Category: Marvel Superheroes

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Superior Spider-Man volume 4: Necessary Evil


By Dan Slott, Ryan Stegman, Giuseppe Camuncoli, Livesay & John Dell (Marvel/Panini UK)
ISBN: 978-1-84653-581-9

Amazing Spider-Man #700 began one of the most impressive reboots of the Spider-Man mythology and was certainly the most striking and compelling character shake-up of all the MarvelNOW! relaunches.

In that issue, all that was Peter Parker apparently died when Doctor Otto Octavius took over his body. The hero’s mind had been transferred and trapped in the dying body of the super-villain where, despite his every desperate effort, in the end Peter perished with and within that decrepit, expiring frame, arguably becoming a wholly Superior Spider-Man.

Now the coldly calculating Octopus is permanently installed in the Wondrous Wallcrawler’s body and successfully living Peter’s life, albeit with a few minor but necessary alterations, upgrades and improvements…

At first the situation did not seem completely hopeless. At the moment of the monster’s greatest triumph Parker inflicted his full unvarnished memories on the psychic invader, forcing Octavius to experience every ghastly moment of tragedy and sacrifice which combined to make Spider-Man the compulsive do-gooder that he was.

From that enforced emotional turmoil came a bitter understanding. Otto had a change of heart and swore to live the rest of his stolen life in tribute to his greatest enemy; earnestly endeavouring to carry on Spider-Man’s self-imposed mission, guided by Peter’s abiding principle: “with great power comes great responsibility”…

However Octavius’ ingrained monomania proved hard to suppress and the usurped web-spinner constantly toiled to prove himself the better man: augmenting Parker’s paltry gadgets and methodology with millions of spy robots to patrol the entire city at once, constantly adding advanced tech and refining new weaponry to the suit and even acting pre-emptively rather than merely reacting to crises as the original had…

Otto went back to college because he arrogantly refused to live life without a doctorate and even briefly tried to rekindle his new body’s old relationship with Mary Jane Watson.

The new, ultra-efficient Spider-Man became New York’s darling and even Mayor J. Jonah Jameson embraced the Web-spinner; all but adopting the Arachnid as his deputy – to the utter incredulity of an imperceptible psychic shard of Peter which still screamed in frustration within the deepest recesses of the hero’s overwritten consciousness…

The helpless ghost was an unwilling passenger, unsuspected by Octavius yet increasingly privy to the villain’s own barely-suppressed memories. Moreover, more and more of Parker’s oldest friends began to suspect something amiss…

Police CSI Officer and ex-girlfriend Carlie Cooper knew Peter’s secret identity and recalled the last time Spidey fought Doc Ock, when the killer broke her arm. He claimed then that he was Peter trapped in the villain’s body…

The public seems happy with how Spider-Man has changed. Not only is he exceedingly more efficient, but far more brutal too: practically crippling bad guys like Boomerang, Vulture and Scorpion. This new hard-line attitude actually increased the webslinger’s approval rating and, after a hostage siege, his status peaked after he executed the psychotic perpetrator Massacre…

Eventually Octavius realised there was a noble passenger in his head and eradicated the last vestiges of his enemy’s presence – at the cost of many of Parker’s later memories and fully liberated extended his campaign of modernised crime-fighting.

Helping Jameson after the Spider-Slayer and other super-felons broke loose on The Raft penitentiary, Spider-Man then blackmailed the Mayor into donating the now empty edifice for a base. The Superior wallcrawler designed a new costume, built giant war-tanks and even hired henchmen to help him clean up the city for the decent, law-abiding citizens.

“Parker’s” personal life is all but over and he’s constantly harassed for a lack of productivity by employer Max Modell at technological think-tank Horizon Labs. He still wants that elusive doctorate, however, and is prepared to put up with lots of grief from his lecturer Dr. Lamaze – even though the oaf is a bumbling fool even more stupid than when he was Otto Octavius’ college lab partner. At least Parker’s blossoming romance with brilliant Anna Maria Marconi is still progressing satisfactorily…

From his transformed citadel on the now-renamed Spider Island II, Spider-Man watches over his city through the electronic eyes of thousands of tiny Spider-bots…

There’s still lots he doesn’t see though: resurgent and hidden criminal mastermind Goblin King (former Green Goblin Norman Osborn) is successfully completing his own campaign to take over the underworld with his Goblin Army Cult.

To that end he has transformed young Phil Urich – latest iteration of The Hobgoblin – into his latest living weapon: a Goblin Knight to lead his armies to inevitable victory…

Meanwhile, Carlie Cooper has shared her suspicions about Spider-Man with her friend and Captain Yuri Watanabe (who secretly moonlights as costumed vigilante The Wraith). Together the women have been gathering definitive proofs of their suspicions regarding the Wallcrawler; and now with an Island fortress and a mercenary gang to pay for they have a money trail to follow…

Most dangerous of all, disgraced former Horizon employee Ty Stone is still free: a malevolent genius and subtle manipulator with a deadly agenda all his own slowly building his own powerbase…

This latest collection ties in to the various time travel stories and stems from the after-effects generated by the disruptions in the (Marvel) universes caused by the Avengers unmaking the Age of Ultron, but don’t fret as the stories work well enough on their own…

Illustrated by Ryan Stegman & John Livesay, the 3-part story-arc Necessary Evil begins with ‘Let’s Do the Time Warp Again’ and a glimpse at Nueva York in 2099, where Miguel O’Hara is knee-deep in a chronal crisis. His entire world is unravelling, with dinosaurs and other time-lost threats materialising even as his archenemy (and biological father) Tyler Stone of world-owning corporation Alchemax is gradually disappearing thanks to some threat to an ancestor in 2013…

A Word to the Wise: At a time when Marvel’s product quality was at an all time low, and following a purported last minute dispute between the company and prodigal son John Byrne (who had re-invented himself by re-inventing Superman), the House of Ideas launched a whole new continuity strand with all-new heroes (and franchise extensions) set more than a century into the future.

The world was a corporate dystopia, the scenarios were fantastical and the initial character-pool was predictable if not actually uninspired. A lot of the early material was by any critical yardstick sub-par. But there was also Spider-Man 2099.

Some analogue of the wall-crawler is always going to happen in any Marvel imprint (anybody remember Peter Porker, the Spectacular Spider-Ham?), and in those insane days of speculator-led markets (where greedy kids – and adults – dreamed of cornering the market in “Hot Issues” and becoming instant squillionaires) the future wallcrawler was a spectacular example of quality creators producing superior work (don’t take my word for it, just check out Spider-Man 2099: Genesis)…

In 2099 world governments were openly in the capacious pockets of huge multi-national corporations which controlled every aspect of society. All superheroes had been gone for decades, although their legends still comforted the underclass living at the fringes – and below the feet – of the favoured ones who could survive in a society based on unchecked, rampant free-marker capitalism.

Miguel O’Hara was a brilliant young geneticist fast-tracked and swiftly rising through the ranks of Alchemax. He enjoyed the privileges that his work (creating super-soldiers for the company) won him. He loved solving problems and despite interference from salary-men and corporate drudges he made a major breakthrough: a technique to alter genetic make-up and combine it with DNA from other organisms…

Following a demonstration which went grotesquely awry the arrogant scientist made a big mistake and threatened to quit. Unwilling to lose such a valuable asset CEO Tyler Stone poisoned O’Hara with the most addictive drug in existence – one only available from Alchemax – to keep him loyal.

The boy wonder was then forced to use his genetic modifier, resetting his physiology to purge the addiction from his cells. However one of the lab assistants he used to bully saw a chance for some payback and sabotaged the attempt, adding spider DNA to the matrix…

Miguel became the ultimate rebel in his time and was at the cutting edge of a new “Age of Heroes” fighting Stone and Alchemax as well as many other menaces. He eventually discovered the other reason for his privileged fast tracking: his mother’s long-ago affair which had resulted in a son…

Now O’Hara had to ally with Stone and stop the temporal threat in 2013 – to save his world and his own life…

In New York, Horizon labs are under threat: a corporate takeover by Allan Chemical (owned by Parker’s old school flame Liz Allan-Osborn) but orchestrated by the conniving Ty Stone, who had been sabotaging the Think-Tank’s experiments and stock price for months.

The geniuses there use experimental time-tech to record Stones perfidious deeds, but when they first turn on the machine Spider-Man 2099 explodes out of it, desperate to stop the chronal anomaly before his future dies. Before too long however he is confronted by this era’s wondrous webslinger.

O’Hara’s not worried: after all he and his predecessor have met before and fought as allies. Unfortunately that adventure is not one that remained in his memory after Ock removed the last vestiges of Peter’s consciousness…

Because of this, ‘Smack to the Future’ finds the Spider-Men in savage combat, leaving Ty Stone to continue his machinations unobstructed: absorbing Horizon and taking over the company that results from the hostile takeover.

He’s thinking perhaps… Al-Chem-Max?

With the future rapidly unravelling, the scene changes to the Caribbean where Yuri and Carlie are chasing down the final piece in their detective jigsaw puzzle in the concluding chapter ‘Event Horizon’, where a last minute save sees the Superior Spider-Man and his notional legatee vanish into an explosive time glitch. Only one reappears when the crisis is over and Parker/Octavius has no memory of what has happened…

And in 2099, Tyler Stone gloats; his world is safe and, by destroying Alchemax’ time tech, he has stranded “his” Spider-Man where nobody can save him…

It’s back to business with artists Giuseppe Camuncoli & John Dell as ‘Still Standing’ takes a look back to just after Octavius triumphed in stealing Spider-Man’s body and life. Following that cataclysmic clash a John and Jane Doe were admitted to hospital. She was considerably disturbed by hallucinations in which she saw the “Great Web coming undone” and “all the Spiders dying” whilst he kept deliriously demanding where Otto Octavius was…

Retuning to the present day, the ever-efficient Spider-Man encounters super-thief and some-time adventure Black Cat. As a former lover, the feline felon expects her former beau to go easy on her as usual, but is astonished at his new attitude and the savage beating she receives before he leaves her to the cops…

In the meantime the hospitalised John Doe is released, intent on some secret task to perform, as the increasingly acerbic and domineering Peter Parker wheedles money from his Aunt May and her husband to start his new tech company – backing up that investment with the last of Dr. Octopus’ off-shore hidden funds.

