Poison Candy, Vol 1

Poison Candy, Vol 1

By David Hine & Hans Steinbach (TokyoPop)
ISBN: 978-1-4278-0080-0

Here’s a taut Sci-Fi thriller in the manner of Scanners from the English speaking end of the manga world. Young Sam Chance has most of the usual teenager’s problems but that all changes when he starts having nosebleeds and manifesting terrifying psychic powers. When doctors examine him he is found to be the latest victim of SKAR: South Korean Adolescent Retrovirus. There is no cure.

And then his life gets really weird. Whilst coming to terms with his imminent death his family is approached by the world’s richest computer games manufacturer with a solution; to cryogenically preserve him for two tears until the cure he’s working on is perfected. It seems like the perfect – if drastic – answer.

So why then is the Government prepared to assassinate every one who knows him and even shoot down the plane he’s travelling on? Despite all such efforts Sam escapes and nervously submits to the freezing process, bitterly regretting the two years he’ll be separated from his girlfriend. A century later he opens his eyes…

And that’s where this volume ends: a sharp and quirky tale that promises much to come and a few new twists to this fan-favourite theme of teen psychic super soldiers. Keep watching…

© 2007 David Hine and TOKYOPOP Inc. All Rights Reserved. POISON CANDY is ™ TOKYOPOP Inc.

Mean

Mean

By Steven Weissman (Fantagraphics Books)
ISBN13: 978-1-56097-866-4

If there is such a thing as ‘Dark and Comforting’ then the weird and wicked cartooning of Steven Weissman is a perfect example. Following the success of such books as Chewing Gum in Church and Kid Firechief Fantagraphics have compiled earlier works from his self-published comic Yikes!, supplemented with other rare and even unpublished strips to create a lovely insight into the development of a truly unique graphic vision.

The 32 tales, created between 1993 to 2002, all feature his cast of peculiar children in a macabre tribute to Charles Shulz’s Peanuts strip, but are also literal embodiments of the phrase “little monsters”. In simple childhood romps such as ‘The See-Thru Boy’, ‘The Loneliest Girl in Town’, ‘Inevitable Time-Travel Story’, ‘No Kiss!’ and many others the bizarre cast of Li’l Bloody (a child vampire), Kid Medusa, Pullapart Boy and X-Ray Spence live an idyllically suburban 1950’s existence of school, fishing, skateboards, white picket fences, aliens, wheelchair jousting, marbles and weird science. Weissman’s seductive cast all have huge round heads and ancient bodies like graphic progeria-sufferers, but the drawing is lavish, seductive and utterly convincing.

These are great comics about kids (but categorically Not For Kids) that are a treat, a revelation and most definitely darkly comforting.

MEAN © 2007 Fantagraphics Books. All content © 2007 Steven Weissman. All Rights Reserved.

Friday the 13th Book 1

Friday the 13th Book 1

By Justin Gray, Jimmy Palmiotti, Adam Archer & Peter Guzman (WildStorm)
ISBN13: 978-1-0-84576-625-2

I’m not the greatest fan of modern horror movies, especially the frankly daft and usually logical-integrity free “Slasher-movie”. I really, really don’t mean morality here; I can be as nihilistically cynical as any hormonally drenched teen, and what guy doesn’t like vicarious nudity, gratuitous sex and gory giblets everywhere?

What I have trouble with is the creation of unstoppable, inescapable, unkillable monsters as Brands. Fear isn’t going “boo!” or making audiences jump, it’s the build-up; the piling on of tension upon anxiety till you just want it to be over. For that you need at least the possibility that the brand-name can be defeated. Without engaging that hope and desperation all you have is an ever increasing spiral of baroque stunts and shallow effects, ultimately pointless and hollow.

For example: A group of teens are hired to renovate Camp Crystal Lake, the rural paradise where so many wayward kids have been chopped into liver-sausage by the ghastly hockey-masked ghost of Jason Voorhees. They’re obnoxious and they get naked and they die grotesquely. That really all there is to it.

