By Gerry Conway, Archie Goodwin, Len Wein, Mike W. Barr, Marv Wolfman, Dennis O’Neil, Roger McKenzie, Frank Miller, Bill Mantlo, Stephen Grant, Jo Duffy, Ross Andru, Tony DeZuniga, Frank Springer, Keith Pollard, Al Milgrom, Greg LaRocque, Mike Zeck, Mike Vosburg& various (Marvel)
ISBN: 978-0-8571-2375-0
Although one of the industry’s biggest hits from the late 1980s onwards, the compulsive vengeance-taker known as The Punisher was always an unlikely and uncomfortable star for comicbooks.
His methods are always excessively violent and usually permanent. It’s intriguing to note that unlike most heroes who debuted as villains (Black Widow or Wolverine come to mind) the Punisher actually became more immoral, anti-social and murderous, not less: the buying public simply shifted its communal perspective; The Punisher never toned down or cleaned up his act…
He was created by Gerry Conway, John Romita Sr. and Ross Andru; a necessarily toned down, muted response to such increasingly popular prose anti-heroes as Don Pendleton’s Mack Bolan: the Executioner and a bloody tide of fictive returning Viet Nam vets who all turned their training and talents to wiping out organised crime in the early 1970s.
The story goes that Marvel’s bosses were reluctant to give The Punisher a starring vehicle in their standard colour comic-book line, feeling the character’s very nature made him a bad guy and not a good one. Other than the two magazine stories and the miniseries which closes the volume, Frank Castle was not supposed to be the star or even particularly admirable to the impressionable readership.
Therefore these early appearances might disappoint die-hard fans even though they are the formative tales of his success. Perhaps it’s best to remember and accept that when not actually the villain in the tales he was at best a worrisome guest…
Boy, how times do change…
He was first seen as a villain and patsy in Amazing Spider-Man #129, repeatedly returning thereafter before getting his shot at the big time – and then not in newsstand publications but in the company’s black and white, mature magazine line…
This initial Essential compilation gathers all those tentative stabs and guest-shots from February 1974 through to the breakthrough 1986 miniseries which really got the ball rolling: specifically Amazing Spider-Man #129, 134-135, 162-163, 174-175, 201-202; Amazing Spider-Man Annual #15; Giant-Size Spider-Man #4; Marvel Preview #2; Marvel Super-Action #1; Captain America #241; Daredevil #182-184; Peter Parker, the Spectacular Spider-Man #81-83 and The Punisher #1-5, and many die-hard fans might be a little disappointed in the relative lack of brutality, carnage and even face time contained herein.
Just keep in mind that for the greater part of these early appearances the Skull-shirted slayer was at best a visiting partner and usually the villain du jour…
The first case in this mammoth monochrome war journal comes from Amazing Spider-Man #129, introducing not only the renegade gunslinger but also nefarious manic mastermind The Jackal in ‘The Punisher Strikes Twice!’ by Conway, Andru, Frank Giacoia & Dave Hunt wherein the Man with the Guns was duped by manipulative Professor Miles Warren into hunting Spider-Man. The unhappy Wallcrawler was currently a suspect in the death of Norman Osborn and subsequently set up by the Jackal for the murder of the Punisher’s gunmaker…
The much-misunderstood champions of the oppressed crossed paths again in Amazing Spider-Man #134-135 when a South American bandit intended to be his oppressive regime’s Captain America attempted to pillage a Manhattan tour boat in ‘Danger is a Man Named… Tarantula!’ Once again unwilling allies, the duo dutifully dismantled the villains schemes after a ‘Shoot-Out in Central Park!’
The Punisher played a more pivotal role in Giant-Size Spider-Man #4 (April 1975) when the Webslinger forced himself into one of the Lone Gunman’s cases in ‘To Sow the Seeds of Death’s Day!’ Ruthless arms dealer Moses Magnum had perfected a lethal chemical weapon and begun testing it on randomly kidnapped victims. Tracking down the vile monster in ‘Attack of the War Machine!’, the pair found themselves infiltrating his ‘Death-Camp at the Edge of the World!’ before summary justice was dispensed as much by fate as the heroes…
John Romita senior’s original concept pencil sketch of The Punisher from 1973 is followed by the vigilante’s first solo role – in black-&-white magazine Marvel Preview #2 (August 1975) – where Conway & Tony DeZuniga pronounced a ‘Death Sentence’ on some of Castle’s old army buddies who had been tricked into becoming assassins by a millionaire madman who wanted to take over America. The gritty yarn also at last revealed the tragic reasons for the Punisher’s unending mission of vengeance.
