The Complete Sky Masters of the Space Force

The Complete Sky Masters of the Space Force

By Jack Kirby, Dick & Dave Wood, Wally Wood & Dick Ayers (Pure Imagination Publishing)
ISBN: 1-56685-009-6

Sky Masters of the Space Force is a beautiful strip with a chequered and troubled back-story, which you can discover for yourself when you buy the book. Even comics-god Jack Kirby spent decades trying to forget the grief caused by this foray into the newspaper strip market during the height of the Space Race before finally relenting in his twilight years and giving his blessing to collections and reprints.

I’m glad that he did because the collected work is one of his greatest achievements, even with the incredible format restraints of one tier of tiny panels per day, and a solitary page every Sunday. Fifty years later this hard-science space adventure is still the business!

Against a backdrop of international and ideological rivalry turned white-hot when the Soviets successfully launched Sputnik in 1957, the staid George Matthew Adams syndicate decided to finally enter the 20th century with a newspaper feature about space. After approaching a reluctant DC Comics (then known as National Periodicals Publications) a deal was brokered, and Jack Kirby, inked by Wally Wood – later to be replaced by Dick Ayers – and initially fed scripts by the brothers Dick and Dave Wood (no relation to Wally), began bringing the cosmos into our lives via an all-American astronaut and his trusty team of stalwarts.

The daily strip debuted on September 8th 1958 and ran until February 25th 1961 (a scant few months before Alan Shepherd became the first American in Space on May 5th), and the Sunday colour page told its five long tales (The Atom Horse, Project Darkside, Mister Lunivac, Jumbo Jones and The Yogi Spaceman) in a separate continuity from February 8th 1959 until 14th February 1960.

Sky Masters, burly Sgt. Riot, astronaut’s daughter Holly Martin and her feisty brother Danny (who do they remind me of?) were all introduced in The First Man in Space and the human tragedy of that moody tale informs all the following stories, even as grim yet heady realism slowly grew into exuberant action and fantastic spectacle. Sabotage, Mayday Shannon, The Lost Capsule, Alfie, Refugee, Wedding in Space, Weather Watchers and finally The Young Astronaut form a meteoric canon of wonderment that no red-blooded armchair adventurer could possibly resist.

This volume also contains an abundance of essays, commentary and extras such as sketches and unpublished art, which more than compensates for the Sunday pages being printed in black and white.

Quite honestly I can’t be totally objective about Sky Masters. I grew up during this period and the “Conquest of Space” is bred into my sturdy yet creaky old bones. That it is also thrilling, challenging and spectacularly drawn is almost irrelevant to me, but if any inducement is needed for you to seek this work out let it be that this is one of Kirby’s greatest accomplishments. Now go enjoy it…

© 2000 Pure Imagination.

Grifter & Midnighter

Grifter & Midnighter

By Chuck Dixon, Ryan Benjamin & Salem Crawford (Wildstorm/DC Comics)
ISBN13: 978-1-84576-729-7

No-nonsense, high speed fun and thrills is what this uncomplicated, beautifully illustrated grim ‘n’ gritty heroes versus monsters yarn offers, and if that’s your preference then you won’t be disappointed.

Grifter is a gun-toting special operative with psionic powers he considers a curse. Midnighter is an augmented human street-fighter with the iconoclastic super-team The Authority, where, despite his reputation as the deadliest man alive, he feels himself to be the weakest link. When the team has to rescue him from an alien abduction, he isolates himself to sulk, only to become embroiled in an extraterrestrial plot to destroy the Earth. Moreover he has to team up with old rival Grifter, with whom he has long shared a hate/hate relationship.

Lots of guns, lots of fights, a naked alien chick, world-eating monsters and non-stop buddy-movie testosterone-fuelled badinage keep this high-velocity eye-candy popping and sparking. If that’s your addiction, or if you simply want a change of pace from worthier, weightier material this could be the book for you.

© 2007, 2008 WildStorm Productions, an imprint of DC Comics. All rights reserved.

