Night Raven: The Collected Stories

Night Raven: The Collected Stories

By Steve Parkhouse, David Lloyd & John Bolton (Marvel)
ISBN13: 978-1-85400-557-3

In the good old days comic stories were pithy and punchy, (like the all-but-dead and much-missed prose short-story) relying on mood and action rather than excessive exposition and breast-beating pseudo-poetry to enthral their readers. A perfect example would be the three page instalments of pulp-noir magic created by Steve Parkhouse and David Lloyd for the weekly Hulk comic produced by Marvel UK in 1979.

Gathered in this volume and coloured (the originals were captivating in stark, moody black and white) they outline the earliest adventures of Night Raven, a helmeted, trench-coating wearing vigilante who stalked the grimy streets and alleys of Prohibition-era America dealing out fearsome personal justice to a succession of low-life hoods and thugs. Lloyd masterfully illustrated Night-Time in the City, Blind Justice, Gang Rule, In the Frame, The Assassin and Scoop before leaving the strip, but his replacement was another British star on the rise.

The Dragon is an eerie drama of the mythic Chinese Tongs that resonates with Parkhouse’s long fascination with all subjects Oriental, powerfully realised by John Bolton, in the days just before he made it big with King Kull, Marada the She-Wolf and Classic X-Men.

Clean, simple and irresistibly compelling these action vignettes serve to show how far we’ve come since the 1970’s, and sadly just how much we’ve lost in telling comic stories. But at least we can still see how it should be done…

©1979, 1990, 2008 Marvel Characters, Inc. All Rights Reserved.

Star Trek: Who Killed Captain Kirk?

Star Trek: Who Killed Captain Kirk?

By Peter David, Tom Sutton & Ricardo Villagran (DC Comics)
ISBN: 978-1-563890-96-3

Here’s another comfortingly superior comic adventure of the most venerable science-fiction franchise in history seamlessly blending spectacular drama, subtle character interplay and good old fashioned thrills, with the added ingredient of madcap whimsy thanks to the strip debut of Peter David as scripter. This tense, swashbuckling space-opera (originally printed in issues #49-55 of DC’s monthly Star Trek comic-book) pulls together many old plotlines (but in an easily accessible manner for newcomers) in a fantastic whodunit liberally sprinkled with in-jokes and TV references for the über-fans to wallow in.

In the aftermath of a drunken stag-night near-riot (caused by three very senior officers separately spiking the punch) The Enterprise crew discover a rogue Federation ship is destroying remote colonies in an apparent attempt to provoke all-out war with the Klingons. At one decimated site they find a stunted, albino Klingon child who holds the secrets of the marauders, but his traumatised mind will need special care to coax them out.

Things are no easier aboard ship. Not only is the big wedding of two officers suffering last-minute problems, and a promising ensign must be cashiered for the High Crime of Species Bigotry, but a telepathic crew-member contracts Le Guin’s Disease (that’s one of those in-jokes I mentioned earlier) endangering the entire ship as Kirk is fighting for his life after being stabbed…

This inter-galactic murder-mystery masterfully weaves a compelling web of elements into a fabulous yarn of great and small moments, capped for the faithful by the “return” of Kirk’s Starfleet Academy nemesis Sean Finnegan (who first appeared in the classic TV episode Shore Leave – written by the legendary Theodore “Ted” Sturgeon) as the investigating officer dispatched to solve the case.

Seductively understated art from Tom Sutton and Ricardo Villagran perfectly augments this magically compelling script to produce one of the greatest Star Trek stories in any medium, which will please fans of the franchise and any readers who just love quality comics.

© 1988, 1993 Paramount Pictures Corporation. All rights reserved.

Dungeon Parade Vol 2: Day of the Toads

Dungeon Parade Vol 2: Day of the Toads

By Joann Sfar, Lewis Trondheim & Manu Larcenet (NBM)
ISBN: 978-1-56163-507-8

This slim tome is part of an eccentric, raucous and addictively wacky franchise that it’s best to experience rather than read about. As well as Parade, Dungeon also features in Zenith, Early Years and Twilight. There’s this magic castle, right, and it’s got a dungeon…

The inhabitants of this weirdly surreal universe include a duck with a magic sword that forces him to channel dead heroes and monsters, an ibis who knows everything, assorted talking animals, monsters, demons and smart-alecs. There’s always something happening and it’s usually quite strange…

In this volume, an invasion of vampires leads inevitably to an infestation of venomous flying toads, whilst later the castle cess-pit is jammed and our stalwarts discover that taking a school-party along when trying to dislodge decades of backed-up ordure isn’t very smart. Moreover any civilisation and eco-system that might develop in such a situation doesn’t take kindly to being flushed away…

Surreal, earthy, sharp and even poignant, this fantasy comedy is subtly addictive to read and the vibrant, wildly eccentric cartooning is an absolute marvel of wild, graphic style. Perhaps a little advanced for younger kids, Dungeon is the kind of near-the-knuckle, illicit read that older kids will love.

