Graphic Novels – Page 73

November 27, 2020November 25, 2020

Iron Man Epic Collection volume 4 1970-1972: The Fury of the Firebrand

By Archie Goodwin, Gerry Conway, Allyn Brodsky, Mimi Gold, Robert Kanigher, Gary Friedrich, Johnny Craig, Don Heck, George Tuska, Herb Trimpe, Gene Colan & various (Marvel)
ISBN: 978-1-3029-2207-8 (TPB)

Win’s Christmas Gift Recommendation: A Glittering Bauble of Shiny Nostalgic Marvel Madnessâ€¦ 8/10

Created in the aftermath of the Cuban Missile Crisis and at a time when â€œRed-baitingâ€ and â€œCommie-bashingâ€ were American national obsessions (just like now), the emergence of a brilliant new Thomas Edison, using Yankee ingenuity and invention to safeguard and better the World, seemed inevitable. Combined with the then-sacrosanct belief that technology and business could solve any problem with the universal imagery of noble knights battling evil, the concept behind the Invincible Iron Man seems an infallibly successful proposition.

Of course, where once Tony Stark was the acceptable face of 1960s Capitalism: a glamorous millionaire industrialist/inventor and a benevolent all-conquering hero when clad in the super-scientific armour of his metal alter-ego, the tumultuous tone of changing times soon resigned his suave, playboy image to the dustbin of history and, with ecological disasters and social catastrophe from the abuse of industry and technology the new mantras of the young, the Golden Avenger and Stark International were soon confronting some tricky questions from the increasingly socially conscious readership.

All of a sudden maybe that money and fancy gadgetry weren’t quite so fun or cool anymoreâ€¦?

This sterling hardback – and eBook – compilation covers the period May 1970 through May 1972, re-presenting Iron Man #25-46 and incorporating a tumultuous team-up with the Man Without Fear from Daredevil #73 which held a key portion of a rather complex comics crossover.

Imminently departing scripter Archie Goodwin pins Iron Man’s new Green colours to the comic’s mast in #25’s stunning eco-parable ‘This Doomed Landâ€¦ This Dying Sea!‘, ably assisted by EC legend Johnny Craig, whose slick understated mastery adds a sheen of terrifying authenticity to proceedings. Here, the Armoured Avenger clashes and ultimately teams with veteran antihero Namor the Sub-Mariner, before being compelled to destroy one of his own hyper-polluting facilities, consequently overruling and abandoning his company’s previous position and business modelâ€¦

Tragically, his attempts to convince other industry leaders to do likewise meets with the kind of reaction that tragically then (and again now) typifies America’s response to the real-world situationâ€¦

Original Iron Man artist Don Heck returned for the fantasy-fuelled romp ‘Duel in a Dark Dimension!’ (scripted by Goodwin and inked by Craig) with guest villain The Collector kidnapping Stark’s right-hand man Happy Hogan in a convoluted scheme to secure an extradimensional super-swordâ€¦

America’s mounting racial tensions took centre-stage in ‘The Fury of the Firebrand!’, introducing an inflammatory radical with a secret and highly personal hate-filled agenda aimed squarely at Stark and the fat cats he represented. The incendiary fiend was also a human napalm grenadeâ€¦

Goodwin bowed out with #28’s riotous return match ‘The Controller Lives!’, wherein the mind parasite attacks Stark and SHIELD agent Jasper Sitwell through an old girlfriend, after which Mimi Gold scripted an old-fashioned commie-buster yarn, drawn by Heck and inked by Chic Stone in #29, with Iron Man liberating a tropical paradise from its enslaving socialist overlords in ‘Save the Peopleâ€¦ Save the Country!’.

Impressive new kid on the block Allyn Brodsky took over as scripter with #30’s ‘The Menace of the Monster-Master!’: a rousing rampage full of Maoist menace with a giant lizard ravaging Japan until the Golden Avenger steps in, taking charge and exposing a cunning plotâ€¦

Far more intriguing is ‘Anythingâ€¦ For the Cause!’ wherein back-to-nature hippie protesters and outraged teen radicals are manipulated by an unscrupulous local businessman. This social drama also adds cool young Irish science nerd Kevin O’Brian to the regular cast.

IM #32’s ‘Bewareâ€¦ The Mechanoid!’ (illustrated by George Tuska & â€œJoe Gaudiosoâ€) then relates a salutary tale of a benign alien explorer making the tragic mistake of exploring America whilst disguised as a black manâ€¦

Heck & Gaudioso (actually moonlighting Mike Esposito) handled the art for ‘Their Mission: Destroy Stark Industries!!’as corporate raider Spymaster unleashes his Mission: Impossible-inspired team The Espionage Elite to deprive America of both the inventor and his company. This fast-paced thriller concluded in bombastic finale ‘Crisisâ€¦ and Calamity!!’with the near-death of a cast regular, signalling the advent of a darker, more driven Armoured Avengerâ€¦

Something of a comics wunderkind at this time, Gerry Conway assumed the writer’s reins in Iron Man #35 as the traumatised hero understandably seeks ‘Revenge!’ on Spymaster before being distracted by an ongoing battle between Daredevil, Nick Fury, Madame Masque and the global criminal network Zodiac – all contesting ownership of an extra-dimensional wish-granting super-weapon.

That battle spills over into Daredevil #73 and a mass abduction into another dimension in ‘Beholdâ€¦ the Brotherhood!’(by Conway, Gene Colan & Syd Shores) before messily and inconclusively concluding halfway through Iron Man #36 (Heck & Esposito). The remainder of the issue and battle for the Zodiac Key is necessarily shelved as the Steely Centurion is waylaid by terra-forming aliens in ‘â€¦Among Men Stalks the Ramrod!’

Incapacitated and with his recently transplanted new heart critically damaged, Stark reveals his secret to Kevin O’Brian ‘In This Hour of Earthdoom!’ (Jim Mooney inks) before rapidly retrenching, recuperating and ultimately repelling the invaders. The fantastic fantasy drama pauses here for a hard-boiled and pleasantly low-key diversion in the form of an engaging gangster caper from Conway, Tuska & Esposito wherein Iron Man is forced to respond quite assertively ‘When Calls Jonahâ€¦!’

Conway resumes the mad science tales – with Herb Trimpe illustrating – in ‘A Twist of Memoryâ€¦ a Turn of Mind!’, wherein insidious oriental mastermind White Dragon (Yes, I know, but social relevance clearly advanced at its own piecemeal rate and racial profiling was less obvious than poisoned air and riversâ€¦) deviously turns Stark into a brainwashed pawn, thereby inadvertently enslaving the Golden Avenger too.

Devoted assistant Kevin O’Brian comes to the rescue, but is led down a path to inevitable doom when he assists his mind-locked employer in a torturous ‘Night Walk!’ (by Tuska & Jim Mooney) to save his sanity and defeat the sinister foe.

Simultaneously, Marianne Rodgers, a woman they both love, begins a slow glide into madness as her telepathic powers gradually grow beyond her control and start eating at her mindâ€¦

Issue #41 continued a convoluted storyline dealing with mystery mastermind Mr. Kline. (For the full story you should also track down contemporaneous Daredevil and Sub-Mariner issues: you won’t be any the wiser but at least you’ll have a full setâ€¦)

Next, ‘The Claws of the Slasher!’ sees squabbling saboteurs target Washington DC during a Senate investigation into Stark Industries; accidentally triggering a psychic transformation in Marianne, who temporarily morphs into a mind-warping harpy in ‘When Demons Wail!’ (inked by Frank Giacoia). The clash culminates in a blockbusting, extra-long battle against psionic godling Mikas in ‘Doomprayer!’ (with Mooney inks). During that cataclysmic conflict O’Brian dons his own super-armour to join the fray as The Guardsman; causing his own mental state to rapidly deteriorate and making his eventual showdown with Stark utterly unavoidableâ€¦

Plotted by Conway, scripted by DC A-Lister Robert Kanigher and illustrated by Tuska & Vince Colletta, Iron Man #44 finds Stark near death after his last battle. In ‘Weep for a Lost Nightmare!’, he is watched over by Kevin and Marianne as Kline dispatches a robotic copy of old adversary The Night Phantom to finish the ailing hero off. The tale was truncated midway and completed in the next issue – presumably due to deadline problems.

Gary Friedrich scripted concluding chapter ‘Beneath the Armour Beats a Heart!’ in #45, after which Stark faces a revolt by his own Board of Directors who convince the jealousy-consumed O’Brian to stand with them.

When student protestors invade the factory, greed-crazed capitalist and reactionary revolt instigator Simon Gilbertconvinces O’Brian to don his Guardsman suit and teach the kids a lesson, leading to a horrific escalation in ‘Menace at Large!’ (inked by John Verpoorten) wherein Iron Man intervenes to save lives and causes the fully-amok O’Brian’s deathâ€¦

To Be Continuedâ€¦

The galvanised wonderment also includes the covers of Iron Man Annuals #1 and 2, a selection of house ads and a gallery of original art covers and interior pages by Marie Severin & Sam Grainger, Sal Buscema, Tuska and Frank Giacoia, to wrap up this collection with the Golden Gladiator carefully politically repositioned at a time when Marvel solidly set itself up at the vanguard of a rapidly changing America increasingly at war with itself.

With this volume Marvel further entrenched itself in the camp of the young and the restless, experiencing first hand, and every day, the social upheaval America was undergoing. This rebellious teen sensibility and enhanced political conscience permeated the company’s publications as their core audience evolved from Flower Power innocents into a generation of acutely aware activists. Future tales would increasingly bring reformed capitalist Stark into many unexpected and outrageous situationsâ€¦

But that’s the meat of another review, as this engrossing graphic collection is done. From our distant vantage point the polemical energy and impact might be dissipated, but the sheer quality of the comics and the cool thrill of the eternal aspiration of man in perfect partnership with magic metal remains. These superhero sagas are amongst the most underrated but impressive tales of the period and are well worth your time, consideration and cold hard cashâ€¦
Â© 2020 MARVEL.

November 25, 2020November 24, 2020

Superman: The Golden Age Volume Five

By Jerry Siegel & Joe Shuster, John Sikela, Leo Nowak, Ed Dobrotka, George Roussos, Sam Citron & various (DC Comics)
ISBN: 978-1-4012-8797-9 (TPB)

Win’s Christmas Gift Recommendation: Vital Vintage Superhero Fun and Fantasyâ€¦ 9/10

The American comicbook industry – if it existed at all by now – would have been an utterly unrecognisable thing without The Man of Tomorrow. His unprecedented invention and adoption by a desperate and joy-starved generation gave birth to an entire genre if not an actual art form.

