Shaun of the Dead

Shaun of the Dead 

By Chris Ryall & Zach Howard (Titan Books)
ISBN: 1-84576-160-X

This eminently readable adaptation of the surprise hit ROMantic ZOMbie COMedy movie is remarkably faithful to the source material, both in staging and in its prodigiously four-letter expletive enhanced script – so parents take note – and is therefore a sharp, blackly humorous horror tale about the bonds of friendship and the deep love of a man for his local (that’s a favoured public house, for overseas readers or natives of restricted social cognizance).

Funny, thrilling and spooky by turns, Ryall’s dialogue adapted from Simon Pegg and Edgar Wright’s original script, is complimented by Howard’s stylish pictures which never overwhelm the wit with gore and action.

A book well worth hunting down.

© 2005 Universal Studios Licensing LLLP. Shaun Of The Dead is © & ™ Universal Studios. All Rights Reserved.

Runaways: Teenage Wasteland

Runaways: Teenage Wasteland 

By Brian K. Vaughan, Adrian Alphona & Takeshi Miyazawa (Marvel Comics)
ISBN: 0-7851-1415-7

With the second collected edition (issues #7-12 — see the archives for previous tome) this title more readily shuffles into what’s left of the traditional Marvel Universe.

By way of recap: Six young kids who have nothing in common except that their parents hang out together are suddenly bosom buddies once they discover that those same adults are, in fact, a team of super-villains intent on world conquest. As all parents can’t be trusted anyway, the kids have no problem banding together to use the powers they didn’t know they had to bring them to justice. The evil adults have manipulative fingers in every pie, however. As the De Facto owners of the city of Los Angeles its takes little more than a phone call to perfectly frame the Runaways for kidnapping each other and for a particularly grisly murder.

As the kids find themselves a cool abandoned hide-out they rescue another boy with evil parents, only to fall foul of a timeless monster, and then do the classic Marvel Hero Dance, as super-heroes Cloak and Dagger first hunt (recruited by a cop in the pay of those ol’ evil parents to catch them), and then team up with them to stop said villains. Naturally, the parents brain-wipe the heroes as they go for reinforcements, otherwise the angst, soul searching, burgeoning hormones and infidelities, both real and imagined would promptly come to a premature close.

The teen market this is cynically aimed at doesn’t do solutions, it’s all about maintaining a constant level of social, sexual and physical tension, not to say jeopardy. This isn’t for you (possibly) or me (definitely), it’s for the same audiences that watch Neighbours, OC, Smallville and Hollyoaks, chockfull of whiny, precocious brats taking the puberty equals alienation theme to unequalled levels. The trick is simply to keep on going until you’re cancelled.

This isn’t to say that the series is without merit. Although the art is still too bland and nondescript for my tastes and the characters and plots seem pedestrian to me, maybe some of this is genuinely fresh to younger readers. Vaughan’s scripting is good, with some of the best dialogue I’ve seen outside of Buffy the Vampire Slayer (the TV show, not comic, cartoon or movie) and there actually is potential for improvement. It just needs to escape its own ghetto and say something original.

© 2003 Marvel Characters Inc. All Rights Reserved.

Superman: The Man of Steel

Superman: The Man of Steel 

By John Byrne & Dick Giordano (DC Comics)
ISBN: 1-84576-128-6

When DC Comics decided to rationalise and reconstruct their continuity with Crisis on Infinite Earths in 1985 (ISBN: 1-84023-267-6) they used the event to regenerate their key properties at the same time. The biggest gun they had was Superman and it’s hard to argued that the change was not before time.

The big guy was in a bit of a slump, but he’d weathered those before. So how could a root and branch retooling be anything but a pathetic marketing ploy that would alienate the real fans for a few fly-by-night Johnny-come-latelies who would jump ship as soon as the next fad surfaced? This new Superman was going to suck.

He didn’t. All the Superman titles were cancelled or suspended for three months, and yes, that did make the real world media sit-up and take notice of the character for the first time in decades. But there was method in this corporate madness.

Beginning with the six part miniseries Man of Steel, written and drawn by mainstream superstar John Byrne, and inked by venerated veteran Dick Giordano, the experiment was a huge and instant success. So much so that when it was first collected as a stand-alone graphic novel in the 1980s (now redesigned and re-released as volume 1 of an ongoing series) it became one of the industry’s premiere ‘break-out’ hits. From this overwhelming start the character returned to his suspended comic-book homes with the addition of a third monthly title premiering that same month.

Superman, Adventures of Superman, and Action Comics (which acted as a fan-pleasing team-up book that guest-starred other favourites of the DC Universe) were instant best-sellers. So successful was the relaunch that by the early 1990’s Superman would be able to sustain four monthly titles as well as Specials, Annuals guest shots and his regular appearances in titles such as Justice League. Quite a turnaround from the earlier heydays of the Man of Steel when editors were frantic about not over-exposing their meal-ticket.