Accepting that I’m not the target market, this book (collecting the first six issues of the monthly comic) has credible artwork but not even the usually excellent scripting of Justin Gray and Jimmy Palmiotti can get me to engage with this disparate cast of cadavers-in-waiting. I can’t even dislike them enough to look forward to their inevitable deaths. Maybe if they were people you really want to see killed like bigots or celebrities…

Competent but limited, and absolutely and only for kids over eighteen…

© MMVII New Line Productions, Inc. Friday The 13th is ™ New Line Productions, Inc, (so7). © 2006, 2007 New Line Productions, Inc. All Rights Reserved.

The Bumper Book of Bunny Suicides

The Bumper Book of Bunny Suicides

By Andy Riley (Hodder & Stoughton)
ISBN13: 978-0-340-92370-2

This is a good-old fashioned bad-taste animal atrocity collection from writer and cartoonist Andy Riley, whose work has appeared on Trigger Happy TV, So Graham Norton, Smack the Pony, and in The Observer Magazine. He also co-wrote Robbie the Reindeer, The 99p Challenge (for Radio 4) and Gnomeo and Juliet for Disney. First released in 2003 this book is a re-mastered compilation with many additional cartoons and gags.

What’s it about? It’s about time that our Lepine bretheren were allowed to die with dignity whenever and however they choose. It’s also good if it can be devilishly ingenious or wickedly funny, too.

Dark, sardonic, guilt-wrackingly hilarious drawing and supremely disturbing in its inventiveness, this is a fine addition to the grand tradition of British maltreatment of cartoon creatures. Buy this and laugh yourself hoarse. (Hoarse? Horse? Has anyone done them yet? Can I have a go..?)

© 2003 Andy Riley.

Birds of Prey: Blood and Circuits

Birds of Prey: Blood and Circuits

By Gail Simone, & various (DC Comics)
ISBN 1-84576-564-8

The team of crime-fighting super-women regroup only to go their separate ways in this volume (collecting issues #96-103) of adventures from the monthly DC comic-book. Black Canary has returned from her sabbatical bringing with her a young girl named Sin who was being trained as the next Shiva (a martial arts super assassin) and for whom she intends a “normal” life. However she and the rest of the team are soon drawn into a battle with troubled teen Lori Zechlin (whose alter-ego Black Alice has the ability to steal the power of any magic user on Earth) when the criminal alliance known as The Society attempts to recruit her.

Team-leader Oracle has her own problems as a new Batgirl (Oracle’s previous heroic persona, before she lost the use of her legs) is interfering in her operations, but the real threat is the vengeance-crazed gun-freak Yasemin who wants the team dead.

Eventually the pace forces the Canary to resign in order to raise Sin, so after a highly entertaining retelling of her career she leaves and Oracle redefines the team and the methodology for the anniversary 100th issue. Henceforth she will call on a broader range of female agents, defined by the missions themselves.

The first of these is to rescue seventeen year old Tabitha Brennan from a Mexican prison, where she’s being held to exert influence on her mobster turned supergrass father. This time the “Mission Impossible” team comprises Big Barda, Judomaster, Manhunter, Lady Blackhawk and Huntress but even as the plan goes typically awry a new more dangerous adversary is preparing to act against the Birds, in the form of US Government spook Katerina Armstrong – Spy Smasher, who wants the team to work for her, and who always gets what she wants…

Consistently superb, Gail Simone’s scripting (assisted here by Tony Bedard) has made this title one of the best superhero series on the market and when coupled with the wonderful artwork of such talents as Nichols Scott, Paulo Siqueira, James Raiz, Doug Hazlewood and Robin Riggs, these funny, sassy, sharp thrillers never ever disappoint.

© 2007 DC Comics. All Rights Reserved.

