Category: DC Superhero

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Legion of Super Hero Archives volume 7


By Jim Shooter, Curt Swan, George Klein, Pete Costanza, Jim Mooney & Sheldon Moldoff (DC Comics)
ISBN: 1-56389-398-3

Once upon a time, in the far future, a band of super-powered kids from a multitude of worlds took inspiration from the greatest hero of all time and formed a club of champions. One day those Children of Tomorrow came back in time and invited their inspiration to join them…

And thus began the vast and epic saga of the Legion of Super-Heroes in early 1958, just as the revived comicbook genre of superheroes was gathering an inexorable head of steam. Since that time the fortunes and popularity of the Legion have perpetually waxed and waned, with their future history constantly tweaked and rebooted, retconned and overwritten time and time again to comply with editorial diktat and popular whim.

This stunning and sturdy, action packed seventh full-colour deluxe hardback collection re-presents tales from the disparate Superman Family titles which saw the early zenith of the team in sagas from their own feature spanning Adventure Comics #359-367 from August 1967 to April 1968 cover-dates, with a Legion-starring tale from Superman’s Pal Jimmy Olsen #106 (October 1967) thrown in at no extra cost.

This period completed the Tomorrow Team’s transformation from wholesome, humorous and generally safe science fiction strip into a grittily determined army of galactic warriors dedicated to universal peace and, after an effusive and fulsome Foreword from sometime Legion scripter Tom Peyer, the action starts fast, picks up speed and just keeps going…

The architect of the transformation was teenaged sensation Jim Shooter, whose scripts and layouts (generally finished and inked by veterans Curt Swan & George Klein) made the series accessible to a generation of fans growing up in the Future…

Adventure #359 found the entire team of once-beloved and trusted champions disbanded and on the run as ‘The Outlawed Legionnaires!’ thanks to the manipulations of a devious old foe, only to rousingly regroup and comprehensively counter-attack in #360’s conclusion ‘The Legion Chain Gang!’

Once again restored to their position as a key component of United Planets Security in ‘The Unkillables!’, a small superhero squad consisting of Bouncing Boy, Duo Damsel, Ultra Boy, Phantom Girl, Karate Kid, Shrinking Violet, Superboy, Star Boy, Collossal Boy, Light Lass and Brainiac 5 were then assigned to protect alien ambassadors the Dominators from political agitators, assassins and a hidden traitor in a tense thriller illustrated by Jim Mooney, after which ‘The Lone Wolf Legion Reporter!’ (Superman’s Pal Jimmy Olsen #106, by Shooter & Pete Costanza) found the young newsman seconded to the 30th century to help with the club newspaper. Sadly he was far better at making news than publishing it…

Adventure Comics #362 found the Legion scattered across three worlds as mad scientist Mantis Morlo refused to let environmental safety interfere with his experiments in ‘The Chemoids are Coming!’, resulting in a lethally ‘Black Day for the Legion!’…

Shooter & Costanza then topped their gripping two-parter by uncovering ‘The Revolt of the Super-Pets!’ in #364, when the crafty rulers of planet Thanl attempted to seduce the animal adventurers  Krypto, Streaky, Beppo the Super-Monkey, super-horse Comet and amorphous telepathic blob Proty II from their rightful – subordinate – positions with sweet words and palatial new homes…

When the isolated world of Talok 8 went dark and became an ultra-militaristic threat to the UP, their planetary champion Shadow Lass led Superboy, Brainiac 5, Cosmic Boy and Karate Kid on a reconnaissance mission which resulted in the disastrous ‘Escape of the Fatal Five!’ – illustrated by the returning Swan & Klein, whose time was increasingly being taken up with work in Superman and Action Comics).

The despicable quintet then almost conquered the UP itself and were only frustrated by the defiant, last ditch efforts of the battered heroes in the blistering conclusion ‘The Fight for the Championship of the Universe!’

In grateful thanks the Legion were gifted with a vast new HQ but before the paint was even dry a vast paramilitary force attempted to invade the slowly rebuilding planet Earth in #367’s ‘No Escape from the Circle of Death!’ (with additional inking by Sheldon Moldoff) ending this classic collection with a blockbuster battle and revelatory encounter which would reshape DC continuity in the years to come…

The Legion is unquestionably one of the most beloved and bewildering creations in comicbook history and largely responsible for the growth of the groundswell movement that became American Comics Fandom.

Moreover, these scintillating and seductively addictive stories – as much as Julie Schwartz’s Justice League – enflamed the interest and imaginations of a generation of young readers and underpinned the industry we all know today.

If you love comics and haven’t read this stuff, you are the poorer for it and need to enrich your future life as soon as possible.
© 1967, 1968, 1997 DC Comics. All Rights Reserved.

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Shade the Changing Man: the American Scream


By Peter Milligan, Chris Bachalo, Mark Pennington (Vertigo)
ISBN: 978-1-84023-716-0 (1990)      978-1401200466 (2009 edition)

Even before DC hived off its “Mature Readers” sophisticated horror/hero series to become the backbone of the self-sustaining Vertigo line in 1993, the company had begun to differentiate between standard all-ages superhero sagas, new stand-alone concepts like Gilgamesh II, Skreemer, Haywire or World Without End and edgy, off-the-wall, quasi-costumed fantasy and supernatural suspense titles as Doom Patrol, Black Orchid, Animal Man, Sandman, Hellblazer and Swamp Thing. Perhaps the most radical and challenging was a darkly psychedelic reworking of Steve Ditko’s lost masterpiece of modern paranoia Shade the Changing Man. 

In the original 1977 series Rac Shade was a secret observer from the other-dimensional realm of Meta-Zone, who was framed and went rogue; using stolen technology to combat a wave of insanity that emanated from “the Area of Madness” within the Zero-Zone which separated his world from ours. The madness threatened both universes and Shade was determined to stop it, despite the best efforts of sinister self-serving forces from Earth and Meta determined to destroy him.

When Peter Milligan, Chris Bachalo & Mark Pennington began to rework the character much of the Ditko concept remained but was brutally tweaked for the far more cynical and worldly readers of the Blank Generation…

This initial collection re-presents the first six issues of the new Shade from July-December 1980 and introduces deeply disturbed Kathy George, patiently awaiting the final sanction on spree-killer Troy Grenzer. Years ago the unrepentant psychopath butchered her parents and almost her too, and when her black boyfriend tackled the knife-wielding manic the Louisiana police shot her saviour instead of the white assailant…

Now in the final hours before Grenzer finally sits in the electric chair on ‘Execution Day’ Kathy is experiencing wild hallucinations. That’s nothing new: following the deaths of everyone she’d ever loved, Kathy was committed to an asylum until her inheritance ran out and she was released, apparently “too poor to be crazy” anymore.

Becoming a thief and a grifter, she wandered America until a radio report informed her that Grenzer was about to be put to death and Kathy inexplicably found herself heading back to Louisiana…

On Death Row things weren’t going according to plan. Bizarre lights, strange visions and electrical phenomena interrupted the execution and, as a fantastic reality-warping explosion occurred, Grenzer’s body vanished…

On a hillside overlooking the prison Kathy was pursued by an animated electric chair and Troy Grenzer materialised in her car – only he claimed not to be the serial killer but Rac Shade, a secret agent from another dimension who had left his own body in an otherworldly Area of Madness and mentally occupied the now-vacant corpse of the serial killer.

It wasn’t the craziest thing Kathy had ever heard and even if it wasn’t true at least she had a chance to personally kill the man who had destroyed her life…

As the drove away together insane things kept happening and Shade explained that his journey had caused a rupture in the fabric of the universes – a trauma in Reality…

Slowly acclimatising, Shade explains that his original body is clad in experimental technology and this “M-Vest” connects his subconscious to the chaos of the Madness zone. His job was to come here and stop a plague of materialised insanity threatening both worlds, but he’s actually given it easier access to ours…

After a climactic struggle with her own ghosts and traumas, Kathy reluctantly agreed to help the semi-amnesiac Shade in his mission…

Meanwhile at the Famhouse Mental Hospital uncanny events were culminating in a ghastly reordering of people and matter itself: a horrific nigh-sentient phenomenon dubbed “the American Scream” had broken through from somewhere else and threatened all life and rationality on Earth.

With casual daydreams, flights of fantasy and vicious whims increasingly given substance and solidity, the government, well aware of the crisis, dispatched Federal Agents Stringer and Conner to investigate…

The quest proper began as the fugitives from justice trolled through the hinterlands of American Culture and its Collective Unconscious, ending up in Dallas where obsessed author Duane Trilby, determined to discover ‘Who Shot JFK?’, found himself conversing with the tarnished martyr himself as the murdered president returned to the scene of the crime and the city started to literally unravel, with a giant idolatrous bust of the victim bursting through the tarmac of Dealey Plaza, incessantly screaming for answers…

The chaos affected Shade, and the last vestiges of Grenzer’s personality kept repossessing the body they shared, determined to at last add Kathy to his tally of victims, whilst Agents Stringer and Conner, convinced that she is connected to Grenzer’s abrupt disappearance from his own execution, followed her to Texas…

With madness rampant, Shade and Kathy were drawn into Trilby’s materialisation of events, becoming JFK and Jackie, inexorably heading toward death in that open-topped car…

The measured insanity continued in ‘All the President’s Assassins!’ as Trilby saved Shade/JFK and slowly revealed his own personal tragedy: one which drove him to solve an impossible conundrum and avoid an agonising admission.