© 1949, 1956-1959, 1996, 2007 DC Comics. All Rights Reserved.

Criminal — Book 2: Lawless

Criminal — Book 2: Lawless

By Ed Brubaker & Sean Phillips (Titan Books)
ISBN13: 978-1-84576-611-5

This follow-up to the first volume (Criminal: Coward ISBN: 1-84576-610-5) utilises the classic plot of a man returning to his home town after his brother is murdered. But when that man is Tracy Lawless, son of a legendary bad-guy, and his dead brother appears to have been nothing like he seemed, the scene is set for another superbly dark and brooding thriller in a world where nobody is redeemable and everyone has an angle.

Our relentless protagonist lies, cheats and steals his way to what he thinks he wants but as is usually the case in this seamy, seedy world what you want and what you get are never going to make for a happy ending.

Collecting issues #6-10 of the monthly comic book this nihilistic, brutal tale is wickedly mesmerising, masterfully underplayed and powerfully addictive. The shadowy world has never been more alluring or frightening.

© 2007 Ed Brubaker & Sean Phillips. All Rights Reserved.

Iron Man: Demon in a Bottle

Iron Man: Demon in a Bottle

By David Michelinie and John Romita Jr. & various (Marvel)
ISBN13: 978-0-7851-2043-8

This light, breezy thriller magically turns itself into one of the best super-hero sagas of the 1980s with its powerfully redemptive last chapter, but even before that the run of issues (reprinting Iron Man #120-128) from David Michelinie, John Romita Jr., Carmine Infantino and Bob Layton combine to make the epic battle of Good and Evil relevant to the modern reader.

Tony Stark is a millionaire inventor who moonlights as a super-hero by wearing a suit of armour stuffed with his ingenious creations, making Iron Man is one of the most powerful heroes in the Marvel Universe. The unrelenting pressure of running a multi-national corporation and saving the world has, by this point started to show itself in the subtle increase in Tony Stark’s partying – and drinking.

When a cascade of battles (against not only a vast array of super-villains but also amphibian superman and sometime ally the Sub-Mariner) prove to be caused by unscrupulous business rival Justin Hammer there is a mighty confrontation and resolution in grand comic-book style. But then Hammer plays his trump card…

Taking control of Iron Man’s armour, the evil plutocrat makes Stark the unwilling accomplice to a monstrous crime, pushing the hero over the edge and into a spiral of despair…

The fall and rise of a hero is a classic plot, and it’s seldom been better used in the graphic narrative medium and never bettered in the super-hero field. An adult and very mature tale for kids of all ages, it is an unforgettable instance of Triumph and Tragedy perfectly told. If you’ve never read Demon in a Bottle, and with the Iron Man movie release impending, there has never been a better time to seek out this superb adventure.

©1984, 2006 Marvel Characters, Inc. All Rights Reserved.

The Daily Mirror Book of Garth

(GARTH ANNUAL 1975)

The Daily Mirror Book of Garth

By Jim Edgar & Frank Bellamy (IPC)
No ISBN

This wonderful Softcover book was released whilst the amazing Frank Bellamy was still alive and astounding fans with his phenomenal illustration and design on the Mirror’s long-running time-travelling adventure strip (for fuller background you could Google ‘Garth’ or even check out our own archives for Garth: The Cloud of Balthus – ISBN: 0-90761-034-X or The Mirror Classic Cartoon Collection – ISBN: 0-948248-06-8).

This large tome is printed on thick newsprint and if you’re at all moved by the physical nature of comics as artefact, as well as the power of the work itself, the texture and even smell of such an item is as effective a time travel method as any used by our burly hero. Also, for some reason the art just seems to look better on off-white, gritty paper rather than the admittedly more durable slick and shiny stock favoured these days.

So if you can track down this book – and there are still a few out there – you can luxuriate in the majesty of Bellamy and Jim Edgar’s masterful, sexy thrillers with the first collection of The Orb of Trimandias, Ghost Town, The Cloud of Balthus, Women of Galba, Sundance (which Bellamy inherited from artist John Allard three weeks in) and Wolfman of Ausensee. I will digress and admit that the all-original cover created for this last story was a major factor in reviewing this annual. It’s a sight every comic art fan ought to be familiar with.

© IPC Magazines 1974.

