52 Vol 1

52 Vol 1

By various (DC Comics)
ISBN 1-84576-552-4

After the never-ending calamity of the DC Infinite Crisis event, the company re-set the time line of all their publications to begin One Year Later. This enabled them to retool their characters as they saw fit, provide a jumping on point for new converts and also give themselves some narrative wiggle-room.

They began to fill that room with a hugely ambitious weekly miniseries which would tell the story of that “Lost Year” from the point of view of many of the company’s minor players, setting up events and triggers for an even more calamitous crossover event at its end. Rather than get into specific events it’s probably fairer all around to summarise the various plot strands in broad terms as this is a very impressive project with lots to entice and entertain, and one you really should experience at first hand.

At the end of Infinite Crisis a shell-shocked planet Earth remained, but reality had again altered, with only a select few knowing how or why. But there were some major changes that everybody could see. Superman, Batman (as well as Robin and Nightwing) and Wonder Woman were gone. Superboy and many other heroes, as well as a huge number of ordinary people were dead. Blüdhaven had been bombed into toxic rubble, and many other cities were almost as badly damaged. Magic had broken loose around the globe, unleashing monsters and mayhem. Moreover, a large number of superheroes were simply unaccounted for. But life goes on and the survivors began to pick up the pieces…

In the first 13 instalments collected here ex- Gotham City cop Renee Montoya meets the enigmatic hero The Question and begins a hunt for Intergang thugs and her own future. It is a quest that will take her to the ends of the Earth. In Kahndaq it will bring her to the attention of hard-line super-despot Black Adam who is busy marshalling an international alliance of like-minded rulers and rogue states, until he meets a girl who will change his life forever.

Ralph ‘Elongated Man’ Dibney, whilst coming to terms with the murder of his wife, encounters a youth cult that seeks to resurrect the dead. His own loss pales beside the seeming obsession of Wonder Girl who will not accept the death of her beloved Superboy.

Booster Gold is protecting Metropolis and gathering profitable sponsorships until the mysterious Supernova shows the world what true heroism is. John Henry Irons is at odds with his niece Natasha. She wants super-powers and is prepared to get them from Lex Luthor’s Everyman Project even though they are responsible for mutating her uncle into a being of solid metal.

At St. Camillus, a hospital dedicated to meta-human medicine, there is a full emergency when the survivors of the Deep Space mission from Infinite Crisis suddenly return, maimed and exhausted. Unknown to anyone Animal Man, Starfire and a blinded Adam Strange are marooned on a crippled starship light-years from anywhere.

In Gotham City, a new Bat-masked avenger is taking a bite out of the underworld, and all over the planet mad scientists are vanishing…

Written in a tag-team collaboration by Geoff Johns, Grant Morrison, Greg Rucka and Mark Waid, story breakdowns by Keith Giffen, drawn by Eddie Barrows, Chris Batista, Joe Bennett, Ken Lashley, Shawn Moll and Todd Nauck, inked by Marlo Alquiza, Draxhall, Jack Jadson, Ruy José, Tom Nguyen, Jimmy Palmiotti and Rob Stull, with colouring by David Baron and Alex Sinclair, lettering by Phil Balsman, Pat Brosseau, Jared K. Fletcher, Travis Lanham, Rob Leigh and Nick J. Napolitano and stunning original covers by J. G. Jones and Alex Sinclair, this is a landmark achievement in American comics and one you should see for yourselves.

© 2006, 2007 DC Comics. All Rights Reserved.

Superman: They Saved Luthor’s Brain!

Superman: They Saved Luthor's Brain!

By various (DC Comics)
ISBN13: 978-1-85286-942-7

This outrageous pastiche of B-Movie shockers is in actual fact a selective collection of tales that highlight a period of superb creativity from the post Crisis on Infinite Earths Superman reboot. If you’re counting, they first appeared in Man of Steel #4, Superman #2, 19, 21 and Action Comics #600, 660, 668, 670-73, 676-678.

By taking pertinent episodes from a seven-year sub-plot the assembled creators – Roger Stern, John Byrne, Bob McLeod Jackson Guice, Kieron Dwyer, Dick Giordano, Denis Rodier, Terry Austin, Brett Breeding, Ande Parks, John Beatty and Brad Vancata – played with all the comic-book clichés and produced a terrific tale of villainy that perfectly defined the arch-mastermind who will always be Superman’s greatest foe.