Carlie is tracking those accounts and sets off to give her findings to the Avengers but she doesn’t make it…

And at his Doctoral Board meeting the exultant Parker gets a stunning shock after his successful presentation is ruined by Lamaze who accuses the candidate of plagiarising the work of another scientist: his old college chum Otto Octavius…

This portentous package concludes with ‘Lethal Ladies’ as Doc Ock’s old girlfriend Stunner goes on a rampage, tearing up the town in her solid hologram form, forcing the Superior Spider-Man into a battle he just doesn’t want to fight.

As Carlie discovers that there’s no corpse in the tentacled super-villain’s grave, only to be abducted, Spider-Man uses Stunner’s equipment to solve his Doctoral problem with Don Lamaze, utterly unaware that the Goblin Army Cult now possesses Carlie’s proof of who’s really living in Peter Parker’s skull…

To Be Continued…

Scripted as ever by Dan Slott, Necessary Evil collects issues #17-21 of the fortnightly Superior Spider-Man (4th September-13th November 2013), ramping up the tension in advance of truly shocking revelations to come, and this titanic time-busting tome includes a covers-&-variants gallery by Stegman, Camuncoli, Humberto Ramos, Mike McKone, J.G. Jones, Olivier Coipel, Leonel Castellani, J. Scott Campbell & Adi Granov

This up-to-the minute tech-heavy reinvention is naturally accompanied with some AR icon sections – Marvel Augmented Reality App pages which provide access to story bonuses and content on your smart-phone or Android-enabled tablet.

Spider-Man has been reinvented so often it’s almost become commonplace, but this iteration – for however long it lasts – is one no lover of high-octane adventure should miss: smart, shocking and incredibly addictive.
™ & © 2013 and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. Italy. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

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X-Men Noir: the Mark of Cain


By Fred Van Lente & Dennis Calero (Marvel)
ISBN: 978-0-7851-4437-3

When fictional heroes and villains become really popular – to the point where fans celebrate their births and deaths and dress up like them at the slightest opportunity or provocation – eventually a tendency develops to explore other potential character facets that the regular, cash-cow continuity might normally prohibit.

DC invented a whole company sub-strand of “Imaginary Stories” and Marvel asked “What If…?” sharing glimpses of alternate realities. Even television series got into the act with shows like Star Trek, Roswell and Stargate SG-1 offering coolly jarring, different takes on their established stars and scenarios.

The little dark gem of alternate continuity on offer today comes from an intriguing experiment in 2009 wherein Marvel took many of their biggest stars and reconfigured them for a universe drenched in the tone, lore and ephemera of pulp fiction and Film Noir: a dark land where shiny gleaming super-powered heroes were replaced by bleakly paranoid, deeply flawed and self-serving individuals just trying to get by as best they could…

X-Men Noir: the Mark of Cain is actually a sequel to the initial foray and benefits from not having to explain or differentiate the so-similar seeming stars from the bastions of the regular continuity. It ran as a 4-issue miniseries from February-May 2010 offering a moody glimpse of a world with no heroes, only shades of villainy. Nevertheless it still provides a satisfying slice of suspenseful entertainment for Fights ‘n’ Tights fans in search of something genuinely edgier than their regular fare. After all, the big draw for the jaded is that these folks might actually die and stay that way…

What You Need to Know: situated in the 1930s, these X-Men are not mutants with incredible, science-defying powers but rather a gang of mentally disturbed juvenile delinquents. They had been lab rats for rogue psychiatrist Charles Xavier in his School for Gifted Youngsters, where he strove to exacerbate rather than cure their various anti-social behaviours.

The batty boffin believed that sociopathy was the next stage in human behavioural development and spent his days training and refining the criminal talents and tendencies of his disturbed charges – until he was exposed and thrown in jail on Riker’s Island Prison.

The truth came out after the body of one of his “students” was washed up on the shore, covered in odd, three bladed knife slashes…

There is one costumed mystery man on the scene during these parlous times. Nosy, troublesome reporter Tom Halloway is not-so-secretly also a violent vigilante dubbed The Angel and the hunt for him preoccupied many familiarly different characters such as corrupt Chief of Detectives Eric “Magnus” Magnisky, his troubled children Peter and Wanda, casino owner Remy LeBeau, mobster Unus the Untouchable and drug runner Sean Cassidy…

This sequel volume opens with a public scandal as the government’s secret prison camp at Genosha Bay is exposed. Charges of torture and Applied Eugenics are levelled against the operators but despite rising protests the prison still carries on its inhumane treatments on the legion of sociopaths held there without Due Process or Representation.

In other news: due to lack of evidence, “Professor of Crime” Xavier is freed from Riker’s, arrogantly swearing to track down the killer of his recently assassinate “friend” Magnus…

A continent and ocean away, some of his former successes are cutting their way through the jungles of Madripoor and hordes of berserk headhunters as they try to find the lost temple of Cyttorak and retrieve a fabulous gem.

Sharpshooter Scott “Cyclops” Summers and unpredictable seagoing brawler Captain Logan are temporarily with the Angel, following a map provided by bootlegger and mercenary Cain Marko. They don’t give much credence to the native legends of vengeance inflicted on transgressors by Cyttorak’s “Juggernaut” but that soon changes when Marko is found in the no-man’s land around GenoshaBay, crushed to pulp. Of the enormous jewel there is no trace…

Peppered with evocative flashbacks, the story and trail leads Angel – who learned most of his nasty bag of tricks from Cain – to the USA’s extraterritorial prison and the shocking revelation that Xavier is secretly in charge…

Despite being captured and subjected to the Professor X’s methods of persuasion – administered by the warped woman Warden Frost – Halloway soon breaks free and begins pursuing the how and the who of Marko’s murder.

Fighting his way past the Professor of Crime’s newest protégés, a big burly Russian and an exotic black woman with a white Mohawk haircut, he is recaptured before he can reach Logan’s boat and sometime allies Cyclops and Eugene “Puck” Judd.

Undergoing more of Xavier’s “treatments”, the Angel is then confronted with the scientist’s secret weapon: his own thoroughly crazy – sociopathic – twin brother Robert Halloway…

The period drama and sinister suspense kick into compelling overdrive as the various parties hunting the Gem clash when the action shifts from noir detective to pulp sci-fi and the Professor’s true plan emerges. With the government’s covert connections exposed, and all surviving participants trapped aboard a huge flying battleship, the real value of the Gem of Cyttorak is revealed and, amidst flying fists, double- and triple-crosses abound.

As the agendas of all interested parties crash together thousands of feet above Manhattan, only antisocial violence works and at last a kind of justice is won…

Bleak, cynical and trenchantly effective, this excellent thriller by scripter Fred Van Lente and illustrator Dennis Calero provides a huge helping of thrills and chills that would work equally well even if you had never heard of Marvel’s mighty mutants.

This pocketbook sized collection also includes a covers and variants gallery by Calero as well as a dozen original art pages shot prior to the digital colouring stage.
© 2009, 2010 Marvel Characters, Inc. All rights reserved.

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X-Men: Primer


By Brian Wood, Olivier Coipel, David Lopez, with Chris Claremont, Marc Silvestri & various (Marvel/Panini UK)
ISBN: 978-1-84653-553-6

At the dawn of the Marvel Age, some very special kids were chosen by wheelchair-bound telepath Charles Xavier. Gloomy Scott Summers, ebullient Bobby Drake, trust fund brat Warren Worthington III, insular Jean Grey and simian genius Henry McCoy were gathered up by the enigmatic Professor X – a man dedicated to brokering peace and achieving integration between massed humanity and an emergent off-shoot race of mutants, no matter what the cost.

To achieve his dream he educated and trained the youngsters – codenamed Cyclops, Iceman, Angel, Marvel Girl and The Beast – for unique roles as heroes, ambassadors and symbols in an effort to counter the growing tide of human prejudice and fear. The dream was worth fighting for, and over the years a small army of mutants battled under the X-banner, but the struggle to integrate mutants into society resulted in constant conflict, compromise and tragedy.

These included Jean’s death (twice), Warren’s mutilation (and murder), Hank’s uncontrollable progressive mutations and eventually Cyclops’ radicalisation following his possession by the cosmic entity known as the Phoenix force.

During the cataclysmic events of Avengers versus X-Men the formerly idealistic, steadfast and trustworthy team-leader Cyclops killed Xavier before eventually joining with old comrade Magik and former foes Magneto and Emma Frost in a hard-line alliance devoted to preserving mutant lives at the cost, if necessary, of human ones.

Those tales were detailed in a number of titles which sprang out of the MarvelNOW! publishing event: a jumping-on point which reshaped the whole company continuity, taking various X-iterations in truly bizarre new directions.

This particular chronicle collects issues #1-4 of the fourth volume of the adjectiveless X-Men (from May to August 2013) and also includes a pertinent classic yarn from Uncanny X-Men volume 1 #244 circa May 1989.