Imitation is the most honest compliment and can be profitable too. Superman triggered an inconceivable army of imitators and variations and, within three years of his Summer 1938 debut, the intoxicating blend of action and social wish-fulfilment which hallmarked the early Action Ace had grown to encompass cops-and-robbers crime-busting, socially reforming dramas, science fiction, fantasy, and whimsical comedy. Once the war in Europe and the East finally involved America, to that list was added patriotic relevance for a host of gods, heroes and monsters – all dedicated to profit through exuberant, eye-popping excess and vigorous dashing derring-do.

In comicbook terms at least, Superman was master of the world. He had already utterly changed the shape of the fledgling industry by the time of these tales. There was a successful newspaper strip, foreign and overseas syndication and the Fleischer studio was producing some of the most expensive – and best – animated cartoons ever conceived.

Thankfully the quality of the source material was increasing with every four-colour release, and the energy and enthusiasm of Jerry Siegel & Joe Shuster had infected the burgeoning studio that grew around them to cope with the relentless demand.

This latest addition to the splendid Golden Age/Silver Age strand of DC reprint compendia presents more of an epochal run of raw, unpolished but viscerally vibrant stories by Siegel, Shuster and the sterling crew of their â€œSuperman Studioâ€. This stalwart band collaboratively set the nascent comics world on fire with crude, rough, uncontrollable wish-fulfilling, cathartically exuberant exploits of a righteous and superior man dealing out summary justice equally to social malcontents, exploitative capitalists, thugs and ne’er-do-wells, and captured the imagination of a generation.

This fifth remastered paperback collection (also available digitally) of the Action Ace’s early exploits – reprinted in the order they first appeared – covers the turbulent, times spanning May 1942 to February 1943: encompassing escapades from Action Comics #48-57, Superman #16-19 and his solo-adventures from World’s Finest Comics #6-8 (an oversized anthology title where he shared whimsical cover-stardom with Batman and Robin).

As always, every comic appearance is preceded by the original cover illustration depicting Superman trouncing scurrilous Axis War-mongers and reminding readers what we were all fighting for – captivating graphic masterpieces from Fred Ray, Jack Burnley and John Sikela – whilst each tale is credited to prolific co-originator Siegel.

I sometimes think – like many others I know – that superhero comics were never more apt or effective than when they were whole-heartedly combating global fascism with explosive, improbable excitement courtesy of a myriad of mysterious, masked marvel men.

All the most evocatively visceral moments of the genre seem to come when gaudy gladiators soundly thrashed – and I hope you’ll please forgive the offensive contemporary colloquialism – â€œNips and Nazisâ€. However, even in those long-ago dark days, comics creators were wise enough to offset their tales of espionage and imminent invasion with a barrage of home-grown threats and gentler or even more whimsical four-colour fareâ€¦

Jerry Siegel was producing some of the best stories of his career, showing the Action Ace in all his morale-boosting glory; thrashing thugs, spies and masters of bad science whilst America kicked the Axis fascists in the pantsâ€¦

Co-creator Joe Shuster, although plagued by punishing deadlines for the Superman newspaper strip and his rapidly failing eyesight, was still fully involved in the process, overseeing the stories and drawing character faces whenever possible, but as the months passed the talent pool of the â€œSuperman Studioâ€ increasingly took the lead in the comicbooks as the demands of the media superstar grew and grew. Thus, most of the stories in this volume were drawn by John Sikela with occasional support from othersâ€¦

The magic begins with ‘The Merchant of Murder!’ from Action Comics #48 wherein the hero topples an insidious gang of killers led by The Top who uses wartime restrictions to sell used cars with deadly faults and defects until reporter Lois Lane and her soft-spoken leg man get involvedâ€¦

Sikela flew solo on all of Superman #16, beginning with ‘The World’s Meanest Man’ as the Caped Kryptonian crushes a mobster attempting to plunder a social program giving deprived slum-kids a holiday in the countryside, before moving on to battle an astrologer prepared to murder his clients to prove his predictions in ‘Terror from the Stars’.

‘The Case of the Runaway Skyscrapers’ pits the Metropolis Marvel against Mister Sinister, a trans-dimensional tyrant who makes buildings vanish, after which the power-packed perilous periodical concluded with a deeply satisfying and classic campaign against organised crime as Superman crushes the ‘Racket on Delivery’.

Action Comics #49 introduced The Puzzler – a despicable, deadly and obsessive criminal maniac who hated losing and never played fair in ‘The Wizard of Chance’ (inked by Ed Dobrotka).

The debut of Superman propelled National Comics to the forefront of their fledgling industry and in 1939 the company collaborated with the organisers of the New York World’s Fair: producing two commemorative comic books celebrating the event. The Man of Tomorrow prominently featured on the appropriately titled New York World’s Fair Comics beside such four-colour stars as Zatara, Gingersnap, The Sandman and Batman and Robin. The spectacular card-cover 96-page anthologies were a huge hit and convinced National’s owner and editors that such an over-sized package of their pantheon of characters, with Superman and Batman prominently featured, would be a worthwhile proposition.

The bountiful format was retained for a wholly company-owned quarterly which retailed for the then-hefty price of 15Â¢. Launching as World’s Best Comics #1 (Spring 1941), the book transformed into World’s Finest Comics from #2, beginning a stellar 45-year run which only ended as part of the massive decluttering exercise that was Crisis on Infinite Earths.

From WFC #6 (Summer 1942), Siegel, Leo Nowak & Sikela’s ‘The Man of Steel vs. the Man of Metal’ pits our hero and newsboy Jimmy Olsen against Metalo: a mad scientist whose discoveries make him every inch Superman’s physical matchâ€¦

Back in Action Comics #50, Clark Kent and Lois are despatched to Florida to scope out sporting skulduggery in ‘Play Ball!’– a light-hearted baseball tale illustrated by Nowak & Ed Dobrotka before Superman #17 offers a quartet of tales beginning with ‘Man or Superman?’ (pencilled by Shuster with Sikela inking), wherein Lois first begins putting together snippets of evidence and at last sensing that klutzy Clark might be hiding a Super-secret, even as the subject of her research tangles with sinister saboteur The Talon.

Following that, ‘The Human Bomb’ (art by Nowak) sees a criminal hypnotist transform innocent citizens into walking landmines until the tireless Action Ace scotches his wicked racket.

Sikela handled the last two tales in the issue beginning with ‘Muscles for Sale!’, in which Superman’s Fortress of Solitudeand Trophy Room debut and the Man of Steel battles another mad mesmerist turning ordinary citizens into dangerously overconfident louts, bullies and thieves, whilst ‘When Titans Clash!‘ depicts a frantic and spectacular duel of wits and incredible super-strength after Luthor regains the mystic Power Stone to become Superman’s physical – but never intellectual – master â€¦

Action Comics #51 introduces the canny faux-madness of practical-joking homicidal bandit The Prankster in the rollercoaster romp in Sikela’s ‘The Case of the Crimeless Crimes’ and the next issue features the ‘The Emperor of America!’, wherein an invading army are welcomed with open arms by all Americans except the indignantly suspicious Man of Steel who single-handedly liberates the nation in a blistering, rousing call-to-arms classicâ€¦

As the war progressed the raw passion and sly wit of Siegel’s stories and the rip-roaring energy of Shuster and his team were galvanised by the parlous state of the planet and Superman got even became better and more flamboyant to deal with it all. His startling abilities and take-charge, can-do attitude won the hearts of the public at home and he was embraced as a patriotic tonic for the troops across the war-torn world.

The rise was meteoric, inexorable and unprecedented. He was the indisputable star of Action and World’s Finest Comics plus his own dedicated title, whilst a daily newspaper strip (begun on 16^th January 1939, with a separate Sunday strip following from 5^th November of that year) garnered millions of new fans globally. A thrice-weekly radio serial had been running since February 12^th 1940 and, with a movie cartoon series, games, toys, apparel and a growing international media presence, Superman was swiftly becoming the entire Earth’s heroâ€¦

Although the gaudy burlesque of evil aliens, marauding monsters and slick super-villains still lay years ahead of our hero, thrilling tales of villainy, criminality, corruption and disaster were just as engrossing and spoke powerfully of the tenor of the times, and are all dealt with in a direct and captivating manner by our relentlessly entertaining champion in summarily swift and decisive fashion.

No â€œTo Be Continuedsâ€ here!

A perfect example of the done-in-one tale is Siegel, Nowak & Sikela’s ‘The Eight Doomed Men’ from World’s Finest Comics #7: a tale involving a coterie of ruthless millionaires targeted for murder because of the wicked past deeds of their privileged college fraternity. This enthralling crime mystery is suitably spiced up with flamboyant high-tech weaponry that pushes the Man of Tomorrow to his limitsâ€¦

Superman #18 (September/October 1942) then offers a quartet of stunning sagas, leading with Sikela’s ‘The Conquest of a City’ wherein Nazi infiltrators use a civil defence drill to infiltrate the National Guard and conquer Metropolis in the Fuehrer’s nameâ€¦ until Superman spearheads the counter-attackâ€¦

Nowak’s ‘The Heat Horror’ posits an artificial asteroid threatening to burn the city to ashes until the Metropolis Marvel defeats Lex Luthor, the manic mastermind who initially aimed it at Earth.

‘The Man with the Cane’ offers a grand, old-fashioned and highly entertaining espionage murder mystery for Dobrotka & Sikela to illustrate after which Superman takes on his first fully costumed super-villain when ‘The Snake’ perpetrates a string of murders during construction of a river tunnel in a moody Nowak-drawn masterpiece.

Sikela is inked by George Roussos on fantastic thriller ‘The Man Who put Out the Sun!’ from Action Comics #53, wherein bird-themed bandit Night-Owl uses â€œblack lightâ€ technology and ruthless gangsters to plunder at will until the Man of Steel takes charge, whilst in #54, ‘The Pirate of Pleasure Island!’ (Sikela) follows the foredoomed career of upstanding citizen Stanley Finchcomb, a seemingly civilised descendent of ruthless buccaneers who succumbs to madness and becomes a modern day merciless marine marauder. Or perhaps he truly is possessed by the merciless spirit of his ancestor Captain Ironfist in this enchanting supernatural thrillerâ€¦?

