Science Fiction – Page 89

June 27, 2014July 6, 2014

Snowpiecer: The Escape

By Jacques Lob & Jean-Marc Rochette translated by Virginie Selavy (Titan Comics)
ISBN: 978-1-78276-143-3

All science fiction is social commentary and, no matter when, where or how set, holds up a mirror to the concerns of the time of its creation. Many stories – in whatever medium – can go on to reshape the culture that spawned them.

There’s a reason why the Soviets proscribed many types of popular writing but actively encouraged (certain flavours of) science fiction. 20,000 Leagues Under the Sea, Metropolis, 1984, Solaris, Star Trek, Alien and so many others escaped the ghetto of mere genre to change the cognitive landscape of the world, and hundreds more such groundbreaking and worthy efforts would do the same if we could get enough people to read or see them.

And most importantly, when done well and with honesty, such stories are also incredibly entertaining.

All over the world comics have always looked to the stars and voyaged to the future. Europe especially has long been producing spectacularly gripping and enthralling â€œWorlds of Ifâ€¦â€ and Franco-Belgian graphic storytelling in particular abounds with undiscovered treasures.

For every Blake & Mortimer or Barbarella, ValÃ©rian & Laureline, Airtight Garage, Chimpanzee Complex or Gods in Chaos there is an impossible hidden wealth of others, all perched tantalisingly out of reach for everybody unable or unwilling to read nothing but English.

To coincide with the release of spectacular summer blockbuster movie Snowpiercer, Titan Comics have released an economical paperback edition of another long-overlooked masterpiece. The book – a stunning example of bleak Cold War paranoid fantasy – is also electronically accessible to iPhone, iPad, Web, Android and Kindle consumers.

The original mesmerising monochrome adventure, written by Jacques Lob (TÃ©nÃ©brax, Submerman, Superdupont) and rendered by painter/illustrator Jean-Marc Rochette (Le DÃ©poteur de ChrysanthÃ¨mes, Les Aventures Psychotiques de NapolÃ©on et Bonaparte), was first serialised in 1982 in Ã€ Suivre and collected two years later as Le Transperceneige, and like most landmark yarns has a driving central conceit which is simple, brilliant and awesome.

In the future life is harsh, oppressive and ferociously claustrophobic. When eternal winter descended upon the Earth, fugitive remnants of humanity boarded a vast vacation super-train and began an eternal circumambulation of the iceball planet on railway tracks originally designed to offer the idle rich the ultimate pleasure cruise.

Thanks to lax security, as the locomotive started its unceasing circuit of the globe, gangs of destitutes boarded the vehicle, but were forced by the military contingent into the last of the 1001 cars pulled by the modern miracle of engineering.

Now decades later, the self-contained and self-sustaining Engine hurtles through unending polar gloom in a perpetual loop, carrying within a raw, fragmented and declining microcosm of the society that was lost to the new ice ageâ€¦

All contact with the Tail-enders of the â€œThird Classâ€ has been suspended ever since they tried to break through to the better conditions of the middle and front carriages. Their â€œWild Rushâ€ was repelled by armed guards and the survivors – who recall the terrifying event as â€œthe Massacreâ€ – were kicked back to their rolling slums and sealed in to dieâ€¦

The story proper begins as Lieutenant Zayim is called to an incident in a toilet. Somehow an individual has survived the -30 degree chill and monstrous acceleration, climbing along the outside of the train to smash his way into a centre carriage.

Normally the importunate refugee would be killed and ejected but the stunned officer receives instruction from his Colonel that the indigent – named Proloff – is to be interviewed by the leaders up in First Class.

Before that, however, the invader must be quarantined as the carriage doctor has no idea what contagions must proliferate in the squalor of the rear. But whilst Proloff is isolated, idealistic young activist Adeline Belleau forces her way into the carriage.

She is with a humanitarian Aid Group agitating to integrate the abandoned Tail-enders with the rest of the train, but is unceremoniously confined with the intruder and suffers the same appalling indignities as her unfortunate clientâ€¦

After a â€œnightâ€ in custody Proloff and Adeline are escorted by Sergeant Briscard and his squad through the strange and terrifying semi-autonomous carriages: each a disparate region of the ever-rolling city, contributing something to the survival of all.

Travelling through each car during their slow walk, Proloff observes how humanity has uniquely adapted on the journey to nowhere, but that each tiny kingdom is filled with people scared, damaged and increasingly dangerous.

In one car they are even attacked by banditsâ€¦

The invader also begins to glean certain facts: a religion has grown that worships the unlimited life-bestowing power of Saint Loco, rumours that the train is inexorably slowing down, reports that a plague has begun in the carriage he broke into. Even Adeline has picked up a cold from somewhereâ€¦

As they slowly approach the front, Proloff and Adeline grow closer, uniting against the antipathy of the incrementally better off passengers who all want the Powers-That-Be to jettison the dragging, superfluous end carriages packed with filthy Tail-endersâ€¦

When they at last reach the luxurious â€œGolden Carsâ€ the outcasts are interviewed by military Top Brass and the President himself.

He confirms that the train is indeed losing speed and that the furthest carriages will be ditched, but asks Proloff to act as an emissary, facilitating the dispersal of the human dregs throughout the rest of the train.

Billeted with Al, the timidly innocuous Train Archivist, Historian and Librarian, Proloff quickly confirms his suspicion that he is being played. Whilst deftly avoiding the grilling regarding conditions at the train’s tail, he swaps some theories about how the ice age really began and just how coincidentally lucky it was that this prototype vacation super-train was set up, ready and waiting to save the rich and powerfulâ€¦ and only accidentally and unwillingly a selection of the rest of humanityâ€¦

Stoically taking in the decadent debauchery of the First Class cars, Proloff is ready to die before going back, and when word of plague and revolution provokes an attack by the paranoid autocrats, he and Adeline decide to move even further forward, to see the mighty Engine before they die.

What they find there changes everything for everyone, foreverâ€¦

This incisive exploration of a delicately balanced ostensibly stable society in crisis is a sparkling allegory and punishing metaphor, playing Hell and poverty at the bottom against wealth in Heaven at the top, all seen through the eyes of a rebel who rejects both options in favour of a personal destiny, and is long overdue for the kind of recognition bestowed on that hallowed list of SF greats cited above.

Dark, brooding, manic and compulsive, Snowpiercer is a must-see masterpiece no fantasy fan can afford to miss.

June 24, 2014September 3, 2017

Valerian and Laureline book 6: Ambassador of the Shadows

By MÃ©ziÃ©res & Christin, with colours by E. TranlÃ© and translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-178-5Â Â (Dargaud edition) 2-205-06949-7

ValÃ©rian and Laureline is the most influential science fiction comics series ever drawn, an innovation-packed big ideas drama stuffed with wry comment and sardonic sideswipes at contemporary mores and prejudices.

Although to a large extent those venerable strips defined and later re-defined the medium itself, anybody who has seen a Star Wars movie or that franchise’s numerous homages, pastiches and rip-offs has been exposed to many doses of Jean-Claude MÃ©ziÃ©res & Pierre Christin’s brilliant imaginings uniquely innovative, grungy, lived-in authentic futurism and light-hearted swashbuckling rollercoaster romps of MÃ©ziÃ©res & Christin than any other cartoon spacer.

ValÃ©rian: Spatio-Temporal Agent debuted in Pilote #420 (November 9^th 1967) and was an instant hit. It gradually evolved into ValÃ©rian and Laureline as the feisty sidekick developed into the equal partner – if not scene stealing star – in a light-hearted, fantastically imaginative time-travelling, space-warping fantasy stuffed with wry, satirical, humanist action and political commentary.

At first Valerian was an affable, capable but unimaginative by-the-book space cop tasked with protecting the official universal chronology by counteracting paradoxes caused by incautious time-travellers.

When ValÃ©rian travelled to 11^th century France in debut tale ‘Les Mauvais RÃªves (‘Bad Dreams’ and still not translated into English yet), he was rescued from doom by a fiery, capable young woman named Laureline. He brought her back to the 28^th century super-citadel and administrative capital of the Terran Empire, Galaxity. The indomitable female firebrand trained as a Spatiotemporal operative and began accompanying him on all his missions.

Ambassador of the Shadows originally ran in Pilote from July to October 1975 and finds the wide-ranging Spatiotemporal agents assigned to an arrogant and obnoxious Terran diplomat transferring to the cosmically cosmopolitan space edifice known as Point Central.

Over the eons many races and species have converged there for commerce and social intercourse by the simple expedient of bolting their own prefabricated constructed segment to the colossal, continually expanding hodge-podge wholeâ€¦

With no central authority, different species take turns presiding over the amassed multitudes via the immense Hall of Screens. However, no decent species would ever leave its own tailor-made environmentâ€¦

And now it is Earth’s turn to take the lead but, as they vector in for landing, the pompous martinet they are escorting informs Valerian and Laureline of a slight modification in their orders. They are still to the Ambassador’s bodyguards but must stay extra vigilant as Earth is going to uses its term in office to bring â€œorder and disciplineâ€ to the lackadaisical way the universe is run.

The assembled races will be invited to join a federation run – and policed – by Earth. â€¦And just to make sure, there’s a Terran space fleet of 10, 000 warships manoeuvring just out of Point Central’sÂ sensor rangeâ€¦

Laureline is outraged but like Valerian can do nothing except acquiesce. For her pains she is put in charge of the mission’s funds – a Grumpy Transmuter from Bluxte – which can mass-excrete any currency or object of trade or barter swallowed by its always scowling other endâ€¦

All kitted-out, the trio and the living cash-machine spacewalk to Point Central but before the mission can begin an alien ambush occurs. Mystery warriors using Xoxos cocoon guns inundate the attending officers and dignitaries and only Valerian escapes plastic entombment.