Over the decades the many and various X- titles have been notable for the number of strong female characters created, and this new iteration from scripter Brian Wood & artist Olivier Coipel finally takes the logical step of drafting an all-girl squad to save the world from an appalling primal threat…

Inked by Mark Morales, the action begins with a little backstory and reveals how, when the world was still brand new, a pair of siblings manifested. They were immensely powerful and hated each other from the start. They fought and the male kicked his defeated sister loose into the cosmos while he stayed on Earth and developed…

Billions of years later, former X-Man Jubilation Lee takes a commercial flight out of Bulgaria, looking for help from her old friends. She’s inherited a baby with a few problems and is being followed by possibly the most dangerous man on Earth…

At the Jean Grey School for Higher Learning, tutors Storm, Kitty Pryde, Rogue, Psylocke and Rachel Grey (the alternate Earth daughter of Cyclops and Jean Grey dubbed Marvel Girl) are having trouble getting through to some of the more intransigent mutant students. When they get a call from Jubilee, the X-Men drop everything and dash off to intercept her as she heads for the only home and family she has ever really known…

When the man on her trail is revealed to be John Sublime – current body of an ancient sentient bacterial life form which has lived on Earth since life began and no friend to the subspecies Homo Superior – the X-Men expect the worst, but are astounded when he comes to the School and promptly surrenders without a fight…

Sublime survives by possessing organisms and he’s come to warn the heroes that his sister – who performs the same trick with technology – has returned to the planet, looking for revenge on him and control of everything else in existence…

Meanwhile, escorting Jubilee and her baby, Storm, Rogue and Kitty get first-hand experience of the threat as the train they’re on is derailed by an unknown force. Barely escaping, they unwittingly bring the menace into the school where Arkea slips into the dormant form of Karima Shapandar: a human friend infected with Omega Sentinel systems and designed to be the ultimate mutant eradicator…

All they want to do is share old stories and coo over Jubilee’s baby, but with Arkea in control and determined to supersede life on Earth, the girls are drawn into a terrifying war on two fronts. The sinister sister takes control of the Danger Room and locks down the entire school before transmitting herself to Budapest where Jubilee first acquired the mysterious baby she’s named Shogo…

Leaving Kitty and the students to save the school and themselves from a deadly time-bomb, Storm, Psylocke, Marvel Girl, Rogue and Jubilee head for Eastern Europe and track Arkea to a medical complex where humans augmented with medical implants and technology provide Arkea with hundreds of suitable meat-vehicles. As the final battles surges to a crescendo, the warrior women are terrified that the only way to stop the cyber-parasite is to kill her numerous hosts…

When that conundrum is satisfactorily solved, David Lopez, Cam Smith & Norman Lee step in to illustrate an epilogue chapter guest-starring Wolverine who recaps old times with Jubilee as the female X-team sort out their agendas and chain of command whilst trying to stop a passenger jet crashing to destruction…

To supplement the advent of this new grouping, this all-action outing also includes the comedic adventure ‘Ladies Night’ by Chris Claremont, Marc Silvestri & Dan Green (from Uncanny X-Men volume 1 #244 May 1989) which saw the first appearance of Jubilee.

When off-duty X-gals Storm, Rogue, Psylocke and Dazzler head for an undercover dose of downtime they encounter a streetwise, “Mall Rat” runaway with mutant powers, just as the emporium’s management hire a hapless squad of mutant hunters to clear up their Homo Superior problem…

Fast-paced, whimsical and owing a huge debt to the movie Ghostbusters, the riotous romp closes this Fights ‘n’ Tights fest on a rare and welcome light note, but of course there’s still more bang for your buck…

X-Men: Primer also includes a vast and beautiful cover-and-variants gallery by Coipel, Amanda Connor, Terry & Rachel Dodson, Silvestri & Green, Joe Madureira, Mark Brooks, J. Scott Campbell, Arthur Suydam, Mike Deodato Jr., Milo Manara, Ed McGuiness, Humberto Ramos, Kevin Wada, Skottie Young, Kris Anka & Sara Pichelli plus the now standard 21st century add-on of AR icon sections (Marvel Augmented Reality App) which give access to many story bonuses providing you download the free code from marvel.com onto your smart-phone or Android-enabled tablet.
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

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Iron Man: The Secret Origin of Tony Stark Part 2


By Kieron Gillen, Greg Land, Dale Eaglesham, Carlo Pagulayan, Jay Leisten & Scott Hanna (Marvel/Panini UK)
ISBN: 978-1-84653-563-5

Supreme survivor Tony Stark has changed his profile many times since his 1963 debut in Tales of Suspense #39 when, as a VIP visitor in Vietnam observing the efficacy of weaponry he had designed, the arch-technocrat wunderkind was critically wounded and captured by a Communist warlord.

Put to work inventing for the Red Menace with the spurious promise of medical assistance upon completion, Stark instead built a prototype Iron Man suit to keep his heart beating and deliver him from his oppressors. From there it was a small jump into a second career as a high-tech Knight in Shining Armour…

Ever since then the former armaments manufacturer has been a liberal capitalist, eco-warrior, space pioneer, affirmed Futurist, civil servant, Statesman, and even spy-chief: Director of the world’s most scientifically advanced spy agency, the Strategic Hazard Intervention Espionage Logistics Directorate.

Of course, he was also a found member of the world’s most prominent superhero assemblage, the Mighty Avengers…

For a popular character/concept weighed down with a fifty-year pedigree, radical reboots are a painful periodic necessity. To stay fresh and contemporary, Stark’s origin and Iron Man’s continuity have been radically revised every so often, but never so drastically as with the upgrade featured in this saga (originally seen as issues #12-17 of the post-MarvelNOW! relaunched Iron Man volume 5, September-August 2013) by scripter Kieron Gillen which concludes, with plenty of action and even a few twisty surprises, ‘The Secret Origin of Tony Stark’…

It Happened Like This: desperate for a change in his too-hectic life, Iron Man opted to explore the cosmos and linked up with self-appointed universal police force the Guardians of the Galaxy. After driving off star pirates he availed himself of the luxurious hospitality of the effete, aristocratic and decadently beautiful Voldi Tear.

One of the most ancient races in the cosmos, the Voldi had long mastered the art of living graciously off the kindness of strangers with all their needs met by a sacred artefact – the Heart of the Voldi – which drew infinite power from numerous cosmic entities.

The party-animal Voldi had an open-door policy for most races and beings – even welcoming 30-foot tall robotic killers such as Freelance Peacekeeping Agent Death’s Head (never, ever call him a bounty hunter!) – but Stark suddenly found every hand against him when he was accused of Deicide.

Apparently the Voldi worshipped the Phoenix Force which Stark and his allies did indeed destroy the last time it attacked Earth (as seen in Avengers vs. X-Men)…

Stuck in a cell, Stark was rescued by a Rigellian Recorder – one of millions of sentient automatons programmed to travel the universe acquiring knowledge. Recorder 451 however, had developed a programming flaw and struck out on its own.

Surprisingly sympathetic to Stark’s plight, the mechanoid suggested a way out of the mandatory death sentence but used the distraction to steal the immensely powerful Heart.

The mechanoid had been furthering his own centuries-old secret agenda all along and deemed the subsequent cosmic cataclysm which eradicated the Voldi as a “necessary evil”.

However 451 hadn’t finished with Stark yet, saving him even as the benighted party-aliens expired in an apocalyptic attack from the cosmic Celestial they had exploited for eons.

Furious and disgusted, Stark swore vengeance on the murderous mechanoid and, after checking in with the Guardians of the Galaxy and exhausting all his own leads, hired Death’s Head (the greatest tracker in all time and space) to ferret out 451.

Their mission proved successful, but probably because the Freelance Peacekeeper was working for 451 all along. The Rigellian renegade then revealed how he had been watching over the Earthly inventor since before he was born, and indeed had worked with his parents Howard and Maria Stark to genetically alter their unborn child and make it a technological super-warrior capable of defending Earth from the exponentially increasing alien attacks that were to come as the universe responded to the deadly potential of Mankind…

451 had worked with the Starks in a complex scheme on Earth in the era before superheroes returned, battling infiltrating aliens beside such Marvel stalwarts as Lieutenant “Thunderbolt” Ross, special agents Jimmy Woo and “Dum Dum” Dugan and others.

Illustrated by Dale Eaglesham, Carlo Pagulayan, Scott Hanna & Jay Leisten, this titanic extraterrestrial tome opens with the third chapter of the revelatory epic and ‘The Best Offense’ finds the appalled inventor apparently helpless, in dire straits and lost in the uncharted depths of the universe, as he hears how his father and his stalwart crew cleaned up a pack of insidious Grey ETs secretly running Las Vegas. What neither Tony nor 451 knew however was that Howard Stark was deeply suspicious and, after decoding the genetic alterations the Recorder had installed in the foetus, tampered with some of them…

Here and now in deep space, 451 reveals how Tony has been designed to pilot an apocalyptic doomsday weapon left behind from the beginnings of creation when the Celestial Space Gods were in a deadly war with a rival force for control of everything…

Stark’s inventiveness, aggression and fascination with exo-skeletons were all expressions of his ultimate purpose: to pilot the world-shattering, five-mile high suit of combat armour dubbed The Godkiller… and there’s nothing he can do to escape his awful destiny…

With the Heart of the Voldi powering the immense doom weapon, 451 explains how Stark will defend Earth from all threats by eradicating whoever the Recorder tells him to, even as, on the world of Hope’s Pustule, Death’s Head discovers the provenance of his robotic former employer and just how large is the price on his shiny head. Unsurprisingly, he decides to look him up again…

Stark, after refusing to comply with 451, is struggling to regain control of his cyber-hacked Iron Man gear deep in the guts of the Godkiller when Death’s Head appears, but rather than an ally the Peace Keeper soon becomes another deadly foe as 451 takes control of him too…

Determined to bend Stark to his will, the Recorder also starts up the antediluvian super-suit. Although Stark was built to meld with it, 451 can exert enough control to make it destroy a planet and aims it at Hope’s Pustule…

Beaten, the human inventor surrenders and puts on the enslaving control helmet, only to have the ancient war-armour reject him…

The Recorder doesn’t believe Starks protestations, however, and after the Godkiller wipes out its objective in a single pass, 451 programs it with a new target… Earth.

With no other option, Stark dives headlong into final battle with the now clearly deranged robot Rigellian and once again saves the day and – almost too late – the Earth, in a spectacular showdown within the planet-smashing menace.

But even with humanity saved and the hero back in the bosom of his human friends there’s still a mystery to solved as ‘The Secret Origin of Tony Stark: Conclusion’ brilliantly ties all the plot strands and clues together as the Armoured Avenger delves into his family’s shady history and makes an astonishing, life-altering discovery kept hidden for years by his brilliantly paranoid father…

Blockbusting, rocket-paced and cleverly drawing together fringe continuity events to make a new cohesive whole, this frantically furious romp offers a brand new take on the Golden Avenger and this epochal volume also includes an Afterword from Gillen, a cover-and-variants gallery by Land, Paul Renaud & Leonel Castellani plus even more digital extras via the AR icon sections (Marvel Augmented Reality App) which give access to story bonuses once you download the code – for free – from marvel.com onto your smart-phone or Android-enabled tablet.
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

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Captain America: Castaway in Dimension Z Part 2


By Rick Remender, John Romita Jr., Klaus Janson, Scott Hanna, Thomas Palmer, Dean White & Rachelle Rosenberg (Marvel/Panini UK)
ISBN: 978-1-84653-534-5

The MarvelNOW! publishing event, which began at the end of 2012, gave the House of Ideas an irresistible opportunity to try a few different things with its vast catalogue of characters: options a tad more imaginative than simply killing somebody off or changing the identity of the hero under the mask…

One of the most visually arresting experiments was Castaway in Dimension Z which explored the Star-Spangled Avenger’s undisclosed early childhood in Depression-eraNew York City whilst simultaneously removing the Sentinel of Liberty from every vestige of his oh-so-familiar milieu and comfort zone.