The Daily Mirror Book of Garth 1976

(GARTH ANNUAL 1976)

Book of Garth 1976

By Jim Edgar & Frank Bellamy (Fleetway/IPC)
No ISBN/book number 85037-204-6

When Frank Bellamy was drawing the Daily Mirror strip Garth, it caught the public attention in a way seldom seen. I even recall having passionate conversations with school friends who normally sneered or at best uncomprehendingly accepted my strange addiction to comics over the two unmissable strips of the day (the other being Maurice Dodd and Dennis Collin’s unbelievably wonderful The Perishers – also in the Mirror and which I must get around to covering). Was it less the mind-melting adventure stories with eye-popping graphics and more that the stories contained, without exception, the most beautiful women ever seen in pictures, and that they were usually naked?

Whatever the reason for first looking, the strips soon made dedicated fans out of many who previously weren’t; a fact the publishers seemed to acknowledge with a couple of reprint editions during the traditional Christmas Annuals release period.

Whereas the first of these – The Daily Mirror Book Of Garth 1975 – was an A-4 format, full-sized book in the traditional manner, the second volume switched to a landscape edition with only two tiers of strip per page, possibly to bring it more into line with other cartoon-reprint paperbacks such as The Gambols, Fred Bassett or the aforementioned Perishers. For fans that meant fewer stories in the book.

This volume collects The Mask of Atacama and The People of the Abyss (both of which I’ve covered in Titan Books’ Garth: Book 2 – The Women of Galba, ISBN: 0-907610-49-8) but sandwiched between them is the rare and spectacular space-thriller ‘The Beast of Ultor’, which originally ran from February 19th to June 5th 1974. In it a pot-holing Garth discovers a strange egg deep underground that hatches into a stunning (and yes – naked) alien woman who reunites him with the Goddess Astra in a battle against Cosmic Evil on a faraway world.

Visually this is one of the most exciting stories Bellamy drew in his too short career, and is worth any difficulty you might have in tracking it down. But even if Personal Shoppers or Private Detectives are out of your reach perhaps enough chatter might induce a publisher (such as Titan – who have so successfully brought back other classic British comics masterpieces in recent years) to finally bring the British Superman back for good.

© IPC Magazines 1975.

Preacher: Dead or Alive — Covers by Glenn Fabry

Preacher: Dead or Alive — Covers by Glenn Fabry

By Glenn Fabry (Vertigo)
ISBN: 987-1-5638-9678-3

Comic books aren’t just stories. Often the cover is as important and thrilling as the contents – if not moreso. Let’s face it; we’ve all bought something for its appearance only to be disappointed by its interior. So it’s a relief and a delight to thoroughly recommend a comic-cover-art book where the visuals are as extraordinary as the material they were selling.

Garth Ennis and Steve Dillon produced Preacher for five years; a wry, cynical, powerfully satirical, humanist condemnation of religion, politics, “Causes” and the Status Quo. It was also one of the best adult comics ever produced. On the front of each issue – as well as sundry spin-off specials and miniseries – was a cover by that master of human expression and deadpan under-playing: Glenn Fabry. This book collects 87 magnificently painted covers, with attendant commentary and working drawings and sketches for each of them.

This is a lovely thing to look at, a wonderful reminder of the series itself, and an absorbing insight into the work-process of one of our greatest illustrators.

© 1995-2000 Garth Ennis and Steve Dillon. All Rights Reserved.

Batman: Harvest Breed

Batman: Harvest Breed
Batman: Harvest Breed

By George Pratt (DC Comics)
ISBN: 1-56389-775-X

Sometimes even the best of intentions don’t quite produce a great result. Master illustrator George Pratt returned tangentially to the Vietnam War for the back story of this supernatural thriller starring the Dark Knight but the overall results are vastly below his superb par as established with the landmark Enemy Ace: War Idyll (ISBN: 978-0-9302- 8978-2).

