History of the DC Universe

History of the DC Universe

By Marv Wolfman, George Perez, Karl Kesel & various (DC Comics/Graphitti Designs)
ISBN: 0-930289-26-9

It’s not often that I review a specific package. After all, as long as they’re not bowdlerised or mucked about with, comics are all about the story and art, and graphic novels and collections even more so. This is one of the rare exceptions however.

History of the DC Universe is a fan’s book. The material it contains was originally a two-part prestige format miniseries designed to compliment the landmark Crisis on Infinite Earths crossover. In it the Monitor’s assistant Harbinger sets down the new chronicle of events after the history and reality-altering events of the Crisis have finally settled. It was a way of telling the fans just what was and wasn’t canonical; “real and true” if you like, in the DC Universe.

It was ambitious, concise, informative, very pretty and creators being what they are, pretty much redundant almost before the ink had dried. As a tool it was useless, but as a tale it still looks and reads very well. So why review it?

This Graphitti Designs hardcover has a few extras that dedicated fans would love and browsers might find of interest too. In what we’d now call the “added value section” are a number of essays and testimonials from Wolfman, Neal Adams, Julius Schwartz, Jerry Siegel, Bob Kane, Joe Kubert, Roy Thomas, Paul Levitz, Len Wein, Jack Kirby, Ramona Fradon, George Perez and Frank Miller.

Each has illustrations of the creators’ signature characters with lavish illustrations from Neal Adams, Joe Shuster, Dick Sprang, Joe and Adam Kubert, Kurt Schaffenberger, Steve Lightle, Steve Bissette & John Totleben, Jack Kirby & Steve Rude, Fradon, Perez and Miller, whilst the Julius Schwartz piece is studded with a dozen pictures by DC’s finest artists.

The real prize though is a four page gate-fold fold-out poster crafted by 56 separate artists and featuring 53 of the company’s greatest characters from the first five decades, nestled behind new illustrations of Sugar and Spike by Sheldon Mayer and Cryll by Art Adams. And if that’s not tantalising enough the Watchmen aficionados and completists should be aware that the poster contains the only DCU appearance of Rorschach by Dave Gibbons! Cor! Blimey!

Seriously though, as so much of comics’ magic is physical and visceral, the feel-good factor from this little gem is difficult to quantify, but impossible to deny. If you get the chance you really should experience it yourself.

© 1988 DC Comics. All Rights Reserved.

4 Replies to “History of the DC Universe”

  1. It also, as I recall, came complete with a nice badge or lapel pin. And a beautiful portfolio was released at the same time that included fabulous plates by the likes of Joe Kubert, Bill Sienkiewicz and John Byrne.

  2. You’re quite right.

    Oh those “value added glory days”!

    I often wonder if I should expand my brief to include portfolios. but I’ve no idea how hard they’d be to track down these days, and just telling people about them feels a bit like bragging…

    I suppose we’d be breaching all sorts of intellectual property rights if we simply reproduced them in full on-line…

    Any lawyers out there with any ideas?

  3. It can be a dangerous and expensive thing to read this blog… 😛 😉

    I actually bought this one in Softcover at my last visit to my comics pusher, I had no idea it existed in Hardcover from Graphitti (apparently with extra material compared with the SC).

    I therefore started searching it on eBay and quickly found a couple of sellers that had it. One seller had it in (in his words) mint condition, still with the pin. He sold it for $35 but had written shipping to US only.
    I mailed him and asked if he would consider sending to Sweden and, if so, how much shipping would be. He went and checked with his post-office and came back with the shipping price of $15… I bought it without thinking further about it 😀

    A total of $50 for a (hopefully) mint condition of this book including pin, I have no problem with that!!

  4. Publishers — DC/Graphitti especially — used to make a real effort to produce some sumptuous tomes back in the late-80s. Hardcovers, slipcases, pins, posters, tipped-in plates… etc. It was a fab time to be a collector – and I’d just started work too, so I had the cash to afford ’em for the first time!

Comments are closed.