The stunning, all-action conclusion collecting the fortnightly Captain America volume 7, issues #6-10 (released between April 17th and 28th August 2013) carries on from

What Has Gone Before: Steve Rogers and extremely patient girlfriend Sharon Carter (a lethally competent Agent of S.H.I.E.L.D.) were investigating a phantom subway carriage when she temporarily derailed his train of thought. After years of waiting, she impulsively asked the WWII veteran to marry her, only to lose him to a cunningly laid trap which chained, drugged and catapulted Captain America into an impossible other universe…

He awoke strapped to a machine beside a baby in a glass tank. Extreme geneticist and Fascist war-criminal Arnim Zola was responsible, determined to extract the Super-Soldier serum which had kept Steve the world’s most perfect man for nine decades…

At a critical juncture of the procedure the still-groggy champion broke free and battled his way to freedom through an army of genetically reconstructed horrors…

Zola screamed to his prior achievement “daughter” Jet Black that the Avenger had killed her brother, unaware that Steve had rescued the baby.

Trapped in Zola’s pocket dimension the fugitive hero then spent years rearing the boy – whom he named Ian – whilst Zola’s ever-increasing mutant army hunted him. Eventually the ultimate freedom fighter became champion of the indigenous Phrox: people driven to the edge of extinction by Zola’s armies.

The deranged geneticist was determined to exterminate them and repopulate with his ghastly creations. Jet led the monsters; a revenge-fuelled fighting fury intent on killing her brother’s murderer. In the subterranean caverns of the Phrox Steve and Ian found friendship and time to heal in relative security, but the Castaway Avenger was hiding a ghastly secret: Zola had infected him with a virus that was slowly growing a clone of the Nazi’s consciousness inside the hero: a biological Fifth Column furiously fighting for control of their battered body…

Nearly a decade later, Steve, his Phrox allies and combat veteran Ian are in the final stages of the war with Zola and his ever-improving forces. The invaders are inexorably closing in whilst the thing in Steve gained strength until at last his boy saw and heard the infection for himself…

Knowing the end was near Cap gambled everything on breaching Zola’s fortress and trying to get back to Earth for medical assistance and perhaps Avengers reinforcements.

The plan was thwarted when Jet led the mass-produced legion of monsters in an all-out attack on Phrox.

The devastating assault was a total success. However, as she caught her impossibly alive brother and beat Captain America to near-death, Jet began to experiences doubts. If the man she hated all her life had loved and protected her brother and was a valiant, honourable foe, what else might be untrue?

Her hesitation drove Zola to new depths of atrocity, but Steve managed to survive the biologist’s blistering final assault. As Zola ordered the extermination of the Phrox and Ian was taken away for re-indoctrination, in the ruins Steve took a knife and cut Zola’s appalling agent out of his body and made a plan. After 11 years on the defensive and on the run, Captain America was going to bring the war to his hated enemy…

Brutal, bewildering, bewitching and bombastic, Rick Remender & John Romita Jr.’s boldly unconventional, action-packed saga concludes in truly spectacular fashion here as the Sentinel of Liberty invades Zola’s citadel of science and once more faces Jet even as Ian slowly succumbs to the geneticist’s brainwashing.

The timing, as ever, is incredibly fortuitous. The mad scientist’s decades-long scheme is in its final stages and his entire colossal fortress is converting into a flying Battle Station, ready to re-enter Earth’s dimension and infect millions of human beings with the geneticist’s clonal copy virus. Humanity will soon be extinct and only Arnim Zolas will remain.

Jet’s frantic battle with Captain America completes her own moral transformation, but no sooner does she switch sides that the freshly re-programmed Ian – now calling himself Leopold – ambushes his former foster father beside a ghastly twisted monster clone of Steve.

Jet, meanwhile, has freed the last remnants of the nearly extinct Phrox race only to be challenged by her deeply disappointed dad. Many levels above Steve, having crushed his doppelganger, is near to death, unable to withstand the frenzied attack of Ian/Leopold.

The death blow never comes. Sharon Carter arrives in a blaze of light and hope to shoot Captain America’s boy. She has been trying to re-open the dimensional portal for almost thirty minutes…

Relative time differentials notwithstanding, Earth is still in imminent danger of utter disaster and as the three mismatched champions unite to save it the tension mounts to unbearable heights. After the spectacular final conflict only two will return from Dimension Z…

And in what remains of that now unreachable pocket realm, the Phrox start their slow return from extinction’s abyss, safeguarded by a champion they call Nomad…

Epic, cataclysmic and stunningly grandiose, the Homeric ten-year struggle of Captain America under alien skies looks set to impact mightily upon the warm, upbeat and heroically optimistic adventurer but only time will tell…

The breathtaking illustration of John Romita Jr., inkers Klaus Janson, Scott Hanna & Thomas Palmer and colour-renderers Dean White and Rachelle Rosenberg is simply too good to be true, and this visual fest is augmented by a cover-and-variants gallery by Romita Jr., Janson, Paqual Ferry & Alexander Maleev, plus the now as-standard AR icon add-on sections.

This Marvel Augmented Reality App give access to story bonuses once you download the code – for free – from marvel.com onto your smart-phone or Android-enabled tablet.

Magnificently reminiscent of the spectacular, innovative 1976-1977 Jack Kirby run on the Star-Spangled Avenger, this bombastic science-fiction epic of freedom fighting fantasy is a delicious, mysterious and mesmerising all-action extravaganza no Fights ‘n’ Tights can afford to ignore.

™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

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Uncanny X-Men volume 2: Broken


By Brian Michael Bendis, Chris Bachalo, Fraser Irving, Kris Anka, Tim Townsend, Jaime Mendoza, Mark Irwin & various (Marvel/Panini UK)
ISBN: 978-1-84653-555-0

Following many poor choices and horrendous paths taken by assorted mutant heroes over the last few years, and spinning off from the events of Avengers versus X-Men, the MarvelNOW! event reshaped the entire continuity, pushing the various factors of X-iterations in truly innovative directions.

At the dawn of the Marvel Age, a very special bunch of kids were singled out by wheelchair-bound telepath Charles Xavier. Insular Scott Summers, ebullient Bobby Drake, wealthy Adonis Warren Worthington III, insecure Jean Grey and bookish anthropoidal Henry McCoy were gathered up by the enigmatic Professor X – a driven man dedicated to brokering peace and achieving integration between massed humanity and an emergent off-shoot race of mutants, ominously dubbed Homo Superior.

To achieve his dream he educated and trained the youngsters – dubbed Cyclops, Iceman, Angel, Marvel Girl and The Beast – as heroes, ambassadors and living symbols in an effort to counter the growing tide of human prejudice and fear.

Over years the struggle to integrate mutants into society resulted in constant conflict, compromise and tragedy, including Jean’s death, Warren’s mutilation and murder, Hank’s further mutation and eventually Cyclops’ radicalisation.

The formerly idealistic, steadfast and trustworthy team-leader eventually killed Xavier before eventually joining with old (demon-possessed) ally Magik and former foes Magneto and White Queen Emma Frost in a hard-line alliance devoted to preserving the mutant race at the cost, if necessary, of the human one.

Abandoning Scott, his surviving team-mates and newer X-Men such as Wolverine, Storm and Kitty Pryde stayed true to Xavier’s dream, opting to protect and train the coming X-generation of mutant kids at the Jean Grey School for Higher Learning…

Furthermore when McCoy discovered he was dying, he became obsessed with the idea that the naive First Class of X-Men might be able to sway Mutant Enemy terrorist No. 1 back from his current path of doctrinaire madness and ideological race war insanity.

To that end Beast used time-travel tech in his last-ditch attempt to prevent a species war: risking the entire space/time continuum by bringing the five youngsters back to the future to reason with the debased, potentially deranged Cyclops.

The gamble paid off in all the wrong ways. Rather than restoring Scott’s to his senses, the confrontation simply hardened his renegade heart and strengthened his warped resolve.

Moreover, after the boy McCoy impossibly cured his older self, young Henry and the rest of the X-Kids refused to go home until “bad” Cyclops was stopped…

All that occurred in All-New X-Men: Here Comes Yesterday but there was a flipside and that story was told in Uncanny X-Men: Revolution.

This slim second chronicle, collecting Uncanny X-Men volume 3, #6-11, (July-October 2013) and again scripted by Brian Michael Bendis furthers the counter-argument as the outlaw mutants continue their struggle to save their endangered species.

Cyclops and his Extinction Team face many problems. Magneto is playing a double (or is it a treble?) game; betraying the terrorists to S.H.I.E.L.D. Director Maria Hill, but also telling Cyclops at least some of what he’s doing for her. Moreover as they travel the world gathering up freshly activated Homo Superior kids, the Extinction-ers have been targeted by a new mysterious next generation of robotic hunter/killer Sentinels.

