunder god Thor pops in to save the day, just moments ahead of Nick Fury Junior and S.H.I.E.L.D.

Despite the willing legion at his back, for strategic reasons Logan opts to invade Creed’s base in alone to free the hostages, but inevitably his mission ends up in a massive and escalating running battle. As the good guys are increasingly tied up fighting wicked alternate universe versions of themselves, the pivotal contest becomes the one it always has been: Wolverine against Sabretooth.

This time however it doesn’t end in the usual oft-replayed, inconclusive stalemate…

Following the catastrophic, catagoric conclusion Cornell, Salvador Larroca & Rachelle Rosenberg offer a short What If? vignette from Wolverine #12 in ‘That Which Didn’t Happen’ which re-examines the pivotal moment when the sentient virus offered to return Logan’s healing factor in return for fealty.

In this piece he said yes and Harold Harold is one of the last beings on Earth to suffer the ghastly consequences of that choice…

‘Wolf and Cub’ by Elliot Kalan, Jonathan Marks & Jose Villarrubia (from Wolverine Annual #1) ends this iteration of the long-lived legendary hero as Logan, feeling his age at last, takes adoptive daughter/former mutant/friendly vampire Jubilation Lee and her own recently-adopted baby Shogo for a walk on the wild side.

Feeling Death breathing down his neck, Wolverine takes his biped family into the wooded wilderness to meet the wolves who adopted him when he was at his most feral and mindless, but their camping trip takes a tragic turn when they encounter a husband and wife still suffering the effects of their experiences in Afghanistan…

The PTSD-afflicted Brad reacts with fear and violence when he sees a wild man apparently offering a baby to wolves and his frantic shots cripple Logan and decimate his lupine brethren.

Taking the child to what they think is safety, the soldier couple have no idea of the horror they’ve unwittingly unleashed by stealing a vampire’s child…

Tense suspense, non-stop visceral action, compelling mystery and an aura of impending, inescapable doom flavour this enticing chronicle from high-octane start to fraught finish and this splendidly entertaining treat also includes a dozen stunning covers-&-variants by Steve McNiven & Laura Martin, Dustin Nguyen, Ryan Stegman & Edgar Delgado and Ed McGuiness to delight and amaze all fan’s of fast and furious Fights ‘n’ Tights fiction.
™ & © 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

House of M


By Brian Michael Bendis, Olivier Coipel, Tim Townsend & various (Marvel)
ISBN: 978-0-7851-1721-6

When mutant Avenger the mutant Scarlet Witch married the android Vision they conceived – through the agency of magic and Wanda Maximoff”s undiagnosed ability to reshape reality – twin boys.

Over the course of time it was revealed that her sons were not real and, as the years passed, the shock of that revelation slowly drove her insane.

After tipping completely over the edge Wanda engineered the destruction of her other family – the vast and varied assemblage of the Avengers – orchestrating the death of her former husband and some of their oldest friends.

The World’s Mightiest Heroes were shut down and rebooted in a highly controversial storyline known as Avengers Disassembled, which resulted in the formation of both The New and Young Avengers. That publishing event also spilled over into the solo titles of team members and affiliated comicbooks such as the Fantastic Four and Spectacular Spider-Man, which all ran parallel story-arcs to accompany the main attraction.

The tale told of the worst day in the Avenger’s history as the Witch manipulated people and events: betraying her oldest, closest companions and causing the destruction of everything they held dear. The chaos-storm was only ended when mystic master Doctor Strange and mutant patriarch Charles Xavier took the dazed and crazed Wandainto their personal protective care.

This follow-up company crossover conjunction – by Brian Michael Bendis, Olivier Coipel & Tim Townsend and released originally and primarily as an 8-issue miniseries from August to November 2005 – saw reality rewritten again when Wanda apparently had another major lapse in concentration; reformatting history such that Homo Superior now dominated a society where mere humans (“sapiens”) were an acknowledged evolutionary dead-end living out their lives and destined for extinction within two generations.