A classic (and much reprinted) fantasy shocker opened Superman #19. ‘The Case of the Funny Papers Crimes’ (Sikela & Dobrotka) sees bizarre desperado Funnyface bring the larger-than-life villains of the Daily Planet’s comics page to terrifying life in a grab for loot and power, after which ‘Superman’s Amazing Adventure’ (Nowak) finds the Man of Steel battling incredible creatures in an incredible extra-dimensional realm – but all is not as it seemsâ€¦

Some of the city’s most vicious criminals are commanded to kill a stray dog by the infamous Mr. Z in ‘The Canine and the Crooks’ (Nowak) and it takes all of Clark and Lois’ deductive skills to ascertain why before ‘Superman, Matinee Idol’breaks the fourth wall for readers as the reporters visit a movie house to see a Superman cartoon in a shameless yet exceedingly inventive and thrilling â€œinfomercialâ€ plug for the Fleischer Brothers cartoons then currently astounding movie-goers; all lovingly rendered by Shuster and inked by Sikelaâ€¦

This latest leaf through times gone by continues with a witty and whimsical Li’l Abner spoof illustrated by Sikela & Dobrotka. ‘A Goof named Tiny Rufe’ focuses on desperate cartoonist Slapstick Sam who co-opts, plagiarises and ruins the simple lives of a couple of naÃ¯ve hillbillies to fill his idea-empty panels and pagesâ€¦ until Superman intercedes to give the hicks their lives back and the devious dauber the drubbing he so richly deservesâ€¦â€¦

World’s Finest #8 (Winter, 1942-1943) next exposed ‘Talent Unlimited’ (Sam Criton & Sikela) as Superman tracks down a missing heiress who had abandoned wealth for a stage career and poor but honest theatrical friends. Unfortunately, even though she didn’t want her money, other people didâ€¦

A brace of episodes from Action Comics brings this gleaming Golden Age visit to a close, starting with ‘Design for Doom!’ from #56. Illustrated by Sikela, it pits the Caped Kryptonian against a deranged architect who creates global city-wrecking catastrophes simply to prove the superiority of his own creations.

Superman was pitifully short on returning villains in the early days so #57’s return of the Prankster as ‘Crime’s Comedy King’ made a welcome addition to his meagre Rogues Gallery, especially as the Macabre Madcap seems here to have turned over a new philanthropic leaf. Of course, there’s malevolence and a big con job at the heart of his transformationâ€¦

As fresh, thrilling and compelling now as they ever were, these endlessly re-readable epics are perfectly presented in these glorious paperback collections where the graphic magic defined what being a Super Hero means, with every tale dictating the basic iconography of the genre for all others to follow.

These Golden Age tales are priceless enjoyment at absurdly affordable prices and in a durable, comfortingly approachable format. What dedicated comics fan could possibly resist them?
Â© 1942, 1943, 2020 DC Comics. All Rights Reserved.

November 23, 2020November 22, 2020

Spider-Man Vs. Mysterio

By Stan Lee & Steve Ditko, Gerry Conway, Roger Stern, Howard Mackie, Peter David, Dan Slott, John Romita Sr., Ross Andru, John Romita Jr., Marie Severin, Alex Saviuk, Todd Nauck & Marcos Martin, with Don Heck, Javier Pulido & various (Marvel)
ISBN: 978-1-3029-1871-2 (TPB)

Win’s Christmas Gift Recommendation: Fabulous Fights ‘n’ Tights Fantasyâ€¦ 8/10

Heroes are only truly defined by their enemies and superheroes doubly so, with the added proviso that costumed crusaders generally have a rogue’s gallery of fantastic foes rather than just one arch-nemesis. Even so, there’s always one particular enemy who wears that mantle: Moriarty for Sherlock Holmes; Blofeld for James Bond; Luthor for Superman.

Spider-Man has always had two top contendersâ€¦ but Mysterio was never one of them.

However, this nifty trade paperback (and eBook) compilation gathers many of the now-cinematic evil enigma’s key and most entertaining clashes with the Wondrous Wallcrawler, tracing his devious development whilst offering an uncomplicated, no-frills thrill-ride of frantic spills and chills, equally appetising to film-inspired new meat and grizzled old veterans of the Fights ‘n’ Tights arena.

Collecting Amazing Spider-Man #13, 66-67, 141-142, 618-620; Web of Spider-Man #90; Friendly Neighborhood Spider-Man #11-13 and Peter Parker, The Spectacular Spider-Man #50-51 – collectively spanning June 1964 to April 2010 – the moody menace manifests sans preamble in ‘The Menace ofâ€¦ Mysterio!’ (by Stan Lee & Steve Ditko from Amazing Spider-Man #13).

Here a chilling super-foe premiers in the form of a seemingly eldritch mercenary hired by publisher J. Jonah Jameson to capture Spider-Man. Eventually, however, the bizarre bounty-hunter reveals his own dark criminal agenda and is exposed as a scientific trickster not a mystic marauderâ€¦

When Ditko quit Marvel the webspinner’s adventurers were limned by John Romita and a succession of stellar associates. One of most spectacular collaborations came in Amazing Spider-Man #66-67 (November & December 1968) as Lee scripted a psychedelic blockbuster for Romita, Don Heck & inkers Mike Esposito (Mickey Demeo) and Jim Mooney to illuminate. This time, the psychotic special-effects mastermind returns seeking loot and vengeance in ‘The Madness of Mysterio!’ as the master of FX illusions engineers his most outlandish stunt, with the wallcrawler subjected to a bizarre form of mind-bending resulting in an all-out action-packed brawl entitled ‘To Squash a Spider!’.

Perhaps more interestingly, this yarn introduces Randy Robertson, college student son of the Daily Bugle’s city editor and one of the first young black regular roles in Silver Age comics.

Lee and his staff were increasingly making a stand on Civil Rights issues at this time of unrest and Marvel would blaze a trail for African American and other minority characters in their titles. There would also be a growth of student and college issues during a period when American campuses were coming under intense media scrutinyâ€¦

Jump forward a few years to February & March 1975 and Amazing Spider-Man #141-142 and – as Peter Parker comes to terms with the death of first love Gwen Stacy – a long-running comedy thread ends with the frankly ridiculous Spider-Mobile crashing into the harbour, thanks to a series of apparent hallucinations, but the wallcrawler barely has time to care as a supposedly long-dead enemy returns in ‘The Man’s Name Appears to beâ€¦ Mysterio!’

Despite the psychological assaults escalating and Parker continually questioning his own sanity, the mystery is solved through rational deduction and violence in ‘Dead Man’s Bluff!’, with all entertainment coming courtesy of Gerry Conway, Ross Andru & Espositoâ€¦

Even more years later, a fanciful piece of classic Spider-history is unpicked by Roger Stern John Romita Jr. & Mooney in Peter Parker, The Spectacular Spider-Man #50 and 51 (from January & February 1981) as ‘Dilemma’ and ‘Aliens and Illusions!’ (the latter pencilled by Marie Severin) reveal how special effects guru Quentin Beck was secretly battling the Amazing Arachnid long before he adopted his luminous fishbowl hat and green tightsâ€¦

Crafted by Howard Mackie, Alex Saviuk & Sam de la Rosa, Web of Spider-Man #90 (November 1992) was part of the wallcrawler’s 30^th anniversary celebrations. ‘The Spider’s Thread’ again delves into secret personal history as the hero’s old theatrical agent returns, presaging a manic series of attacks from an army of impossible foesâ€¦ until Spidey discerns his real enemy in ‘Sleight of Mind!’â€¦

Set during the first superhero Civil War, 3-parter ‘I Hate a Mystery’ is by Peter David, Todd Nauck, Robert Campanella, & Rodney Ramos and comes from Friendly Neighborhood Spider-Man #11-13 (October-December 2006). Peter Parker has recently gone public with his identity after acquiescing to the Super Human Registration Act, but his life as a high school science teacher is shattered by press intrusion and the vengeful acts of three separate but equally unhappy Mysteriosâ€¦

The dramatic quotient of this collection cranks into overdrive for concluding extended epic ‘Mysterioso’, originally seen in Amazing Spider-Man #618-620 (March & April 2010), by writer Dan Slott and art team Marcos Martin, Javier Pulido & Javier Rodriguez. Divided into ‘Un-Murder Incorporated’, ‘Re-Appearing Act’ and ‘Smoke & Mirrors’, the wallcrawler’s war against Mr. Negative and an army of old enemies takes an even darker turn after Aunt May is turned evil and a seemingly undead Mysterio is hired by cyborg mafioso Silvermane to destroy his bitter rival Hammerhead. The chaotic final clash is even more confused and cataclysmic and leaves us all on a tense cliffhangerâ€¦

Adding extra sheen are info pages, cover reprints (from Spider-Man Classics, Marvel Tales and others), variant covers and pin-ups by Ditko, Dwayne Turner, Romita Sr. and Jr. and Joe Quinones, plus Marvel Handbook fact-pages on all three villains who have thus far played Mysterio.

Epic and engaging, this grab-bag of aerial assaults and titanic tussles is pure comicbook catharsis: fast, furious fun and thrill-a-minute-melodrama no fights ‘n’ Tights fan could resist.
Â© 2019 MARVEL.

November 21, 2020

Scooby-Doo! Team-Up volume 1

By Sholly Fisch, Dario Brizuela & various (DC Comics)
ISBN: 978-1401249465 (TPB)

Win’s Christmas Gift Recommendation: All-Ages Fun and Frolicâ€¦ 8/10

It’s been bad year for everybody, but from my selfish and blinkered perspective, the graphic arts have been particularly diminished by the loss of many giants. Here’s an offhand tribute to two moreâ€¦

The links between kids’ animated features and comicbooks are long established and, I suspect, for young consumers, indistinguishable. After all, it’s just adventure entertainment in the endâ€¦

Although never actual comics workers, animation titans and series writers Joe Ruby (March 30^th 1933-August 26^th 2020) and Ken Spears (March 12^th 1938-November 6^th 2020) co-originated dozens of cartoon shows which ultimately translated into multi-million comic book sales, joy and glee for generations and a subtle reshaping of the World’s cultural landscape. They also popularised the superhero concept on TV, through shows such as Superman, The Plastic Man Comedy/Adventure Show and Thundarr the Barbarian, consequently employing former funnybook creators such as Doug Wildey, Alex Toth, Steve Gerber, Jack Kirby and other comics giants. For all this, they are most renowned for devising mega-franchise Scooby-Doo, Where Are You!

