Thor – Page 12 – Now Read This!

June 3, 2011June 1, 2011

The Mighty Thor: I, Whom the Gods Would Destroy

– a Marvel Graphic Novel

By Jim Shooter, James Owsley, Paul Ryan & Vince Colletta (Marvel)
ISBN: 978-0-87135-268-0

When it was released in 1987, I, Whom the Gods Would Destroy offered a decidedly different take on the bombastic fantasy-hero – which perhaps explains why it has unfairly languished in obscurity ever sinceâ€¦

The plot itself is delightfully simple and fiendishly clever: Thor is an immortal of Asgard with all the responsibilities of a warrior prince and champion of justice. Moreover, he can transform at will into mere mortal iteration Don Blake – a crippled surgeon who revels in the minutiae of humanity, regularly and literally holding people’s lives in his handsâ€¦

After Blake loses a patient on the operating table he suffers a debilitating crisis of conscience and begins to question his own Divine right to and manner of existence.

Rebuffing the dutiful pleadings of his betrothed, beloved Lady Sif, he goes thoroughly off the rails, decrying the callous, patronising disregard the gods show to mortals.

After a tawdry fling with a girl in a bar Blake decides to abandon his immortal identity intending to live and die as a man, but the ever-present dangers of city-life soon compel him to become the crime-busting saviour-hero once more. Now, however this heroic role is dull and unappetising to him. He attempts to end his undying lifeâ€¦

Traumatised beyond endurance Blake tries to prove the myriad attractions of raw humanity to celestial Sif, but she cannot understand his fascination and rejects the world of mortals. Not even for him can she embrace or understand mankindâ€¦

An emotional Rubicon is confronted and crossed when Blake is once more called to operate on a dying patient. This time it’s a child and if he can’t save her, nobody canâ€¦

This compelling drama takes the most macho, two-fisted action-hero of the Marvel Universe and puts him through emotional hell in a tale with no villains where strength is irrelevant and compassion is the only weaponâ€¦

I can’t recall when Marvel last published an all-original graphic novel as opposed to a collection of previously printed material, but once they were the market leader with an entire range of â€œbig new storiesâ€ told on larger than normal pages (285 x 220mm rather than the comic-sized standard 258 x 168mm of today’s books), featuring not only proprietary characters in out-of-the-ordinary adventures but also licensed assets like Conan, creator-owned properties like Alien Legion and new character debuts.

Nonetheless, their ambitious dalliance with the form in the 1980s and 1990s produced some classy results that the company has seldom come close to repeating since. Whether original concepts, licensed projects or their own properties, that run generated a lot of superb or at least different stories that still stand out today – or would if they were actually in print.

Released in 1987, I, Whom the Gods Would Destroy was conceived by Jim Shooter, written by James Owsley and illustrated by Paul Ryan & Vince Colletta; fitting comfortably into the tightly policed continuity of the mainstream Marvel Universe, just before Walt Simonson reinvigorated the title with issue #337 (for which see Mighty Thor: the Ballad of Beta Ray Bill).

A million miles from the usual Fights ‘n’ Tights, Mallets and Monsters monkey-shines, this thought-provoking, long-neglected tale takes Thor in a totally different direction that will similarly delight and surprise new readers and old fans. A cut above the average and well worth an open-eyed reappraisal, this is a Marvel Masterpiece well worth tracking downâ€¦
Â© 1987 Marvel Entertainment Group/Marvel Characters, Inc. All Rights Reserved.

May 24, 2011May 24, 2011

Marvel Platinum: The Definitive Thor

By Stan Lee, Jack Kirby, John Buscema, Walter Simonson, John Romita Jr., J. Michael Straczynski & various (Marvel)
ISBN: 978-1- 84653-481-2

As the new Thor film screened across the world, Marvel quite understandably released a batch of tie-in books and trade paperback collections to maximise exposure and cater to movie fans wanting to follow up with a comics experience. Under the Marvel Platinum/Definitive Editions umbrella this treasury of tales reprints some obvious landmarks from Journey into Mystery #83, Thor #159, 200, 337-339, Thor Volume 2, # 1-2, 84-85 and Volume 3, #3 which, whilst not all being the absolute â€œdefinitiveâ€ sagas, do provide a snapshot of just how very well the hoary mere-mortal-into-godlike gladiator concept can work.

And just in case you think I’m kidding about the metamorphic riff, remember Billy Batson first became Captain Marvel in 1940, Tommy Preston regularly powered up into Golden Lad from 1945, Tommy Troy began changing into The Fly in 1959 and Nathaniel Adam initially transformed into Captain Atom in 1960 and that’s just the first few I could think ofâ€¦

In addition to a Stan Lee introduction, this compendium contains an extensive 23 page text features section detailing career overviews, secret origins and technical trivia, maps, and character profile pages culled from assorted issues of the encyclopaedic Marvel Universe Handbook.

The adventure begins with a modest little fantasy tale from one of the company’s ubiquitous mystery anthologies, where, in the summer of 1962 that tried-and-true comicbook concept (feeble mortal into God-like hero) was employed to add a Superman analogue to their growing roster of costumed adventurers.

Journey into Mystery #83 (cover-dated August 1962) featured the debut of crippled American doctor Donald Blake who took a vacation in Norway only to encounter the vanguard of an alien invasion. Fleeing in terror he was trapped in a cave where lay an old, gnarled walking stick. When in his frustration, he smashed the cane into a huge boulder obstructing his escape; his puny frame was transformed into the Norse God of Thunder, the Mighty Thor!

Plotted by Stan Lee, scripted by Larry Leiber and illustrated by Jack Kirby and Joe Sinnott ‘The Stone Men of Saturn’ is pure early Marvel; bombastic, fast-paced, gloriously illogical and captivatingly action-packed. The hugely under-appreciated Art Simek was the letterer and logo designer.

The character grew from that formulaic beginning into a vast, breathtaking cosmic playground for Kirby’s burgeoning imagination with Journey into Mystery inevitably becoming the Mighty Thor (with #126) but in this collection we skip to issue #159 (December 1968) where the peculiarities and inconsistencies of the Don Blake/Thor relationship were re-examined and finally clarified.

In the comic series it began with a framing sequence by Lee, Kirby & Colletta that book-ended a reprint of ‘The Stone Men of Saturn’ in #158, but here ‘The Answer at Last!’ alone suffices to explain how the immortal godling was locked within the frail body of Don Blake: an epic saga which took the immortal hero back to his long-distant youth and finally revealed that the mortal surgeon was no more than an Odinian construct designed to teach the Thunder God humility and compassionâ€¦

Next follows ‘Beware! If This beâ€¦ Ragnarok!’ (#200, June 1972) by Lee, John Buscema & JohnÂ Verpoorten, which interrupted an ongoing battle between Thor and Grecian death-god Pluto to adapt the classical Norse myth of the inevitable fall of the Aesir gods; a stunning graphic prophecy which would inform and shape the next few hundred issues of the series.

