Category: Drama

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Geek-Girl Volumes 1: Lightning Strikes! & 2: Crime War


By Sam Johnson, Carlos Granda, with Nahp, Chunlin Zhao & Paul McLaren (Markosia)
ISBN: 978-1-911243-31-1 (Lightning Strikes!) 978-1-912700-64-6 (Crime War)

Win’s Christmas Gift Recommendation: Fan Friendly Fights ‘n’ Tights Fun… 8/10

Because I’m such an ethical idealogue I’m again admitting a potential conflict of interest before telling you to haul off and buy something. During the 1980s and 1990s, I worked for the London College of Printing, The London Cartoon Centre and other fine educational institutions, teaching eager youths of all ages the rudiments of scriptwriting and comic production. You may have subsequently bought comics and graphic novels produced by a handful of them. Sam Johnson was one of several hundred – if not actually more than a thousand – who put up with me. The sheer volume of those who haven’t achieved fame, wealth and glory should tell you all you need to know about my teaching abilities whilst placing the credit where it firmly belongs…

When I was teaching comics, almost all of the students expressed a strange love-hate relationship with the concept of superheroes. They all knew that was where the money was, and most – like me – were still hopelessly nostalgically engaged with the whole cathartic, wish-fulfilling rigmarole, whether or not they avowed the higher aspirations of an Eisner, Spiegelman, Moebius or Jodorowsky.

One or two fully embraced the maligned genre and looked for ways to modernise and contextualise it. Nowadays, Superheroes rule global popular culture, and people like me have the devil’s own time getting anyone to read books like Mikaël’s Giant, The Silent Invasion, Blackwood or anything by Tillie Walden. So it goes…

Sam Johnson clearly loves Costumed Dramas but has also given a lot of thought to them: especially considering how their stars must act as ordinary people once the masks and capes come off…

Gathering the first four issues of the eponymous comic book series, Geek-Girl: Lightning Strikes! takes us to Acorn Ridge, Maine, where flighty fun-loving student Ruby Kaye finds her hedonistic lifestyle taking an abrupt left turn into chaos, after flirtatiously tricking brilliant but sheltered science geek Trevor Goldstein into giving her his latest invention: spectacles that give the wearer super-powers…

In rapid time and before the booze can really wear off, Ruby is patrolling town in a skimpy costume, saddled with an unwelcome code-name thanks to best friend and fellow usual suspect Summer James…

And that’s when it all gets real. Ruby sees one of the municipality’s genuine costumed do-gooders almost murdered by a genuine supervillain – and freezes. Ruby is an appalled and helpless witness to a brutal beating, after which almost-dead Neon Girl demands that neophyte Geek-Girl avenge her and bring the deadly Lightning Storm to justice…

So far so standard, right, but this author and his able co-creator Carlos Granda aren’t really about the fist-to-face action. This series concentrates more on superhero comics’ propensity for soap opera drama and laughs, particularly channelling the dynamic of shows like How I Met Your Mother and Friends.

As Ruby tries to focus on her mission, distractions like the college crowd, drinking, the guys and girls now constantly hitting on her, booze, that psycho Nina Dante, studies and late night partying all keep delaying her. Even top costumed champion Pit Bull is an inveterate booze hound and is soon also benched. Happily – or maybe not – Lightning Storm has her own agenda and isn’t the patient sort…

As opportunistic villains like Mr. Mash-up and Silver Speedz take advantage of the super power vacuum, Ruby’s social life gets increasingly complex but, ultimately, it’s bound to end in a big fight…

 

Set some later, second volume Crime War reveals that ‘There’s a New Geek in Town!’ as a slowly recuperating Ruby wallows in the aftereffects of a rather pyrrhic victory. While she’s bed bound in hospital Summer has been wearing the glasses and costume and proving to be a far more dedicated and effective crimebuster. All Ruby can do is fret and try to fend off the attentions of distinctly off-kilter frenemy Stacy and low watt bulbs Caitlin and Jennifer while the new Geek-Girl and her mentor Pit Bull clean up minor rogues such as The Cad.