Highly decorated Marine Castle saw his wife and children gunned down in Central Park after the carefree picnickers stumbled into a mob hit. When the killers turned the guns on the witnesses, only Castle survived. Recovering in hospital the bereft warrior dedicated his life to eradicating criminals everywhere…
Following a stunning Punisher and Dominic Fortune pin-up by Howard Chaykin, ‘Accounts Settled… Accounts Due!’ by Archie Goodwin, DeZuniga & Rico Rival from Marvel Super Action #1 (January 1976) follows the matured-themed plot to a close as Castle at last tracks down the gunsels who carried out the shooting and the Dons who ordered it, only to find that his bloody vengeance hasn’t eased his heart or dulled his thirst for personal justice…
Castle was reduced to a bit-player in Amazing Spider-Man #162-163 (October and November 1976, by Len Wein Andru & Esposito, as the newly reconstituted X-Men were sales-boosted by a guest-clash with the Wallcrawler in ‘…And the Nightcrawler Came Prowling, Prowling’, wherein the Arachnid jumps to wrong conclusion after a sniper shoots a reveller at Coney Island.
By the time Nightcrawler has explained himself – in the tried-and-true Marvel manner of fighting the webspinner to a standstill – old skull-shirt has turned up to take them both on before mutual foe Jigsaw is exposed as the real assassin in the concluding episode ‘Let the Punisher Fit the Crime!’
Amazing Spider-Man #174 from November 1977 declared ‘The Hitman’s Back in Town!’ (inks by DeZuniga & Jim Mooney) and saw Castle hunting a costumed assassin hired to remove J. Jonah Jameson but experiencing an unusual reticence since the killer was a old army pal who had saved his life in Vietnam. Nevertheless the tale ended with a fatality in the ‘Big Apple Battleground!’ in #175.
Captain America #241 (January 1980, by Mike W. Barr, Frank Springer & Pablo Marcos) was very much a fill in which benefited from the Frank Miller effect – he drew the cover – as ‘Fear Grows in Brooklyn’ as the Sentinel of Liberty got in the way of a mission and refused to allow the Punisher to go free.
He couldn’t however, stop him from escaping police custody and Amazing Spider-Man #201-202 –‘Man-Hunt!’ and ‘One For Those Long Gone!’ (February and March 1980, by Marv Wolfman, Keith Pollard & Mooney) – reveal how The Punisher almost uncovers Peter Parker‘s big secret whilst relentlessly stalking a mob boss responsible for the death of a kid who had saved Castle’s life…
Amazing Spider-Man Annual #15 (1981 by Dennis O’Neil, Frank Miller & Klaus Janson) is putatively the genesis of the antihero in his true form. ‘Spider-Man: Threat or Menace?’ sees maniac fugitive Frank Castle back in the Big Apple and embroiled in a deadly scheme by Doctor Octopus to poison five million New Yorkers.
It’s not long before both Peter Parker and his colourful alter-ego are caught in the middle of a terrifying battle of ruthless wills in a tense and clever suspense thriller, which perfectly recaptures the moody mastery of Steve Ditko’s heydays.
The Miller connection continued in three unforgettable issues of Daredevil (#182-184 from May-July 1982) which perfectly encapsulated everything that made the Punisher run such a momentous, unmissable, “must-read†character…
Beginning with only a pertinent untitled excerpt by Miller & Janson from ‘She’s Alive’ wherein a reeling Matt Murdock is trying to cope with the murder of his first love Elektra whilst elsewhere Castle is clandestinely removed from prison by a government spook to stop a shipment of drugs the authorities can’t touch. Once he’s killed the gangsters, however, The Punisher refuses to go back to jail…
The story proper begins in ‘Child’s Play’ – with Roger McKenzie lending a scripting hand – and deals with school kids using drugs. It was originally begun by McKenzie & Miller but shelved for a year, before being reworked into a stunningly powerful and unsettling tale once Miller & Janson assumed the full creative chores on the title.
When Matt visits a High School he is a helpless witness when a little girl goes berserk, attacking staff and pupils before throwing herself out of a third floor window.
She was high on “Angel Dust†and as the appalled hero vows to track down the dealers he first encounters her bereaved and distraught younger brother Billy, determined to exact his own vengeance and later the coldly calculating Castle who has the same idea and far more experience…
The hunt leads inexorably to a certain street pusher and DD, Billy and the Punisher all find their target at the same time. After a spectacular battle the thoroughly beaten Daredevil has only a bullet-ridden corpse and Billy with a smoking gun…
The kid is innocent – and so, this time at least, is Castle – and after Murdock proves it in court, the investigation resumes with the focus falling on the pusher’s boss Hogman. When DD’s super-hearing confirms the gangster’s claims of innocence his alter-ego Murdock then successfully defends the vile dealer, only to have the exonerated slime-ball gloatingly admit to having committed the murder after all…
Horrified, shocked, betrayed and determined to enforce justice, DD finds a connection to a highly-placed member of the school faculty deeply involved with Hogman in the concluding ‘Good Guys Wear Red’ but it’s far too late: Castle and Billy have both decided the end the matter Hogman’s way…
Scripted by Bill , Peter Parker, the Spectacular Spider-Man #81-83 (August to October 1983) opens with ‘Stalkers in the Shadows’, illustrated by Al Milgrom & Mooney, and sees an increasingly crazy Punisher going after misdemeanour malefactors with the same murderous zeal he previously reserved for killers and worse. Spider-Man meanwhile has his hands full with teen vigilantes Cloak and Dagger who have graduated from tackling street drug pushers to go after Wilson Fisk, Kingpin of crime.