Thor settled into an uninspired creative lethargy after the departure of Kirby’s imaginative power and subsequently suffered a qualitative drop after Buscema moved on, leaving the series in the doldrums until a new visionary was found to expand the mythology once againâ€¦

Or, more accurately, returned as Walter Simonson had for a brief while been one of those artists slavishly soldiering to rekindle Kirby’s easy synthesis of mythology, science fiction and meta-humanist philosophy, but with as little success as any other.

When Simonson assumed the writing and drawing of the title in November1983 with issue #337 – deeply invested in Kirby’s exploratory, radical visionary process – free to let loose and brave enough to bring his own unique sensibilities to the character, the result was an enchanting and groundbreaking body of work (#337-382 plus the Balder the Brave miniseries) that actually moved beyond Kirby’s Canon and dragged the title out of a creative rut which allowed Simonson’s own successors to sunsequently introduce genuine change to a property that had stagnated for 13 years.

This first iconic story-arc ‘Doom!’, ‘A Fool and his Hammerâ€¦’ and ‘Something Old, Something Newâ€¦’from The Mighty Thor #337-339 shook everything up and made the Thunder God a collectible sensation for the first time in a decade. Moreover the entire tale is but the prologue to a stupendous larger epic which actively addressed the over-used dramatic device of the Doom of the Gods that had haunted this series since the mid-1960sâ€¦

The story evolves out of a spell inscribed on Thor’s hammer and seen in the character’s very first appearance. When crippled Don Blake was first transformed into the Thunder God he saw on the magic mallet Mjolnir the legend â€œWhosoever holds this hammer, if he be worthy, shall possess the power of Thorâ€¦â€

The saga begins when Blake is asked by super-spy outfit S.H.I.E.L.D. to intercept an Earth-bound fleet of starships which refuel themselves by absorbing suns! Hurtling off into deep space the Storm God boarded one vessel only to be defeated in combat by its alien protector, an artificially augmented warrior named Beta Ray Bill. Moreover, as they crashed to Earth the alien somehow co-opted the mystic mallet’s magic and transformed himself into a warped duplicate of Thor, after which Odin mistook Bill for his son and heir, whisking him to Asgard to defend the Realm Eternal from another monstrous threat! And thenâ€¦

Enough tomfoolery: suffice to say that the action and surprises pile one upon another as the alien revealed that he was the appointed protector of his Korbinite race, the survivors of which are fleeing a horde of demons who destroyed their civilisation and are determined to hunt them to extinction.

And now they’re all heading towards Earthâ€¦

After the mandatory big fight Thor and Bill – each with his own hammer – teamed-up to investigate the demons, with confused love-interest Lady Sif along for the rollercoaster ride, discovering in the process a threat to the entire universe. That tale is not included here, resulting in a rather disappointing letdown as the narrative leaps ahead fifteen years to July 1998 and the relaunch of the thunder god in Mighty Thor Volume 2.

‘In Search of the Gods’ and its sequel ‘Deal with the Devil!’ (by Dan Jurgens, John Romita Jr. & Klaus Janson, Volume 2, #1-2) featured the return of Thor and the Avengers after more than a year way from the Marvel Universe, subcontracted out to Image creators Jim Lee and Rob Liefield in a desperate attempt to improve sales after the apocalyptic Onslaught publishing event.

In a spectacular and visually compelling two-parter, the Thunderer was reinstated into the â€œrealâ€ world just in time to fall in battle against the devastating Asgardian artefact known as the Destroyer. As the Avengers struggled on against the unstoppable creature, the godling’s spirit was melded with an innocent killed during the struggle, only to emerge once more with a human alter-ego and a new lease on lifeâ€¦

The second volume concluded with issues #84-85 (November-December 2004, written by Daniel Berman & Michael Avon Oeming, illustrated by Andrea Divito and colourist Laura Villari) which once and for all depicted the Really, Truly, We Mean It End of the Gods and Day of Ragnarok as Thor himself instigated the final fall to end an ceaseless cycle of suffering and destruction, ultimately defeating the ruthless beings who have manipulated the inhabitants of Asgard since time beganâ€¦

For the full story you’ll need to seek out Avengers Disassembled: Thor whereas this volume’s cosmic comic sagas conclude with the third issue of Thor Volume 3 and ‘Everything Old is New Again’ by J. Michael Straczynski, Olivier Coipel & Mark Morales (November 2007) with the Storm Lord back from the dead, conjoined once more with Don Blake and looking for the displaced citizens of a restored but empty Asgard, which now floats a few dozen feet above the barren flats of Brockton, Oklahoma.

This all-action tale details the clash between Thor and once best-friend Iron Man in a world that has radically changed since the new lord of Asgard’s demise and resurrectionâ€¦

As a primer or introductory collection for readers unfamiliar with the stentorian Thunderer this book has a lot to recommend it. I’m also keenly aware of the need for newcomers to have his centuries-long saga presented in some form of chronological order, but in all honesty the final result is a little choppy and very much a one-trick pony. With the staggering breadth of characters and variety of adventures that have been generated during Thor’s long career there’s an inescapable aura of missed opportunity to the tome in question.

However, I cannot deny that what does appear is of great quality and thematically an obvious and thoroughly entertaining accompaniment to the cinema spectacle. Most importantly this is a well-tailored device to turn curious movie-goers into fans of the comic incarnation too. If there’s a film sequel, let’s hope that Marvel has plans to include some of the great material by a vast range of creators omitted from this book in a second, more imaginative volumeâ€¦.

May 14, 2011May 15, 2011

Essential Thor volume 4

By Stan Lee, Jack Kirby, Neal Adams, John Buscema & various (Marvel)
ISBN: 978-0-7851-3076-5

Whilst the constantly expanding Marvel Universe grew ever more interconnected as it matured, with characters literally tripping over each other in New York City, the Asgardian heritage of Thor and the soaring imagination of Jack Kirby had long been drawing the Thunder God away from mortal realms into stunning new landscapes.

With this fourth Essential black and white compendium however, an unthinkable Changing of the Guard occurred as the increasingly discontented King of Comics jumped ship from the House of (His) Ideas for arch-rival DC where he crafted the unfinished magnum Opus of the Fourth World series as well as a number of other game-changing comics classicsâ€¦

An era ended at Marvel when the King abdicated his seemingly divinely-ordained position. Left to soldier on were Stan Lee and a couple of budding talents named Adams and Buscemaâ€¦

In case you came in late: disabled doctor Donald Blake took a vacation in Norway only to stumble into an alien invasion. Trapped in a cave, he found an old walking stick which, when struck against the ground, turned him into the Norse God of Thunder! Within moments he was defending the weak and smiting the wicked. Months swiftly passed with the Lord of Storms tackling rapacious extraterrestrials, Commie dictators, costumed crazies and cheap thugs, but these soon gave way to a vast kaleidoscope of fantastic worlds and incredible, mythic menaces.

This iconic transitional compendium encapsulates the absolute zenith of the fantastic feature, reprinting Mighty Thor #167-195, spanning August 1969 to July 1972 with the mighty Thunder God going both forward and back.