Most worryingly of all , since their possession by the Phoenix Force (Avengers versus X-Men) the natural gifts of Summers, ex-lover Frost, Magik and Magneto are no longer reliable, flaring from overload to ineffectuality, leaving the mutant leaders “Broken” in both powers and spirit…

On the other hand, however, new mutants are appearing in increasing numbers all over, with more impressive talents than ever before and, by carefully avoiding unprovoked acts of violence, Cyclops’ crew are winning the media war: gaining the trust and respect of many oppressed sectors of humanity: the poor, the disenfranchised and rebellious, the young…

The terrorists have begun training youngsters in their alternative institution – the Charles Xavier School for Mutants – and even poached some kids from the Jean Grey School. Raw recruits Eva “Tempus” Bell, shape-shifting Benjamin Deeds, healer Christopher Muse – AKA Triage – and the golden sphere-projecting Fabio Medina – have been joined by the psychically conjoined, socially-challenged Stepford Sisters Celeste, Mindee & Phoebe as well as the time-displaced teenager Warren “The Angel” Worthington…

Fraser Irving illustrates the first story arc here as demon-tainted llyana Nikolievna Rasputina – better known as Magik – resumes her struggle against dark god Dread Dormammu. That malign tyrant had been absorbing the hellish realm of Limbo which she rules as The Darkchylde and which fuels her mutant teleporting power…

In Atlanta another young man finds his mutant power activating, just as Dormammu shanghais Cyclops’ entire team. Trapped in hell, teachers and students alike are thrown into soul-rending, life-or-death combat with one of the vilest monsters in creation.

At the same time, Mara Hill, acknowledging S.H.I.E.L.D. is losing the PR battle, recruits former X-Man Alison Blair – Dazzler – to be the Government’s public face on Mutant Affairs…

Ilyana’s powers encompass both time and space and she now adroitly uses the faculty to become a student of magician Doctor Strange in the past, allowing her to learn what she needs to frustrate Dormammu, but in the subsequent clash Cyclops becomes painfully aware of how much he and his adult comrades have lost in terms of their vital powers and abilities…

With Chris Bachalo & Tim Townsend assuming the art chores, the saga resumes in more prosaic territory. Although surviving the harrowing confrontation unscathed, Fabio is so freaked out that he quits school. Frantic to regain some sense, safety and normality in his life he asks to be taken home to his parents. Unfortunately, when the completely understanding Extinction Squad take him back to San Diego, S.H.I.E.L.D. is watching and waiting. No sooner have the mutants blinked out than the spooks move in…

In AtlantaDavid Bond is innocently testing his new power when police arrive and shoot him. They barely escape with their own lives after an Extinction team led by Emma arrives. Young Celeste is especially keen on making the trigger-happy humans suffer for their prejudice…

Triage has promptly healed David and the new guy’s awesome ability to telekinetically move and interface with machinery impresses everybody – even though Cyclops and Magneto are clearly distracted. The mutant figureheads are increasingly combative regarding their powers crisis situation, but remain united in the conviction of coming mutant extinction at human hands.

Their differences on how to head off the encroaching holocaust are shelved once they learn of Dazzler’s attempt to take Fabio in for “questioning” which had resulted in a very public escalation in tension and a superpower firefight…

The Extinction team move to rescue Fabio from custody aboard the S.H.I.E.L.D. Helicarrier and depart with a minimum of fuss, utterly unaware that the Alison they verbally sparred with is in fact a deadly shape-shifting infiltrator with an agenda all her own…

Irving returns to illustrate issues #10-11 (with additional art by Kris Anka) as the kids’ training reveals a new aspect to Eva’s time-powers. Maria Hill in the interim has demanded Magneto capture and hand over Cyclops…

The team leader is currently preoccupied by a human protest march in Michigan, where college students have come together en masse in support of Mutant Rights.

Sadly, when he decides the team should join the campus event, it offers a perfect opportunity for a new super-Sentinel determined to kill mutants no matter how many innocent humans get in the way…

Dark, cynically astute and utterly compelling, this alternative X-outing mixes staggering action, paranoiac suspense and slowly-mounting tension with the signature themes of alienation and personal freedom to deliver a marvellously enjoyable continuation of the nihilistic end of the once directionless mutant franchise.

Even so, there’s still room for some effectively trenchant humour and this series offers a perfect jumping-on point for new and retired fans alike – as long as you also read the companion All-New X-Men volumes…

Broken includes a beautiful cover-and-variants gallery by Irving, Bachalo Ronnie Del Carmen, J. Scott Campbell & Neal Adams and the now standard 21st century add-on of AR icon sections (Marvel Augmented Reality App) giving access to story bonuses once you download the code – gratis – from marvel.com onto your smart-phone or Android-enabled tablet.
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

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Superior Spider-Man volume 3: No Escape


By Dan Slott, Christos N. Gage, Giuseppe Camuncoli, Humberto Ramos, John Dell, Terry Pallot & Victor Olazaba (Marvel/Panini UK)
ISBN: 978-1-84653-556-7

Over the years the Wondrous Wallcrawler has undergone a plethora of radical evolutions, refits and even backsliding revisions, but his latest evolution – springing out of the landmark Amazing Spider-Man #700 – was certainly the most striking and compelling character carve-up of all the MarvelNOW! relaunches.

In that issue, the personality of Peter Parker seemingly died when Doctor Otto Octavius took over his body, arguably becoming a wholly Superior Spider-Man.

Parker’s mind had been transferred and trapped in the rapidly failing body of the fading super-villain where, despite his every desperate effort, in the end Peter perished with and within that decrepit, expiring frame.

Now the coldly calculating Octopus is permanently installed in the Wondrous Wallcrawler’s body and successfully living Peter’s life, albeit with a few minor but necessary alterations, upgrades and improvements…

The situation is not completely hopeless. At the moment of the monster’s greatest triumph Parker made Octavius relive and experience every ghastly moment of tragedy and sacrifice which combined to make Spider-Man the compulsive do-gooder that he was.

From that enforced emotional turmoil came understanding. Otto had a change of heart, and swore to live the rest of his stolen life in tribute to his enemy; honestly endeavouring to carry on Spider-Man’s self-imposed mission and equally guided by the abiding principle “with great power comes great responsibility”…

However the ingrained monomania within proved hard to suppress and the usurped web-spinner incessantly worked to prove himself a better man: augmenting Parker’s gadgets and methodology with millions of spy robots to patrol the entire city at once, constantly adding advanced tech and refining new weaponry to the suit and even acting pre-emptively rather than merely reacting to crises as the original had…

Otto went back to college because he was appalled Parker had no doctorate and even tried to rekindle his new body’s old relationship with Mary Jane Watson.

The new, ultra-efficient Spider-Man became New York’s darling and even Mayor J. Jonah Jameson embraced the Web-spinner; all but appropriating the Arachnid as a deputy – to the utter incredulity of an imperceptible psychic shard of Peter Parker which lurked within the deepest recesses of the hero’s overwritten mind…

The helpless ghost was an unwilling passenger, unsuspected by Octavius yet increasingly privy to the villain’s own barely-suppressed memories. Moreover, some of Parker’s oldest friends began to suspect something was amiss…

Police CSI Officer and ex-girlfriend Carlie Cooper knew Peter’s secret identity and recalled the last time Spidey fought Doc Ock, when the killer broke her arm. He claimed then that he was Peter trapped in the villain’s body…

Everybody accepts Spider-Man has changed. Not only is he exceedingly more efficient these days, but far more brutal too: practically crippling bad-guys Boomerang, Vulture and Scorpion. This new hard-line attitude actually increased his public approval rating and, after a deadly hostage siege, the hero’s status peaked after the webslinger executed the psychotic perpetrator Massacre…

Once more scripted by Dan Slott (with Christos N. Gage), No Escape collects issues #11-16 of the fortnightly Superior Spider-Man (August-October 2013) and details the shocking events following the denouement of the previous volume.

In that stunning game-changer Octavius, having finally detected the niggling ghost of Parker’s sentience inside their head, performed cyber-psychic surgery to exorcise the fragmented remnants of his hated nemesis and now gloatingly basks in the triumph of a super-powerful body and life all his own…

A nasty new day dawns with ‘A Lock for Every Key’ – illustrated by Giuseppe Camuncoli & John Dell – as Jameson “invites” Spider-Man to accompany him on a trip to soon-to-closed super-penitentiary The Raft. The discredited prison is almost empty now and one of the last official functions will be the execution of Alistaire Smythe, the cyborg Spider-Slayer who slaughtered Jameson’s wife Marla…

The Mayor is dead-set on watching the killer die and expects the tough new Spider-Man to ensure nothing interrupts proceedings. “Parker’s” civilian life is again spiralling downward: sitting through college classes taught by morons simply to gain a doctorate is excruciating, he’s shunning all Peter’s old friends, and is being harassed for lack of productivity by employer Max Modell at technological think-tank Horizon Labs.

At least his blossoming romance with brilliant Anna Maria Marconi is still progressing satisfactorily…

When the skeleton security staff on the Raft are unable to cope with Smythe’s startling escape bid, Spider-Man is smugly convinced he has covered all the bases, but even Otto was unprepared for Spider-Slayer upgrading three villains on life-support and, as the Wallcrawler clashes with Smythe, technologically augmented Scorpion, Vulture and Boomerang are unleashed to kill all the people trapped on the island.

Worst yet, uncontrollable, voracious man-eating monster The Lizard is also loosed to stalk the jail’s darkened corridors…

The drama escalates in ‘Lockdown’ (with additional inks by Terry Pallot) as the vengeful Jameson grabs a gun and goes after Smythe himself. When he meets Spider-Man the Mayor orders the Arachnid Avenger to kill Spider-Slayer at any cost, much to the delight of the ruthless new landlord in Peter Parker’s skull…

Unleashed at last, Octavius soon cleans house and brilliantly, mercilessly ends the affair in ‘The Slayers and the Slain’. Better yet, because he recorded a certain conversation, he now has enough dirt on the Mayor to force Jameson to hand over The Raft…

Humberto Ramos & Victor Olazaba return to render ‘A Blind Eye’ as the new owner of “Spider Island” designs a new costume, builds giant war-tanks and hires a gang of arachnid henchmen to help him clean the city for the decent, law-abiding citizens.