All the while the Metan’s consciousness was being dragged into a succession of traumatised participants and realised that he must defeat this outbreak of the American Scream quickly or surely fragment and die…

Escaping into his own past on Meta in ‘Mad, Bad and Dangerous to Know’, Shade physically re-experienced his early life whilst in Dallas Stringer and Conner apprehended Kathy. A lovelorn, impressionable poet, young dropout Rac Shade was tricked into becoming an agent and sent to Earth because it was apparently the source of devastating waves of insanity plaguing Meta, but he was sucked into the Area of Madness and met the American Scream face to face…

Falling back to Earth, Rac freed Kathy and they fled, arriving in Los Angeles in time to struggle with the dark underbelly of the film industry as it came to murderous, sadistic life and began stalking the stars and moguls who created the vicious yet glorious land of dreams.

First singled out were the cast and crew of in-production zombie epic “Hollywood Monsters’, who endured shame and career destruction as impossible film-clips of their deepest secrets and darkest transgression became to appear. Soon after, the mutilations and deaths began, before a psychedelic crescendo was reached in ‘Hollywood Babble On II’ with Shade and Kathy fighting their way through a physically realised and highly biased history of Tinsel Town triumphs and travesties, before seizing control of the noxious narrative and beating the Madness at its own game…

Darkly ironic, blackly comedic, gripping and dripping with razor-edged social commentary, Shade the Changing Man adds a sparkling brew of sardonic wit to the horror and action staples of the medium and remains one of the most challenging and intriguing series in comics.
© 2003, 2009 DC Comics. All Rights Reserved.

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Showcase Presents Superman volume 4


By Edmond Hamilton, Robert Bernstein, Jerry Siegel, Leo Dorfman, Al Plastino, Curt Swan, George Klein & various (DC Comics)
ISBN: 978-1-4012-1271

By the time of the stories collected in this fabulous fourth monochrome compendium Superman was truly a global household name, with the burgeoning mythology of lost Krypton, modern Metropolis and the core cast familiar to most children and many adults.

The Man of Tomorrow was just beginning a media-led burst of revived interest.

In the immediate future, television exposure, a rampant merchandising wave thanks to the Batman-led boom in superheroes generally, highly efficient world-wide comics, cartoon, bubblegum cards and especially toy licensing deals would all feed a growing frenzy. Everything was working to keep the Last Son of Krypton a vibrant yet comfortably familiar icon of modern, Space-Age America: particularly the constantly evolving, ever-more dramatic and imaginative comicbook stories…

The tales in this tome span October 1962-February 1964 culled from Action Comics #293-309 and Superman #157-166 and increasingly saw the Man of Tomorrow facing more fantastic physical threats and critical personal and social challenges.

Action Comics #293 gets things off to a fine start with ‘The Feud Between Superman and Clark Kent!’ by Edmond Hamilton & Al Plastino, as another exposure to the randomly metamorphic Red Kryptonite divided the Metropolis Marvel into a rational but powerless mortal and an aggressive, out of control superhero, determined to continue his existence at all costs…

Superman #157 (November 1962) opened with a key new piece of the ongoing legend as ‘The Super-Revenge of the Phantom Zone Prisoner!’ by Hamilton, Curt Swan & George Klein introduced permanently power-neutralising Gold Kryptonite and Superman’s Zone-o-phone – allowing him to monitor and communicate with the incarcerated inhabitants – in a stirring tale of injustice and redemption.

Convicted felon Quex-Ul used the device to petition Superman for release since his sentence has been served, and despite reservations the fair-minded hero could only agree.

However further investigation revealed Quex-Ul had been framed and was wholly innocent of any crime, but before Superman could make amends for the injustice he had to survive a deadly trap which the embittered and partially mind-controlled parolee had laid for the son of the Zone’s discoverer…

The issue also contained a light-hearted espionage-sting yarn as the Action Ace became ‘The Super-Genie of Metropolis!’ (Robert Bernstein & Plastino) as well as ‘Superman’s Day of Doom!’ by Jerry Siegel, Swan & Klein, wherein a little kid saves the Man of Steel from a deadly ambush set during a parade in the hero’s honour.

Action #294 then offered a classic duel between Superman and Lex Luthor in ‘The Kryptonite Killer!’ (Hamilton & Plastino) wherein the obsessed scientist creates elemental humanoids to destroy his hated foe, whilst #295’s ‘Superman Goes Wild!’ featured an insidious plot by the Superman Revenge Squad to drive the hero murderously insane – courtesy of creators Bernstein, Swan & Klein.

Issue #158 of his solo title featured the full-length epic ‘Superman in Kandor!’ (Hamilton, Swan & Klein) which saw raiders from the preserved Kryptonian enclave attacking the Man of Steel in ‘Invasion of the Mystery Supermen’, describing him as a traitor to his people. Baffled, Superman infiltrated the Bottle City with Jimmy Olsen where they created the costumed identities of Nightwing and Flamebird to become ‘The Dynamic Duo of Kandor!’ and discovered the answer to the enigma before saving the entire colony from utter destruction in ‘The City of Super-People!’

Action #296 seemed to offer a simple man vs. monster saga in ‘The Invasion of the Super-Ants!’ (Hamilton & Plastino) but the gripping yarn also had a sharp plot twist and timely warning about nuclear proliferation, whilst in #297 ‘The Man Who Betrayed Superman’s Identity!’ by Leo Dorfman, Swan & Klein, veteran newsman Perry White was tricked into solving the world’s greatest mystery after a bump on the head gave him amnesia.

Whilst Editor Mort Weisinger was expanding the series’ continuity and building the legend, he learned that each new tale was an event which added to a nigh-sacred canon and that what he printed was deeply important to the readers. However as an ideas man he wasn’t going to let that aggregated “history” stifle a good plot situation, nor would he allow his eager yet sophisticated audience to endure clichéd Deus ex Machina cop-outs which would mar the sheer enjoyment of a captivating concept.

Thus “Imaginary Stories” were conceived as a way of exploring non-continuity plots and scenarios, devised at a time when editors believed that entertainment trumped consistency and fervently believed that every comic read was somebody’s first and, unless they were very careful, their last…

This volume’s first Imaginary Novel follows, taken from Superman #159 wherein ‘Lois Lane, the Super-Maid of Krypton!’ (Hamilton, Swan & Klein) saw a baby girl escape Earth’s destruction by rocketing to another world in ‘Lois Lane’s Flight from Earth!’ befriending young Kal-El and growing to become a mighty champion of justice.

She clashed with ‘The Female Luthor of Krypton!’ and saved the world over and again before tragically enduring ‘The Doom of Super-Maid!’ at a time when attitudes apparently couldn’t allow a girl to be stronger than Superman – even in an alternate fictionality…

Dorfman, Swan & Klein produced ‘Clark Kent, Coward!’ in Action #298 wherein a balloon excursion dumped Jimmy, Lois and the clandestine crusader in a lost kingdom whose queen found the timid buffoon irresistible. Unfortunately the husky hunks of the hidden land took great umbrage with her latest fascination…

In his eponymous publication the hero temporarily lost his powers in ‘The Mortal Superman!’ (#160 by Dorfman &Plastino) and almost died in ‘The Cage of Doom!’, before his merely human wits proved enough to outsmart a merciless crime syndicate, after which the mood lightened when, fully restored, he became ‘The Super-Cop of Metropolis!’ to outwit a gang of spies in a classy “why-dunnit” by Siegel, Swan & Klein.

Action #299 revealed the outlandish story behind ‘The Story of Superman’s Experimental Robots!’ in a truly bizarre tale from Siegel & Plastino, after which Superman #161 led with an untold tale that revealed how he tragically learned the limitations of his powers.

In ‘The Last Days of Ma and Pa Kent!’ (Dorfman & Plastino) a vacation time-travel trip led to his foster parent’s demise and only too late did the heartbroken hero learn that his actions were not the cause of their deaths, after which ‘Superman Goes to War’ (Hamilton, Swan & Klein) lightened the mood as a war game covered by the Daily Planet staff segued into the real thing when Clark discovered some of the participants were actually aliens.

Action Comics reached #300 with the May1963 issue and to celebrate Hamilton & Plastino crafted the brilliantly ingenious ‘Superman Under the Red Sun!’ which saw the Man of Tomorrow dispatched to the far, far future where Earth’s sun has cooled to crimson and his powers faded. The valiant chronal castaway suffered incredible hardship and danger before figuring out a way home, just in time for #301 and ‘The Trial of Superman!’ (Hamilton & Plastino), wherein the Man of Steel allowed himself to be prosecuted for Clark Kent’s murder to save the nation from a terrible threat.

Dorfman, Swan & Klein’s ‘The Amazing Story of Superman-Red and Superman-Blue!’ (Superman #162) is possibly the most ambitious and influential tale of the entire “Imaginary Tale” sub-genre: a startling utopian classic so well-received that decades later it influenced and flavoured the post-Crisis on Infinite Earths Superman continuity for months.