Over decades of screen material, Scooby-Doo and his sidekicks Shaggy, Velma, Daphne and Freddy became global icons, and amidst the mountain of merchandise and derivatives generated by the franchise was a succession of comic book series from Gold Key (30 issues beginning December 1969 and ending in 1974), through Charlton (11 issues 1975-1976), Marvel (9 issues 1977-1979), Harvey (1993-1994) and Archie (21 issues, 1995-1997). The creative cast included Phil DeLara, Jack Manning, Warren Tufts, Mark Evanier, Dan Spiegle, Bill Williams, and many others.

In 1997, DC Comics acquired all the Hanna Barbera properties for its Cartoon Network imprint, which was for a very long time the last bastion of children’s comics in America. It produced some truly magical homespun material (such asTiny Titans, Batman: Brave and the Bold or Billy Batson and the Magic of Shazam!) as well as stunning interpretations of such television landmarks as Powerpuff Girls, Dexter’s Laboratory, Ben 10 and vintage gems such as The Flintstones and Scooby Dooâ€¦

In 2013, the mystery-solving pesky kids fully integrated with the DCU via a digital series of team ups that inevitably manifested as comics books and graphic novels. Compiling material from Scooby-Doo! Team-Up #1-6 (January-November 2014) this first fabulous trade paperback – or eBook – features a wild parade of joint ventures from writer Sholly Fisch illustrator Dario Brizuela, colourists Franco Riesco & Heroic Age and letterers Saida Temofonte & Deron Bennett.

It all begins with Mystery Inc. aiding Dynamic Duo Batman and Robin in a hunt for mutated scientist Kirk Langstrombefore being diverted by a gang of fake flyers in ‘Man-Bat and Robbin’!’ after which issue #2 asks ‘Who’s Scared?’ As the Caped Crusader and Ace, the Bat-Hound enjoy seeing the original Scooby gang admitted to the legendary Mystery Analysts of Gotham City, the terror-inducing Scarecrow strikes, and only the canine contingent can resist his latest fear chemicalsâ€¦

Still visiting Gotham City, the gang discover ‘Two Mites Make It Wrong’ as impulsive imp Bat-Mite starts his reality-altering pranks again and normality is only possible through the intervention of unforeseen antithesis Scooby-Miteâ€¦

Channelling a contemporary surreal TV hit, ‘Teen Titans – Ghost!’ then brings the Mystery Machine to Jump City for a spot of haunting at Titans Tower, before Daphne and Velma visit Wonder Woman on Themyscira and indulge in a Kanga rodeo whilst the boys mess about in the invisible jet before reuniting to solve a mythological monster mystery causing ‘Trouble in Paradise’â€¦

This initial outing concludes with a mass masked hero marathon when a visit to the Super Friends‘ Hall of Justice leads to a ghost hunt. Mystery soon solved, the gang, Wonder Twins Zan and Jayna, the Justice League of America and Supergirl then must all battle the notorious Legion of Doom in ‘A (Super) Friend in Need’â€¦

Despite being ostensibly aimed at TV kids, this fast-paced, funny and superbly inclusive parcel of thrills skilfully revisits the charm of early DC in stand-alone mini-sagas no self-respecting fun-fan should miss: accessible, entertaining, well-rendered yarns for the broadest range of excitement-seeking readers. This is a terrific tome offering perfect, old fashioned delight. What more do you need to know?
Â© 2014, 2015 Hanna-Barbera and DC Comics. All Rights Reserved. Batman, Robin, Superman, Wonder Woman and all related characters and elements are â„¢ DC Comics. Scooby-Doo and all related characters and elements are â„¢ and Â© Hanna-Barbera.

November 20, 2020November 19, 2020

The Flash of Two Worlds Deluxe Edition

By Gardner Fox, John Broome, Carmine Infantino, Joe Giella, Sid Greene & various (DC Comics)
ISBN: 978-1-4012-9459-5 (HB)

Win’s Christmas Gift Recommendation: Timeless Superhero Wondermentâ€¦ 10/10

As previously stated, there have been a lot of comic book anniversaries this year, possibly none more significant than original speedster The Flash who debuted in 1940. That’s happily led to a swathe of splendid vintage material being revived, such as this tome from 2009, gathering material that truly reshaped how the industry and the fanbase consumed their reading matter: a stunning collection gathering some of the most influential and beloved stories of the Silver Age.

Way back then in 1956, Super-Editor Julius Schwartz ushered in that epoch with his Showcase successes The Flash, Adam Strange and Green Lantern, directly leading to the Justice League of America (happy sixtieth!) and more revivals – which in turn inspired Fantastic Four and the whole Marvel Empire, which further changed the way comics were made and readâ€¦

Whereas 1940s tales were about magic and macho, the Silver Age polished everything with a thick veneer of SCIENCE and a wave of implausible rationalistic concepts quickly filtered into the dawning mass-consciousness of a generation of baby-boomer kids.

The most intriguing and rewarding was, of course, the notion of parallel worlds: the very crux of this celebration gathering the first half dozen Barry Allen team-ups with his predecessor Jay Garrick: specifically, the contents of The Flash #123, 129, 137, 151, 170 and 173, originally seen between September 1961 and September 1967â€¦

The continuing adventures of the Scarlet Speedster were the bedrock of the Silver Age Revolution. After ushering in the triumphant return of the costumed superhero concept, the Crimson Comet – with key writers John Broome and Gardner Fox at the reins – set an unbelievably high standard for superhero adventure in sharp, witty tales of technology and imagination, illustrated with captivating style and clean simplicity by Carmine Infantino.

Fox didn’t write many Flash scripts at this time, but the few he did were all dynamite; none more so than the full-length epic which literally changed the scope of American comics forever. Following an Introduction from Flash-Fanatic Geoff Johns and Foreword by Paul Levitz, you can see how and whyâ€¦

‘Flash of Two Worlds’ (Flash #123, September 1961 and inked by Joe Giella) introduced the theory of alternate Earths to the continuity which grew by careful extension into a multiversal structure comprising Infinite Earths. Once established as a cornerstone of a newly integrated DCU through a wealth of team-ups and escalating succession of cosmos-shaking crossover sagas, a glorious pattern was set which would, after joyous decades, eventually culminate in a spectacular Crisis on Infinite Earthsâ€¦

During a benefit gig, Flash (police scientist Barry Allen) accidentally slips into another dimension where he finds the comic book hero upon whom he based his own superhero identity actually exists.

Every ripping yarn he had avidly absorbed as an eager child was grim reality to Jay Garrick and his comrades on the controversially designated â€œEarth-2â€. Locating his idol, Barry convinces the elder to come out of retirement just as three Golden Age villains make their own criminal comebackâ€¦

The floodgates were opened, and over the following months and years many Earth-1 stalwarts met their counterparts, either via annual summer collaborations in the pages of Justice League of America or in their own individual series. Schwartz even had a game go at reviving a cadre of the older titans in their own titles. Public approval was decidedly vocal and he used DC’s try-out magazines to take the next step: stories set on Earth-2 exclusively featuring Golden Age characters. Of those bold sallies only The Spectre graduated to his own titleâ€¦

Received with tumultuous acclaim by the readership, the Earth-2 concept was revisited months later in #129’s ‘Double Danger on Earth!’ (June 1962) which also teasingly reintroduced evergreen 1940s stalwarts Wonder Woman, The Atom, Hawkman, Green Lantern, Doctor Mid-Nite and Black Canary. Clearly Editor Schwartz had something in mindâ€¦

‘Vengeance of the Immortal Villain!’ from #137 (June 1963) was the third incredible Earth-2 crossover, and saw both Flashes in action against 50,000-year-old tyrant Vandal Savage to save the abducted Justice Society of America: a tale leading directly to the veteran team’s first meeting with the Justice League of America and the subsequent creation of an annual team-up tradition.

When ‘Flash of Two Worlds’ introduced the concept of Infinite Earths and multiple versions of costumed crusaders, public pressure had begun almost instantly to agitate for the return of the Greats of the â€œGolden Ageâ€ but the Editorial powers-that-be were hesitant, fearing too many heroes would be silly and unmanageable, or worse yet, put readers off. If they could only see us nowâ€¦

A less well-known but superbly gripping team-up tale is ‘Invader from the Dark Dimension!’ (Flash #151, March 1965,): another full-length shocker wherein demonic super-bandit The Shade ambitiously infiltrates Earth-1 as the opening gambit in an avaricious attempt to plunder both worldsâ€¦

Flash #170 (May 1967) was scripted by John Broome and inked by the sublime Sid Greene, reuniting the Speedsters after a gap of two years to face the ‘The See-Nothing Spells of Abra Kadabra!’, with the Earth-1 Vizier of Velocity hexed by the cunning conjuror and rendered unable to detect the villain’s actions or presence.

Sadly for the sinister spellbinder, Jay Garrick is visiting and calls on the services of JSA pals Doctors Fate and Mid-Nite to counteract the wicked wizard’s wilesâ€¦

Promptly following and concluding this cornucopia of cosmic chills, Flash #173 (September 1967, by Broome, Infantino & Greene again) featured a titanic triple team-up as Barry, Wally â€œKid Flashâ€ West and Jay were sequentially shanghaied to another galaxy as putative prey for alien hunter Golden Man in ‘Doomward Flight of the Flashes!’

However, the sneaky script slowly reveals devilish layers of intrigue since the sinister stalker’s Andromedan super-safari conceals a far more scurrilous purpose for the three speedy pawns before the wayward wanderers finally fight free and find their way home againâ€¦

Still irresistible and compellingly beautiful after all these years, the stories collected here – in lavish hardback or handy digital editions – shaped American comics for decades and are still influencing not only today’s funnybooks but also the wave of animated shows, movies and TV series which grew from them. These are tales and this is a book you simply must have.
Â© 1961, 1962, 1963, 1965, 1967, 2009, 2020 DC Comics. All Rights Reserved.