As the raiders make off with the Ambassador, the Spatiotemporal Agent gives chase but is easily captured and dragged off tooâ€¦

By the time Laureline breaks loose they are long gone and she is left to pick up the pieces with stiff-necked human bureaucrat Colonel Diol, Under Chief of Protocol.

Determined but with little to go on, she is cautiously optimistic when a trio of aliens come knocking. Ignoring Diol’s protest at the shocking impropriety she invites the scurrilous Shingouz into the Earth Segment. They are mercenary information brokers and claim to have been invited by the Ambassador before his abductionâ€¦

From them – and thanks to the pained efforts of the Grumpy Transmuter – she purchases a few hints and allegations as well as a map of Point Central which might lead to Earth’s secret allies in the cosmopolisâ€¦

With the constantly bleating Diol reluctantly in tow, Laureline begins a quest through the underbelly of the station, seeing for the first time the mute but ubiquitous Zools: a much ignored under-race which has been maintaining Point Central for millennia.

The Earthlings’ perambulations take them to the centaur-like Kamuniks: barbaric feudal mercenaries allied to Galaxity and appreciative of humanity’s martial prowess, and over a lavish feast – liberally augmented by another painfully exotic payment courtesy of the overworked Transmuter – the warriors steer Laureline towards potential suspects the Bagulins: low grade muscle-for-hire who frequent the tawdry red-light sector run by The Suffussâ€¦

Despite Diol’s nigh-apoplexy the adamant and inquisitive Laureline follows the trail to the sin segment where she experiences the particular talents of the hosts: amorphous shapeshifters who can make any carnal dream come literally true.

Well into overtime now, the exhausted Grumpy buys the help of one Suffuss who smuggles the junior Spatiotemporal operative into a Bagulin party and the next link in the chainâ€¦

And so it goes as, with occasional prodding from the Shingouz, Laureline gets ever-closer to the enigmatic beings truly pulling all the strings on Point Central whilst elsewhere Valerian frees the Ambassador from a bizarre and ethereal captivity only to find the doctrinaire war-maker is undergoing a strange change of heart.

Seemingly landing their deserted ship on a paradisiacal â€œworld with no nameâ€ they bask in an idyllic paradise and converse with noble primitives who have an uncanny aura of great power.

These beings built the first section of Point Central and ruled the universe before withdrawing from mundane material affairs, but they still maintain a watch over their creation from the shadows and won’t let any race or species to dominate or conquer their pan-galactic melting pot of spaceâ€¦

In a more physical portion of reality Laureline follows her final clues and reaches the strange central area where Val and the Ambassador lie dazed and confused. By the time they all return to the Earth Segment a few major changes have taken place in the governance of the immense star station but, oddly, the Ambassador doesn’t seem to mindâ€¦

Ambassador of the Shadows was the first Valerian tale to make it into English, appearing as a serial in the American Heavy Metal magazine from January to April 1984 (volume 4, #10 to Volume 5, #1).

Socially aware and ethically crusading, this is one of the smartest, most beguilingly cynical comics tales to catch the 1970s wave of political awareness and still ranks amongst the very best to explore the social aspects and iniquities of colonialism.

And of course there’s the usual glorious blend of astounding action, imaginative imagery and fantastic creatures to leaven the morality play with space-operatic fun-filled, visually breathtaking and stunningly ingenious wide-eyed wondermentâ€¦

Between 1981 and 1985, Dargaud-Canada and Dargaud-USA published a quartet of these albums in English (with a limited UK imprint from Hodder-Dargaud) under the umbrella title Valerian: Spatiotemporal Agent and this tale was the fourth release, translated then by L. Mitchell.

Although this modern Cinebook release boasts far better print and colour values plus a more fluid translation, total completists might also be interested in tracking down the 20^th century edition too as it boasts a foreword by comics god Will Eisner, full creator biographies and a fascinating, insightful illustrated overview by French science fiction author and editor Daniel Richeâ€¦

June 14, 2014June 18, 2014

The Chimpanzee Complex volume 3: Civilisation

By Richard Marazano & Jean-Michel Ponzio, translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-043-6

French comics creators excel at challenging, mind-blowing, compelling science fiction. Whether boisterous, mind-boggling space opera like Valerian and Laureline, surreal meta-spiritual exploration such as Moebius’ Airtight Garage or the tense, tech-heavy veritas of Orbital, our Gallic cousins always got it: the genre is not about tech or monsters; it’s about people encountering new and uncanny ideasâ€¦

Prolific, multi-award winning Richard Marazano was born in Fontenay-aux-Roses in 1971. He initially pursued a career in science before switching to Fine Arts courses in AngoulÃªme and debuted in bande dessinÃ©e in the mid 1990s. Although an extremely impressive artist and colourist when illustrating his own stories (Le Bataillon des LÃ¢ches, Le Syndrome d’Abel), he is best known for his collaborations with other artists such as Michel Durand (Cuervos), Marcelo Frusin (L’ExpÃ©dition) and Xavier Delaporte (Chaabi) to name but a few.

His partnerships with artist Jean-Michel Ponzio are especially fruitful and rewarding. As well as Le Complexe du ChimpanzÃ© – the trilogy under discussion here – the daring duo have also produced the taut, intricate social futurism of Genetiksâ„¢ and high-flying paranoiac cautionary tale Le Protocole PÃ©lican.

Jean-Michel Ponzio was born in Marignane and, after a period of scholastic pick-&-mix during the 1980s, began working as a filmmaker and animator for the advertising industry. He moved into movies, designing backgrounds and settings; listing Fight Club and Batman and Robin among his many subtle successes.

In 2000 he started moonlighting as an illustrator of book covers and edged into comics four years later, creating the art for Laurent Genfort’s T’ien Keou, before writing and illustrating Kybrilon for publisher Soliel in 2005.

This led to a tidal wave of bande dessinÃ©e assignments before he began his association with Marazano in 2007. He’s still very, very busy and his stunning combination of photorealist painting, 3D design and rotoscoping techniques grace and enhance a multitude of comics from authors as varied as Richard Malka to Janhel.

Perhaps still the very best of these talented individuals’ joint efforts is The Chimpanzee Complex trilogy which concludes its English translation here with Civilisationâ€¦

When, six and a half decades after it first returned, the Apollo 11 Command Module splashed down in the Indian Ocean in February 2035, redundant NASA astronaut Helen Freeman was pressed into the top-secret investigation of the incredible passengers, deserting once again her troubled and too-often neglected daughter Sofia.

Neil Armstrong and Buzz Aldrin were the first men to walk on the moon, and nobody – including them – had any idea where they’d been for sixty-five years. For the baffled spacers it was only days since their mission beganâ€¦

On learning how history had already recorded their triumphant return and unremarkable deaths years later, the legends went ballistic: exhibiting what Freeman knew as the traumatic shock response peculiar to space voyagers categorised by NASA as â€œthe Chimpanzee Complexâ€â€¦

They had no knowledge of â€œtheirâ€ missing third astronaut Michael Collins (if he ever existed). Nobody could explain what they might be and no test science could devise was able to disprove or corroborate their incredible storyâ€¦

Compelled to work under Military Spook Konrad Stealberg, Freeman’s subsequent interviews uncovered even more questions but no answers. Then one day the enigma-nauts began exhibiting memory gaps.

Whilst her best friend – NASA bureaucrat Robert Conway – left to look after her increasingly intransigent daughter, Helen and Konrad’s team were presented with another insoluble mystery when the astronauts suddenly expired: becoming decades-old corpses overnightâ€¦

Soon Helen was reluctantly piloting a mission to the moon in the mothballed but hastily reconditioned shuttle originally designed for Mars – until budget cuts scotched the project. Her trusted comrades and fellow unemployed astronauts Kurt, Alex and Aleksa were just as delighted to be back in space, but as apprehensive as Helen over the military presence and top-secret paraphernalia piled aboard.

They were even less sanguine when Stealberg and his creepy elite commandos replaced the regular crew.

En route they discovered the secret history of the 1960s Space Race: America’s black ops space program and the USSR’s clandestine and apparently failed mission to Mars.

Even bigger shocks materialised on the moon when they found the pressure-suited corpses of Aldrin and Armstrong deep in a concealed fissure. In orbit above them a vintage Command Module was intercepted by their own shuttle.

The relic contained Collins’ corpse and a decades-old Russian distress call the pilot had recorded. The message had been sent by Commies from Marsâ€¦

NASA never had an American monopoly on spaceflight: the military had run a covert, parallel program from the very start, funded by pirating portions of NASA’s budget at the personal instigation of ex-Nazi rocket pioneer Werner von Braunâ€¦

Moreover, the 66-year old Russian distress message in the capsule’s primitive computers proved the Soviets had also been far more committed to space exploration than history recorded – and just as secretive as the USAâ€¦

Mid-flight Stealberg took over, unveiling interplanetary hibernation chambers and turning the now-militarised mission towards the Red Planet. Amidst fears of what awaited them, Helen fell into cold sleep, agonising that she had again abandoned and betrayed Sophia â€¦

When they arrived they only found greater mysteries. The Soviet attempt had been a success and a thriving base at the pole welcomed the Americans. Nothing made sense though. The Russians believed they had been there for twelve years – not six and a half decades – and mission commander Yuri Gagarin (whose death in had been faked in 1968 to facilitate his smooth transition to commander of their Mars-shot) was obsessed with a bizarre scientific hoodoo he called â€œprobability of presenceâ€.