Moreover her true father Magneto ruled the mutants; regal head of a glorious dynasty which exerted political control over the entire planet.

It took a dedicated band of heroes and a great deal of luck to put that genie back in a bottle, but the repercussions of the repair job were both profound and world-changing…

Re-presenting the core fortnightly miniseries House of M, and The Pulse: Special Edition, this collection also contains covers and variants by Esad Ribic, Joe Quesada & Danny Miki, Terry & Rachel Dodson, John Cassaday, Brandon Peterson, Mike McKone, Greg Land & Matt Ryan, Salvador Larroca, Chris Bachalo, Joe Madureira, Tim Townsend & Olivier Coipel, and The Pulse – an inspired 12 page faux issue of M-world’s top mutant gossip mag, which offers engaging and pertinent snippets of congruent stories in other titles…

Following a handy scene-setting recap page the drama begins in devastated former mutant homeland Genosha, where Xavier is at last forced to admit that his psychic surgeries are not helping Wanda.

The desire to restore her non-existent children is too strong and the traumatised Scarlet Witch constantly tinkers with reality to make her dreams real. After much impassioned debate with her despondent father Magneto and brother Quicksilver, Professor X finally weighs up the horrific potential consequences and considers other options…

Meanwhile in New York Wonder Man, Ms. Marvel and The Falcon visit the New Avengers at Stark Tower preparatory to the latest assemblage going public. Thus they are on hand when the X-Men come calling: rallied by Xavier to discuss the final fate and disposition of the Scarlet Witch.

In Genosha her father and brother argue on: one seeing no option but the final sanction and the other determined that Wanda must not die.

Opinion is just as divided amongst Avengers and X-Men. Unable to reach a decision, the huge group opt to visit Wanda and try to get through to her one last time.

By the time they reach Genosha she has vanished. Fearing the world might end at any second they frantically search until they are all consumed by a blinding light…

The second chapter begins in a very different New York, where decrepit nonagenarian war hero Steve Rogers draws a well deserved pension, millionaire celebrity Peter Parker, his wife Gwen, son Richie and close relatives May and Ben Parker all live in lofty luxury and teeming billions of mutants run the world, safeguarded and policed by colossal robotic Sentinels…

All the heroes who sought out the Witch now live perfect lives that match their deepest, most secret hearts’ desires, but there is a painful undercurrent of tension amongst the rapidly declining, soon to be extinct Homo Sapiens…

Wolverine awakes screaming. His greatest desire has always been to recover his lost memories: destroyed and discarded by more than a century of brainwashing, mind-wiping and intervention by a succession of sinister enemies. As consciousness returns he remembers everything.

Especially how a moment ago the world was completely different…

In this new universe he is leader of an elite team of mutant peacekeepers. The Red Guard are the prime enforcers of the House of M and agents of the Royal Family of Magneto: de facto rulers of Earth.

Appalled he leaps from the ominous floating aircraft carrier dominating New York and plunges to Earth…

Healing factor in overdrive he then lurches through the streets of the city searching for Xavier and a solution to this insurmountable problem. Hard on his heels are his former subordinates in the Red Guard, all convinced their formerly ruthlessly rational commander has gone crazy.

In his frantic flight, the desperate fugitive stumbles into other-world old comrade Luke Cage who is, in this place, a cunning gangster leading a band of human rebels fighting mutant oppression. Shockingly, amongst his motley crew is masked archer Hawkeye – one of the cruellest casualties of the Scarlet Witch’s first killing spree…

Playing with his grandchild in the idyllic paradise of Genosha, Magneto is unaccountably troubled at the perfection of his existence even as, in New York, Sentinels track and attack Cage’s “Human Avengers”. Thanks to teleporter Cloak, Wolverine and a few of the gang escape, taking with them a strange little girl named Layla Miller.