November 16, 2020

Ant-Man/Giant-Man Marvel Masterworks volume 1

By Stan Lee, Larry Lieber, Jack Kirby & Dick Ayers, with Ernie Hart, Don Heck & various (Marvel)
ISBN: 978-0-7851-2049-0 (HB) 978-0-7851-6768-6 (TPB)

Win’s Christmas Gift Recommendation: Nostalgic Marvel Mayhemâ€¦ 8/10

Marvel Comics initially built its fervent fan base through strong, contemporarily relevant stories with strikingly illustrated art, but most importantly by creating a shared continuity closely following the characters through not just their own titles but also through frequent guest appearances in other comics. Such interweaving meant that even today completists seek out extraneous stories for a fuller picture of their favourite’s adventures. The quest was not helped by the House of Ideas releasing vintage tales in any kind of chronological order, and Henry Pym (in all his many costumed iterations) was one of the last Marvel Superheroes to get the prestigious Masterworks treatment. The movie franchise might also have had something to do with itâ€¦

If you’re of a particularly picky nature – and what comic fan isn’t? – you could consider the Astonishing Ant-Man to be one of the earliest heroes of the Marvel Age of Comics. He first appeared in Tales to Astonish #27 (cover-dated January 1962), in one of the splendidly addictive men-vs-monsters anthology titles that dominated in those heady days of Science Fiction Double-Feature B-Movies.

This episodic, eclectic and entomologically edifying compendium – available in hardback, trade paperback and digital formats – gathers pertinent portions of January 1962 cover-dated Tales to Astonish #27 and the first tranche of the succeeding superhero series that eventually followed. Included herein are the relevant contents of issues #35-52, spanning September 1962 to February 1964, preceded by a fascinating and informative Introduction from Dick Ayers who inked the debut tale and was artistically associated with the characters for much of the run.

The itty-bitty sagas reveal the scintillating solo outings of a brilliant but troubled scientist who became an unlikely, uncomfortable and even mentally unstable superhero and here begins with what was just intended to be another throwaway filler thrillerâ€¦

The initial 7-page short introduces Dr Henry Pym, a maverick scientist who discovers a shrinking potion and becomes ‘The Man in the Anthill!’: discovering peril, wonder and even a kind of companionship amongst the lowliest creatures on Earthâ€¦ and under itâ€¦

This engaging piece of fluff, which owed more than a little to classic movie The Incredible Shrinking Man, was plotted by Stan Lee, scripted by Larry Lieber and stunningly illustrated by Jack Kirby & Dick Ayers.

Clearly, the character struck a chord with someone since – as the DC Comics-inspired superhero boom flourished – Pym was rapidly retooled as a full-fledged costumed do-gooder, debuting again with TTA #35 in ‘The Return of the Ant-Man’(Lee, Lieber, Kirby & Ayers). The plot concerns a raid by Soviet agents (this was during the height of Marvel’s â€œCommie-Busterâ€ period when – a bit like now – every other villain was a Red somebody or other and rampaging socialism was a cultural bÃªte noir) wherein Pym is captured and held prisoner in his own laboratory. Forced to disinter the abandoned shrinking gases and cybernetic devices he’d ambitiously built to communicate with ants, Dr. Pym soundly trounces the spies and resolves to use his powers for the good of Mankindâ€¦

The same creative team produced the next four adventures, beginning with ‘The Challenge of Comrade X!’ (#36) as an infallible Soviet super-spy is dispatched to destroy the Diminutive Daredevil, after which Ant-Man is temporarily ‘Trapped by the Protector!’ – a cunning jewel-thief and extortionist who ultimately proves no match for the Tiny Titan.

‘Betrayed by the Ants!’ features the debut of intellectual arch-foe Egghead, a maverick and mercenary research scientist who attempts to usurp the hero’s control of insects whilst ‘The Vengeance of the Scarlet Beetle!’ sees a momentary return to scary monster stories as a radioactively mutated, super-intelligent bug seeks to eradicate humanity with only Pym capable of stopping himâ€¦

Sol Brodsky replaced Ayers as inker for ‘The Day that Ant-Man Failed!’ in #40, as a deadly Hijacker robbing freight trucks pushes the shrinking inventor to new heights of ingenuity, after which Kirby moved on: his lavishly experimental perspectival flamboyance replaced by the comforting realism and enticing human scale of Don Heck who limned a classy alien invasion yarn in ‘Prisoner of the Slave World!’ before depicting a mesmerising menace who controls people with ‘The Voice of Doom’ in TTA #42.

The following issue H. E. Huntley (AKA veteran writer/artist Ernie Hart) replaced Lieber as scripter with ‘The Mad Master of Time’: a run-of-the-mill mad – or, rather, disgruntled and misguided – scientist yarn. With the next issue (#44) Kirby returned to pencil a significant change to the seriesâ€¦.

Inked by Heck, ‘The Creature from Kosmos’ introduces The Wasp – Pym’s bon vivant crime-fighting partner Janet Van Dyne – in a double-length tale featuring a murderous alien marauder who kills her father. There was even an expanded secret origin for Ant-Man: a rare and uncharacteristic display of depth revealing that Pym was actually a tragic widower. When his Hungarian wife Maria was murdered by Communist agents, it irrevocably changed the young scientist from a sedentary scholar into a driven man of actionâ€¦.

Ant-Man uses his discoveries to endow bereaved and vengeful Janet with the power to shrink and grow wings and she becomes his crime-fighting partner. In double-quick time they overcome ‘The Terrible Traps of Egghead’ (Lee, Huntley & Heck) before travelling to Greece to thwart another alien invasion ‘When Cyclops Walks the Earth!’

Back in the USA, the Diminutive Duo battle magic trumpeter Trago in ‘Music to Scream By’ and defeat an avaricious weapons designer who builds himself a unique battle suit to become super-thief ‘The Porcupine!’: all serving as placeholding before the next big change which manifests with Tales to Astonish #49’s ‘The Birth of Giant-Man!’.

Lee scripted and Heck inked Kirby who had returned to pencil the epic story of how Pym learns to enlarge as well as reduce his stature, just in time to tackle the threat of trans-dimensional kidnapper The Eraser. In the next issue Steve Ditko inked The King in ‘The Human Top’, the first episode of a 2-part tale showing how our hero struggles to adapt to his new strength and abilities.

The blistering conclusion ‘Showdown with the Human Top!’ was inked by Ayers who would go on to draw the bulk of the succeeding stories until the series’ demise. Moreover, with this issue (#51) back-up feature The Wonderful Wasp Tells a Tale began. It initially mixed sci-fi mystery vignettes narrated by the heroine, fact-features and solo adventures, before evolving into Marvel’s first female starring solo feature. Here however Janet is simply a whimsical narrator detailing chilling space thriller ‘Somewhere Waits a Wobbow!’ (actually related by Lee, Lieber & George Roussos in his Marvel identity of George Bell).

The super-hero adventures settled into a rather predictable pattern from then on: individually effective enough but rather samey and uninspired when read in quick succession. You’ll need the next volume for most of those but here at least the comics craziness concludes with a straightforward super-villain clash as TTA #52 ‘The Black Knight Strikes!’ (Lee & Ayers) is supplemented by the Wasp’s crime & punishment homily ‘Not What They Seem!’â€¦

Despite variable quality and treatment, the eclectic, eccentric and always fun exploits of Marvel’s original â€œlittle guyâ€ and premier â€œodd coupleâ€ remain an intriguing and engaging reminder that the House of Ideas didn’t always get it right, but generally gave their all to entertaining fans.

By turns superb, stupid, enthralling and merely engaging, this tome is augmented by house ads and a gallery of original art pages by Kirby & Brodsky and Don Heck, epitomising the best and worst of Early Marvel (with the delightful far outweighing the duff). It certainly won’t appeal to everybody, but if you’re a Fights ‘n’ Tights fan with a forgiving nature or a movie-goer looking for extra input, the good stuff here will charm and amaze you whilst the rest could just be considered as a garish garnish to provide added flavourâ€¦
Â© 2020 MARVEL.

November 14, 2020November 12, 2020

Conan the Barbarian Epic Collection volume 1: The Coming of Conan 1970-1972

By Roy Thomas & Barry Windsor-Smith, with John Jakes, Gil Kane & various (Marvel)
ISBN: 978-1-3029-2555-0 (TPB)

Win’s Christmas Gift Recommendation: Because We Believe in Blockbustersâ€¦ 9/10

During the 1970’s the American comic book industry opened up after more than 15 years of cautious and calcified publishing practises that had come about as a reaction to the censorious oversight of the self- inflicted Comics Code Authority. This body was created to keep the publishers’ product wholesome after the industry suffered their very own McCarthy-style Witch-hunt during the 1950s.

One of the first genres revisited was Horror/Mystery comics and from that sprang pulp masterpiece Conan the Cimmerian, via a little tale in anthology Chamber of Darkness #4, whose hero bore no little thematic resemblance to the Barbarian. It was written by Roy Thomas and drawn by Barry (now Windsor-) Smith, a recent Marvel find, and one who was gradually breaking out of the company’s all-encompassing Jack Kirby house-style.

Despite some early teething problems – including being cancelled and reinstated in the same month – the comic book adventures of Robert E. Howard’s brawny warrior soon became as big a success as the revived prose paperbacks which had heralded a world flowering in tales of fantasy and the supernatural.

After decades away, the brawny brute recently returned to the Aegis of Marvel. Subtitled â€œthe Original Marvel Yearsâ€ (due to the character’s sojourn with other publishers and intellectual properties rights holders), this bombastic tome of groundbreaking action fantasy yarns re-presents the contents of Conan the Barbarian #1-13 plus that trailblazing short story, cumulatively spanning April 1970 to January 1972.

Digitally remastered and available as a trade paperback or digital formats, these absorbing arcane adventures sparked a revolution in comics and a franchising empire in my youth, and are certainly good enough to do so once again.

The drama begins most fittingly with a classic map of ‘The Hyborean Age of Conan’ plus an accompanying quote I’m sure every devoted acolyte already knows by heartâ€¦

Set in modern America, ‘The Sword and the Sorcerers’ primes the pump with the tale of a successful writer who foolishly decides to kill off his most beloved character Starr the Slayer: a barbarian so beloved that he has taken on a life of his own and is determined to do whatever is necessary to keep itâ€¦

After that we are catapulted back in time approximately 12,000 years into a forgotten age of wonders as writer Thomas broadly follows Howard’s life path for young Conan, beginning with the still teenaged hero’s meeting with a clairvoyant wizard who predicts his regal destiny (‘The Coming of Conan’ inked by Dan Adkins), through brief but brutal enslavement in ‘The Lair of the Beastmen’ (inked by Sal Buscema), before experiencing a minor Ragnarok in ‘The Twilight of the Grim Grey God!’