First target is the embarrassingly public Shadowland: unassailable citadel of Wilson Fisk, Kingpin of Crime. Always logical but supremely innovative, the Superior Spider-Man and his army assault the Kingpin’s Keep head-on in full view of the astounded citizenry of Hell’s Kitchen…

Forcing Jameson to back his plan post-hoc, Octavius and his Spider-gang raze the fortress to the ground, apparently killing Fisk in the process and driving his chief enforcer Hobgoblin into hiding… and all to great public acclaim…

Unfortunately this just clears the way for covert mastermind Goblin King (a former Green Goblin) to accelerate his own plans to take over the underworld with his Goblin Army Cult…

The 2-part ‘Run Goblin, Run’ concludes this chilling compilation as ‘The Tinkerer’s Apprentice’ sees young Phil Urich, latest iteration of Hobgoblin, frantically trying to recoup his losses after the fall of Shadowland only to become the patsy for malevolent underworld armourer Ty Stone, a subtle manipulator with a deadly agenda all his own…

Forced to rob banks for ready cash, Urich becomes a priority on Spider-Man’s To-Do list and is forced to take hostages at the Daily Bugle when the web-spinner “outs” him on live TV…

Meanwhile, Carlie Cooper has shared her suspicions about Spider-Man with her Captain Yuri Watanabe (who secretly moonlights as vengeful costumed vigilante The Wraith). Together the women begin gathering definitive proof of their suspicions regarding the wallcrawler…

The convoluted machinations culminate in a bombastic battle as ‘Goblin Season’ finds Phil Urich soundly defeated only to be liberated by The Goblin King’s forces and co-opted as the crime-lord’s latest living weapon: a Goblin Knight to lead his armies to inevitable victory…

To Be Continued…

This up-to-the minute tech-heavy reinvention of course comes with 21st century AR icon sections. These Marvel Augmented Reality App pages offer access to story bonuses once you download the little dickens – free from marvel.com – onto your smart-phone or Android-enabled tablet.

Spider-Man has been reinvented so often it’s almost become commonplace, but this iteration – for however long it lasts – is one no lover of high-octane adventure should miss: smart, shocking and incredibly addictive.
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. Italy. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

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Uncanny Avengers volume 3: The Apocalypse Twins


By Rick Remender, Gerard Gorman Duggan, Daniel Acuña & Adam Kubert (Marvel/Panini UK)
ISBN: 978-1-84653-564-2

In the aftermath of the Avengers versus X-Men publishing event, company-wide reboot MarvelNOW! repositioned and recast the entire continuity in the ongoing never-ending battle to keep old readers interested and pick up new ones.

What You Need to Know: Once upon a time mutant Avenger Wanda Maximoff – daughter of arch-villain Magneto and known to the world as the Scarlet Witch – married android hero The Vision and they had (through the agency of magic and her unsuspected chaos-energy fuelled ability to reshape Reality) twin boys. Over the course of time it was revealed that her beloved sons were not real and they subsequently vanished (for further details see Marvel Platinum: the Definitive Avengers).

As years passed her loss slowly drove Wanda mad, and when she finally slipped completely over the edge the resultant slaughter-spree destroyed many of her Avengers team-mates. The effects of her actions subsequently reshaped the entire Marvel Universe, resulting in climactic reboot Avengers Disassembled.

The team had barely recovered from that catastrophe before she overwrote Reality again, altering recent Earth history such that mutants ruled over a society where humans or “sapiens” were an acknowledged evolutionary dead-end living out their lives and destined for extinction within two generations.

It took every champion on Earth and a huge helping of luck to put that genie back in a bottle (another colossal crossover – House of M), and in the aftermath less than 200 mutants were left on Earth…

The Witch was partially rehabilitated and began her quest for redemption during the aforementioned Avengers versus X-Men with the World’s Mightiest Heroes striving against the remaining mutants for control of Hope Summers: a girl born to be mortal host to the implacable force of cosmic destruction and creation known as The Phoenix.

However the primal phenomenon instead possessed a quintet of X-Men, corrupting them by manifesting their dream of making Earth a paradise for besieged, beleaguered Homo Superior.

In the ensuing conflict humanity was briefly enslaved before, inevitably, the selfish appetites of the Phoenix Force caused those possessed to turn upon each other. Soon its transcendent power transformed rallying figurehead and mutant freedom-fighter Cyclops into another apparently unstoppable, insatiable “Dark Phoenix”.

At that crossroads moment his beloved mentor Charles Xavier, founder of the X-Men and formulator of the aspiration of peaceful mutant/human co-existence returned, only to be killed by his most devoted disciple…

Professor X’s death united X-Men and Avengers but, in the days following the expulsion of the Phoenix Force, progress and reconciliation stalled. The mostly human world festered with resentment even as new mutants began to manifest, and liberated mankind again fell into its old habits: intolerance, violence and bigoted, vigilante outrages…

When undying über-Nazi the Red Skull stole Xavier’s brain and appropriated the deceased mutant’s awesome telepathic abilities, his terrorist outrages were halted by a new team of Avengers: one formed by Captain America and S.H.I.E.L.D. to counter the rising tide of inter-species hostility…

Having been born out of one wave of genocidal race-hatred, the Sentinel of Liberty was painfully aware that America’s mutant minority had been poorly served – if not actively institutionally discriminated against – and sought to make amends by continuing Xavier’s utopian vision. To that end he convened the high-profile, affirmatively-active Avengers Unity Division, comprising human and mutant heroes working together.

The quintessential Avenger chose former government agent Havok (Cyclops’ brother Alex Summers) to lead the team, which consisted of himself, Thor, Scarlet Witch, Rogue, Wolverine, Sunfire,and the squad’s bloody baptism of fire saw them stop the Skull’s freakish army of bio-engineered S-Men and seemingly prove the promise of the premise.

However at a very public press conference inducting two new members – Wonder Man and the Wasp – they were attacked by ancient enemy Grim Reaper. The clash ended when mutant Rogue slaughtered the psychopath in full view of the horrified watching world. In one shocking instant the entire enterprise seemed utterly undermined with all that hard-won pro-mutant progress wasted…

Collecting Uncanny Avengers #6-11 (cover-dated June to October 2013), and the spin-off Uncanny Avenger AU #8 (July), this astounding celebration of the magic of Fights ‘n’ Tights fiction kicks everything into time-busting cosmic overdrive as the harried heroes fall prey to the bewildering machinations of arch-nemesis Kang the Conqueror and his most potent pawns The Apocalypse Twins…

It all begins in Scandinavia in 1013AD where/when a young, cocky and rebellious Thor is attacked by En Sabah Nur, immortal mutant Apocalypse and agent of the all-powerful Space Gods dubbed Celestials. The grotesque creature believes he is safeguarding the future by promoting the triumph of only the very strongest mutants, but all the petulant Thunderer knows is that he has been shamed and thrashed by a freak with an unfair advantage – star-forged armour…

Apocalypse is guided in his seemingly random attacks by former enemy Pharaoh Rama-Tut who advocates pre-emptive attacks on certain beings: those whose descendents would one day unite to resist the mutant advocate of Survival of the Fittest: the ancestors of a group called Avengers…

In Asgard Thor learns that his father Odin is subject a non-aggression pact with the Celestials but is too headstrong and angry to put aside his grievance. When sternly told to drop the matter, the furious godling finds suspiciously handy help from his malevolent half-brother Loki who shows him a spell which can enchant Thor’s battle-axe JarnBjorn into a weapon capable of rending even Celestial armour…

Delighted with his new unstoppable blade, Thor goes looking for a rematch and does not see that a stranger has been masquerading as his brother…

The Storm Lord arrives in primitive London just as Apocalypse attacks the next name on Rama-Tut’s list; a warrior named Folkbern Logan…

The Pagan soldier has been attacked by Apocalypse’s Four Horsemen and Thor is the answer to his prayers, wielding JarnBjorn with devastating effect. Saving Logan, destroying the servants and grievously wounding Apocalypse he returns to Asgard only to be severely admonished by Odin, even as elsewhen Apocalypse realises he has been played for a fool by Rama-Tut. The real winner is Kang who quietly takes his intended prize – a weapon even Space Gods cannot endure…

In our present, Apocalypse has been recently killed and many deadly creatures vie for the dubious honour of assuming his mantle and role as mutant messiah/exterminator of humanity. Thus on solar-orbiting Starcore Station his appalling son Genocide petitions the Celestials to accept him as their new agent…

The Celestials are a crucial component in the mechanics of the cosmos, their only interest being the raw, unstoppable processes of evolution. However when the enigmatic Apocalypse Twins materialise, they exercise their claim as true heirs by using JarnBjorn to achieve the impossible: executing the omnipotent Celestial Gardener and thereby endangering the very fabric of existence…

On Earth Havok has just successfully defended Rogue from murder charges at a S.H.I.E.L.D. hearing and attempts to keep her busy and out of sight by sending her after Magneto when news arrives that Earth’s alien early warning satellite The Peak is under attack.

Wanda meanwhile is trying to talk with WonderMan. Their relationship has been strained ever since she killed and resurrected him and the traumatised energy being is undergoing a few confusing life-changes. For one thing he’s now become a pacifist. He will help the team in every way possible… except by fighting…

Despite all efforts the Avengers are unable to save The Peak from the Twins, who use the fallen Celestial’s vehicle to send the station crashing down on Rio de Janeiro. Although Thor and Sunfire are able to save the city from obliteration the rest of the team are more concerned with a secret they have just uncovered: Wolverine’s hidden role in the death of the Twin’s birth-father – the former X-Man Warren Worthington, AKA Archangel…

Whilst all this is occurring Captain America is fighting for his life in war-torn South Sudan and manoeuvred into uncovering a message from a mysterious ally purporting to know what is actually going on.

The Twins are also aware of layers of deceit. Raised by Kang in time-warped isolation Eimin and Uriel are beginning to suspect their patron’s motives and each other’s dedication. These qualms do not prevent them from detonating an atomic blast just as the rest of the Avengers arrive to supplement Thor and Sunfire…

The Marvel Universe is a busy place and whilst this saga was unfolding another major event was simultaneously unfolding in the pages of Age of Ultron. There, a time-warping event created an alternate Earth where the malign mechanoid took over the world from a point in Earth’s future. The epic spawned a plethora of “extra” issues – such as Uncanny Avengers #8AU – wherein the characters from the alternate timeline spawned by the temporal tribulations offered decidedly different tales of our most famed champions.

In this chronal digression – written by Gerard Gorman Duggan and illustrated by Adam Kubert – we glimpse the formative years of the Apocalypse Twins as Kang temporarily frees his twisted children from his private concentration camp in 4145AD. The Lord of Time had been raising them in such harsh conditions to temper them for future roles, but now seeks to test his charges with a first mission of assassination.