His ruminations on Heisenberg’s Uncertainty Principle and whether such a subatomic phenomenon could apply to larger constructs (like human beings) in a constant and simultaneous state of being and non-being was a truly disturbing idea, but Helen had no time to debate it or their shared regrets about their abandoned Earthbound children as the other Cosmonauts had insanely decide to destroy their own baseâ€¦

As she returned to the greenhouse module, Konrad presented an even more pressing problem. He had discovered Gagarin’s sixty-years-dead corpseâ€¦

As colonists Vladimir and Borislav set fire to the base modules, the Americans retreated to their vehicle, dragging the hysterical Helen, who had promised her very much alive Yuri a ride homeâ€¦

The tension peaked when they got back to the orbiting Shuttle: Paul had vanished without a trace. Thoroughly rattled, Konrad ordered an immediate return to Earth, with increased watches for every day of the trip.

By May 2036, on Earth Cooper and Sophia both eagerly await Helen’s return at Cape Canaveral. However as the Shuttle approached it suddenly vanished from the tracking systems. Aboard ship Helen and Kurt saw their home planet disappear. Helpless, unable to brake and with no world in view, they rejoined the others in cold-sleep, not knowing when they would reawaken or if they’d still be in the solar system when they did.

Helen’s last conscious thoughts were of the daughter she might never see againâ€¦

The epic conclusion picks up in the Great Unknown as hibernation ends after seventy years. Only Helen and Aleksa are still alive; all the other cryo-capsules having failed at some indeterminate time.

With only finite resources and dwindling power, Helen consoles herself by catching up on messages beamed in hope and anticipation by Robbie Cooper, but is roused from her fatalistic depression by Aleksa who has made a shocking discovery.

Seeing one of the EVA suits missing, he at first believed their comrade Alex had committed suicide by walking out of the airlock. Then he saw the impossibly huge unidentified space vessel and called Helenâ€¦

Suiting up and arming themselves, they cross to the ship, Helen further encumbered by a laptop with all the messages – read and unread – from Robert stored on it. They have no idea when Alex left, or if she even tried to reach the UFO.

However as it is their only hope of survival, they make a leap into the void and after great struggle find themselves in a vast and terrifying mechanical chamber of disturbing proportions.

Alex’s abandoned gear is on the floor. She had clearly camped there for some time before vanishing into the dark, dusty cavernous interiorâ€¦

Whilst they rest and consider their next move, Helen watches the last message Robbie sent from Earth. It is sixty-seven years oldâ€¦

Later, Helen freaks out when they find Alex’s empty suit until Aleksa does the unthinkable and opens his own EVA garb. The enigma ship has warmth and a breathable atmosphereâ€¦

And then something pushes part of the vessel over on themâ€¦

The pair narrowly escape harm and cautiously explore the vessel, but after splitting up Aleksa is attacked again. When terrified Helen finds him he is hugging the crazed, decrepit, wizened but still alive Alex.

Mute but still vital she leads them through vaulting passageways to what they can only assume is a skeleton. A really, really big oneâ€¦

Outside a viewing portal, Mars spins by above them. It’s as if they’ve come home â€¦

However fast or far or forward humanity travels, their fears and foibles go with them and before long distrust and dread spark a final confrontation in the uncanny construct. Thus only one person makes an implausible, inexplicable escape back to Earthâ€¦

It’s 2097 and as a long-missing craft splashes down in the ocean to begin the circle anew, it becomes clear that some mysteries, like some philosophies and some family bonds, remain ineffably beyond the sphere of rational thinkingâ€¦

Bold, challenging and enticingly human, this astonishing science mystery dances and darts adroitly between beguiling metaphysics and hard-wired mortal passions, easily encompassing our species’ inbuilt inescapable isolation, wide-eyed wonderment, hunger to know more and the terror of finding out, with Marazano’s pared-to-the-bone script brought to hyper-life with stunning clarity by Ponzio to produce a timeless fusion of passion, paranoia and familial fulfilment.

Do you read me? Do read The Chimpanzee Complex.

June 5, 2014June 5, 2014

Vreckless Vrestlers #1

By Lukasz Kowalczuk, translated by Aneta Kaczmarek (Vreckless Comics!)
No ISBN

I started out a little bit after the last Ice Age, making minicomics, collaborating on fanzines and concocting stripzines with fellow outcasts and comics addicts. Even today, seeing the raw stuff of creativity in hand-crafted paper pamphlets still gets me going in ways that threatens my tired old heartâ€¦

Thus whilst this place is generally all about big old fancy books and such, when Vreckless Vrestlers #1 arrived in my reviews pile I just couldn’t resist spreading the wordâ€¦

Concocted and crafted by Polish cartoonist Lukasz Kowalczuk, the narrative concept is breathtakingly simple and irresistibly compelling: a temporally-transcendent fight-promoter is abducting the greatest warriors from all time and space to fight in his Professional Interdimensional Wrestling League – brutal gladiatorial contests with only â€œOne Rule – No Rules!â€â€¦

This particular 20 page, 210 x 150mm flip-book fight-fest features a mutant mash-up starring Crimean Crab vs. The Eye on one side whilst the obverse highlights another blistering battle in Vegan Cat vs. Flatwoods Monsterâ€¦

Complete with combat stats for each contestant, these are manic, eccentric all-out clashes riotously reminiscent of Johnny Ryan’s Prison Pit, unmarred by subplot or subtext, delivering lots of spectacular primal monster-hitting-monster action with oodles of juicy, oozy, gory sound effects and no tedious dialogue or badinage to slow down the horrific bone-crushing actionâ€¦

Each black-&-white issue (limited to print runs of 200 in English and Polish) comes with all sorts of extras like promo cards, collectible stickers – and mini-album – and can be obtained by contacting www.vrecklessvrestlers.tumblr.com, www.fb.com/vrestlers or Lk@tzzad.pl.

Daft, thrilling, madcap and wonderful, if you need a little break, or contusion, or abrasion, this might be the very remedyâ€¦

â€¦And if you’re irresistibly wedded to the future, Vreckless Vrestlers is also available on ComiXology and at Streets of Beige so there’s no reason to grab a ringside seat in the comfort of your own cosy crash-pad, dudeâ€¦â€¦

May 27, 2014

The Chimpanzee Complex volume 2: The Sons of Ares

By Richard Marazano & Jean-Michel Ponzio, translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-015-3

Cinebook began publishing The Chimpanzee Complex in 2009 (and we reviewed it here) with the beguiling and enigmatic ‘Paradox’ which introduced the world of tomorrow to a bizarre and baffling cosmic conundrum.

When, six and a half decades after it first returned, the Apollo 11 Command Module splashed down in the Indian Ocean in February 2035, redundant NASA astronaut Helen Freeman was dragooned into joining a top-secret investigation of the incredible passengers, leaving behind in Florida her troubled and too-often neglected daughter Sofia.

Legendary heroes Neil Armstrong and Buzz Aldrin were the first men to walk on the moon, and nobody – including them – had any idea where they’d been for sixty-five years. For the baffled starmen it was only days since their mission beganâ€¦

On learning that history recorded their triumphant return and unremarkable deaths years later they went ballistic: exhibiting what Freeman described as the traumatic shock response peculiar to space voyagers categorised by NASA as â€œthe Chimpanzee Complexâ€â€¦

The spacers don’t know what happened to â€œtheirâ€ third astronaut Michael Collins (if he ever existed). Three heroes landed to be fÃªted by the world in 1969, but now two of them sit as prisoners in a world that terrified them.

Nobody can explain who or what they might be and no tests science can devise are sufficient to disprove their incredible storyâ€¦

Compelled to work under Presidential favourite and Top Brass Military Spook Konrad Stealberg, Freeman uncovered even more questions but no answers in her subsequent interviews, until the enigma-nauts finally began to exhibit gaps in memory.

As her best friend NASA bureaucrat Robert Conway struggled to look after the increasingly wayward Sofia, Konrad’s questioning team were presented with another shocking mystery after Armstrong and Aldrin suddenly expired: somehow becoming deteriorated cadavers overnightâ€¦

Soon Helen was (only partially) reluctantly piloting a mission to the moon in the mothballed and hastily reconditioned shuttle meant for Mars until budget cuts scotched the project. Her trusted comrades and fellow unemployed astronauts Kurt, Alex and Aleksa were just as delighted to be back in space, but as unhappy and apprehensive as Helen with the military presence and top-secret paraphernalia piled aboard. They were even less sanguine when Stealberg and his creepy elite commandos replaced the regular crew.

En route they discovered the secret history of the 1960s Space Race: America’s black ops space program and the USSR’s clandestine and apparently failed mission to Mars.

Even bigger shocks materialised on the lunar surface when the modern astronauts found the pressure-suited corpses of Aldrin and Armstrong deep in a concealed fissure even as, high above, a vintage Command Module was intercepted by their converted shuttle.