‘The Secret Revealed’ saw Luthor with a ring made from Kryptonite that kept Superman literally at arms length. Subsequent stories revealed that the alien radiation of the element slowly poisoned Luthor, firstly causing the loss of his hand and eventually fatally irradiating his entire body. As his power waned and his condition became public, the evil billionaire seemed to commit suicide in a spectacular manner.

The resulting financial chaos threatened to destroy the economy of Metropolis, but at the last moment a young, vigorous heir was found living secretly in the Australian Outback. Apparently Luthor had been keeping him hidden to safeguard the lad, but now he was grown and ready to take over his father’s empire…

If you’re any kind of fantasy fan then this book’s title is all the clue you’ll need before engaging in a splendidly paranoid romp of clones and monsters, intrigue and suspense and guest-starring the synthetic Supergirl called Matrix.

This kind of close-plotted continuity was a hallmark of the 1980s and 1990s Superman, and that such a strong tale could be constituted from the bits around the main story is a lasting tribute to the efficacy and power of the technique.

© 1986, 1987, 1988, 1990, 1991, 1992 DC Comics. All Rights Reserved.

Tales of the New Gods

Tales of the New Gods

By various (DC Comics)
ISBN: 978-1-84576-746-4

Here’s an intriguing item that should appeal to a broad spectrum of readers. When Jack Kirby moved back to DC in 1970 he created one of the most powerful concepts in comicbook history. His Fourth World inserted a whole new mythology into the existing DC universe and blew the developing minds of a generation of readers. Starting with Superman’s Pal Jimmy Olsen, where he revived the 1940s kid-team The Newsboy Legion, introduced large-scale cloning in the form of The Project, and hinted that the city’s gangsters had an unworldly backer, he moved on to the Forever People, New Gods and Mister Miracle; an interlinked triptych of projected miniseries that formed an epic mosaic.

These three titles introduced two rival races of gods, dark and light, risen out of the ashes of a previous Armageddon to battle forever. And then their conflict spread to Earth…

Kirby’s concepts, as always, fired and inspired his contemporaries and successors. The gods of Apokolips and New Genesis have become a crucial foundation of the DC universe, surviving the numerous revisions and retcons that periodically bedevil continuity-hounds.

Many major talents have dabbled with the concept over the years and many titles have come and gone starring Kirby’s creations. This compendium collects a lovely one-shot from 1987 and a large selection of back-up strips from Jack Kirby’s Fourth World and its follow-up title Orion, both published a decade later.

The Mister Miracle Special was released when the heroic Super Escape-Artist was a high-profile member of Justice League International (see Justice League: A New Beginning – ISBN: 0-930289-40-4 and Justice League International: The Secret Gospel of Maxwell Lord – ISBN: 1-56389-039-9) and is a delightful, loving pastiche-cum-homage by Mark Evanier, Steve Rude and Mike Royer. This action-packed romp stars Scott Free, his wife Barda and their assistant Oberon in desperate battle against Darkseid, Granny Goodness, the hordes of Apokolips, the unctuous Funky Flashman and incipient bankruptcy; a bright and breezy taster to contrast the heavier content that follows.

The short stories thereafter were originally historical background tales to the lead features and concentrated on revealing secrets from the long lives of the key players. Originally appearing in Jack Kirby’s Fourth World #2-11, #13-20 and Orion #3, 4, 6-8, 10, 12, 15, 18, and 19, there is also a wonderful bonus for older, wiser fans.

When Orion was cancelled there was one back-up tale completed but never published. Included here for the first time is ‘Infinitely Gentle, Infinitely Suffering’, a powerful character-piece starring Darkseid, Desaad and Granny Goodness written by Mark Millar, inked by Mick Gray and pencilled by the magical, unique and legendary Steve Ditko.

Other creators featured in this star-heavy tome are writers John Byrne, Walter Simonson, Eric Stephenson, Howard Chaykin, Jeph Loeb, and Kevin McCarthy, plus pencillers Ron Wagner, Frank Miller, Dave Gibbons, Eric Larsen, Rob Liefeld, Art Adams, Jim Lee, John Paul Leon, Allen Milgrom and Eddie Campbell as well as the aforementioned Byrne, Simonson and Chaykin wearing their drawing hats. The inkers include Byrne, Simonson, Gibbons Miller, Adams, Leon Campbell and Chaykin as well as Ray Kryssing, Al Gordon, Norm Rapmund, Scott Williams and Klaus Janson and thirteen colourists and letterers complete the small army of fans paying their dues.

