By various (DC Comics)
ISBN13: 978-1-4012-1223-0
One of the greatest advantages of these big value black-&-white compendiums is the opportunity they provide whilst chronologically collecting a character’s adventures to include crossovers and guest spots from other titles. When the star is as long-lived and incredibly peripatetic as DC’s King of the Seven Seas that’s an awful lot of extra appearances for a fan to find…
One of the few superheroes to survive the collapse at the end of the Golden Age was a rather nondescript and generally bland looking chap who solved maritime crimes, rescuing fish and people from sub-sea disaster. Aquaman was created by Mort Weisinger and Paul Norris in the wake of Timely Comics’ Sub-Mariner, and debuted in More Fun Comics #73 (1941). Strictly a second stringer for most of his career he nevertheless continued on beyond many stronger features, illustrated by Norris, Louis Cazaneuve and Charles Paris, until young Ramona Fradon took over the art chores in 1954, by which time Aquaman had moved to a regular back-up slot in Adventure Comics. She was to draw every single adventure until 1960.
In 1956 Showcase #4 (see The Flash: Archive Edition Volume 1, ISBN: 1-56389-139-5) rekindled the public’s imagination and zest for costumed crime-fighters. As well as re-imagining Golden Age stalwarts, DC undertook to update and remake some of its hoary survivors such as Green Arrow and Aquaman. Records are incomplete, sadly, so often we don’t know who wrote what, but the initial revamp (“How Aquaman Got His Powers!†– Adventure Comics #260, May 1959) was the work of Robert Bernstein who wrote the majority of the Sea King’s adventures at this time.
From that tale on the hero had a new origin – offspring of a lighthouse keeper and a refugee from the undersea city of Atlantis – and eventually all the trappings of the modern superhero followed: Themed hideout, sidekick and even super-villains! Moreover, greater attention was paid to continuity and the concept of a shared universe.
In this volume are 49 adventures that cover that early period of renewal taking him from wandering back-up bit-player to stardom and his own comicbook. Writers from those years included the aforementioned Bernstein, Jack Miller, George Kashdan, Bob Haney and perhaps other DC regulars, but the art was always by Fradon, whose captivatingly clean economical line always made the pictures something special.
The initial stories are pretty undemanding fare, ranging from simply charming to simply bewildering examples of all-ages action to rank alongside the best the company offered at the time. ‘Aquaman Duels the Animal Master’, ‘The Undersea Hospital’, ‘The Great Ocean Election’, ‘Aquaman and his Sea-Police’, and ‘The Secret of the Super Safe’ kept the hero in soggy isolation, but with an early crossover Aquaman made his full entrance into the DC universe.
DC supported the popular 1950s Adventures of Superman TV show with a number of successful spin-off titles. Superman’s Girlfriend Lois Lane #12 (October 1959) featured ‘The Mermaid of Metropolis’ wherein the plucky news hen (and isn’t that a term that’s outlived its sell-by date?) suffers crippling injuries in a scuba-diving accident. On hand to save her is Aquaman and a surgeon who turns her into a mermaid so she can live a worthwhile life without legs beneath the waves.
I know, I know: but just accepting the adage “Simpler Times†often helps me at times like this. In all seriousness, this silly story, with no writer credited, is a key moment in the development of one-universe continuity. The fact that it’s drawn by Kurt Schaffenberger – one of the most accomplished artists ever to work in American comics – makes it even more adorable, for all its silliness – at least by our so cool modern standards.
‘Aquaman Meets Aquagirl’ (Adventure Comics #266) gave a little more information about lost Atlantis whilst testing the waters (sorry!) for a possible sidekick – after all, the Sea King spent most of his time expositorially dialoguing with an octopus! – With Adventure Comics #267 the editors tried a novel experiment.
At this time the title starred Superboy and featured two back-up features. ‘The Manhunt on Land’, saw villainous Shark Norton trade territories with Green Arrow’s foe The Wizard. In a rare crossover, both parts of which were written by Bernstein, the two heroes worked the same case with Aquaman fighting on dry land whilst the Emerald Archer pursued his enemy beneath the waves in his own strip; ‘The Underwater Archers’, illustrated by the great Lee Elias.
In the next issue ‘The Adventures of Aquaboy!’ we got a look at the early years of the Sea King, and following that a permanent sidekick, Aqualad, was introduced in ‘The Kid from Atlantis!’ In quick succession came ‘The Menace of Aqualad’, ‘The Second Deluge!’, ‘The Human Flying Fish!’, ‘Around the World in 80 Hours’, ‘Aqua-Queen’ and the intriguing mystery ‘The Interplanetary Mission’.
Originally appearing in Adventure Comics #275 – a few months after the debut of the Justice League of America in The Brave and the Bold #28 – the story concerned a plot to secure Kryptonite from the sea-floor. Although Superman did not appear, the threads of shared continuity were being gradually interwoven. Heroes would no longer work in assured solitude. It was business as usual with ‘The Aqua-thief of the Seven Seas’, ‘The Underwater Olympics’, ‘Aqualad Goes to School’, ‘Silly Sailors of the Sea’ and ‘The Lost Ocean’, a fairly mixed bag which just served to set the scene for a Big Event.