The target is veteran Red, White and Blue Sentinel of Justice Colonel America but the operation does not go according to plan…

Returning with #9 to the regularly scheduled tale Ragnarok Now! displays the deepening rift in the Unity team as the resurgent adult Apocalypse Twins continue their campaign for mutant ascendancy by constituting their own squad of Horsemen to winnow humanity and its heroes. These heralds of Mutant Rapture and human disaster are not the bio-engineered creatures their true father preferred however.

The children of En Sabah Nur instead opt for a quartet of dead horrors to pave their way to triumph…

In Sudan meanwhile, Captain America digests information received from the godlike Immortus – another “master of time” and purportedly Kang’s reformed future self. The decidedly untrustworthy savant has entrusted the Star Spangled Avenger with the actual nature of reality and revealed why the Twins must be stopped as well as the ghastly consequences should they win the ongoing war to control all times, spaces and realities…

When Cap then learns of Wolverine’s murderous past actions the team splits over philosophy and pragmatism. Havok is hard-pressed to keep the heroes united before the onslaught of the Twins’ zombie Horsemen, Sentry, Banshee, Daken and Grim Reaper: all deadly killers with deep emotional ties to the heroes and all of whom died at the hands of Avengers…

As the Unity squad splits up to tackle the Apocalypse agents, the calamitous clashes only mask the Twins’ secret agenda: they have seemingly seduced the reality-shredding Scarlet Witch to their cause, convincing her to use her world-warping curse to bring about their long-desired ascendancy as instigators of the Mutant Rapture…

To Be Continued…

Scripted by Rick Remender and illustrated by Daniel Acuña, this rather confused and somewhat convoluted, but exceedingly spectacular, complex and ambitious epic may be a bit daunting for casual readers but dedicated followers of mutant mayhem will no doubt adore the fantastic premise and blockbusting scope of events.

Also provoking much applause and approbation are a gallery of covers and variants by John Cassaday & Laura Martin, Milo Manara and Jim Cheung, whilst the selection of 21st century extra content in the form of AR icon sections includes trailers, character bios, creator commentaries and oodles more. The Marvel Augmented Reality App pages grant access to story bonuses once you download the little dickens – free from marvel.com – onto your smart-phone or Android-enabled tablet. So you should do that too, right?
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

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Avengers: the Last White Event


By Jonathan Hickman, Dustin Weaver, Mike Deodato Jr. & various (Marvel/Panini UK)
ISBN: 978-1-84653-569-7

In the aftermath of the blockbuster Avengers versus X-Men publishing event, the company-wide reboot MarvelNOW! reset the entire overarching continuity: a drastic reshuffle and rethink of characters, concepts and brands with an eye to winning new readers and feeding the company’s burgeoning movie blockbuster machine…

Collecting Avengers volume 5 #7-11 (cover-dated May to July 2013), this ongoing big picture series is again written by the scarily impressive Jonathan Hickman; someone with a distinct gift for mixing “mind-boggling” with “thrilling” and making it all seem easy.

This corner of the grand superhero sub-set (with others including Uncanny Avengers, Avengers Arena, New Avengers, Secret Avengers, Young Avengers, Avengers Assemble and Avengers Underwear Secrets – sorry, that last one’s still imaginary) could be seen as the spine which conceptually links the many series and stars together.

In the previous volume an incredibly ancient trio of “Gardeners” – robotic Aleph, seductive Abyss and passionate Ex Nihilo – landed on Mars to begin work on their latest project: remaking Earth into something special.

To attain their ends they bombarded the third rock from the sun with bio-mutational “Origin bombs”, seeding locations with new, exotic and deadly life-forms. When the Avengers went after the perpetrators, the infinitely old invaders claimed to have been tasked by the first species in creation and The Mother (of the entire universe) to test and, whenever necessary, eradicate, recreate and replace life on other worlds.

For Earth their major exhibit was a new form of man: a prototype Adam to supersede humanity…

Captain America responded by gathering an expanded contingent of Avengers: the old trusted team and a new expansion squad of champions gathered from across the globe. This auxiliaries comprised Wolverine, Spider-Man, Falcon, Spider-Woman, master of Kung Fu Shang-Chi, Captain Marvel, former X-mutants Cannonball and Sunspot, teleporter and reality shaper Eden Fesi (now calling himself Manifold), pan-dimensional superman Hyperion, cosmic crusader Captain Universe and alien mystery-woman Smasher to augment the old regulars Iron Man, Thor, Hulk, Hawkeye and Black Widow.

Although the Gardeners were thwarted, Ex Nihilo remained on Mars after the Avengers took custody of his handmade modern Prometheus. The menace bided his time, waiting whilst Tony Stark sought to decode and understand the Adam left in the Avengers’ care. When at last Earth’s greatest inventor cracked the mystery, the strange creature – now calling himself a Nightmask – promptly predicted an imminent end to everything and the advent of another extinction-level threat…

Elsewhere as the ancient aliens’ six bio-attacks radically transformed and evolved flora, fauna and geography at the strike-sites – which needed constant attention from the heroes and S.H.I.E.L.D. – arcane elements of the Infinite were aligning and both Nightmask and Captain Universe became instantly aware of a shattering “White Event”…

Reality is composed of discrete universes held apart by an infinite crimson underspace dubbed the Superflow. Now with that immemorial barrier somehow fragmenting, the timeless engineers who maintain it can only stoically observe as ‘The Last White Event’ (illustrated by Dustin Weaver, with hues from Justin Ponsor) brings destruction and a global doom device to the Avengers’ world.

As Nightmask explains – in the most obscure terminology – a White Event heralds the ascension of a universe. Usually the cosmos provides a Nightmask as herald, and creates a Justice, a Cipher, occasionally a Spitfire and – inevitably – a being of infinite power: a Starbrand. This has just happened again, but this particular universe – and the entire machinery of the multiverse – is broken…

After the artificial man pinpoints the ground-zero location of the trigger event, Iron Man leads the team to a smoking, five-mile wide crater which was once a small suburban college town. The edgy heroes discover a traumatised young man at the centre of devastation…

‘Starbranded’ (Adam Kubert & Ponsor) describes how the celestial source-code which ensures the right person receives ultimate power had failed and, rather than being suitable or even capable, bullied, needy kid Kevin Connor was the very last person who should become a living planetary defence system…

As the confrontation devolves into catastrophic combat, with Connor easily thrashing the likes of Thor and the Hulk, cosmically aware Captain Universe realises that even for such a rare occurrence as a White Event, something is fundamentally wrong with the Big Picture.

Adam/Nightmask then abruptly intervenes, arbitrarily transporting Connor to Mars where Abyss and Ex Nihilo are waiting…

‘Star Bound’ (Weaver, Mike Deodato Jr. & Ponsor) picks up the tale as, after another impatient fight, Starbrand learns how, after millennia of home world “improvements”, bored Ex Nihilo tweaked his eternal brief and did something a little different with the Origin Bombs he dropped on Earth…

The alien had no idea what results his meddling might achieve, but at least after billions of years it would be different…

Teleporting back to Earth with only the best of intentions, Connor and Adam land in Croatia in time to encounter the fruit of Ex Nihilo’s meddling but their good intentions produce only disaster and when the Avengers arrive the situation only escalates…

After a handy cryptography-key page for the alien ‘Builder Machine Code’ used throughout the stories, a clever change of pace sees a group of Avengers sent to Saskatchewan at the request of the Canadian government. The province was also the site of an Origin Bomb strike and the appalling changes to the area were at first investigated by the team of Canadian heroes from Omega Flight. They didn’t come back.

Now in ‘Validator’ (drawn by Deodato Jr. and colour-rendered by Frank Martin), with all contact lost Wolverine leads a team into the dark heart of the mutated environment to discover a terrifying secret …

When the mutagenic hard rain first fell nobody realised that there were in fact seven bio-bombs. In desolate Norway, the ruthless techno-terrorists of Advanced Idea Mechanics were unhampered as they harvested the horrific result of that particular Origin-strike.

Thus this second globe-girdling collection closes with ‘Wake the Dragon’ (Deodato Jr. & Martin) as a team of espionage-adept Avengers – Black Widow, Captain Marvel, Spider-Woman, Sunspot, Cannonball and Shang-Chi – travel to Hong Kong to gather intel and stop the sale of whatever doomsday bioweapons AIM has crafted from their researches…

As seduction, cajolery, bribery and inevitably outrageous violence all prove insufficient to the task, only the Master of Kung Fu’s “old ways” and spiritual purity are able to divine the incredible, deadly truth behind all the layers of secrets and lies…

To Be Continued…

Utter Fights ‘n’ Tights magic that will delight fans of doom-drenched Costumed Dramas, this tome also offers a stunning covers-and-variants gallery by Dustin Weaver, Justin Ponsor, Joe Quinones & Daniel Acuña and the now mandatory extra content – trailers, character bios, creator video commentaries, behind the scenes features and more – for tech-savvy consumers courtesy of AR icon sections  all accessible through a free digital code and the Marvel Comics app for iPhone®, iPad®, iPad Touch® & Android devices at Marvel’s Digital Comics Shop.
™ and © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

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Marvel Platinum: the Definitive Thor Reloaded


By Stan Lee, Mark Gruenwald, Ralph Macchio, Jack Kirby, Keith Pollard, Walter Simonson, J. Michael Straczynski & various (Marvel)
ISBN: 978-1-84653-552-9

With another Asgardian Epic about to open in cinemas around the world, here’s a tie-in trade paperback collection designed to perfectly augment the filmic exposure and cater to movie fans wanting to follow up with a comics experience.

One more sterling Marvel Platinum/Definitive Edition, this treasury of tales reprints intriguing landmarks from Journey into Mystery #112, Thor volume 1 #136, 300-301, 345-348 and 363, Thor volume 3, #12 and Thor volume 1 #600, which will serve to answer many questions the silver screen story might throw up and provide a immense amount of bombastic mythically barbarous fun.

Moreover, in addition to the mandatory Stan Lee Foreword, this compendium contains text features detailing the secrets and statistics of Odin, Kurse, Loki and Malekith, culled from the encyclopaedic Marvel Universe Handbook, plus Mike Conroy’s scholarly trawl through comicbook mythology in ‘The True History of the Norse Gods’.