Bruce Wayne is tortured by bloody nightmares of devils and sacrifices as a killer tries to re-enact a murder-ritual based on the points of a cross. Such ritual has been attempted many times throughout history, but on this particular occasion the stakes seem much higher – and much more personal. Only a girl named Luci Boudreaux, escapee and survivor of the Hell of Viet Nam seems to have any answers to the dilemma…

Although painted with astounding passion and skill, the story seems to have been sadly neglected and is a bit of a mess, with war veterans, voodoo priests, faith-healers, demons and an uncomfortable misunderstanding of the relationship between Batman and Commissioner Gordon muddying a rather tired old plot. If you love dark and moody style above content give it a shot but otherwise this pretty much a completist-only book.

© 2000 DC Comics. All Rights Reserved.

Dream Watcher

Dreamwatcher

By Aleksandar Zograf (Slab-O-Concrete)
ISBN: 1-899866-13-2

Aleksandar Zograf is a fiercely creative artist, and very dedicated. During the Balkan conflict that scarred the end of the last century he ignored all entreaties to leave his home in Panchevo, Serbia, preferring to remain, suffer and share the privations that tested his countrymen and record his life, impressions and dreams in a series of astoundingly powerful mini-comics and cartoons.

This slim collection gathers not just strips of an autobiographical nature, but also many pieces garnered from the author’s interest in Dreams, The Unconscious and Hypnagogic states.

Rather than dilute the absorbing power of his moody artwork and unique story-telling perspective I’ll simply state that his particular graphic narratives and his gripping, heavy art are some of the most enthralling I’ve ever encountered, and if you’re at all interested in the alternative and cutting edge in comics, you need to tack down Zograf’s work.

© 1992-1998 Aleksandar. Zograf. All Rights Reserved.

Hellblazer: Damnation’s Flame

Hellblazer: Damnation's Flame

By Garth Ennis, Steve Dillon, William Simpson & Peter Snejbjerg (Vertigo)
ISBN13: 978-1-84023-096-3

This collection of modern horror-thrillers follows the episodic Tainted Love collection (ISBN: 978-1-5638-9456-5) which deals with John Constantine’s descent into drunken dissolution and recovery following his break-up with love of his life Kit Ryan (see also Hellblazer: Bloodlines – ISBN: 978-1-84576-650-4). Now back on track, if not fully up to snuff, the modern Magus decides to visit New York City for a break but is too busy kicking back to remember just how many enemies he’s made over the years.

Caught napping, he is ensorcelled by Voodoo Overlord Papa Midnite (see Original Sins ISBN 1-84576-465-X and Papa Midnite ISBN 1-84576-265-7), his consciousness sent on an allegorical trip through a hellish metaphorical America accompanied by the corpse of John F. Kennedy, whilst his physical body is left to the tender mercies of the NYC Social Services system.

This sharp, satirical shocker is by Ennis and Steve Dillon, originally seeing print in issues #72-75, which also produced the gently elegiac short flashback tale ‘Act of Union’, illustrated by William Simpson, which describes the first meeting of Kit and Constantine, back when she was the girlfriend of the charming dipsomaniac Brendan Finn.

Steve Dillon returned for ‘Confessions of an Irish Rebel’, another soft tale (but with a few sharp edges concealed within) which sees a reminiscing Constantine on one last pub-crawl in Dublin with the ghost of Finn, before the book ends with ‘And the Crowd Goes Wild’, drawn by Peter Snejbjerg, (Hellblazer #77) a tense and funny portmanteau yarn that clears the deck for the final confrontation with the demonic First of the Fallen, who’s been lurking menacingly since his defeat and humiliation at the end of Dangerous Habits (ISBN: 1-56389-150-6).

Garth Ennis had a long, impressive and humanising run on Vertigo’s nastiest hero. This captivating, irreverent, chilling compendium perfectly shows why it is so fondly remembered.

© 1993, 1994 DC Comics. All Rights Reserved.

Babar’s Travels

Babar's Travels

By Jean de Brunhoff (Egmont)
ISBN: 978-1-4052-3820-5

Jean de Brunhoff’s beautiful, whimsical characters return in Babar’s Travels (first published in France in 1932 as Le Voyage de Babar). Newly crowned King and just married to Celeste, Babar and his bride set off on honeymoon in a glorious yellow balloon only to be trapped in a terrible storm and blown to an island where they are attacked by savages.