Tragically, they’re not prepared for a concerted campaign from the League of Larcenists…

As events escalate, ‘Welcome Back Ruby’ sees the return of the original Geek, an emotional tussle for the super-spectacles, manic mecha combat on the streets of Acorn Ridge and even Nina Dante getting her own power upgrade in ‘The Welcoming Party’, all leading to an inevitable riotous assembly and a major smackdown in Maine…

With a gallery of variant covers by Granda, Iván Sarnago, William Calleja, this homegrown hero-fest is a splendidly engaging feast of straightforward super shenanigans and character driven fun every fan of the genre should see – if only to prove it’s not all about angst, adrenaline and bicep size.
™ & © 2017 & 2019 Sam Johnson & Markosia Enterprises Ltd. All Rights Reserved.

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Marney the Fox


By Scott M. Goodall & John Stokes (Rebellion Studios)
ISBN: 978-1-78108-598-1 (HB)

Win’s Christmas Gift Recommendation: Shocking, Unforgettable and Unmissable British Drama… 10/10

At first glance British comics prior to the advent of 2000AD seem to fall into fairly ironclad categories. Back then, you had genial and fantastic preschool fantasy, a large selection of adapted TV and media properties, action, adventure, war and comedy strands. A closer look though, would confirm that there was always a subversive undertone, especially in such antihero series as Dennis the Menace, The Spider or the early Steel Claw.

…And then there was Marney the Fox.

Created and scripted by prolific veteran Scott Goodall (Captain Hurricane, Kelly’s Eye, Cursitor Doom, Captain Scarlet and dozens more), the series ran in multipurpose anthology Buster from June 22nd 1974 to September 4th 1976 and – even in a weekly periodical notorious for its broad and seemingly mismatched mix of themes and features – stuck out like a sore thumb.

Not for any lack of quality, of course.

Compellingly scripted by Goodall and set in his beloved Devonshire country, the serial was lavishly, almost hauntingly illustrated by frequent collaborator John Stokes (Black Knight, Father Shandor, Maxwell Hawke, L.E.G.I.O.N., Aliens, Star Wars, The Invisibles), with whom the writer had already crafted for Buster seminal classics Fishboy and The War Children.

Marney the Fox was very much a passion project and a creature of its times. If you look at the ordering descriptions online or even revel in the gorgeous and serene cover embellishing this luxurious hardback or digital compilation, you might conclude it’s a natural history strip or animal adventure along the lines of Lassie or Black Beauty.

Don’t be deceived. The books you should be thinking of here are Ring of Bright Water, Tarka the Otter and A Kestrel for a Knave (or Kes, if you don’t read As Much As You Should, but do watch movies). The deftly-constructed atrocities beautifully limned in every 2-page monochrome instalment were – and remain – brilliant naturalist propaganda and should be mandatory reading for every person who lives in, near or with the natural environment…

For two years the trials and tribulations of barely-weaned orphan fox cub Marney the Wandering One were a painfully beautiful, harrowing account of the horrors rural folk – from poachers to soldiers on manoeuvres to roadbuilders to landed gentry and their bloody hounds – all casually inflicted on unwelcome wildlife and ones that must have traumatised and successfully indoctrinated a generation of kids.

From his first encounter with and narrow escape from despicable mankind, young Marney endures a ghastly litany of close shaves, bolstered by far too few happy, peaceful moments as he flees from crisis to crisis until mercifully finding refuge and contentment. I had to put that last bit in because this is a sublime piece of comics wonderment, that everybody should read, but the weekly cliff hangers and sheer mental and physical abuse the little guy barely survives every seven days would have Batman, Captain America and Judge Dredd rushing for Valium and comfort blankies in an instant…

So take it from me: the fox lives happily ever after, okay?

Augmented by an Introduction from John Stokes, this is magical and unique comics entertainment, suitably acid-coating the hard, harsh life of British wildlife and the ignorance and cruelty of many – but not all – people. It’s also a story you must see and will never forget.
™ & © 1974, 1975, 1976, & 2017 Rebellion Publishing Ltd. All Rights Reserved.