In ‘The Titanic Twins!’ the Metropolis Marvel is permanently divided into two equal beings who forthwith solve all Earth’s problems with ‘The Anti-Evil Ray!’ and similar scientific breakthroughs before both retiring with pride and the girls of their dreams, Lois Lane and Lana Lang (one each, of course) in ‘The End of Superman’s Career!’

There’s no record of who scripted Action #302’s ‘The Amazing Confession of Super- Perry White!’ but Plastino’s slick illustration lends great animation to the convoluted tale wherein the Man of Steel replaces the aging editor to thwart an assassination plot, only to accidentally give the impression that the podgy Perry is his actual alter ego…

Superman #163 offered a crafty mystery as ‘Wonder-Man, the New Hero of Metropolis!’ (Hamilton, Swan & Klein) almost replaced the Man of Steel, were it not for his tragic foredoomed secret whilst ‘The Goofy Superman!’ (Bernstein & Plastino) saw Red K deprive the Metropolis Marvel of his powers and sanity, resulting in a rather fortuitous stay in the local home for the Perpetually Bewildered – since that’s where a cunning mad bomber was secretly hiding out…

Action #303 saw the infernal mineral transform Superman into ‘The Monster from Krypton!’ (Hamilton, Swan & Klein), almost dying at the hands of the army and a vengeful Supergirl who believed her cousin had been eaten by the dragon he’d become, whilst #304 heralded ‘The Interplanetary Olympics!’ by Dorfman, Swan & Klein, with Superman deliberately throwing the contest and shaming Earth… but only for the best possible reasons…

Next up is a classic confrontation between the Caped Kryptonian and his greatest foe in ‘The Showdown Between Luthor and Superman’ (Superman #164, October 1963 and by Hamilton, Swan & Klein again) pitting the lifelong foes in an unforgettable confrontation on the post-apocalyptic planet Lexor – a lost world of forgotten science and fantastic beasts – which resulted in ‘The Super-Duel!’ and displayed a whole new side to Superman’s previously two dimensional arch-enemy.

The issue also included ‘The Fugitive from the Phantom Zone!’ (Siegel & Plastino) a smart vignette which saw Superman cunningly outwit a foe he could not beat by playing on his psychological foibles…

Action #305 featured the Imaginary Story ‘Why Superman Needs a Secret Identity!’ (Dorfman, Swan & Klein) which outlined a series of personal tragedies and disasters following Ma and Pa Kent’s proud and foolish public announcement that their son was an alien Superboy, whilst in Superman #165 ‘Beauty and the Super-Beast!’ and its conclusion ‘Circe’s Super-Slave’ (Bernstein, Swan & Klein), the Man of Steel was seemingly helpless against the ancient sorceress, but in fact the whole thing was an elaborate hoax designed to foil the alien invaders of the Superman Revenge Squad. The issue’s third tale, ‘The Sweetheart Superman Forgot!’ (Siegel & Plastino) featured a memorable and heartbreaking forbidden romance in which a powerless, amnesiac and disabled Superman met, loved and lost a good woman who loved him purely for himself. When his memory and powers returned Clark had no recollection of Sally Selwyn, who’s probably still pining faithfully for him…

Action #306 offered ‘The Great Superman Impersonation!’ by Bernstein & Plastino, as in a twist on the Prince and the Pauper Clark Kent was hired to protect the President of a South American republic because he looks enough like Superman to fool potential assassins. Of course it’s all a Byzantine con, but by the end who’s conning who?

The reporter’s crime exposés found ‘Clark Kent – Target for Murder!’ in Action #307 (by an unattributed scripter and artists Swan &Klein) but the villainous King Kobra made the mistake of his life when the hitman he hired turned out to be the intended victim in disguise, whilst issue #308 concentrated on all-out fantasy when ‘Superman Meets the Goliath-Hercules!’ (anonymous & Plastino) after crossing into a parallel universe.

Before returning the Man of Steel helped a colossal demigod perform the Six Labours of King Thebes in a story clearly cobbled together in far too much haste.

Superman #166 (January 1964) featured ‘The Fantastic Story of Superman’s Sons’ by Hamilton, Swan & Klein: an Imaginary Tale and solid thriller built on a painful premise -what if only one of Superman’s children inherited his powers? The story begins in ‘Jor-El II and Kal-El II’ with the discovery that little Kal junior takes after his Earth-born mother and subsequently grows into a teenager with real emotional problems.

Hoping to boost his confidence, Superman packs both sons off to Kandor where they’ll be physically equal and soon the twins are finding adventure as ‘The new Nightwing and Flamebird!’

However, when a Kandorian menace escapes to the outer world, it’s up to the human son to save Earth following ‘Kal-El II’s Mission to Krypton!’ which wraps everything up in a neat and tidy bundle of escapist fun.

This volume closes with a strange TV tie-in tale from Action Comics #309 as an analogue of This Is Your Life honours Superman by inviting all his friends – even the Legion of Super-Heroes and especially including Clark Kent – to ‘The Superman Super-Spectacular!’ (Hamilton, Swan & Klein).

With no other option the Metropolis Marvel is compelled to share his secret identity with somebody new so that they can impersonate him. Although there must be less convoluted ways to allay Lois’ constant suspicions, this yarn does include perhaps the oddest guest star appearance in comics’ history…

These tales are the comicbook equivalent of bubblegum pop music: perfectly constructed, always entertaining, occasionally challenging and never unwelcome. As well as containing some of the most delightful episodes of the pre angst-drenched, cosmically catastrophic DC, these fun, thrilling, mind-boggling and yes, frequently moving all-ages stories also perfectly depict the changing mores and tastes which reshaped comics between the safely anodyne 1950s to the seditious, rebellious 1970s, all the while keeping to the prime directive of the industry – “keep them entertained and keep them wanting more”.

I know I certainly do…
© 1962-1964, 2008 DC Comics. All Rights Reserved.

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Outsiders: Pay As You Go


By Judd Winick, Carlo Barberi, Ron Randall, Scott McDaniel, Freddie Williams III & various (DC Comics)
ISBN: 978-1-4012-1366-4

Finally exposed to a world which  believed them dead and now also blamed for setting off a nuclear explosion which destroyed a large part of Russia and poisoned the atmosphere for miles around, the underground metahuman coalition known as The Outsiders found themselves on a path to oblivion as their series peaked even whilst winding down for a major reboot.

This sixth compelling compendium (collecting #42-46 and Annual #1of Judd Winick’s grim and witty Outsiders comicbook) saw Nightwing, Grace, Thunder, Metamorpho, Katana and Owen Reece (speedster son and heir of the recently – and temporarily – deceased Captain Boomerang) – up to their muscular armpits in trouble as the story-arc ‘Mad Scientists’ continued with ‘The Weaving Factories’ (illustrated by Ron Randall, Pop Mhan, Art Thibert & Steve Bird) as exposed mastermind Dr. Sivana attacked Sydney, Australia with a weapon that neutralised technology and turned people into infinitely suggestible idiots (no, even worse than usual…).

First to respond was Nightwing’s team who flew straight to the smug mad scientist’s new lair and straight into a trap. Rather than kill them all, however, the demented doctor made them a staggering offer in ‘The Man Behind the Curtain’ before Katana spectacularly turned the tables on the maverick savant.

Even while being driven off Sivana gloated that an irresistible seed had been planted in the rogue heroes’ minds…

The eponymous ‘Pay as You Go’ storyline then begins with ‘The Skeleton Crew’ (art by Carlo Barberi & Thibert): an untold tale from the year that was skipped in the ‘One Year Later’ event and the exploit which led the world to believe the entire team was dead…

At that time the Outsiders were struggling to cope after the Infinite Crisis, particularly Anissa Pierce AKA Thunder, who was grieving for her father Black Lightning.

Elder hero Jefferson Pierce, believing himself guilty of murder, had surrendered to the authorities and chosen to serve time under an alias in the metahuman prison known as Iron Heights, but when Batman-trained vigilante and part-time villain Red Hood reached out to Nightwing with evidence that Lightning had been deceived and was completely innocent of the crime which had crushed his spirit, heart and soul, the conflicted Dick Grayson had no choice but to inform the team he had just quit…

The drama further unfolded in ‘Sins of the Father’ (Freddie Williams III, Barberi & Thibert) as the details behind the guilt-driven Lightning’s self-incarceration were revealed and Red Hood named the who, how, and why of the real killer before ‘Friends, Lovers and Other Strangers’ (additional inks by Bird) saw the team initially refuse to bust him out because of the political ramifications before changing their minds and sending the new Captain Boomerang in to infiltrate and pave the way…

Unfortunately Jefferson refused to go, but when Boomerang realised Black Lightning’s cover had been broken and an entire prison of super-criminals was hungry to kill him the Outsiders had no choice but to go in hard and heavy…

It all went bad in ‘The Wrong to do the Right’ (illustrated by Scott McDaniel & Andy Owens) as the hasty plan quickly misfired, resulting in the entire prisoner population breaking free and hard-line warden Gregory Wolfe maniacally over-reacting. In the resulting catastrophe 43 inmates and guards perished and the Outsiders, although believed dead too, were blamed.