Teen Titans/Outsiders: The Death and Return of Donna Troy

Teen Titans/Outsiders: The Death and Return of Donna Troy

By Phil Jimenez, Judd Winick & various (DC Comics)
ISBN12: 978-1-84576-248-3

For the continuity conscious comic reader, Wonder Girl – or Donna Troy, or Troia, or whatever — has always been a problem. From the very first moment that she joined the rest of the DC Universe in Brave and the Bold #60 (a Teen Titans tryout issue) she was a vital part of the team, despite actually only being a projection of the adult Wonder Woman in her home comic. Over the years a succession of writers has tried to retrofit the character into a semblance of logic without much success. Best then to just accept that she’s there and leave it at that, if you can.

This volume collects the latest attempt to validate her existences, reprinting her last major stories just prior to the DC Infinite Crisis storyline which reset everything. Featured here are Teen Titans/Young Justice: Graduation Day #1-3, Teen Titans/Outsiders Secret Files 2003 and DC Special: The Return of Donna Troy #1-4; a series of specials that attempted to reposition some of the company’s core titles in advance of that looming mega event.

‘Graduation Day’ saw a sexy robot arrive from the future as the juvenile superhero team Young Justice was breaking up. Her confused actions inadvertently release a deadly android stored at S.T.A.R. Labs, which neither the child heroes nor the Teen Titans can stop. In a cataclysmic battle both Omen and Donna Troy are killed. These tragedies lead to the dissolution of Young Justice, the formation of the covert and pre-emptive Outsiders and the reformation of a new Titans group dedicated to better training the heroes of tomorrow. Even though a frightfully contrived ploy to launch some new titles, this tale is still a punchy and effective thriller from writer Judd Winick, penciller Alé Garcia and inkers Trevor Scott, Larry Stucker and Marlo Alquiza.

‘Who was Donna Troy’, written and drawn by Phil Jimenez, with inks by Andy Lanning is a short but moving eulogy for the character set at her funeral with friends and guest-stars discussing her life and career.

‘The Return of Donna Troy’, scripted by Jimenez and illustrated by José Luis Garcia-López and George Pérez, reveals that Donna Troy’s soul was intercepted by the Titans, the mythical progenitors of the Greek Gods who reanimated her body and elevated her to their ranks. The backstory of this is much too complicated for this review, but if you’ll just accept that in one of her previous refits Troy was revealed as an adopted child of these morally ambivalent deities and they have returned to exploit her you’ll be fine.

These Gods are using her to further a plot to conquer a planet with a cosmic secret, but Troy’s near seduction to the Dark Side is thwarted when her old superhero comrades get involved. However, although beautifully drawn this tale menders and waffles way too much to be anything more than eye-candy for the faithful and a big headache for any fool brave enough to try it without a degree in Teen Titans continuity.

© 2005, 2006 DC Comics. All Rights Reserved.

Marvel Masters: The Art of John Romita Jr

Marvel Masters: The Art of John Romita Jr
Marvel Masters: The Art of John Romita Jr

By various & John Romita Jr (Marvel/Panini UK)
ISBN: 978-1-905239-73-3 (A BRITISH EDITION BY PANINI UK LTD)

The latest in Marvel’s line of laudatory collections featuring the work of a star creator focuses on the career of a legend who is the son of a legend. John Jr was working as an in-house junior when he got his first chance to draw a story. The six-page ‘Chaos at the Coffee Bean’ is actually a rather bland filler from Amazing Spider-Man Annual #11 (1977), written by Scott Edelman and inked by Al Milgrom and instantly highlights the twin problems of books like this.

Firstly, the early efforts of many creators, although perhaps instructive, are simply not that good, and doubly so in a case like the junior Romita’s, where the artist experienced such a radical stylistic epiphany that “then” and “now” look like the work of two completely different people. Secondly, as revealed in ‘Betrayal’, his first full length tale, from Iron Man #115 (1978 – scripted by Bill Mantlo and inked by Dan Green), despite the high quality of this tale and immensely improved artwork only the first part is by our subject, so the latter parts are excluded, leaving readers with an incomplete story.

Amazing Spider-Man #208 is reprinted next. Denny O’Neil wrote ‘Fusion’, which Romita Jr only laid out (very rough preliminary drawings) with the majority of the art completed by Al Milgrom and Brett Breeding. In that same year (1980) the artist drew ‘Nightcrawler’s Inferno’ for X-Men Annual # 4, from a Chris Claremont script, and Bob McLeod was a much more sympathetic inker for this pan-dimensional epic guest-starring Dr. Strange.