In an era where it seems any journalist or lawyer with an eye to the main chance seems to lurk outside bookshops or libraries waiting to scream “Foul!”, it’s heartening to see a publisher respect the historical context of old material from less-enlightened times without bowdlerising the content. Kids today don’t pick up racist or sexist attitudes from books about talking animals, they get them from other people, so it’s great that Egmont are prepared to risk a potential publicity storm here.

Rescued by a friendly whale, Babar and Celeste are once again marooned before being picked up by an ocean-going liner and mistakenly sold to a circus. Meanwhile back at home mischievous young cousin Arthur has played a trick on Rataxes the Rhinoceros which has terrible consequences.

Escaping from the circus, Babar and Celeste make their way to the house of the Old Lady who first befriended Babar long ago (The Story of Babar, ISBN: 978-1-4052-3818-2). She takes them in, and they all go on a skiing holiday before Babar invites her to join them in the land of Elephants. But when they arrive they find Arthur’s pranks have provoked a war with the Rhinoceros’ which has ravaged the country! Now King Babar must save his nation from defeat by a mighty foe…

These are immortal children’s tales, gloriously illustrated and winningly told. They combine adventure and comfort in equal measure, thrilling children without frightening them, displaying values of boldness, ingenuity and fraternity by simply using them to entertain.

2008 Edition. All Rights Reserved.

Spider-Man: Spirits of the Earth

A MARVEL GRAPHIC NOVEL

 Spider-Man: Spirits of the Earth

By Charles Vess (Marvel)
ISBN: 0- 87135-692-9

Correct me if I’m wrong but I don’t think this truly beautiful painted graphic novel has been re-issued since it first came out in 1990. If that is the case then it’s an appalling oversight as Spirits of the Earth is one of the prettiest graphic novels ever produced, not to say one of the most entertaining Spider-Man adventures ever told.

Newlyweds Mary Jane and Peter Parker are astounded and delighted to discover that an unknown relative has left her a castle deep in the Scottish Highlands. Setting off for a second honeymoon they soon become embroiled in ancient magic and high-tech abominations courtesy of the Celtic branch of the perfidious Mutants and Millionaires organisation The Hellfire Club…

Ghoulies, Ghosties and villainous super-criminals combine with some of the best artwork you’ve ever seen for a truly wonderful adventure that desperately needs to be on your bookshelf. My copy also contains a lovely pictorial travelogue by Vess entitled “A Scottish Journey”. Hopefully yours will too once you track down this little gem.

© 1990 Marvel Entertainment Group/Marvel Characters, Inc. All Rights Reserved.

The City

The City

By James Herbert & Ian Miller (Pan Books)
ISBN13: 978-0-33032-471-7

In the early 1990s, many British publishers, fired up by the mainstream sales of Watchmen, The Dark Knight Returns and Maus, dipped their corporate toes in the waters of graphic novel publication, with varying degrees of commercial and aesthetic success. Macmillan, through its Pan Books imprint, was one that took it all very seriously and it’s a crying shame that it was so lacking in rewards for its bold efforts.

This slim apocalyptic tome went with an already popular property. Horror author James Herbert began his writing career (twenty four novels and counting) with The Rats (1974) following up with sequels Lair in 1979 and Domain in 1984. The three novels told of a post-Holocaust Britain where mutated Giant Black Rats have risen as humanity declined. In The City (technically Herbert’s 17th book) – and more of an episode than a narrative – an armoured figure known as The Traveller fights his way into the devastated ruins of London. The decimated Capital is now the undisputed kingdom of the rats and their truly monstrous queen, and the lone human is on a mission of murder, but he also has a secret personal purpose for going into the hellish ruin.

Dark, simplistic and terrifying, the story is elevated to nightmare heights and depths by the astonishing, grotesquely beautiful art of painter and illustrator Ian Miller. Armageddon has never been better realised, the skies have never looked uglier and ruins never more familiar. His mutants are appalling to see and his intense line-work and domineering colours will haunt you.

Horror is tough to write and nearly impossible to illustrate. This book manages to tell no real story and make it scarier every time you return to it.

©1994 James Herbert. Illustrations ©1994 Ian Miller. All Rights Reserved.