In case this is your first storm-chase: crippled doctor Donald Blake took a vacation in Norway only to stumble into an alien invasion. Trapped in a cave, he found an old walking stick which, when struck against the ground, turned him into the presumed mythical Norse God of Thunder.

Within moments he was defending the weak and smiting the wicked. Months swiftly passed with the Lord of Storms tackling rapacious extraterrestrials, Commie dictators, costumed crazies and cheap thugs, but these soon gave way to a vast kaleidoscope of fantastic worlds and incredible, mythic menaces, courtesy of the increasingly experimental graphic genius Jack Kirby…

This titanic tome’s blistering battle-fest begins with ‘The Mighty Thor Battles the Incredible Hulk!’ from Journey into Mystery #112 by Stan Lee, Kirby & Chic Stone (January 1965) and a glorious gift to all those fans who perpetually ask “Who’s strongest…?”

Possibly Kirby & Stone’s finest artistic collaboration, it details a private duel between the two super-humans which occurred during a general free-for-all between The Avengers, Sub-Mariner and the morally ambivalent, always angry Green Goliath. The raw, breathtaking spectacle of that tale is followed by a portentous vignette from the ongoing back-up feature which was fleshing out the cosmology of the burgeoning Marvel Universe.

Whereas the rapidly proliferating continuity grew ever more interconnected as it matured, with assorted superheroes literally tripping over each other as they contiguously and continually saved the world from their New York City bases, the Asgardian heritage of Thor and Kirby’s transcendent imagination increasingly pulled the Thunderer away from mortal realms into stunning new landscapes.

Admittedly the son of Odin popped back every now and then, but clearly for “King” Kirby, Earth was just a nice place to visit whilst the stars and beyond were the right and proper domain of the Asgardians and their adversaries.

Thus from issue #97 on (October 1963), each issue also carried a powerfully impressive supplementary series. Tales of Asgard – Home of the Mighty Norse Gods gave Kirby space to indulge his fascination with legends and allowed both complete vignettes and longer epics (in every sense of the word). Initially adapting the original Scandinavian folk tales but eventually with all-new material particular to the Marvel pantheon, he built his own cosmos and mythology, which underpinned the company’s entire continuity.

Inked by Vince Colletta, ‘The Coming of Loki’ (also JiM #112) was a stylish retelling of how Odin came to adopt the baby son of Laufey, king of the Frost Giants…

As the saga of Thunder God grew from formulaic beginnings into a vast, breathtaking cosmic playground for Kirby’s burgeoning imagination, Journey into Mystery inevitably became (The Mighty) Thor with #126, but in this collection we skip to #136 (January 1967) where the peculiarities and inconsistencies of the Don Blake/Thor relationship with mortal love interest Jane Foster were re-examined and finally ended.

A turning point in the feature’s history, ‘To Become an Immortal!’ saw All-Father Odin transform her into a goddess and invite her to dwell in Asgard, but Jane’s frail human mind could not cope with the wonders and perils of the Realm Eternal and she was mercifully restored to mortality and all but written out of the series.

Lucky for the despondent Thunder God the beauteous Warrior-Maiden Sif was on hand…

Thor settled into an uninspired creative lethargy after Kirby left (for DC to invent New Gods, Darkseid, The Fourth World, Kamandi, The Demon, Omac and more). Without his unbridled imagination stories subsequently suffered a qualitative drop and, once illustrator replacement John Buscema moved on too, the series languished in the doldrums until a new visionary was found to expand the mythology once again…

There were a few flourishes of the old magic, however. When Roy Thomas took over scripting he cleverly attempted to rationalise history, legend and the Marvel Universe in an extended storyline which revealed the true nature of the gods and revealed that Germanic folk heroes Siegfried, Sigurd and others were prior incarnations of Thor.

He also revealed that the gods of Earth had a hidden connection with the star-spanning Celestials and their earthly invention the Eternals…

Kirby returned to Marvel in the mid-70s and The Eternals debuted in 1976 in a series obviously at odds with and removed from regular company continuity. The tale revealed that giant alien gods had visited Earth in epochs past, gene-gineering proto-hominids into three distinct species: Human Beings; god-like super-beings who called themselves Eternals and monstrous, genetically unstable but highly intelligent creatures dubbed Deviants.

Moreover the Celestials had periodically returned to check up on their experiment…

Never a comfortable contemporary fit with the rest of the Marvel Universe, comic explorer Kirby played out his fascinations with Deities, the Cosmos and Supernature through the lens of very human observers. Once the series ended and Kirby left again, other creators quickly co-opted the concept into regular continuity. From the end of that lengthy Asgardian epic (beginning either in issue #272 or #283 depending on your temperament) comes the blistering conclusion in Thor #300 – October 1980 – and the gripping epilogue from #301 one month later.

Written by Mark Gruenwald and Ralph Macchio with art by Keith Pollard & Gene Day, ‘Twilight of the Gods’ saw Thor finally uncover the truth about his origins and affinity for Midgard, before learning of an ancient inter-pantheon pact to oppose the Celestials in ‘Whatever Gods There Be…’

The Prince of Asgard then rushed to his dying sire’s aid and spearheaded the resistance to the Space Gods for the climactic ‘Day of Alpha’…

Through devious means Earth was saved from the alien’s destructive judgement, but only at the cost of all his people. Thor #301 found the Storm Lord petitioning the planet’s other deities for a portion of their power to restore the fallen in ‘For the Life of Asgard!’ by Gruenwald, Macchio, Pollard & Stone.

Walter Simonson had, for a brief while, been one of those artists slavishly soldiering to rekindle Kirby’s easy synthesis of mythology, science fiction and meta-humanist philosophy, but with little more success than any other.

However, always deeply invested in Kirby’s daring, exploratory, radical visionary process, when he assumed complete creative autonomy of the title in November 1983 – he was at last free to let loose and brave enough to bring his own unique sensibilities to the character.

The result was an enchantingly addictive body of work (#337-382 plus the Balder the Brave miniseries) that moved beyond Kirby’s Canon and dragged the title out of a creative rut which allowed Simonson’s own successors to also introduce genuine change to a property which had stagnated for 13 years.

The first iconic story-arc introduced alternate Thunder God Beta Ray Bill and began a slow, steady march to a cataclysmic clash with the ultimate destroyer Surtur: a stupendous overarching graphic monolith which addressed the horrendously over-used dramatic device of the Doom of the Gods which had haunted this series since the mid-1960s…

The epic was made up of compartmentalised tales such as the eerie supernatural thriller reprinted here. From Thor #345-348, July to October 1984, comes the tale of Eric Willis, human guardian of a long lost Asgardian artefact who finally loses his incredibly long battle against dark Fae killers in ‘That Was No Lady’, even as the Thunderer is courted by comely maiden Lorelei.

The Godling is blithely unaware that she is the sister of the Enchantress and planning to make him her slave through a magic potion…

In the next issue – inked by Terry Austin – Willis’ son Roger inherits the burden of keeping the Casket of Ancient Winters from sinister Dark Elf overlord Malekith the Accursed, and teams up with a rather distracted Thor whose Asgardian race has been at war with Malekith’s people since time immemorial. But whilst ‘The Wild Hunt!’ harries his enemies, the demonic destroyer captures Lorelei and drags her ‘Into the Realm of Faerie!’

When Roger and Thor go after them the Thunderer is attacked by super elf Algrim the Strong who would have killed Thor had not impatient Dark Elf thrown both combatants into a fiery pit…

All alone Roger is helpless to protect the Casket from Malekith who at last unleashes ‘The Dark and the Light’ (Bob Wiacek inks) allowing Surtur to escape from his eternal prison…

‘This Kurséd Earth…!’ from #363 (January 1985) was part of the Secret Wars II publishing event set after the Surtur conflict ended, and saw omnipotent being The Beyonder come to Earth in search of philosophical answers to imponderable questions. Adopting a trial by ordeal methodology, the alien resurrected and augmented Algrim and allowed him to hunt Thor, even as guest stars Power Pack and Beta Ray Bill attempted to reason with the oddly sympathetic obsessed berserker…

The series continued, folding in the late 1990s, to restart in an impressive second volume as part of the Heroes Return publishing event, but the same toothy problems of direction still lingered.

And so, at last the cosmic dramas all concluded with the Really, Truly, We Mean It, End of the Gods and True Day of Ragnarok, wherein Thor himself instigated the final fall to end an ceaseless cycle of suffering and destruction, ultimately defeating the ruthless overbeings who had manipulated the inhabitants of Asgard since time began…

Even so the franchise restarted in 2007 with volume 3 and the Storm Lord back from the dead. Conjoined once more with Don Blake he was looking for the displaced citizens of a somehow restored but empty Asgard, which now floated a few dozen feet above the barren flats of Brockton, Oklahoma.

Thor volume 3, #12, (January 2009) offers ‘Diversions and Misdirections’ by J. Michael Straczynski, Olivier Coipel & Mark Morales revealing how, with Odin gone and Asgard now Earthbound, implacable Loki has joined with Death Goddess Hela to dishonour and destroy his hated half-brother.

The first step requires the God of Mischief to travel back in time to that long gone moment when his father Laufey battled Odin…

Thor resumed its original numbering in April 2009 and volume 1 #600, by Straczynski, Coipel, Marko Djurdjevic & Morales, saw the insidious villain’s ultimate ‘Victory’ after resurrecting the long deceased proto-Asgardian Bor and tricking the progenitor of all Norse Gods into attacking Earth and battling his own grandson Thor… to the death…

With covers by Kirby, Stone & Colletta, Pollard, Simonson, Djurdjevic, Olivier & Morales and Gabrielle Dell’Otto, this fulsome primer is less an introduction for readers unfamiliar with the stentorian Thunder God and more a cleverly constructed appendage for the film sequel.

However, I can’t deny that what’s on offer here is of great quality and well able to stand as great examples of the comicbook hero at his most memorable and entertaining. Most importantly this is a well-tailored device to turn curious movie-goers into fans of the comic incarnation too.

Filled with non-stop tension and blockbuster action, this an ideal tool to make curious film-goers into funnybook fans and another solid sampling to entice and charm even the most jaded lapsed reader to return.

© 2013 Marvel. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. British edition published by Panini UK.