An aura of lyrical cynicism grows to balance the wealth of mystical menaces and brooding horror as the wandering youth becomes a professional thief and judge of human foibles in ‘The Tower of the Elephant’. Conan’s softer side is revealed in issue #5 after meeting the bewitching ‘Zukala’s Daughter’ (inked by Frank Giacoia) and liberating a wizard-plagued town. Buscema returned for ‘Devil Wings over Shadizar’, wherein the warrior tackles a welter of antediluvian terrors and both Adkins & Sal B applied their pens and brushes to expose ‘The Lurker Within’ – based on Howard’s magnificent The God in the Bowl – after which tomb-raider Conan crushes zombies and dinosaurs in ‘The Keepers of the Crypt’ (inked by Tom Palmer and Tom Sutton)

Thomas’s avowed plan was to closely follow Conan’s literarily-established career from all-but boyhood to his eventual crowning as King of Aquilonia, adding to and adapting the prose works of Howard and his posthumous collaborators on the way. This agenda led to some of the best, freshest comics of the decade. The results of Barry (not-yet-Windsor-) Smith’s search for his own graphic style led to unanimous acclaim and many awards for the creative duo.

By issue #9 the character had taken the comics world by storm and any threat of cancelation was long gone. ‘The Garden of Fear’ – adapted by Thomas & Smith, with inks by Sal B from Howard’s short story – features a spectacular battle with a primordial survivor in a lost valley before the wanderer returns to big city life, and learns too late to ‘Beware the Wrath of Anu!’

This god-slaying bout is mere prelude to another classic Howard adaptation, ‘Rogues in the House’: an early masterpiece of action and intrigue benefitting from a temporary doubling in page count.

‘Dweller in the Dark’ is an all-original yarn of monsters and maidens, notable because artist Smith inked his own pencils, and indications of his detailed fine-line illustrative style can be seen for the first time. An added bonus in that issue was a short back-up yarn by Thomas & Gil Kane with â€œDiverse Handsâ€ called in to ink ‘The Blood of the Dragon!’ which tells of a very different Hyborian hero getting what he deservesâ€¦

Fantasy author John Jakes plotted the final tale in this initial outing as ‘Web of the Spider-God’ offers a sardonic tale of the desert with the surly Cimmerian battling thirst, tyranny pompous priests and a big, big bug in a riotous romp finished off by Thomas, Smith & Buscema.

Adding value to the treasury is a vast bonus section which includes pencilled cover art (used and unused), Thomas’ original script breakdowns annotated by the artist, extracts from Marvelmania (the company’s in-house fanzine), unused illustrations, house ads and Marvel bulletin items, cover roughs, concepts and finished art by Marie Severin & Gil Kane, John Jakes’ plot synopsis and many pages of original art from the tales collected herein.

Also on show are cover galleries of the Marvel Books reprint paperback line and the Conan Classic comics series – all by Windsor-Smith – plus even before-&-after alterations demanded by the Comics Code Authority on the still contentious and controversial title.

These re-mastered epics are a superb way to enjoy some of American comics’ most influential and enjoyable blockbuster moments. They should have a place on your bookshelf.
Â© 2020 Conan Properties International, LLC (â€œCPIâ€).

November 8, 2020November 7, 2020

Showcase Presents Enemy Ace

By Robert Kanigher, Joe Kubert, Dennis O’Neil, John Severin, Howard Chaykin, Frank Thorne, Ed Davis, Russ Heath, Neal Adams & various (DC Comics)
ISBN: 978-1-4012-1721-1 (TPB)

Same old story here. Brilliant, groundbreaking, unmissable, not available in any modern format or digitally. We never learnâ€¦

Enemy Ace first appeared as a back-up in DC’s flagship war comic Our Army at War: home of the instantly legendary Sergeant Rock. The tales, loosely based on â€œRed Baronâ€ Manfred von Richthofen, were a magnificent and thought-provoking examination of and tribute to the profession of soldiering, whilst simultaneously condemning the madness of war. They were produced by the dream team of Robert Kanigher & Joe Kubert during a period when the ongoing Vietnam conflict was beginning to tear American society apart.

An immediate if seminal hit, the series told bitter tales of valour and honour from the point of view of German WWI fighter pilot Hans von Hammer: a hidebound but noble warrior fighting for his country in a conflict that was swiftly excising all trace of such outmoded concepts from the business of government sanctioned mass-killing.

Robert Kanigher (1915-2002) was one of the most distinctive authorial voices in American comics, blending rugged realism with fantastic fantasy in his signature war comics, as well as in horror stories, westerns and superhero titles such as Wonder Woman, Teen Titans, Hawkman, Metal Men, Batman plus other genres too numerous to cover here. A restlessly creative writer, he frequently used his uncanny but formulaic adventure arenas as a testing ground for future series concepts. Among the many epochal war features he created were Sgt. Rock, The War that Time Forgot, The Haunted Tank, The Losers and the controversial star of this stupendously compelling war-journal.

He sold his first stories and poetry in 1932, wrote for the theatre, film and radio, and joined the Fox Features shop where he created The Bouncer, Steel Sterling and The Web, whilst providing scripts for Blue Beetle and the original Captain Marvel.

In 1945 he settled at All-American Comics as both writer and editor, staying on when the company amalgamated with National Comics to become the forerunner of today’s DC. He wrote Flash and Hawkman, created Black Canary and many sexily memorable villainesses such as Harlequin and Rose and the Thorn. This last turbulent temptress he redesigned during the relevancy era of the early 1970s into a schizophrenic crime-busting vigilante who haunted the back of Superman’s Girlfriend Lois Lane, which Kanigher also scripted.

When the taste for mystery-men had faded at the end of the 1940s, Kanigher moved seamlessly into adventure yarns, westerns and war: becoming in 1952 writer/editor of the company’s combat titles.

As well as scripting for All-American War Stories, Star Spangled War Stories and Our Army at War, he created Our Fighting Forces in 1954 before adding G.I. Combat to his burgeoning portfolio when Quality Comics sold their line of titles to DC in 1956. This was whilst still working on Wonder Woman, Johnny Thunder, Rex the Wonder Dog, Silent Knight, Viking Prince and a host of others.

In 1956 he scripted ‘Mystery of the Human Thunderbolt’ – the first story of the Silver Age which introduced Barry Allenas the new Flash to the hero-hungry kids of the world. Drawn by Carmine Infantino, the risky experiment included multi-talented veteran Joe Kubert as inker for the crucially important debut issueâ€¦

Kubert was born in 1926 in rural Southeast Poland (which became Ukraine and might be Outer Russia by the time you read this). At age two his parents took him to America and he grew up in Brooklyn.

His folks encouraged Joe to draw from an early age and the precocious kid began a glittering career at the start of the Golden Age, before he was even a teenager. Working and learning at the Chesler comics packaging â€œShopâ€, MLJ, Holyoke and assorted other outfits, he began his close association with National/DC in 1943, whilst still dividing his time and energies between Fiction House, Avon, Harvey and All-American Comics, where he particularly distinguished himself on The Flash and Hawkman.

In the early 1950s he and old school chum Norman Maurer were the creative force behind publishers St. Johns: creating evergreen caveman Tor and launching the 3D comics craze with Three Dimension Comics.

Joe never stopped freelancing, appearing in EC’s Two-Fisted Tales, Avon’s Strange Worlds, Lev Gleason Publications & Atlas Comics until in 1955 when, with the industry imploding, he took a permanent position at DC, only slightly diluted whilst he illustrated the contentious and controversial newspaper strip Tales of the Green Berets from 1965 to 1968.

An elder statesman of the industry, he was creating new works and passing on knowledge and experience through his world-famous Joe Kubert School until his death in August 2012.

This terrific monochrome tome re-presents the blockbusting exploits of Von Hammer from Our Army at War #151, 153, 155, Showcase #57-58, Star Spangled War Stories #138 -145, 147-150, 152, 158, 181-183, 200, Men of War #1-3, 8-10, 12-14, 19-20, The Unknown Soldier #251-253, 260-261, 265-267 plus an intriguing tribute from Detective Comics#404: a period spanning February 1965 to August 1982. The canon encompasses a period during which superheroes were supplanted by horror stories before bouncing right back again, whereas the genre of combat chronicles soldiered on regardless and largely unbothered by vagaries of reader fashion.

To be brutally frank, the stories are variations on the same theme and, despite being illustrated by many of the greatest artists of two generations, might feel a little samey. If so, just stop every now and then to cogitate a little. This isn’t a book to blaze through; it’s one to savour in sensible portionsâ€¦

It all kicked off in the back of Our Army at War #151 (cover-dated February 1965), introducing the ‘Enemy Ace’ in a short, sharp shocker set in 1918 wherein celebrated aerial warrior Rittmeister von Hammer was hospitalised after downing a succession of Allied aircraft. The reserved stoic hero was simultaneously admired by comrades and nurses whilst being shunned and feared by them: they all inevitably came to characterise Germany’s greatest hero as cold and a â€œhuman killing machineâ€â€¦

Von Hammer took recuperative solace in hunting the wilds of the Schwartzwald, where he met a solitary black wolf who seemed to understand and share his lonely life of death and honourâ€¦

When his wounds were fully healed the dark knight returned to prowl once more â€œthe Killer Skiesâ€â€¦

That 15-page yarn perfectly defined everything that could be said about the character, but the public could not get enough, so Von Hammer returned in #153 as ‘Flaming Bait!’ Dialled back to 1917 now (scripter Kanigher was never slavishly tied to tight or formal continuity), the cautionary tale featured the superstitious Rittmeister’s attempts to offset a wave of deaths which occurred each time a photographer took a pilot’s pictureâ€¦

Our Army at War #155 (June 1965) featured ‘Fokker Fury!’, wherein the fanatically fair and scrupulous air ace accidentally shoots down an unarmed British fighter. After some excoriating self-castigation, Von Hammer reclaims his honour in a valiant display of mad bravadoâ€¦

Mere months later, he starred in a brace of full-length thrillers for prestigious try-out vehicle Showcase. Issue #57 (July/August 1965) offered ‘Killer of the Skies!’: recapitulating all that had gone before whilst introducing a potential equal in the form of Canadian ace â€œThe Hunterâ€.

