By Frank Miller & Klaus Janson (Marvel)
ISBN: 978-087135-351-1
Here’s another slim, sleek and sublimely enticing lost treasure from the early days of graphic novel compilations that will undoubtedly enthral fans of hard-bitten, high-calibre Fights ‘n’ Tights fracas.
Released in 1988, this full-colour 64-page compendium collected three unforgettable issues of Daredevil (#182-184 from May-July 1982) which perfectly encapsulated everything that made the first Frank Miller run such a momentous, unmissable, “must-read†series…
Matt Murdock is a blind lawyer whose remaining senses hyper-compensate, making him an astonishing acrobat, formidable fighter and living lie-detector. Very much a second-string hero for most of his early years, Daredevil was nonetheless a striking and popular one, due in large part to the captivatingly humanistic art of Gene Colan. He fought gangsters, a variety of super-villains and even the occasional monster or alien invasion. He quipped and wise-cracked his way through life and life-threatening combat, but under the auspices of Jim Shooter, Roger McKenzie and finally Miller himself, the character transformed into a dark, moody avenger and grim, quasi-religious metaphor of justice and retribution…
Frank Castle saw his family gunned down in Central Park after witnessing a mob hit and thereafter dedicated his life to eradicating criminals everywhere. His methods are violent and permanent. It’s intriguing to note that unlike most heroes who debuted as villains (Wolverine comes to mind) the Punisher actually became more immoral, anti-social and murderous, not less: the buying public shifted its communal perspective – Castle never toned down or cleaned up his act nor did his moral compass ever deviate…
The story goes that Marvel were reluctant to give The Punisher a starring vehicle in their standard colour comic-book line, feeling the character’s very nature made him a bad guy and not a good one.
Debuting as a deluded villain in Amazing Spider-Man #129 (February 1974), Castle was created by Gerry Conway, John Romita Sr. & Ross Andru, in response to popular prose anti-heroes such as Don Pendleton’s Mack Bolan: the Executioner and at of other returning Viet Nam vets who all turned their training and talents to wiping out organised crime.
Maybe that genre’s due for a revival as sandy GI boots hit US soil in the months to come…?
The crazed crime-crusher had previously starred in Marvel Preview #2 (1975) and Marvel Super Action #1 (1976) but as these were both black-and-white magazines aimed at a far more mature audience: however in the early 1980s a number of high profile guest-shots: Captain America #241, Amazing Spider-Man Annual #15 (covered recently in Sensational Spider-Man) and the extended epic here, convinced the Powers-That-Be to finally risk a miniseries on the maniac vigilante (see The Punisher by Steven Grant & Mike Zeck. You all know where that led…
In this collection, a reeling Matt Murdock is trying to cope with the murder of his first love Elektra when ‘Child’s Play’ sees Castle clandestinely removed from prison by a government spook to stop a shipment of drugs the authorities can’t touch.
Once he’s killed the gangsters, however, The Punisher refuses to go back to jail…
This story, concerning school kids using drugs, was begun by McKenzie & Miller but shelved for a year, before being reworked into a stunningly powerful and unsettling tale once Miller and Klaus Janson assumed the full creative chores on the title. When Matt Murdock visits a High School he is a helpless witness as a little girl goes berserk, attacking staff and pupils before throwing herself out of a third floor window.
She was high on Angel Dust and as the appalled hero vows to track down the dealers he encounters her bereaved and distraught younger brother Billy, determined to exact his own vengeance and later the coldly calculating Castle who has the same idea and far more experience…
The hunt leads inexorably to a certain street pusher and DD, Billy and the Punisher all find their target at the same time. After a spectacular battle the thoroughly beaten Daredevil has only a bullet-ridden corpse and Billy with a smoking gun…
The kid is innocent – and so, this time at least, is Castle – and after Murdock proves it in court, the investigation resumes with the focus falling on the pusher’s boss Hogman. When DD’s super-hearing confirms the gangster’s claims of innocence his alter-ego Murdock then successfully defends the vile dealer, only to have the exonerated slime-ball gloatingly admit to having committed the murder after all…
Horrified, shocked, betrayed and determined to enforce justice, DD finds a connection to a highly-placed member of the school faculty deeply involved with Hogman in the concluding ‘Good Guys Wear Red’ but far too late: Castle and Billy have both decided the end the matter Hogman’s way…
Tough, disturbing, beautiful and chillingly plausible, this epic encounter redefined both sides of the heroic coin for a decade to come and remains one of the most impressive stories in both character’s canons.
With creator biographies and commentaries from Ralph Macchio, Mike Baron and Anne Nocenti this oft re-printed tale (in 2000 it was repackaged and released with a new cover as The Punisher vs. Daredevil) marks a genuine highpoint in the serried careers of both horrifically human heroes and is well worth tracking down.
© 1988 Marvel Entertainment Group, Inc. All rights reserved.