At the close of the previous volume Thor had fallen to a berserker rage whilst retrieving his beloved Lady Sif from the naive artificial superman Him: now as this chronicle opens with ‘This World Renounced!’ (by Stan Lee, Jack Kirby & Vince Colletta and a cover by John Romita: the first ever not drawn by Kirby) almighty Odin punishes his son for succumbing to Warrior Madness by exiling him to deep space, where he must atone by locating the enigmatic world-devourer Galactus.

Just before departure however, Thor got to clear up some outstanding old business, including one last confrontation with Loki, Prince of Evilâ€¦

The superb George Klein came aboard as inker for ‘Galactus Found!‘ which saw Balder and the Warriors Three safeguarding Earth as Thor roamed the heavens on his lonely mission. As a new threat emerged in Red China, Galactus came to Thor and revealed ‘The Awesome Answer!’ to his origins – pure Kirby Kosmology of truly staggering proportions, whilst back home the terrifying Thermal Man was making things too hot for both his Chinese creators and the Lands of the Freeâ€¦

In issue #170 ‘The Thunder God and the Thermal Man’ (inked by Bill Everett) found Thor, with mission accomplished, returned to New York only to tumble straight into cataclysmic combat beside his Asgardian comrades against the unstoppable Atomic menace unleashed by the duplicitous Reds. At the height of the struggle Balder, Hogun, Fandral and Volstagg were abducted by Loki and the Norn Queen but nevertheless the Thunder God triumphedâ€¦

Alone on Earth Thor faced in short order ‘The Wrath of The Wrecker!’, the body-swapping plot of billionaire Kronin Krask in ‘The Immortal and the Mind-Slave!’ and the earthbound fury of ‘Ulik Unleashed!’ (with the Circus of Crime thrown in for good measure) as well as ‘The Carnage of the Crypto-Man!’ before the last great epic of the Kirby-era began.

Behind a Marie Severin cover ‘The Fall of Asgard!’ saw Balder and Co. escape to confront the assemble hordes of Giants and Trolls marching on the Home of the Gods. With Odin incapacitated by his annual Great Sleep, Loki had seized the throne and Sif called Thor back for perhaps the Last Battleâ€¦

‘Inferno!’ (inked by Colletta) saw the folly of the usurper as the terrifying Fire-demon Surtur broke free of his Odinian prison and began its ordained task of burning down the universe. As everything appeared ‘To End in Flames!’ Loki fled to Earth, having first hidden Odin’s sleeping form in the Sea of Eternal Night. Thor led a heroic last stand as Balder invaded the Dimension of Death to rescue the All-Father just as Surtur fired up for the final forayâ€¦

Thor #178 is a landmark: the first issue created without Jack Kirby. An obvious fill-in, ‘Death is a Stranger’ by Lee, John Buscema & Colletta, found the Thunderer snatched away from Asgard by the nefarious Abomination to battle the Stranger – an extra-galactic powerhouse who collects unique beingsâ€¦

The interrupted epic resumed in #179 with ‘No More the Thunder God!’ as Thor, Sif and Balder were dispatched to Earth to arrest Loki. This story was Kirby’s last: he left the entire vast unfolding new mythology on a cliffhanger as the Thunder God was ambushed by his wicked step-brother.

By switching bodies, the Lord of Evil gained safety and the power of the Storm whilst Thor was doomed to endure whatever punishment Odin decreedâ€¦

More than any other Marvel strip The Mighty Thor was the feature where Kirby’s creative brilliance matched his questing exploration of an Infinite Imaginative Cosmos: dreaming, extrapolating and honing a dazzling new kind of storytelling graphics with soul-searching, mind-boggling concepts of Man’s place in the universe. Although what followed contained the trappings and even spirit of that incredible marriage, the heart, soul and soaring, unfettered wonder just were not there any longer: nor would they be until 1983 Walt Simonson assumed creative control with #337 (see Mighty Thor: the Ballad of Beta Ray Bill).

‘When Gods Go Mad!’ introduced the totally different style of Neal Adams to the mix, inked by the comfortably familiar Joe Sinnott, as the true Thunder God was sent to Hell and the tender mercies of Mephisto, whilst on Earth Loki used his brother’s body to terrorise the UN Assembly and declare himself Master of the Worldâ€¦

In #181 ‘One God Must Fall’ Sif led the Warriors Three on a rescue mission to the Infernal Realm as Balder struggled to combat the combined power of Thor and malice of Loki until Mephisto was thwarted and a cataclysmic battle of brothers set the world to rights.

The new era truly began with Thor #182 as John Buscema assumed the artistic reins for ‘The Prisonerâ€¦ The Powerâ€¦ andâ€¦ Dr. Doom!’ as the Thunder God became entangled in Earthly politics when a young girl entreated him to rescue her missile-designer father from the deadly Iron Monarch. The decidedly down-to-Earth and mismatched melodrama concluded with Don Blake ‘Trapped in Doomsland!’ until Thor could retrieve his mislaid malletâ€¦

Lee & Buscema began their own cosmic saga in #184 and ‘The World Beyond!‘ as a sinister force began devouring the outer galaxies and psychic reverberations began to unravel life on Earth and in Asgard. Sam Grainger inked ‘In the Grip of Infinity!’ as the cosmic calamity intensified whilst ‘Worlds at War!’ revealed the true architect of the conflagration, leading to a desperate last-ditch ploy in ‘The World is Lost!’ and a final clash which led to ‘The End of Infinity!’ (inked by Jim Mooney).

Although vast in scope and quite clever this tale suffers from excessive padding and a plodding, repetitive pace which isn’t helped by a ponderous epilogue in #189 as the Goddess Hela came calling, demanding Thor feel ‘The Icy Touch of Death!’ to pay for all the souls she didn’t getâ€¦

After a big chase she was finally dissuaded in ‘â€¦And So To Die!’ but the distraction had once more allowed Loki to seize the Throne and unleash ‘A Time of Evil!’ which he manifested in the form of an unstoppable artificial hunter/killer dubbed Durok the Demolisher. Unleashing his merciless engine of destruction on Earth, Loki gloated at the ‘Conflagration!’ (inked by Grainger) he had instigatedâ€¦

Gerry Conway came aboard as writer with ‘What Power Unleashed?’ (Sal Buscema inking brother John) to conclude the tale as Balder and Sif enlisted the Silver Surfer to aid the embattled Thunder God as Asgard tottered on the brink of total destruction until Thor could intercede, culminating in ‘This Fatal Fury!’ where the All-Father finally resumed his rightful place.

This pivotal collection concludes unsatisfactorily ‘In the Shadow of Mangog!’ (inked by Colletta) with the first part on another extended odyssey as Thor and friends are dispatched to the ends of the Universe. In his righteous rage Odin had banished Loki to that fantastic world, momentarily forgetting that once there the Prince of Evil might awaken the most vicious, unbeatable monster in the Asgardian universe â€¦

To be continuedâ€¦

The Kirby Thor will always be a high-point in graphic fantasy, all the more impressive for the sheer imagination and timeless readability of the tales. With his departure the series foundered for the longest time before finding a new identity, yet even so the remaining stories in this volume are still packed with intrigue and action and magnificently rendered by artists who whilst not possessing Kirby’s vaulting visionary passion were every inch his equal in craft and dedication.Â This book is still an absolute must for all fans of the medium.