The collection itself tells six stories from key points in Superman’s career, newly reconstructed in the wake of the aforementioned Crisis. Starting with his escape from Krypton, his years in Smallville and his first recorded exploit, then his first meeting with Lois Lane and joining the Daily Planet, we get a rapid re-education of what is and isn’t canon.

The third chapter recounts his first meeting with Batman, and the fourth introduces the new Lex Luthor. By the fifth issues Luthor was his greatest foe and this story deals with the creation of Bizarro as well as introducing Lois’ sister Lucy. The final chapter reveals to us and the Man of Steel himself, the secrets of his Kryptonian origin and affirms his dedication and connection to humanity.

John Byrne was a controversial choice at the time, but he magnificently recreated the exciting and visually compelling, contemporary and even socially aware slices of sheer exuberant, four-colour fantasy that was the original Superman, and made it possible to be a fan again, no matter your age or prejudice. Superman had always been great, but Byrne had once again made him thrilling. Rivetingly so. These stories are well worth your time and your money. A must have for any serious collector and reader.

© 1987, 2005 DC Comics. All Rights Reserved.

CSI: Bad Rap

CSI: Bad Rap 

By Max Allan Collins, Gabriel Rodriguez & Ashley Wood (Titan Books)
ISBN: 1-84023-799-6

The real world Sin City of Las Vegas is as much about show biz as it is gambling, so when a hot new Rap star kills a kid, but is himself murdered before he can be arrested, it’s a criminal matter, but is it also all about money and prestige?

The creative team once again puts the ensemble cast through its paces in an intriguing plot-driven whodunit, rife with twists and turns and, of course a mounting pile of fresh corpses. Fan of the TV show will welcome the cool efficiency of the protagonists, as do I, since it’s a welcome antidote to the overly emotive histrionics prevalent in many comics today.

Good to see crime comics in such a healthy condition, and this is a sharp argument for more licensed properties going the four-colour route.

© 2004 CBS Broadcasting Inc. and Alliance Atlantis Productions, Inc. All Rights Reserved.

Chronicles of Conan vol 9: Riders of the River Dragons

Chronicles of Conan vol 9: Riders of the River Dragons 

By Roy Thomas & John Buscema, Val Mayerik and others (Dark Horse Books)
ISBN: 1-84576-138-3

This collection of classic Conan reprints features tales from the lusty barbarian’s time as a buccaneer on Robert E. Howard’s analogue of the coasts of Africa. First up is the extended Tarzan pastiche ‘Riders of the River-Dragons’ (originally published in Marvel’s Conan #60-63) in which our hero and his first true love, the Pirate Queen Bélit, battle savage natives and a knowing knock-off of the Jungle-Lord called Amra of the Lions.

This is followed by ‘Fiends of the Feathered Serpent,’ loosely based on one of the author’s non-Conan tales “The Thunder-Rider,” and features more blood-thirsty natives and hellish magic on a mist-shrouded isle. The next story is adapted from Howard’s horror short “Out of the Deep,” illustrated by then-newcomer Val Mayerik and a score of deadline-busting inkers, as Conan recounts a truly chilling account of his younger days when a coastal village was invaded by an monstrous interloper from the briny depths.

‘The City in the Storm’ and ‘The Secret of Ashtoreth’, adapted from the novella Marchers of Valhalla, delve into the murky arenas of politics and religion to close the book, as John Buscema returns to illustrate a classic tale of lost cities and scurrilous priests. As always the guiding principle is breakneck action, beautifully drawn and engagingly written. Dark Horse’s new colouring techniques add incalculable value to the art and as always, Roy Thomas’s fascinating and informative Afterwords are an eye-opener for historians and fans alike.

These hearty slices of derring-do are classy and undemanding servings of good old-fashioned fantasy fun, always worth re-reading and a superb treat for first-time readers.

©1975, 2005 Conan Properties International, LLC. All Rights Reserved.

Catwoman: When in Rome

Catwoman: When in Rome 

By Jeph Loeb & Tim Sale (DC Comics)
ISBN: 1-4012-0432-5

Jeph Loeb and Tim Sale continue their continuity reworking shenanigans with this vivid, if lightweight, piece of eye-candy that discloses what Selina Kyle got up to between the end of Batman: The Long Halloween (ISBN: 1-5389-469-6) and Batman: Dark Victory (ISBN: 1-56389-738-5).

Confused, and on the run, Catwoman and the Riddler fly to Italy to escape the wrath of the Gotham City Mob and to track down a new lead into the secret of the slinky one’s (and that would be Selina, OK?) lost and anonymous parentage, only to find themselves co-opted into a major heist whilst trying to avoid being killed by what seems to be Batman’s (other) worst villains.

It’s a stylish homage to Film Noir and Gangster chic, with the odd overtone of late Hitchcock, and readable enough, but lacks the strength and vivacity of the regular Catwoman books, especially those by Brubaker and Stewart, and is not a patch on The Long Halloween.