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The Impending Blindness of Billie Scott


By Zoe Thorogood (Avery Hill)
ISBN: 978-1-910395-56-1 (PB)

Win’s Christmas Gift Recommendation: A Topical Tale of Tragedy and Triumph Over Adversity… 9/10

I almost included this stunning debut in our Halloween horror program, but decided that no matter how disturbing the concept, this is essentially a very upbeat and joyous tale and one in need of being read on its own terms…

Zoe Thorogood is a young freelance artist and concept designer from Middlesbrough, who pays attention and thinks through what she conceives. That sounds overly obvious, but – speaking as an extremely aged freelance artist and concept designer from the halcyon days of social equality, equal opportunities and a sense of responsibility – it’s a rare level of consciousness that usually takes decades of mistakes to attain.

Having branched out into graphic novel storytelling, Thorogood has sagely stuck to what she knows for irony-drenched The Impending Blindness of Billie Scott. Here a struggling artist doubting and second-guessing her life in a poverty-afflicted northern town suddenly realises her greatest dream at the beginning of her career. After – incredibly – winning the “2020 New Artist of the Year Competition”, Billie is awarded her own gallery show of new works in London, and a guaranteed entrée to the shimmering world of the Art Business glitterati.

After an understandable moment of confusion and prevarication, she gets to work on the ten new paintings only to learn that she is going to abruptly, rapidly and incurably lose her sight in mere months…

Confronting her past and future, Billie packs up the bare essentials and heads on a pilgrimage to London, encountering and embracing the lowest tawdry dregs and survivors of modern society as she races to complete the last and most meaningful images she will ever see herself create…

Will she make it? Is it even worth the effort?

The concept isn’t new, but this delightful and evocative take on the Trials of Job is at its heart a delicious celebration of simple humanity and the fact that people are complex and must not be reduced to talking points for the worthy or used as PR fodder for governments who seek to equate being poor or nonconformist with criminality, deviancy, otherness or antisocial “unworthiness”.

…And, as every sanctimonious plutocrat, pious reformer or obsequious political self-server always seems to forget, if you push us too far for too long, eventually we rise…

In equal parts an examination of the creative impulse, indictment of Post-Austerity Britain and affirmation of the human spirit, this book is also a captivating tale beautifully rendered in smart line, restricted palettes and – when most impactful – glorious full colour. Positively Dickensian in tone, sublimely modernistic in delivery and splendidly displaying the community we all need to be, The Impending Blindness of Billie Scott is a damn fine read we all need to share.
© Zoe Thorogood 2020. All rights reserved.

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Sublife volumes 1 and 2


By John Pham (Fantagraphics Books)
ISBN-13: 978-1-56097-946-3 (TPB vol 1) 978-1-60699-309-5 (TPB vol 1)

Win’s Christmas Gift Recommendation: Because Excellence Cannot be Allowed to Wither… 9/10

Born in Saigon and raised in the USA, self-publishing wizard and minicomic genius John Pham joined with the wonderfully progressive Fantagraphics to release two volumes in a proposed twice-a-year book series dedicated to the sheer joy of pictorial storytelling in our modern, miracle-free world, blending joyous creation with incisive social interrogation. These astoundingly satisfying anthologies are still available in paperback or digital formats and if you or yours love the power of comics to engender reaction, they really belong with you….

The initial offering, a sublimely designed landscape-format tome printed in quirky two-tone (Magenta and Cyan combined to produce a huge variety of colours welcomingly familiar to anybody who grew up reading Beano or The Dandy) features a series of intertwined tales featuring the odd denizens of ‘221 Sycamore St.’