Inexplicably the editors have chosen Dazzler #1 and 2 to follow. The Disco Sensation premiered as Marvel’s first Direct Sales Only title and was by most lights pretty appalling. You can judge for yourself or take a hint from the fact that ‘So Bright This Star’ was “conceived by Alice Donenfeld, John Romita Jr and Jim Shooter with some help from Stan Lee, Al Milgrom, Roger Stern and Tom DeFalco”, scripted by DeFalco, and the pencils were swamped by the lush but inappropriate inks of Alfredo Alcala. The second part ‘Where Demons Fear to Dwell’ had less cooks stirring the broth but was still an inept use of all the creator’s abilities.

In 1986 Romita Jr drew the first issue of Starbrand, the flagship New Universe title written by Jim Shooter as part of the company’s attempt to develop a continuity more relevant to its modern readership. (There are a million stories as to why Marvel actually instituted the New Universe project but that’s a debate for another time and place). With it he developed a more individualistic, raw yet streamlined graphic style that would evolve into his current grandly monolithic manner of storytelling. ‘The Starbrand’ is a compelling and thoroughly readable origin tale, sparse and gripping, moodily inked by comics legend Al Williamson. As is ‘Typhoid’, originally released in Daredevil #254, (1988), this is a powerful, visceral psychodrama scripted by Anne Nocenti, and taken from their groundbreaking run on The Man Without Fear.

This volume concludes with a superb two-part epic from Incredible Hulk #24-25 (Volume III, 2001) that fully displays the brutal power of Romita Jr’s drawing. Paul Jenkins scripted the brooding and poignant ‘Dear Betty…’ (inked by Dick Giordano) and ‘Always on My Mind’ (inked by Tom Palmer) which perfectly display the artist’s contemporary style and inevitably leads to the question, “why is there so little of his later output?”

Despite these qualms and queries this is still an instructive compendium of the artist’s output, and if the early work is not as representative or effective as it could be it is at least composed of rare and less known material. And that just means that there’s lots of great stuff left for a second volume…

© 1977, 1978, 1981, 1986, 1988, 2001, 2007 Marvel Characters, Inc. All Rights Reserved.

Vertigo Visions

Vertigo Visions

By various (Watson-Guptill)
ISBN13: 978-0-8230-5603-3

This hefty hardback coffee-table art-book collects not just some of the incredible cover images from the first ten years of cutting edge comic material for grown ups but also includes promotional art, commercial posters and even some selections from trading cards sets.

Accompanied by an artistic appreciation from author and ex-Vertigo Editor Alisa Kwitney this lavish volume is a delight for fans of the bold, challenging and visually avant-garde sequential art makers who have advanced the cause of grown-up comics from DC’s mature readers imprint.

Produced to celebrate the tenth anniversary of Vertigo it features eye-popping art from the likes of Dave McKean, Brian Bolland, Barron Storey, Jill Thompson, Charles Vess, Michael W. Kaluta, Steve Dillon, Brendan McCarthy, Phil Winslade, Matt Wagner, Kent Williams, Chris Bachalo, Duncan Fegredo, Dave Gibbons, Peter Kuper, John Bolton, Kyle Baker and a host of others.

Showcasing all their regular titles such as Swamp Thing, Hellblazer, Preacher, 100 Bullets, Transmetropolitan, Sandman and others, plus one-offs specials and miniseries like Rogan Gosh, Moonshadow, Stardust and so very many others, the works of art gathered here (just shy of 200, if you’re counting) clarify in the most convincing terms one of the reasons for Vertigo’s continuing success. Let’s see what they can come up with for their 15th anniversary this year, shall we?

© 2000 DC Comics. All Rights Reserved.

The Adventures of Tintin, Volume 7

The Adventures of Tintin, Volume 7

By Hergé, translated by Leslie Lonsdale-Cooper & Michael Turner (Egmont UK)
ISBN 13: 978-1-4052-2900-5

Hergé’s later life was troubled but his personal problems only seemed to enhance his storytelling abilities. The three tales collected in this volume of The Adventures of Tintin are sleek, polished comedy thrillers, rife with intrigue and camaraderie, and even after decades of working, continue fresh and challenging, as the author always sought new arenas of drama to explore.

The Calculus Affair once again sees the zany Professor abducted from the palatial home of Captain Haddock, resulting in a dire and desperate chase through Cold War Europe. Our heroes are hampered in their efforts to save their friend by the introduction of the infinitely annoying Insurance salesman Jolyon Wagg and more seriously, by two rival bands of spies.