As for the stories, they may not be Kirby, but they certainly demonstrate the overwhelming love and admiration for what he created. In tales recounting the early days of Scott Free on Earth, the origin of Infinity Man, Kanto the Assassin at the court of the Borgias, the collusion of Metron and Darkseid which led to The War, the birth of the Forever People, a retelling of their first meeting with Superman, many individual insights and glimpses at the huge cast and even the origin of Darkseid himself, comics’ greatest talents expand the legend.

At a time when DC is concluding the saga with its Death of the New Gods miniseries, this spectacular book is a shining example of what Kirby’s masterpiece inspired. Tales Of The New Gods is a Must-Have Item for all fans of the medium and lovers of Sheer Imagination.

© 1987, 1997, 1998, 2000, 2001, 2008 DC Comics. All Rights Reserved.

Batman: The Man Who Laughs

Batman: The Man Who Laughs
Batman: The Man Who Laughs

By Ed Brubaker & various (DC Comics)
ISBN13: 978-1-84576-724-2

Post Infinite Crisis, we’ve just been treated to yet another origin of The Joker in the more or less monthly pages of Batman Confidential, but not so very long ago (2005 in fact) writer Ed Brubaker and artist Doug Mahnke treated us to a rather gripping treatment based on the original 1940s tales, with a tip of the hat to the Steve Englehart/Marshall Rogers tales of the early seventies (see Batman Chronicles Vol. – 1 ISBN: 1-84576-036-0 and Batman: Strange Apparitions – ISBN: 1-84023-109-2 for those classics) in the form of an impressive prestige one-shot.

The title and apparently the original inspiration for the Clown Prince of Crime himself come from Paul Leni’s seminal 1928 film classic starring Conrad Veidt in the title role. The plot concerns the actions of innocent Gwynplaine who had a permanent smile carved into his face by the King as a punishment for his father’s crimes…

Set not long after the events of Batman: Year One (ISBN: 1-84576-158-8), The Man Who Laughs sees Captain Jim Gordon recognise that Gotham City has been changed forever when an outlandish and macabre serial killer goes on a very public, attention-seeking murder spree. Even his secret ally and vigilante outlaw The Batman is daunted by the sheer scale and audacity of the chalk-faced lunatic who seems utterly unstoppable…

The remainder of this book collects a three-part adventure from Detective Comics #784-786. Brubaker here scripts a generational serial-killer mystery guest-starring the Golden Age Green Lantern, who was the superhero-in-residence of Gotham City in the 1940s and 1950s.

‘Made of Wood’ illustrated by Patrick Zircher, Aaron Sowd and Steve Bird, finds Batman hunting a murderer who originally terrorised the populace in 1948 – even assassinating the then-Mayor – before simply disappearing. Matters are further complicated when a guilt-plagued Green Lantern returns determined to close the case he fumbled nearly 50 years previously…

Brubaker is an excellent writer at the peak of his abilities here and the art on both stories is effective and compelling. This is one of the better Batman collections of recent years and a great treat for any fan or casual browser.

© 2003, 2005, 2008 DC Comics. All Rights Reserved.

Superman: Redemption

Superman: Redemption

By Kurt Busiek & various (DC Comics)
ISBN13: 978-1-84576-744-0

This slim volume collects three Superman adventures linked by a spiritual theme. ‘Angel’ (from Superman #659) is by Kurt Busiek, Fabian Nicieza, Peter Vale, Carlos Pacheco and Jesus Merino. Set in the early days of the Man of Tomorrow’s career it tells the tragic tale of devout Christian Barbara Johnson who confuses Superman with an actual heavenly messenger, and begins a crusade to remove sin from her neighbourhood, armed with the knowledge that God’s red caped Angel will keep her from harm.

‘Redemption’ (Action Comics #848-849) tells a much darker story about faith. Fabian Nicieza, Allan Goldman and Ron Randall introduce an awesomely powerful young hero who acts as protector for missionaries of the proselytising First Church of Redemption, but whose uncontrolled might causes a disaster. Superman must determine if faith indeed has removed mountains, or if a darker force is behind the slaughter.

Finally from Superman #666 Busiek and Walter Simonson reveal ‘The Beast from Krypton’, a macabre chiller guest-starring The Phantom Stranger, wherein the Man of Steel is possessed by the last surviving demon from his home planet.