She is a mutant and amongst her arcane and undisclosed power-set is the ability to reawaken a person’s memories of the world Wanda overwrote…

Convinced Magneto used his crazy daughter to remake the world to his advantage, Wolverine is exultant to have a weapon to offset all the dictator’s advantages and with Cage begins tracking down and restoring former allies.

The game plan remains unchanged: find Xavier and use his telepathic powers to force the Witch to restore the real world.

In Genosha, meanwhile, Magneto again finds himself drawn to the simple tomb of his greatest friend and occasional enemy Charles…

The next stage in Wolverine’s campaign is to use his now restored and grimly determined Avenger and X-Men allies to take control of the Helicarrier dominating New York, piloting it to Genosha and engaging the House of  M’s forces as Layla works her own special mutant magic and reawakened mystic master Stephen Strange attempts to deal with Wanda…

Throughout the horrifying ordeal everybody involved has assumed that Magneto made his daughter reorder reality to suit his dark ambitions, but the magician’s confrontation shockingly reveals a different hand and motive behind the grand change and, as the universe begins to unravel once more, the appalled and furious Master of Magnetism unleashes his own power against the traitor who betrayed his friends, family, species and planet…

…And at the heart of the chaos and carnage Wanda Maximoff, whether at the peak of her madness or in a chilling moment of clarity, utters three little words.

“No more Mutants”…

Dawn breaks on New York City and all the battered participants at the centre of the apocalyptic struggle awake in their own – as far as they know – proper beds. For those that remember, the world seems back to its true state, but when the shell-shocked protagonists gather together to compare notes they realise some things don’t jibe.

Wolverine still has all the memories of his long and previously clouded life; Wanda has utterly vanished again; there is evidence that Hawkeye might be alive again and, most unbelievable of all, the almost one million members of the mutant sub-species are now just human…

Across the Earth less than 200 super-powered Homo Superior remain. Governments are scrabbling to process the fact and form policies whilst the pedagogues of the religious right claim God has smitten the unclean and exhort decent – human – men and women to finish the good work…

Scientist Henry Pym has an even more chilling warning. Reminding us of Einstein’s dictum “Energy cannot be created or destroyed, it can only be changed from one form to another”, he ominously ponders on where all the powers, radiations and assorted exotic energies formerly wielded by the ex-mutant population have gone…

Although Marvel continuity was skilfully interwoven throughout the event, this particular tale stands alone perfectly without any need to refer to the many attendant miniseries: offering an engaging, fast-paced thriller brimming with tension and stuffed with bombastic spectacle.

House of M is an action-packed, spectacular adventure that will delight lovers of epic Fights ‘n’ Tights fantasy and beguile casual readers looking for an easy but enthralling entry into the madcap world of Costumed Dramas.
© 2005, 2006 Marvel Characters, Inc. All rights reserved.

X-Men Forever 2: Back in Action


By Chris Claremont, Todd Grummett, Rodney Buchemi & various Terry Austin, Brent Anderson & Joe Rubenstein (Marvel)
ISBN: 978-0-7851-4664-3

In 1963 The X-Men #1 introduced Cyclops, Iceman, Angel, Marvel Girl and the Beast: very special students of Professor Charles Xavier, a wheelchair-bound telepath dedicated to brokering peace and integration between the masses of humanity and the emergent off-shoot race of mutants dubbed Homo Superior. After years of eccentric and spectacular adventures the mutant misfits disappeared at the beginning of 1970 during a sustained downturn in costumed hero comics as supernatural mystery once more gripped the world’s entertainment fields.

Although their title was revived at the end of the year as a cheap reprint vehicle, the missing mutants were reduced to guest-stars and bit-players throughout the Marvel universe and the Beast was refashioned as a monster fit for the global uptick in scary stories until Len Wein, Chris Claremont & Dave Cockrum revived and reordered the Mutant mystique with a brand new team in 1975’s Giant Size X-Men #1.