The stellar relic contained Collins’ corpse and an intercepted, decades-old Russian distress call the mission pilot had recorded. The message had been sent by Commies from Marsâ€¦

It transpired that NASA has never had the American monopoly on spaceflight: the military had been running a clandestine, parallel program from the very start, funded by siphoning a portion of NASA’s operating budget at the personal instigation of ex-Nazi rocket pioneer Werner von Braunâ€¦

Moreover, the 66-year old Russian distress message in the capsule’s primitive computers proved that the Soviets had also been far more committed to space exploration than history books had recordedâ€¦

Stealberg took charge, unveiling interplanetary hibernation chambers and turning the now-militarised shuttle-mission towards the Red Planet. Amidst fears of what awaited them, Helen fell into cold sleep, agonising that she had again abandoned and betrayed Sophia as her ship slowly voyaged to Mars and an appointment with the truth, whatever it might beâ€¦

The drama recommences in The Sons of Ares as, in October 2035, an increasingly off-the-rails Sophia argues and acts out with Robert Conway whilst in interplanetary space the fourth month of the journey finds American astronauts Paul Dupree and Mark Lawrence taking their boring turn awake for monitor duty whilst their comrades endure resource-saving but life-shortening hibernationâ€¦

The monotony is suddenly broken by a freak radiation storm and only one of the terrified explorers makes it to the ship’s shielded area in timeâ€¦

In Florida Robert is acutely conscious of his failings as a surrogate parent to Sophia, but Helen is blissfully unaware of the personal crisis when the slumbering crew rouse from cold sleep to find Paul insane and Mark missingâ€¦

In reporting the situation to Earth, Helen again misses – or perhaps avoids – a chance to speak to Sophia who is gradually coming to terms with the possibility that she might never see her mother againâ€¦

As the shuttle at last establishes Mars orbit, Paul is locked up for his own safety and the suspicious voyagers’ peace of mind. Konrad then shares the intel gathered by his agents on Earth whilst they slept. The Soviet clandestine Cosmonaut project began in 1963, headed by space pioneer Yuri Gagarin – whose death had been faked to facilitate his smooth transition to commander of their Mars shot.

Expecting a monumental propaganda coup, the Kremlin simply said nothing when contact was lost with Gagarin’s mission, preferring stolid rhetoric to incontrovertible proof of failure. Now with so many inexplicable events inevitably leading to the Red Planet, Stealberg expects Helen and her team to find all the answers with the Russians’ bodies on the dust surface.

He couldn’t be more wrongâ€¦

Locating a base at the polar cap, Konrad dispatches the heavily armed crew to the site even as on Earth, Sophia runs away from home. However even whilst experiencing her greatest desire – walking on another world – Helen can’t help but worry about Paul, doped up and locked into the isolation chamber of the otherwise empty Shuttleâ€¦

Whilst Robert frantically searches for Sophia on Earth, the astronauts are astounded to discover the primitive landing site and corpses they expected are, in actuality, a thriving, efficient facility, stuffed with botanical wonders and manned by the very strong and vital cosmonauts who had landed there in the1960s.

After an initial exchange of hostilities – and gunfire – friendly contact is established and another incredible saga unfolds. Russians Vladimir and Borislav have lost all sense of time in the â€œtwelve yearsâ€ since they landed and Commander Gargarin, having discovered a strange tunnel in a Martian glacier, has been absent for most of that period. They only know he’s still alive because food keeps vanishingâ€¦

Stealberg, seeing uncomfortable similarities in the agelessness of the cosmonauts and the duplicate Armstrong and Aldrin on Earth, sedates the Russians, who constantly ramble about the nature of reality, but Helen’s interest is piqued and, with Kurt’s assistance, she sneaks off into the glacier tunnel to find Gagarinâ€¦

When she succeeds it only leads to more baffling conundrums. The First Man in Space perpetually stares into the unyielding ice-wall, seemingly unsurprised by Helen’s reports on the Apollo returnees, the impossible time-differentials and the fall of the Soviet Union.

He merely ruminates on Heisenberg’s Uncertainty Principle, and whether such a subatomic phenomenon could apply to larger constructs – such as human beings – in a constant and simultaneous state of being and non-being: a â€œprobability of presenceâ€â€¦

They also talk about children they will probably never see againâ€¦

As Helen returns to the greenhouse module, the Russians are planning more armed resistance but Stealberg has an even more pressing problem. Much to Helen’s astonished disbelief, he’s found Gagarin’s sixty-years-dead corpseâ€¦

As Vladimir and Borislav attack, setting fire to the modules, the Americans fall back to their vehicle, dragging the hysterical Helen, who had promised her very much alive Yuri Gagarin a ride homeâ€¦

The tension increases when they re-enter the orbiting Shuttle: Paul has vanished and no trace can be found of him. Thoroughly rattled, Konrad orders an immediate return to Earth, with increased watches for every day of the trip.

May 2036: on Earth Robert has tracked down Sophia and they both eagerly await Helen’s return at Cape Canaveral. However as the Shuttle nears Earth it suddenly vanishes from all tracking systems. Aboard the vessel Helen and Kurt experience the horror of seeing their home planet vanish. Unable to brake the shuttle and with no world in view, they rejoin the others in cold sleep, not knowing when they will next awaken or even if they will still be in their solar system when they do.

Helen’s last conscious thoughts are of the daughter she may never see againâ€¦

This astounding hard-science mystery tale steps boldly and confidently into the realm of chilling metaphysics, as the human wide-eyed wonderment gives way to uncanny uncertainty if not outright terror, as Marazano’s pared-down-to-the-bone script is realised with stunning clarity by Ponzio to produce a soaring amalgam of passion, intrigue, and paranoia.

The Chimpanzee Complex is a tale no lover of fantasy and suspense must miss.
Â© Darguad, Paris, 2008 by Marazano& Ponzio. All rights reserved. English translation Â© 2009 Cinebook Ltd.

May 7, 2014September 3, 2017

Valerian and Laureline volume 5: Birds of the Master

By MÃ©ziÃ©res & Christin, with colours by J. Goffard and translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-152-5

ValÃ©rian is the most influential straight science fiction comics series ever drawn – and yes, that includes even Buck Rogers, Flash Gordon, Dan Dare and Judge Dredd.

Although to a large extent those venerable strips defined or re-defined the medium itself, anybody who has seen a Star Wars movie or that franchise’s overwhelming tsunami of homages, pastiches and rip-offs has been exposed to substantial doses of Jean-Claude MÃ©ziÃ©res & Pierre Christin’s brilliant imaginings (which the filmic phenomenon has shamelessly plundered for decades): everything from the character and look of alien races and cultures to the design of the Millennium Falcon and even Leia‘s Slave Girl outfit â€¦

Simply put, more humans have experienced and marvelled at the uniquely innovative, grungy, lived-in authentic futurism and light-hearted swashbuckling rollercoaster romps of MÃ©ziÃ©res & Christin than any other cartoon spacer.

ValÃ©rian: Spatio-Temporal Agent launched in the November 9^th 1967 edition of Pilote (#420) and was an instant hit. In 1977 the fervour surrounding Greg & Eddy Paape’s Luc Orient and Philippe Druillet’s Lone Sloane, combined with ValÃ©rian’s popularity, led to the creation of adult graphic sci-fi blockbuster MÃ©tal Hurlant.

ValÃ©rian and Laureline (as the series became) is a light-hearted, wildly imaginative time-travelling, space-warping fantasy steeped in wry, satirical, humanist action and trenchant political commentary, starring – in the early days at least – an affable, capable yet unimaginative by-the-book cop tasked with protecting the official universal chronology by counteracting paradoxes caused by incautious time-travellers.

When ValÃ©rian travelled to 11^th century France in the initial tale Les Mauvais RÃªves (‘Bad Dreams’ and still as yet unavailable in English), he was rescued from doom by a fiery, capable young woman named Laureline whom he brought back to 28^th century Galaxity: super-citadel and administrative capital of the Terran Empire,.

The indomitable lass subsequently trained as a Spatio-Temporal operative and began accompanying him on all his missions.

Every subsequent ValÃ©rian romp was initially serialised weekly until the 13th ‘The Rage of Hypsis’ concluded, after which further yarns were solely published as all-new graphic novels. Tragically the whole spectacular saga resolved and ended in 2010.

Birds of the Master originally ran in Pilote #710-720 (June 14^th to September 16^th 1973) and follows the constantly bickering couple as they are drawn into an eerie space Sargasso and marooned on a planetoid that has become a cemetery for spaceships.

Swept away by a tidal wave over a colossal waterfall, they are drowning amidst beds of kelp when a motley band of fisherfolk – comprised of many different species – haul the Spatio-Temporal agents aboard a ramshackle boat. In the skies high above, a vast cloud of malevolent birds circle, the same incredible creatures which had brought down their astroship.

Compelled to join in gathering the seaweed, they soon learn that the crop is destined for a mysterious unseen overlord dubbed The Master and the critically circling ugly avians are his enforcers: violent creatures that inflict madness with a biteâ€¦

The workers are nothing but slaves and bitterly discontented recent arrival SÃ¼l takes it upon himself to teach Valerian and Laureline what they need to know to stay alive as the cargo is torturously shipped across the bleak, unforgiving and forlorn terrain. As they go they observe an entire society all dedicated to providing vast amounts of food for the hidden overlord.

At the central gathering point where assorted food items from a hundred different sources are reduced to a liquid mass dubbed â€œKlaarâ€ one of the starving toilers cracks, seeking to consume a morsel of the Master’s provender, and is immediately set upon by the Birds of Madness. Furious SÃ¼l breaks too and, dashing to the worker’s aid, is also attacked. Cautious Valerian can barely stop his partner using her concealed ray-weapons in a futile attempt to save themâ€¦

When the Birds are done the battered survivors can barely speak and one believes he can fly whilst SÃ¼l is left a babbling, aggressive shadow of his former self.