Nightwing and Arsenal, who had been noticeably elsewhere at the time, were perceived as not involved, but they knew the truth and shared the blame: the plan had been theirs and in the undertaking of it they had destroyed the team’s standing and reputation forever. Moreover, in the aftermath, one of the Outsider’s, unable to bear the guilt of his actions, ended his life…

Brutal, uncompromising and savagely action-packed, the dark secret of the Outsiders had been revealed just in time for a big finish, but these cynically plausible superhero sagas are still gripping, shocking and extremely readable: compelling tales which will enthral older fans of the genre.

To Be Concluded…
© 2007 DC Comics. All Rights Reserved.

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Wonder Woman Archive Editions volume 2


By Charles Moulton (William Moulton Marston & Harry G. Peter) & Frank Godwin (DC Comics)
ISBN: 1-56389-594-3

Wonder Woman was conceived by polygraph pioneer William Moulton Marston and illustrated by Harry G. Peter in an attempt to offer girls a positive and forceful role model. She debuted as a special feature All Star Comics #8 (December 1941), before springing into her own series and the cover-spot of new anthology title Sensation Comics a month later. An instant hit the Amazing Amazon quickly won her own eponymous supplemental title in late Spring of that year (cover-dated Summer 1942).

Once upon a time on a hidden island of immortal super-women, an American aviator crashed to Earth. Near death, Steve Trevor of US Army Intelligence was nursed back to health by young Princess Diana. Fearing her growing obsession with the man, her mother Queen Hippolyte revealed the hidden history of the Amazons: how they were seduced and betrayed by men but rescued by the goddess Aphrodite on condition that they isolated themselves from the rest of the world and devoted their eternal lives to becoming ideal, perfect creatures.

When goddesses Athena and Aphrodite instructed Hippolyte to send an Amazon warrior back with the American to fight for freedom and liberty, Diana overcame all other candidates and became the emissary Wonder Woman. On arriving in America she bought the identity and credentials of love-lorn Army nurse Diana Prince, elegantly allowing the Amazon to be close to Steve whilst enabling the heartsick medic to join her own fiancé in South America. Soon Diana also gained a position with Army Intelligence General Darnell as his secretary to ensure that she would always be close to her beloved. She little suspected that, although the painfully shallow Steve only had eyes for the dazzling Amazon superwoman, the General had fallen for the mousy but superbly competent Diana Prince…

Using the nom de plume Charles Moulton, Marston scripted all the Amazing Amazon’s many and fabulous adventures until his death in 1947, whereupon Robert Kanigher took over the writer’s role whilst venerable veteran co-creator H.G. Peter illustrated almost every WW tale until his own death in 1958.

This second superb full-colour deluxe hardback edition collects her every groundbreaking adventure from Wonder Woman #2-4 and Sensation Comics #13-17 from Fall 1942 to April 1943, and commences, after an appreciative Foreword from star comics editor Diane Schutz, with the epochal Wonder Woman #2.

After a photo-feature about ‘The Men Behind Wonder Woman’ and an illustrated prose piece about ‘The God of War’, a four-part epic introduces the Amazing Amazon’s greatest enemy in ‘Mars, God of War’ who instigated the World War from his HQ on the distant red planet and was chafing at the lack of progress since Wonder Woman entered the fray on the side of the peace-loving allies. Now he decides to take direct action rather than trust his earthly pawns Hitler, Mussolini and Hirohito…

When Steve went missing Diana allowed herself to be captured and transported to Mars where she began to disrupt the efficient working of the war-god’s regime and fomented unrest amongst the slave population, before rescuing Steve and heading home to Earth.  ‘The Earl of Greed’, one of Mars’ trio of trusted subordinates, took centre stage in the second chapter with orders to recapture Steve and Diana at all costs.

As the bold duo attempt to infiltrate Berlin, Greed used his influence on Hitler to surreptitiously direct the German war effort, using Gestapo forces to steal all the USA’s gold reserves.

When Steve was gravely injured, the Amazon returned to America and whilst her paramour recuperated she uncovered and foiled the Ethereal Earl’s machinations to prevent much-needed operating funds from reaching Holliday College where young girls learned to be independent free-thinkers…

With Greed thwarted, Mars next dispatched ‘The Duke of Deception’ to Earth where the spindly phantom impersonated Wonder Woman and framed her for murder. Easily escaping from prison the Princess of Power not only cleared her name but also found time to foil a Deception-inspired invasion of Hawaii, leaving only ‘The Count of Conquest’ free to carry out Mars’ orders.

His scheme was simple: through his personal puppet Mussolini, the Count attempted to physically overpower the Hellenic Heroine with a brutal giant boxing champion whilst Italian Lothario Count Crafti tried to woo and seduce her. The latter’s wiles actually worked too, but capturing and keeping the Amazing Amazon were two different things entirely and after breaking free on the Red Planet, Diana delivered a devastating blow to the war-machine of Mars…

This issue then ends with a sparkling double page patriotic plea when ‘Wonder Woman Campaigns for War Bonds’…

Sensation Comics #13 (January 1943) follows with ‘Wonder Woman is Dead’ as a corpse wearing the Amazon’s uniform was discovered and the astounded Diana Prince discovered her alter ego’s clothes and the irreplaceable magic lasso were missing…

The trail led to a cunning spy-ring working out of General Darnell’s office and an explosive confrontation in a bowling alley, whilst ‘The Story of Fir Balsam’ in Sensation #14 offered a seasonal tale concerning lost children, an abused mother and escaped German aviators which was all happily resolved around a lonely pine tree…

Wonder Woman #3 dedicated its entirety to the return of an old foe and began with ‘A Spy on Paradise Island’ as the plucky fun-loving gals of the Holliday College for Women and their chubby, chocolate-gorging Beeta Lamda sorority chief Etta Candy were initiated into some pretty wild Amazon rites on Paradise Island, inadvertently allowing an infiltrator to gain access and pave the way for an invasion by Japanese troops.

Naturally Wonder Woman and the Amazon prevailed on the day but the sinister mastermind behind it all was revealed and quickly struck back in ‘The Devilish Devices of Baroness Paula von Gunther.’

Whilst the on-guard Amazons built a women’s prison that would be known as “Reform Island”, acting on information received by the new inmates, Wonder Woman trailed Paula and was in time to crush her latest scientific terror – an invisibility ray…

‘The Secret of Baroness von Gunther’ offered a rare peek at a villain’s motivation as the captured super-spy reveals how her little daughter Gerta had been a hostage of the Nazis for years and a goad to ensure total dedication to the German cause. Naturally, the Amazing Amazon instantly determined to reunite mother and child at all costs after which ‘Ordeal by Fire’ found the Baroness aiding Diana and Steve in dismantling the spy network and slave-ring the Nazis had spent so long building in America, but only at great personal and physical cost to the repentant Paula…

Over in Sensation #15 (March 1943) ‘Victory at Sea’ pitted Diana and Steve against murderous saboteurs determined to halt military production and working with shady lawyers whilst in #16 ‘The Masked Menace’ was one of very few stories not illustrated by H.G. Peter but the work of illustrator and strip cartoonist Frank Godwin, stepping in as the crushing workload of an extra 64-page comicbook every couple of months piled the pressure on WW’s artistic director.

The tale saw steadfast Texan Etta about to elope with slick and sleazy Euro-trash Prince Goulash, until Diana and Steve crashed the wedding party to uncover spies infiltrating across the Mexican border and a plot to blow up the invaluable Candy family oil-wells…

The inescapable war-fervour was tinged with incredible fantasy in Wonder Woman #4 which opened with ‘Man-Hating Madness!’ wherein a Chinese refugee from a Japanese torture camp reached America and drew the Amazon into a terrifying plan to use biological weapons on the American Home-Front after which cruel and misogynistic ‘Mole Men of the Underworld’ kidnapped the Holliday girls and Diana and the reformed and recuperated Paula rescued them, freed a race of female slaves and secured America’s deepest border from attack.

Then ‘The Rubber Barons’ provided a rousing, romp which saw greedy corporate profiteers attempt to hold the Government and war effort to ransom with a new rubber manufacturing process in a high-tech tale involving mind-control, gender role-reversal and behaviour modification as only a trained and passionate psychologist could promote them…

The issue but not this book then concluded with an untitled saga as Paula, now fully accepted into Amazon society, was attacked by Mavis, one of her erstwhile spy-slaves. The traumatised victim then abducted her ex-mistress’ little Gerta and Wonder Woman, burdened with responsibility, was compelled to hunt her down…

This sterling deluxe book of nostalgic delights ends with a famed classic in Sensation #17’s ‘Riddle of the Talking Lion’ (also probably drawn by Godwin) wherein Diana Prince visited an ailing friend and discovered that Sally’s kids had overheard a Zoo lion speaking – and revealing strange secrets…

Although Steve and Diana dismissed the tall tale, things take a peculiar turn when the beast is stolen and the trail leads to Egypt and a plot by ambitious Nazi collaborator Princess Yasmini…

Too few people seem able to move beyond the posited subtexts and definite imagery of bondage and subjugation in Marston’s tales – and frankly there really are a lot of scenes with girls tied up, chained or about to be whipped – but I just don’t care what his intentions might have been: I’m more impressed with the skilful drama and incredible imaginative story-elements that are always wonderfully, intriguingly present: I mean, just where do such concepts as giant battle kangaroo steeds or sentient Christmas trees stem from…?