Old foes-turned-friends Banshee and Sunfire joined one-shot Hulk villain Wolverine and all-original creations Kurt Wagner, a demonic German teleporter codenamed Nightcrawler, African weather “goddess” Ororo Monroe AKA Storm, Russian farmboy Peter Rasputin, who transformed at will into a living steel Colossus, and bitter, disillusioned Apache superman John “Thunderbird” Proudstar in a makeshift squad.

Chris Claremont became scripter with the next tale – which saw Thunderbird become the first X-Man to die in action – and the new revision prospered.

It became an unstoppable hit and was soon the company’s most popular and high quality title. In time Cockrum was succeeded by John Byrne and as the team roster shifted and changed the series rose to even greater heights, culminating in the landmark “Dark Phoenix” storyline which saw the death of arguably the book’s most beloved and imaginative character.

In the aftermath team leader Cyclops left and a naive teenaged girl named Kitty Pryde signed up. The stellar saga seemed to fracture the epochal working relationship of Claremont and Byrne, however. Within months of publication they went their separate ways: Byrne moved on to establish his own reputation as a writer on series such as Alpha Flight, Incredible Hulk and especially his revolutionised Fantastic Four, whilst Claremont stayed with the burgeoning mutants’ population.

He only left after scripting the “Mutant Genesis” storyline in X-Men #1-3 in 1991, at the height of the group’s popularity and following an unbroken sixteen year run. The team carried on evolving, facing crisis after crisis under a number of writers – including on occasion Claremont himself.

However in 2009 the author was offered a unique opportunity, thanks to the concept of Alternate Earths. Although published years later, X-Men Forever was set immediately after Mutant Genesis and ostensibly followed the heroes as Claremont would have written them had he stayed…

The project turned into a regular series which ran 24 issues (August 2009- July 2010) until a catastrophic climax saw the heroes sacrifice far too much to once more save their world…

Collecting X-Men Forever 2 #1-5 – spanning August to October 2010 – this slim chronicle from another universe focuses on a very different squad of heroes, written as ever by Claremont.

The world has recently reeled to the revelation that most mutants suffer from a genetic malady dubbed “burnout”. As revealed by Professor X, the condition causing super-powered mutation comes at a price and most meta-gifted Homo Superior will die young: their lifespans curtailed by as much as half due to their genetic advantages…

The world became a far deadlier and more desperate place on hearing the news.

Now the Beast is dead and Wolverine has been murdered by Storm. Kitty (AKA Shadowcat) has somehow had one of her beloved mentor’s Adamantium claws grafted to her arm. Nightcrawler Kurt Wagner and Rogue Anna Marie Raven have accidentally traded power-sets.

The aforementioned weather goddess has taken control of African nation Wakanda whilst a pre-teen version of her has replaced her on the team.

Former foe Sabertooth – maimed and blinded – has become an unlikely and still barely trusted recruit and even founding father Charles Xavier is gone: taken by the Shi’ar Empire. Now S.H.I.EL.D. Supremo Nick Fury notionally directs the mutants’ missions.

The remaining still-reeling stalwarts include Cyclops, Gambit and telepath Jean Grey, whilst geneticist Moira MacTaggert struggles to serve as science officer to the still outcast and frequently outlaw organisation…

The drama commences with ‘A Cry of… Vengeance!’ illustrated by Tom Grummett, Cory Hamscher & Wil Quintana as, following the loss of Hank McCoy and Tony Stark (foiling a plot to eradicate all mutants by secret combine The Consortium), the Avengers arrive at the X-Mansion intent on taking the survivors in for “questioning”. The confrontation quickly devolves into all-out war and leads to an horrific explosive tragedy…

Meanwhile in an Omaha orphanage an old foe prepares for another vile assault on the misunderstood heroes…

It might well be a wasted effort. When the dust settles at the Xavier place all that the Avengers can see is a colossal three-mile wide crater. The release of power has somehow interacted with the Skrull and Shi’ar technologies cached at the school and detonated with cosmic force.