With the Klaar safely dispatched through a complex system of pipes to a distant hidden destination, the emaciated workers fall upon the spilled scraps before hurling the latest victims of the birds into the Pit of Crazies. Despite being thoroughly beaten in the melee, our heroes follow and join SÃ¼l in a peculiar enclave of deranged beings, each manifesting their own brand of bewilderment but all sharing the same strange and disturbing speech impedimentâ€¦

Valerian and Laureline are again viciously attacked when they seek aid from the â€œsaneâ€ slaves so instead opt to follow the pipeline with the most ambulatory of the insane, heading deep into increasingly inhospitable country to confront the hidden cause of all their woes.

At first frantically followed by the outraged slave force, the strange crew eventually outdistance their pursuers as they continue deep into the harsh and barren wastelands until they are attacked by the ever-circling birds. As a result the Spatio-Temporal agents are also infected by the speech-wrecking madnessâ€¦

Pressing on regardless, the raving rovers follow an eerie glowing mist and at last face the appalling and hideous creature which has lured, trapped and enslaved so many sentient beings, only to be subjected to an overwhelming psychic assault that no single mind – sane or otherwise – could resist.

Happily, it had never faced anyone as ingenious as Laureline and her desperate plan enables the assembled â€œLooniesâ€ to fight back and drive the Master off-planet and into the depths of spaceâ€¦

With the creature’s pernicious influence dispelled, the voyagers feel their senses returning and return to the settlements where the slaves have descended into a food-fuelled debauch. Surprisingly, however, once Valerian and Laureline have freed and repaired their astroship from the stellar graveyard, only SÃ¼l wants to leave with themâ€¦

Expansive, thrilling, funny, clever and holding back one last wry twist in the tale, The Birds of the Master might be one of the lesser galactic classics of this superb series, but it still packs a gripping narrative punch and some of the most impressive artwork ever to grace sci-fi comics.
Â© Dargaud Paris, 1973 Christin, MÃ©ziÃ©res & Goffard. All rights reserved. English translation Â© 2013 Cinebook Ltd.

May 2, 2014May 5, 2014

The Chimpanzee Complex volume 1: Paradox

By Richard Marazano & Jean-Michel Ponzio, translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-002-3

One thing French comics creators excel at is challenging, mind-blowing, astoundingly entertaining science fiction. Whether the boisterous, mind-boggling space opera of Valerian and Laureline, the surreal spiritual exploration of Moebius’ Airtight Garage or the tense, tech-heavy brooding of Orbital, our Gallic cousins always got it: the genre is not about tech or monsters; it’s about people encountering new and uncanny ideasâ€¦

Prolific, multi-award winning Richard Marazano was born in Fontenay-aux-Roses in 1971. He initially pursued a career in science before switching to Fine Arts courses in AngoulÃªme and debuted in bande dessinÃ©e in the mid 1990s. Although an extremely impressive artist and colourist when illustrating his own stories (Le Bataillon des LÃ¢ches, Le Syndrome d’Abel), he is best known for his collaborations with other artists such as Michel Durand (Cuervos), Marcelo Frusin (L’ExpÃ©dition) and Xavier Delaporte (Chaabi) to name but a few.

His partnerships with artist Jean-Michel Ponzio are especially fruitful and rewarding. As well as Le Complexe du ChimpanzÃ© – the trilogy under discussion here – the daring duo have also produced the taut, intricate social futurism of Genetiksâ„¢ and high-flying paranoic cautionary tale Le Protocole PÃ©lican.

In 2000 he started moonlighting as an illustrator of book covers and edged into comics four years later, creating the art for Laurent Genfort’s T’ien Keou, before writing and illustrating Kybrilon for publisher Soliel in 2005. This led to a tidal wave of bande dessinÃ©e assignments before he began his association with Marazano in 2007. He’s still very, very busy and his stunning combination of photorealist painting, 3D design and rotoscoping techniques grace and enhance a multitude of comics from authors as varied as Richard Malka to Janhel.

Cinebook began publishing The Chimpanzee Complex in 2009 with the beguiling and enigmatic ‘Paradox’ which introduces the world to a bizarre and baffling cosmic conundrum.

February 2035: experienced but frustrated astronaut Helen Freeman is still reeling from the latest round of cutbacks which have once again mothballed NASA’s plans to send an expedition to Mars. The young mother is resigned to living an Earthbound life in Florida with the daughter she has neglected for so long, but just as she tentatively begins to repair her relationship with young, headstrong Sofia her world is again turned upside down when a call comes from her ex-bosses.

Bowing to the inevitable despite Sophia’s strident objections, she and her old boss Robert Conway are whisked away under the tightest of security conditions to a US aircraft carrier in the Indian Ocean under the draconian control of Top Brass Spook Konrad Stealberg.

Here they learn that, days previously, an unidentified object splashed down from space and was recovered by divers.

The artefact was the Command Module of Apollo 11 and it carried the still-living Neil Armstrong and Buzz Aldrin: legendary heroes and the first men to walk on the moon. Baffled and bewildered, the recovered astronauts have steadfastly refused to speak to anybody except NASA representativesâ€¦

Helen is the first to get any information from them, and whilst Stealberg’s technician’s check every bolt, wire and component of the capsule, she and Robert carefully quiz their greatest idols. When the lost astronauts learn they have been in space for 66 years they are horrified. When they learn that history records they returned safely and died unremarkably years later they go ballistic: exhibiting what Freeman describes as the traumatic shock response peculiar to space voyagers categorised by NASA as â€œthe Chimpanzee Complexâ€â€¦

Impatient martinet Stealberg has harder questions: if – as every test they can think of indicates – these men are the real thing, who or what landed on Earth all those decades ago?

And most importantly, when they were feted by the world in 1969, was third astronaut Michael Collins one of us or one of â€œthemâ€?

Exerting military privilege he peremptorily kicks Conway out whilst press-ganging Helen onto his staff, and transfers mystery men and their capsule to his ultra secure Red Hills Creek Base in Coloradoâ€¦

Helpless but conflicted, Freeman plays along, enjoining Robby to explain and take care of Sofia. If she had been angry before, the daughter’s reaction to this further enforced absence from a mother she feels doesn’t want her will be terribleâ€¦

Events move very fast at the paranoid levels of the Military-Industrial complex, and as Helen continues her interviews with the biologically perfect astronauts she begins to discover inconsistencies and memory-lapses in their stories.

That’s enough for Stealberg to initiate other, harsher procedures but before they can be implemented Helen is awoken from fantastically real dreams of exploring Mars to a new crisis: Armstrong and Aldrin are dead. From the state of their corpses they have been for decadesâ€¦

In Florida Robby is still trying to assuage Sofia’s feelings, telling her that Mum will be home soon. There’s no chance of that, however, as Stealberg has moved on with his plans and arranged a private meeting with the President.

The result is the re-commissioning of the completed but mothballed Mars exploration shuttle with the intention of revisiting the site of the Apollo moon landings. As NASA’s top flier and an expert on the Mars vehicle Helen is going tooâ€¦ whether she wants to or not.

Twelve days later, amidst massive public uproar and speculation at the ludicrous cover story for the sudden moon-shot, Helen and her crew are introduced to the rest of the exploration team and she realises with horror that her professional career is based on a lie.

NASA has never had an American monopoly on spaceflight: the military had been running a clandestine, parallel program since the very start, funded by siphoning the Agency’s operating budget and personally instigated by ex-Nazi rocket pioneer Werner von Braunâ€¦

The launch is televised around the world, trumpeted as a final shakedown flight before closing the costly space program forever. Aboard the blazing javelin, Helen and close companion Aleksa ponder the coincidence of heading for the moon in the week they were originally scheduled to take off for Mars, but are more concerned that mission leader Stealberg has filled the shuttle with mysterious, classified containersâ€¦

All too soon the vehicle establishes orbit over the moon and a Lander touches down on the most hallowed site in the history of technology.

It’s a huge shock: the paraphernalia left by the missions doesn’t match the records and there is a strange trail of footprints. Following them the terrified explorers discover the mummified, space-suited, long dead bodies of Armstrong and Aldrin, even as high above pilot Kurt matches velocities with a piece of space junk and discovers the Apollo 11 Command Moduleâ€¦with Collins’ corpse in itâ€¦

Moreover, there’s a recorded distress message in the primitive computers: a 66-year old Russian cry for aid originating from Marsâ€¦

And that’s when Stealberg reveals his biggest secret, summoning booster rockets and a second-stage shuttle from deep orbit whilst breaking out the cryogenic coffins that will keep the crew alive as they travel on to Mars and an appointment with the truth, whatever it might beâ€¦

This is a stunning hard-science magical mystery tale, dripping with wide-eyed wonder, leavened by solid, reassuring cynicism in Marazano’s economical script and brought to intoxicating life by the hyper-realism of Ponzio. A deft blend of intrigue, hope, paranoia and abiding curiosity, The Chimpanzee Complex is a tale no lover of fantasy and suspense should ignore.

April 26, 2014April 25, 2014

Dirty Pair: Biohazards

By Toren Smith & Adam Warren (Eclipse Books)
ISBN: 1-56060-008-X (softcover), 1-56060-007-1 (hb), 1-900097-04-4 (UK edition)

Here’s something you don’t see every day: a genuine international collaboration that merged the best of Japanese and American sensibilities to create something genuinely appealing and tremendously fun.

In a fast and furious future of 2141AD, intergalactic proliferation of human civilisation has led to a monumental bureaucracy, greater corruption and more deadly criminals preying upon the citizens of the United Galactica.

