El Mestizo


By Alan Hebden & Carlos Ezquerra (Rebellion Studios)
ISBN: 978-1-78108-657-5

The world lost one of its most lost revered and distinguished comics artists this year in the form of multinational super-star Carlos Ezquerra. Thankfully, his work lives on and even previously ignored early works are at last making their way onto bookshelves, with new collections such as this recent release from Rebellion’s superb and ever-expanding Treasury of British Comics.

Carlos Sanchez Ezquerra was born in Aragon on November 12th 1947. Growing up in Ibdes, in the Province of Zaragoza, he began his career illustrating war stories and westerns for Spain’s large but poorly-paying indigenous comics industry. In 1973 he got a British agent (Barry Coker: a former sub-editor on Super Detective Library who formed Bardon Press Features with Spanish artist Jorge Macabich) and joined a growing army of European and South American illustrators providing content for British weeklies, Specials and Annuals.

Carlos initially worked on Girls’ Periodicals like Valentine and Mirabelle and more cowboys for Pocket Western Library as well as assorted adventure strips for DC Thomson’s The Wizard. The work proved so regular that the Ezquerras upped sticks and migrated to Croydon…

In 1974 Pat Mills and John Wagner tapped him to work on IPCs new Battle Picture Weekly, where he drew (Gerry Finley-Day’s) Rat Pack, and later Major Eazy, scripted by Alan Hebden. In 1977 he was asked to design a new character called Judge Dredd for a proposed science fiction anthology. Due to creative disputes, Carlos left the project and went back to Battle to draw a gritty western named El Mestizo

As we all know, Carlos did return to 2000AD, drawing Dredd, dozens of spin-offs such as Al’s Baby, Strontium Dog (1978), Fiends of the Eastern Front (1980), Harry Harrison’s Stainless Steel Rat adaptations and key Dredd storylines such as the epic Apocalypse War and Necropolis.

Soon after Ezquerra was “discovered” by America and I’ll carry on the eulogy there when I review Just a Pilgrim or Preacher or some other mature reader material that really let the artist shine…

Carlos had moved to Andorra where he died of lung cancer on October 1st this year. His last published Dredd work appeared in 2000AD #2023 (March 2017), forty years after his first piece there…

Here, however, it’s time to appreciate him in his bold, bad-ass prime, detailing the brief but vivid exploits of a black hero in the wrongest of places at the most inconvenient of times…

El Mestizo debuted amidst a plethora of British-based war features and didn’t last long – June 4th to 17th September 1977 – with original author Alan Hebden giving you his take on why in a concise Introduction before the action begins.

Heavily leaning on Sergio Leone “spaghetti westerns”, the first starkly monochrome episode (of 16) introduces a half-black, half Mexican bounty hunting gunfighter who offers his formidable services to both the Union and Confederate sides in the early days of the War between the States.

Proficient with blades, pistols, long guns and a deadly bola, El Mestizo plays both sides while hunting truly evil men, whether they be Southern raiders, out of control Northern marauders, treacherous Indian scouts, an army of deserters from all sides organised by a crazy, vengeful femme fatale or even a demented physician seeking to end the war by releasing plague in Washington DC.

Along the way, the mercenary even finds time to pay off a few old scores from his days as a starved and beaten plantation slave…

Sadly, the feature was always a fish out of water and was killed before it could truly develop, but the artwork is staggeringly powerful and delivers the kind of cathartic punch that never gets old.

This stunning hardback (and eBook) package is another nostalgia-punch from Battle collecting a truly seminal experience and, hopefully forging a new, untrodden path for fans of the grittily compelling in search of a typically quirky British comics experience.

This recovered gem is one of the most memorable and enjoyable exploits in British comics: acerbic, action-packed and potently rendered: another superb example of what British and European sensibilities do best. Try it and see…
© 1977 & 2018 Rebellion Publishing IP Ltd. Black Max and all related characters, their distinctive likenesses and related elements are ™ Rebellion Publishing Ltd. All Rights Reserved.