Illegal


By Eoin Colfer & Andrew Donkin, illustrated by Giovanni Rigano & lettered by Chris Dickey (Hodder Children’s Books)
ISBN: 978-1-444-93400-7 (HB) 978-1-444-93169-3 (Digital edition)

Former primary school teacher Eoin Colfer is an award-winning author who written stories about everything. Most renowned for his Artemis Fowl books, he’s crafted many other novels and series, including Benny and Omar, Highfire, W.A.R.P. (Witness Anonymous Relocation Program), The Supernaturalist, Iron Man: The Gauntlet, Half Moon Mysteries and more.

Acclaimed Irish raconteur Colfer also penned the first official sequel in Douglas Adams’ Hitchikers Guide to the Galaxy sequence and served from 2014-2016 as the Laureate na nÓg (Ireland’s Children’s Laureate). It’s safe to say he knows what kids like and how they think…

Almost all of his works end up as sequential narratives and his long-term partners in adapting the Fowl series into graphic novels are writer Andrew Donkin (The Terminal Man, The Valley of Adventure, My Story: Viking Blood, Batman: Legends of the Dark Knight, Doctor Who) and Italian illustrator Giovanni Rigano (Daffodil, Pirates of the Caribbean, The Incredibles). In 2017, in the face of an escalating international crisis, they harnessed their powers for good to produce an evocative fictionalised account of the forces in play compelling migrants to risk slavery and death, to leave their own homelands in search of – if not a better life – at least one less lethal and hopeless …

Following a Dedication and poignant, pertinent quote from Noble Laureate and Holocaust survivor Elie Weisel a saga simultaneously unique and shamefully ubiquitous unfolds. Across 17 chapters flipping between recent flashbacks and immediate peril, we get to know Ebo: a 12-year-old from Ghana trying to reunite with his sister…

The now is midnight in the middle of the Mediterranean. Ebo is one of 14 scared voyagers currently overloading a rubber raft built intended for 6. Hours earlier he, brother Kwame and new friend Razak were – at gunpoint – forced into the “balloon boat” by people-smugglers who had been paid and didn’t want anything else to do with their “clients”…

As they rock in the salty darkness – hopefully heading towards Italy – Ebo’s mind washes back 19 months to the village in Niger. It was just him and Kwame since their mother died and sister Sisi left for Europe where she could earn money to feed them…

One morning, Kwame also disappeared, and Ebo instantly followed, tracing well-established routes across the sands to Agadez in Niger: a city of survivors in transit. Hardworking and smart he found ways to survive, dodging human predators, before miraculously finding his brother. Together they scraped together enough cash for a desert crossing, paying the bandits who trafficked drugs, cigarettes and other contraband like the desperate…

Despite incredible odds, the brothers survived the ordeal and retrenched in Libya. Even though Tripoli sees migrants as unwelcome parasites, many work illegally in the city until they have enough money to buy passage across the waters. Overcoming appalling hardship, the brothers make new friends and are soon ready to leave…

History is intercut with the failing sea-crossing, and more details emerge as the raft founders. The travellers universally lament never learning how to swim as realisation comes that they are all about to die. Ebo recalls friendly people he met along the way and suddenly, after accepting death, the paddlers are rescued from doom. However, the respite proves to be even more awful than their near-death escape. Even this chance event will end badly for all of them…

At all stages sheer luck had been their friend, but always an awful price was exacted. That proves horrifically true again when the weary voyagers are located by the Italian navy and ghastly human error triggers a disaster…

Supplementing this agonisingly current affair is a map of  ‘Ebo’s Journey’ and a ‘Message From the Creators’ appealing for common sense, understanding and human decency in handling this ongoing global calamity. Following them is ‘Helen’s Story’: an account of one girl’s experience provided by Women for Refugee Women and adapted by Colfer, Donkin & Rigano, after which the usual ‘Acknowledgements’ and information ‘About the Creators’ accompanies a superbly enthralling glimpse at the artist’s ‘Sketchbook’.

This story is constructed from many actual accounts and despite being for a general audience – particularly school-aged children – pulls no punches. This kind of targeted reportage can liberate young minds and has frequently changed the world in the past. Let’s hope that’s the case here too, and that the next generation of leaders can see their way clear to dealing with economics and political problems with warmth and understanding, and not thinly-veiled racist rhetoric, dog-whistle exceptionalism and parsimonious patriotism…

Shocking harrowing enlightening and rewarding, this is a children’s book every grown-up should read.
Text © Eoin Colfer & Andrew Donkin2017. Illustrations © Giovanni Rigano 2017. All rights reserved.