Thus the constant need for extra-special Trouble Consultants: pan-planetary private paramilitary police employed by the 3WA (or Worlds Welfare Work Association) to maintain order in hotspots across the sort-of civilised universeâ€¦

Kei and Yuri are team #234, officially designated â€œThe Lovely Angelsâ€ after their sleek and efficient starship. They are lethal, capable and infallible. Whenever they are deployed, they strike fast and hard and never failâ€¦

â€¦Although the collateral damage they propagate is completely unimaginable and usually causes client worlds to regret ever asking for their aid in the first placeâ€¦.

Much to the crisis agents’ disgust and chagrin, the universe knows them best as The Dirty Pair and planetary authorities have to be in the most appalling straits to let them helpâ€¦

The concept was conceived for light novels by Japanese author Haruka Takachiho (Crusher Joe) in 1985 and quickly made the jump to TV, movie and OVA anime, but there was no comics/manga iteration (until over a decade later), inspiring Adam Warren and Toren Smith of Manga translation company Studio Proteus to approach independent publisher Eclipse Comics with an idea for a comicbook miniseriesâ€¦

The result was Biohazards; 4 issues (December 1988 to April 1989)of licensed light-hearted, manic murder and monstrous mayhem which was then swiftly collected in a brash and breezy graphic album. The many reprintings from the franchise’s successors Dark Horse in the USA and Manga Books in the UK heralded a blistering run of wry and raucous adventures that still read as well today as they did when the Japanese comics experience was seen as a rare, quaint and exotic oddityâ€¦

In ‘Biohazard’ the deadly babes are going about their lawful but excessively violent business – subsequently and of course unintentionally devastating a colossal space station and killing fifty civilians – when a call comes from Alex Goldin, Security Director of corporate paradise Pacifica.

He has a thorny problem to manage: a brutally efficient theft of personality-preserving bio-construct Brainchips and tissues samples, plus the loss of a full-grown clone, is only the latest skirmish between rival bioengineering industrialists Kelvin O’Donnell and Abraham Streib.

The escalating battle between magnates too powerful to censure compels the obsequious and duplicitous Goldin to tread softly. Both men are massive wealth-creators: master-makers of bio-weapons, body augmentations and innovative medicines, but he still doesn’t want anything incurable or unkillable loose on his streets if their economic struggle continues.

The organo-industrialists are both experts in skirting what rules and regulations exist and officially test their wares on their private manufacturing moons but you never knowâ€¦

The situation is particularly tenuous at present because O’Donnell, thanks to the unfortunate lab accident, is a space-chipmunk.

â€¦Or rather the brainchip encoding his personality currently resides in a Whelan’s Pseudo-Fuzzy in the possession by Streib. When cyborg chief enforcer M97 destroyed O’Donnell’s almost matured Adonis-like new body in the raid, the triumphant genegineer couldn’t resist an opportunity to gloat. After all, with no spare chips, no proper body to put them in and O’Donnell on a leash, surely Streib has finally wonâ€¦

Triumphant Streib is actually no better off. After similar bioagent â€œmisfortunesâ€ over the years of their rivalry, his organic head is now stuck on a robot body whilst his organics are so messed up he can’t be cloned or brainchipped.

Tracking O’Donnell’s chip to Streib’s private estate, Goldin has called on 3WA and is now stuck with Kei and Yuri. In the final assessment he needs someone from outside the system to rescue O’Donnell’s brainchip and genetic material from Streib without starting a horrific WMD war that will end life on Pacificaâ€¦

What could possibly go wrong?

With their enigmatic, electronics-warping alien super-cat Mughi the girls easily infiltrate the vast compound just in time to find Streib employing horrific techno-organic warbeasts to hunt O’Donnell.

Employing the catastrophic violence they are renowned for, the Dirty Pair easily lay waste to the human soldiers and rapacious mechanoids, but rather than turn the little Fuzzy over to Goldin they are cajoled and are convinced by the little cutie to take him to his own lab where he has himself transferred into one of his own trademarked warbeasts.

And up until then the case had been practically catastrophe-freeâ€¦

‘Complications’ occur when Kei sees the body O’Donnell will eventually return to and gets all girly-fluttery and romantically entangled; allowing herself to be convinced that they should take Streib down for good.

It’s not hard to get Yuri to agree and soon Lovely Angels and wrathful warbeast are breaking into Streib’s main lab citadel.

As the girls convincingly crush all resistance O’Donnell discovers a deliciously illegal bioagent weapon which will prove his rival’s downfall – even in Pacifica’s courts – and asks Yuri to hold onto it as they escape, but in the resultant firefight the canister is breached and she is doused in something very nastyâ€¦

Luckily, rather than a disease or toxin it’s â€œonlyâ€ a chemical to enhance aggression and violence and ‘Outbreak’ finds Yuri descending into a berserker mode even more dangerous than her regular state; ruthlessly efficient and wildly careless of consequences. Manically outfighting the army and air force despatched to stop them, she and the astounded Kei and O’Donnell soon completely destroy a major population centre before escaping M97 and his fanatically pursuing cohortsâ€¦

With Yuri fully recovered from the combat craziness, the Angels decide to take the battle to the arrogantly gloating and seemingly unimpeachable Streib, infiltrating his industrial moon Telek and ultimately reducing it to slag and space dust and free-floating bio-bombs in their own inimitable style.

However there are two more surprises in store: a rather predictable last stab from the stylishly indefatigable M97 and a more personal heartbreak bombshell for Kei once Goldin gets his hands on O’Donnellâ€¦

Both incredibly information-dense and astonishingly action-packed, this cool, light-hearted cyber-punk space opera romp is a solidly satisfying slice of Sci Fi magic that will delight all fans of tech-heavy blockbusters, and the book comes with an afterword by co-author Toren Smith – heavily illustrated with Adam Warren sketches – detailing the love of hard science and social extrapolation which flavoured and textured the creators’ trans-Pacific interpretation of Haruka Takachiho’s concept.

The digest-sized (210 x 150mm) UK edition has the tag line â€œin the tradition of Red Dwarfâ€ and that assessment is not a million miles from the truth, as long as you factor in sexy death-dealing ingÃ©nues, wry socio-political commentary, very skimpy costumes and oodles of cartoon carnage.

Fun and frolics future-style: you know you want itâ€¦

April 21, 2014April 21, 2014

Blake and Mortimer volume 17: The Secret of the Swordfish Part 3 – SX1 Strikes Back!

By Edgar P. Jacobs, coloured by Philippe BiermÃ© & Luce Daniels translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-174-7

After three years of stunning intrigue mystery and action, E.P. Jacobs’ groundbreaking saga of a battle for world peace and universal liberty concluded in a spectacular duel below the Earth and in the skies of the embattled world.

The saga concludes in SX1 Strikes Back!: a tension-drenched race against time as

Blake, Mortimer and the shattered dregs of Great Britain’s military forces prepare for a last ditch strike using the Professor’s greatest inventions to win freedom for the oppressed peoples of the worldâ€¦

Brussels-born Edgar P. Jacobs was a prodigy who drew from an early age and was besotted by music and the performing arts – especially opera. After graduating commercial school in 1919, he rejected safe office work and instead avidly pursued his passions drama on his graduation.

A succession of odd jobs at opera-houses (which included everything from scene-painting to set decoration and even performing as both an acting and singing extra) supplemented private performance studies, and in 1929 Jacobs won an award from the Government for classical singing.

His dream of operatic glory was crushed by the Great Depression, and when arts funding dried up following the global stock market crash he was forced to pick up whatever dramatic work was going, although this did include more singing and performing. He moved into illustration in 1940, with regular work for Bravo magazine and some jobs for short stories and novels, and when the occupying Nazi authorities in Belgium banned Alex Raymond’s quintessentially All-American Hero Flash Gordon Jacobs famously took over the syndicated strip to complete the saga.

His ‘Stormer Gordon’ lasted less than a month before being similarly embargoed by the Occupation dictators, after which the man of many talents simply created his own epic science-fantasy feature in the legendary Le Rayon U, a milestone in both Belgian comics and science fiction adventure.

During this period Jacobs and Tintin creator HergÃ© got together, and whilst creating the weekly U Ray strip the younger man began assisting on Tintin, colouring the original black and white strips of The Shooting Star (originally run in newspaper Le Soir) for an upcoming album collection.

By 1944 Jacobs was performing similar duties on Tintin in the Congo, Tintin in America, King Ottokar’s Sceptre and The Blue Lotus. He was also contributing to the drawing too, working on the extended epic The Seven Crystal Balls/Prisoners of the Sun.

Following the Liberation, publisher Raymond Leblanc convinced HergÃ©, Jacobs and a few other comicstrip masters to work for a new venture. Founding publishing house Le Lombard, Leblanc also commissioned Le Journal de Tintin, an anthology comic with editions in Belgium, France and Holland, edited by Herge and starring the intrepid boy reporter plus a host of newer heroes.

Beside HergÃ©, Jacobs and writer Jacques van Melkebeke, Le Journal de Tintin featured Paul Cuvelier’s ‘Corentin’ and Jacques Laudy’s ‘The Legend of the Four Aymon Brothers’.

Laudy had been a friend of Jacobs’ since their time together on Bravo, and the epic thriller serial ‘Le secret de l’Espadon’ starred an English Military Intelligence officer closely modelled on Laudy, who worked with bluff, gruff British Boffin: Captain Francis Blake and Professor Philip Mortimerâ€¦

The premiere serial ran from issue #1 (26^th September 1946 to September 8^th 1949) and cemented Jacobs’ status as a star in his own right. In 1950, with the first 18 pages slightly redrawn, The Secret of the Swordfish became Le Lombard’s very first album release with the concluding part published three years later. The volumes were reprinted nine more times between 1955 and 1982, supplemented in 1964 by a single omnibus edition.