Nothing remains and the repentant superheroes depart, utterly unaware of the immense scam that has been perpetrated…

The story resumes ‘Six Weeks Later’ as the world – some of it at least – mourns the loss of the mutant champions. As Earth’s media continually rehashes the events looking for answers and somebody to blame, in Wakanda Queen Perfect Storm rages. Now she will never be able to make Kitty pay for disfiguring her with Wolverine’s transplanted claw…

With Fury gone, mutant-hating racist Ziggy Trask is elected chief of S.H.I.EL.D., and in Colorado Warren “The Angel” Worthington gathers all the surviving heroes who have worn the “X”, swearing to keep them safe from an ever-more hostile world.

…And in New York, publisher J. Jonah Jameson despatches journalist Peter Parker to get pictures of the federally embargoed disaster site. Nobody can truly believe the X-Men are gone but even Spider-Man’s notoriously crazy luck and fierce optimism cannot ascertain the true facts…

Only when Parker is again webswinging through the Big Apple does a truth emerge when he stumbles on a mugging, only to find a woman who looks uncannily like the deceased Nightcrawler foiling the felons…

The astounding truth begins to seep out in ‘A Night on the Town!’ ashapeshifting mastermind Mystique tours underworld dives looking for information on her two presumed dead children. At that very moment Spider-Man is confronting one of them exhibiting all the powers of the other…

Meanwhile at the geographical location of the X-Mansion – albeit one second out of phase with the universe – Fury, a select team of S.H.I.EL.D. volunteers and the dearly not-departed X-Men are all going frantic. Six weeks of lying low in an adjacent dimension are endangered because Rogue got cabin-fever and lost control of her new teleporting powers…

From inside their Skrull-enabled, other-dimensional hidey-hole, Cyclops despatches a stealthy retrieval team whilst in Omaha a malign scientist plans to abduct a hero’s surviving relatives, determined not to lose the crucial Summers genes…

In New York Spider-Man and Anna Marie while way their cares thrashing common thugs but things get nasty quickly when Ziggy Trask’s S.H.I.EL.D. Sentinel mechanoids zero in on the errant mutant…

Close by, Jean, Kurt and Kitty assess the situation but are ambushed by more murderous robots. As battle is joined they are saved by the heroes they were hunting and Mystique who has a starling offer in mind…

With art by Rodney Buchemi, Greg Adams & Quintana, ‘Stolen Lives!’ then cuts back to the mansion where Moira and Sabertooth have been kidnapped by Morlocks who have easily traversed the trans-dimensional divide.

Even as Fury and Cyclops dubiously ponder Mystique’s request to join the team the intruders are making their escape, intent on executing their former persecutor and using Moira’s research to stave off their own imminent deaths from mutant burnout…

As Agent Daisy Dugan organises a pursuit squad, her boss Fury is interrogating Mystique and learning to his horror for just how many decades the shapeshifter has involved herself in his affairs…

As Cyclops, Dugan, Kitty and Gambit enter the Morlock tunnels under New York, they are completely unaware that the young version of Storm has followed; intent on proving she is nothing like her treacherous older iteration.

As the heroes close in on the abductors, nobody realises that Trask’s S.H.I.EL.D. goons have targeted all of them…

Whilst mutants battle each other in ‘Dead Reckoning!’ (Buchemi, Adams & Quintana), back at the mansion Mystique’s debriefing has taken a disturbing turn as Jean is forced to confront her hidden feelings for the murdered Wolverine. In the tunnels the chaotic combat has reached an impasse but the moment when a truce could save them all is lost as Trask’s S.H.I.EL.D. agents burst in. Only some few escape thanks to the intervention of former Morlock leader Callisto…

Moreover, unless something happens quickly, the X-Men’s hard-won cloak of grave anonymity looks to have disappeared like smoke in the wind…

To Be Continued…

With covers by Tom Grummett, Cory Hamscher, Terry Austin and Quintana, this quixotic mixture of intriguing Might-Have-Beens and exotic action offers all of Claremont’s soap opera bravura whilst displaying a fine sense of having-one’s-cake-and-eating-it-too for Fights ‘n’ Tights fans.
© 2010, 2011 Marvel Characters, Inc. All rights reserved.