May 5, 2011May 8, 2011

Avengers Prime

By Brian Michael Bendis, Alan Davis & Mark Farmer (Marvel/Panini UK)
ISBN: 978-1-84653-480-5

There’s a wealth of Marvel material around starring Thor at the moment and this impressive fantasy fable (originally released as a 5 part miniseries) is one of the very best modern contributions, featuring as it does two of his most popular companions and a full-on foray to the fabled land of Asgard for the founding fathers of the Earth’s Mightiest Heroesâ€¦

The story begins just seconds after the conclusion of Siege wherein Norman Osborn, America’s Security Czar, instigated a deadly war against the Norse gods currently trapped on Earth (see also Thor and Secret Invasion: Thor) in Broxton, Oklahoma. The incident served to reunite heroes divided by the Civil War orchestrated by Osborn when he was working to become the nation’ s Chief of Homeland Security.

Now in the aftermath of the colossal battle old friends on opposite sides of the political divide are counting their losses and almost rekindling old animosities amidst the ruins of Asgard â€“ now lying scattered across the Oklahoma landscape when a magical vortex sucks Cap, Shellhead and Thor into a magical wonderland in crisisâ€¦

In cosmological terms Asgard was the centre of Nine mystical and conjoined Realms and its displacement and fall has destabilised the whole. Now the Sentinel of Liberty has fallen among hostile Elves, Thor has been drawn into empty Vanaheim to battle the Enchantress and her army of brutal trolls, whilst Iron Man has been dumped amidst dragons and Giants with his super-scientific armour barely able to generate a sparkâ€¦

Moreover Hela, Goddess of Death believes the time has finally come for her to end all Life foreverâ€¦

The fractured friendship of these primal heroes is re-forged in a spectacular, bombastic and wildly entertaining Saves-The-Day-Saga by Brian Michael Bendis, Alan Davis & Mark Farmer, packed with action, suspense and fabulous frantic fantasy that will equally delight new readers and faithful fuddy-duddies of my ilk.

Frantic, fast-paced fun to enchant every Fights ‘n’ Tights aficionado, and a graphic novel must-have item…

May 2, 2011May 1, 2011

Ultimate Comics New Ultimates: Thor Reborn

By Jeph Loeb & Frank Cho (Marvel/Panini UK)
ISBN: 978-1-84653-475-1

The stark, savage and nihilistically modern Utimates Comic universe is stocked with dark and gritty analogues of the shiny dynasty crafted by Stan Lee, Jack Kirby and Steve Ditko, but since its inception at the turn of this century has resolved into something which can easily stand on its own merits.

With the Norse hero Thor very much in the public eye at the moment a number of his Ultimately alternative adventures have quickly found themselves translated into graphic novels and Thor Reborn, although certainly not the easiest to begin your acquaintance with, is probably the most action-packed and definitely the best illustrated.

Written by Jeph Loeb and captivatingly depicted by Frank Cho the saga is actually a tale of the alternate Avengers (originally published as Ultimate Comics New Ultimates #1-5) which opens with the Thunderer trapped in the land of the dead, and mourned on Earth by his fellow heroes – especially his devoted lover Valkyrie; a mortal woman artificially empowered by clandestine means who now wields Thor’s hammer.

When her old team the Defenders attacks Ultimates HQ, Iron Man, Hawkeye, Captain America, Valkyrie and mystery goddess Zarda are easily defeated and the attackers steal the mystic mallet, setting off a disastrous chain of deadly eventsâ€¦

Meanwhile the lost Thor has been granted a chance to escape his dolorous prison: all he has to do is impregnate his captor: Hela, Queen of Deathâ€¦

Ka-Zar, Shanna the She-Devil and Black Panther are just strolling through the park when Loki, god of Madness and Mischief, with Amora the Enchantress in tow, leads an invasion of trolls and monsters to Earth. In his hand is Thor’s dimension-traversing hammerâ€¦

Before the assembled champions can muster a defence Amora mesmerises all the female Ultimates including S.H.I.E.L.D. Commander Carol Danvers, and inevitably the indomitable, hard-pressed heroes fallâ€¦

But at the moment of triumph a secret weapon turns the tide and the Ultimates escape to fight another day, whilst in Valhalla, bargain fully carried out, Thor readies himself to return, only to discover that one small detail has been neglected. For him to return to life once more, somebody on the other side must dieâ€¦

Tense, compelling and explosively cathartic, the saga of the Thunderer’s return is pure comics hokum of the very highest quality: unassuming but wildly satisfying.

April 29, 2011May 1, 2011

Ultimate Thor

By Jonathan Hickman, Carlos Pacheco & Dexter Vines (Marvel/Panini UK)
ISBN: 978-1-84653-484-3

In 2000, when Marvel retooled their traditional continuity into a separate, darker, grittier universe more relevant to the video game-playing, movie-watching 21^st century readers than the 1960s Lee/Kirby/Ditko ongoing monolith, they started with the most popular characters and only gradually added analogues for the established characters and trademarks.

Even when the Avengers finally appeared as the Ultimates, readers were only sparingly brought up to speed on the assorted back-stories of the alternative heroes and villains – especially the wild, hammer-wielding warrior who couldn’t decide if he was Thorlief Golmen, mental patient, psychiatric nurse and anti-American radical protester or Thor, ancient Norse god of Thunder and battle.

After many struggles against his malicious, reality-warping brother Loki, the immensely powerful Thor is found here as a patient under the care of the European Union Super Soldier program. When his doctors call in linguistic expert and psychotherapist Donald Blake the true and fantastic story of his origins unfoldâ€¦

Eons ago Asgard was a fantastic place of adventure and glory; an ideal paradise for the young warrior-brothers Balder, Thor and Loki to fight, carouse and enjoy life. But even gods grow older and apartâ€¦

The time is just prior to the start of World War II Nazi Occult scientist: Baron Zemo leads an army against Asgard, having already allied himself with the gods’ greatest enemies, the Frost Giantsâ€¦

All is not as it seems however, and Zemo is no mortal invader. Moreover his intention is to end all the gods and bring about Ragnarokâ€¦ and despite the magnificent heroics of the Norse deities he succeeds. But now it is revealed that the brothers did not die and were reborn in mortal form on Earthâ€¦

Now as an Age of Supermen begins the brothers awakeâ€¦ and one of them is madâ€¦

Compellingly scripted by Jonathan Hickman and beautifully illustrated by Carlos Pacheco & Dexter Vines this lovely yarn (originally released as miniseries Ultimate Comics Thor #1-4) could probably be a mite confusing for readers who haven’t seen Thor’s other Ultimate appearances and certainly is quite choppy in delivery as it in-fills the missing portions of those stories. Even so, this is still a hugely engaging adventure that could easily act as an introduction to those other epics and is well worth your attention.