HergÃ© and Jacobs purportedly suffered a split in 1947 when the former refused to grant the latter a by-line on new Tintin material, but since the two remained friends for life and Jacobs continued to produce Blake and Mortimer for the weekly comic, I think it’s fair to say that if such was the case it was a pretty minor spat. I rather suspect that The Secret of the Swordfish was simply taking up more and more of the diligent artist’s time and attentionâ€¦

In 1984 the story was repackaged for English translation as three volumes as part of a push to win some of the lucrative Tintin and Asterix market, but failed to find an audience. The venture ended after seven magnificent if under-appreciated volumes.

Cinebook has been publishing the later Blake and Mortimer tales since 2007 and recently completed a triptych of the very first adventureâ€¦

In The Incredible Chase and Mortimer’s Escape a hidden cabal in the Himalayas launched a global Blitzkrieg at the command of Basam-Damdu, malign Emperor of Tibet. The warlord’s arsenal of technological super-weapons were wielded by an army of the world’s wickedest rogues – such as diabolical Colonel Olrik – and their lightning sneak almost accomplished all his ambitions in one fell swoop.

Happily, English physicist Philip Mortimer and MI5 Captain Francis Blake were aware of the threat and when the attack came they narrowly escaped destruction in a devastating bomber raidâ€¦

Mortimer’s breakthrough Golden Rocket launched just as Olrik’s bombers attacked and easily outdistanced the rapacious Empire forces, leaving ruined homes behind them as they flew into a hostile world now brutally controlled by Basam-Damduâ€¦

Seeking out British Middle East resistance forces, the fugitives’ flight ended prematurely when the Rocket crashed in the rocky wilds between Iran and Afghanistan. Parachuting to safety, Blake and Mortimer survived a host of perils and escaped capture more than once as they slowly, inexorably made their way to the distant rendezvous, before meeting British-trained native Sergeant Ahmed Nasir.

The loyal Indian had served with Blake during the last war and was delighted to see him again, but as the trio laboriously made their way to the target site, Olrik had already found it and seized their last hopeâ€¦

Using commando tactics the heroes escaped in the Colonel’s own Red-Wing super-jet, but were again shot down – this time by friendly fire as anti-Lhasa rebels saw the stolen plane as an enemy targetâ€¦

Surviving this crash too, the trio were ferried by the apologetic tribesmen to the enemy-occupied town of Turbat and sheltered by a friendly Khan administrator. However a faithless servant recognised the Englishmen and the Britons were ambushedâ€¦

Sending Nasir away, Blake tried valiantly frantically to save Mortimer whilst a platoon of Empire soldiers rapidly mounted the stairs to their exposed roomâ€¦

Mortimer’s Escape saw the heroes initially avoid capture and flee Turbat, which was torn apart by a furious spontaneous rebellion but, unknown to the fugitives, the spy Bezendjas was hard on their heels. Moreover with the city in flames and fighting in every street the callous Colonel Olrik abandoned his own troops to pursue Nasir, Blake and Mortimer into the wastes beyond the wallsâ€¦

After days of relentless pursuit they reached the rocky coastline where Blake realised that he had lost precious plans and documents he have been carrying since they fled Englandâ€¦

Knowing that somebody must reach the British resistance at their hidden Eastern base, the comrades split up, with Blake and Nasir going onwards whilst Mortimer returned for the plans. Finding them was sheer good fortune, but being found by Olrik’s troops was not. Despite a Horatian last stand the scientist was taken prisonerâ€¦ but only after first successfully hiding the priceless documentsâ€¦

Months later Olrik was called to account by Basam-Damdu’s ruling council, increasingly incensed with the Colonel’s lack of progress in breaking the captive scientist and even more infuriated by a tidal-wave of sabotage and armed rebellion throughout their freshly-conquered territories.

Olrik’s realised that his days as an agent of the Yellow Empire might be numberedâ€¦

Given days to make Mortimer talk, the Colonel returned to his base just as another rebel raid allowed Nasir to infiltrate the HQ. Blake was also abroad, having joined British resistance forces in the area.

A British submarine was roving the area, launched from a vast atomic-powered secret installation under the Straits of Hormuz, where the Royal Navy were preparing for a massive counter-attack. With daring raids freeing interned soldiers all the time, the ranks of scientists, technicians and soldiers were swelling dailyâ€¦

Meanwhile, Nasir was working to free Mortimer, who was still adamantly refusing to talk of the mysterious â€œSwordfishâ€ Olrik’s agents continually heard rumours ofâ€¦

When devious Doctor Sun Fo arrived to interrogate him, the Professor explosively escaped into the fortress grounds during an earth-shattering storm. Trapped in a tower with only a handgun, he was determined to sell his life dearly, but was rescued by Blake and Nasir in a Navy Helicopter.

Using the storm for cover the heroes evaded jet pursuit and a naval sweep to link up with the British sub and escape into the nightâ€¦

The final chapter opens with a stunning reprise of past events – cunningly compiled from a succession of six full page illustrations and presumably original covers from the weekly Le Journal de Tintin – after which a daring commando raid liberates a trainload of British prisoners.

Brought to a fabulous subterranean secret base, the assorted scientists and engineers discover an underground railway, factory, armaments facilities and even an atomic pile, all furiously toiling to complete the mysterious super-weapon dubbed â€œSwordfishâ€.

The former prisoners all readily join the volunteers, blithely unaware that supremely capable scoundrel Olrik is amongst them in a cunning disguise.

Days pass and as preparations for the Big Push produce satisfactory results, a series of disastrous accidents soon leads to one inescapable conclusion: there is a saboteur in the citadelâ€¦

Eventually Olrik becomes overconfident and Mortimer exposes the infiltrator in a crafty trap, but after a fraught confrontation the Colonel escapes after almost causing a nuclear catastrophe. Fleeing across the seabed, the harried spy narrowly avoids capture by diver teams and even a hungry giant octopusâ€¦

The flight takes its toll upon Olrik and he barely reaches land alive. Luckily for him Bezendjas had been checking out that region of coastline and finds the exhausted villain trapped in his stolen deep-sea diver suit. After a lengthy period the dazed desperado recovers and delivers his hard-won information. Soon Imperial forces are converging on the British bastionâ€¦

As air and sea forces bombard the rocky island and sea-floor citadel, Olrik dispatches crack troops to break in via a concealed land entrance, resulting in a staggering battle in the depths of the Earth.

They were almost in timeâ€¦

After months of desperate struggle, Mortimer and his liberated scientists have rushed to complete the incredible Swordfish: a hypersonic attack jet with uncanny manoeuvrability and appallingly destructive armament.

Astoundingly launched from beneath the sea, the sleekly sinister plane single-handedly shoots the Empire jets out of the skies before sinking dozens of the attacking naval vessels. Ruthlessly piloting SX1 is Francis Blake; and even as he wreaks havoc upon the invading force he is joined by SX2 – a second equally unstoppable super-jetâ€¦

Soon the Yellow Empire is in full retreat and a squadron of Swordfish is completed. With the once-occupied planet in full revolt, it’s not long before Lhasa gets a taste of the flaming death it callously inflicted upon a peaceful, unsuspecting and now most vengeful worldâ€¦

They were only just in time: the insane and malignant Emperor was mere moments away from launching a doomsday flight of atomic missiles to every corner of the planet he so briefly ownedâ€¦

Gripping and fantastic in the truest tradition of pulp sci-fi and Boy’s Own Adventures, Blake and Mortimer are the very epitome of dogged heroic determination; always delivering grand, old-fashioned Blood-&-Thunder thrills and spills in timeless fashion and with astonishing visual punch. Despite the epic body count and dated milieu, any kid able to suspend modern mores and cultural disbelief (call it alternate earth history or bakelite-punk if you want) will experience the adventure of their livesâ€¦ and so will their children.

This Cinebook edition also includes a fascinating illustrated essay ‘Jacobs: 1946, The Swordfish, starting point of a masterful work’ first seen in The World of Edgar P. Jacobs, a tantalising preview of new adventure The Oath of the Five Lords (by Yves Sente & AndrÃ© Juillard) plus a biographical feature and chronological publication chart of Jacobs’ and his successors’ efforts.

April 16, 2014April 21, 2014

Blake and Mortimer volume 16: The Secret of the Swordfish Part 2 – Mortimer’s Escape

By Edgar P. Jacobs, coloured by Philippe BiermÃ© & Luce Daniels translated by Jerome Saincantin (Cinebook)
ISBN: 978-1-84918-161-7

Belgian Edgard FÃ©lix Pierre Jacobs (March 30th 1904-February 20th 1987) is rightly considered to be one of the founding fathers of the Continental comics industry. Although his output is relatively modest compared to most of his iconic contemporaries, the landmark serialised epic he created practically formed the backbone of the straight action-adventure comic in Europe, and his splendidly adroit yet roguish and thoroughly British adventurers Blake and Mortimer, conceived and realised for the very first issue of Le Journal de Tintin in 1946, swiftly became an crucial staple of post-war European kids’ life, in exactly the same way that Dan Dare was in 1950s Britain.

Edgar P. Jacobs was born in Brussels, a precocious child who was always drawing but was even more obsessed with music and the performing arts – especially opera. He attended a commercial school but loathed the idea of office work and instead avidly pursued the arts and drama on his graduation in 1919.

A succession of odd jobs at opera-houses (scene-painting, set decoration and even performing as both an acting and singing extra) supplemented his private performance studies, and in 1929 Jacobs won an award from the Government for classical singing.