As they pursue Calculus to Geneva, Tintin and Haddock encounter not only the insidious agents of Borduria but find that their erstwhile allies of Syldavia are also trying to make the Professor “disappear”. After frantic chases, pitched battles and assassination attempts diplomatic duplicity defeats them, and Calculus becomes an unwilling guest of the totalitarian Bordurians, who are pleased to accept as a “gift” his new invention, which they intend to use as a weapon of mass destruction.

Temporarily stymied, Tintin and Haddock finagle their way into the country, and with the aid of Opera Diva Bianca Castafiore, bamboozle the secret police to rescue the Professor and save the day.

Although all the elements in play are tried and trusted ingredients of the Tintin formula, the level of artistic achievement here is superb and the interplay of tense drama, slapstick comedy and breakneck action make this brooding thriller the most accomplished of Hergé’s tales. The simple fact that the contemporary Cold War fever is absent for modern readers makes no difference at all to the enjoyment of this magnificent graphic masterpiece.

The Red Sea Sharks has also lost some of its original contemporary urgency, but again that has had no diminishing effect. Produced during the turbulent times that led to the Middle-East Suez Crisis, it reintroduces Emir Ben Kalish Ezab from Land of Black Gold (see Adventures of Tintin volume 6 ISBN 13: 978-1-4052-2899-2) whose oil-rich country is in the throes of a civil war. Fearful of the consequences, he sends his son Abdullah to stay with Captain Haddock, unaware that the old dipsomaniac and Tintin are embroiled in another mystery involving General Alcazar (The Broken Ear: Adventures of Tintin volume 3, ISBN 13: 978-1-4052-2896-1), war surplus aircraft and a mysterious criminal mastermind.

As eager to escape the infernal practical jokes of the incorrigible Prince as to solve the case, the heroic pair follow the trail of the arms dealers and find themselves back in the Desert Kingdom of Khemed, albeit as unwelcome intruders as the rebels have defeated the Emir and driven him into hiding thanks to their illicitly gained fighter planes. When a bomb-plot leaves their plane crashed in the wastelands the indomitable pair trek overland into enemy territory before finally finding the Emir-in-hiding.

They discover that the coup has been instigated by the airline owned by the Marquis di Gorgonzola, a mysterious millionaire whose vast commercial interests are supplemented by selling Pilgrims en route to Mecca into slavery! Hot on the trail, the pair take ship for that holy city but are strafed by warplanes. Shooting one down they rescue the pilot, but when the trio are rescued by Gorgonzola’s yacht, Tintin discovers that one of his oldest foes is behind it all!

This spectacular high-adventure, despite its political and moral underpinnings, is primarily an action yarn with plenty of twists and turns and a terrific feel-good climax. This romp as well as standing proudly on its own lights serves as a subtle counterpoint for the last, and controversially different final tale of this volume…

Tintin in Tibet is not like any other story of the plucky, valiant boy reporter. At this time Hergé was ending a twenty-five year marriage, recovering from a series of nervous breakdowns and plagued by dreams of unending white. Rather than take a break or even retire he began the most eerie, mystical and personal story of his long career.

Tintin is holidaying in the mountains when he reads of a plane crash in Nepal. Inexplicably he screams the name of his old friend Chang, left behind in China at the end of The Blue Lotus (Adventures of Tintin volume 2 ISBN 13: 978-1-4052-2895-4). Now preoccupied with his old friend he discovers that Chang was on the crashed airliner and is believed dead. Despite all rational argument Tintin knows he has survived and immediately sets out to rescue him, with a protesting Captain Haddock in tow.

Against all odds the duo travels through India to the mountainous borderlands and into the Himalayas. Nothing can shake the boy’s obsessive belief that Chang is alive and urgently needs his help.

How the physical and mental hardships are overcome make for an uncharacteristically bleak tale, and the mysticism, paranoia and overt supernatural content is hard to fit comfortably into the fantastic but rational universe that Tintin inhabits. Yet it does work, and no other story so well depicts the heroic qualities of the lad and the deep emotional bond between him and his true friends, Chang and Haddock. Of course, Hergé’s utter professionalism would not allow him to produce anything that was not eminently readable, captivatingly funny and stirringly thrilling. Although perhaps the oddest tale this might just be the author’s most revealing.

The Calculus Affair: artwork © 1956, 1984 Editions Casterman, Paris & Tournai.
Text © 1960 Egmont UK Limited. All Rights Reserved.
The Red Sea Sharks: artwork © 1958, 1986 Editions Casterman, Paris & Tournai.
Text © 1960 Egmont UK Limited. All Rights Reserved.
Tintin in Tibet: artwork © 1960, 1984 Editions Casterman, Paris & Tournai.
Text © 1962 Egmont UK Limited. All Rights Reserved.