Poignant and surreal by turns, the lives of exhausted ‘Mildred Lee’, dubious stud ‘Vrej Sarkissian’, tragic and disturbing religious studies teacher ‘Hubie Winters’ and those guys ‘Los Hermanos Macdonald’ are a captivating and laconic examination of the kind of people you probably wouldn’t like or make time for…

The silent, deadly pantomime of the house cat seeking safety outside is worth the price of admission alone, but when the abstract and symbol-stuffed existences on display here shuffle into your head and just sit there twitching, you too will wonder how you ever got on without this on your “must-read” list.


The second volume dedicated to the sheer expressive joy of pictorial storytelling in our modern, wonder-deprived world, is also crafted in an immaculately designed landscape-format tome, printed in quirky two-tone (orange and blue here combined to produce a huge variety of colours) features another series of seemingly unconnected tales linked more by sensibility and tone rather than content.

After faux newspaper strip ‘Mort’ examines the passions of a failed blogger, the main experience begins with a continuation of ‘Deep Space’, wherein extraordinarily pedestrian star-farers strive to find their way home: a beautifully rendered piece reminiscent of a wistful Philippe Druillet, before resuming Pham’s exploration of the frankly peculiar residents of ‘221 Sycamore St.’

This time runaway teen Phineas sees a disturbing side to his cool uncles when they all go “dog-training”…

This leads into anti-elegiac autobiographical memoir ‘St. Ambrose 1984-1988’ before the majority of the volume recounts the adventures of ‘The Kid’: a practically wordless post-apocalyptic science fiction yarn. It deals with scavenging and the price of love, channelling of – and deeply respectful to – Mad Max, with perhaps just a touch of A Boy and his Dog thrown in, all drawn in a pencil-toned style that is both deeply poignant and powerfully gripping.

The volume fun finishes with nostalgic one-pager ‘Socko Sarkissian’: a fond paean to baseball’s greatest fictional Armenian batsman.

Seductive, quietly compulsive, authentically plebeian and surreal by turns, John Pham’s work is abstract, symbol-stuffed and penetratingly real. Fascinated by modern prejudices, he tells strange stories in comfortable ways and makes the bizarre commonplace without ever descending to histrionics: like a cosmic witness to everything you might or might not want to see.

If you’re wearied by mainstream comics but still love the medium too much to quit, you need to see these stories and refresh your visual palate. In fact, even if not, check out Sublife anyway, in case it’s your horizons not your tastes which need the attention…
© 2008, 2009 John Pham. All Rights Reserved.

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Two Dead


By Van Jensen & Nate Powell (Gallery 13/Simon & Schuster)
ISBN: 978-1-50116-895-6 (TPB)

Win’s Christmas Gift Recommendation: A Dark Winter’s Tale you must not miss… 9/10

It’s been a while since we covered a crime yarn and this new release looks like making a few well-deserved waves, so let’ go back a lifetime or two and look at events that have passed into history while regrettably remaining all too fresh, familiar and immediate… like any wound…

Before moving into screen scripting and writing comics and graphic novels such as Pinocchio, Vampire Slayer, Cryptocracy and Valkyrie Beer Delivery – as well as established properties like The Flash, Superman, Wonder Woman and James Bond, Van Jensen worked as a crime reporter for the Arkansas Democrat Gazette. It was there and while palling around with local cops that he first learned of this case. The facts never let go of him and, years later, with the stunning collaboration of multi award-winning cartoonist Nate Powell (March, Come Again, About Face, Any Empire, Swallow Me Whole, The Silence of Our Friends) the events were dramatized here as Two Dead.

Even after separating the True Crime nature of the story, this is a chilling and unforgettably potent crime noir examining institutional racism, police bias and Post Traumatic Stress Disorders through the lens of history. It’s set in Little Rock, Arkansas where recently demobbed war hero Gideon Kemp is starting his new job as a police detective. It’s October 1946 and the FBI-trained family man just wants to put his past behind him and do good.

He cannot, however, escape the pressure of a crushing and tragic mistake made during his service that still haunts him, blighting his days and nights…

From the start, the new job is a trial. Secretly enlisted by Mayor Sprick, Gideon is supposed to fight a deeply entranced organised crime presence in the town as a detective, while secretly getting the goods on his own boss. Veteran old school cop Abraham Bailey hasn’t met a problem yet that couldn’t be solved with volleys of gunfire and – despite being popular with the white voters in town – he’s becoming a problem for the powers that be.