Such a long-lived and well-rounded character is worthy of more than tinsel and whips, surely?

© 2005 DC Comics. All Rights Reserved.

Batgirl: Kicking Assassins

Batgirl: Kicking Assassins 

By Andersen Gabrych & various (DC Comics)
ISBN 1-84576-203-7

Following on from the events of the Batman: War Games quartet of novels, this volume sees Batgirl relocated to the notorious Gotham City suburb of Blüdhaven, for a measure of autonomy but still the same old high-octane crime-busting. Also new in town is arch Bat-foe the Penguin, who is seeking to carve himself a new criminal empire free of the depredations of the Dark Knight.

That’s pretty much all the scene setting you need for these eminently readable action romps, collected from issues #60-64 of Batgirl’s own monthly magazine. In short order she establishes her own sanctum, resources and snitches as she strives to clean up those wicked streets.

En route she tackles assorted thugs, learns a few lessons from Batman’s sometime assistant Onyx, battles the bizarre criminal band known as the Brotherhood of Evil and narrowly survives an encounter with the super-assassin Deathstroke the Terminator, who has his deranged daughter, the Ravager, in tow.

Light on plot but wonderfully packed with martial arts mayhem and snappy dialogue, this just book buzzes with simple heroic exuberance. This is a light snack to offset some of the more ponderous and pompous super-hero fare.

© 2005 DC Comics. All Rights Reserved.

Batgirl: Destruction’s Daughter

Batgirl: Destruction's Daughter 

By Andersen Gabrych & various (DC Comics)
ISBN 1-84576-327-0

The adventures of this particular incarnation of Batgirl (Cassandra Cain, daughter of the world’s deadliest assassin, full face mask – post No Man’s Land – if you’re keeping count) conclude with a martial arts and parental-angst ridden melee as the reading impaired super-heroine goes on a quest to discover her mother’s identity only to fall in, and afoul of, the daughter of Batman’s greatest foe and a somewhat unimpressive new League of Assassins.

Muddled and slapdash, this story (comprising Batgirl #65-73) feels as if it was axed half way through, and as the comic was cancelled with that 73rd issue that may well be the case.

For completists only, I fear.

© 2005, 2006 DC Comics. All Rights Reserved.

DNAgents: Born Orphans

DNAgents: Born Orphans 

By Mark Evanier & Will Meugniot (About Comics)
ISBN: 0-9716-3387-8

Every twenty years, give or take, there seems to be a burst of comics creativity that raises the overall level of the industry and also helps sales. We’re about due for another any minute now, in fact.

The last time was the mid 1980s, and one of the first hits of the then nascent direct sales market was a series called DNAgents. Creators Mark Evanier and Will Meugniot told sharp superhero/sci fi tales of corporate skullduggery resulting from the creation of artificial teenagers with wonderful powers and a built-in sense of alienation guaranteed to appeal to the X-Men/Teen Titans set.

Lots of cheesy and salacious semi-nudity and Evanier’s sharp, sardonic scripting didn’t hurt either. Now the stories are being collected in black and white pocket sized editions and they actually stand up pretty well. A bonus is that this series created a true ‘lost classic’ character.

Crossfire – a shabby gumshoe/bail bondsman who stumbled into super hero-dom debuted as a support character in this series, and his own adventures – by Evanier and the magnificent Dan Spiegle was one of the high points of the decade.

Lets all look forward to the republishing of all those stories too. In the meantime you could do worse than track down these sly, sharp and savvy alternatives to the X-Men and Teen Titans.

© 1983, 2004 Mark Evanier and Will Meugniot

CSI: Serial

CSI: Serial 

By Max Allan Collins, Gabriel Rodriguez & Ashley Wood (Titan Books)
ISBN: 1-84023-771-6

Comics based on “Hit TV Shows” have long been a staple of the industry, but the quality, let alone resemblance to their live action progenitors, has always been a variable factor.

Assuring the former with this initial miniseries is crime-writer extraordinaire Max Allan Collins, probably best known to us for Road to Perdition, Batman or even the Dick Tracy newspaper strip – although his credits as a novelist are even more impressive to the outside world. The artists for Serial are Gabriel Rodriguez, whose subdued, matter-of-fact illustration exemplifies the down-beat, procedural nature of the work undertaken, and he can capture the likenesses of the very large ensemble cast (of itself a rare ability in this genre of comics), and Ashley Wood, whose painterly exuberance handles the flashbacks, special effects and theoretical reconstructions which are such a large part of the TV show.

The plot itself deals with a copycat killer using a Jack the Ripper convention to restage the Whitechapel murders of 1888 in Las Vegas, but since nothing is ever as it seems there are still surprises and thrills for the fans as this tight, complex tale unfolds.

This is a great read that the TV producers would be proud to screen. If you love that you’ll love this.

© 2004 CBS Broadcasting Inc. and Alliance Atlantis Productions, Inc. All Rights Reserved.