By Dean Motter, Michael Lark & Matt Hollingsworth (DC Comics)
ISBN: 978-1-56389-853-2 (HC) 978-1-84023-358-2 (Titan Books HC edition)
This March sees the 80th anniversary of the Bat-Man’s debut and gosh-by-golly I’m getting pretty stoked with all the anticipation. I trust there to be some fuss about the event. I’m also getting my Nerd on by indulging myself in a few fond looks back. Here’s another taste of the amazing influence the Dark Knight has exerted over the decades, and one more tome just begging for a new edition and some digital exposure…
The depictions and narrative signatures of the post-war genre “Film Noir” are powerful and evocative, celebrating a certain weary worldliness as much as stark lighting and visual moodiness ever did. That said, this murky world seems a natural milieu for Batman tales, but there are precious few that make the effort, and so very few of those successfully carry it off.
This superb alternative adventure published under DC’s Elseworlds imprint (wherein the company’s key characters are translated out-of-continuity for adventures that don’t really count) is a magnificent exception, combining hard-boiled detective yarning with the icons of gangster movies.
1946: Selina Kyle was a woman everybody wanted, and who exploited that fact fully. When The Batman finds her ravaged corpse in the sewers, there’s no shortage of suspects. Was she murdered by a high-society big-shot like Oliver Queen, Harvey Dent or Bruce Wayne, desperate to keep her quiet, or was one of her more sinister consorts-du-crime to blame?
Gangsters like jilted embezzler Eddie Nigma, mob-boss ‘Clayface’ Hagen, The Poker Joker, The Penguin or even the stone-cold hit-man Mr Freeze might have snuffed her in an instant if expedient, and seedy gumshoe Dick Grayson knows that he’ll be just as expendable if he digs too deep into the private affairs of the Highest and Lowest denizens of Gotham. But somehow, he just can’t let go…
Reconfiguring key figures of the venerable mythos as such recognisable archetypes – although perhaps obvious – is still a wonderfully effective way to revitalize them. The plot is as engrossing as any movie masterpiece and the human analogues of the bizarre and baroque Bat-cast are just as menacing even without outlandish powers and costumes. And through it all lurks a bizarre vigilante dressed as a bat, once again a mad element of relentless chaos that he can no longer be in his regular mainstream comic outings…
Although a pastiche derived from many sources, Nine Lives is a brilliant and engrossing read, seamlessly and stylishly blending mystery, crime-caper and sophisticated suspense thriller with moody visuals and a cynical tone that will show any hold-out naysayer that comics have as much to offer as any other creative medium.
Hunt this down and make it yours or pray that it’s due for a fresh release ASAP.
© 2002 DC Comics. All Rights Reserved.