‘Crime & Punishment!’ sees Castle applying lethal force indiscriminately all over town, culminating in his own crazed attack on Fisk… who beats him to a pulp.
The saga ends with ‘Delusions’ by Mantlo, Greg LaRoque & Mooney wherein the Punisher goes on trial and is found to have been dosed with psychosis-inducing drugs…
At last Marvel gave way to the inevitable and commissioned a Punisher miniseries, although writer Steven Grant and penciller Mike Zeck apparently had an uphill struggle convincing editors to let the grim, gun-crazed maniac loose in that shiny world where little kids might fixate on a dangerous role model – and their parents might get all over-protective, litigious and (skull) shirty…
In 1985 they finally got the green-light and the 5-issue miniseries – running from January to May – turned the industry on its head. There was indeed plenty of controversy to go around, especially as the tale featured a “hero†who had lots of illicit sex and killed his enemies in cold blood. Also causing problems for censorious eyes were the suicide of one of the major characters and the murder of innocent children. Doesn’t it make you proud to realise how far we’ve since come…?
The company mitigated the potential fall-out with the most lacklustre PR campaign in history, but not telling anybody about The Punisher didn’t stop the series from becoming a runaway, barnstorming success. The rest is history…
Two years later as the graphic novel market was finally getting established and with Frank Castle one of the biggest draws in comics (sorry, I’m such a child sometimes), that contentious series was released as a complete book and it remains one of the very best of all his many exploits.
Here, rendered even more stark and uncompromising in gritty moody monochrome, the action begins in ‘Circle of Blood’ as Castle is locked in Ryker’s Island prison where every inmate is queuing up to kill him. Within hours though he has turned the tables and terrified the General Population, but knows that both old foe Jigsaw and the last of the great mob “Godfathers†have special plans for him…
When a mass breakout frees all the cons, Castle brutally steps in. For this he is allowed to escape by the warden, who casually offers him membership in The Trust, an organisation of “Right-minded, law-abiding citizens†who approve of his crusade against crime. Castle also discovers he’s being stalked by Tony Massera, a good man who thought he had escaped the influences of his bad family…
Tony wants to kill Castle to avenge his father, one of Punisher’s many gory successes – but only after the streets have been swept clean of scum like his own family…
‘Back to the War’ finds the Punisher on the streets again, hunting scum, armed and supplied by the Trust but still not a part of their organisation.
After an abortive attempt to blow up The Kingpin, Castle is saved by the mysterious Angel, and begins a loveless liaison with her. With everybody mistakenly believing the master of New York’s underworld dead, a bloody gang-war erupts with greedy sub-bosses all trying to claim the top spot, but by the events of ‘Slaughterday’ Castle realises that too many innocents are getting caught in the crossfires.
He also discovers in ‘Final Solution’ that the Trust have their own national agenda as hit men and brainwashed criminals dressed in his costume surreptitiously hit the streets, executing mobsters and fanning the flames…
All the Trust’s plans for this “Punishment Squad†and the country are uncovered in the blockbusting conclusion ‘Final Solution Part 2’ as all the pieces fall into place and the surviving players reveal their true allegiances. In a classy final chapter mysteriously completed by the highly underrated Jo Duffy and Mike Vosburg, from Grant’s original plot, The Punisher takes charge in his inimitable manner, leaving God and the cops to sort out the paperwork….
We can only speculate as to why the originators fell away at the last hurdle, but I’m pretty sure those same reluctant editors played some part in it all…
This economical Essential edition comes with a plethora of pin-ups and concludes with a comprehensive information dossier culled from the ever-informative Marvel Universe Handbook, and these superbly gritty, morally ambiguous if not actually ethically challenging dramas never cease to thrill and amaze, and have been reprinted a number of times.
Whichever version suits your inclinations and wallet, if you love action, cherish costumed comics adventure and crave the occasional dose of gratuitous personal justice this one should be at the top of your “Most Wanted†list.
© 1974, 1975, 1976, 1977, 1980, 1981, 1982, 1983, 1986, 2011 Marvel Characters, Inc. All rights reserved.