Exotic, baroque, beguiling and uniquely exciting these Golden Age adventures of the World’s Most Famous female superhero are timeless and pivotal classics in the development of comics books and still provide lashings of fun and thrills for anyone looking for a great nostalgic read.
© 1942, 1943, 2000 DC Comics, Inc. All Rights Reserved.

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Superman: The Death of Superman


By Dan Jurgens, Jerry Ordway, Louise Simonson, Roger Stern & various (DC Comics)
ISBN: 978-1-84023-124-3

Although largely out of favour these days as all the myriad decades of Superman mythology are gradually re-assimilated into one overarching all-inclusive DC continuity, the stripped-down, gritty post-Crisis on Infinite Earths Man of Steel re-imagined by John Byrne and marvellously built upon by a stunning succession of gifted comics craftsman produced some genuine comics classics.

This is probably the most significant of them all: the first part in a truly epic triptych story-arc which saw the martyrdom, loss, replacement and eventual resurrection of the World’s Greatest Superhero in a stellar saga which broke all records and proved that apparently everybody still cared about the hoary icon of Truth, Justice and the American Way…

This landmark collection features material which originally appeared in Superman: the Man of Steel #17-19, Superman #73-75, Adventures of Superman #496-497, Action Comics #683-684 and Justice League America #69, spanning cover-dates November 1992 to January 1993 and opens with the fearsome first glimpses of a of a masked and manacled figure pounding its way free of an adamantine cell.

Breaking out of the earth in the heart of rural America the saga proper begins in ‘Doomsday’ by Louise Simonson, Jon Bogdanove & Dennis Janke, as Superman deals with successive terrorist attacks by dropouts, alien dregs and mortal monsters known as Underworlders who have infested the tunnels beneath Metropolis but are now hungry for their own place in the sun. Whilst the Action Ace brokers a tenuous peace-treaty the horrific and kill-crazy escapee carves a purposeless swathe of destruction across the country…

In ‘Down for the Count’ (Justice League America #69, by Dan Jurgens & Rick Burchett) Superman is tied up with a meaningless publicity interview whilst in Ohio his JLA comrades, Booster Gold, Blue Beetle, Fire, Ice, Bloodwynd, Maxima and Guy Gardner are savagely thrashed by the lumbering monstrosity, who maims and cripples many of the World’s Greatest Superheroes with one arm literally tied behind its back…

By the time Superman arrives in ‘Countdown to Doomsday!’ (Jurgens & Brett Breeding) the remnants of the team have regrouped, determined to sell their lives dearly to stop the creature rampaging through a housing development, but their combined efforts do little more than shred the remaining restraints holding it back.

In a catastrophic explosion the JLA succumb to their punishing injuries and Superman, determined to stop the beast, chases after it, utterly unaware that a family have been trapped in the burning remnants of their home…

‘Under Fire’ (scripted by Jerry Ordway and illustrated by Tom Grummett & Doug Hazlewood) sees the hard-pressed Man of Steel break off his desperate struggle to rescue both the trapped citizens and the fallen heroes, allowing Doomsday to wreak even more havoc and slaughter. Soon after however the Caped Kryptonian catches up with the howling horror in the idyllic hamlet of Griffith, but even with the frenzied aid of majestic alien superwoman Maxima is overcome in a shattering confrontation which razes the entire town to the ground.

In ‘…Doomsday is Near!’ (Roger Stern, Jackson Guice & Denis Rodier) he is joined by the cloned Cadmus security officer Guardian and comes to the conclusion that the brutal beast must be stopped at any and all costs, but as he follows its trail he is constantly diverted by the need to rescue civilians caught up in the mindless path of destruction. However when the monster sees a big screen TV ad, Doomsday diverts from its latest tussle with Superman and heads inexorably for the hero’s home town, smashing its way through the Cadmus testing grounds dubbed Habitat…

Despite Superman’s Herculean, repeated efforts, ‘Doomsday is Here!’ (Simonson, Bogdanove & Janke) sees the beast hit the streets of Metropolis like an atomic bomb and the Man of Steel realises he will happily give his life to destroy the unstoppable leviathan. A small respite is gained when Supergirl enters the fray (not Superman’s Kryptonian cousin but rather the devoted protoplasmic facsimile that held the title at this time) but she is quickly disposed of by the mysterious monster, as are all the super-scientific resources of Lex Luthor‘s private army.

Eventually all that’s left to save the day is the bruised, battered and utterly exhausted Man of Tomorrow…

The magnificent legendary saga concludes in ‘Doomsday!’ with a final chapter delivered as a succession of full-page splash-shots from writer/penciller Jurgens and inker Breeding depicting Superman and his savage nemesis going toe-to-toe in the rubble of the city, and concluding as the man expires at last, taking the monster with him…

Short on plot but bursting with tension, drama and breathtaking action, the epic encounter was but the first step in a bold and long-term plan to push the complacent readership off the edge of their collective seats and revitalise the Superman franchise, but the positively manic public interest beyond the world of comics took everyone by surprise and made the character as vital and vibrant a sensation as in the earliest days of his creation.

It worked…
© 1992, 1993 DC Comics, Inc. All Rights Reserved.

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Outsiders: The Good Fight


By Judd Winick, Matthew Clark, Pop Mhan, Ron Randall, Tom Grindberg, Art Thibert & Steve Bird (DC Comics)
ISBN: 978-1-4012-1195-X

After the never-ending calamity of the DC Infinite Crisis event, the company re-set the time line of all their publications to begin one year later.  This enabled them to refit their characters as they saw fit, provide a jumping on point for new converts and also give themselves some narrative wiggle-room…

This fifth compelling compendium gathers issues #34-41 of Judd Winick’s grim and witty Outsiders comicbook, resuming the odyssey twelve months after the universe was reshaped by the Infinite Crisis with the team – Nightwing, Grace, Thunder, Metamorpho, Katana and Owen Reece (the super-fast son and heir of the recently perished Captain Boomerang) – all believed long dead but actually working deep, deep, deep undercover…

The eponymous and decidedly dark epic ‘The Good Fight’ (illustrated by Matthew Clark & Art Thibert) begins with ‘Cain and Abel’ as in the war-torn African nation of Mali dictator Ratu Bennin hoards Weapons of Mass destruction and makes plans to destroy the unchecked legions of out-of-control boy soldiers who fuelled his bloody rise to power.

The tyrant is particularly impressed with ambitious lieutenant Adanna Abioye, unaware that she is in fact American infiltrator Anissa Pierce: the Outsider known as Thunder…

Nighwing is the only member of the team still publicly active; running his team as covert operators eliminating truly evil men rather than wasting time fighting costumed lunatics. The Outsiders have spent months penetrating Bennin’s gore-soaked regime, but when the army plans a massacre, Thunder breaks cover to save lives and endangers not only the mission but also the squad’s hard-earned and precious anonymity…

Forced to improvise in ‘Meet the New Boss’ the team tortures one of Bennin’s most trusted aides for information before raiding the dictator’s citadel and discovering not only conventional chemical WMDs but also a super-speed sentinel who almost destroys them all in seconds…

Concluding with ‘Gone in a Flash’ the team’s triumph exposes a new kind of arms-dealer selling cloned super-humans as terror-weapons to the world’s worst countries and companies. Inexorably drawn into jurisdictional conflict with UN metahuman oversight agency Checkmate, they follow the trail of ‘Silver and Grey’, encountering ‘Familiar Faces’ (art by Tom Grindberg, Clark & Thibert) on a trail which leads to disembodied Brotherhood of Evil supremo The Brain and his devoted disciple Mallah – a gorilla genius with a penchant for genetic tampering and ballistic slaughter…

With the world’s bright and shiny legitimate superheroes increasingly anxious, Nightwing stubbornly continues with his unsanctioned, illegal enquiries in ‘Looking For a Fight’(Pop Mhan, Thibert & Steve Bird), but when his team invades the Brotherhood’s lair, unaware that the clone-dealers have a deadly silent partner, they are quickly overcome and seem destined to become the latest batch of raw materials…

The story-arc culminates in ‘Since You’re Here, Why don’t you Stay Awhile?’ (Clark, Ron Randall & Thibert) as the Outsiders break free to face bastardised versions of the World’s Greatest Heroes in a blockbusting showdown which leads seamlessly into the first chapter of ‘Mad Scientists’ as the trail to the Brotherhood’s partner leads to even greater struggles in ‘…You Make Lemonade’ before the hidden mastermind is revealed in ‘Raising the Dead’ only to turn the tables on the hidden heroes with a very public nuclear detonation which exposes the clandestine crusaders to the harsh light of global scrutiny…

To Be Continued…

Hard-hitting, breathtakingly barbed and astoundingly action-packed, the latter run of Outsiders was one of the most intriguing and cynically plausible superhero sagas of the last decade. Still gripping, evocative and extremely readable, these bleakly powerful stories will delight older fans of the genre and, as this volume has the added advantage of being designed as a “jump on” point for new readers, there’s nothing stopping the intrigued becoming the latest converts…
© 2006 DC Comics. All Rights Reserved.