The Illustrated Comic Art Workshop

Volumes 1&2 (1982, 1984)

The Illustrated Comic Art Workshop

By Dick Giordano, Frank McLaughlin & various (Garko Systems/Skymarc Publications)
No ISBNs

These two books came out in the 1980s and as far as I know have never been reissued or updated, which is a shame as they are without doubt the absolute best handbooks for the serious fledgling comic artist. I’m reviewing them here in the vain hope that someone somewhere will get these terrific technique-bibles back into the hands of the keen, dedicated and hopeful…

It’s always comforting for a “how-to” book to be produced by someone you’ve actually heard of, and better yet if said producers are acknowledged as proficient in their craft. The two volumes produced by Giordano and McLaughlin as an offshoot of their foray into teaching drawing skills as The Comic Art Workshop is probably one the very best distance learning packages ever compiled (the only thing to rival them is the correspondence course of the Joe Kubert School – assuming they still do that) , and even after more than twenty years the insights into the disciplines of the commercial cartoonist are still as valid and vital as during those high-sales, high-volume days.

The first book begins with the set-up of a working area, with both artists’ own studios used as examples, and is followed by an extensive section on the use and care of drawing tools, including reference files and even photomechanical shading sheets – Letratone to you or me. Even in these computerized days there’s still a place for sticky paper and a really sharp knife… The section on the use of Polaroids may be slightly outdated, but if you own one, they’re still a damn sight more practical in many situations than a digital camera or phone.

Next comes a comprehensive chapter on the fundamentals of actual drawing – and yes, ask anyone, it still applies – THERE IS NO SUBSTITUTE FOR PROLONGED AND REGULAR LIFE DRAWING – with a great emphasis and many tips on that thorny perennial, Perspective. This might be a little technical for some but it’s good stuff, well thought out and well presented. If you’re serious about the job you need to be able to do it properly. The latter part of the book is given over to Drawing the Human Figure both realistically and in a super-heroic manner with especial consideration given to heads and hands, authored by John Romita Senior.

Volume Two starts with Stan (Juliet Jones, Kelly Green) Drake outlining his methods of dealing with design layout and emotion in realistic strips and then cartoonist Mel (Boomer) Casson deals with pencilling humorous comic strips, using not just his own work but examples from Hagar the Horrible, Beetle Bailey and others. John Byrne writes extensively on storytelling, with particular emphasis on panel placement, establishing shots, use of angles and the staging of the panel and the page, all of which seems pretty obvious until you go into print having got it wrong!

Frank McClaughlin contributes a brief chapter on adapting real people into cartoons or caricatures and Dick Giordano returns to the subject of storytelling, dealing with layout and graphic narration, credible designs, movement, showing how to lead the reader’s eye (‘directing traffic’), designing characters and even providing some useful design exercises for the fledgling creator. Storyboard artist Mel Greifinger closes the lesson with a dissertation on narrative and context, and a short run-down on markers and materials which has greater relevance to cartoonists today when everybody has access to computers and scanners.

Although probably hard to find and long overdue for updating and re-release these books are an absolute godsend for people just past the absolute beginner stage, when they’re still full of bad habits and misconceptions, but determined to try for a career in comics.

©1982 Garko Systems. ©1984 Skymarc Publications. All Rights Reserved.
All Characters used for illustrative purposes © their respective copyright holders.

Wildcat Strikes Again

Wildcat Strikes Again

By Donald Rooum (Freedom Press)
ISBN: 0-900384-47-6

Donald Rooum has been fighting the good, reasoned, acerbic but never strident fight for his particular political and ethical standpoint since the 1960s. He has mostly used that most devastating of weapons, the pen, to deliver his payloads of reasoned integrity. This volume is no exception.

Culled from the archives of Freedom magazine, where the Wildcat strip has run for decades, this slim volume presents a number of views of not just The Enemy, exemplified as Governments, Police, Big Business, The Church and smug know-it-alls of all nations but also some telling glances at Anarchists themselves – who, as you might suspect, are often their own worst enemies.

Crammed with magical drawing and compelling reasoning, there’s also plenty of laughs on hand and some lovely additional pages of humorous factoids on and about the subject of cats; cartoon, wild or otherwise.

Donald Rooum’s work is a cartoon connoisseur’s delight: Incisive, reasoned, beautifully illustrated and lettered, and above all, passionate and honest. Everyone, of whatever persuasion, should see what he’s saying, and how.

© 1989, 2007 Donald Rooum. All Rights Reserved.

Transformers: Target 2006

Transformers: Target 2006

By Furman, Anderson, Senior, Simpson & Ron Smith (Titan Books)
ISBN 1-84023-510-1

The Transformers took the world by storm in the 1980’s and the monthly US Marvel comic book was a smash hit. The UK division had their own weekly comic which reprinted the American material but the scheduling mismatch quickly necessitated the creation of original material.

With the potential for continuity chaos uppermost in editorial minds this extended time-travel epic was created to enthral the kids and not step on any upcoming storylines or new toy launches. Evil Decepticon leader Galvatron travels back twenty years from 2006 to unmake his own unwanted reality by judiciously altering events, but once here he finds that the Autobots are not the only alien shape-changing robots that want to stop him…

Challenging at the time of release (in Transformers #78-88, 1986), the plot has lost a lot of its impact simply because so many films and TV shows have used it in the intervening years, but in conjunction with the taught scripting of Simon Furman and the fast-paced action and great colour artwork from veteran Ron Smith, and such then- newcomers as Jeff Anderson, Geoff Senior and Will Simpson, Target: 2006 is still a thriller with a lot of punch.

This is a great book to bring kids into comics, and I wish we had a few more like it.

© 2002 Hasbro. All Rights Reserved.

Top 10: Beyond the Farthest Precinct

Top 10: Beyond the Farthest Precinct

By Paul Di Filippo & Jerry Ordway (America’s Best Comics)
ISBN 1-84576-298-3

It’s not all death, disaster and depravity for the super-powered police force of Neopolis, the city where every citizen is a superhuman, a god or robot or monster. Sometimes you get a day off for a staff picnic. However The Job is never far away…

When an ominous supernatural apparition appears over the city it presages an interdimensional Armageddon, but the weary cops have more than enough to deal with already as the new Mayor fires their old boss and replaces him with a paramilitary martinet who would rather issue loyalty pledges and spy on his own men than actually police the city or find the mastermind who’s drowning the robotic citizenry in a sea of circuit-frying electronic dope.

Tensions and paranoia run high and the apparition is only seconds away from destroying the universe, but will the cops even be able to do their jobs?

Set five years after the conclusion of TOP 10: Book 2 (ISBN 1-56389-876-4), this follow-up outing has great pace and ingenuity but somehow lacks the passion and humanity of Moore’s scripts. Much of the uniquely dull and dowdy feel is absent and even the superb artwork by Jerry Ordway nonetheless leans too much on the glamorously “Super” rather than the frailly “Human” side. I hate having to say something so negative about such an earnest effort, especially as its always the plaint of the old codger – but this just isn’t as good as it used to be…

© 2005 America’s Best Comics LLC. All Rights Reserved.

The Mirror Classic Cartoon Collection

The Mirror Classic Cartoon Collection

By various, compiled by Mike Higgs (Hawk Books)
ISBN 0-948248-06-8

The Daily Mirror has been home to a number of great strips over its long history – beginning with one of the Empire’s greatest successes Tiger Tim, who debuted there in 1904 and culminating with the likes of the war-winning nymphette Jane, The Perishers, Garth and Andy Capp. The latter two feature in this beautiful compilation from Mike Higgs’ Hawk Books which has done so much over the years to keep British cartoon history alive.

This particular effort collects sample selections from the newspaper’s back catalogue in a spiffy hardback that is stuffed with fun, thrills and quality nostalgia.

Garth is the first star featured in an adventure from 1957 by series originator and longest serving creator Steve Dowling (1943-1969 – succeeded by his assistant John Allard, then Frank Bellamy and finally Martin Asbury). Garth is a hulking physical specimen, a virtual human superman with the involuntary ability to travel through time and experience past and future lives. This simple concept lent the strip an unfailing potential for exotic storylines and fantastic exploits.

‘The Captive’ – written by Peter O’Donnell and illustrated by Dowling and Allard – is a contemporary tale with our hero abducted from Earth as a prize in a galactic scavenger hunt instigated by bored hedonistic aliens who don’t realise quite what they’ve gotten themselves involved with… A second adventure, ‘The Man-hunt’, is the last that Frank Bellamy worked on. The astounding Bellamy died in 1976 whilst drawing this story of beautiful alien predators in search of prime genetic stock with which to reinvigorate their tired bloodlines. Written by Jim Edgar, the strip was completed by Asbury who took over with the 17th instalment. This tongue-in-cheek thriller is full of thrills and fantastic action, yet never loses its light humorous touch.

Andy Capp is a drunken, skiving, misogynistic, work-shy, wife-beating scoundrel who has somehow become one of the most popular and well-loved strip characters of all time. Created by jobbing cartoonist Reg Smythe to appeal to northern readers during a circulation drive, he first saw the light of day – with long-suffering wife Florrie in tow – on August 5th 1957. The volume reprints 37 strips from the feature’s 41 year run, which only ended with Smythe’s death in 1998, but the sheer magic of this lovable rogue is as inexplicably intoxicating as it always was, defeating political correctness and common decency alike: A true Guilty Pleasure.

Romeo Brown began in 1954, drawn by Dutch artist Alfred “Maz” Mazure, and starred a private detective with an eye for the ladies and a nose for trouble. The feature was a light, comedic adventure series that added some glamour to the dour mid-1950s, but really kicked into high gear when Maz left in 1957 to be replaced by Peter O’Donnell and the brilliant Jim Holdaway, who would go on to create the fabulous Modesty Blaise together. The strip ended in 1962 and is represented here by a pair of romps from their penultimate year. ‘The Arabian Knight’ and ‘The Admiral’s Grand-daughter’ combine sly, knowing humour, bungling criminality and dazzlingly visuals in a manner any Carry-On fan would die for.

Useless Eustace was a gag-panel (a single-picture joke) that ran from January 1935 to 1985. Created by Jack Greenall, its star was a bald nondescript everyman who met the travails of life with unflinching enthusiasm but very little sense. Greenall produced the strip until 1974, and other artists continued it until 1985. The selections here are from the war years and the 1960s. Another comedy panel was Calamity Gulch, a particularly British view of the ubiquitous “Western” which invaded our sensibilities with the rise of television ownership in the 1950s. Created by Jack Clayton, it began its spoofing and sharp-shooting on 6th June 1960, and you can see 21 of the best right here, Pardner.

A staple of children’s comics that never really prospered in newspapers was the sports adventure. At least not until 1989 when those grown up tykes opened the Daily Mirror to find a football strip entitled Scorer, written by Barrie Tomlinson and drawn by Barry Mitchell, and eventually John Gillatt. Very much an updated Roy of the Rovers, the strip stars Dave ‘Scorer’ Storry and his team Tolcaster F.C. in fast, hot, sexy tales of the Beautiful Game that owed as much to the sports pages it began on as to the grand cartoon tradition. ‘Cup Cracker’, included here is by Tomlinson and Gillatt from 1994, and shows that WAGS (Wives And GirlfriendS, non-sports fans) were never a new phenomenon.

Not many people know this, but before I review an old book (which I arbitrarily define as something more than three years old) I try to locate copies on the internet. It’s a supreme disappointment then for me to admit that this wonderful and utterly British tome is readily available in France, Germany – most of Europe in fact (and you could order it from Amazon.fr for example), but not in any English-speaking nation that I could find. Perhaps that’s a testament to the book’s quality and desirability, and if that’s the case maybe The Mirror Group should expedite a new edition – or even a few sequels…

© 1998 Mirror Group Newspapers, Ltd. All Rights Reserved.