A new wrinkle had also been added to the mix as Von Hammer now perpetually agonised and bemoaned his inability to save the human conveyor belt of naive, foolish replacement pilots to his Jagdstaffel from killing themselves through enthusiasm, bravado and youthful stupidityâ€¦

The following issue (#58, September/October) explored ‘The Hunters – and the Hunted!’, detailing how, after a blazing succession of kills, Von Hammer takes a recreational trip to his beloved Black Forest and renews acquaintance with his lupine companion. Here he has a brief encounter with a beautiful lady whose passion for the celebrity hero dies as she soon as apprehends his cold, seemingly emotionless executioner’s natureâ€¦

With all forms of human warmth clearly denied him, the Hammer of Hell reluctantly returns to the aerial killing fieldsâ€¦

Things went quiet after that as Enemy Ace clearly didn’t sell highly enough to garner its own continuing feature. Time passed and anti-war sentiment increasingly gripped the nation. In 1968 bimonthly war-mag Star Spangled War Stories – a title with a reputation for and history of offbeat material (Mlle. Marie, War that Time Forgot) – revived Von Hammer for a spectacular run of mesmerising tales which conclusively proved, time after time, that every War is Hellâ€¦

It began in #138 (April/May) with visually intoxicating epic ‘The Slayers and the Slain!’, debuting a French counterpart to the Teutonic Terror in the forbidding form of the masked and hooded, eerily anonymous Hangman.

This sombre sky-warrior flew a sinister coal-black Spad, throwing German pilots into a paralysing psychological funk, yet a conclusive duel with Von Hammer is postponed until the German recovers from yet another bout of wounds won in the Killer Skiesâ€¦

With room to explore their timeless theme of a good man forced into wicked actions, SSWS #139 flashed back to the boyhood of the Air Ace in ‘Death Whispersâ€¦ Death Screams!’ Here the austere life of a noble warrior is exposed; the manly pursuits of a Junker in training drummed into young Hans by his severe but loving father.

That grizzled old warrior, from a proud family of patriotic heroes, inculcates in the last of his line an overarching dedication to duty and honour above all other considerations: beliefs which carry him in his present endeavours though the shock of being humiliatingly shot down by the Hangman.

When they met again in the skies it is the Frenchman who crashes to earth, but he too survives to fly another dayâ€¦

Also included here is a superb Kubert pictorial fact feature Battle Album: Fokker DR-1 and Spad S.13 to add to the already technically overwhelming ambianceâ€¦

In #140, the next clash of equals hideously reveals ‘The Face of the Hangman’, resulting in both men being marooned on the French side of the lines and becoming respectful intimates as Hammer heals in his rival’s chateau before the call of country and duty resulted in one final, fateful airborne showdownâ€¦

Inked by Frank Giacoia & Joe Giella, Star Spangled War Stories #141 takes a hard look at the men who fly beside Von Hammer. ‘The Bull’ is an ambitious new flier in the Jagdstaffel who endangers and even kills his own comrades in a pitiless quest for fame and glory. Before long, the Rittmeister has to take decisive and fatalistic actionâ€¦

‘Vengeance is a Harpy!’ sees the impossible return of the Hangman, sowing death and terror amongst the German pilots, and forcing Von Hammer into a battle he does not want with a person he has come to admire, if not loveâ€¦

In ‘The Devil’s General’ – after more time spent with the wolf in the woods – the brooding Rittmeister returns to duty, harrying ground troops and spectacularly eradicating opposition fliers. His composure is soon blighted by elderly General von Kleit, who forces his son Werner into the Squadron, expecting Von Hammer to keep the boy safe in the pitiless skies.

When the callow youth is shot down and captured, the Hammer of Hell moves Heaven and Earth to bring him back aliveâ€¦

For #144, Kubert inked hot new penciller Neal Adams on ‘Death Takes No Holiday!’ as another macabre death-dealing French Ace – dressed as a skeleton – terrorises and slaughters the Jagdstaffel’s pilots, forcing the Enemy Ace into insane action to inspire his men and cure a young flier of fear-induced madnessâ€¦

With Kubert back on solo art duties, SSWS #145 sees Von Hammer plagued by nightmares of his greatest opponent, as he attempts to school a trio of veteran pilots for the inevitable day when one would replace him. However, the actual ‘Return of the Hangman’ shatters those plans foreverâ€¦

Another baroque opponent surfaces in #147 as an obsessive English lunatic believing himself St. George dons a suit of armour to shoot down far too many of the Rittmeister’s pilots. It’s all part of a scheme to give the infallible Hammer of Hell ‘A Grave in the Sky!’ However, this particular vendetta concludes on the ground with ancient swords drawnâ€¦

Kanigher was never above using wrenching melodrama and sheer sentimentality to his advantage. The moving saga in #148 describes how a little puppy becomes a mascot for solitary, isolated Von Hammer, but the cute little tyke’s inescapable horrific ending is just another hammer-blow of heartbreak in ‘Luck is a Puppy named Schatzi!’

Despite immense critical acclaim, the series dwindled in popularity. Star Spangled War Stories 149 (February/March 1970) saw the Viking Prince join the eclectic comic’s line up with Enemy Ace reduced to 15 pages. ‘Reach for the Heavens’ – inked by Sid Greene – finds Von Hammer again meeting hated flying school rival Heinrich MÃ¼ller: a complex sadistic killer who redeems himself after committing war crimes in a tale tinged with supernatural overtonesâ€¦

The run truly ended with #150 and ‘3 Graves to Home!’, as the Enemy Ace is shot down over rural France and must fight his way back to his own lines. He encounters a succession of civilians all putting a human face on the war he usually fought so far above them, but his time in the sun was almost overâ€¦

With Star Spangled War Stories #151(June/July 1970), a new feature took over the lead spot, running until the magazine changed its name with the 204^th (February 1977) issue to reflect the newcomer’s popularity. As The Unknown Soldier, it continued for a further 64 episodes until it too died with #268 (October 1982).

Star Spangled War Stories #152, however, offered one more uncompromising mission from which only the Hammer of Hell returned. ‘Rain Aboveâ€¦ Mud Below!’, illustrated by Russ Heath, was supplemented by another informative Kubert Battle Album starring the Lafayette Escadrilleâ€¦

Although gone, the iconic German warrior was far from forgotten. SSWS #158 featured a stunning Kubert ‘Special Pin-up: Enemy Ace – the Hammer of Hell’ whilst issue #181-183 held a compelling 3-part back-up serial by Kanigher & Frank Thorne which pitted the noble intellectual against maverick American Ace Steve Savage – â€œThe Balloon Busterâ€ in ‘Hell’s Angels Part One: The Hammer of Hell!’, ‘Hell’s Angels Part Two: The Maverick Ace!’ and the savage but inconclusive finale ‘Hell’s Angels Part Three: To End in Flames!’(June/July to November/December 1974)â€¦

Von Hammer resurfaced in the anniversary Star Spangled War Stories #200 (June/July 1976). ‘Shooting Star’ was written and drawn by Kubert, as a German innovation in rocket-propelled aircraft catastrophically proves to be an invention whose time had not yet comeâ€¦

A new anthology comic book debuted in August 1977. Men of War starred Gravedigger, a black American GI in WWII, but had alternating back-ups. Enemy Ace copped the first slot in issues #1-3 (by Kanigher, Ed Davis & Juan Ortiz) as ‘Death is a Wild Beast!’ saw Von Hammer down a devil-themed British pilot who accomplished a miraculous ‘Return from Hell!’ before exhibiting ‘The Three Faces of Death’ in the final instalment. As ever, the real meat of the macabre missions was the toll on the minds and bodies of the merely mortal fliers that died whilst Von Hammer lived onâ€¦

Another triptych featured in #8-10. ‘Silent Skyâ€¦ Screaming Death!!’ – illustrated by Larry Hama & Bob Smith – began a trenchant tale of a family at war before Howard Chaykin took over the illustration with a duel in the sky resulting in an attack by vengeful siblings and the return of Von Hammer’s father in ‘Brother Killers!’, before ending in a fateful ‘Duel at Dawn!’

Men of War #12-14 offered more of the same as ‘Banner of Blood!’ saw the troubled Rittmeister strive to retrieve the Von Hammer family flag from a cunning French air ace who was an ancestral foe of ‘The Last Baron!’ The centuries-long vendetta with the Comtes de Burgundy finally ended in one last honourable ‘Duel!’

Issues #19-20 (August and September 1979) finished another run with one more tale of idiotic honour and wasted young lives as Von Hammer made ‘A Promise to the Dying’ and sought to return a contentious souvenir to its rightful owner in ‘Death Must Wait!’

In the May 1981 Unknown Soldier – #251 – Enemy Ace began an occasional series of adventures illustrated by the phenomenal John Severin.

First was ‘Hell in the Heavens Part One: I, the Executioner’ wherein Von Hammer’s whirlwind romance with Fraulein Ingrid Thiesse hit a bump after he told of the British boy pilot who died in his arms. Having sworn to find his valiant foe’s sister and return an heirloom, Hans soon found himself under attack in #252’s ‘Hell in the Heavens Part Two: The Midnight Spy’, before shocking answers were manifest in the concluding ‘Hell in the Heavens Part Three: Midnight and Murder’â€¦

A far more imaginative yarn unfolded in #260 (February 1982) with ‘I Am My Own Executioner Part One: Stolen Face – Stolen Ace!’ when the German High Command brings in a doppelganger to replace national hero Von Hammer as he recovers from wounds. Sadly, the impostor was not only a sadistic butcher but crazy as a loon and the real deal had to defy his doctors and military superiors before shooting the maniac out of the skies – for the sake of the country and his own besmirched good name – in #261’s ‘I Am My Own Executioner Part Two: Death of a Double!’â€¦

The last flight of the war-weary warrior came in Unknown Soldier #265-267 (July through September 1982) as the British Government puts a huge price on Von Hammer’s head in ‘A Very Private Hell Part One: The Bounty Hunters!’