April 27, 2011April 27, 2011

Thor: For Asgard

By Robert Rodi & Simone Bianchi (Marvel/Panini UK)
ISBN: 978-1-84653-482-9

Once again a major motion picture adaptation has generated a host of supplemental comics product and as Thor thunders onto silver screens everywhere there’s plenty for established fans and freshly-interested parties to grapple withâ€¦

In this effective and beautiful re-imagining by Robert Rodi, illustrated with astounding imagination and beauty (if not always the greatest narrative or sequential clarity) by Simone Bianchi, the long dreaded Twilight of the Gods has begun and cracks are beginning to show in the heroic faÃ§ade of the noble and mighty Asgardiansâ€¦

Reprinting the six-issue miniseries published in 2010 under the Marvel Knights imprint the saga opens in the second icy year of the dread Fimbulwinter, with the shining god Balder long dead, all-father Odin long missing and Thor as Regent.

A better warrior than ruler Thor leads an embattled, increasingly contentious and disgruntled populace in punitive forays against old enemies such as the Frost Giants. All around them former vassal states are stretching long unused muscles and airing old grievances and his two closest advisors are at constant odds with each otherâ€¦

With the snowy streets of Asgard awash with resentment, if not outright sedition, Idunn informs the out-of-his-depth Thunderer that the Golden Apples – source of immortality – are almost gone and with Spring and Summer banished, no more will grow.

Asgard’s enemies are gathering, led by a secret mastermind, Odin’s mysterious mission has gone awry and, in the gleaming city, mutterings have become desperate, traitorous acts. With even Valhalla, the glorious Hall of the Dead, threatened, and now murder in the streets, Thor needs all his powers to help him, but even his faithful magic mallet has betrayed him: it has been long indeed since the Prince of Asgard was worthy enough to wield the Hammer of the Godsâ€¦

With chaos and destruction all around can the hard-pressed Thor hold things together or would the truly heroic thing be to let Ragnarok come and start fresh amid the ruinsâ€¦?

Bleak, subtly allegorical and utterly enchanting, this moody epic of endings and new beginnings is a powerful tale of a deftly different pantheon that will delight newcomers to the character but possibly irritate long-term Marvelites.

Moreover, by ending on a foreboding note – completists should take heed – the tale is not completely done and there may be more to followâ€¦

February 22, 2011February 21, 2011

Essential Thor volume 3

By Stan Lee, Jack Kirby, & various (Marvel)
ISBN: 978-0-7851-2149-7

Whereas the rapidly proliferating Marvel Universe grew ever more interconnected as it matured with the assorted superheroes literally tripping over each other as they contiguously and continually saved the world from their New York City bases, the Asgardian heritage of Thor and the soaring imagination of Jack Kirby increasingly pulled the Thunder God away from mortal realms into stunning new landscapes.

Admittedly the son of Odin would pop back for an adventure or two, but it is clear that for Kirby, Earth was just a nice place to visit whilst the stars and beyond were the right and proper domain of the Asgardians and their foes.

Crippled doctor Donald Blake took a vacation in Norway only to stumble into an alien invasion. Trapped in a cave, he found an old walking stick, which when struck against the ground turned him into the Norse God of Thunder! Within moments he was defending the weak and smiting the wicked. Months swiftly passed with the Lord of Storms tackling rapacious extraterrestrials, Commie dictators, costumed crazies and cheap thugs, but these soon gave way to a vast kaleidoscope of fantastic worlds and incredible, mythic menaces.

Soon each issue also carried a spectacular back-up series. Tales of Asgard – Home of the Mighty Norse Gods gave Kirby space to indulge his fascination with legends and allowed both complete vignettes and longer epics (in every sense of the word).

This third mind-boggling monochrome collection, encapsulating the absolute zenith of the fantastic feature, reprints Mighty Thor #137-166, spanning February 1967 to July 1969, as a new era dawned for the no-longer Earthbound Thunder God. At the end of the previous volume Thor had just lost his human paramour Jane Foster, but rediscovered his childhood sweetheart, the goddess Sif, now all grown up and a fierce warrior maid to boot.

A good thing too, since ‘The Thunder God and the Troll!’ (by Stan Lee, Jack Kirby & Vince Colletta) which introduced the bestial menace of Ulik saw open warfare begin between the Asgardians and their implacable troglodytic foes. During spectacular carnage and combat Sif was captured and the Thunderer rushed to Earth to rescue her, whilst legions of monstrous subterraneans attacked the very heart of the kingdomâ€¦

The Tales of Asgard feature was being gradually wrapped up, but still offered Kirby a place to stretch his creative muscles. ‘The Tragedy of Hogun!’ (Lee, Kirby & Colletta) began revealing the gripping history of the dour warrior in an Arabian Nights pastiche which introduced Mogul of the Mystic Mountain.

In ‘The Flames of Battle!’ Thor was reunited with Sif but deprived of his magical mallet, courtesy of exotic technology the trolls had mysteriously developed. Did the malign invaders have a new ally or a terrifyingly powerful slave? Trapped on Earth, the hammerless Thor had no means of returning to the realm beyond the Rainbow Bridge whilst in Asgard, the war went badly and the heroic gods were close to defeat…

‘The Quest for the Mystic Mountain!’ found Hogun and his comrades edging closer to revelation and vengeance, which culminated in a truly stunning Kirby spectacle in #139 as the wandering warriors discovered ‘The Secret of the Mystic Mountain!’ in the Tales of Asgard segment whilst the lead story ‘To Die Like a God!’ wrapped up the Troll War in eye-popping style as Thor and Sif invaded the bowels of the Earth to save the dayâ€¦

Thor #140 began a short run of compete, single episode tales heavy on action, starting with ‘The Growing Man!’ as Thor headed back to Earth and discovered New York under attack by a synthetic warrior who grew larger and stronger with every blow struck against him. Time travelling marauder Kang the Conqueror was behind the Brobdignagian brute, whilst in the back-up ‘The Battle Begins!’ Hogun and friends were menaced by a terrifying genie.

In #141 Thor faced ‘The Wrath of Replicus’, a bombastic, bludgeoning epic involving gangsters, alien and super-robots, counter-pointed by stunning fantasy as the wandering Asgardian warriors met ‘Alibar and the Forty Demons!’

‘The Scourge of the Super Skrull!’ pitted Thunder god against an alien with all the powers of the Fantastic Four, whilst in Asgard a new menace was investigated by Sif and the indomitable Balder. The back-up saw Kirby’s seamless melange of myth and legend go into overdrive as ‘We, Who are About to Die…!’ found young Thor and the Warriors Three facing all the mystic menaces of Mogul.

Thor #143 opened another extended epic with ‘â€¦And, Soon Shall Come: the Enchanters!’ (inked by the magnificent Bill Everett) as Sif and Balder found a deadly trio of wizards plotting to overthrow All-Father Odin, only to fall prey to their power. Escaping to Earth they link up with the thunderer, but they have been followedâ€¦ Everett also inked the Tales of Asgard instalment ‘To the Death!’ as comic relief Volstagg took centre stageâ€¦

Colletta return as inker with ‘This Battleground Earth!’, where two Enchanters attacked whilst the third duelled directly with Odin in the home of the gods. At the back the Mogul declared ‘The Beginning of the End!’