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Showcase Presents Superman volume 3


By Otto Binder, Jerry Siegel, Bill Finger, Jerry Coleman, Wayne Boring, Al Plastino, Curt Swan & various (DC Comics)
ISBN: 978-1-4012-1271-1

Superman has proven to be all things to all fans over his decades of existence, and with the character currently undergoing another radical overhaul, these timeless tales of charm and joy and wholesome wit are more necessary than ever: not just as a reminder of great tales of the past but as an all-ages primer of the wonders still to come…

At the time these tales were first published The Man of Tomorrow was enjoying a youthful swell of revived interest. Television cartoons, a rampant merchandising wave thanks to the Batman-led boom in “camp” Superheroes generally, highly efficient global licensing and even a Broadway musical: all worked to keep the Last Son of Krypton a vibrant icon of modern, Space-Age America.

Although we might think of Jerry Siegel & Joe Shuster’s iconic invention as the epitome of comicbook creation the truth is that soon after his launch in Action Comics #1 Superman became a multimedia star and far more people have enjoyed the Man of Steel than have ever read him and yes, that does include the globally syndicated newspaper strip.

By the time his 20th anniversary rolled around he had been a regular on radio, starred in a series of astounding animated cartoons and two movies and just ended his first smash live-action television serial. In his future were three more (Superboy, Lois & Clark and Smallville), a stage musical, a franchise of stellar movies and an almost seamless succession of TV cartoons beginning with The New Adventures of Superman in 1966 and continuing ever since. Even Krypto got in on the small-screen act…

It’s no wonder then that the tales from this Silver Age period should be so draped in the wholesome trappings of Tinseltown – even more so than most of celebrity-obsessed America. It didn’t hurt that editor Whitney Ellsworth was a part-time screenwriter, script editor and producer as well as National/DC’s Hollywood point man. His publishing assistant Mort Weisinger, a key factor in the vast expansion of the Kryptonian mythos, also had strong ties to the cinema and television industry, beginning in 1955 when he became story-editor for the blockbusting Adventures of Superman TV show.

This third magnificent monochrome chronicle collects the contents of Action Comics #276-292, Superman #146-156 and excerpts from Superman Annuals #3-5, spanning May 1961 to October 1962; taking its content from the early 1960’s canon (when the book’s target audience would have been little kids themselves) yet showcasing a rather more sophisticated set of tales than you might expect…

The wide-eyed wonderment commences with ‘The War Between Supergirl and the Superman Emergency Squad’ by Robert Bernstein, Wayne Boring & Stan Kaye from Action #276, wherein Superman is conned into revealing his secret identity and has to resort to incredible measures to make the swindler disbelieve his eyes, after which #277 presented ‘The Conquest of Superman’ (Bill Finger, Curt Swan & John Forte); another brilliantly brooding duel against super-scientist Lex Luthor.

Superman #146 (July 1961) offered ‘The Story of Superman’s Life’ which related more secrets and recapitulated Clark Kent’s early days in a captivating résumé covering all the basics: death of Krypton, rocket-ride to Earth, early life as Superboy, death of the Kents and moving to Metropolis, all by Otto Binder & Al Plastino, by Al Plastino, whilst the closing ‘Superman’s Greatest Feats’ (Jerry Siegel & Plastino) saw the Man of Tomorrow travel into Earth’s past and seemingly succeed in preventing such tragedies as the sinking of Atlantis, slaughter of Christians in Imperial Rome, the deaths of Nathan Hale, Abraham Lincoln and Custer and even the death of Krypton’s population. Of course it was too good to be true…

Action #278 featured ‘The Super Powers of Perry White’ (Jerry Coleman, Swan & Kaye) with the senescent editor suddenly gaining super-powers and an inexplicable urge to conquer the world whilst in Superman #147 ‘The Great Mento!’, by Bernstein & Plastino, a mysterious mind-reader threatened to expose the hero’s secret identity. ‘Krypto Battles Titano’ (Siegel & Plastino) found the wandering Dog of Steel voyaging back to the Age of Dinosaurs to play and inadvertently save humanity from alien invasion alongside the Kryptonite mutated giant ape. The issue closed with ‘The Legion of Super Villains’ (by Siegel, Swan & Sheldon Moldoff) a landmark adventure and stand-out thriller featuring Lex Luthor and the adult Legion of Super-Heroes overcoming certain death with valour and ingenuity.

This was followed by Swan’s iconic cover for Superman Annual #3 (August 1961), the uncredited picture-feature Secrets of the Fortress of Solitude and the superb back-cover pin-up of the Metropolis Marvel.

The author of Action #279’s Imaginary Story ‘The Super Rivals’ is regrettably unknown but John Forte’s sleekly comfortable art happily illustrates the wild occurrence of historical heroes Samson and Hercules being brought to the 20th century by Superman to marry Lois Lane and Lana Lang, thereby keeping them out of his hair, whilst in #280 ‘Brainiac’s Super Revenge’ (Siegel, Swan & Kaye) returned that time-lost villain to our era and saw him attack the Man of Steel’s friends, only to be foiled by a guest-starring Congorilla (veteran Action hero Congo Bill who could trade consciousness with a giant Golden Gorilla)…

Imaginary Stories were conceived as a way of exploring non-continuity plots and scenarios devised at a time when editors believed that entertainment trumped consistency and knew that every comic read was somebody’s first

When Editor Mort Weisinger was expanding the Superman continuity and building the legend he knew that the each new tale was an event that added to a nigh-sacred canon: that what was written and drawn mattered to the readers. But as an ideas man he wasn’t going to let that aggregated “history” stifle a good plot situation, nor would he allow his eager yet sophisticated audience to endure clichéd deus ex machina cop-outs to mar the sheer enjoyment of a captivating concept.

The mantra known to every fan was “Not a Dream! Not a Hoax! Not a Robot!” boldly emblazoned on covers depicting scenes that couldn’t possibly be true… even if it was only a comic book.

Superman #148 opened with ‘The 20th Century Achilles’ by Edmond Hamilton, Swan & Moldoff, wherein a cunning crook devised a way to make himself immune to harm, after which ‘Mr. Mxyzptlk’s Super Mischief’ (Siegel, Swan & Moldoff) once again found the 5th dimensional pest using his magic to cause irritation after legally changing his name to something even easier to pronounce whilst the delightfully devilish ‘Superman Owes a Billion Dollars!’ written by Bernstein, saw the Caped Kryptonian face his greatest foe – a Revenue agent who diligently discovered that the hero had never paid a penny of tax in his life…

Action Comics #281 featured ‘The Man Who Saved Kal-El’s Life!’ (Bernstein & Plastino), which related the story of a humble Earth scientist who had visited Krypton and cured baby Kal-El, all wrapped up in a gripping duel with a modern crook who was able to avoid Superman’s every effort to hold him, whilst in Superman #149 ‘Lex Luthor, Hero!’, ‘Luthor’s Super-Bodyguard’ and ‘The Death of Superman’ by Siegel, Swan & Moldoff formed a brilliant extended Imaginary saga which described the insidious inventor’s ultimate victory over the Man of Steel.

Back in “real” continuity Action #282 revealed ‘Superman’s Toughest Day’ (Bill Finger & Plastino) as Clark Kent’s vacation only revealed how his alter ego never really took it easy, whilst #283 and ‘The Red Kryptonite Menace’ (Bernstein, Swan & Kaye) saw a brace of Chameleon Men from the 30th century afflict the Action Ace with incredible new powers and disabilities after exposing him to a variety of crimson K chunks.

Superman #150 opened with ‘The One Minute of Doom’ by Siegel & Plastino, which disclosed how all the survivors of Krypton – even Super-dog – commemorated the planet’s destruction, after which Bernstein & Kurt Schaffenberger’s ‘The Duel over Superman’ finally saw Lois and Lana teach the patronising Man of Tomorrow a deserved lesson about his smug masculine complacency, before Siegel, Swan & Kaye baffled readers and Action Ace alike ‘When the World Forgot Superman’ in a clever and beguiling mystery yarn

From Superman Annual #4 (January 1962) comes the stunning cover and The Origin and Powers of the Legion of Super-Heroes by Swan & George Klein after which Action #284 featured ‘The Babe of Steel’ (Bernstein, Swan & Klein) wherein Superman endured humiliation and frustration after deliberately turning himself into a toddler – but there was a deadly and vital purpose to the temporary transformation…

Superman #151 opened with the salutary story of ‘The Three Tough Teen-Agers!’ (Siegel & Plastino) wherein the hero set a trio of delinquents back on the right path, after which Bernstein, Swan & Klein’s ‘The Man Who Trained Supermen’ saw Clark Kent expose a crooked sports trainer and ‘Superman’s Greatest Secret!’ was almost revealed after battling a fire-breathing dragon which survived Krypton’s doom in a stirring tale by Siegel, Swan & Klein: probably one of the best secret identity-saving stories of the period…

Since landing on Earth, Supergirl’s existence had been a closely guarded secret, allowing her time to master her formidable abilities, which were presented to the readership monthly as a back up feature in Action Comics. However with #285 ‘The World’s Greatest Heroine!‘ finally went public in the Superman lead spot after which the Girl of Steel defeated ‘The Infinite Monster’ in her own strip, as Supergirl became the darling of the universe: openly saving the planet and finally getting the credit for it in a stirring brace of tales by Siegel & Jim Mooney.