Superman has often been likened to Judaeo-Christian figures such as Christ and Moses, and many writers have dabbled with interpretations of his “God-like abilities”. It is most welcome to find writers prepared to broach, however timidly, some of the more contentious issues surrounding modern religion as well as the Champion/Deity archetypes. It also doesn’t hurt when the stories are thoughtful, well-paced, exciting and very good to look at.

© 2007 DC Comics. All Rights Reserved.

JLA: Kid Amazo!

JLA: Kid Amazo

By Peter Milligan & Carlos D’Anda (DC Comics)
ISBN13: 978-1-84576-733-4

Here’s a short, pithy and fun little adventure that originally appeared in the highly underrated JLA: Classified monthly (issues #37-41, to be precise) from those inventive stalwarts Peter Milligan and Carlos D’Anda.

Frank Halloran is a pretty average guy, at least for Berkeley. But the stressed and testy philosophy student is going through a few changes, so he’s not quite sure how to respond when the Justice League come rampaging through the campus fighting a huge robotic guy dressed in a green bathing suit.

He’s even more nonplussed when the robot comes back later and explains that he/it is Frank’s real father. Frank is in fact an artificial construct of bio-plasm and mechanisms designed to be the next generation Amazo; an android designed to mimic the powers and abilities of the World’s Greatest Superheroes and programmed to do evil…

The themes of teenaged rebellion and isolation are taken to stunning extremes as Frank struggles to overcome his hardwiring and be his own person, but even with all his new abilities he is unaware of the lengths that Amazo has gone to in order to ensure his son follows in his footsteps.

And all the while the Justice League is watching to ensure Frank makes the Right Choice…

Free will and paranoia wrestle in this bizarre and enjoyable coming-of-age tale and casual readers needn’t fear as back-story knowledge requirements are kept to the barest minimum possible. This is light, fun and very pretty …and well worth a little of your time.

© 2006 DC Comics. All Rights Reserved.

Babar at Home

Babar at Home

By Jean de Brunhoff (Egmont)
ISBN: 978-1-4052-3821-2

This is actually the sixth tale of Babar the Elephant. First published in 1938 as Babar en famille it returns the King to centre stage after L’ABC de Babar (1934) and les vacances de Zéphir (1936) – both unavailable in English at this time – and tells how our now settled hero embarks on perhaps his greatest adventure – parenthood.

When Babar announces that Queen Celeste is pregnant, the entire kingdom rejoices and prepares for the great event. Very quickly after he realises that there is nothing for him to do! In the fullness of time, though, his boredom is replaced by shock and joy when Celeste presents him with triplets! The happy parents name them Flora, Pom and Alexander.

The remainder of the book deals with the frankly hair-raising exploits of the toddlers as they narrowly escape crashing off a cliff in their pram, getting lost in the woods and even drowning and being eaten by crocodiles!

This volume shows an artistic polish not seen in the earlier books (and even a slight experiment with comicbook formatting) that is truly delightful, and the boisterous storytelling belies the undeserved anodyne reputation the series has in some quarters. There are quite a few thrills in this book, so much so that parents might want to read this first before giving it to the very young or impressionable.

© 2008 Edition. All Rights Reserved.

Batman: Absolution

Batman: Absolution
Batman: Absolution

By J. M. DeMatteis & Brian Ashmore (DC Comics)
ISBN: 1-56389-984-5

This original graphic novel is a passable adventure with great aspirations that regrettably falls short of its intentions. Early in his career Batman survives a terrorist bombing of the Wayne Building which kills many of his employees. His helplessness amidst the tragedy resonates with the night a ten year Bruce Wayne couldn’t stop his parents from being murdered. When a video message from “The Children of Maya” claims credit for the atrocity he has a face and a name to hunt…

Over the next ten years he almost catches Jennifer Blake a number of times, but always she eludes him. Each time however he gets a little more of the puzzle and he knows that one day she will pay for her crimes. Eventually he tracks her to a mission in India, but once cornered she reveals a stunning secret. She has reformed, seen the light. In fact the locals believe her to be a true saint…

The attempt to bolt on a deeper meaning is painfully heavy-handed in places as DeMatteis’ usual subtlety seems to have deserted him in this tale which careens from obsessional parable to mystery-thriller, and Brian Ashmore’s painted art is painfully hit-and-miss, varying from moody brilliance to rushed and insubstantial daubing.

In a career that has seen some truly unforgettable comic stories this is one that perhaps should be.

© 2002 DC Comics. All Rights Reserved.