X-Force volume 12: Scar Tissue


By Peter David, Valentine De Landro, Emanuela Lupacchino, Pat Davidson, Guillermo Ortega & various (Marvel)
ISBN: 978-0-7851-4655-1

Since its 1980s debut, X-Factor has been a superbly effective umbrella title for many uniquely off-kilter iterations of Marvel’s mutant phenomena. Indisputably the most impressive and enduring assemblage was created by writer Peter David in 2006; mixing starkly violent suspense with cool detective mystery, laugh-out-loud comedy and fantastic Fights ‘n’ Tights action even whilst slyly and subtly addressing social issues in a regular riot of superbly adult Costumed Drama.

It all began when Jamie Madrox, the Multiple Man – a veteran of the formerly government-sponsored (and controlled) team – appropriated the name for his own to create the specialist metahuman private detective agency X-Factor Investigations.

Setting up shop in the wake of “The Decimation”, which had reduced the world’s mutant population to a couple of hundred empowered individuals and millions of distressingly humanised (ex) Homo Superior, he and a perpetually fluctuating team set out to discover why and how it had happened and, once that was settled, just kept going…

This splendid sampling of strange happenings – written as ever by your man David – collecting X-Factor #213-219 (February-July 2011) commences with ‘Keeping Things’, illustrated by Valentine De Landro, Pat Davidson & Jeromy Cox, as the freshly liberated from Asgardian-hell-Niffleheim heroes recuperate in Las Vegas after a nasty brush with Death Goddess Hela.

Braving damnation to rescue obnoxious oik Pip the Troll, the mutants had faced an eternity of undead combat until Armando “Darwin” Muñoz stretched his hyper-evolving gift to the utmost and became something far more than mortal to secure their release.

Now he finds that he just does not fit on Earth… as a succession of increasingly tense PTSD style confrontations with gamblers, gangsters and even his team-mates proves.

Eventually he takes his leave and walks out into the desert to be alone…

The recently rescued troll is eager to take his place, but X-Factor deftly duck him by matter-shifting back to New York, forgetting that the malodorous little troglodyte can teleport too. Pip is resolute in wanting to reward their deeds by serving them, but he actually has a secret boss and private agenda dictating his actions…

When mystery-powered mutant Layla Miller, Guido “Strong Guy” Carosella, Theresa Rourke Cassidy (AKA Siryn), alien enigmas Longshot and Shatterstar all joined Madrox in his quixotic bid to save the troll, they behind left psionic super-woman Monet St. Croix – who was involved in a private case – and former lovers Rictor and Rahne “Wolfsbane” Sinclair.

The latter pair were dealing with the repercussions of Rahne’s swiftly developing pregnancy but Madrox now believes he has some shocking news for the already shell-shocked father-to-be.

Whilst in Niffleheim, Shatterstar (Rictor’s current lover) clashed with deceased wolf-god Hrimhari, where the vulpine zombie claimed Wolfsbane’s condition was his doing…

Thanks to a prenatal scan Rictor already knows and is dealing with being lied to in an uncharacteristically mature manner…

Issue #214 – with art from Emanuela Lupacchino, Guillermo Ortega & Matt Milla – then focuses on Armando as he wanders the wastelands trying to come to terms with his transformation. His solitary ruminations are derailed when a showgirl appears, chased by a colossal dragon.