At the height of the battle in the previous issue Odin had withdrawn all the powers of his Asgardian followers, leaving Sif, Balder and Thor ‘Abandoned on Earth!’ Victorious, the All-Father then wanted his subjects home, but his son again chose to stay with mortals, driving Odin into a fury. Stripped of his magical abilities, alone hungry and in need of a job the once-god became embroiled with the Circus of Crime: hypnotised into committing an audacious theftâ€¦

The Tales of Asgard feature wrapped up in spectacular fashion with ‘The End!’, to be replaced in the next comicbook issue with the Inhumans – but as that’s a subject for a separate volume, the remainder of this chronicle is all-Norse action, beginning in #146 with ‘â€¦If the Thunder Be Gone!’

Deprived of all but his natural super-strength Thor was helpless against the nefarious Ringmaster’s mesmerism and stole a life-sized, solid gold bull, but when the police interrupted the raid the hero awoke to find himself a moving target. Things got worse when he was arrested in ‘The Wrath of Odin!’ and left a sitting duck for the vengeance of his malign brother Loki. However, the god of Evil’s scheme was thwarted when Sif and Balder rushed to Thor’s rescue, provoking Odin to de-power and banish them all in ‘Let There beâ€¦ Chaos!’

Even as all this high powered frenzy was occurring a brutal burglar was terrorising New York. The Wrecker was Public Enemy #1 and when he broke into the house where Loki was hiding the cheap thug achieved his greatest coup – intercepting a magic spell from the formidable Norn Queen intended to restore the mischief maker’s evil energies. Now charged with Asgardian forces the Wrecker went on a rampage with only the weakened Thor to resist himâ€¦

Issue #149 entered new territory with ‘When Falls a Hero!’ as, after a catastrophic combat the Wrecker killed Thor. ‘Even in Deathâ€¦’ found the departed Thunder God facing Hela, Goddess of Death, whilst Balder and Sif hunted the Norn Queen and Loki. Hoping to save her beloved Sif entered into a devil’s bargain and surrendered her soul to animate the Destroyer, an unstoppable war-machine, unaware that the Thunderer had already convinced Death to release himâ€¦

‘â€¦To Rise Again!’ saw the Destroyer, fresh from crushing the Wrecker, turn on the resurrected Thor as Sif was unable to communicate with or overrule the death machine’s pre-programmed need to kill. The situation was further muddled when Odin arbitrarily restored Thor’s godly might, prompting the Destroyer to go into lethal overdriveâ€¦

Meanwhile in the wilds of Asgard, Ulik the Troll attacked Karnilla, Queen of the Norns and Balder offered to be her champion if Sif was freed from the Destroyerâ€¦

‘The Dilemma of Dr. Blake!’ reached an epic turning point as Thor joined his lost companions to battle Ulik, only to lose his newly re-energised hammer to Loki, who fled to Earth with it. In hot pursuit the heroes followed and Sif was gravely wounded in ‘â€¦But Dr. Blake Can Die!’ wherein Thor reverted to his mortal guise and operated on the dying goddess – an opportunity for further attack Loki could not resist, but which courage and ingenuity managed to frustrateâ€¦

A kind of order was restored but soon threatened again in Thor #154 when the vanquished Ulik accidentally released an ancient unstoppable beast in ‘â€¦To Wake the Mangog!’

A creature imprisoned by Odin in his ancient prime, the monster now rampaged towards the heart of Asgard to trigger Ragnarok in ‘Now Ends the Universe!’ laying waste to everything in its path. All the Golden Realm’s resources were unable to slow its deadly progress in ‘The Hammer and the Holocaust!’ but the valiant delaying tactics, depicted in unimaginably powerful battles scenes from Kirby – a genius on fire – resulted in a last-minute save in #157’s ‘Behind Himâ€¦ Ragnarok!’

The peculiarities of the Don Blake/Thor relationship were examined and finally clarified next; beginning with ‘The Way it Was!’ – a framing sequence by Lee, Kirby & Colletta that book-endedÂ the very first Thor story ‘The Stone Men of Saturn’ (inked by Joe Sinnott). This neatly segued into ‘The Answer at Last!’ which took the immortal hero back to his long-distant youth and finally revealed Blake was no more than a Odinian construct designed to teach the Thunder God humility and compassionâ€¦

With his true identity re-established Thor then answered a call from the Colonisers of Rigel, plunging into the depths of space to face a cosmic menace. ‘And Nowâ€¦ Galactus!’ reintroduced old companion the Recorder and pitted the Eater of Worlds against the living Planet Ego, a clash concluded with the Thunderer’s aid in ‘Shall a God Prevail?’ The Cosmic wonderment then escalated in ‘Galactus is Born!’ as Asgardian magic finally revealed a tantalising fragment of the space god’s originsâ€¦

For #163 and 164 Thor was returned to Earth to battle an invasion from the future. ‘Where Demons Dwell!’ found the recuperating Sif investigating a bizarre energy vortex until captured by mutate monsters controlled by the rogue Greek god Hades. Reunited with Thor the pair decimated the horrors from tomorrow ‘Lest Mankind Fall!’ and as Balder joined them in cataclysmic combat a mysterious cocoon hatched a man-made Godâ€¦

‘Him!’ (Thor #165) and its conclusion ‘A God Berserk!’ close this hugely enjoyable collection in fine style as the creature created by evil scientists to conquer mankind and who would eventually evolve into the tragic cosmic savior Adam Warlock (as seen in Essential Fantastic Four volume 4) woke amidst the turmoil of the battle and seeing Sif, decided it was time he took a mateâ€¦

Trailing the naive superhuman Balder witnessed Thor’s descent into brutal â€œwarrior-madnessâ€, and as this volume ends with a shaken, penitent Thunder God eager to pay penance for his unaccustomed savagery, the best and last of Kirby’s Asgardian adventures still remain as part of the next collection.

More than any other Marvel strip Thor was the feature where Jack Kirby’s creative brilliance matched his questing exploration of an Infinite Imaginative Cosmos: dreaming, extrapolating and honing a dazzling new kind of storytelling graphics with soul-searching, mind-boggling concepts of Man’s place in the universe.

The Kirby Thor is a high-point in graphic fantasy and all the more impressive for their sheer timeless readability. These tales are an absolute must for all fans of the medium.
Â© 1967, 1968, 1969, 2006 Marvel Characters, Inc. All Rights Reserved.

July 21, 2010July 23, 2010

Essential Thor volume 2

By Stan Lee, Jack Kirby, & various (Marvel)
ISBN: 978-0-7851-3381-0

Even more than the Fantastic Four The Mighty Thor was the arena in which Jack Kirby’s creative brilliance blended with his questing exploration of an Infinite Imaginative Cosmos: dreaming, extrapolating and honing a dazzling new kind of storytelling graphics with soul-searching, mind-boggling concepts of Man’s place in the universe.

His unforgettable string of pantheons began in a modest little fantasy title called Journey into Mystery where, in the summer of 1962 a tried-and-true comicbook concept (feeble mortal transformed into God-like hero) was employed by the fledgling Marvel Comics to add a Superman analogue to their growing roster of costumed adventurers. This gloriously economical monochrome tome re-presents the end of that catch-all title as the Asgardian’s increasingly popular exploits saw the title become The Mighty Thor.