Triton — The Adventures of Rocco Vargas

Triton — The Adventures of Rocco Vargas

By Daniel Torres (Catalan Communications)
ISBN: 0-87416-025-1

Torres returns with another scrumptiously retro, tongue-in-cheek pastiche of fifties Americana and Space Opera that nevertheless is a thumping good tale of action and intrigue. In this absurdist and over-the-top blend of detective thriller, science-fiction and B-Movie melodrama, retired and incognito space hero Rocco Vargas is lured back from his sedentary role of author Armando Mistral.

Earth is sweltering under a global heat-wave. Water is scarce and dwindling daily but effete Mistral simply idles in ennui. When old comrade Doc Covalsky comes to him with a scheme to mine icebergs from the winter resort world of Triton he scarcely raises an eyebrow. But when Covalsky dies in mysterious circumstances his daughter becomes the trigger for the return of the legendary Rocco Vargas for one last splendid adventure. The plot rockets along blending corporate skulduggery, insidious interplanetary spies and a plan to bankrupt Earth in a breezy comedy-thriller that Hollywood just isn’t capable of making anymore.

Classic movie fashions, technology with Fins and Jazz-culture pace make Triton a graphic delight. Raucous, racy, outrageous and passionately reverential to a by-gone age, this is a sheer delight for comic fans and anybody who loves American films from the 1930s and 1940s. Clever yet daftly sophisticated, it blends the sensibilities of Hergé’s classic Tintin tales with the exuberance of Raul Walsh and the verve of Buster Crabb’s Flash Gordon serials.

Torres’ work is always a hoot and a treat. In recent years Dark Horse have reprinted a few of his tales and I sincerely recommend you go find some and get back to a much missed Future.

©1986 Daniel Torres, copyrights managed by Norma Agency, Barcelona.
English language edition ©1986 Catalan Communications. All Rights Reserved.

Tangent Comics, Vol 2

Tangent Comics, Vol 2

By Dan Jurgens & various (DC Comics)
ISBN13: 978-1-84576-747-1

The second volume of tales from Earth #9 of the new DC universe (see Tangent Comics: volume 1, ISBN13: 978-1-84576-670-2) collects the remaining four tales from 1997 and one from the sequel series from 1998. Tangent Comics: The Joker, Tangent Comics: Nightwing, Tangent Comics: Secret Six, Tangent Comics: Doom Patrol and Tangent Comics: The Batman all occur on an Earth where the Cuban Missile Crisis led to a nuclear exchange which changed the world and permanently entrenched the Cold War between the Soviets and the West.

The Joker is a mysterious madcap girl who seems determined to bedevil beat cop John Keel as he tries to do his job in the futuristic madhouse that is New Atlantis, built on the irradiated skeleton of Atlanta. ‘Laugh ’till it Hurts’ is written by Karl Kesel, drawn by Matt Haley and inked by Tom Simmons and provides a dark mystery to contrast the outlandish crime-busting hi-jinks.

Nightwing is the codename for a band of rogue mystics planning to expose and defeat a US government agency that uses Magic to achieve its ends – and naturally has its own agenda to fulfil. ‘The Most Dangerous Man in the World’ is by long-time creative collaborators John Ostrander and Jan Duursema.

The Secret Six is the inevitable star team-book, scripted by Chuck Dixon and illustrated by Tom Grummett. ‘Bad Moon’ sees newcomers The Spectre (a teen who can phase out of reality) and the artificial shape-changer Plastic Man unite with The Atom, The Flash, Joker and Manhunter to prevent a madman from becoming all the water on Earth, whilst the Doom Patrol are four enhanced individuals who travel back from 2030 AD to prevent the end of the World. ‘Saving Time’, by Dan Jurgens, Sean Chen and Kevin Conrad, is a rather formulaic chronal escapade with the misunderstood heroes discovering that they may be the trigger for the events they have come to prevent.

The volume closes with the lacklustre ‘Covenant of Iron’ as Jurgens and Klaus Janson reinterpret The Batman as an empty suit of armour animated by the willpower of Sir William, a cursed and lovelorn knight who survived the fall of Camelot, imprisoned in the ethereal Castle of the Bat.

As the middle of a trilogy of volumes it’s perhaps unwise to judge this book on its own merits, but frankly this is a mediocre book you don’t want to pick up without first reading its predecessor, and perhaps not at all until that third book comes out.

© 1997-1998, 2008 DC Comics. All Rights Reserved.