Action #286 offered the Superman saga ‘The Jury of Super-Enemies’ (Bernstein, Swan Klein) as the Superman Revenge Squad  inflicts Red K hallucinations on the Man of Steel which torment him with visions of Luthor, Brainiac, the Legion of Super-Villains and other evil adversaries. The epic continued in Action #287, but before that Superman #152 appeared, offering a surprising battle against ‘The Robot Master’ (Siegel, Swan & Klein), the charmingly outrageous ‘Superbaby Captures the Pumpkin Gang!’ by Leo Dorfman, George Papp and ‘The TV Trap for Superman!’ a devious crime caper by Finger & Plastino which saw the hero unwittingly wired for sound and vision by a sneaky conman…

The Revenge Squad thriller then concluded in #287’s ‘Perry White’s Manhunt for Superman!’ (Bernstein, Swan & Klein) as an increasingly deluded Man of Steel battled his worst nightmares and struggled to save Earth from a genuine alien invasion.

‘The Day Superman Broke the Law!’, by Finger & Plastino, opened Superman #153 as a wily embezzler entangled the Metropolis Marvel in small-town red tape after which ‘The Secret of the Superman Stamp’ (Edmond Hamilton, Swan & Klein) saw a proposed honour for good works turned into a serious threat to the hero’s secret identity, whilst ‘The Town of Supermen’ by Siegel & Forte found the Man of Tomorrow in a western ghost town facing a deadly showdown against ten Kryptonian criminals freshly escaped from the Phantom Zone…

The growing power of the silver screen informed ‘The Man Who Exposed Superman’ (Action #288 by an unknown writer and artists Swan & Klein) when a vengeful convict originally imprisoned by Superboy attempted to expose the hero’s identity by blackmailing him on live television whilst ‘The Super-Practical Joker!’ (in #289 by Dorfman & Plastino) saw Perry White forced to hire obnoxious trust-fund brat Dexter Willis, a spoiled kid whose obsessive stunts almost exposed Superman’s day job.

‘The Underwater Pranks of Mr. Mxyzptlk’ by Hamilton, Swan & Klein led in Superman #154 as the insane sprite returned, determined to cause grief and stay for good by only working his jest whilst submerged, after which ‘Krypton’s First Superman’ (Siegel, Swan & Klein) revealed a hidden tale of baby Kal-El on the doomed world which had unsuspected psychological effects on the full-grown hero. This is followed by an example of the many public service announcements which ran in all DC’s 1960’s titles. ‘Superman Says be a Good Citizen’ was probably written by Jack Schiff and illustrated by Sheldon Moldoff.

Exposure to a Red Kryptonite comet in Action #290 led to the hero becoming ‘Half a Superman!’ in another sadly uncredited story illustrated by Swan & Klein after which

Superman Annual #5 (July 1962) offers another stunning cover and displays the planetary Flag of Krypton, whilst Superman #155 featured the two-chapter ‘Superman Under the Green Sun’ and ‘The Blind Superman’ by Finger, Wayne Boring & Kaye, as the Man of Steel was trapped on a totalitarian world where his powers were negated and he was blinded as part of the dictator’s policy to keep the populace helpless. However, even sightless, nothing could stop the hero from leading the people to victory. As if that wasn’t enough Siegel, Swan & Klein then offered the showbiz thriller ‘The Downfall of Superman!’ with a famous wrestler seemingly able to defeat the Action Ace – with a little help from some astounding guest-stars…

‘The New Superman!’ by Bernstein & Plastino (Action #291) wherein the Metropolis Marvel lost his deadly susceptibility to Kryptonite, only to have it replaced by aversions to far more commonplace minerals, whilst #292 revealed ‘When Superman Defended his Arch Enemy!’ – an anonymous thriller illustrated by Plastino – which saw the hero save Luthor from his just deserts after “murdering” alien robots

This grand excursion into comics nostalgia ends with one of the greatest Superman stories of the decade. Issue #156, October 1962, featured the novel-length saga ‘The Last Days of Superman’ by Hamilton, Swan & Klein which began with ‘Superman’s Death Sentence’ as the hero contracted the deadly Kryptonian Virus X and fell into a swift and painful decline. Confined to an isolation booth, he was visited by ‘The Super-Comrades of All Times!’ who attempted to cure and swore to carry on his noble works until a last-minute solution was discovered on ‘Superman’s Last Day of Life!’ This tense and terrifying thriller employed the entire vast and extended supporting cast that had evolved around the most popular comicbook character in the world and still enthrals and excites in a way few stories ever have…

As well as containing some of the most delightful episodes of the pre angst-drenched, cosmically catastrophic DC, these fun, thrilling, mind-boggling and yes, occasionally deeply moving all-ages stories also perfectly depict the changing mores and tastes which reshaped comics between the safely anodyne 1950s to the seditious, rebellious 1970s, all the while keeping to the prime directive of the industry – “keep them entertained and keep them wanting more”.

I know I certainly do…
© 1961, 1962, 2007 DC Comics. All Rights Reserved.

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Batman: the World’s Finest Comics Archives volume 2


By Bob Kane, Bill Finger, Don Cameron, Joe Samachson, Norman Fallon, Dick Sprang, Win Mortimer, Ray Burnley, & various (DC Comics)
ISBN: 1-4012-0163-6

The creation of Superman propelled National Comics to the forefront of their fledgling industry and in 1939 the company was licensed to produce a commemorative comicbook celebrating the start of the New York World’s Fair, with the Man of Tomorrow prominently featured among the four-colour stars of the appropriately titled New York World’s Fair Comics.

A year later, following the birth of Batman and Robin, National combined Dark Knight, Boy Wonder and Man of Steel on the cover of the follow-up New York World’s Fair 1940. The spectacular 96 page anthology was a huge hit and the format was retained as the Spring 1941 World’s Best Comics #1, before finally settling on the now legendary title World’s Finest Comics from #2, beginning a stellar 45-year run which only ended as part of the massive clear-out and de-cluttering exercise that was Crisis on Infinite Earths.

Until 1954 and the swingeing axe-blows of rising print costs, the only place Superman and Batman ever met was on the stunning covers by the likes of Jack Burnley, Fred Ray and others. Between those sturdy card covers, the heroes maintained a strict non-collaboration policy…

This second glorious deluxe hardback dedicated to the Gotham Gangbusters’ early appearances reprints the Batman tales from World’s Finest Comics #17-32 (Spring 1945 – January/February 1948), in gleaming, glossy full-colour and also includes a fascinating Foreword by author and fan Bill Schelly and concludes with brief biographies of all the creators involved in these early masterpieces.

In between those text titbits there is unbridled graphic enchantment beginning with ‘Crime Goes to College’ by Bill Finger, Norman Fallon & Dick Sprang, wherein the Dynamic Duo tracked down a cracked academic determined to prove that he could make crime pay whilst ‘Specialists in Crime’ scripted by Don Cameron, pitted the heroes against a wily team who seemed to have the right man for every job they pulled…

In #19 the Joker organised ‘The League for Larceny’ (Joe Samachson, Bob Kane & Ray Burnley) to promote the finer points of criminality until Batman and Robin stepped in whilst in #20 (Winter 1946, and the last quarterly edition: from the next issue the comicbook would appear every two months) benign numismatist Mark Medalion turned out to have a very sinister other face as ‘The King of Coins’, a clever and exotic thriller from Cameron & Win Mortimer.

WF #21 (March/April 1946, illustrated by Mortimer and the uncredited writer is probably Cameron) introduced ‘Crime’s Cameraman’ Sam Garth, a keen shutterbug whose unwitting enthusiasm masked a deadly secret, whilst ‘A Tree Grows in Gotham City’ (written by Alvin Schwartz?) spoofed the infamous novel by pitting the Dynamic Duo against a gang of thugs determined to dig up an elderly oak belonging to an equally elderly gent… but why?

‘Champions Don’t Brag’ (William Woolfolk & Mortimer) focussed on Dick Grayson’s understandable desire to excel at sports: a wish constantly thwarted by the need to keep his Robin alter ego secret. When his school’s best athlete was kidnapped the fear proved justified since the abductors then tried to ransom the “Boy Wonder” they sincerely believed they had captured…!

The unknown writer of ‘The Case of the Valuable Orphans’ told a powerful tale of cruel criminality as thugs exploited carefully placed adopted children to case potential burglary jobs, whilst ‘The Famous First Crimes’ by Cameron, Mortimer & Howard Sherman in #25, found Batman and Robin helping an enterprising inventor whilst battling bandits determined to steal historical scientific breakthroughs and ‘His Highness, Prince Robin’ (by anonymous & Mortimer) saw the Boy Wonder pinch-hitting for a wayward royal absconder in a clever twist on the classic Prince and the Pauper plot.