Just how much so, and what ghosts and demons drive the ethically-challenged hardliner, neither conspirator can truly guess…

Little Rock is prosperous, growing and segregated, with a strong but hidden Klan presence. Across the poverty-ridden tracks, the coloured citizens live separate lives. Esau Davis makes ends meet here running errands and taking bets for mob chief Big Mike. He is well aware of the dangers of upsetting – or even being noticed by – white cops.

Originally the police had tried recruiting blacks into the force, but as they kept turning up dead, the authorities eventually let the program drop. Now Esau’s war hero brother Jacob tries to keep the peace in their part of town with an unpaid, unarmed volunteer militia, but they’re no match for gangsters or self-righteous police looking for easy arrests. They are especially unprepared for gun-happy Chief Bailey, who has an obsessive hatred of all criminals, likes keeping trophies of all his “justified” kills, and never met a door he couldn’t kick down or anybody who wasn’t guilty of something…

Every player is tormented by their own ghosts, but as Kemp and Bailey warily test each other out while successfully dogging the footsteps of the murderous mobster – who has his own appallingly bloody peccadillo to assuage – an uneasy trust is formed. Rather than expeditiously doing the Mayor’s bidding, by-the-book Gideon stalls and prevaricates as the war of decency against crime escalates, exposing corruption among the city’s leaders and dragging in honest Jacob, who is soon just another gun in Bailey’s relentless war.

With blood running and the death toll mounting, Gideon and Jacob are powerless to head off a brutal confrontation. It seems no one can atone or win achieve redemption here…

The ending is one you won’t forget…

Rendered by Powell in sepia and black line utilising a style gloriously reminiscent of classic Will Eisner, Two Dead is a superb and upsetting thriller, made irresistibly compelling by Jensen’s deft use of language, gift for building suspense and multiple narrative perspectives and, like all the great noir tales, revels in a world of villains with no heroes to balance them…
© 2019 by Blue Creek Creative, LLC and Nate Powell. All rights reserved.

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Mother Come Home


By Paul Hornschemeier (Fantagraphics Books)
ISBN: 978-1-56097-973-9 (HB) 978-1593070373 (PB)

Paul Hornschemeier is a Californian author, artist, musician and film maker whose non-comics work has appeared as far afield as in Life Magazine to The Wall Street Journal to McSweeney’s. He’s produced animations for TV, lectures on YouTube and is part of the Creative Writing Faculty of the University of Chicago. He is internationally renowned for his lectures on the philosophy of narrative and art creation.

Mother, Come Home originally ran in marvellous indie publication Forlorn Funnies, before being gathered into a lyrically stunning and dreamily magnetic exploration of grief and coping mechanisms in a soft cover collection in 2004. In 2009 Fantagraphics produced a beautiful and magnificent deluxe hardback edition of one of the best, most emotionally complex and graphically symbolic tales ever to grace our medium.

Tom is a seven-year old boy whose mother has just died. As his father David – a deeply intellectual college professor of symbolic logic – slowly retreats into a nervous collapse, the youngster assumes the household duties as much as he is able. Throughout his trials, the boy is bolstered by his love and sense of duty, as well as the innate half-world of fantasy that is the rightful domain of the very young.

Empowered by a dime-store lion-mask his mother bought him, Tom becomes the head of his diminished clan and guardian of the home… until his aunt and uncle discover how ill his father has become.

When David voluntarily commits himself to an institution, Tom goes to live with them, but dreams of reuniting with his true family; even planning a meticulous escape and joyous reunion. However, when he takes action the consequences are painfully revelatory, inevitably tragic and hauntingly real…

Rendered in a number of simple, powerful styles, utilising a mesmeric, muted colour palette to bind ostensibly neutral images (that nevertheless burn with a highly charged intensity) with a simplified heavy line, this subtle, seductive, domestic tragedy is a perfect example of how our medium can so powerfully layer levels of meaning and abstract a personal reality until it becomes greater than itself.