Gathered here are Journey into Mystery issues #113-125 plus the Annual for 1965, and without breaking stride, Thor #126-136 and the 1966 Annual, all in clean, crisp black and white for your delectation.

Lonely, crippled American doctor Donald Blake took a vacation in Norway only to encounter the vanguard of an alien invasion. Trapped in a cave, Blake found a gnarled old walking stick, which when struck against the ground turned him into the Norse God of Thunder!

Within moments he was defending the weak and smiting the wicked. As the months swiftly passed the rapacious extraterrestrials, Commie dictators, costumed crazies and cheap thugs gradually gave way to a vast panoply of fantastic worlds and incredible, mythic menaces. By issue #113, the magnificent warrior’s world of Asgard was a regular milieu for the hero’s adventures, and in ‘A World Gone Mad!’ by Stan Lee, Kirby and Chic Stone, the Thunderer, after saving the Shining Realm from invasion, once more defied his father Odin to romantically pursue the mortal nurse Jane Foster – a task made rather hazardous by the return of the petrifying villain Grey Gargoyle.

A long-running plot strand – almost interminably so – was the soap-opera tangle caused by Don Blake’s love for his nurse – a passion his alter ego shared. Sadly the Overlord of Asgard refused to allow his son to love a mortal, which acrimonious triangle provided many attempts to humanise and de-power Thor, already a hero few villains could cope with.

These issues also carried a spectacular back-up series. Tales of Asgard – Home of the mighty Norse Gods gave Kirby space to indulge his fascination with legends and allowed both complete vignettes and longer epics (in every sense of the word). Initially adapted myths, these little yarns grew into sagas unique to the Marvel universe where Kirby built his own cosmos and mythology, underpinning the company’s entire continuity. Here he revealed ‘The Boyhood of Loki!’, scripted as ever by Lee and inked by Vince Colletta, a pensive, brooding taste of the villain to be.

JiM # 114, began a two-part tale that introduced a new villain of the sort Kirby excelled at, a vicious thug who suddenly lucked into overwhelming power. ‘The Stronger I Am, The Sooner I Die!’(Lee, Kirby & Stone) saw Loki imbue hardened felon Crusher Creel with the power to duplicate the strength and attributes of anything he touched, but before he was treated to ‘The Vengeance of the Thunder God’ (inked by Frank Giacoia as the pseudonymous Frankie Ray) we’re indulged with another Tale of Asgard – ‘The Golden Apples.’ Issue #115’s mini-myth was ‘A Viper in our Midst!’ with young Loki clandestinely cementing relations with the sinister Storm Giants – sworn enemies of the Gods.

A longer saga began in #116, as Colletta settled in as the regular inker for both lead and second feature. ‘The Trial of the Gods’ revealed more of fabled Asgard as Thor and Loki underwent a Trial by Combat, with the god of mischief cheating at every step, whilst ‘Into the Blaze of Battle!’ found Balder the Brave protecting Jane Foster whilst her godly paramour travelled to war-torn Vietnam seeking proof of his step-brother’s infamy. These tales were supplemented by the stellar novellas ‘The Challenge!’ and ‘The Sword in the Scabbard!‘ which saw Asgardian cabin-fever develop into a quest to destroy a threat to the mystic Odinsword, which unsheathing would destroy the universeâ€¦

Journey into Mystery #118’s ‘To Kill a Thunder God!’ ramped up the otherworldly drama as Loki, attempting to cover his tracks, unleashed an ancient Asgardian WMD – the Destroyer. When it damaged the mystic hammer of Thor and nearly killed the hero in ‘The Day of the Destroyer!’, the God of Mischief was forced to save his step-brother or bear the brunt of Odin’s anger. Meanwhile in Tales of Asgard the Quest further unfolded in ‘The Crimson Hand!’ and ‘Gather, Warriors!’ as a band of hand-picked Argonauts joined Thor’s flying longship in a bold attempt to forestall Ragnarok.

With the Destroyer defeated and Loki temporarily thwarted Thor returned to America ‘With My Hammer in Handâ€¦!’ only to clash once more with the awesome Absorbing Man. However before that bombastic battle there’s not only the next instalment of the Asgardian Argonauts who boldly ‘Set Sail!’ but also the admittedly superb digression of Journey into Mystery Annual #1, wherein the God of Thunder fell into the realm of the Greek Gods for the landmark heroic hullabaloo ‘When Titan’s Clash! Thor vs. Hercules!’ This incredible action-epic is augmented here by a beautiful double-page pin-up of downtown Asgard â€“ a truly staggering piece of Kirby magic.

The attack of the Absorbing Man resumed with ‘The Power! The Passion! The Pride!’ and seemed set to see the end of Thor: a cliffhanger somewhat assuaged by ‘Maelstrom!’ wherein the Argonauts of Asgard epically encountered an uncanny stormâ€¦ In JiM #122 ‘Where Mortals Fear to Tread!’ the triumphant Crusher Creel was shanghaied by Loki to attack Asgard and Odin himself, an incredible clash that led to a cataclysmic conclusion ‘While a Universe Trembles!’ Meanwhile ‘The Grim Specter of Mutiny!’ invoked by seditious Loki was quashed in time for valiant Balder to save the Argonauts from ‘The Jaws of the Dragon!’ in the increasingly spectacular Ragnarok Quest.

With the threat to ended Thor returned to Earth to defeat the Demon, a witchdoctor empowered by a magical Asgardian Norn Stone left behind after the Thunder God’s Vietnamese venture. Whilst he was away Hercules was dispatched to Earth on a reconnaissance mission for Zeus. ‘The Grandeur and the Glory!’ began another extended story-arc and all-out action extravaganza, which bounced the Thunderer from bruising battle to brutal defeat to ascendant triumph.

Issue #125 ‘When Meet the Immortals!’ was the last Journey into Mystery: with ‘Whom the Gods Would Destroy!’ the comic was re-titled The Mighty Thor and the drama escalated unabated, culminating with ‘The Hammer and the Holocaust!’ In short order Thor crushed the Demon, seemingly lost his beloved Jane to Hercules, was deprived of his powers and subsequently thrashed by the Grecian Prince of Power but still managed to save Asgard from an unscrupulous traitor who had usurped Odin’s mystic might.

Meanwhile in the Tales of Asgard instalments the Questers homed in on the cause of all their woes. ‘Closer Comes the Swarm’ pitted them against the flying trolls of Thryheim, and ‘The Queen Commands’ saw Loki captured until Thor answered ‘The Summons!’, promptly returning the Argonauts to Asgard to be shown ‘The Meaning of Ragnarok!’