In Showcase #30 (January-February 1961) Jack Miller and Ramona Fradon expanded the origin of Aquaman in the full-length epic ‘The Creatures from Atlantis’, wherein extra-dimensional creatures conquered the sunken civilisation. From this point on the fanciful whimsy of the strip would be downplayed in favour of more character-driven drama. This was followed by the tense thriller ‘One Hour to Doom’ in Adventure Comics #282. Inked by Charles Paris, this was Ramona Fradon’s last art job for nearly a year and a half, and the second Showcase issue by Miller saw the first Aquaman job for comics veteran Nick Cardy who would visually make Aquaman his own for the next half-decade.
‘The Sea Beasts From One Million B.C.’ (Showcase #31, March-April 1961) is a wild romp of fabulous creatures, dotty scientists and evolution rays that presaged a new path for the King of the Seas. Jim Mooney drew ‘The Charge of Aquaman’s Sea Soldiers’ for Adventure #284, and the back up series then shifted to a new home, replaced by the truly unique Tales of the Bizarro World.
Before that however, there was another Showcase thriller. Miller and Cardy pulled out all the stops for ‘The Creature King of the Sea’; an action-packed duel against a monstrous villain with murder in mind. The hind end of Detective Comics #293 (July 1961) welcomed Aquaman and Aqualad who took only six pages to solve the mystery of ‘The Sensational Sea Scoops’. All this time Cardy, who had initially altered his drawing style to mirror Fradon’s had been gradually reverting to his natural, humanistic mode. By the time the fourth and final Showcase, ‘Prisoners of the Aqua-Planet’ (#33), appeared the Sea King was a rugged, burly He-Man, and his world, no matter how fantastic, had an added edge of realism to it.
Detective #294’s ‘The Fantastic Fish that Defeated Aquaman’ coincided with a guest –spot in a second Superman Family title. ‘The Monster that Loved Aqua-Jimmy’, drawn by Al Plastino, is from Superman’s Pal Jimmy Olsen #55, another product of its time that hasn’t aged well, but the big kid in me still regards it fondly and I hope that others will do it the same courtesy. Meanwhile back at Detective Comics #295 our heroes defied ‘The Curse of the Sea Hermit’ (scripted by George Kashdan), and the next month saw ‘The Mystery of Demon Island!‘
To accompany the more realistic art, and perhaps in honour of their new home, the stories too, became – briefly – less fantasy oriented. ‘Aqualad, Stand-In for a Star’ is credited to Miller and Cardy, though I rather suspect that Batman stalwart Sheldon Moldoff is the actual artist here, but there’s no doubt that Cardy drew both ‘The Secret Sentry of the Sea’ (#298) and ‘Aquaman’s Secret Teacher’ (#299).
The next month saw a milestone. After two decades of continuous adventuring the Sea King finally got a comicbook of his own. Aquaman #1 (January-February 1962) was a 25 page fantasy thriller that introduced one of the most controversial supporting characters in comics lore. The pixie-like Water-Sprite Quisp was part of a strange trend for cute imps and elves that attached themselves to far too many heroes of the time, but his contributions in ‘The Invasion of the Fire-Trolls’ and succeeding issues were numerous and obviously calculated.
‘The Mystery of the Undersea Safari!’ in Detective Comics #300 was the last before he moved again, this time to World’s Finest Comics. However prior to that residency commencing his own second issue appeared. ‘Captain Sykes’ Deadly Missions’ is a lovely looking thriller with fabulous monsters and a flamboyant pirate blackmailing the Sea King into retrieving deadly mystical artefacts.
‘Aquaman’s Super-Sidekick’ by Miller and Cardy started the World’s Finest run (#125) in fine style, and Aquaman #3 provided full-length thrills and more exposure for the lost city in ‘The Aquaman from Atlantis’ a tale of traitors and time-travel. WF #126 saw the heroes foil thieves with ‘Aquaman’s Super Sea Circus’ and for better or worse Quisp returned in #4’s ‘Menace of the Alien Island’.
A more welcome returnee was Ramona Fradon who took over the World’s Finest strip with #127’s ‘Aquaman’s Finny Commandos’. The next issue saw ‘The Trial of Aquaman’ end in his favour just in time to endure ‘The Haunted Sea’ in his own fifth issue, before encountering ‘The Menace of the Alien Fish’ in WF#129.
This bumper volume concludes with Aquaman #6 and the never more true ‘Too Many Quisps’, a case of painfully mistaken identity and a sentiment it’s hard not to agree with… but still beautifully illustrated by Mr. Cardy.
DC has a long and comforting history of gentle, innocuous yarn-spinning with quality artwork. Ramona Fradon’s Aquaman is one of the most neglected runs of such accessible material, and it’s a pleasure to discover just how readable they still are. And when the opportunity arises to compare her wonderful work to the early superhero work of such a stellar talent as Nick Cardy this book becomes a fan’s must-have item. More so when all the stories are still suitable for kids of all ages, Why not treat yourself and your youngsters to a timeless dose of whimsy and adventure? You won’t regret it.
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© 1959-1962, 2007 DC Comics. All Rights Reserved.