Deeply moving, monstrously deep and overwhelmingly simple, Mother, Come Home is a true classic and ranks beside such noteworthy pictorial novels as Maus, Barefoot Gen, Stuck Rubber Baby, Pride of Baghdad, Persepolis or My Favorite Thing is Monsters. This is a tale nobody could ever be embarrassed about reading, but they should feel ashamed if they haven’t…
© 2002, 2003, 2004, 2009 Paul Hornschemeier. All Rights Reserved.

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Victory Point


By Owen D. Pomery (Avery Hill Publishing)
ISBN: 978-1-91039-552-3 (PB)

No matter where we are or when, we are all tied to key places and past events. Many of us also include abstract input in that chain of memory. In my head, childhood events are stored away in the pictorial style of Kirby, Ditko, Dudley Watkins and Hergé…

That distant sense of place and the picture postcard, Ligne Claire image efficiency clearly also impacted the sensibilities of architect and comics creator Owen D. Pomeroy (Between the Billboards, The Megatherium Club Vl. 1: The Great Ape) who here conjures up the powerful forces of recall and anticipation for his new book Victory Point: a beguiling seaside odyssey of many minor events and major changes.

With overtones of David Hockney to accompany the magnificently simple and engaging pictures, the tale follows urban bookshop worker Ellen Small – or “Minnow” as her dad calls her – as she returns for a short visit to the quaint seaside town she grew up in.

As Minnow contemplatively revisits old haunts and uncomfortably fails to reconnect with old friends and childhood acquaintances who never escaped the quasi-resort’s gravity well, she ponders how outsiders regard this seemingly legendary location.

For architecture students Victory Point is an icon: a bold 1933 experiment in social planning, intended to create a new kind of town and a “modern way to live”. Dedicated to promoting ethnic diversity, it was only partially completed and abides now in a timeless, unchanging state…

Moved in ways she can’t really express, Minnow visits the promontory Observatory where her mother died so long ago; chatting to a village newcomer and her child before reliving her own youth via a covert skinny dip in her old hidden coastal cove. She ends up spending the night with Dad in their old house. All the time that she’s talking to strangers and those she knows best, Ellen is pondering a big, life-changing decision…

Contemplative and philosophical, this gentle confection evokes sun and sea, past holidays and tomorrow’s unknown demands in a manner that feels quintessentially English: an unforgettable hotchpotch of vacation light, candy floss and the smell of briny ocean and vinegary chips. It’s a heartfelt paean to a mythical past with buildings, landscape and environment playing the parts of the lead characters, and with blessed tomorrows informing how the future should unfold. This is a beautiful, evocative and utterly contemplative visual experience no one could possibly resist, and possibly all the vacation you’ll need this year…
© 2020 Owen D. Pomery.
Victory Point is scheduled for release on September 10th 2020 and available for pre-order now.

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Clara


By Cécile & Christophe Lemoine, translated by Kevin Sullivan (Europe Comics)
No ISBN: digital only

It’s a truly horrific realisation that 2020 has brought the concept of imminent mortality back to the forefront of societal consciousness in way we in the west thought gone with gaslight, horse-brasses and Victorian ornaments. Now you’re truly lucky indeed if death hasn’t touched you, your family or circle of friends.

So, with the subject now truly unavoidable, how do you explain it to those who most need to understand what as much as why things have suddenly changed?

Originally released in Europe in May 2012, Clara is a children’s comic book tackling exactly that thorny issue in a potent – but ultimately uplifting – fantasy splendidly reminiscent of kindergarten classic The Velveteen Rabbit…

Written by actor, novelist and script doctor Christophe Lemoine and illustrated by artist, cartoonist and designer Cécile Brosseau, the tale reveals how the idyllic life of a bright, imaginative seven-year old changes forever when her devoted mother receives some terrifying news from her doctors.