Stepping in as any hero would, Darwin soon finds himself trapped in a bizarrely off-kilter ghost town facing down a gun-toting angel of death and herald of biblical Armageddon who calls himself “Tier”. The triggerman is straight out of The Book of Revelations and also claims that Rahne is/will be his mother, but the final climactic showdown only leaves more questions than answers…

De Landro, Davidson &Cox illustrate ‘Stake Out’ as, back in the Big Apple, the detectives are hired to prove that a man’s death-by-vampire attack (the story is set during the crossover event Curse of the Mutants) was more than it appeared. Distraught daughter Adina is convinced that her new stepmother is responsible, but when Layla and Madrox investigate they find a far more complex and chilling scenario in effect: one where all the players are both right and wrong in every aspect of their accusations and suspicions…

The remains of this volume focus on the fallout of the aforementioned solo case undertaken by Monet. When the abrasive telepath had agreed to psi-probe a woman plagued by dreams of atrocity she was rather surprised when her mental recalibrations scored a total success. Now the costs of that victory begin to hurt as mentally healed “Noelle Blanc” tracks down some former army comrades who don’t remember her at all…

Illustrated by Lupacchino, Ortega & Milla the tale begins to unfold as Mayor J. Jonah Jameson calls in a long-promised favour from Madrox and demands the detectives discover who murdered the former publisher’s oldest friend General Sam Ryan…

As Spider-Man nosily tries to find out what JJJ’s up to, in Nebraska Noelle has turned a flamethrower on a meek doctor and awoken the dormant memories of another woman soldier transformed by a top-secret military experiment…

The revelations continue in ‘Deep Scars’ as the cyber-enhanced war-girls go looking for their final comrade – and more revenge – even as Madrox, Rictor, Shatterstar and Longshot investigate the General’s assassination in a graveyard and find a connection to a super-secret project…

Back in NYC increasing civil unrest leaves the remaining team-members stuck on bodyguard detail during a street protest, but it’s Jameson’s troubleshooting clandestine employee Black Cat who first discovers Blanc (nee Ballistique) and now un-deprogrammed allies Sylvius and Rococo as they move in to add Jonah to their lengthy list of successful hits. Strangely, though, despite the human weapons wanting the Mayor dead, that’s clearly not their endgame…

In the ensuing chaotic melee of a manufactured riot Guido goes down and does not get up again…

The drama continues in ‘Man Down!’ as the riot turns into a bloody debacle and the shooters make their escape. Guido dies on the operating table but incredibly revives later, yet only Layla is not overjoyed at the seeming miracle…

The drama concludes in ‘Lies, Damned Lies’ as Monet goes crazy, kidnapping the Mayor and compelling him to reveal the truth about Ryan. Years ago the General and scientist Dr. Young Soo Pock conceived a black ops revision to America’s Super Soldier program.

Strategic Capture And Retrieval (or S.C.A.R.s) gave three female volunteers numerous cybernetic enhancements which turned them into unstoppable killers. Sadly it also made them crazy and they began taking mercenary jobs before being caught, decommissioned and given mind-numbing amnesia.

Unfortunately even the US Military had turned the project down from the outset and Ryan had asked his old fried Jameson to fund it. The patriotic fool did and now the S.C.A.R.s girls have their memories back and they want revenge on everybody who messed with them…

As Layla apologizes to the bewildered Guido for what’s she “done to him” Madrox and the team have tracked down Young Soo Pock, arriving just as the cyber killers are extracting their revenge. A monumental battle ensues, but although Monet mercilessly deals with Ballistique for killing Guido she’s quite happy to let the others go…

To Be Continued…

With covers by David Yardin & Sonia Oback and ‘Opening the Sketchbook’ – an original-art crammed biography feature on artist Emanuela Lupacchino by John Rhett Thomas – this volume continues a superb run of challenging, compelling, compulsive and supremely scary funny tales, making this iteration of X-Factor the ideal example of mature Fights ‘n’ Tights fiction: utterly indispensable for everyone who needs wit to underpin their superhero soap opera shenanigans.
© 2011, 2012 Marvel Characters, Inc. All rights reserved.