His dreamed-of operatic career was thwarted by the Great Depression. When arts funding suffered massive cutbacks following the global stock market crash, he was compelled to pick up whatever dramatic work was going, although this did include more singing and performing.

Jacobs switched to commercial illustration in 1940, winning regular work in the magazine Bravo, as well as illustrating short stories and novels. He famously took over the syndicated Flash Gordon strip when the occupying German authorities banned Alex Raymond’s quintessentially All-American Hero and the publishers desperately needed someone to satisfactorily complete the saga.

Jacobs’ ‘Stormer Gordon’ lasted less than a month before being similarly embargoed by the Occupation dictators, after which the man of many talents simply created his own epic science-fantasy feature in the legendary Le Rayon U, a milestone in both Belgian comics and science fiction adventure.

During this period Jacobs and Tintin creator HergÃ© got together, and whilst creating the weekly U Ray strip, the younger man began assisting on Tintin, colouring the original black and white strips of The Shooting Star (originally run in newspaper Le Soir) for an upcoming album collection.

After the war and liberation, publisher Raymond Leblanc convinced HergÃ©, Jacobs and a few other comicstrip aristocracy to work for his proposed new venture. Founding publishing house Le Lombard, Leblanc also commissioned Le Journal de Tintin, an anthology comic with simultaneous editions in Belgium, France and Holland, edited by HergÃ© and starring the intrepid boy reporter plus a host of newer heroes.

Beside HergÃ©, Jacobs and writer Jacques van Melkebeke, Le Journal de Tintin featured Paul Cuvelier’s ‘Corentin’ and Jacques Laudy’s ‘The Legend of the Four Aymon Brothers’.

Laudy had been a friend of Jacobs’ since their time together on Bravo, and the first instalment of the epic thriller serial ‘Le secret de l’Espadon’ starred a bluff, gruff British scientist and an English Military Intelligence officer (who was closely modelled on Laudy): Professor Philip Mortimer and Captain Francis Blakeâ€¦

The initial storyline ran from issue #1 (26^th September 1946 to September 8^th 1949) and cemented Jacobs’ status as a star in his own right. In 1950, with the first 18 pages slightly redrawn, The Secret of the Swordfish became Le Lombard’s first album release with the concluding part published three years later. These volumes were reprinted nine more times between 1955 and 1982 in addition to a single omnibus edition released in 1964.

In 1984 the story was reformatted and repackaged for English translation as three volumes with additional material (mostly covers from the weekly Tintin added to the story as splash pages) as part of a push to win some of the lucrative Tintin and Asterix market here, but failed to find an audience and ended after seven magnificent if under-appreciated volumes.

Now happily Cinebook has finally released the tale – albeit after publishing many later adventures first – and this second instalment carries the tale of the struggle against world domination to next epic levelâ€¦

Although all the subsequent Blake and Mortimer sagas have been wonderfully retranslated and published by Cinebook in recent years, this initial epic introductory adventure and its concluding two volumes remained frustratingly in the back-issue twilight zone, possibly due to their superficial embracing of the prevailing prejudices of the time.

By having the overarching enemies of mankind be a secret Asiatic â€œYellow Perilâ€ empire of evil, there is some potential for offence – unless one actually reads the books to find that any presumed racism is countered throughout by an equal amount of â€œgoodâ€ ethnic people and â€œevilâ€ white folk, so please if you have any doubts please quell them and get these booksâ€¦.

Here and now, however, let’s recap The Incredible Chase, wherein a clandestine clique in the Himalayas launched a global Blitzkrieg at the command of Basam-Damdu, malign Emperor of Tibet. The warlord ruled a secret cabal of belligerent conquerors, whose arsenal of technological super-weapons were wielded by an army of the world’s wickedest rogues such as the diabolical Colonel Olrik who dreamed of ruling the entire Earth, and his sneak attack almost accomplished all his schemes in one fell swoop.

Happily however, English physicist Philip Mortimer and MI5 Captain Francis Blake were aware of the threat and were already racing to finish the boffin’s radical new aircraft at a hidden British industrial complex.

When the attack came the old friends swung into immediate action and narrowly escaped destruction in a devastating bomber raidâ€¦

The Golden Rocket launched just as Olrik’s bombers attacked and easily outdistanced the rapacious Empire forces, leaving ruined homes behind them as they flew into a hostile world now brutally controlled by Basam-Damduâ€¦

Seeking to join British Middle East resistance forces, the fugitives’ flight ended prematurely when the Rocket crashed in the rocky wilds between Iran and Afghanistan. Parachuting to safety, Blake and Mortimer survived a host of perils and escaped capture more than once as they slowly, inexorably made their way to the distant rendezvous, before meeting a British-trained native Sergeant Ahmed Nasir.

Using commando tactics to infiltrate the enemy camp and stealing the villainous Colonel’s own Red-Wing super-jet, the heroes made their way towards a fall-back point but were again shot down – this time by friendly fire as anti-Lhasa rebels saw the stolen plane as an enemy targetâ€¦

Surviving this crash too, the trio were ferried in relative safety by the apologetic tribesmen to the enemy-occupied town of Turbat and sheltered by a friendly Khan administrator. However the man’s servant, a spy of the Empire-appointed Wazir, recognised the Englishmen and Nasir realised far too late the danger they all facedâ€¦

Sending his loyal Sergeant away, Blake tried valiantly frantically to save Mortimer whilst a platoon of Empire soldiers rapidly mounted the stairs to their exposed roomâ€¦

The frantic action resumes here in Mortimer’s Escape with soldiers bursting into an empty chamber before being themselves attacked by the Khan. After a bloody firefight the Englishmen emerge from their cunning hiding place and flee Turbat, which has been seized by a furious spur-of-the-moment rebellion.

Unknown to the fugitives, the devious spy Bezendjas is hard on their heels and soon finds an opportunity to inform Olrik. With the city in flames and fighting in every street the callous colonel abandons his own troops to pursue Nasir, Blake and Mortimer into the wastes beyond the wallsâ€¦

On stolen horses the heroes endure all the ferocious hardships of the desert but cannot outdistance Olrik’s staff-car. After days of relentless pursuit they reach the rocky coastline and almost stumble into another Empire patrol, and whilst ducking them Blake almost falls to his doom. Narrowly escaping death, the trio continue to climb steep escarpments and it is dusk before the Intelligence Officer realises that he has lost the precious plans and documents they have been carrying since they fled Englandâ€¦

Realising that somebody must reach the British resistance at their hidden Eastern base, the valiant comrades split up. Blake and Nasir continue onwards whilst Mortimer returns to the accident site. Finding the plans is a stroke of sheer good fortune, immediately countered by an ambush from Olrik’s troops.

Despite a Herculean last stand the scientist is at last taken prisoner but only after successfully hiding the lost plansâ€¦

Three months later Olrik is called to account in the exotic city-fortress of Lhasa. Basam-Damdu’s ruling council are unhappy with the Colonel’s lack of progress in breaking the captive scientist, and even more infuriated by a tidal-wave of sabotage and armed rebellion throughout their newly-conquered territories. Even Olrik’s own spies are warning him that his days as an agent of the Yellow Empire might be numberedâ€¦

Given two days to make Mortimer talk, the Colonel returns to his base in Karachi just as another rebel raid allows Nasir to infiltrate the Empire’s HQ. Blake is also abroad in the city, having joined British forces in the area.

With less than a day to act, the MI5 officer rendezvous with a British submarine and travels to a vast atomic-powered secret installation under the Straits of Hormuz, where the Royal Navy are stoically preparing for a massive counter-attack on the Empire. With raids liberating interned soldiers all the time, the ranks of scientists, technicians and soldiers are swelling dailyâ€¦

Meanwhile, Nasir has begun a desperate plan to free Mortimer, who is still adamantly refusing to talk of the mysterious â€œSwordfishâ€ Olrik’s agents continually hear rumours ofâ€¦

Aware of his danger and the Sergeant’s efforts, Mortimer instead cunningly informs Nasir of the lost plans’ location, even as the impatient Emperor’s personal torturer arrives from Lhasaâ€¦

Always concerned with the greater good, Blake and a commando team secure the concealed plans and are met by Nasir who has been forced from Karachi after realising the spy Bezendjas has recognised him. It appears that time has run out for their scholarly comradeâ€¦

Mortimer, however, has taken fate into his own hands. When the devious Doctor Sun Fo begins his interrogation, the Professor breaks free and escapes into the fortress grounds during an earth-shattering storm. Trapped in a tower with only a handgun, he is determined to sell his life dearly, but is rescued by Blake and Nasir in a Navy Helicopter.

Using the storm for cover the heroes evade jet pursuit and an enemy naval sweep to link up with a British sub and escape into the nightâ€¦

To Be Concludedâ€¦

Gripping and fantastic in the best tradition of pulp sci-fi and Boy’s Own Adventures, Blake and Mortimer are the very epitome of True Brit grit and determination; always delivering grand, old-fashioned Blood-&-Thunder thrills and spills in tried and true timeless fashion and with staggering visual verve and dash. Despite the high body count and dated milieu, any kid able to suspend modern mores and cultural disbelief (call it alternate earth history or bakelite-punk if you want) will experience the adventure of their livesâ€¦ and so will their children.

This Cinebook edition also includes a tantalising preview of the next volume as well as excerpts from stand-alone adventure S.O.S. Meteors, plus a biography feature which offers a chronological publication chart of Jacobs’ and his successors’ efforts and a handy comparison and chronological publishing order of the Cinebook releases.

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