In the days before and after her mother’s death, little Clara experiences a wave of unwelcome and uncontrollable emotions, barely held in check by the attentions of her equally-shattered dad and grandmother and centred around the scruffy old doll mummy gave her before everything changed…

However, at her lowest point, a journey into a bleak and terrifying fantasy world offers Clara revelation and perspective to balance the loss and grief and provides a chance of working out for herself the mystery of being left behind…

Balancing the largely unformed emotions of a child suffering bereavement with the escapist fantasy of saving a cherished toy is not a new concept, but it’s done here with style, aplomb and scrupulous sensitivity. Lemoine & Cécile focus clearly and efficiently on their message that death is not abandonment: accepting that kids do not process reality the same way adults do, but never sugar-coating or downplaying the tragedy.

Clara is a powerful tale impeccably told and one many adults would be well-advised to add to their armoury of learning aids to life…
© 2016 – LE LOMBRD – CÉCILE & LEMOINE. All rights reserved.

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Giant


By Mikaël, translated by Matt Maden (NBM)
ISBN: 978-1-68112-253-3 (HB) eISBN: 978-1-68112-254-0

As a purported land of promises and untapped opportunity, America has always fascinated storytellers – especially comics-creators – from the “Old World” of Europe: an inclination and interest that has frequently delivered potent and rewarding results. This continentally-published yarn – by self-taught, multi-disciplined, multi award-winning French-born Québécois auteur Mikaël (Junior l’Aventurier, Rapa Nui, Promise) was first released by Dargaud in 2018 as two European albums and now breaks into English via a monolithically oversized hardback (229 x 305mm) edition that gets the entire story done-in-one.

Everything about this stylish Depression-era drama is big and powerfully mythic. In March 1932, with poverty wracking the nation and the world, and Herbert Hoover dreading the upcoming Presidential election, immigrants and natives flock to Manhattan and the bustling, dangerous construction site that will one day be Rockerfeller Center. Casualties are high as we focus on the Irish contingent rushing daily into the skies to rivet and weld a concrete and steel colossus into New York City’s ever-changing skyline.

The story unfolds through the eyes of fresh-off-the-boat new recruit Dan Shackleton who joins the crew after the death of “high-steel” man Ryan Murphy. Dan is a garrulous, easy-going son-of-the-sod, but even he has difficulty befriending the taciturn, thoughtful, barely-human behemoth everyone calls Giant. A formidable worker, Giant lives in a grubby flop-house and keeps to himself, but affable Dan persists and eventually the big man almost-imperceptibly thaws – at least enough that Shackleton becomes unwitting witness to a strange ritual…

Hiding a tragic secret that dates back to the recent Irish War of Independence, the Big Man is a solitary creature of fiercely controlled passions who keeps his every opinion to himself. A dutiful worker, Giant was given the task of informing Murphy’s widow in Ireland when he died. Instead, he began impersonating the dead man in a string of letters containing the bulk of his own carefully-hoarded wages and savings. Over months, a bizarre one-sided relationship develops that metastasizes into a full-blown crisis after the silent bruiser falls foul of organised crime. When the letters and money stop, Mary Ann Murphy and her children take ship for America to be reunited with her beloved husband. As the wounded colossus recuperates, he has no idea of the troubles that are heading his way…

Tapping into a wealth of powerful socially-crusading movies that have immortalised pre-WWII America and packed with period detail and mythology, pungent political commentary, a broad cast of moving characters and timeless drama, this is a human-scaled tale playing out amongst mighty edifices – both human and architectural – with warmth, passion, humour and beguiling humanity.

Supplemented with an Introduction by Jean-Louis Tripp and a stunning selection of production sketches, covers and other art, Giant is a stunning saga of uncommon folk in perilous times and one no lover of grand stories could possibly resist.
© 2018 Dargaud-Benelux. © 2020 NBM for the English Translation. All rights reserved.

Giant is scheduled for UK release April 23rd 2020 and is available for pre-order now.
Most NBM books are also available in digital formats. For more information and other great reads go to NBM Publishing at nbmpub.com.