The resultant furore leads to a return engagement for Yankee white trash Steve Savage in ‘A Very Private Hell Part Two: The Substitute Ace’ and the death of a brave but foolhardy fake ace before the drama ends – again inconclusively – in ‘A Very Private Hell Part Three: Debt of Blood’â€¦

Although the grim conflicts of the chivalrous cavalry of the clouds conclude here, this epic tome holds one last treat in reserve: an outrÃ© but definitively classy tribute to the Hammer of Hell which originally appeared Detective Comics #404 (October 1970). Crafted by Denny O’Neil, Neal Adams & Dick Giordano, ‘Ghost of the Killer Skies!’ sees Batman attempting to solve a series of impossible murders on the set of a film about the German WWI fighter ace.

All evidence seems to prove that the killer can only be a vengeful phantom, but in the killer skies over Central Spain the Dark Detective uncovers almost incontrovertible evidence of a malign human intelligence behind the deaths.

â€¦Almost incontrovertibleâ€¦

These often bizarre, always moving and utterly unforgettable stories celebrate a true high point in the annals of combat comics: crafted by masters of the art form who never failed to ram home the point that war is not a profession for anybody who enjoys it, and that only the lucky, the mad and the already-doomed have any chance of getting out at allâ€¦
Â© 1965, 1968, 1969, 1970, 1971, 1974, 1976, 1977, 1978, 1979, 1981, 1982, 2008 DC Comics All Rights Reserved.

November 4, 2020November 3, 2020

Marvel Team-Up Marvel Masterworks volume 5

By Bill Mantlo, Gerry Conway, Roger Stern, Sal Buscema, Ron Wilson, George Tuska & various (Marvel)
ISBN: 978-1-3029-2218-4 (HB)

Win’s Christmas Gift Recommendation: Simply Superb Merry Marvel Madness â€¦ 8/10

In the 1970s, Marvel grew to dominate the comic book market despite losing their two most innovative and inspirational creators. They did so less by experimentation and more by expanding proven concepts and properties. The only real exception to this was the mass creation of horror titles in response to the industry down-turn in super-hero sales – a move expedited by a rapid revision in the wordings of the increasingly ineffectual Comics Code Authority rules.

The concept of team-up books was not new when Marvel awarded their most popular hero the lion’s share of this new title, but they wisely left their options open by allocating an occasional substitute lead in the Human Torch. In those long-lost days, editors were acutely conscious of potential over-exposure – and since super-heroes were actually in a decline at that time, they may well have been right.

Nevertheless, after abortive companion title Spectacular Spider-Man (created for the magazine market in 1968) died after two issues, Marvel Team-Up was the second full Spider-Man title. Debuting in March 1972, it was a resounding hit.

This fifth fabulous compilation (in hardback and digital formats) gathers material from MTU #41-52, plus a crossover from Marvel Two-in-One #17, and a rare seasonal sage from tabloid rarity Marvel Treasury Edition #13, cumulatively spanning January-December 1976. The book opens with an informative assessment and appreciation from historian and archivist Bruce Canwell in his Introduction before we plunge into the many-starred dramasâ€¦

A major attraction of those early comics combos was an earnest desire to get things â€œdone in oneâ€, with tales that concentrated on plot and resolution with the guest du jour. Here, however, neophyte scripter Bill Mantlo begins an era of closer continuity with an extended time travel epic that took taking the wallcrawler to the farthest, weirdest corners of Marvel’s ever-expanding universeâ€¦

With artists Sal Buscema & Mike Esposito in control of the horizontal and vertical, a truly impressive and ambitious multi-part epic opens with the Amazing Arachnid visiting the past and a number of alternate tomorrows beginning with ‘A Witch in Time!’

Here mutant Avenger Scarlet Witch is abducted from her rightful time and place by infamous witch-hunter Cotton Matherwho uses Doctor Doom‘s time machine to drag her back to Salem, Massachusetts in 1692. Her plight is observed by Spider-Man who naturally follows, but after failing to save her, the webspinner is himself accused of infernal sorcery in that rabid Massachusetts townshipâ€¦

Whilst Mather fans hysterical flames of paranoia, the Avenger’s synthezoid husband time-travels to her side in #42’s ‘Visions of Hate!’, only to fall before the witchfinder’s mysterious power too. As the innocents of Salem prepare themselves for death, our heroes make their escape only to fall to Mather’s hitherto unseen benefactor The Dark Rider.

Just as the master manipulator reveals himself, however, the stakes change again when a severely affronted Victor Von Doom appears, angrily demanding to know who’s been playing with his toys in #43’s ‘A Past Gone Mad!’

The frantic battle against an immortal chronal predator seems predestined to fail until the time-tides are unexpectedly turned in MTU #44 with the last-minute arrival of mind-goddess Moondragon, but in the aftermath Spider-Man tragically discovers that history is well-nigh impossible to alter in ‘Death in the Year Before Yesterday!’

The arachnoid adventurer is the last to return to the 20^th century but his departure in issue #45 results in deadly diversions and understandable ‘Future-Shock!’ as he overshoots his home time and lands in devastated (and now defined as an alternate future) New York City circa 2019 where Warrior of the Worlds Killraven helps him survive numerous attacks by mutants and Martians in terrifying tripods before sending the spider back on his way home..

Unfortunately, before he gets there the wallcrawler experiences another shocking stopover in ‘Am I Now or Have I Ever Been?’, with cyborg warrior Deathlok saving him from a mutant hive-mind in a Manhattan shattered by war a mere fifteen years after his own lost and longed-for eraâ€¦

A scared, sad and sobered Spider-Man finally makes it home in Marvel Two-In-One #17 just in time for a crossover with Ben Grimm AKA the Thing. The blockbuster opens with ‘This Cityâ€¦ Afire!’ by Mantlo, Sal B & Esposito where, after battling beside Ka-Zar in the dinosaur paradise of the Savage Land, big Ben is ignominiously returned to the Big Apple by mutated madman Basilisk. This manic malcontent has manifested an erupting volcano in the Hudson River and it needs to goâ€¦

Already reeling, Spidey swings into action for the cataclysmic conclusion in Marvel Team-Up #47 where Mantlo, Ron Wilson & Dan Adkins render the spectacular clash of heroes who boldly proclaim ‘I Have to Fight the Basilisk!’

Proving there’s no rest for the wicked or the righteous, MTU #48 begins another suspenseful extended saga when ‘Enter: the Wraith!’ (Mantlo, Sal B & Esposito) introduces Police Captain Jean DeWolff whilst Spidey and Iron Man struggle to stop a mad bomber using model planes to destroy city landmarks and Stark International properties. As the heroes fruitlessly pursue leads, the enigmatic Wraith turns his attention upon them, proving to be not only connected to Jean but some kind of psionic metahumanâ€¦

With Iron Man again the guest-star, issue #49 reveals that ‘Madness is All in the Mind!’ as the masked maniac resumes his irresistible psychic assaults: explosively attacking Manhattan even as the tragic story of Jean’s Police Commissioner dad and murdered cop brother comes outâ€¦

However, the connection between them and the unstoppable villain is only exposed after the webslinger and Golden Avenger recruit Master of Mystic Arts Doctor Strange who applies his unique gifts to the problem in #50’s ‘The Mystery of the Wraith!’

The saga concludes with Marvel Team-Up #51 and ‘The Trial of the Wraith!’: a legal confrontation steered by a most unusual panel of judges whose hidden abilities are not enough to prevent one last crack of the whip by the unrepentant renegadeâ€¦

The thrills, spills and chills are followed with blatant fill-in ‘Danger: Demon on a Rampage!’: a rather rushed but action-heavy pairing of Spidey and Captain America from Gerry Conway, SB & Esposito which sees the heroes unite to take down Gallic mercenary Batroc and an enraged monster that has somehow slipped out of an adjacent dimensionâ€¦

The bulging bonus section begins with a house ad for the Mighty Marvel Bicentennial Calendar of 1976 which follows in its entirety, featuring the artistic excellence of John Romita Sr, Frank Robbins & Frank Giacoia, Herb Trimpe, Bob Brown, Gil Kane, John Buscema, Ross Andru, Joe Sinnott, Sal Buscema, Frank Brunner, Jim Starlin & Alan Weiss, and Jim Mooney.

After original art and covers from the text of this collection, Gil Kane’s sketches and finished art for the covers and frontispieces of Marvel Treasury Edition #9 (Giant Superhero Team-Up) and Marvel Treasury Edition #13 (Giant Superhero Holiday Grab-Bag) precede a delightful lost gem from the latter: an all-new clash between the Fantastic Four and Avengers by Roger Stern, George Tuska & Don Perlin. Thankfully, as the battle – with snowballs in Central Park – escalates, Daredevil, the Defenders and Champions are on hand to maintain the proper seasonal spiritâ€¦

These stories all have an honest drive to entertain and most fans of the genre would find little to complain about. Although not really a book for casual or more maturely-oriented enthusiasts, there’s plenty of fun on hand here and younger readers will have a blast, so there’s no reason not to add this tome to your comics libraryâ€¦
Â© MARVEL 2020 Marvel.

November 2, 2020November 1, 2020

Wallace & Gromit in A Grand Day Out

By Nick Park, illustrated by David Lopez (Egmont)
ISBN: 978-1-40524-532-6 (HB) 978-0-56338-008-5 (PB)

No matter how old you get, there are always new experiences to enjoy and endure. Here I am, in my personal end of days, gearing up for my first ever digital Yule season. With that in mind, I’ll be thinking of appropriate reading matter that we should all start sorting out now...

Hard though it is to believe, Wallace and Gromit have been delighting us for over thirty years and this delightful commemorative edition celebrated the fact in fine style by coming full circle. According to Nick Park’s informative Foreword the ingenious, quintessentially English cheese-loving duo were originally conceived as an art school graphic novel, before the Plasticene lure of movement and sound diverted the concept to the world of animation.

David Lopez sensitively adapts with a soft, water-coloured grace the classic tale of an ingenious man and his dog on an epic hunt for cheese that leads them to the moon and a unique confrontation with the dreamy robot that guards its edible treasures.

Lovingly rendered, perfectly timed, the skilful blend of low comedy and whimsy is just as memorable in two dimensions as four, and this book is going to make a lot of kids – of all ages â€“ wonderfully happy.

Is it ever too soon to start recommending what to buy for Christmas? If not then consider this a â€œmust haveâ€â€¦
Â© and â„¢ Aardman Animations Ltd. 2009

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: