American Vampire Book 1


By Scott Snyder, Rafael Albuquerque & Stephen King (Vertigo)
ISBN: 978-0-85768-032-7

Here’s another welcome and long-past-due remedy to the scarlet deluge of lovey-dovey, kissey-poo tales of forbidden love between innocent modern maids and moody, tragic carriers of the Curse of the Night’s Children, and one that uses for its themes Darwinian Survival of the Fittest, old-fashioned Revenge and the ultimate grisly example of Manifest Destiny; all played out against the chillingly familiar backdrop of the bloody birth of a modern nation…

In Scott Snyder & Rafael Albuquerque’s stellar first narrative arc, augmented and supplemented here by a stunning sidebar storyline from the functionally mythical Stephen King, the kind of vampires that you should rightly beware of are introduced and explained, but although there are love stories in this series they’re probably not the sort you want your impressionable kids to read…

The sinister suspense begins with Snyder & Albuquerque’s ‘Big Break’ as, in the Hollywood of 1925, struggling but popular and ambitious would-be starlets Pearl Jones and Hattie Hargrove followed their dream of celluloid stardom working days as bit-players in movie mogul D. B. Bloch’s latest silent epic.

The girls had only been best friends for a short while but shared hardship had made them closer than sisters, even if, too often, Pearlwas distracted by itinerant musician Henry Preston and the aggravatingly persistent and obnoxious drifter who hung out near their Ladies-Only boarding house.

The actresses’ careers seemed destined to blossom when leading man Chase Hamilton invited the fame-hungry girls to one of Bloch’s legendary Producer’s parties. Despite shaded warnings from their laconic stalker,Pearl and Hattie attended but when the unctuous Chase took the Jones girl aside to meet D. B. it wasn’t for the kind of assignation she expected.

Reeling with horror the feisty actress found herself a morsel and kickback offering for a pack of wealthy European money-men who were also literal blood-sucking monsters…

King & Albuquerque then take us back to the hoary days of 1880 and Sidewinder, Colorado, as author Will Bunting relates the true story behind his novel ‘Bad Blood’ to a group of eager fans and historians…

The ancient scribbler recounts the fantastic but apparently non-fictional tale of outlaw Skinner Sweet, a remorseless thief frustrating progress, killing good folks and stealing funds from sun-shy, Euro-trash millionaire railroad speculator Mr. Percy. When the psychotic bandit was finally captured by Pinkerton agent Jim Book and his deputy Felix Camillo, the triumphant banker laid on a special train and a gaggle of journalists to record the victory of civilisation over lawlessness…

As the killer’s gang subsequently derailed the train and massacred everybody who survived the crash Skinner cruelly and casually took time out to reveal how he had killed Book’s wife …

Sweet then gunned down Book and overwhelmed Camillo, but was utterly unprepared for the attack of the effete-seeming Percy who shrugged off the gang’s fusillade of bullets before slaughtering them all. Skinner didn’t die easily though, and in close combat with the fanged, gore-guzzling horror blew the European monstrosity’s eye out, consequently taking its blood into his own body before at last expiring…

Unknown to all, Bunting had seen everything and, as the fully-healed Percy tended to Book and Camillo, wisely decided to say nothing of the horror he’d witnessed…

The Hollywood story resumes with ‘Morning Star’ as Hattie and Henry discoveredPearl was missing. Driving to the isolated mansion they found her; ravaged, chewed to ribbons as if by some animal yet inexplicably clinging to life.

Pearlawoke in the Morgue, having been visited by her mysterious stalker. Skinner Sweet had shared his unique blood with her and now, as the once-deceased actress listened in astonishment, the smirking ghoul explained some facts of life – and death – to her.

Like himself she had been attacked by ancient, old-world vampires, but by sharing their blood – accidentally in his case but quite deliberately when Sweet bestowed his own kiss upon her – Pearl had become a new form of hybrid-bloodsucker, perfectly evolved to inhabit the New World, with completely different weaknesses to the old guard and, hopefully, sharing Sweet’s lust for revenge, taste for chaos and hunger for life…

After giving her a quick lesson on the differences between the European nosferatu who have carved themselves an almost unassailable position of closeted wealth and power in the young nation and the new American Vampires (now numbering two), the morally bankrupt wanderer then took off, leaving his hungry new offspring to sink, swim or stand on her own shape-shifting, taloned feet…

He did leave a present though: locked in her closet, Chase Hamilton quickly realised he was about to pay for all his many sins…

‘Deep Water’ saw author Will Bunting also in 1925, talking about the re-issue of his fantastic novel to a store full of avid fans. The tale, which described the iconic life of heroic Jim Book and his battle against vampire outlaw Skinner Sweet, resumed at the point when the infected owlhoot woke up in his own grave. Far above him the cabal of expatriate vampires secretly dominatingAmerica’s nascent financial system continued accruing wealth and power and insouciantly turned the entire town ofSidewinder intoColorado’s latest reservoir and boating lake…

For nearly thirty years Book continued with his peacekeeping profession and eventually Camillo became Mayor of the new town of Lakeview. Bunting had turned the tale of Sweet and the vampires into a popular dime-novel and sensation-seekers and treasure-hunters were regularly dredging the man-made mere for souvenirs of the infamous outlaw.

One day in 1909 a couple of them unearthed the now legendary bad-man’s buried, sunken coffin and unleashed a rabid horror unlike anything ever seen in the world before: a leech unaffected by running water, stakes or sunlight. Hungry for revenge and sustenance Skinner Sweet emerged into a newAmericaand began hunting old “friends” he owed a debt to…

In TinselTownmeanwhile, Pearlhad returned to her lodgings and told the shell-shocked Hattie to flee before continuing her own quest for vengeance in ‘Rough Cut’. The immortal Euro-cabal were, as usual, discussing what to do about their personal nemesis Sweet and his protracted annoyance, unaware that they had a far more pressing problem. That all changed after the unstoppable and infinitely superior Pearl slaughtered three of them. Without knowing what could kill this new world species of vampire, the clique resorted to age-old stratagems even as Miss Jones – resuming mortal form – turned to Henry for a little comfort and support…

Just then the phone rang and Bloch demanded that she surrender herself or Hattie would die horribly…

Back in 1909 Sweet’s ‘Blood Vengeance’ eliminated every human in Lakeview and proclaimed his intentions to a horrified coterie of arrogant old-world bloodsuckers who had previously believed themselves the planet’s apex predators. Even so, the resurgent outlaw had more pressing business. Before the last man in town died, Sweet made him send a telegram to Jim Book…

‘Double Exposure’ found Pearl desperately negotiating for Hattie’s life, knowing surrender would lead her to becoming the cabal’s eternal, experimental lab rat but utterly unaware that she had already been betrayed by someone close to her who was pitifully greedy and unable to resist the subtle pressures and obvious blandishments of the European ancients.

However even bushwhacked, mysteriously weakened and brutally assaulted, Pearl, with the aid of her last true friend, managed to turn the tables and even destroy Bloch’s fortress before escaping to prepare for one last showdown…

The writer’s tale was also approaching a climax as ‘One Drop of Blood’ found Book, Felix, the young Bunting and Camillo’s daughter Abilena hunting Sweet in the hellish ruins of Lakeview just as the bloodthirsty travesty discovered that his powers and energies were unaccountably waning. Watching unsuspected from a distant position of seclusion, the “Euro-Vamps” bided their time and saw the shocking finale as the valiant comrades used dynamite to bury the debilitated devil in a deep mine-shaft under tons of unyielding rock – but not before the sadistic Skinner had deliberately infected Book with his own tainted, mutagenic blood…

Pearl’s story in this first stunning volume concludes in a sustained spray of scarlet gore as she climactically confronts Bloch and his surviving comrades only to face one final tragic betrayal in ‘Curtain Call’ whilst ‘If Thy Right Hand Offend Thee…‘ discloses Jim Book’s last desperate battle against the cursed thirst Sweet had inflicted upon him, even as the unstoppable Skinner enjoyed one last chat with the Euro-leech who created him…

The time-distanced yet parallel tales then coincide and conclude with a hint of foreboding; presaging more horrors in the days and decades to come…

This initial creepy, compelling chronicle also includes a pithy Afterword from Snyder, a welter of variant covers by Albuquerque, Jim Lee, Bernie Wrightson, Andy Kubert, JH Williams III and Paul Pope, a feature on the script-to-art process and 6 pages of designs and sketches by the supremely skilled and multi-faceted Albuquerque to delight and impress all fans of truly mature supernatural thrills and chills.

Far more True Blood than Twilight and substantially closer to Sam Peckinpah than John Ford or Tod Browning, this lightning-paced, sardonic and gory excursion into blood and sand and love and death is a spectacular and absorbing riot by two of the industry’s best and new talents, backed up and covered by an absolute master of tone and terror, combining to craft a splendid, sordid, sexy and utterly spellbinding saga, riddled with far deeper metaphors than “unrequited love sucks”.

American Vampire offers solid screams and enchantingly fresh ideas that all fear-fiends will find irresistible making this book an absolute “must-have” and a certain reminder that there are such things as monsters and some beasts just should not be tamed…
© 2010, Scott Snyder and Stephen King.  All Rights Reserved.