In WF #27 ‘Me, Outlaw’ revealed the big mistake of car thief and murderer Wheels Mitchum in a tense and salutary courtroom drama by Finger & Jim Mooney, whilst ‘Crime Under Glass’ depicted the horrific and grisly murder spree of the chilling Glass Man in a taut mystery illustrated by Sprang by Fallon and #29 offered ‘The Second Chance’ to freshly released convict Joel Benson who increasingly found life out of prison temptation beyond endurance in a classy human drama by Cameron & Mortimer.

Most later Batman tales feature a giant coin in the Batcave and World’s Finest #30 is where that spectacular prop first appeared; spoils of a successful battle between the Caped Crusaders and the vicious gang of Joe Coyne and ‘The Penny Plunderers!’ (Finger, Kane & Burnley), after which ‘The Man with the X-Ray Eyes!’ (scripted by Cameron) saw the heroes struggling to save from unscrupulous thugs a tragic artist cursed with the ability to see through anything – including their masks…

This superb collection of Dark Knight Dramas ends with ‘The Man Who Could Not Die’ (Finger, Kane & Burnley from #32) a deliciously fearsome fable wherein petty gunman Joe “Lucky” Starr got a twisted horoscope reading and believed that he knew the day he would be killed. Of course, until then, he could commit any crime without possibility of harm – even if Batman and Robin interfered…

These spectacular yarns provide a perfect snapshot of the Batman’s amazing development from bleak moody avenger and vigilante agent of revenge to dedicated, sophisticated Devil-may-care Detective in timeless tales which have never lost their edge or their power to enthral and beguile, and this superbly sturdy Archive Edition is indubitably the most luxurious and satisfying of ways to enjoy them over and over again.

So why don’t you…
© 1945, 1946, 1947, 1948, 2004 DC Comics. All Rights Reserved.

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Showcase Presents Legion of Super-Heroes volume 3


By Jim Shooter, E. Nelson Bridwell, Otto Binder, Curt Swan, George Klein, Pete Costanza, Jim Mooney & George Papp (DC Comics)
ISBN: 978-1-4012-2185-0

Once upon a time, in the far future, a band of super-powered kids from a multitude of worlds took inspiration from the greatest legend of all time and formed a club of heroes. One day those Children of Tomorrow came back in time and invited their inspiration to join them…

And thus began the vast and epic saga of the Legion of Super-Heroes, as first envisioned by writer Otto Binder and artist Al Plastino in early 1958, just as the revived comicbook genre of superheroes was gathering an inexorable head of steam. Since that time the fortunes and popularity of the Legion have perpetually waxed and waned, with their future history tweaked and rebooted, retconned and overwritten over and over again to comply with editorial diktat and popular whim.

This sturdy, action packed third monochrome compendium gathers a chronological parade of futuristic delights from October 1966 to May 1968, originally seen in Adventure Comics #349-368, and includes a Legion-featuring story from Superman’s Pal Jimmy Olsen #106 (October 1967).

During this period the Club of Champions finally shed the last vestiges of wholesome, imaginative, humorous and generally safe science fiction strips to become a full-on dramatic action feature starring a grittily realistic combat force in constant, galaxy-threatening peril: a compelling force of valiant warriors ready and willing to pay the ultimate price for their courage and dedication…

The main architect of the transformation was teenaged sensation Jim Shooter, whose scripts and layouts (usually finished and inked by veterans Curt Swan & George Klein) made the series accessible to a generation of fans growing up in the Future…

The tense suspense begins with Adventure Comics #349’s ‘The Rogue Legionnaire!’ (Shooter, Swan & Klein) wherein Saturn Girl, Colossal Boy, Shrinking Violet, Chameleon Boy and Brainiac 5 hunted hypnotic villain Universo through five periods of Earth’s history, aided by boy-genius Rond Vidar, a brilliant scientist with a tragic secret…

This is followed by a stellar two-parter from #350-351 scripted by E. Nelson Bridwell which restored a number of invalided and expelled members to the team. In ‘The Outcast Super-Heroes’, a cloud of Green Kryptonite particles enveloped Earth and forced Superboy and Supergirl to retire from the Legion just as demonic alien Evillo unleashed his squad of deadly metahuman minions on the universe.

The Kryptonian Cousins were mind-wiped and replaced by armoured and masked paladins Sir Prize and Miss Terious in ‘The Forgotten Legion!’ but quickly returned when a solution to the K Cloud was found.

On Evillo’s eventual defeat, the team discovered that the wicked overlord had healed the one-armed Lightning Lad and restored Bouncing Boy‘s power for his own nefarious purposes, and together with the reformed White Witch and rehabilitated Star Boy and Dream Girl the Legion’s ranks and might swelled to bursting.

That was a very good thing as the next issue saw Shooter, Swan & Klein produce one of their most stunning epics. When a colossal cosmic entity known as the Sun Eater menaced the United Planets, the Legion were hopelessly outmatched and forced to recruit the galaxy’s most dangerous criminals to help save civilisation.

However The Persuader, Emerald Empress, Mano, Tharok and Validus were untrustworthy allies at best and formed an alliance as ‘The Fatal Five!’ intending to save the galaxy only so that they could rule it…

Adventure #353 revealed how the Five seemingly sealed their own fate through arrogance and treachery and the cost of heroism was paid when ‘The Doomed Legionnaire!’ sacrificed his life to destroy the solar parasite…

Issue #354 introduced ‘The Adult Legion!’ when Superman travelled into the future to visit his grown-up comrades – discovering tantalising hints of events that would torment and beguile LSH fans for decades – before the yarn concluded with #355’s ‘The War of the Legions!’ as Brainiac 5, Cosmic Man, Element Man, Polar Man, Saturn Woman and Timber Wolf, accompanied by the most unexpected allies of all, battled the Legion of Super-Villains.

This issue also included an extra tale in ‘The Six-Legged Legionnaire!’ (by Otto Binder, Swan & Klein) wherein Superboy brought his High School sweetie Lana Lang to the 30th century, where she joined in a mission against a science-tyrant as the shape-shifting Insect Queen. Disaster soon struck though when the alien ring which facilitated her changes was lost, trapping her in a hideous bug-body…

In issue #356 Dream Girl, Mon-El, Element Lad, Brainiac 5 and Superboy were transformed into babies and became ‘The Five Legion Orphans!’: a cheeky and cunning Bridwell scripted mystery.

The repercussions and guilt of the Sun-Eater episode were explored when the survivors of that mission were apparently haunted by ‘The Ghost of Ferro Lad!’ (#357 by Shooter, Swan & Klein) whilst ‘The Hunter!’ (Shooter & George Papp) saw the heroes stalked by an insane and murderous sportsman with a unique honour code.

Adventure #359 found the once-beloved champions disbanded and on the run as ‘The Outlawed Legionnaires!’ (Shooter, Swan & Klein) thanks to the manipulations of a devious old foe, only to rousingly regroup and counter-attack in #360’s ‘The Legion Chain Gang!’

Once again a key component of United Planets Security in ‘The Unkillables!’, the superhero squad were then assigned to protect alien ambassadors the Dominators from political agitators, assassins and a hidden traitor in a tense thriller illustrated by Jim Mooney, after which ‘The Lone Wolf Legion Reporter!’ (Superman’s Pal Jimmy Olsen #106, October 1967, by Shooter & Pete Costanza) found the young newsman seconded to the 30th century to help with the club newspaper. Sadly he was far better at making news than publishing it…

Adventure Comics #362 found the team scattered across three worlds as mad scientist Mantis Morlo refused to let environmental safety interfere with his experiments in ‘The Chemoids are Coming!’, resulting in a lethally ‘Black Day for the Legion!’…

Shooter & Costanza then topped their gripping two-parter by uncovering ‘The Revolt of the Super-Pets!’ in #364, when the crafty rulers of planet Thanl attempted to seduce the animal adventurers from their rightful – subordinate – positions with sweet words and palatial new homes…

When the isolated world of Talok 8 went dark and became a militaristic threat to the UP, their planetary champion Shadow Lass led Superboy, Brainiac 5, Cosmic Boy and Karate Kid on a reconnaissance mission which resulted in the disastrous ‘Escape of the Fatal Five!’ (illustrated by Swan & Klein).

The quintet then almost conquered the UP itself and were only frustrated by the defiant, last ditch efforts of the battered heroes in the blistering conclusion ‘The Fight for the Championship of the Universe!’

In grateful thanks the Legion were gifted with a vast new HQ but before the paint was even dry a vast paramilitary force attempted to invade the slowly reconstructing planet Earth in #367’s ‘No Escape from the Circle of Death!’ (Shooter, Swan, Klein & Sheldon Moldoff), after which this volume ends on a note of political and social tension when a glamorous alien envoy attempted to suborn the downtrodden female Legionnaires in #368’s ‘The Mutiny of the Super-Heroines!’

The Legion is unquestionably one of the most beloved and bewildering creations in comicbook history and largely responsible for the growth of the groundswell movement that became American Comics Fandom.

Moreover, these scintillating and seductively addictive stories – as much as Julie Schwartz’s Justice League – fired up the interest and imaginations of a generation of young readers and underpinned the industry we all know today.

If you love comics and haven’t read this stuff, you are the poorer for it and need to enrich your future life as soon as possible.
© 1966, 1967, 1968, 2009 DC Comics. All Rights Reserved.