In all honestly these mini-eddas were, although still magnificent in visual excitement, becoming rather rambling in plot, so the narrative reset was neither unexpected nor unwelcomeâ€¦

Instead of ending, the grandiose saga actually grew in scope with Thor #128 as ‘The Power of Pluto!’ introduced another major foe. The Greek God of the Underworld had tricked Hercules into replacing him in his dread, dead domain, just as the recuperated Thunder God was looking for a rematch, whilst in Tales of Asgard Kirby pulled out all the creative stops to depict the ‘Aftermath!’ of Ragnarok: for many fans the first indication of what was to come in the King’s landmark Fourth World tales half a decade laterâ€¦

‘The Verdict of Zeus!’ condemned Hercules to the underworld unless he could find a proxy to fight for him, whilst at the back of the comic the assembled Asgardians faced ‘The Hordes of Harokin’ as another multi-chaptered classic began, but for once the cosmic scope of the lead feature eclipsed the little odysseys as ‘Thunder in the Netherworld!’ saw Thor and Hercules carve a swathe of destruction through an unbelievably alien landscape – the beginning of a gradual side-lining of Earthly matters and mere crime-fighting. Thor and Kirby were increasingly expending their efforts in greater realms than oursâ€¦

‘The Fateful Change!’ saw the younger Thunder God trade places with the Geghiz Khan-like Harrokin, whilst in issue #136, Thor defeated the invasion plans of Rigellian Colonizer Tana Nile in ‘They Strike from Space!’, but it was merely prologue for a fantastic voyage to the depths of space and a unique universal threat, whilst â€œHarokinâ€ faced a dire dilemma in ‘The Warlock’s Eye!’.

Thor #132 found the Thunderer laying down the law on ‘Rigel: Where Gods May Fear to Tread!’ whilst ‘The Dark Horse of Death!’ arrived in the Tales of Asgard segment looking for its next doomed riderâ€¦ The following issue is a Kirby Classic, as ‘Beholdâ€¦ the Living Planet!’ introduced the malevolent Ego, sentient world and master of the living Bio-verse, a stunning visual tour de force that threw one High Concept after another at Thor, his new artificial pal Recorder and the reeling readership, whilst Harokin’s saga ended in one last ride to ‘Valhalla!’

The threat of invasion over, Thor returned to Earth to search for Jane, finding her with ‘The People Breeders!’ – a hidden enclave where the geneticist High Evolutionary was instantly evolving animals into men. His latest experiment had created a lupine future-nightmare ‘The Maddening Menace of the Super-Beast!’ so it’s just as well the Thunder God was on hand. ‘When Speaks the Dragon!’ and ‘The Fiery Breath of Fafnir!’ pitted Thor and his Warriors Three comrades Fandral, Hogun and Volstagg against a staggering reptilian monstrosity: a threat finally quashed in #136’s ‘There Shall Come a Miracle!’

The lead story in that issue is a turning point in the history of Thor. ‘To Become an Immortal!’ saw Odin transform Jane Foster into a Goddess and emigrate to Asgard, but her frail human mind could not cope with the wonders and perils of the Realm Eternal and she was mercifully restored to mortality and all but written out of the series. Lucky for the despondent Thunder God the beauteous Warrior-Maiden Sif was on handâ€¦

With this story Thor’s closest link to Earth was neatly severed: from now on his many adventures on Midgard were as a tourist or beneficent guest, not a resident. Asgard and infinity were now his true home, a situation quickly proved by the bombastic clash that closes this volume. ‘If Asgard Fallsâ€¦’ is set in the Gleaming City during the annual Tourney of Heroes (and comes from The Mighty Thor Annual #2, 1966): a martial spectacular of outlandish armours and exotic weaponry that turned decidedly serious when the deadly Destroyer was unleashed amidst the wildly warring warriorsâ€¦

These transitional Thor tales show the development not only of one of Marvel’s fundamental continuity concepts but more importantly the creative evolution of the greatest imagination in comics. Set your commonsense on pause and simply wallow in the glorious imagery and power of these classic adventures for the true secret of what makes graphic narrative a unique experience.

September 15, 2009September 12, 2009

Mighty Thor: The Ballad of Beta Ray Bill

mighty-thor-the-ballad-of-beta-ray-bill
By Walter Simonson with John Workman & George Roussos (Marvel)
ISBN: 0-87135-614-7

For many older fans Thor was the comic that truly demonstrated the fevered and unfettered imagination of Jack Kirby – at least until he relocated to DC at the beginning of the 1970s and really let rip. Living galaxies, the conquest of Evolution: gods, heroes and aliens, machines with emotions and humans without, the strengths and liabilities of family ties and the inevitability of creation itself, all played out on the pages of the Thunder God’s action-packed comic-books.

After The King quit the series Thor floundered as everybody who followed laboured in the master’s largest shadow (and many in his style), but high points were few and inspiration was non-existent.

Until Walter Simonson arrived.

Or more accurately, returned, as he had for a brief while been one of those artists slavishly soldiering to rekindle Kirby’s easily synthesis of mythology, science fiction and meta-humanist philosophy, but with as little success as any other. When Simonson assumed the writing and drawing of the title in November1983 with issue #337, deeply invested in Kirby’s exploratory, radical visionary process, free to let loose and brave enough to bring his own vision to the character, he produced a body of work (#337-382 plus the Balder the Brave miniseries – and which can most easily be found in the Marvel Visionaries series of trade paperbacks) that actually moved beyond Kirby’s Canon and dragged the title out of a creative rut which allowed his own successors to actually introduce genuine change to a property that had stagnated for 13 years.

This particular volume is one of Marvel’s earliest trade paperback collections, with bold vibrant colours on good paper stock, and collects that first iconic story-arc from The Mighty Thor #337-340, which shook everything up and made the Thunder God a collectible sensation for the first time in a decade.

Moreover the entire tale is but the prologue to a stupendous larger epic which actively addresses the over-used dramatic device of the Doom of the Gods that had haunted this series since the mid-1960s…

The story revolves around a spell inscribed on Thor’s hammer and seen in the character’s very first appearance. When crippled Don Blake was first transformed into the Thunder God he saw on the magic mallet Mjolnir the legend “Whosoever holds this hammer, if he be worthy, shall possess the power of Thor…”

The saga begins when Blake is asked by super-spy outfit SHIELD to intercept a fleet of starships headed for Earth which refuel themselves by absorbing suns! Hurtling off into deep space the Storm God boards a vessel only to be defeated in combat by its alien protector, an artificially augmented warrior named Beta Ray Bill. Moreover, as they crash to Earth the alien somehow activates Mjolnir’s magic and transforms itself into a warped duplicate of Thor! And then Odin mistakes Bill for his son and whisks him to Asgard to defend the Realm Eternal from another monstrous threat!Â And then…

Enough tomfoolery: suffice to say that the action and surprises pile one upon another as the alien reveals that he is the guardian of his people, the Korbinites, who are fleeing from a horde of demons that destroyed their civilisation and are hunting them to extinction. And now they’re heading towards Earth…

After the mandatory big fight Thor and Bill – each with his own hammer – team-up to investigate the demons, with confused love-interest Lady Sif along for the bombastic ride, and discover a threat to the entire universe. Worse yet, it’s generated by an Asgardian foe destined to defeat the Gods themselves on the Day of Ragnarok!

Brave, bold and occurring at a breakneck pace, with fresh concepts wedded to the most fundamental elements of Marvel mythology, this short appetizer is the perfect cosmic storm, infinitely rewarding and impossibly re-readable. Art, story, concept and design in perfect harmony – this is an unbeatable Marvel Tale…
Â© 1988 Marvel Entertainment Group Inc. All Rights Reserved.

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: